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Tv Eye Live'
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TV Eye: 1977 (Live) (On Sale)TV Eye Live 1977 (or TV Eye) is a live album by Iggy Pop originally released in 1978. Iggy took a $90,000 advance from RCA Records to finish his contract with a live album. According to allmusic.com, the album was assembled from soundboard tapes. Iggy Pop doctored them in a German studio, quickly and cheaply for around $5,000. The album features recordings from concerts at The Agora in Cleveland, Ohio on March 21 & 22, 1977; The Aragon in Chicago, Illinois on March 28, 1977, and The Uptown Theater in Kansas City, Missouri on October 26, 1977.
The album is notable for the presence of David Bowie on keyboards and background vocals for selected tracks and the rather crushing bass and drum sound; also, with the Sales brothers, the lineup prefigures in part Bowie's Tin Machine lineup.1. TV Eye
4. I Got A Right
5. Lust For Life
8. I Wanna Be Your Dog$19.99 $13.99 Save $6.00 (30%)Vinyl LP - Sealed Buy Now
Live 1966Besides releasing two classic longplayers and many more singles (including the smash, "Gloria"), touring/behaving badly all across America and appearing on TV shows like 'Upbeat' and 'Where The Action Is', the Shadows of Knight also ruled at suburban Chicago's hands-down hippest teen club, The Cellar. Over the decades, their Cellar performances have become the stuff of legend.
Miraculously, two reels of tape of the Shadows of Knight live on stage at the Cellar (in 1966!) were eventually uncovered by Sundazed. As early as their 'Gloria' album debut in spring '66, the Shadows of Knight had separated themselves from the garage band pack with a heavily Chicago Blues-based, wildly rocking repertoire. Their trademark sound is on full display in this attitude-drenched, anarchic live recording from late in that exalted year.
For this expanded edition, the original sets and correct song sequence have been faithfully restored. And to top that, additional and until now completely unheard bonus material is rescued from those old reels. Specifically, added to an already scorching set are previously-unheard takes of "Peepin' and Hidin'" (sung by blues legend Joe Kelley), "Willie Jean" (with a vocal from drummer Tom Schiffour) and "Any Way That You Want Me". Equally important, the packaging now equals the musical contents thanks to an all-new, eye grabbing sleeve highlighted by John Hora's amazing original photography from '66.
Unlike their comparatively harnessed studio recordings, the Shadows of Knight are presented here raw 'n' alive, sloppy bordering on brilliant and with all the subtlety of a bulldozer. Would you want 'em any other way?1. Everybody Needs Somebody to Love
2. Don't Fight It
3. Got My Mojo Working
4. Any Way That You Want Me
5. Gospel Zone
6. Got To Get You Off My Mind
7. It Takes A Long Time Comin'
8. Hey Joe
9. Tomorrow's Gonna Be Another Day
10. Peepin' and Hidin'
11. Let It Rock
12. Willie Jean
14. Oh Yeah
15. Dark Side
16. Gloria$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Iggy and Ziggy: Cleveland '77The dynamic duo of late 70s hard rock, Iggy Pop and David Bowie, performing together on this classic live album, with Pop on vocals and Bowie on keyboards. Recorded live at the Agora Ballroom in Cleveland OH, March 21, 1977, the show includes wild performances of Iggys classics such as Raw Power, I Wanna Be Your Dog, TV Eye, 1969 and many more!1. Raw Power
3. Turn Blue
4. Sister Midnight
5. I Need Somebody
6. Search N Destroy
7. TV Eye
10. Gimme Danger
11. No Fun
12. I Wanna Be Your Dog$18.99Vinyl LP - Sealed Buy Now
Sky SwimmingAmelia Rivas and Christian Pinchbeck don't just sing about feverish, frayed and fractured romances - in the three years since forming elephant, they've been living one.
It's fitting that sky swimming, their debut full length release is a seductive, night time delight of an album. After all, it was in the twilight hours of a may morning three years ago that Pontefract native Amelia Rivas and Bristolian Christian Pinchbeck met at a house party and in alcohol-soaked all-nighter sessions that sky swimming was written.
