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  • Trouble Man Trouble Man Quick View

    $24.99
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    Trouble Man

    Marvin Gaye's classic soundtrack to the 1972 motion picture Trouble Man starring Robert Hooks, Paul Winfield and Ralph Waite. The album reached the top 20 of the Billboard 200, peaking at #12. The title track was released as a single in November 1972 and became a top ten hit on the Billboard Hot 100,
    peaking at #7. The song became one of Marvin's signature songs for the remainder of his life. More recently, the soundtrack was referenced positively in the 2014 film Captain America: The Winter Soldier, with Falcon (Anthony Mackie) calling it the most important thing Captain America (Chris Evans) missed during his cryogenic slumber.
    1. Main Theme From Trouble Man Part 2
    2. T Plays It Cool
    3. Poor Abbey Walsh
    4. Break In (Police Shoot Big)
    5. Cleo's Apartment
    6. Trouble Man
    7. Theme From Trouble Man
    8. T Stands For Trouble
    9. Main Theme From Trouble Man Part 1
    10. Life Is A Gamble
    11. Deep-In-It
    12. Don't Mess With Mister T
    13. There Goes Mister T
    Marvin Gaye
    $24.99
    Vinyl LP Reissue - Sealed Buy Now
  • Vicious / In Trouble With The Lord Vicious / In Trouble With The Lord Quick View

    $6.99
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    Vicious / In Trouble With The Lord

    Previously released with no cover sleeve on limited edition clear vinyl with pressed rose petals inside for Record Store Day 2011. This is the proper Third Man Records black wax 7 with a artwork by David Swanson. Features a cover of the Lou Reed classic, Viscious backed with an unbelievably visceral outtake of In Trouble With The Lord from Karen Elson's The Ghost Who Walks LP.
    Side One

    1. Vicious

     

    Side Two

    1. In Trouble With The Lord
    Karen Elson
    $6.99
    7 Vinyl LP - Sealed Buy Now
  • American IV: The Man Comes Around American IV: The Man Comes Around Quick View

    $34.99
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    American IV: The Man Comes Around

    On first thought, the idea of the Man in Black recording such covers as Bridge over Troubled Water, Danny Boy, and The First Time Ever I Saw Your
    Face might seem odd, even for an artist who's been able to put his personal stamp on just about everything. But American IV: The Man Comes Around,
    which also draws on Cash's original songs as well as those by Nine Inch Nails (Hurt), Sting (I Hung My Head), and Depeche Mode (Personal Jesus),
    may be one of the most autobiographical albums of the 70-year-old singer-songwriter's career. Nearly every tune seems chosen to afford the ailing giant
    of popular music a chance to reflect on his life, and look ahead to what's around the corner. From the opening track--Cash's own The Man Comes
    Around, filled with frightening images of Armageddon--the album, produced by Rick Rubin, advances a quiet power and pathos, built around spare
    arrangements and unflinching honesty in performance and subject. In 15 songs, Cash moves through dark, haunted meditations on death and
    destruction, poignant farewells, testaments to everlasting love, and hopeful salutes to redemption. He sounds as if he means every word, his baritonebass,
    frequently frayed and ravaged, taking on a weary beauty. By the time he gets to the Beatles' In My Life, you'll very nearly cry. Go ahead. He
    sounds as if he's about to, too. Unforgettable. --Alanna Nash


    This is the fourth in a series of collaborations between the original Man in Black, Johnny Cash, and producer Rick Rubin. The Man Comes Around
    features new Cash compositions as well as a diverse array of cover songs, including Nine Inch Nails Hurt, Hank Williams I'm So Lonesome I Could
    Cry, and Paul Simon's Bridge Over Troubled Waters. He duets with Don Henley on Desperado.

    1. The Man Comes Around
    2. Hurt
    3. Give My Love To Rose
    4. Bridge Over Troubled Water
    5. I Hung My Head
    6. First Time Ever I Saw Your Face
    7. Personal Jesus
    8. In My Life
    9. Sam Hall
    10. Danny Boy
    11. Desperado
    12. I'm So Lonesome I Could Cry
    13. Tear Stained Letter
    14. Streets of Laredo
    15. We'll Meet Again
    Johnny Cash
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Soul King: Otis Redding, A Tribute The Soul King: Otis Redding, A Tribute Quick View

    $14.99
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    The Soul King: Otis Redding, A Tribute

    Originally released in 1969, this reissue of THE SOUL KING OTIS REDDING - A TRIBUTE features the band's renditions of such classics as Dock Of The Bay, Mr Pitiful, and Ol' Man Trouble, as well as Respect.
    1. Mr. Pitiful
    2. I've Been Loving You Too Long
    3. Satisfaction
    4. Happy Song
    5. Ol' Man Trouble
    6. Respect
    7. Sad Song
    8. Security
    9. Dock Of The Bay
    10. We Shall Overcome
    Majestics
    $14.99
    Vinyl LP Reissue - Sealed Buy Now
  • Legion (Original Television Series Soundtrack) (Pre-Order) Legion (Original Television Series Soundtrack) (Pre-Order) Quick View

    $34.99
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    Legion (Original Television Series Soundtrack) (Pre-Order)

    Lakeshore Records presents LEGION (Original Television Series Soundtrack) by Jeff Russo.

    When I first started working on LEGION, the showrunner Noah Hawley gave me some great feedback regarding the tonal palate, he suggested I read neurologist Oliver Sacks Hallucinations, said Russo. It was a fascinating read and it really did help inspire. It is all about the way that our mind can change our perception of reality and what that says about our brains. It was something that directed me right to where this amazing show was going.

    LEGION, based on the Marvel Comics by Chris Claremont and Bill Sienkiewicz, is the story of David Haller (Dan Stevens) - a troubled young man who may be more than human. Diagnosed as schizophrenic as a child, David has been in and out of psychiatric hospitals for years. Now in his early 30s and institutionalized once again, David loses himself in the rhythm of the structured regimen of life in the hospital: breakfast, lunch, dinner, therapy, medications, sleep. David spends the rest of his time in companionable silence alongside his chatterbox friend Lenny (Aubrey Plaza), a fellow patient whose life-long drug and alcohol addiction has done nothing to quell her boundless optimism that her luck is about to change. The pleasant numbness of David's routine is completely upended with the arrival of a beautiful and troubled new patient named Syd (Rachel Keller). Inexplicably drawn to one another, David and Syd share a startling encounter, after which he must confront the shocking possibility that the voices he hears and the visions he sees are the result of him being a mutant.

    I used many esoteric synths from the 70s including something called a 'synthi,' described Russo of his approach to the score. That along with a traditional cinematic orchestral sound makes up most of the sound of the score. I also used a lot of bowing metals...springs, and different kinds of metal percussion.

    EMMY® and Grammy®-nominated musician, Jeff Russo has become a prominent composer, songwriter and arranger in the film and television industry. Russo received two Emmy nominations for his memorable music on FX's Emmy and Golden Globe-winning series, Fargo. He is currently scoring the third season of the show, as well as Starz's hit drama Power. Russo's music was recently heard on HBO's hit Golden Globe-nominated miniseries The Night Of.

