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Tyler The Creator'
GoblinOdd Future Wolf Gang Kill Them All are a 10-deep hip-hop collective. But dont dare call them the new Wu-Tang Clan. They insist theyre different. The collective features rappers, producers, visual artists, skate kids, contrarians, outcasts, amoral teenagers, and fatherless children. Their de facto leader is a 19-year-old who calls himself Tyler, the Creator AKA Ace Creator. He is a rapper-producer. His album, Bastard, is among the most stunning things released in the past 12 months. He possesses a charred, viscous groan of a voice; sometimes he manipulates the frequency to make it even deeper and darker.- Pitchfork
The last thing youd say about the prolific young rap collective Odd Future is that theyre boring. You could say a lot of things about them, but you cant say that theyre just like everyone else.. You know what else? Theyre really good. Especially their ringleader, called Tyler The Creator. And another thing? Its awesome to see them play live. Its thrilling to hear him (Tyler), to witness him teetering on the line between an insular tribe of hardcore fans and the rest of the world. Its been a long time since rap has had someone this unknowable at center stage. Its been a long time since rap fans have been encouraged, even activated, to be weird. And its been even longer since rap fans have felt part of the process. There is potential in Tyler and in Odd Futures fans to embrace new sounds and ideas that dont resolve. Its exciting because, with them, I dont know whats next. - NPR1. Goblin
4. She (feat. Frank Ocean)
7. Tron Cat
9. Sandwitches (feat. Hodgy Beats)
10. Fish/Boppin Bitch
11. Analog (feat. Hodgy Beats)
12. Bitch Suck Dick (feat. Jasper Dolphin & Taco)
13. Window (feat. Domo Genesis, Frank Ocean, Hodgy Beats & Mike G)
15. Golden$26.99Vinyl LP - 2 LPs Sealed Buy Now
Ego DeathEgo Death is the third studio album by American hip hop soul band, The Internet. The album was recorded primarily in Syd tha Kyd's basement in a three week period.
The band says Ego Death is about being vulnerable and honest. It's about us growing up as a band and as individuals, and the challenges we're facing and learning from. It's about us acknowledging our egos and the egos around us, and using them the best way we know how. Ego Death features guest appearances from the likes of Janelle Monae, Tyler, the Creator, and Vic Mensa.LP1
1. Get Away
3. Under Control
4. Go With It
5. Just Sayin/I Tried
6. For Wood
1. Special Affair
2. Something's Missing
3. Partners in Crome Part Three
4. Penthouse Cloud
7. Missing You$23.99Vinyl LP - 2 LPs Sealed Buy Now
6 Feet Beneath The MoonSix Feet Beneath The Moon is the long-anticipated debut album from Southeast London's King Krule.
Archy Marshall aka King Krule broke out two years ago, at the tender age of 16 with his eponymous
EP released on True Panther. King Krule's sound, a
hypnotic mixture indebted to working class British
song-smiths like Billy Bragg as much as NY No-Wave
and hip hop carries a maturity and depth far beyond
his years. The EP's lead single, "Noose of Jah City"
found a great deal of success on BBC's Radio 1,
and brought Archy praise from Pitchfork, The NY
Times, FADER and numerous other publications. His
music has also won him fans among today's young
music elite - Mac Miller, Frank Ocean and Tyler, The
Creator are all supporters, collaborators and fans.
Six Feet Beneath The Moon takes the potential
evident in the EP and blows it out of the water.
Across 14 tracks Archy expertly weaves incredible
stories of London life, his own relationships and
experiences with the swagger of a street poet, all in his incredibly distinct smoky baritone. The album, recorded mostly near Archy's South London
home with producer Rodaidh McDonnell (The XX,
Savages, How To Dress Well) is stark but incredibly
rich - painting with a palate full of hip hop, jazz, no-wave and poetic influences.