A fibrous collection of songs about relationships - their own included, which broke down during the making of the album - hazy memories, twisted dreams, the metaphysical bleeding in to the physical - sky swimming - all trilling keyboards, swooping melodies, broken hip hop beats, looped strings and Amelia's uniquely curvy vocals - that makes you want to clamp your headphones tighter on your ears, letting you swim in its every detail and emotion. Influenced by everything from Toro y Moi to composer Angelo Badalamenti, everything but the girl to rap originators arrested development and Joe Meek's productions, it's an intensely varied listen.
"the first time we worked together, I went round to his house in Peckham and didn't leave for 3 days. I barely knew him," Amelia remembers. "She turned up with some £10 casio she bought from a charity shop in France and the whole demo EP was made on that," recalls Christian. Elephant have grown beyond their lo-fi roots since then, with Andy Dragazis being drafted in on co-production duties, while retaining the emotional rawness of those early songs. Tracks vary from psyche-delving ballads about growing up - torn tongues and skyscraper ("I want to understand what's wrong with my brain," Rivas laughs), to the thrilling pop of elusive youth, a eulogy to a friend who "wears a city crown", to the everyday trials of being young and poor in London (see ants about Amelia's crumbling tooting bedsit and TV dinner, a paean to rubbish telly and cheap booze) and the heartbreaking title track sky swimming written in the eye storm of their relationship meltdown with the refrain "do your eyes turn blue before you cry, I see the blue in you".
With winning appearances at Primavera and Eurosonic festivals behind them, not to mention support slots with cult hero Matthew E. White, under their belts, Elephant have in Sky Swimming one of the year's most seductive sounds. . "I flew to the moon to mirror you" sings Amelia on album closer Shapeshifter, with the sort raw melancholy that could only be cribbed from a blue valentine romance. "I saw the future." It should be a very bright future ahead for Elephant indeed.1. Assembly
5. Elusive Youth
7. Torn Tongues
8. Come To Me
9. TV Dinner
10. Sky Swimming
12. Shapeshifter$17.99Vinyl LP - Sealed Buy Now
Sophomore Album Featuring "Living In Fiction," "In Folds," And "Phantasmagoria
Pressed On White Vinyl
Experience Mask In Three Dimensions With 3d Glasses Included
"A clever mix of electronically influenced genres that's as current as it is addictive." - Interview
Electronic pop trio Icky Blossoms release their second album, Mask. Three years on from their Dave Sitek (TV on the Radio) produced debut, their singular brand of
mesmerizingly contradictory dance music has evolved. Blending avant-garde elements with catchy and danceable
pop, threaded within dark, bass-heavy atmospheres, their songs nod to great music of the past, whilst rmly
propelling them into the future.
Hailing from Omaha, Nebraska, the three members of Icky Blossoms-Sarah Bohling (vocals/synth), Nik Fackler (lead
guitar/vocals) and Derek Pressnall (guitar/vocals-also of Tilly and the Wall)-wrote independently and then ltered
songs back and forth through each other, creating a collage of tastes, genres and energies within each track. The
band experimented with making electronics sound organic and organic instruments feel electronic. Song skeletons
were embellished with tuned 808s, hyper-e ected mouth noises, screams as instruments, and guitars run through
With the talent of longtime friend and collaborator Mike Mogis (Bright Eyes, Julian Casablancas, Man Man,
First Aid Kit) at ARC Studios in Omaha, Nebraska, these songs became fully realized. Along with Mogis, the
contributions of assistant engineer Ben Brodin (Conor Oberst band), bassist Graham Ulicny (Reptar), drummer Daniel
Ocanto (Big Harp) and Todd Fink (The Faint) helped the vision come into focus.
Mask nds the band capitalizing on the spontaneity of their live experience and the ambitions of their writing and
recording process, while not losing their sense of self. Their in uences range from Fad Gadget to Beyonce and the
subject matter varies from wrestling with the isolation of existence to the emotional spectrum of love. The album
pulses with a vibrant sound that's electric, con dent, and new.1. In Folds
3. Living in Fiction
4. Away from You
5. Want You so Bad
6. The Spiral
8. Silver Tongue
9. Terror Nothing$18.99Colored Vinyl LP - Sealed Buy Now
MTV Unplugged - Summer Solstice (Pre-Order)In the land of the midnight sun, the clocks tick slightly different than they do elsewhere. This is especially true during the summer solstice, when the sun hardly sets at all, bathing the small Norwegian island of Giske - where a-ha played their first ever two acoustic concerts - in an eerie twilight.
