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The Joshua Tree (Super Deluxe) (Pre-Order)Super Deluxe Edition Celebrating The 30th Anniversary Of U2's The Joshua Tree
Housed In A Box Adorned With An Embossed Gold Foil Joshua Tree Icon
7 Pieces Of Original, Live, And Unreleased Recordings On 180-Gram Vinyl
Featuring The Joshua Tree - Photographs By The Edge, An 84-Page Hardback Book Of Personal Never-Before-Seen Photography By The Edge
Also Includes A Folio Of 8 Rare 12" Anton Corbijn Color Prints
In celebration of the Joshua Tree's 30th anniversary, U2 and Island Records present The Joshua Tree: Super Deluxe Edition. Housed in a box adorned with an embossed gold foil Joshua Tree icon, the set includes 7 pieces of original, live and unreleased recordings on 12" 180-gram vinyl:
• The Joshua Tree double album (gatefold)
• The Joshua Tree Live at Madison Square Garden double album 1987 (gatefold)
• The Joshua Tree Remixes
• The Joshua Tree Outtakes
• The Joshua Tree B-Sides
The box set also includes The Joshua Tree - Photographs by The Edge, an 84-page hardback book of personal never-before-seen photography by The Edge, taken during the original Mojave Desert Joshua Tree shoot in 1986, as well as a folio of 8 rare 12" Anton Corbijn color prints.The Joshua Tree
1. Where The Streets Have No Name
2. I Still Haven't Found What I'm Looking For
3. With Or Without You
4. Bullet The Blue Sky
5. Running To Stand Still
1. Red Hill Mining Town
2. In God's Country
3. Trip Through Your Wires
4. One Tree Hill
6. Mothers Of The Disappeared
The Joshua Tree: Live at Madison Square Garden 1987
1. Where The Streets Have No Name
2. I Will Follow
3. Trip Through Your Wires
4. I Still Haven't Found What I'm Looking For
6. Bullet The Blue Sky
7. Running To Stand Still
8. In God's Country
9. Sunday Bloody Sunday
3. New Year's Day
4. Pride (In The Name Of Love)
5. With Or Without You
6. Party Girl
7. I Still Haven't Found What I'm Looking For
The Joshua Tree: Remixes, Outakes & B-Sides
LP 1: Remixes
1. One Tree Hill (St Francis Hotel Remix)
2. Bullet The Blue Sky (Jacknife Lee Remix)
3. Running To Stand Still (Daniel Lanois Remix)
4. Red Hill Mining Town (Steve Lillywhite 2017 Mix)
5. With Or Without You (Daniel Lanois Remix)
6. Where The Streets Have No Name (Flood Remix)
LP 2: Outtakes
1. I Still Haven't Found What I'm Looking For (Lillywhite Alternative Mix '87)
2. One Tree Hill Reprise (Brian Eno 2017 Mix)
3. Silver and Gold (Sun City)
4. Beautiful Ghost/Introduction To Songs Of Experience
5. Wave Of Sorrow (Birdland)
6. Desert Of Our Love
7. Rise Up
8. Drunk Chicken/America
LP 3: B-Sides
1. Luminous Times (Hold On To Love)
2. Walk To The Water
3. Spanish Eyes
4. Deep In The Heart
5. Silver And Gold
6. Sweetest Thing
7. Race Against Time$197.99180 Gram Audiophile Virgin Vinyl LP Box Set + Book - 7 LPs Sealed PRE-ORDER Buy Now
How To Dismantle An Atomic Bomb (Pre-Order)How to Dismantle an Atomic Bomb is the eleventh studio album by Irish rock band U2. It was originally released on November 22nd, 2004 on Island Records and Interscope Records and features the singles Vertigo, Sometimes You Can't Make It On Your Own, City Of Blinding Lights, All Because of You, and Original of the Species.
Much like their previous album, All That You Can't Leave Behind, How to Dismantle an Atomic Bomb exhibits a more mainstream rock sound after the band experimented with alternative rock and dance music in the 1990s. The album was produced by Steve Lillywhite, with additional production from Chris Thomas, Jacknife Lee, Nellee Hooper, Flood, Daniel Lanois, Brian Eno, and Carl Glanville.1. Vertigo
2. Miracle Drug
3. Sometimes You Can't Make It On Your Own
4. Love And Peace Or Else
5. City Of Blinding Lights
6. All Because Of You
7. A Man And A Woman
8. Crumbs From Your Table
9. One Step Closer
10. Original Of The Species
11. Yahweh$24.99Vinyl LP - Sealed PRE-ORDER Buy Now
Vinyl collection of 18 of the best tracks spanning the first 25 years of U2's amazing career.LP 1
1. Beautiful Day
2. I Still Haven't Found What I'm Looking For
3. Pride (In The Name Of Love)
4. With Or Without You
6. New Year's Day
7. Mysterious Ways
8. Stuck In A Moment You Can't Get Out Of
1. Where The Streets Have No Name
2. Sweetest Thing
3. Sunday Bloody Sunday
6. Walk On
8. Sometimes You Can't Make It On Your Own
9. The Saints Are Coming (U2 and Green Day)
10. Window In The Skies$39.99Vinyl LP -2 LPs Sealed Buy Now
Joshua Tree (Awaiting Repress)Ranked 26/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
2 180 Gram LPs
12 x 12 14-Page Color Booklet featuring Lyrics and The Joshua Tree History
The Joshua Tree is the fifth studio album by rock band U2. Produced by Daniel Lanois and Brian Eno, it was released on 9 March 1987 by Island Records. In contrast to the ambient experimentation of their 1984 release, The Unforgettable Fire, on The Joshua Tree U2 aimed for a harder-hitting sound within the limitation of conventional song structures. The album is influenced by American and Irish roots music, and depicts the band's love-hate relationship with the United States, with socially and politically conscious lyrics embellished with spiritual imagery.