The album shares the electric confidence of some of last decade's most important debuts - Arctic
Monkeys' Whatever People Say I Am, That's What
I'm Not', The Streets' Original Pirate Material and
Dizzee Rascal's Boy In Da Corner. It is somehow
both a perfect summary of a young man's life in a
particular part of London and a universal, deeply
moving and compelling statement. Most importantly,
it is the flag ushering in a new and important musical voice that is sure to be with us for quite some time.1. Easy Easy
3. Has This Hit
6. Baby Blue
8. Lizard State
9. 'William, Here I Come
10. Ocean Bed
11. Neptune Estate
13. Out Getting Ribs
14. What Is There To Say?$27.99Vinyl LP - 2 LPs Sealed Buy Now
DorisDoris is the debut studio album by Odd Future member Earl Sweatshirt. It follows his first mixtape Earl, which was released in 2010 when he was sixteen. After returning from a forced stay in a Samoan boarding school, he began working on his debut album and signed a deal with Columbia, rather than Odd Future's Odd Future Records.
Doris features guest appearances from Odd Future members Domo Genesis, Frank Ocean, Tyler, The Creator along with Casey Veggies, Vince Staples, RZA and Mac Miller. Production was primarily handled by Sweatshirt under the pseudonym randomblackdude and production duo Christian Rich. Additional production was provided by Matt Martians, The Neptunes, RZA, Samiyam, BadBadNotGood, Frank Ocean, and Tyler, The Creator. The album was supported by three singles; Chum, Whoa featuring Tyler, The Creator, and Hive featuring Vince Staples and Casey Veggies.1. Pre
3. 20 Wave Caps
10. Uncle Al
15. Knight$19.99Vinyl LP - Sealed Buy Now
Freaking Out EPFor Toro Y Mois Chaz Bundick, 2011 has seen the release of his acclaimed sophomore album, Underneath the Pine, remix work for Tyler, the Creator, a split 7 with Cloud Nothings, and a steady stream of international tour dates. Just over halfway through whats already been a busy year, the prolific producer has a brand new batch of lavishly funky material to offer.
Bundicks latest is no sloppily assembled bunch of Pine session throwaways. The Freaking Out EP was put to tape in June during a period of touring quiescence. The release finds Bundick reveling in twenty minutes of boogie, roping in the heavy sounds of groups like the Gap Band and Mtume. While the first two tracks are modern takes on the '80s post-disco vibe, Sweet sounds like the product of a Todd Edwards and Teddy Riley collaboration, with smooth synths weaving in and out of meticulously chopped and arranged vocal samples.
The New Jack influence spills over into the cover of Cherrelle and Alexander ONeills Saturday Love, in which a swingbeat carries along fluttering piano lines steeped in delay. The EPs crown jewel, I Can Get Love, sees Bundick assimilating styles of each of his to-date releases, with the synthesized funk of Causers of This, the irresistible hooks of Underneath the Pine, and dance alias Les Sins penchant for filter effects and house beats. Full of energy and crafted with a conciseness that begs repeated listens, Freaking Out is Toro Y Mois most concentrated venture into pure dance floor hedonism.1. All Alone
2. Freaking Out
4. Saturday Love
5. I Can Get Love$10.99Vinyl LP - Sealed Buy Now
Watching Movies With The Sound OffPressed On Red / White Splatter Colored Vinyl
Housed In A Gatefold Jacket
Limited vinyl edition of Mac Miller's 2013 album Watching Movies with the Sound Off. Features guest appearances from Earl Sweatshirt, Ab-Soul, Action Bronson, Schoolboy Q, Jay Electronica and Tyler, The Creator. 2-LP set on standard weight red / white splatter vinyl in a gatefold jacket.1. The Star Room
3. I'm Not Real (feat. Earl Sweatshirt)
5. Bird Call
6. Matches (feat. AbSoul)
7. I Am Who Am (Killin' Time) [feat. Niki Randa]
8. Objects in the Mirror
9. Red Dot Music (feat. Action Bronson)
10. Gees (feat. Schoolboy Q)
11. Watching Movies
12. Suplexes Inside of Complexes and Duplexes
14. Someone Like You
17. Goosebumpz (Bonus Track)
18. O.K. (feat. Tyler, The Creator [Bonus Track]
19. Claymation (feat. Vinny Radio) [Bonus Track]$24.99Colored Vinyl LP - 2 LPs Sealed Buy Now
BADBADNOTGOOD is a hip-hop jazz band from Toronto who's
doing a pretty admirable job at kicking the jazz world's ass back
BABADNOTGOOD's approach is much less refined and intentionally so, with a brash attitude and youthful energy winning out
They deconstruct the four bar loops, understanding how to work
crescendos by stretching out and reshaping the music into their
- Huffington Post
BADBADNOTGOOD is a young supremely talented trio of musicians made
up of Matthew Tavares on keys, Chester Hansen on bass, and Alex Sowinski on
drums. Since their inception at Humber College's Music Performance program
in 2011, the three have challenged the rule book on improvised instrumental
music and taken jazz tradition into the future.