    1. Young David
    2. David in Clockworks
    3. 174 Hours
    4. Seeing Things Hearing Things
    5. Run
    6. David
    7. The Shift and Cascade
    8. The Caper 2
    9. Legion Main Title
    10. 87 Days
    11. Open
    12. Almost Legion
    13. Levitate
    14. Clockworks
    15. Chaos and Madness
    16. David and Syd
    17. Choir and Crickets
    18. Tea and Memory
    19. David Redux
    20. Darkness (Full Suite)
    Jeff Russo
    $34.99
    Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
  • We Are Undone We Are Undone Quick View

    $18.99
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    We Are Undone

    The San Francisco based guitar-drum duo Two Gallants are set to release their 5th studio album, We Are Undone, on ATO Records. While singer and guitarist Adam Stephens and drummer Tyson Vogel have stayed true to the two-person format since their acclaimed 2004 debut, The Throes, their sound has evolved considerably over the intervening years. Following 2012's The Bloom and the Blight, We Are Undone is the band's second release on ATO. Thematically, the album ranges from songs that attempt to make sense of the dramatically shifting social landscape of their home town, to the illusion of authenticity, impending environmental collapse, and romantic estrangement. Sonically, the thrash blues of songs such as "We Are Undone" and "Some Trouble" is balanced by the austerity of ballads such as "My Man Go" and "There's So Much I Don't Know."
    1. We Are Undone
    2. Incidental
    3. Fools Like Us
    4. Invitation To The Funeral
    5. My Man Go
    6. Katy Kruelly

    7. Heartbreakdown
    8. Murder The Season / The Age Nocturne
    9. There's So Much I Don't Know
    Two Gallants
    $18.99
    Vinyl LP - Sealed Buy Now
  • Harvest Harvest Quick View

    $46.99
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    Harvest

    Ranked 78/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    NOW ON 180-GRAM VINYL!!!


    Remastered from the original tapes! It sounds incredible!!


    A quadruple Platinum No. 1 smash and the best-selling album of 1972, Harvest was Neil Young's fourth solo effort. With the Gold No. 1 Heart Of Gold, Top 40 Old Man, powerful The Needle And The Damage Done, controversial A Man Needs A Maid and Southern Man companion Alabama, Harvest won inclusion in Rolling Stone's 100 Greatest Albums Of All Time.


    Deceptively laid-back-sounding country-rock plaints like Out On The Weekend and the title cut caress the ear unassumingly, pulling you into the more ominous subtext that is present in the rollicking Are You Ready For The Country. As always, Young has an ear for contrasts, laying down heavy rock (Alabama) besides his balladry, and even employing the London Symphony Orchestra on the excellent confessional A Man Needs A Maid. Due to back troubles, Young recorded much of this material while wearing a brace, a fact that seems audible in the tension and unease that underlies the friendly, acoustic surface of this superb release.



    1. Out On The Weekend
    2. Harvest
    3. A Man Needs A Maid
    4. Heart Of Gold
    5. Are You Ready For The Country?
    6. Old Man
    7. There's A World
    8. Alabama
    9. The Needle And The Damage Done
    10. Words (Between The Lines Of Age)
    Neil Young
    $46.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Always On My Mind Always On My Mind Quick View

    $31.99
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    Always On My Mind

    180 Gram Blue Colored Vinyl


    Produced By Chips Moman + Bobby Emmons


    First Time Audiophile Blue Vinyl & Gatefold Cover Presentation


    Mastered Impeccablty By Joe Reagoso - Manufactured At R.T.I.


    Willie Nelson is a musical phenomenon and an American icon. His
    legendary musical career began in the 50's, followed with a plethora
    of hit songs written for the likes of Ray Price, Patsy Cline and Roy
    Orbison, and then his own six decade long recording career in the
    country, rock, pop, adult, and even jazz genres, sharing his legendary
    vocal, guitar and songwriting persona for millions of fans worldwide.


    With 1982's Always On My Mind Lp, Willie Nelson created one of the
    most successful top charting hit albums of all time. The Lp features
    Willie's stellar vocal and guitar interpretations on the definitive outlaw
    version of Procol Harum's A Whiter Shade Of Pale (featuring Waylon
    Jennings), his melancholy #1 title track Always On My Mind, plus an
    incredible reading of Aretha Franklin's Do Right Woman, Do Right
    Man.


    Alongside great versions of tunes like Bridge Over Trouble Water
    by Simon & Garfunkel, you also get some masterful Willie Nelson
    originals like the LP closer The Party's Over. All in all, making Always
    On My Mind the legendary album it is and always will be.


    This fine album has been out of print for decades on vinyl, and it
    is our honor to announce the first time 180 Gram Audiophile Vinyl
    presentation of Always On My Mind by the legendary Willie Nelson
    on Friday Music. This limited edition audiophile masterpiece is now
    impeccably mastered by Joe Reagoso and also for a very limited
    time is pressed by R.T.I. on translucent Blue Vinyl, and features from
    the original LP artwork not seen in years, in a first time gatefold
    presentation.


    You Were Always On My Mind ..

    1. Do Right Woman, Do Right Man
    2. Always on My Mind
    3. A Whiter Shade of Pale
    4. Let It Be Me
    5. Staring Each Other Down
    6. Bridge over Troubled Water
    7. Old Fords and a Natural Stone
    8. Permanently Lonely
    9. Last Thing I Needed First Thing This Morning
    10. The Party's Over
    Willie Nelson
    $31.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Southern Roots Southern Roots Quick View

    $47.99
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    Southern Roots

    At long last here are the original session tapes that produced Jerry Lee Lewis' 1974 Southern Roots LP. Produced by Huey Meaux, a fellow Louisiana wildman, the final results reveal what happens when two fiery, free-spirited forces lock horns in the studio.
    Meaux had just gotten out of prison and had a reputation you wouldn't want in your family tree. Separately, Meaux and Lewis each spelled trouble in a big way and could be impossible to work with. Together? God knows what would happen. The results could be an utter disaster or a stroke of genius. As Meaux later observed, ''I knew Jerry and I would fight, but in the end we'd come out with the record. We fought, but we delivered.''


    For three days in September, 1973 Jerry Lee Lewis and Huey Meaux went at it, and each other. Listen as Jerry Lee is turned loose in the studio by a producer who didn't try to rein in Jerry's ego. In fact, Meaux did everything he could to feed it. That ego is nowhere more evident than on Jerry's version of the Percy Sledge 1966 hit, When A Man Loves A Woman, which Jerry turns into a sermon on war between the sexes.

    Jerry and Huey cut mostly southern music - soul, country, R&B and a touch of swamp pop. They even included a surprisingly impassioned version of Johnny Ray's 1952 hit record, Cry.

    Little did we know that there was supposed to be a second Southern Roots album. Only ten tracks ever appeared on the LP - a scant 34 minutes of music - but we've got it all here, including the music that was scheduled to appear on the second 'lost album,' all neatly overdubbed and ready for release. We've also got the stuff you were never meant to hear, and there's plenty of it.