Inspired by American tour experiences, literature, and politics, U2 chose America as a theme for the record. Recording began in January 1986 in Ireland, and to foster a relaxed, creative atmosphere, the group recorded in two houses, in addition to two professional studios. Several events during the sessions helped shape the conscious tone of the album, including the band's participation in A Conspiracy of Hope tour, the death of roadie Greg Carroll, and lead vocalist Bono's travels to Central America. Recording was completed in November 1986; additional production continued into January 1987. Throughout the sessions, U2 sought a cinematic quality for the record, one that would evoke a sense of location, in particular, the open spaces of America. They represented this in the sleeve photography depicting them in American desert landscapes.
The Joshua Tree received critical acclaim, topped the charts in over 20 countries, and sold in record-breaking numbers. According to Rolling Stone, the album increased the band's stature from heroes to superstars. It produced the hit singles With or Without You, I Still Haven't Found What I'm Looking For, and Where the Streets Have No Name. The album won Grammy Awards for Album of the Year and Best Rock Performance by a Duo or Group with Vocal in 1988. The group supported the record with the Joshua Tree Tour throughout 1987. Frequently featured on critics' lists of rock's greatest records, The Joshua Tree is one of the world's best-selling albums, with over 25 million copies sold. In 2007, U2 released a remastered edition of the record to commemorate its 20th anniversary.1. Where the Streets Have No Name
2. I Still Haven't Found What I'm Looking For
3. With or Without You
4. Bullet the Blue Sky
5. Running to Stand Still
6. Red Hill Mining Town
7. In God's Country
8. Trip Through Your Wires
9. One Tree Hill
11. Mothers of the Disappeared$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
WarRanked 221/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
2008 digitally remastered vinyl LP pressing of the Irish wonders' third album, originally released in 1983. 10 tracks including 'New Year's Day', 'Sunday Bloody Sunday', 'Two Hearts Beat As One' and more. Universal.1. Sunday Bloody Sunday
3. New Year's Day
4. Like a Song
5. Drowning Man
7. Two Hearts Beat as One
8. Red Light
10. 40$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Under A Blood Red SkyFollowing the release of the remastered versions of U2's War, October and Boy comes the band's 1983 live album Under a Blood Red Sky. Comprised of live recordings from three shows on U2's War Tour through Europe and America including such classics as New Year's Day and Sunday Bloody Sunday. Now available here on heavyweight virgin vinyl LP.1. Gloria
2. 11 O'Clock Tick Tock
3. I Will Follow
4. Party Girl
5. Sunday Bloody Sunday
6. The Electric Co.
7. New Year's Day
8. 40$24.99Vinyl LP - Sealed Buy Now
Ranked 110/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Pablo Honey in no way was adequate preparation for its epic, sprawling follow-up, The Bends. Building from the sweeping, three-guitar attack that punctuated the best moments of Pablo Honey, Radiohead create a grand and forceful sound that nevertheless resonates with anguish and despair -- it's cerebral anthemic rock. Occasionally, the album displays its influences, whether it's U2, Pink Floyd, R.E.M., or the Pixies, but Radiohead turn clichÉs inside out, making each song sound bracingly fresh. Thom Yorke's tortured lyrics give the album a melancholy undercurrent, as does the surging, textured music. But what makes The Bends so remarkable is that it marries such ambitious, and often challenging, instrumental soundscapes to songs that are at their cores hauntingly melodic and accessible. It makes the record compelling upon first listen, but it reveals new details with each listen, and soon it becomes apparent that with The Bends, Radiohead have reinvented anthemic rock.
- Stephen Thomas Erlewine (All Music Guide)1. Planet Telex
2. The Bends
3. High And Dry
4. Fake Plastic Trees
6. (Nice Dream)
7. Just (You Do It To Yourself)
8. My Iron Lung
9. Bullet Proof...I Wish I Was
10. Black Star
12. Street Spirit (Fade Out)$22.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
VenturaIn 2010, Antoine Hilaire and Florent Lyonnet released the first Jamaica album. Produced by Peter Franco, an American engineer known for his work with Daft Punk and Xavier de Rosnay, one half of Justice, 'No Problem' is boosted by a terrific single: 'I Think I Like U 2. Jamaica is taking off. Followed an almost two year tour, more than 150 shows around the world, and success from Paris to Tokyo.