With early champions including acclaimed BBC broadcaster Gilles Peterson
and Tyler The Creator who helped fuel their discovery with a series of live jams
that instantly went viral and dubbed them the "Odd Trio", the band released
their first EP BBNG in June 2011 to wide praise. The marriage of jazz virtuosity
and hip hop source material offered a fresh take on the traditional "standard"
applied to hip hop classics by taking on choice cuts from the golden era rap
cannon and writing inspired arrangements for them instead of one-dimensional
The band hit a landmark by introducing original material into their compositions with BBNG2 in 2012. New songs like "Rotten Decay", "Vices" or "UWM"
carried on the proud heritage of musical juxtaposition by bringing together jazz,
hip hop, punk, and dance music into vigorous balance. Since then, they've won
praise from the four corners of the globe and collaborated with Frank Ocean,
Earl Sweatshirt, MF Doom, Pharaoh Monch and RZA among many. Their notorious live performances have brought fans across the whole musical spectrum
together, taking the band around the world from Coachella to Glastonbury.
Now, the inseparable friends are prepping to release their biggest project to date
III on prodigious young label Innovative Leisure, a highly-anticipated project
ushering in the group's newest explorations which are proving to be limitless.1. Triangle
2. Can't Leave The Night
3. Confessions (Feat. Leland Whitty)
5. Eyes Closed
7. Differently, Still
8. Since You Asked Kindly
10. Sustain$19.99Vinyl LP - 2 LPs Sealed Buy Now
BlackenedwhiteMellowHype, aka Los Angeles' OFWGKTA crew members Left Brain and Hodgy Beats, sign to Fat Possum for a hard release of BlackenedWhite. The album was originally featured on Odd Future's website and has since been remixed and remastered for a physical release on vinyl.
The album features the sinister flow of Hodgy Beats over the haunting beats and production of Left Brain. Also includes guest appearances from other Odd Future members such as Mike G, Tyler The Creator, Domo Genesis, Frank Ocean and Earl Sweatshirt.1. Primo
2. Gun Sounds
3. Brain (featuring Domo Genesis)
4. Loaded (featuring Mike G)
5. Hell (featuring Frank Ocean)
6. Dead Deputy
7. Right Here
10. Fuck the Police (featuring Tyler the Creator)
11. Chordaroy (featuring Earl Sweatshirt and Tyler the Creator)
12. Rico (featuring Frank Ocean)
15. Based (featuring C. Renee)$16.99Vinyl LP - Sealed Buy Now
Sleeping In ClassColored Vinyl
Coming from the tail end of Gen Y, Casey Veggies gives a young and refreshing twist on what west coast Hip Hop sounds like. With the help of Peas&Carrots Intl., Casey Veggies has built a brand and a growing fan base by showcasing the lifestyle of a cool, confident and humble Los Angeles teen. Casey Veggies has released two mixtapes in the past (Customized Greatly Vol. 1&2) leading up to his most recent release, the critically acclaimed project, Sleeping In Class. At the age of 17, Casey's ability to rap about the trials and tribulations of a young adult while also appealing to an older crowd is what makes Casey Veggies one of the most promising freshmen on the west coast.