    LP 1
    1. Meat Man
    2. When A Man Loves A Woman
    3. Hold On I'm Coming
    4. Just A Little Bit
    5. Born To Be A Loser
    6. Haunted House
    7. Blueberry Hill
    8. The Revolutionary Man
    9. Big Blue Diamonds
    10. That Old Bourbon Street Church


    LP 2
    1. Silver Threads Among The Gold
    2. Hold On I'm Coming (fast version)
    3. Take Your Time
    4. All Over Hell And Half Of Georgia
    5. I Sure Miss Those Good Old Times
    6. Raining In My Heart
    7 Honey Hush
    8. Cry
    9. Margie
    10. Studio Chatter #8 - Polk Salad Annie

    Jerry Lee Lewis
    $47.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Stranger (On Sale) The Stranger (On Sale) On Sale Quick View

    $49.99 $44.99 Save $5.00 (10%)

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    The Stranger (On Sale)

    Ranked 67/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Joels Breakthrough Record Loaded With Smash Hits: Movin Out (Anthonys Song), Just the Way You Are, Only the Good Die Young, Shes Always a Woman


    Getting It Right: Mobile Fidelitys Half-Speed Mastered Version Brings Phil Ramones Celebrated Production into Full-Color Detail


    1977 Set a Grammy Winner for Record of the Year and Song of the Year


    Billy Joel entered 1977 with a great track record but in need of breakthrough. Pairing with producer Phil Ramone (Carly Simon, Simon & Garfunkel), who developed the requisite ingredients missing from Joels formula, the singer-songwriter became a household name and chart-topping success courtesy of The Stranger. Certified ten-times platinum, Joels artistic and commercial smash remains a pop-rock benchmark. Better still, it now sounds astonishing.


    An integral part of Mobile Fidelitys Billy Joel catalog restoration series, The Stranger is mastered from the original master tapes and pressed on 180g LP at RTI. Far superior to the previous Sony and Simply Vinyl analog reissues, this edition emphasizes the crucial touches and insightful techniques Ramone brought to a batch of material that ranks among Joels most clever, catchy, and sagacious.


    Whereas a handful of Joels preceding efforts feature a near-flawless mix of melodic arrangements and poignant lyrics, the aspects he sought in order to graduate into a more serious artist arrive here via Ramones more muscular, fleshed-out, and rock-enabling production. The streamlined approach slightly strips back the sweeping developments heard on Piano Man and Turnstiles, and on this edition, lays bare the core of the material, allowing the vocalists bittersweet yearning, rollicking 88 notes, and working-class conviction to emanate with full-bodied detail, vivid color, and grand-scale dynamics.


    A Grammy winner for both Record and Song of the Year, Just the Way You Are epitomizes Joels balladic reach, his ability to transfer wistful sentiments and lovelorn emotions. He also flashes a mean streak. The animated Only the Good Die Young bounces and hops to an updated classic-R&B rhythm and, underneath its beauty, Shes Always A Woman hints at trouble underfoot. And then theres the New York-centric, character-rich poetry of the vignettes.


    Akin to many of his influences, Joel nails the grit, personality, specificity, descriptiveness, and behavior of protagonists that populate Movin Out (Anthonys Song) and Scenes From an Italian Diner, each equally at home on The Stranger as well as on a Broadway play or on a golden-era Hollywood film soundtrack. No wonder that, just months after its original release, Joel was no longer a stranger to any of the music-loving public. He would never look back.


    Don't pass up this seminal pop-rock work in the best fidelity its ever enjoyed.


    This title is not eligible for further discount.

    1. Movin Out (Anthonys Song)
    2. The Stranger
    3. Just the Way You Are
    4. Scenes From an Italian Restaurant
    5. Vienna
    6. Only the Good Die Young
    7. Shes Always a Woman
    8. Get It Right the First Time
    9. Everybody Has a Dream/The Stranger (Reprise)
    Billy Joel
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • The Stranger The Stranger Quick View

    $34.99
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    The Stranger

    Ranked 67/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.

    Billy Joel has become the sixth best-selling recording artist and the third best-selling solo artist in the United States. He has had multiple Top 10 hits in the '80s and '90s, all of which he wrote singlehandedly. He is also a six-time Grammy Award winner, has sold over 100 million records worldwide and was inducted into almost every Hall of Fame there exists. Joel retired from recording pop music in 1993 but continues to tour, often with Elton John.


    'The Stranger' is his fifth studio album, originally released in 1977. While his four previous albums had been moderate chart successes, this was his breakthrough album. It remains Joel's best-selling non-compilation album to date. 'The Stranger' contains nine songs, many of which are now considered "classic Joel". Much of the album's success is attributed to Joel's collaboration with producer Phil Ramone, whose innovative production methods complemented Joel's songs. This fruitful collaboration would continue for a decade.


    Whereas a handful of Joel's preceding efforts feature a near-flawless mix of melodic arrangements and poignant lyrics, the aspects he sought in order to graduate into a more serious artist arrive here via Ramone's more muscular, fleshed-out, and rock-enabling production. The streamlined approach slightly strips back the sweeping developments heard on Piano Man and Turnstiles, and on this edition, lays bare the core of the material, allowing the vocalist's bittersweet yearning, rollicking 88 notes, and working-class conviction to emanate with full-bodied detail, vivid color, and grand-scale dynamics.


    A Grammy winner for both Record and Song of the Year, "Just the Way You Are" epitomizes Joel's balladic reach, his ability to transfer wistful sentiments and lovelorn emotions. He also flashes a mean streak. The animated "Only the Good Die Young" bounces and hops to an updated classic-R&B rhythm and, underneath its beauty, "She's Always A Woman" hints at trouble underfoot. And then there's the New York-centric, character-rich poetry of the vignettes.


    Akin to many of his influences, Joel nails the grit, personality, specificity, descriptiveness, and behavior of protagonists that populate "Movin' Out (Anthony's Song)" and "Scenes From an Italian Diner," each equally at home on The Stranger as well as on a Broadway play or on a golden-era Hollywood film soundtrack. No wonder that, just months after its original release, Joel was no longer a stranger to any of the music-loving public. He would never look back.

    1. Movin Out (Anthonys Song)
    2. The Stranger
    3. Just the Way You Are
    4. Scenes From an Italian Restaurant
    5. Vienna
    6. Only the Good Die Young
    7. Shes Always a Woman
    8. Get It Right the First Time
    9. Everybody Has a Dream
    Billy Joel
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Here's Little Richard Here's Little Richard Quick View

    $21.99
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    Here's Little Richard

    Little Richard had been making records for four years before he rolled into Cosimo Matassa's J&M Studio in New Orleans and cut the epochal Tutti Frutti in the fall of 1955, but everything else he'd done -- and much of what others had recorded -- faded into insignificance when Richard wailed A wop bop a loo mop a lomp bomp bomp and kicked off one of the first great wailers in rock history. In retrospect, Little Richard's style doesn't seem so strikingly innovative as captured in 1956's Here's Little Richard -- his boogie-woogie piano stylings weren't all that different from what Fats Domino had been laying down since 1949, and his band pumped out the New Orleans backbeat that would define the Crescent City's R&B for the next two decades, albeit with precision and plenty of groove. But what set Richard apart was his willingness to ramp up the tempos and turn the outrage meter up to ten; Tutti Frutti, Rip It Up, and Jenny Jenny still sound outrageous a half-century after they were waxed, and it's difficult but intriguing to imagine how people must have reacted to Little Richard at a time when African-American performers were expected to be polite, and the notion of a gay man venturing out of the closet simply didn't exist (Richard's songs were thoroughly heterosexual on the surface, but the nudge and wink of Tutti Frutti and Baby is faint but visible, and his bop threads, mile-high process, and eye makeup clearly categorized him as someone different). These 12 tunes may not represent the alpha and omega of Little Richard's best music, but every song is a classic and unlike many of his peers, time has refused to render this first album quaint -- Richard's grainy scream remains one of the great sounds in rock & roll history, and the thunder of his piano and the frantic wail of the band is still the glorious call of a Friday night with pay in the pocket and trouble in mind. Brilliant stuff.