Jamaica felt ambitious when it was time to start working on their second album, without any weight or pressure : "On the contrary! We felt extremely light. We only realised that in a way we had to write our second first album."
They started writing 'Ventura' in Paris, knowing they would start recording in Los Angeles, fed by both fantasies of American culture, gathered from records or movies, and the reality they discovered while touring several months in the U.S. "We often played in the U.S. during our first tour, and America as we know it now is not only spectacular and Hollywood-centered. It's also filled with clubs and cranked up amps."
When they tell about the month they spent with Peter Franco in a rented house in Los Angeles to give life to their new songs, Antoine and Florent mention a discovery in a literal sense: "We thought about for a while naming this album 'Pinta, Nina, Santa Maria', like Christopher Columbus's ships." In the end, they named it 'Ventura'. For the musicians, the name reminds of its literal translation of "luck" and "fate", but also of the 72 Pontiac and of course, of Ventura Boulevard, one of the biggest roads in the San Fernando valley. It's also on Ventura Boulevard that Peter Franco set a house into a studio, where Jamaica locked itself for a month, surrounded by instruments borrowed from local musician friends, sometimes recording vocal takes while friends would walk across the living room to get fresh beverages from the fridge, heading to the pool.
The duo is greeted with prestigious guests. One day, Tunde Adebimpe, TV On The Radio singer, sings soulful and worried vocals on 'Golden Times', another day, Chris Caswell, longtime collaborator of Paul Williams's gives them a hand with a few keyboard arrangements. Their friend DVNO writes and sings the song 'Goodbye Friday' with them in a few simple and entertaining work sessions.
Jamaica comes back to Paris, where Antoine and Florent take back the numerous tracks recorded in the U.S., helped by their producer friend Samy Osta and his 2001 studio. They listen, select, arrange the many layers of music Peter Franco led them to gather, under the influence of his recent work on Daft Punk's 'Random Access Memories'.
Jamaica then settles in the Paris studio Tranquille Le Chat, where the owner Laurent d'HerbÉcourt just finished the recording of Phoenix's 'Bankrupt!'. Antoine and Florent find the perfect place to finish their record: it is bathed in daylight thanks to three large windows, which is seldom found in a studio. "To us, 'No Problem' shows a clubby and nightly aspect of the band, while 'Ventura' is meant to be the daylight album for Jamaica."
The band came in to record a few tracks, but never left the place or Laurent d'HerbÉcourt. They kept pushing in the direction they fancied in Los Angeles, helped by the huge Neve mixing desk that stands in the middle of the studio. The intent was to create a new depth to the band's sound, mixing electronic habits and an almost magical approach to analogue gear: "Depending on the moment of the day, the sound of analogue gear changes, machines heat up, like living things. It was very exciting for us, Jamaica being usually digitally driven."
Antoine and Florent's belief in a more organic sound was strengthened by Laurent d'HerbÉcourt: "While mixing, he definitely pushed us further towards a "radio" oriented direction, in the most noble and Fleetwood Mac sense of the word. A sunny pop that hides more sensibility when one really pays attention."
Songs like 'Two on Two', 'Golden Times', 'All Inclusive' or 'Ferris Wheeler' are fueled by this feel good music to listen to while driving along the Pacific Ocean. Other tracks reveal new leads for Jamaica, from 'Turbo' and 'Same Smile's' post surf music to 'Rushmore's' power balladry.
On the album cover stand the two Jamaica members, in a desert, in front of a plane and a wall made of guitar amps. Ready to take off?1. Two on Two
2. Hello Again
4. Golden Times
5. All Inclusive
6. Ferris Wheeler
7. High Then Low
11. Same Smile
12. Goodbye Friday$22.99Vinyl LP - Sealed Buy Now
In The Beginning...Widely considered one of the greatest songwriters of his generation, Townes Van Zandt has been hailed by such singers as Steve Earle, Emmylou Harris and Willie Nelson. Fat Possum is proud to reissue In The Beginning, a collection of ten recordings produced by Jack Clement (Johnny Cash, U2, Waylon Jennings) in 1966. Recorded almost two years before the original release of For Sake Of The Song, this is Townes in his original element and already writing about drifters, losers and gamblers.Black Widow Blues
Hunger Child Blues
Waitin' for the Day
Black Jack Mama
When Your Dream Lovers Die
Big Country Blues
Black Crow Blues$16.99Vinyl LP - Sealed Buy Now
Listen Like ThievesListen Like Thieves on Numbered Limited Edition LP from Mobile Fidelity Silver Label
Breakthrough 1985 Album Charted Three Great Singles
Australian Band Finds Its Groove With Bluesy Grooves, Pop Hooks
Includes "What You Need," "Listen Like Thieves," and "Kiss the Dirt"
Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI
True to the title of the record's smash single, INXS gives you what you need on Listen Like Thieves. Originally released in 1985, the breakthrough album marked the group's deserved entrance into the mainstream radio sphere and commercial charts. With its sound honed from prior records, INXS develops an enviably balanced combination of dance grooves, bluesy persuasion, acoustic framing, and pop bluster on this batch of supremely catchy fare, equally memorable for its melodic nature and stylistic fusion.