The album features production from Brandun Deshay, LAUSD, Wolf Haley (aka Tyler, The Creator), Hit-Boy and more plus guest appearances from Mac Miller, Kendrick Lamar, DOM KENNEDY, C-San, Tyler, The Creator, Mann, Nero, and Skye Townsend. The free release of Sleeping In Class has amassed well over 100,000 unique downloads and the first video from the project Ridin' Roun' Town has already accumulated over 160,000 views on youtube. Swag!1. Forever
2. Ridin' Round Town
3. Hear Me Screamin'
4. Get Through featuring Dom Kennedy
5. 30,000 featuring Nero
6. Loved Then Alone
7. Go Ahead featuring Mann
8. Time Flies featuring Skye Townsend
10. DTA featuring Tyler, The Creator (of Odd Future)
11. Euphoria II
12. ...And Ever$18.99Colored Vinyl LP - 2 LPs Sealed Buy Now
$35.99 $30.59 Save $5.40 (15%)
Late Night Tales: BADBADNOTGOOD (Unmixed) (Pre-Order) (On Sale)Canadian quartet BadBadNotGood take on creating the ultimate "late night" selection of tracks from their record collections.
The original trio of Matthew Tavares, Alex Sowinski and Chester Hansen formed while studying music at Toronto's Humber College (they've recently added Leland Whitty to the line-up). A shared appreciation of hip hop and instrumental covers of Gucci Mane and Earl Sweatshirt suggested a worldly outlook and reciprocated love from Tyler The Creator and Ghostface Killah, with whom they made 2015's Sour Soul. Their last album, the critically-acclaimed IV, turned heads and their collaborators continue to multiply: Snoop Dogg, Kaytranada and Kendrick Lamar among them.
"We were really excited to have the chance to put together a LateNightTales compilation, it's a great organisation. We decided to use it as a vehicle to show everyone all the amazing music we have gotten to experience by touring and meeting new people.
Every track on this comp was either shown to us by an incredible person or made by one of our friends. We also included a little cover of a song by one of our favourite current musicians, Andy Shauf. These artists, as well as many, many others, have influenced us to create, and kept our deep love of music alive. This mix will keep you company on a quiet night by yourself or with friends. You can check it out on the plane, the bus, a long walk, or any situation where you want a soundtrack for reflection and meditation."
- BADBADNOTGOOD May 2017
You can even hear little bits of BadBadNotGood through this mix, as though they are transmitting parts of themselves through the music they select. Perhaps the keys on Admas' hilariously expensive 'Anchi Bale Game', maybe, or the arrangements on Delegation's mighty Britsoul tune 'Oh Honey' or the groove from 'Vida Antiga', Erasmo Carlos' Brazilian classic. As Janis almost sang, take another little piece of my art.
This is an international effort: Velly Joonas' Estonian version of 'Feel Like Makin' Love', Kiki Gyan, Admas and Francis Bebey representing Africa (Ghana, Ethiopia and Cameroon respectively), Les Prospection from France, Scots' Boards Of Canada and fellow Canucks River Tiber and Charlotte Day Wilson.
Finally, there's the no-small-matter of the Late Night Tales cover version, in which BadBadNotGood take on Andy Shauf's 'To You' is turned into a mournful delight. while the Queen Of Siam herself, Lydia Lunch, delivers a sexual sermon involving only you, her and Jim Beam.
Badbad, indeed: so good they said it twice.