    - Mark Deming (All Music Guide)

    1. Tutti Fruitti
    2. True Fine Mama
    3. Can't Believe You Wanna Leave
    4. Ready Teddy
    5. Baby
    6. Slippin' and Slidin'
    7. Long Tall Sally
    8. Miss Ann
    9. Oh Why
    10. Rip It Up
    11. Jenny Jenny
    12. She's Got It
    Little Richard
    $21.99
    Vinyl LP -Sealed Buy Now
  • Walt Wolfman Walt Wolfman Quick View

    $14.99
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    Walt Wolfman

    About a year ago, Richard Swift horrifically fractured his left ring finger. For a moment his nimble guitar and piano work flashed before his eyes. Doctors were saying things like movement and feeling could eventually return, etc, etc. Certainly, not even a little blip on the sadness radar of humanity, but a massive bummer for a fellow who has carved out a niche as one of independent music's sought after session players and producers and especially in relation to the astounding Richard Swift solo output we all know and love.


    So, it's with a great, collective sigh of relief that he's back to churning out new material like Whitman. It's chugging, chiming and triumphant, featuring Swift's always endearing falsetto and casual call-and-response lyricism. I've got my own Whitman...Farewell, farewell/I hope it did you good/To say the things/My father never could, Swift pines. The song is a cryptic salute to Walt Whitman, whose American lineage of primal, urgent art can be traced to include Kerouac and Dylan, Bo Diddley and Beefheart right on through to modern outsider-pop wunderkinds like Swift. And according to Swift, Whitman is a nice taste of what we can expect from his next longform recording.


    The same can be said for the remainder of the Walt Wolfman EP. Conceived in the same spirit that gave us 2008's cult favorite Ground Trouble Jaw EP, these blown-out, basement R&B rippers are not for the faint of heart. They require movement and sweat, dancing with a cocktail glass in your grip until your shoes are soaked in booze. Highlight of the set, MG 333, is a raw and ghostly trance, a blast of kinetic energy and jazz cigarette smoke. Meanwhile, the neu-vintage jive of Drakula (Hey Man) and Zombie Boogie pack a timelessness that transcends their seasonal titles. And yeah, that's Swift himself on rapid-fire drums across the whole damn set. Shit, he might have been fine without that measly finger after all.

    1. Whitman
    2. Mg 333
    3. Laugh It Up
    4. Zombie Boogie
    5. Out & About
    6. Drakula (Hey Man!)
    7. St. Michael
    Richard Swift
    $14.99
    Vinyl LP - Sealed Buy Now
  • The Circle The Circle Quick View

    $34.99
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    The Circle

    It's an interesting question to ask: Is that a fair dose of motivation or is that a chip on your shoulder? Jon Bon Jovi posed that question to himself, and it's worth pondering. You might think that a man whose band has sold more than 120 million records and played before tens of millions of fans in the course of an illustrious 26-year career would be content to rest on his considerable laurels, at least for a while.


    You might think that, but you'd be wrong, and the new Bon Jovi album, The Circle, provides irrefutable proof. As its title suggests, The Circle marks a powerful reassertion of Bon Jovi's commitment to the hard-hitting, uplifting rock & roll that has been the band's indelible signature since it began. The band share an abiding bond that informs and defines their music. It is a circle that remains unbroken.


    The album title, Bon Jovi explains, has several meanings. Some may say that with this album we have come full circle. Others may see The Circle as never ending. I see it as very hard to get in to and even harder to get out of, the singer says with a laugh. Having had 5 studio records in this decade, there are songs on each record that represent the world around us. And while they don't always like what they see, they try hard not to see the cup as half empty. From the new single We Weren't Born To Follow to the powerful When We Were Beautiful, the songs are as uplifting and anthemic as anything Bon Jovi and Sambora have ever written.


    Another reason for the anthemic sound of THE CIRCLE is the re-emergence of Richie Sambora. This is meant to be a stadium, turn-the-guitars-back-up record, and that's a testament to having Richie at my side, Jon says. I can't tell you how much that's meant. With me and Richie, one and one makes three.


    That flame burns at the heart of The Circle. When We Were Beautiful shares its title with the superb Bon Jovi documentary by filmmaker Phil Griffin. Like the film, the song is atmospheric and haunting. It opens with a sense of crisis: The world is cracked/The sky is torn. Jon Bon Jovi hears the song as a true departure for the band. That's a unique song, he says, We've written hits, but this is something more, this is something different. I didn't want to sugarcoat things. Those lyrics are factual. As a country and as people, we hit a wall. But the idea is to try to get back to `when we were beautiful.'


    The new studio album, The Circle, was produced by John Shanks, who also worked with the band on the two preceding Bon Jovi albums, Lost Highway (2007) and Have a Nice Day (2005). The album has an underlying positive theme that is apparent throughout the songs. Whether it's questioning your vitality in Fast Cars, or asking what the future holds in Work for the Working Man, the songs are about the prospect of people having to find new directions in their lives. In these trying times every word relays the truth.


    So The Circle, then, like all of Bon Jovi's best music, stares down the troubles that afflict our lives, and offers a bracing vision for overcoming those obstacles. It's stirring, and it's an emotion that, strong as the album is, will find its most convincing expression on the concert stage. And this is why Bon Jovi have managed to play over 2600 concerts to over 34 million fans in over 50 countries. I can't believe I'm even saying this, but I can't wait to go on the road again, Jon Bon Jovi exclaims.

    1. We Weren't Born to Follow
    2. When We Were Beautiful
    3. Work for the Working Man
    4. Superman Tonight
    5. Bullet
    6. Thorn in My Side
    7. Live Before You Die
    8. Brokenpromiseland
    9. Love's the Only Rule
    10. Fast Cars
    11. Happy Now
    12. Learn to Love
    Bon Jovi
    $34.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • C.O.D. (Awaiting Repress) C.O.D. (Awaiting Repress) Quick View

    $24.99
    Buy Now
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    C.O.D. (Awaiting Repress)

    "C.O.D." with Christian Linderson (COUNT RAVEN) on vocals features numerous instant VITUS classics including "Children of Doom" and "Plague of Man" and is now remastered and repackaged with bonus tracks.


    Recommended if You Like: BLACK SABBATH, TROUBLE, COUNT RAVEN, CANDLEMASS, THE OBSESSED, HIGH ON FIRE, SLEEP, BARONESS, MASTODON, SIR LORD BALTIMORE

    1. Intro
    2. Children Of Doom
    3. Planet Of Judgement
    4. Shadow Of A Skeleton
    5. (I Am) The Screaming Banshee
    6. Plague Of Man
    7. Fear
    8. Get Away
    9. Bela
    10. A Timeless Tale
    11. Hallow's Victim (Exhumed)
    12. To Breed A Soldier [Bonus Track]
    13. The Chameleon [Bonus Track]
    Saint Vitus
    $24.99
    Vinyl LP Reissue - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Brothers and Sisters Brothers and Sisters Quick View

    $19.99
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    Brothers and Sisters

    1973 Affair Introduces Southern Rock to Popular Parlance


    Dickey Betts Leads Group Through Mellower Country Rock, Pairs With Pianist Chuck Leavell


    Chart-Topping Album Includes Smash "Ramblin' Man" and Favorites "Jessica" and "Southbound"


    Brothers and Sisters is significant for myriad reasons. It's the first album the Allman Brothers Band made in its entirety after Duane Allman's death. It also came after bassist Berry Oakley's spookily similar passing, yet he appears on two of the songs. The 1973 set also marks the emergence of guitarist Dickey Betts as the collective's leader. And pianist Chuck Leavell's arrival. But for than anything else, the record remains noteworthy for its incredible soulfulness and completeness.