Working with producer Chris Thomas (John Cale, Pete Townshend, Roxy Music), INXS expands its versatility and reach. Vocalist Michael Hutchence, too, comes into his own, singing more confidently, soulfully, and warmly than in the past. While avoiding cheap imitation, the Aussies turn to the Rolling Stones as influences, churning out thick riffs and slithering rhythms that aim for the hips and stimulate the feet. Hutchence splits the difference between the sexual bravado of Mick Jagger and primal depth of Jim Morrison, and in doing so, establishes himself as an original who's always careful not to overdo anything or overstay his welcome.
Bolstered by a series of can't-miss singles-the swaggeringly funky "What You Need," sharp thrust of "Listen Like Thieves," and wistful "Kiss the Dirt"-Listen Like Thieves teems with glorious hooks and intertwining instrumentation that cross-pollinates jazz, R&B, new-wave, and pub rock. Honking saxophone lines surge throughout, punctuating the spare chords and driving bridges with an insouciant edge missing from most of the decade's pop. A knack for atmospheric production also plays a large role. On "Shine Like It Does," a majestic moodiness takes hold, while "This Time" gives U2 a run for its money.
Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, Silver Series' numbered limited edition LP significantly enhances the midband, textural qualities, and ample spaciousness-all previously boxed-in on prior editions. The character of the bass notes, as well as the depth and breathiness of the vocals are also noticeably improved, bringing out the music's personality and dynamics like never before.
This title is not eligible for discount.1. What You Need
2. Listen Like Thieves
3. Kiss the Dirt (Falling Down the Mountain)
4. Shine Like It Does
5. Good & Bad Times
6. Biting Bullets
7. This Time
8. Three Sisters
9. Same Direction
10. One X One
11. Red Red Sun$24.99Vinyl LP - Sealed Buy Now
BoyRanked 417/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
There's little in U2's 1980 debut to suggest that this was a band bent on world domination. Indeed, there's a charming, if naive, coming-of-age urgency in songs such as 'I Will Follow,' 'Stories for Boys' and 'Out of Control' that may startle listeners more familiar with U2's latter-day bombast and stadium-scale theatrics. Bono's viewpoint, still tantalizingly vague and wide-eyed, showed that his penchant for strident polemics hadn't yet gotten the best of him; his anthems are those of a yearning Dubliner barely out of his teens rather than those of a world-weary multimillionaire. The band's sometimes-ragged musical chops work in its favor here, gently burnished to then-fresh new-wave sheen by producer Steve Lillywhite. If the Edge's dense, effects-laden guitar work seems overly familiar, it's only because this album was such a key influence on the whole 'rock of the '80s' sound. Though not quite as moody or musically accomplished as October, arguably the band's first masterpiece, Boy still ranks as one of U2's best albums.1. I Will Follow
3. An Cat Dubh
4. Into The Heart
5. Out Of Control
6. Stories For Boys
7. The Ocean
8. A Day Without Me
9. Another Time, Another Place
10. The Electric Co.
11. Shadows And Tall Trees$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
UNIM-NUL-7822xNine Inch Nails
Pretty Hate Machine (2010 Remaster)Fans can now revisit the conception of Nine Inch Nails. Trent Reznor's Null Corporation has teamed up with UMe/The Bicycle Music Company to release Pretty Hate Machine: 2010 Remaster on 12/7/2010. After completing the score for David Fincher's The Social Network, Reznor oversaw the digital remastering of Pretty Hate Machine from the newly unearthed original tapes with engineer Tom Baker (whose NIN credits include The Downward Spiral, Broken, The Fragile, With Teeth and Ghosts). This remastered version includes an eleventh track, a cover of Queen's Get Down Make Love, originally the B-side to the Sin single and produced by Al Jourgensen. Rob Sheridan, NIN's longtime art director, has also re-imagined the packaging of Pretty Hate Machine under Reznor's supervision.
As a young musician in Cleveland, Ohia, Reznor took a job at a local recording studio and employed unused studio time to develop his own material. The nascent album was later recorded with his favorite producers including Flood/Mark Ellis (U2, Depeche Mode, PJ Harvey), John Fryer (Cocteau Twins, This Mortal Coil), Adrian Sherwood (Ministry, Cabaret Voltaire) and Keith LeBlanc (Trackhead). The result was the first Nine Inch Nails album, 1989's Pretty Hate Machine. All songs were written, arranged, programmed and performed by Reznor. The album featured the breakthrough singles Sin, Down In It and Head Like A Hole, and ultimately sold over 3 million copies, reaching Triple Platinum sales status. In the wake of the album's inital underground success, NIN soon developed a reputation as one of the best live acts in rock and jointed the inaugural Lollapalooza tour in 1991. NIN have since sold more than 18 million albums, collected Grammy Awards and headline arenas, amphitheaters and festivals worldwide.