Giske is a tiny island in close proximity to the city of Ålesund on the shore of the North Atlantic Ocean - a popular city much frequented by day trippers arriving on huge cruise ships during Norway's short yet intense summer season. But a-ha's audience didn't get to Giske on such boats. Coming from destinations all over the world, for them getting to Giske meant embarking on a plane to Oslo and from there to Ålesund. And from there you finally have to drive through a series of seemingly endless and frighteningly deep undersea tunnels to reach Giske, an island so beautiful and, well, remote, that one immediately wonders why a-ha handpicked this specific location to play their long awaited first MTV Unplugged shows on the night of the 2017 summer solstice, right where the world seems to end.
Pål Waaktaar-Savoy: "Choosing Giske is like most of the things we do: It's been 50% chance and 50% planned. We were discussing many different places to play these special shows - among them Manaus in the Amazon jungle, Berlin, London and New York. At the end of the day it was the Ocean Sound Recordings studio in Giske that made the difference. We knew that we could rehearse undisturbed in an extremely good sounding facility."
a-ha booked the Ocean Sound Recordings studio, which looks out onto the ocean, to revisit their own back catalogue for two weeks together with producer Lars Horntveth, who had already been working on the acoustic arrangements for more than half a year. The nearby Øygardshallen (Giske Harbour Hall) turned out to be the perfect venue to stage their two first ever acoustic shows: They simply had to lay cables from A to B and then were able to use the studio at Ocean Sound Recordings to capture the shows perfectly. a-ha performed in front of an audience of just 250 people - the Øygardshallen's glass front allowed the audience to gaze out into the pale night and onto a number of LED video steles that had been set up behind the band, serving as a minimalist backdrop to the concert. Suffice to say, the concerts were sold-out within minutes, as a-ha were to play "concerts so close to our audience like never before". As Magne Furuholmen puts it: "These were by far the most intimate concerts we've ever given."
Yet the beauty of the North Atlantic Ocean, the light of the midnight sun and the exclusivity of the concerts are only one half of the story. The other half is that the idea of a-ha playing their vast catalogue of world hits stripped down to their very essence is indeed a promising endeavor.
Pål: "We've talked about this idea for so many years. And in many of our concerts we've also played some acoustic songs. But if you consider that we don't use much technology at all when we write the songs, the idea an entirely acoustic show makes total sense. Playing all these songs now in their acoustic versions is like returning to their origins."
Magne expands the thought in a more universal direction: "Most of our songs draw inspiration from a childhood directly exposed to Norwegian culture, even the folk music tradition, perhaps more so than we thought. We were constantly faced with questions from journalists implying how our 'Norwgian-ness' was a unique part of our sound, even though we lived and worked in London.
As a creative person it is almost easier to tap into this nordic mindest from a distance. History is full of good examples of how iconic Norwegians in the past did their best work away from home; The writer Henrik Ibsen wrote on universal topics with a strong Norwegian tone while living in Italy, Edvard Munch's melancholic force defined expressionism while living in Berlin - yet he simply couldn't be from anywhere but this country. And of course there is Edvard Grieg, who took a lot of inspiration directly from folk music. His music always felt particularly resonant in our ears growing up. With such strong figures and influences defining what it is to be a Norwegian, it becomes part of what you are. Our darker, melancholic streak definitely harks back to these early influences. We feel connected to all that, which is why we thought returning home for this project was a very natural step.
Morten Harket stresses the fact how crucial it was to have arranger/producer Lars Horntveth on board as a catalyst and fearlessly driving force behind the scenes: "He confronted our music by presenting completely new arrangements, also taking out 'untouchable' parts, which easily came across as being disrespectful. I say this as a compliment, by the way... And of course we hated it! But we also needed it! This was exactly what we had asked of him. We needed someone who would boldly question everything that we stood for as a band - someone who could stand up to us. Of course it led to shouting matches. It's part of the creative process. Lars deserves the credit for bringing the band closer together than we have been for a very long time."