This title is not eligible for further discount.LP 1
1. Boards Of Canada - Olson
2. Erasmo Carlos - Vida Antiga
3. Gene Williams - Don't Let Your Love Fade Away
4. The Chosen Few - People Make The World Go Round
5. Esther Phillips - Home Is Where the Hatred Is
6. Delegation - Oh Honey
7. Velly Joonas - KÄes on aeg
8. Stereolab - The Flower Called Nowhere
9. Kiki Gyan - Disco Dancer
10. Admas - Anchi Bale Game
1. Francis Bebey - Sanza Nocturne
2. Thundercat - For Love I Come
3. River Tiber Ft. Daniel Caesar - West
4. Charlotte Day Wilson - Work
5. The Beach Boys - Don't Talk (Put Your Head On My Shoulder)
6. Donnie & Joe Emerson - Baby
7. Les Prospections - Lido
8. Grady Tate - And I Love Her
9. Badbadnotgood - To You (Exclusive Andy Shauf cover version)
10. Steve Kuhn - The Meaning Of Love
11. Lydia Lunch - You, Me and Jim Beam (Exclusive Spoken Word Piece)$35.99 $30.59 Save $5.40 (15%)180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
Fever HuntingModern Life Is War are one of the most beloved bands in the punk rock/hardcore world of the last decade, appealing to everyone from the jaded to the driven. The band released three highly influential albums before announcing a temporary hiatus in 2007.
"Fever Hunting" is Modern Life is War's triumphant 2013 return to form with original lineup of Chris Honeck, Matt Hoffman, Jeffrey Eaton, Tyler Oleson and John Eich in place. A true story of their collective coming of age, "Fever Hunting" plays and reads as an open diary of their last five years. Exposing every frayed nerve and internal struggle that it's creators carried deep within their hearts. Impassioned, embattled, and forever resilient to the world outside.
From the first strikes of the anthemic opener "Old Fears, New Frontiers" it's apparent that Modern Life Is War have not lost a step in absence, but have quickened pace on their own path. From there, the outpouring is overwhelming as eleven songs unfurl with equal and unmatched emotional weight. All of them bravely moving forward rather than resting on past laurels. Recorded by Kurt Ballou at God City Studios (Converge, etc) and Mastered by Brad Boatwright at Audiosiege Engineering (From Ashes Rise, etc).1. Old Fears, New Frontiers
2. Health, Weath, & Peace
3. Chasing My Tail
4. Media Cunt
5. Blind Are Breeding
6. Fever Hunting
7. Dark Water
8. Brothers In Arms Forever
10. Cracked Sidewalk Surfer
11. Find a Way$16.99Vinyl LP - Sealed Buy Now
The Journey Man"In my music," says Goldie, "is everything I've learned, everyone I've met, everything I've experienced." And it's been an incredible trip. The maverick innovator - who rewrote the future of the jungle scene with landmark releases that still sound like they were kidnapped from tomorrow - has a unique story to tell. From children's homes in the West Midlands through stints in New York and Miami as one of the UK's most celebrated exponents of graffiti art to rubbing shoulders with an exceptional list of musical collaborators including David Bowie, Noel Gallagher and KRS-One, Goldie has defiantly, definitively, done it his own way. "I'm an alchemist," he likes to insist. "I practice the dark arts of messing with the form of something solid."
Though marriage and his passion for bikram yoga have, he says, proved a calming influence, these days he's just as full of inspired, out-there ideas as he was back in 1993 when he did his first cover interview for the rave magazine Generator. "My music is about fallout," he said then, "about the damage that has been done to the system." Today, in the office of one of his London-based contacts, the ideas are still sparking. "Drum'n'bass has done to electronic music what graffiti has done to the art world," he muses, before launching into a rapid-fire synthesis of art history, dancefloor evolution and his own hyperactive brand of self-actualization, which loosely translates as: "Why do something ordinary when you can do something extraordinary?"