The Bicycle Music Company acquired the rights to Pretty Hate Machine from a division of Prudential Securities in the spring of 2010. It was Bicycle's intention from the onset to enable Reznor to regain some control of this lost piece of NIN's legacy, resulting in this artist approved 2010 reissue of one of music's most groundbreaking and influential albums. Note: The previous CD version was reissued in 2005 but was not overseen by Reznor and is now out of print.
Reznor is currently working on new music as a member of the group How To Destroy Angels, continuing his Nine Inch Nails efforts and composing for future film score projects.1. Head Like A Hole
2. Terrible Lie
3. Down In It
5. Something I Can Never Have
6. Kinda I Want To
8. That's What I Get
9. The Only Time
11.Get Down Make Love (Bonus Track in 2010 Reissue)$34.99Vinyl LP - 2 LPs - Sealed Buy Now
Reissued On 180gm Vinyl, With Original Artwork And Audio Cut From 2002 Digital Remaster
Available On Vinyl For The First Time
The Waterboys' eponymous debut album finds Mike Scott essaying his vision of big music. Part Van Morrison, part U2, it was sweeping and romantic, with nearly every song stretched out to epic length.
- Stephen Thomas Erlewine (All Music Guide)1. December (2002 - Remaster)
2. A Girl Called Johnny (2002 - Remaster)
3. The Three Day Man (2002 - Remaster)
4. Gala (Unedited; 2002 - Remaster)
5. I Will Not Follow (2002 - Remaster)
6. It Should Have Been You (2002 - Remaster)
7. The Girl In The Swing (2002 - Remaster)
8. Savage Earth Heart (2002 - Remaster)$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Pretty Hate MachineAs a young musician in Cleveland, Ohio, Trent Reznor took a job at a local recording studio and employed unused studio time to develop his own material. The nascent album was later recorded with his favorite producers including Flood/Mark Ellis (U2, Depeche Mode, PJ Harvey), John Fryer (Cocteau Twins, This Mortal Coil), Adrian Sherwood (Ministry, Cabaret Voltaire) and Keith LeBlanc (Tackhead).
The result was the first Nine Inch Nails album, 1989's Pretty Hate Machine. All songs were written, arranged, programmed and performed by Reznor. The album features the breakthrough singles Sin, Down In It and Head Like A Hole and ultimately sold over 3 million copies, reaching Triple Platinum sales status.=1. Head Like A Hole
2. Terrible Lie
3. Down In It
5. Something I Can Never Have
6. Kinda I Want To
8. That's What I Get
9. The Only Time
10. Ringfinger$21.99Vinyl LP - Sealed Buy Now
On The RadioImport
Green Colored Vinyl
First release for legendary live broadcast of this early Green Day performance - features rare live versions of much of Green Day's pre-Dookie catalogue!
It was during their tour in support of Kerplunk that the band played an in-house set on May 28th at legendary New Jersey station WMFU FM, which was broadcast live. With a song list predominately made up of tracks from their first two albums and early EPs, the performance, featured in full on this LP, offers a perfect retrospective of their early career.
An intimate event without an audience, save for DJs and technicians, the band still play in a typically exhilarating manner for close to 70 minutes, during which, in addition to their own multiple compositions, covers of numbers originally by fellow local bands Operation Ivy and Fifteen are included.
In the near 20 years since this startling performance took place, Green Day have become among the finest Rock bands ever to emerge and now reside in the same league as greats like U2, Queen or Metallica, but listening to this recording now, helps to remember that Green Day have always been great, and its looking unlikely that this status will slip anytime soon.
- 2LP 1,000 only limited edition on green vinyl
1. Dont Leave Me
2. 409 In Your Coffeemaker
3. Welcome To Paradise
4. 2000 Light Years Away
5. At The Library
6. 80 3:35
7. The Judges Daughter
8. Christie Road
9. Only Of You
10. Who Wrote Holden Cauldfield?
1. Going To Pasalacqua
3. Paper Lanterns
4. C Yo Yus
6. One Of My Lies
7. Dominated Love Slave
8. All By Myself
10. Words I Might Have Ate$34.99140 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
American III: Solitary Man (Awaiting Repress)For younger generations of musicians, having their song cut by Johnny Cash must be a little like scaling the Washington Monument. On his third album
for producer Rick Rubin's American label, Cash makes Tom Petty's I Won't Back Down sound like a companion classic to I Walk the Line. He
transforms U2's One into a sturdy testament of plainspoken faith, while he plumbs the netherworld of Nick Cave's The Mercy Seat and Will Oldham's I
See a Darkness. Amid more familiar fare (including Neil Diamond's title track), the album's sing-along standout is the deadpan, down-and-out, talking
blues of Nobody. Cash's recent originals have the age-old purity of Appalachian music, while the traditional closing of Wayfaring Stranger offers
bittersweet benediction. Merle Haggard, Sheryl Crow, and June Carter Cash provide vocal cameos. -Don McLeese
Recorded at The Cash Cabin Studio, Hendersonville, Tennessee and The Akademie Mathematique Of Philosophical Sound Research, Los Angeles,
California.Includes liner notes by Johnny Cash.Solitary Man won the 2001 Grammy Award for Best Male Country Vocal Performance. AMERICAN III
was nominated for the 2001 Grammy Award for Best Contemporary Folk Album.1. I Won't Back Down
2. Solitary Man
3. That Lucky Old Sun (Just Rolls Around Heaven All Day)
6. I See A Darkness
7. The Mercy Seat
8. Would You Lay With Me (In A Field Of Stone)
9. Field Of Diamonds
10. Before My Time
11. Country Trash
12. Mary Of The Wild Moor
13. I'm Leavin' Now
14. Wayfaring Stranger$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
The Unforgettable Fire (Awaiting Repress)Remastered
The Unforgettable Fire is U2's first album featuring the production team of Brian Eno and Daniel Lanois. Moody gems such as A Sort of Homecoming and the entrancing Bad set the table for more explosive fare such as Pride, Wire, and the title track. This is the album that made U2 a career act, showing that their music could grow by leaps and bounds, even at the hand of another, without sacrificing its soul.