    Having stayed at the top of the Billboard charts for five consecutive weeks, Brothers and Sisters constitutes the Allman Brothers Band's biggest commercial triumph. Given the circumstances surrounding its creation, such an accomplishment hardly seemed possible. Fresh from licking their wounds over Duane's tragic motorcycle accident, the group experienced dÉjà vu when Oakley met the same fate just blocks away from where his mate was killed. Rather than collapse, the Allman Brothers Band tightened up and mellowed out, inviting Leavell to join instead of recruiting another guitarist.


    What the sextet gets in return for its troubles is music that marks the concrete beginnings of a form that soon become known as Southern rock. Leavell and Betts exchange notes as if the pair has been trading ideas since they were children. Slide guitars still tread over greasy grooves, yet the Allman Brothers Band digs deeper into country dirt, parlaying a twang anchored by Betts' picking and abetted by Gregg's organic, shot-of-blues vocals. The laidback vibe manifests on the signature "Ramblin' Man," a hit evocative of the record's breezy melodies and friendly interplay.


    The cover art further reveals the Allman Brothers Band's mindset. Golden, tranquil, idyllic, Southern, loving: It's a paradise-longing view that would soon come crashing down in the group's lives but one that, for the duration and existence of Brothers and Sisters, remains gloriously undisturbed.

    1. Wasted Words
    2. Ramblin' Man
    3. Come and Go Blues
    4. Jelly, Jelly
    5. Southbound
    6. Jessica
    7. Pony Boy
    The Allman Brothers Band
    $19.99
    Vinyl LP - Sealed Buy Now
  • The Fantastic Expedition of Dillard and Clark The Fantastic Expedition of Dillard and Clark Quick View

    $24.99
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    The Fantastic Expedition of Dillard and Clark

    In 1965 Missouri-born Gene Clark was riding the crest of unprecedented success and adulation as a member of the Byrds. Anointed as America's answer to the Beatles, the Byrds topped the charts with folk-rock anthems like Mr. Tambourine Man, Turn! Turn! Turn! and Eight Miles High. Gene was front and center as tambourine player, singer and principal songwriter for the group. But in early 1966 he flew the Byrds' coop. A gifted songwriter, expectations ran high for a stellar solo career, but those hopes were dashed when his debut solo album and single both failed to chart. Dropped by Columbia Records the following year, Gene's career remained in limbo until teaming up with banjo player extraordinaire Doug Dillard.


    What emerged from a series of informal jam sessions in and around Laurel Canyon was a loose-knit group of pickers seeking to break bluegrass music out of its traditional confines and redefine it in a contemporary country-rock context. The Fantastic Expedition of Dillard & Clark is a groundbreaking album that helped define country-rock and set the template not only for that genre but the entire alt-country, Americana and Roots Rock movements of the '90s. Together with future Eagle Bernie Leadon, who co-wrote Train Leaves Here This Morning, with Gene (featured both on the Fantastic Expedition album and later on the Eagels' debut release), the Dillard & Clark merger represents a high-water mark in Gene Clark's impressive anon of recordings and one of the most satisfying periods in his often troubled career.


    The Fantastic Expedition of Dillard & Clark ranks among a handful of seminal 1960s country-rock experiments. I think we made our mark in country rock, muses Doug Dillard. We didn't make the charts but we sure influenced a lot of people. To insure that their influence carries on, Sundazed proudly presents this newly mastered edition, sourced from the original A&M analog tapes, available on resonant high-definition vinyl packaged in a vibrant recreation of the original cover artwork.

    1. Out On the Side
    2. She Darked the Sun
    3. Don't Come Rollin'
    4. Train Leaves Here This Mornin'
    5. With Care From Someone
    6. The Radio Song
    7. Git It On Brother (Git In Line Brother)
    8. In the Plan
    9. Something's Wrong
    Gene Clark
    $24.99
    Vinyl LP - Sealed Buy Now
  • Songs From The Garage (Pink Vinyl) Songs From The Garage (Pink Vinyl) Quick View

    $25.99
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    Songs From The Garage (Pink Vinyl)

    Pink Colored Vinyl


    Features AC/DC Lead Vocalist Brian Johnson


    Guitars And Production Duties Handled By Rob Caggiano (Anthrax, Volbeat, Bleeding Through, Cradle Of Filth And More)



    Whether it's Spinal Tap gloriously losing the plot, the escapades of Tenacious D getting them into trouble, or the phenomenon that is Dethklok tearing up the album charts, comedy and heavy music have long made for great bedfellows. Jim Breuer is a man who understands this, and with Songs From The Garage, his first full-length with longtime backing band The Regulators, he delivers both in his inimitable style. "I basically want the crowd to have a blast, and I write what I feel that I would love if I was in the crowd. So, going into the record the music had to be killer and have great hooks, that was most important, and I wanted to balance that with something that's funny," he enthuses. "I wanted to bring the smile back to hard rock that has a nice punch to it - and in doing so hopefully bridge the gap so my generation and their kids will come see this live together!"


    In realizing this, Breuer has delivered a record that is pure, unadulterated fun, and yes, it rocks. From crunchy opening romp "Thrash" through the swaggering "Who Better Than Us?" to the gloriously deranged excitement suffusing "Sugar Rush", his exuberance is infectious, and he challenges you to keep your ass from shaking and the corners of your mouth twitching while it thunders from the speakers. Throughout, his influences bleed through, comfortably blurring the line between hard rock and metal while every anthemic chorus lodges irrevocably in the hippocampus. While a great many 'comedy rock' records are ultimately pretty throwaway and last as long as the joke stays funny, this is not the case with Songs From The Garage. True to his game plan, Breuer has made great songs, ones that persistently draw a smile and will fit comfortably when shuffled among the likes of Megadeth, AC/DC, Judas Priest and more contemporary bands, such as Avenged Sevenfold and Halestorm.


    Having finally made the album that has been burning to get out of him since his teens, Breuer couldn't be happier with the result. Though he has fulfilled one rock and roll dream with its completion, it certainly does not mean he's about to kick back and leave it at that. "I plan on making great, funny videos for every song and have videos up during the concerts. I want pure entertainment when you come see this live, and now my rock and roll dream is to play this not only here in America, but anywhere else in the world that will accept it! I'm taking it one day at a time, living the dream."