For the MTV Unplugged shows, a-ha played 17 songs in completely new arrangements as well as two new songs and two cover versions on vintage acoustic instruments, accompanied by a backing band featuring Karl Oluf Wennerberg on drums, Even Ormestad on acoustic bass, Morten Qvenild on piano and various acoustic keyboards, Lars Horntveth on multiple instruments and Madeleine Ossum on violin and vocals, Tove Margrethe Erikstad on cello and Emilie Heldal Lidsheim on viola and backing vocals. Furthermore, a total of four guest stars served as duet partners for Morten Harket. Most notably, Echo & The Bunnymen's Ian McCulloch had been invited by Magne Furuholmen to sing "Scoundrel Days" and Ian's very own "The Killing Moon" on the first of the two shows. On the second night, a-ha were joined by Alison Moyet of Yazoo fame to duet with Morten on "Summer Moved On". Highasakite's Ingrid Helene Håvik guested on "The Sun Always Shines on TV" on both nights, while, last but not least, American singer Lissie did the same on "I've Been Losing You".
"In the cacophonic world of popular music, with its high-impact effects and productions, the music is often somewhat lost as it ends up being premeditated." Morten Harket addresses the subject of subtlety: "The world of pop is a world where everything always has to be more than anything else."
Attending the concerts and the last full day of the rehearsals, you could tell that the whole group and especially Morten did indeed try to reveal the soul of each and every song performed. During the last run-through on the day before the first night the band took things extremely seriously. Songs were started, stopped and deconstructed. Discussions between Morten and the group as well as with the recording engineers dealt with the tiniest details of sound, cohesiveness and attitude. As a result, the two shows benefited profoundly, both in terms of microstructure (the new arrangements reveal so much of the songs' essences), as well as in that the overall dramaturgic arc of the concerts, which steadily built towards a climax that would astound even the most dedicated follower of the group. During the encore, a-ha would play - "as usual" - their first and biggest hit to date, "Take On Me". But an unexpected chord change in the chorus and the skeletal arrangement not only allowed a new perspective on the song's lyrics, it also left the audience with tears in their eyes.
Magne: "When you rearrange songs for an acoustic rendition it is also an opportunity to do more than to just simplify them. I especially like what happened when we took a fresh look at Take on me, which went from being an uptempo syntheziser-driven popsong to a much more melancholic, yearning ballad in this slowed down arrangement, it shows with much more clarity how the song at its core is not some standalone upbeat track, but belongs squarely inside our catalogue alongside more thoughtful, darker songs like scoundrel days etc.
There are only a few bands in the world who can look back on similarly close ties with the music channel MTV as a-ha. Alongside the likes of Duran Duran and Yello, in 1985 a-ha were worldwide pioneers who immediately understood the power of the music video as both a narrative and commercial tool. Steve Barron's classic "Take On Me" clip is still a milestone of music video and in 2003 was voted by the MTV audience as one of the top ten best videos ever made. There have long been efforts by a-ha and MTV to organize an Unplugged concert.
The fact that the two MTV Unplugged concerts in June 2017 actually took place on Giske also left a deep impression on a-ha themselves. Like every other band that has been successful on a worldwide scale for over three decades, a-ha have had their share of problems, split-ups and re-unifications. A thoughtful Magne reflects: "After such a long time, a-ha have now become a band that simply continues from project to project. This turned out to be a very healthy approach for the three of us, because going acoustic also had the taste of a new project."
Pål: "When we recorded our last few albums, we were sometimes working pretty isolated from each other. We should do this again - sitting and recording in the same room together for a couple of weeks or months and see what comes out as a result. We may argue about a lot of things, but we are also a band that has very close ties."
After the closing applause that seemed would never end, the band left the stage and walked out of Øygardshallen into the living daylights. Having performed two triumphant concerts together, the three band mates climbed into three separate vehicles and headed off into the sunlit night. But everybody in the audience had a feeling that a-ha had now just opened a brand new chapter in their unparalleled career. To quote a line from one of the highlights of these unplugged shows: "Cause I've been told / Stay on these roads / We shall meet, I know."