Features the original 10-track album on one 180g heavyweight vinyl LP plus a 16-page booklet.1. A Sort Of Homecoming
2. Pride (In The Name Of Love)
4. The Unforgettable Fire
6. 4th Of July
8. Indian Summer Sky
9. Elvis Presley And America
10. MLK$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Oh MercyReleased in 1989, Oh Mercy found Bob Dylan at the top of his game. Widely regarded as his best album in over a decade, Oh Mercy reaches back to Dylan's artfulness from his early years. Lyrically, the album boasts a healthy mix of social works, love songs and poetical subject matter. Especially the laidback and airy production by Daniel Lanois (whose CV mentions U2's Joshua Tree, Album Of The Year in 1988) makes Oh Mercy undoubtedly the pinnacle of Bob Dylan's eighties output!1. Political World
2. Where Teardrops Fall
3. Everything Is Broken
4. Ring Them Bells
5. Man In The Long Black Coat
6. Most Of The Time
7. What Good Am I?
8. Disease Of Conceit
9. What Was It You Wanted
10. Shooting Star$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
My Father's PlaceThis superb live recording is from late 1977 and finds Tom holding court in fine style at legendary New York venue, My Father's Place. Despite its small capacity - circa 400 people - this humble abode hosted shows by superstars like Bruce Springsteen, Billy Joel, Bob Marley, The Ramones and U2 during the 16 years it was open for business (1971-1987). It was also a hugely popular recording location for Long Island's revered WLIR radio station, who broadcast the show across the airwaves.LP1
1. Standin' On The Corner (Live)
2. I Never Talk To Strangers (Live)
3. Pasties And G-Strings (Live)
4. Invitation To The Blues/Eggs And Sausage (Live)
5. Jitterbug Boy (Live)
6. Step Right Up (Live)
1. I Wish I Was In New Orleans/Small Change (Live)
2. The Piano Has Been Drinking (Live)
3. Emotional Weather Report (Live)
4. Muriel (Live)
5. Jack & Neal/California, Here I Come (Live)
6. Tom Traubert's Blues (Live)$34.99Vinyl LP - 2 LPs Sealed Buy Now
Sueno De La MaquinaLatin GRAMMY nominees Kinky's new album 'Sueño de la Maquina' was produced and mixed by legendary Dust Brother, John King, who has produced Beck, Rolling Stones and Beastie Boys. The album was mastered by Howie Weinberg, whose credits include iconic albums like Red Hot Chili Peppers' Blood Sugar Sex Magik, Nirvana's Nevermind and U2's Pop.
More than 10 years ago, Kinky submitted a demo to the Latin Alternative Music Conference (LAMC), where they ended up winning the conference's prestigious LAMC Discovery Contest. At LAMC, Kinky first connected with British producer Chris Allison (The Beta Band, Coldplay) and recorded their self-titled debut album, which was received with rave reviews from both international and domestic press. The album featured massive hit songs such as "Mas" and "Soun Tha Mi Primer Amor".
Kinky's music has been featured in numerous soundtracks, TV commercials (Motorola, Smirnoff Ice, Nissan, Honda), and video games like EA Sports
'FIFA and Tiger Woods' PGA Tour. The band's popularity is palpable in each of its concerts. Their popular live shows have allowed the band to tour around the world, performing at Coachella, New Orleans' Jazz Fest, Voodoo Fest, Bumbershoot, Outside Lands and many more.1. Inmovil
3. Negro Dia
5. Despues Del After
6. Alma De Neon
8. Back in 1999
9. Se Borro La Noche
10. Control$16.99Vinyl LP - Sealed Buy Now
UltraUltra is the ninth studio album by English electronic group Depeche Mode, which was originally released by Mute Records on 14 April 1997
Ultra both reprises an earlier Mode and entices with a taste of Modes to come. The band has wisely left behind the forced arena rock of their last album and evolved towards a more richly nuanced hybrid of conventional and electronic instrumentation. The resulting sound is both engaging in its diversity and surprising in its consistency. The aplomb with which Depeche Mode fuses electronic beats, cascading violins, and guitar hooks into a soulful and coherent whole puts the new techno-geek incarnation of U2 to shame. Where U2's Pop! crashes waves of sound upon the listener, Ultra achieves an equally rich sonic texture through delicacy and understatement.