    1. Thrash
    2. Raising Teenage Girls
    3. Old School
    4. Be a Dick 2nite
    5. My Rock n Roll Dream
    6. Mr. Rock n Roll
    7. Who's Better Than Us?!
    8. Family Warrior
    9. Sugar Rush
    10. Wannabe
    11. The Unexplained
    Jim Breuer And The Loud & Rowdy
    $25.99
    Colored Vinyl LP - Sealed Buy Now
  • Brothers And Sisters (On Sale) Brothers And Sisters (On Sale) On Sale Quick View

    $34.99 $31.49 Save $3.50 (10%)

    Buy Now
    x

    Brothers And Sisters (On Sale)

    Brothers and Sisters on Numbered Limited Edition 180 Gram LP from Mobile Fidelity


    1973 Affair Introduces Southern Rock to Popular Parlance


    Unrivaled Sonics: Mastered from the Original Master Tapes, Mobile Fidelity Edition Provides Window Into What Transpired in Macon Studios


    Dickey Betts Leads Group Through Mellower Country Rock, Pairs With Pianist Chuck Leavell


    Chart-Topping Album Includes Smash "Ramblin' Man" and Favorites "Jessica" and "Southbound"


    Brothers and Sisters is significant for myriad reasons. It's the first album the Allman Brothers Band made in its entirety after Duane Allman's death. It also came after bassist Berry Oakley's spookily similar passing, yet he appears on two of the songs. The 1973 set also marks the emergence of guitarist Dickey Betts as the collective's leader. And pianist Chuck Leavell's arrival. But for than anything else, the record remains noteworthy for its incredible soulfulness and completeness.


    Mastered from the original master tapes and pressed on dead-quiet vinyl RTI, Mobile Fidelity's 180 gram LP of Brothers and Sisters joins the unparalleled reissue imprint's other Allman titles in presenting the superlative ensemble's work in the most lifelike, uncompromised fidelity possible. Whether it's the feather-light harmonic layering of the collective's background vocals, echoing cavity of Leavell's gospel-tinted piano, skin-against-skin smack of Jaimoe's congas, or sweet dobro lines laid down by Betts, this version betters all previous pressings by bringing you, the listener, as close to the studio as any record feasibly can.


    Having stayed at the top of the Billboard charts for five consecutive weeks, Brothers and Sisters constitutes the Allman Brothers Band's biggest commercial triumph. Given the circumstances surrounding its creation, such an accomplishment hardly seemed possible. Fresh from licking their wounds over Duane's tragic motorcycle accident, the group experienced dÉjà vu when Oakley met the same fate just blocks away from where his mate was killed. Rather than collapse, the Allman Brothers Band tightened up and mellowed out, inviting Leavell to join instead of recruiting another guitarist.


    What the sextet gets in return for its troubles is music that marks the concrete beginnings of a form that soon become known as Southern rock. Leavell and Betts exchange notes as if the pair has been trading ideas since they were children. Slide guitars still tread over greasy grooves, yet the Allman Brothers Band digs deeper into country dirt, parlaying a twang anchored by Betts' picking and abetted by Gregg's organic, shot-of-blues vocals. The laidback vibe manifests on the signature "Ramblin' Man," a hit evocative of the record's breezy melodies and friendly interplay.


    The cover art further reveals the Allman Brothers Band's mindset. Golden, tranquil, idyllic, Southern, loving: It's a paradise-longing view that would soon come crashing down in the group's lives but one that, for the duration and existence of Brothers and Sisters, remains gloriously undisturbed.


    This title is not eligible for further discount.

    1. Wasted Words
    2. Ramblin' Man
    3. Come and Go Blues
    4. Jelly, Jelly
    5. Southbound
    6. Jessica
    7. Pony Boy
    The Allman Brothers Band
    $34.99 $31.49 Save $3.50 (10%)
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • That's The Way It Is That's The Way It Is Quick View

    $29.99
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    x

    That's The Way It Is

    First Time 180 Gram Audiophile Soundtrack Vinyl & Gatefold Cover Presentation!


    Mastered Impeccably By Joe Reagoso And Manufactured At R.T.I.


    Elvis Aaron Presley was born during The Great Depression into a poor family in Mississippi. They moved to Memphis during the early fifties, and as a struggling young truck driver, he cut some demos at Sun Studios as a gift for his beloved mother Gladys. These initial songs, of which he had only paid a few dollars to record, would become the catalyst that would kick-start the beginnings of a soon to be worldwide superstar unlike the world has ever known.


    The folks at RCA Victor knew that this young fellow named Elvis was destined for superstardom. They quickly bought out his contract and signed the legend to a long term deal, forever etching "The King Of Rock And Roll" trademark to his name. In 1970 after a plethora of chart topping albums and a bevy of number one singles, Elvis Presley continued to build his marquee value even further while starring in a staggering amount of feature motion pictures. More incredible fame followed as the That's The Way It Is movie starring Elvis Presley became another box office hit for the King. The 70's epic documentary captured Elvis's first concert tour in over a decade, as the brilliant soundtrack album recorded live in Las Vegas and in RCA Studios, Nashville, was also was a blockbuster as it rose to the upper rungs of the album charts, making this his 40th hit album in a row! Both the That's The Way It Is movie and soundtrack LP truly proved once again that his career was unlike any other in music history.


    Filled with more winners than in a Las Vegas casino, That's The Way It Is takes off with several smashes in a row, including the classic I Just Can't Help Believin' which became a UK smash, plus the definitive hit single version of You Don't Have to Say You Love Me plus an LP live only version of the killer rocker Patch It Up featuring James Burton's trail blazing guitar work. More soundtrack treasures follow with the beautiful ballads I've Lost You and Mary in the Morning. The album also features his stellar rendition of You've Lost That Lovin' Feelin' featuring the vocals of The Sweet Inspirations as well as the superlative Simon & Garfunkel interpretation of Bridge Over Troubled Water. In total, the album showcases 12 very important Elvis Presley recordings which have truly gone on to become international classics.


    In honor of the Man, the Music, the Legend, the King Of Rock And Roll, Friday Music is very proud and honored to announce the first time 180 Gram Audiophile Soundtrack Vinyl release of the RCA Victor classic That's The Way It Is by Elvis Presley. As another classic installment in our exciting Elvis Presley 180 Gram Audiophile Vinyl Series, we are very pleased to present this masterwork in all its true stereophonic hi-fi glory. Mastered impeccably by Joe Reagoso at Friday Music Studios and manufactured at R.T.I., That's The Way It Is will be a much anticipated audiophile dream release for Elvis fans everywhere Especially during the celebration of his birthday month!


    For this exclusive anniversary presentation, we are also including the first time ever gatefold artwork which includes the groundbreaking original LP cover elements from this historic Elvis Presley era. We are also enclosing a poly bag to protect your album cover and poly lined inner
    sleeve to help keep your Elvis vinyl in mint shape.
    Elvis Presley's That's The Way It Is A history making rock soundtrack album from a historic legend, an original stereophonic audiophile
    dream release first time gatefold cover is now an audiophile Anniversary vinyl dream come true From your friends at Friday Music Stay
    tuned for more Elvis Presley original RCA Record audiophile recordings from Friday Music.

    1. I Just Can't Help Believin'
    2. Twenty Days and Twenty Nights
    3. How the Web Was Woven
    4. Patch It Up
    5. Mary in the Morning
    6. You Don't Have to Say You Love Me
    7. You've Lost That Lovin' Feelin'
    8. I've Lost You
    9. Just Pretend
    10. Stranger in the Crowd
    11. The Next Step Is Love
    12. Bridge Over Troubled Water
    Elvis Presley
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Heal Heal Quick View

    $17.99
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    Heal

    From the first bars of HEAL, the exhilarating melodic stomp of 'Goshen '97' puts you right into Tim Showalter's fervent
    teenage mindset. We find him in his family's basement den in Goshen, IN, feeling alienated but even at 15 years old,
    believing in the alchemy and power of music to heal your troubles. "The record is called HEAL, but it's not a soft, gentle
    healing, it's like scream therapy, a command, because I ripped out my subconscious, looked through it, and saw the worst
    parts. And that's how I got better." HEAL embodies that feeling of catharsis and rebirth, desperation and euphoria,
    confusion and clarity.It is deeply personal and unwittingly anthemic.