It sums up the reason why, in 1994, music critic Simon Reynolds famously observed: "Goldie revolutionized jungle not once but three times. First, there was Terminator (pioneering the use of time stretching), then Angel (fusing Diane Charlemagne's live vocal with David Byrne/Brian Eno samples to prove that hardcore could be more conventionally musical), now there's Timeless, a 22-minute hardcore symphony." Each of these were moments that shaped the musical fabric of the decade and beyond, presaging Goldie's transition from the underground rave scene into the world of bona fide A- list superstars.
But it didn't start out like that. The boy who would become Goldie was born Clifford Price on 19 September 1965, just as The Rolling Stones hit the top of the charts with Satisfaction. His dad Clement, originally from Jamaica, had been plying his trade as a foundryman in Leeds. His mum Margaret, who had been born in Glasgow, was a popular singer in the pubs and clubs of the West Midlands. Barely more than a toddler, Goldie was just three when she placed him into foster care (though she kept his younger brother Melvin). He still remembers, he says, the day the social workers came to take him away.
Over the next 15 years, he bounced between a series of foster homes and local government institutions around the Walsall area. His eclectic musical taste was forged, he reckons, in those same local authority homes listening to the sonic tangle of other teenagers' record collections. "In one room," he says, "a kid would be playing Steel Pulse while through the wall someone else had a Japan record on and another guy would be spinning Human League." On rare visits to see his dad, he'd lie sprawled over the living room couch, listening to Jazz FM, marveling at the lavishly-tooled '80s productions of Miles Davis, Pat Metheny, David Sanborn and Michael Franks, adding further layers to his complex musicography.
Already developing the irresistible urge to excel that has marked his inimitable musical career, Goldie's first love was roller-hockey. He earned a place as goalkeeper in England's national squad before the lure of music overtook the lure of sport. After discovering electro and hip hop, he grew his hair - the "goldilocks" that won him his nickname - and joined a breakdance crew called the B-Boys in nearby Wolverhampton. He also discovered graffiti. "They called me 'the spray can king of the Midlands'," he says proudly. His talent was undeniable, bringing him to the attention not only of Britain's Arts Council but to Dick Fontaine, producer of a Channel 4 TV documentary on graffiti. Fontaine's 1987 film Bombin' captured a visit to the UK by New York artist Brim Fuentes. Brim met Goldie and his B-Boys crew in Wolverhampton's Heathtown before heading a dozen miles away to Birmingham's Handsworth, where the producer filmed the aftermath of rioting that had left four dead, 35 injured and dozens of stores burned out. Several months later, Fontaine reversed the process and took Goldie to New York, introducing him to hip-hop pioneer Afrika Bambaataa. For Goldie, on his first trip abroad, never mind his first trip over the Atlantic, the Big Apple was love at first sight. Back in Britain, he begged, borrowed and saved until he had enough to fund a return trip to the Bronx.
"I started painting the trains and getting involved on the streets," he says, remembering his total immersion in what was still, at that point, an emerging culture. Art and music as symbiotic technologies. Rubbing shoulders with the Big Apple's best graffiti artists, his own distinctive style was accelerated and enriched. A move to Miami followed. He worked in the flea markets, he says, "painting trucks for drug dealers" and developing a sideline in gold jewelry that included the distinctive grills that became a trademark on his return to the UK. The magical properties of shaping, working and bending precious metals to his will - as close to alchemy as the modern world gets - became an analogue for the way he prefers to operate in the studio, chasing quicksilver dreams, mercury-fast rivulets of imagination into impossibly lush, breakbeat concertos. Back in Britain, Goldie found himself seduced by the sweetheart of the rave. Though it took him eight attempts to get entry into the club, at London's Rage in 1991 he marveled at the alternate sonic worlds being forged by Fabio and Grooverider behind the decks. "It really flipped me out," he remembers. Soon he found himself in the orbit of Dego McFarlane and Mark Clair. Their label Reinforced was in the vanguard of breakbeat, issuing astonishing records that stripped out boundaries and limits while setting the tone for the scene's sense of adventure. At first, he helped out doing artwork and a bit of A&R. But soon he was in Reinforced's Internal Affairs studio watching intently as Mark and Dego recorded tracks like Cookin' Up Ya Brain and Journey From The Light. "I was watching what they could do," says Goldie, "trying to gauge the possibilities of the technology." Soon he was getting involved. "I remember one session we did that lasted over three days," he says, "just experimenting, pushing the technology to its limits. We'd come up with mad ideas and then try to create them. We were sampling from ourselves and then resampling, twisting sounds around and pushing them into all sorts of places."