Lyrically and musically, Ultra depicts the band grappling with its recent scars, particularly Gahan's smack problem. From the self-loathing and acoustic turbulence of Barrel of a Gun, the first sequel, to the mechanical gurgling of the outro, Painkiller, the shadow of a syringe falls over the album. Gahan sings of a vicious appetite and pines for the spirit of love with an earnest intensity that usually overcomes Gore's occasionally banal lyrics. His high register and emotionally laden delivery on songs such as Love Thieves and Sister of Night (Little 15 redux) are reminiscent of the days of See You and Get the Balance Right, before Gahan settled into the deadpan baritone croon that carries most of the Mode's later hits.
Perhaps due to the band's travails, Ultra is the most experimental Mode album since 1983's A Broken Frame, when these same three fellows lost their leading songwriter, Vince Clarke, to Yaz (and subsequently Erasure). As a result, with the exception of It's No Good, a catchy and confident tune that's A-1 formula Mode, there's no hit single potential on Ultra. There are, however, a good number of interesting songs that gradually seep into your system. The Bottom Line finds Gore at his most emotive, once again singing the bittersweet woes of infatuation over an aural fabric that alternates between jazz trio cool, electropop bounce, and country twang. With arpeggiating violins and arena-rock-style guitar bridges, Home is an intriguing Disneyesque ditty. And both Jazz Thieves and Uselink prove that the Mode haven't lost their knack for atmospheric instrumentals.
- Kevin C. Murphy1. Barrel Of A Gun
2. Love Thieves
4. It's No Good
7. Sister Of Night
8. Jazz Thieves
10. Bottom Line
11. Insight$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
MUSD-MFSL-0076xEcho And The Bunnymen
Heaven Up HereNumbered Limited Edition
Ranked 471/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
English Band's 1981 Sophomore Record A Superbly Articulate Expression of Post-Punk Gloom, Despair, and Melancholy That's Shot Through With Hope
Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI (America's Best Record Plant): LP Illuminates Myriad Textures, Atmospherics
How strong and looming of an influence is Echo and the Bunnymen? Strong enough to be the one band name-dropped in a great piece of dialogue from the music-loving film High Fidelity, whereupon Jack Black's quipping record store clerk character cites the band as legitimate taste makers for much of the cutting-edge music that happened in the late 80's and beyond.
And on no record is the English quintet's greatness more apparent than on 1981's sophomore Heaven Up Here, the group's first effort to chart in the U.S. and a Top 10 smash in its native U.K. The record's merits are legion-and timeless: vocalist Ian McCulloch's cavernous croon; dream-weaving guitar lines pushed through ominous, melodic soundscapes; neopsychedelic dirges and self-aware lyrics; glamorous drama and tortuous tension. These characteristics and more turn the music restrained euphoria and what the band called black magic.
Rife with thick atmospherics and brooding dreamscapes, the harrowing songs clatter amidst arrangements infused with requisite air, space, and chamber echoes. Silhouetted guitar leads help convey moody dampness, despair, dread, and disgust, the themes directly connected to narratives that tackle distrust, dishonesty, betrayal, and arrested dreams. Cloudy and jagged for certain, but the majesty of Heaven Up Here relates to how, in spite of the haunted arrangements and claustrophobic feel, ribbons of light and hope illuminate its shadowy corners and nocturnal glow.
Sharing much in common with Joy Division's period output and a precursor to later work by The Jesus and Mary Chain, The Cure, Love and Rockets, Ride, and countless other U.K. artists, Heaven Up Here soars on Will Seargant's angular six-string blues, McCulloch's vampiric grayness, and etched, stair-stepping bass movements.
Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI (America's best record plant), Silver Label numbered limited edition LP presents Echo and the Bunnymen's breakthrough in an involving fidelity that blows away what's on the original pressings and annihilates Rhino's CD remaster. Listeners will revel in the opened-up reverb, sound effects, complex tonalities, swimmy textures, and crafty overdubs that are so essential to the music. This is an 80's landmark, and if you like early U2, you need this album.
About Silver Series: New from Mobile Fidelity Sound Lab, the MoFi Silver Label Vinyl Series will feature an eclectic mix of recordings. This series is mastered and cut on the famous Mobile Fidelity Sound Lab state-of-the-art Tim de Paravacini-designed mastering system. Vinyl will be pressed at RTI on audiophile-grade standard vinyl and will be numbered limited-editions. Future releases will continue to stretch stylistic boundaries, as the MoFi Silver Label continues to explore music from many different genres. Expand your musical horizons with the Silver Label!