    Showalter was on tour, walking home on a mild autumn night in Malmo, Sweden, when he first felt the weight of the
    personal crisis that would ignite him to write HEAL. "It was a culmination of pressure," Showalter recalls. "My marriage
    was suffering, I'd released a record I was disappointed in, I didn't like how I looked or acted so I'd gone on tour, I was
    gone about two years!I didn't take time to think about failure, but I knew I was going deeper and deeper I was thinking,
    I have this life, but it's not my life,I haven't done it right "


    When Showalter returned, he wrote 30 songs in three weeks, a process that proved difficult, but cathartic and at times
    invigorating.Previous Strand Of Oaks records were more skeletal, raw examples of folk-rooted Americana with occasional
    rock and electronic currents,that have now come to the fore.HEAL is a bold new beginning,with a thrilling full-tilt sound
    that draws on Showalter's love of '70s, '80s and '90s rock and pop, with the singer and guitarist playing the intense
    valedictory confessor.


    Crucial to HEAL's sound was the man who Showalter chose to mix the record, the stellar alt-rock icon John Congleton.
    Showalter also re-connected with Ben Vehorn, synth expert and studio engineer extraordinaire, and drummer Steve
    Clements,who provides HEAL's thunderous ,sinewy drive. Songs such as 'Shut In','Plymouth' and'Woke Up To The Light'
    have a classic construction and mood,recalling '70s power-pop/ballads and the yearning ache of Big Star'slate, great Chris
    Bell. Many of the songs on HEAL reveal an electronic undercarriage and towering drums that push the album's wired
    dynamic to its stretching point, especially on'For Me',which expertly bridges the album's twin decades of influences.And
    if 'Goshen '97'recalls the molten energy of Dinosaur Jr, that actually is J Mascis on lead guitar. Despite the initials, the
    album's smoldering 7-minute epic 'JM' is not a Mascis tribute, but to the late Jason Molina, about having his music as
    comfort no matter how bad things get.


    Which brings usto another crisis, this time much more serious and immediate. HEAL was scheduled for mixing on Dec.
    26, 2013.Driving on the freeway Christmas Day, Showalter and his wife were involved in a car accident with a semi-truck,
    and were fortunate to walk away with their lives. Showalter suffered a, "pretty severe," head trauma, "which affected me
    much more than Irealized at the time."Fearing delays, Showalter didn't let Congelton know about it,so the mixing session
    went ahead. "Being on the verge of death, and my thoughts being so closely tied to that, changed the album's direction,"
    Showalter claims. "Together, we pushed it toward a much more cathartic sound that forces the listener to where I was at
    that exact moment,somewhere between almost dying and being absolutely fearless."


    HEAL is not just a saviour for its creator, but for anyone who needs reminding of music's ability to heal, or just thrill.
    Showalter is taking out a full band to play, and finally, the kid who wanted to be a rock star at 15 might get his chance.
    Finally, he and Strand Of Oaks have much to celebrate.

    1. Goshen '97
    2. HEAL
    3. Same Emotions
    4. Shut In
    5. Woke Up To The Light
    6. JM
    7. Plymouth
    8. Mirage Year
    9. For Me
    10. Wait For Love
    Strand Of Oaks
    $17.99
    Vinyl LP - Sealed Buy Now
  • No Direction Home (200 Gram) (On Sale) No Direction Home (200 Gram) (On Sale) On Sale Quick View

    $149.99 $118.49 Save $31.50 (21%)

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    No Direction Home (200 Gram) (On Sale)

    The seventh volume of Bob Dylan's Bootleg Series doubles as the soundtrack to No Direction Home, Martin Scorseses's feature-length documentary covering Dylan's career from its beginnings to 1966 (it was aired in two parts on PBS in September 2005 and released in expanded form on DVD that same month). Unlike the previous three installments of The Bootleg Series, which focused exclusively on live concerts, No Direction Home is assembled from a variety of sources, including home recordings, publishing demos, alternate studio takes, and live recordings, with the first disc devoted to early acoustic recordings and the second to electric music. In fact, No Direction Home proceeds chronologically, filling in gaps between the proper albums or, more often, providing a parallel history of the most productive era of Dylan's career. All of this material -- with the exception of Song to Woody, taken from his debut, and a cataclysmic version of Like a Rolling Stone taken from the Royal Albert Hall show that was released as Bob Dylan Live '66 -- is previously unreleased, and much of it has not been widely bootlegged (and the cuts that have been bootlegged, such as Dink's Song, have never been heard in such crystal-clear fidelity). Where the inaugural edition of The Bootleg Series had many previously unreleased Dylan originals, there is only one here, the tentative opener, When I Got Troubles, a sweet, simple 1959 song that finds Dylanin his formative stage. In place of unheard songs are a slew of alternate versions of familiar tunes. On the first two LP's, these are largely live versions of such warhorses as Blowin' in the Wind, Masters of War, and A Hard Rain's a-Gonna Fall, recorded when the songs were still fresh. These live performances have an immediacy and intimacy that not only illustrate what a powerful folksinger Dylan was, but also suggest how the songs might have sounded when they were new tunes. Toward the end of the second LP, alternate versions that are significantly different from the final versions begin to surface with an early take on Mr. Tambourine Man recorded at the Another Side of Bob Dylan sessions with Ramblin' Jack Elliott on second guitar and backing vocals. The third and fourth LP's contain several alternates that are similarly notably different, highlighted by a lively, careening It Takes a Lot to Laugh, It Takes a Train to Cry with a different final verse, a Desolation Row with electric guitar, Highway 61 Revisited without the siren whistle, a slower, heavier, blusier take on Leopard-Skin Pill Box Hat, a relaxed version of Stuck Inside of Mobile with the Memphis Blues Again that lacks the carnivalesque swirl of sound from the Blonde on Blonde version, and a lean, insistent Visions of Johanna.

    Everything here is uniformly excellent and worth hearing well more than once. That alone, of course, would make this yet another worthwhile addition to any serious Dylan collection, but what makes No Direction Home noteworthy as an album is that it is the first Dylan record to offer an aural biography of Dylan. This does a superb job of tracing the development of Dylan as a musician, taking him from a young folkie singing standards, through the rush of his early standards, and to the visionary music he made once he went electric. Put in this context, the electric music on the third and fourth LP's sounds as bracing and brilliant and surprising as it did in the '60s, while the acoustic folk on LP's one and two sounds vibrant, pure, and alive. After all these years, that's a hard accomplishment to pull off, and to the credit of everybody involved in this terrific release, they've been able to make even the most familiar Dylan tunes feel new again.


    As usual, this deluxe edition comes from the original mix down masters and was transferred by Bernie Grundman to lacquer on on Classic's all tube analog cutting system. This deluxe 4-LP set includes two alternate cover art gatefold jackets (Blonde on Blonde and Bringing it all Back Home), a 60+ page 12 x12 booklet all housed in an a special outer box.


    This title is not eligible for further discount.