What followed was a series of inspired break-driven releases such as Killa Muffin, Dark Rider and Menace. Then Terminator, with its writhing drum loop, dropped and suddenly Goldie's name was on everyone's lips. He followed up with the equally revolutionary Angel, tilting the axis towards the lush, trippy textures that made 1995's debut album Timeless the drum'n'bass scene's first platinum album. Incredibly, given what was happening elsewhere in the scene at the time, the recording of the album's epic title track began as far back as 1993, when most other producers were still focused on the original sonic tropes of hardcore rave.
Timeless was a masterpiece - of production, of songwriting, of sonic perfection and breakbeat futurism. Even today, it still sounds as astonishingly new and inspired as it did back on those early pre-release cassettes circulated by London Records in the early months of 1995 when Goldie was still living on the 18th floor of a North London tower block.
By then, Goldie had already set up his own record label - Metalheadz - with his friends the DJ duo Kemistry and Storm. Along with studio collaborator, Rob Playford's Moving Shadow and LTJ Bukem's Looking Good imprint, Metalheadz helped to define drum'n'bass as a distinct musical format with singles by J Majik, Asylum and Goldie himself. Still bursting with energy, he then launched a legendary club night, Metalheadz Sunday Sessions, at London's Blue Note. The scene's best producers - among them revolutionary artists like Photek, Source Direct, Peshay and Dillinja - would compete to have their latest recordings debuted at the club and the scene's faithful came from far and wide to hear the best tunes before anyone else. "Those nights at the Blue Note were magical," he recalls. "It was an underground phenomenon that became an institution." David Bowie, who was making the drum'n'bass-influenced album Earthling at the time, fell in love with the place. "I remember popping out to take a break from all the madness inside the club," says Goldie. "He was outside having a cigarette, a bit of a breather. We chatted for a bit, looked at each other, grinned and then plunged back into it all. It was just that kind of place."
Goldie is one of only a handful of artists ever to co-write with Bowie - on the track Truth from the drum'n'bass pioneer's second album Saturnz Return. Released in 1998, the album also saw his vision become more expansive (the opening track, Mother, clocked in at just over an hour). The album's collaborative approach included guest spots from rap legend KRS-One, Sex Pistols manager and all-around provocateur Malcolm McLaren, super-producer Trevor Horn and Oasis main man Noel Gallagher (on the single Temper Temper).
Fuelled by the limitless creativity that has been the hallmark of his career to date, Goldie next turned to acting. He reunited with Bowie in Andrew Goth's 1999 thriller Everybody Loves Sunshine then took the part of Bullion in the 1999 James Bond movie The World Is Not Enough. Other box office smashes - including Guy Ritchie's crime heist caper Snatch - followed before he joined the cast of BBC1 soap opera EastEnders, playing the gangster Angel Hudson.
A series of blockbuster TV appearances - on shows such as Maestro (where he learned to conduct an orchestra), Classic Goldie (which saw him perform his own orchestral composition at the Royal Albert Hall in the summer of 2009) and Goldie's Band: By Royal Appointment.
The orchestral training proved useful. In 2014, he translated his original vision for Timeless into the stunning Timeless (Sine Tempore). Performed live with the Heritage Orchestra at the Wilderness Festival to suitably rapturous acclaim, the performance was repeated the following year as part of the Meltdown Festival at London's Royal Festival Hall. In between, he found time to unveil Fragments Of Gold, a piece inspired by medieval chants that he performed live in Glasgow Cathedral.
Drum'n'bass, of course, has remained a consistent passion, both through his Metalheadz label and his releases under the Rufige Kru moniker (2007's Malice In Wonderland and 2009's Memoirs Of An Afterlife). "Technologically," he says, "breakbeat has managed to surpass all other forms of music to date. There isn't a recording engineer alive who can tell me there's any other form of music that is more complex than the music we make." Goldie has also recently announced he will be releasing a brand new double album 'The Journey Man' this year. The album comprises two parts, 16 brand new tracks in total, all written and produced by Goldie. It also features a host of collaborators handpicked by Goldie to help realize his vision for the album.
"I often look at music not so much as a producer but like a director. You're drawing together engineers, performers and arrangers to create something special, something magical. It's like alchemy. The notes, the music, the lyrics, they're all in my head and each element has to be communicated and brought to life to create the finished track. I'm always inspired by great movie directors - people like Stanley Kubrick and PT Anderson - and, if you think about it, it's quite a similar approach. They start off with a vision and then they use that vision to deploy the actors and the cameramen and the editors in order to create the finished film."
Collaborators on 'The Journey Man' album include vocalist and songwriter Natalie Duncan, who was discovered when chosen in the three-part BBC series 'Goldie's Band By Royal Appointment' and later provided the vocals for Goldie's 2012 single 'Freedom'. Other featured vocalists on the album include Terri Walker, Tyler Lee Daly, Natalie Williams, JosÉ James, Naomi Pryor as well as Goldie's wife, Mika Wassenaar Price.
'The Journey Man' will be released through Cooking Vinyl and Goldie's own record label, Metalheadz.
Goldie's love affair with painting has remained consistent too and he continues to exhibit visual work that's just as dazzling as his sonic output. Beginning with Night Writers, the 1986 exhibition at Wolverhampton's art gallery that introduced Goldie and his Supreme Graffiti Team to the British Arts Council, his shows have defined a unique aesthetic that's all his own. And through them all, from 1987's Rockin' The City in Birmingham (where he exhibited alongside Massive Attack's Robert Del Naja) and the 1988 Crucial Creators exhibition in Walsall to more recent gallery events like 2007's Love Over Gold and 2012's Athleticizm collection (including portraits of London Olympics stars such as Victoria Pendleton, Tom Daley and Jessica Ennis), runs a consistent thread of energy, experimentalism and boundary-pushing. His 2013 collection, Lost Tribes, an innovative series of pieces fusing Goldie's style with the artistic expression of the ancient peoples of Africa, Asia and America was, he says, "my most important breakthrough".
And for the kid who lay awake, gazing at the stars, through the window of a children's home, growing up has brought some surprises. In 2012, he was selected as one of the BBC's New Elizabethans, 60 people - ranging from David Hockney to Roald Dahl, David Bowie and Tim Berners-Lee - who have helped shape British culture during the reign of Elizabeth II. Four years later, he was awarded the MBE in the Queen's New Year Honours. It's acceptance, of course, on a grand scale. But at heart, he's still the gatecrasher, amped-up on ideas, buzzing on nothing but love, hope and the certainty that, while his way might not be the easy way, it's very definitely the path of a true artist.
- Tim Barr, 2017LP 1
1. Horizons (feat. Terri Walker & Swindle)
5. The Mirrored River
1. I Adore You (w/ Ulterior Motive)
2. I Think of You
3. Truth (feat. Jose James)
1. Tu Viens Avec Moi?
2. The Ballad Celeste
3. This Is Not A Love Song
4. The River Mirrored (feat. Terri Walker)
6. Tomorrow's Not Today
7. Run Run Run$35.99Vinyl LP - 3 LPs Sealed Buy Now