This title is not eligible for discount.1. Show of Strength
2. With a Hip
3. Over the Wall
4. It Was a Pleasure
5. A Promise
6. Heaven Up Here
7. The Disease
8. All My Colours
9. No Dark Things
10. Turquoise Days
11. All I Want$24.99Vinyl LP - Sealed Buy Now
Glen Campbell: I'll Be Me SoundtrackHonored in 2012 with the GRAMMY Lifetime Achievement Award, Country Music Hall of Fame member Glen Campbell has recorded his last song.
I'm Not Gonna Miss You was written by Campbell and Julian Raymond specifically for a new documentary titled GLEN CAMPBELL: I LL BE ME. Produced by Raymond, the song was recorded in the Los Angeles-based Sunset Sound Factory and East West Recording Studios.
With a mere handful of piano chords, then a swell of harmonies, I m Not Gonna Miss You opens into the poignant, yet clear-eyed revelation of the things Alzheimer s steals. Almost lumbering through the melody, Campbell s weathered tenor confesses the painful truths of what is lost, the cost and the reality that it will all be lost to him, the man who can t remember. Pedal steel weeps, strings bathe the melody that rises against drums and an electric guitar that mirrors the unbreakable passage of life and time.
GLEN CAMPBELL: I LL BE ME is an epic human drama that intimately showcases the man and his music throughout Campbell s struggle with Alzheimer s. Chronicling the story of love, laughter, resilience and power of song, this film shows how against all odds, America s greatest country star would not give up. Directed and produced by James Keach (producer of Walk The Line) and produced by Trevor Albert (Groundhog Day).
Big Machine Records will proudly release a soundtrack for the film that also features The Band Perry, who previously paid tribute to Campbell during the 2012 GRAMMY Awards. The project also features Campbell s daughter Ashley who performs an original song.
We are so honored to not only release Glen Campbell s final recording, but to be associated with such a profound film that will help raise awareness of those suffering from Alzheimer s and spotlight the important role of those who care for them, remarked Big Machine Label Group President & CEO Scott Borchetta who serves as the project s Executive Producer with Keach.
Additionally, several of today s biggest musical stars appear in the film to pay tribute to the legend including Bruce Springsteen, Bill Clinton, The Edge (from U2), Paul McCartney, Jay Leno, Vince Gill, Jimmy Webb, Taylor Swift, Blake Shelton, Sheryl Crow, Keith Urban, Brad Paisley, Steve Martin, Chad Smith, and The Band Perry.1. I'm Not Gonna Miss You - Glen Campbell and The Wrecking Crew
2. Gentle on My Mind (Documentary Version) - The Band Perry
3. Remembering - Ashley Campbell
4. All I Need Is You - Glen Campbell
5. The Long Walk Home - Glen Campbell
6. Wichita Lineman (Live from Ryman Auditorium) - Glen Campbell
7. A Better Place (Live from Ryman Auditorium) - Glen Campbell
8. Gentle on My Mind (Single Version) - The Band Perry
9. Home Again - Ashley Campbell
10. I'm Not Gonna Miss You (Single Version) - Glen Campbell$19.99Vinyl LP - Sealed Buy Now
New Moon Daughter (Pure Pleasure)This is no easy listen ... sparse, complex, often brooding arrangements coupled with Cassandra Wilson's deep, earthy voice and complicated phrasing demand your attention. Waver and you're lost. But ... give this album the listening time & space it deserves and reap the rewards. Unusual, highly atmospheric tracks that combine superb singing and marvellously 'distant' musical backings to weave real magic.
Cassandra Wilson's own excellent, jazz tinged compositions sit alongside a stunning set of ingenious covers from a highly diverse spectrum of composers. Last Train To Clarksville is transformed from a catchy pop song into a stripped-down and genuinely effective jazz vocal work-out. Harvest Moon slows down Neil Young's already wistful ballad to an almost painful level and, in so doing, takes it to an even higher level of gentle reflection. Hank Williams' I'm So Lonesome I Could Cry & U2's Love Is Blindness are transformed into three in the morning jazz club classics.
The vocals and backing to Robert Johnson's 32-20 are simplified to the point where only the essence of the blues is allowed to shine and, Lewis Allan's Strange Fruit becomes as desolate and challenging as it's horrific lyrics.
Clever, very effective and worth the required effort!
- Cassandra Wilson (vocal)
- Graham Haynes (cornet)
- Chris Whitley, Brandon Ross, Kevin Breit (guitar)
- Charlie Burnham (violin)
- Tony Cedras (accordion)
- Gary Breit (organ)
- Lonnie Plaxico (bass)
- Dougie Bowne (drums, percussion)
- Cyro Baptista (percussion)
Recording: 1995 at the Turtle Creek Barn, Bearsville, NY / Sound on Sound, New York City / Beartracks, Suffern, NY / Bearsville Studio B , Bearsville, NY.
Production: Craig Street
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.LP 1
1. Strange Fruit
2. Love Is Blindness
3. Solomon Sang
4. Death Letter
6. Find Him
7. I'm So Lonesome I Could Cry
1. Last Train to Clarksville
3. A Little Warm Death
5. Harvest Moon
6. 32-20$49.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now