    LP 1
    1. When I Got Troubles (1959)
    2. Rambler, Gambler (Home Recording)
    3. This Land is Your Land (Live)
    4. Song to Woody
    5. Dink's Song (Home recording)
    6. I Was Young When I Left Home (Home recording)
    7. Sally Gal (Alternate Take)
    8. Dont' Think Twice, It's Alright (Demo)
    9. Man of Constant Sorrow
    LP 2
    1. Blowin' In The Wind (Live)
    2. Masters of War (Live)
    3. Hard Rains A-Gonna Fall (Live)
    4. When the Ship Comes In (Live)
    5. Mr. Tambourine Man (Alternate Take)
    6. Chimes of Freedom (Live)
    7. It's All Over Now, Baby Blue (Alternate Take)
    LP 3
    1. She Belongs To Me (Alternate Take)
    2. Maggie's Farm (Live)
    3. It Takes A Lot To Laugh, It Takes A Train To Cry (Alternate Take)
    4. Tombstone Blues (Alternate Take)
    5. Just Like Tom Thumb's Blues (Alternate Take)
    6. Desolation Row (Alternate Take)
    7. Highway 61 Revisited (Alternate Take)
    LP 4
    1. Leopard-Skin Pill-Box Hat (Alternate Take)
    2. Stuck Inside of Mobile with the Memphis Blues Again (Alternate Take)
    3. Visions of Johanna (Alternate Take)
    4. Ballad of a Thin Man (Live)
    5. Like A Rolling Stone (Live)
    Bob Dylan
    $149.99 $118.49 Save $31.50 (21%)
    200 Gram Audiophile Virgin Vinyl LP - 4 LPs Box Set Sealed Buy Now
  • Play Me Backwards Play Me Backwards Quick View

    $52.99
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    Play Me Backwards

    First released in 1992, Play Me Backwards holds a very special place in the rich recording history of Joan Baez. The albums sessions brought her back to Nashville for the first time since the series of four albums she had recorded in Music City between 1968 and 1971. Returning to Nashvilles familiar environment two decades later and collaborating with producers Wally Wilson and Kenny Greenberg proved to be a perfect fit. Joan reaffirmed her unique ability to identify and interpret successive generations of songwriters whose music had the ability to speak to her: Mary Chapin Carpenter (Stones In the Road), John Stewart (Strange Rivers), John Hiatt (Through Your Hands), the duo of Janis Ian and Buddy Mondlock (Amsterdam), and Ron Davies (Steal Across the Border and The Dream Song, co-written with Joan). Play Me Backwards also contains four songs that Joan co-wrote with her two producers (Play Me Backwards, Isaac and Abraham, Im With You, and Edge Of Glory, one of the last occasions on which she has contributed to an album as a songwriter.


    Adding historic provenance to this reissue is a second disc containing previously unreleased demos of 10 songs which were contemplated by Joan and her producers, heard here for the first time. Some of the songwriters are not widely known, such as the late Mark Heard (Rise From the Ruins, Lonely Moon), John Hadley (The Last Day) or Gary Nicholson (Trouble With the Truth); and one writer is not known at all (Medicine Wheel). On the other hand, there are additional songs from Janis Ian (We Endure) and Ron Davies (Dark Eyed Man, originally recorded by Kevin Welch as Dark Eyed Gal); and one that Joan wrote with Greenbergs wife, the respected Christian artist Ashley Cleveland (In My Day). Fans will be immediately drawn to Joans version of Bob Dylans Seven Curses (his adaptation of the traditional Child ballad The Maid Freed From the Gallows aka Anathea), the only one of these songs previously recorded by Joan (on the live album Bowery Songs in 2005).


    By all accounts, Play Me Backwards is said to be the album that began the renaissance of Joan Baezs career that has continued through 2008s Grammy-nominated Day After Tomorrow. Play Me Backwards is an album whose impact will continue to reverberate for decades to come.

    1. Play Me Backwards

    2. Amsterdam
    3. Isaac and Abraham
    4. Stones in the Road
    5. Steal Across the Border
    6. I'm With You
    7. I'm With You (reprise)
    8. Strange Rivers
    9. Through Your Hands
    10. The Dream Song
    11. The Edge of Glory

    Joan Baez
    $52.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • King Creole King Creole Quick View

    $29.99
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    King Creole


    The Elvis Presley/Friday Music 180 Gram Audiophile Vinyl Series Continues!


    Celebrate The 55th Anniversary Of Elvis Presley's Smash Soundtrack Album King Creole!


    Mastered Impeccably By Joe Reagoso And Manufactured At R.t.i.


    Elvis Aaron Presley was born during The Great Depression into a poor family in Mississippi. They moved to Memphis during
    the early fifties, and as a struggling young truck driver, he cut some demos at Sun Studios as a gift for his beloved mother Gladys.


    These initial songs, of which he had only paid a few dollars to record, would become the catalyst that would kick-start the beginnings of a soon to be worldwide superstar unlike the world has ever known.


    The folks at RCA Victor knew that this young fellow named Elvis was destined for superstardom. They quickly bought out his
    contract and signed the legend to a long term deal, and his first RCA single Heartbreak Hotel forever etched "The King Of Rock And
    Roll" trademark to his name.


    In 1958 after several chart topping albums and a bevy of number one singles, more incredible fame followed as the King
    Creole movie starring Elvis Presley became a box office smash. The soundtrack album also was a blockbuster as it topped the
    charts, making this his sixth smash album in a row! Both the King Creole movie and soundtrack LP truly proved once again that his
    career was unlike any other in music history.


    Filled with more hits than a New Orleans jukebox, the King Creole album takes off with several smashes in a row, including
    the classic title track rocker King Creole featuring Scotty Moore's trail blazing guitar work and the chart topping single Hard Headed
    Woman. More soundtrack treasures follow with the beautiful ballad Young Dreams and the rockin' blues of his huge classic Trouble,
    which truly made the album a treasure trove of hits. The album also features the stellar bayou rock blues of Crawfish which amazingly sounds like some of the classic southern rock sounds to grace the radio throughout the sixties and seventies. In total, the
    album showcases 11 important Elvis Presley recordings which have truly gone on to become international classics.


    In honor of the Man, the Music, the Legend, the King Of Rock And Roll, Friday Music is very proud and honored to announce
    the first time 180 Gram Audiophile Vinyl release of the RCA Victor classic King Creole by Elvis Presley.


    As another classic installment in our exciting Elvis Presley 180 Gram Audiophile Vinyl Series, we are very pleased to present
    this masterwork in all its high fidelity glory. Mastered impeccably by Joe Reagoso at Friday Music Studios and manufactured at
    R.T.I., King Creole will be a much anticipated audiophile dream release for Elvis fans everywhere!


    For this exclusive presentation, we are also including the first time ever gatefold artwork which includes the groundbreaking
    original LP cover elements as well as more rare visuals from this historic Elvis Presley era. We are also enclosing a poly bag to
    protect your album cover and poly lined inner sleeve to help keep your Elvis vinyl in mint shape.


    Elvis Presley's King Creole A history making rock soundtrack album from a historic legend, an original mono audiophile
    dream release first time gatefold cover is now an audiophile 55th Anniversary vinyl dream come true From your friends at
    Friday Music Stay tuned for more Elvis Presley original RCA Record audiophile recordings from Friday Music.

    1. King Creole
    2. As Long As I Have You
    3. Hard Headed Woman
    4. Trouble
    5. Dixieland Rock
    6. Don't Ask Me Why
    7. Lover Doll
    8. Crawfish
    9. Young Dreams
    10. Steadfast, Loyal and True
    11. New Orleans
    Elvis Presley
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
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