-Max DaxLP 1
1. This Is Our Home (Live from MTV Unplugged, Giske / 2017)
2. Lifelines (Live from MTV Unplugged, Giske / 2017)
3. I've Been Losing You (Live from MTV Unplugged, Giske / 2017)
4. Analogue (All I Want) (Live from MTV Unplugged, Giske / 2017 / LP Edit)
5. The Sun Always Shines on TV (Live from MTV Unplugged, Giske / 2017 / LP Edit)
6. A Break in the Clouds (Live from MTV Unplugged, Giske / 2017)
7. Foot of the Mountain (Live from MTV Unplugged, Giske / 2017 / LP Edit)
1. Stay on These Roads (Live from MTV Unplugged, Giske / 2017 / LP Edit)
2. This Alone Is Love (Live from MTV Unplugged, Giske / 2017)
3. Over the Treetops (Live from MTV Unplugged, Giske / 2017)
4. Forever Not Yours (Live from MTV Unplugged, Giske / 2017 / LP Edit)
5. Sox of the Fox (Live from MTV Unplugged, Giske / 2017 / LP Edit)
6. Scoundrel Days (Live from MTV Unplugged, Giske / 2017)
7. The Killing Moon (Live from MTV Unplugged, Giske / 2017 / LP Edit)
1. Summer Moved on (Live from MTV Unplugged, Giske / 2017 / LP Edit)
2. Memorial Beach (Live from MTV Unplugged, Giske / 2017 / LP Edit)
3. Living a Boy's Adventure Tale (Live from MTV Unplugged, Giske / 2017)
4. Manhattan Skyline (Live from MTV Unplugged, Giske / 2017 / LP Edit)
5. The Living Daylights (Live from MTV Unplugged, Giske / 2017 / LP Edit)
6. Hunting High and Low (Live from MTV Unplugged, Giske / 2017)
7. Ake on Me (Live from MTV Unplugged, Giske / 2017)$45.99Vinyl LP - 3 LPs Sealed PRE-ORDER Buy Now
New, Live & Rare (Out Of Stock)All the material comes from the Mk 2 Deep Purple line up. As we know despite their success on stage little material from the bands live shows was ever released at the time, despite this being the period when the group made their reputation. The tracks span the years 1969 to 1971 and include several unique performances.
Wring That Neck is a long instrumental from a bootleg of a show in Amsterdam in August 1969, one of the earliest recordings of the famous Mk 2 line-up where they were able to stretch out in proper progressive rock style; Child In Time, the bands anthem in 1970 (originally laid down on the In Rock LP) was recorded live in Manchester in July that year; the version of the single Black Night was specially recorded for TV in September 1970 after becoming a surprise top ten hit; Strange Kind Of Woman comes from a very early American gig at Long Beach Arena in 1971, one of their first there as headliners; Into The Fire and Demons Eye are live recordings from Germany in 1971, tracks not often played live. The CD concludes with two bonus items, ten minute edits of Wring That Neck and Mandrake Root from Holland in August 1969, which feature some really astonishing playing from the band. Quality is pretty good given the sources, and as always restoration has been done but not overdone.1. Wring That Neck
2. Child In Time
3. Black Night
4. Strange Kind Of Woman
5. Into The Fire
6. Demon's Eye
7. Wring That Neck (edit)
8. Mandrake Root (edit)$42.99Vinyl LP - 2 LPs Sealed Temporarily out of stock
Getaway (Out of Stock)Three Color Mix Of Blue, White And Black That Matches The Blue-Grey Cover Artwork
GETAWAY, The Launderettes fourth studio album and first for Wicked Cool is inspired by the hardboiled pulp novel The Killer Inside Me (1952) by Jim Thompson. The protagonist of the novel gets away with living a double life as a serial killer, and
the book has developed a cult following because
the story is told through the eyes of a twisted,
The Launderettes use GETAWAY as a means to end
the story differently. The band returns to the desert to explore the good and evil in everyone, sharing the struggle of choosing between wrong and right.
GETAWAY has benefited from a Wicked long lead plan. FOUR singles have been featured as Coolest Songs in the World on The Underground Garage, and four 7" vinyl have been released commercially. The Launderettes have enjoyed previous success with having their music featured in commercials
(Nike), TV (Camp, MTV), and film (Switched at Birth). GETAWAY is the #1 Wicked Cool priority for licensing in the next 12 months, with the band already confirmed for an appearance on Lilyhammer (Netflix, January 2014), performing their next
single ("Hot Rocks").1. Hot Rocks
2. The Beat Dropped
3. Red River
4. You Know I'm Right
5. Marks On My Map
6. Bigger Than You
7. Don't Look Back
8. Girls From New Jersey
9. Just Dropped In
10. Cold Cold Hearts
11. I Walked All Night$16.99Colored Vinyl LP - Sealed Temporarily out of stock
The Sound Of Jazz (Out Of Stock)Mastered By Ryan K. Smith At Sterling Sound, From The Original 3-Track Tape
200-Gram LP Plated And Pressed At Quality Record Pressings
First Time Gatefold Old Style Tip-On Jacket From Stoughton Printing With Gorgeous Photos
Featuring Wild Man Blues Dickie's Dream And More
This 200-gram Analogue Productions LP reissue is a magnificent-sounding recording of a historic TV event. For a rare and glorious one-hour nationwide broadcast, CBS brought together 32 towering heavyweight jazz musicians of the swing era for the jam session to end all jam sessions.
The one-hour program aired on Sunday, December 8, 1957, live from CBS Studio 58, the Town Theater at 851 Ninth Avenue in New York City. The show was hosted by New York Herald-Tribune media critic John Crosby, directed by Jack Smight, and produced by Robert Herridge. Jazz writers Nat Hentoff and Whitney Balliett were the primary music consultants.
The Sound of Jazz brought together 32 leading musicians - a Who's Who of the swing era - including Count Basie, Lester Young, Ben Webster, Billie Holiday, Jo Jones and Coleman Hawkins; the Chicago style players of the same era, like Henry Red Allen, Vic Dickenson, and Pee Wee Russell; and younger 'modernist' musicians such as Gerry Mulligan, Thelonious Monk, and Jimmy Giuffre. These players played separately with their compatriots (see the song list below), but also joined to combine various styles in one group, such as Red Allen's group and the group backing Billie Holiday on Fine and Mellow.
Columbia Records released this LP in 1958 that is actually a rehearsal that preceded the telecast (recorded on December 4 at Columbia's 30th Street studios), and is not its soundtrack. The LP was released in 1958 as Columbia CL 1098, with liner notes by Eric Larrabee, and the cover photo is by Tom Yee. The recording doesn't include all of the performers on the TV show (Mulligan refused to participate because no additional payment was involved) and includes several who were not on the show. Bassist Walter Page rehearsed, and is featured on the LP, but collapsed on the way to the studio for the telecast.
For this Analogue Productions reissue we started with the original tape and the best mastering available - Ryan K. Smith at Sterling Sound did a steller job, and naturally, plating at Quality Record Pressings was handled by master plating technician Gary Salstrom. Our 200-gram QRP platters serve up an utterly noiseless background that lets the superior sonics shine through.
The show's performance of Fine and Mellow reunited Billie Holiday with her estranged long-time friend Lester Young for the final time. Jazz critic Nat Hentoff, who was involved in the show, recalled that during rehearsals, they kept to opposite sides of the room. Young was very weak, and Hentoff told him to skip the big band section of the show and that he could sit while performing in the group with Holiday.
During the performance of Fine and Mellow, Webster played the first solo. Then, Hentoff remembered: Lester got up, and he played the purest blues I have ever heard, and [he and Holiday] were looking at each other, their eyes were sort of interlocked, and she was sort of nodding and half-smiling. It was as if they were both remembering what had been - whatever that was. And in the control room we were all crying. When the show was over, they went their separate ways.
Within two years, both Young and Holiday had died.
This title is not eligible for discount.1. Wild Man Blues - L. Armstrong, F.J. Morton
2. Rosetta - W.H. Hoode, E. Hines
3. Fine and Mellow - B. Holiday
4. Blues - Giuffre, Russell
5. I Left My Baby - Rushing, Basie, A. Gibson
6. The Train And The River - Giuffre
7. Nervous - Waldron
8. Dickie's Dream - Basie, L. Young$34.99200 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock