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Trolls (Original Motion Picture Soundtrack)From the creators of "Shrek" comes the smart and irreverent comedy Trolls, showcasing the colorful, wondrous world of the always-happy Trolls, and the comically pessimistic Bergens, who are only happy when they have Trolls in their stomachs.
Featuring original music from Justin Timberlake, the film stars the voice talents of Anna Kendrick, Justin Timberlake, Zooey Deschanel, Christopher Mintz-Plasse, Russell Brand, Jeffrey Tambor, Christine Baranski, James Corden, Kunal Nayyar, Ron Funches, Icona Pop, QuvenzhanÉ Wallis, with John Cleese and Gwen Stefani.1. Hair Up - Justin Timberlake, Gwen Stefani and Ron Funches
2. CAN'T STOP THE FEELING! (Original Song from DreamWorks Animation's TROLLS) - Justin Timberlake
3. Move Your Feet / D.A.N.C.E. / It's A Sunshine Day - Anna Kendrick, Gwen Stefani, James Corden, Ron Funches, Walt Dohrn, Caroline Hjelt, Aino Jawo, Kunal Nayyar
4. Get Back Up Again - Anna Kendrick
5. The Sound Of Silence - Anna Kendrick
6. Hello - Zooey Deschanel
7. I'm Coming Out / Mo' Money Mo' Problems - Zooey Deschanel, Anna Kendrick, Gwen Stefani, James Corden, Walt Dohrn, Ron Funches, Caroline Hjelt, Aino Jawo, Kunal Nayyar
8. They Don't Know - Ariana Grande
9. True Colors - Anna Kendrick and Justin Timberlake
10. CAN'T STOP THE FEELING! - Justin Timberlake, Anna Kendrick, Gwen Stefani, James Corden, Zooey Deschanel, Ron Funches, Caroline Hjelt, Aino Jawo, Christopher Mintz-Plasse, Kunal Nayyar
11. September - Justin Timberlake, Anna Kendrick and Earth, Wind & Fire
12. What U Workin' With? - Gwen Stefani and Justin Timberlake
13. True Colors - Anna Kendrick and Justin Timberlake$22.99Vinyl LP - Sealed Buy Now
Frozen: The SongsSongs from the 2013 Disney animated film, Frozen.
Featuring the voices of Kristen Bell and Idina Menzel, Frozen is the coolest comedy-adventure ever to hit the big screen. When a prophecy traps a kingdom in eternal winter, Anna, a fearless optimist, teams up with extreme mountain man Kristoff and his sidekick reindeer Sven on an epic journey to find Anna's sister Elsa, the Snow Queen, and put an end to her icy spell. Encountering mystical trolls, a funny snowman named Olaf, Everest-like extremes and magic at every turn, Anna and Kristoff battle the elements in a race to save the kingdom from destruction. (c) Disney1. Frozen Heart (Cast)
2. Do You want To Build A Snowman (Kristen Bell, Agatha LeeMonn and Katie Lopez)
3. For the First Time In Forever (Kristen Bell, Idina Menzel)
4. Love Is An Open Door (Kristen Bell, Santino Fontana)
5. Let It Go (Idina Menzel)
6. Reindeer Are Better Than People (Jonathan Groff)
7. In Summer (Josh Gad)
8. For the First Time In Forever (reprise) (Kristen Bell, Idina Menzel)
9. Fixer Upper (Maia Wilson & Cast)
10. Let It Go (Demi Lovato Version)$19.99Vinyl LP - Sealed Buy Now
Can't Stop The Feeling! (Original Song From Dreamworks Animation's Trolls)Original song from Dreamworks Animation's Trolls.
Trolls is a 2016 computer-animated musical comedy film directed by Mike Mitchell, produced by DreamWorks Animation. The film stars Anna Kendrick and Justin Timberlake and is based on the Troll dolls by Thomas Dam.1. Can't Stop the Feeling! (Original Song from DreamWorks Animation TROLLS)
2. Can't Stop the Feeling! (Original Song from DreamWorks Animation TROLLS) (Instrumental Version)$13.9912 Vinyl Single - Sealed Buy Now
Revelation: Sick Again (Awaiting Repress)It's been said many times over that suffering can render magnificent, if sometimes horrifying, results when skillfully transmuted into image, word or song. This maxim might be a good summation of the existence of Buzzoven who have notoriously lived the most extreme facets of the rock n' roll lifestyle: drug addiction, rehab, relapse, jail, break ups, reunions.
Through all this they managed to produce some of the most beautifully damaged music since Black Flag's descent into the nihilistic abyss of My War. Straddling the lines of metal, doom and filthy hardcore, Buzzoven still stand as a significant pillar of the '90's underground alongside other such disfigured anomalies (and occasional touring partners) Eyehategod and Neurosis. Their gait may have occasionally faltered due to some of the aforementioned obstacles, but in the first decade of their existence Buzzoven revealed remarkable consistency, creating an ever growing procession of nightmarish, skull-scraping albums and EPs.Though not surprising given their dysfunctional history, the premature burial of their last studio album due to legal entanglements was yet another frustrating occurrence in a long line of minor and major catastrophes for the band.
Written and recorded under a self-described period of exhaustion, drug-induced confusion and frustration their music once again managed to flourish despite (or perhaps because of ) the adverse circumstances under which it was created. Revelation: Sick Again is classic Buzzoven, replete with blistering Sabbath-ian riffing, throat torn eulogies to the narcotically oppressed, and monumental gutter dwelling dirges. Over the course of the albums' eight tracks the untidy trio unfurl their tentacles reaching into the dim recesses of human existence to pull forth yet another grizzled portrait of life gone horribly wrong. Previously available only to bootleg diehards and internet trolls in inferior incarnations, this long lingering blackened gem has finally been disinterred for the world at large and properly presented in all its ragged filthy glory.1. Never Again Again
3. Ka Killa
8. Porch$20.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Grieg: Peer Gynt (Speakers Corner)
No matter how often one hears it, who can ever fail to enjoy "Morning Mood" from Peer Gynt, the incidental music which Grieg wrote for Henrik Ibsen's play of the same name. And who can fail to want to accompany the hero on his musical journey through the uncanny world of gnomes and trolls and the seductive exoticism of the Orient, and to return to the stillness of the North after a long sea voyage? And who better to capture the magic of romantic Scandinavian music than Grieg's compatriot, the unforgettable Øivin Fjeldstad, under whose baton the London Symphony Orchestra conjures up the highly changeable moods with a rare forceful presence.
The velvet-smooth, highly sonorous strings play with delicately shaded dynamics and impressive spatiality, while the wonderfully gentle winds transport the listener to the atmosphere of the concert hall. There's no escaping this music; once you have sat down to listen to it, it will hold you enraptured right up to the very last note.
This excellent DECCA recording, now available in a limited edition, will surely be sold out within no time!
- London Symphony Orchestra
- Øivin Fjeldstad (conductor)
Recording: Februar 1958 at Kingsway Hall, London by Cyril Windeback
Production: Christopher Raeburn
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.1. Prelude, Op. 23, No. 1
2. Morning Mood, op. 23, No. 13
3. The Death of Ase, Op. 23, No. 12
4. Anitra's Dance, Op. 23, No. 16
5. In the Hall of the Mountain King, Op. 23, No. 7
6. Ingrid's Abduction and Lament, Op. 23, No. 4
7. Arab's Dance, Op. 23, No. 15
8. Peer Gynt's Home-Coming, Op. 23, No. 19
9. Solvejg's Song, Op. 23, No. 11
10. Dance of the MOuntain King's Daughter, Op. 23, No. 8
$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The Innermost Limits Of Pure Fun SoundtrackTranslucent Gold Vinyl
Includes A Four-page Insert With Rare Photos
Liner Notes By Denny Aaberg And Dennis Dragon
Innermost Limits of Pure Fun, with its whimsical, philosophical "California" title, was a groundbreaking project in the history of sports footage. Filmmaker George Greenough was unencumbered by any commercial reasons for designing boards, boats, or in his wave riding technique, a true SOUL SURFER if there ever was one. With the means, and ideas, to use underwater camera gear that had not been previously used - and still rarely used to such great effect - Greenough's two late '60s cinematic efforts were the maximum effect, in the effort of communicating the feel of surfing to the viewer. Some of the non-surfers overwhelmed by the beauty of his work within "Innermost" came to George and offered their help for the follow-up, to be titled Echoes. These ho-dads from England were better known to the world as Pink Floyd.
In choosing who to soundtrack his debut masterpiece, Greenough went with the most dynamic band to record during the surf instrumental era of the early '60s, Capitol Records 45 r.p.m. artists The Dragons, who released "Troll" in 1964. The single was actually an excerpt from a soundtrack recorded for the early Dale Davis film Strictly Hot. What set it apart from the reverbed surf crunchers of the early '60s was its beyond "Pipeline" instrumentation. Keyboard riffs meshed fluidly with bass harmonica, sophisticated percussion, snap drums, and a fuzzy guitar ripping through bass lines so thick you would swear there was an orchestra behind them. That made sense, since the father of some Dragons was leader of the Hollywood Bowl Orchestra, Carmen Dragon.
By 1969, The Dragons had progressed within a world ready for jazz improvisation in rock. Some of them had toured with the "Good Vibrations" era Beach Boys. It was with great intuition that George Greenough chose The Dragons for this soundtrack to "Innermost Limits of Pure Fun," for they had been itching to do a project where they could really let themselves GO. And there, you get it, within the package before you. What you're dealing with are surf instrumental musicians on a par unmatched, a few years after the trend, getting a chance to really dig in, in order to be involved at the level of media George Greenough was shaping.
This Deluxe Sundazed package available on colored vinyl includes a four-page insert featuring rare photos plus liner notes by Denny Aaberg, of the legendary Malibu Aaberg guitarist/surfer family, and Dennis Dragon, drummer of The Dragons, and without question the most prolific maker of surf movie soundtracks during its golden era of the '60s and '70s.1. Crystal Shingles
3. Wind 'n Sea
4. Crumple Car
5. Tobies Oats
6. San Ho Zay
7. Snake Charmer
8. The Eater
9. The Cruzer
10. Ground Shuffle
13. Coming Of The Dawn$24.99Colored Vinyl LP - Sealed Buy Now
Images 13 (Out of Stock)
"Dex Romweber was and is a huge influence on my music. I owned all of his records as a teenager, and was thrilled at the fact that we were able to play together recently on tour. [He is] is one of the best kept secrets of the rock n roll underground." -Jack White, White Stripes
For a quarter century, Dex Romweber has trolled the dark corners and back shelves of the haunted thrift store of Americana ephemera and honed an extraordinarily idiomatic sound, a particular and readily identifiable DEXness for those in the know. It's a creepy doll collection of surf, proto-rockabilly, garage, dark and vengeful blues, and nobody, but nobody, plays it like Dex. First with the legendary Flat Duo Jets and now with his Duo, Dex distilled the punk ethos of less-is-more to the essential guitar/drums template. Left in the wake of his lecherous and slithery Silvertone were early acolytes like Jack White, Neko Case, and the Reigning Sound as well as a current crop of the indie pack like Ty Segall, No Age, Japandroids, and The Black Keys. All owe an unclaimed pawn ticket of debt to his sublime and spine-tingling sound. He is a live wire back to the murky, sometimes dangerous and always unpredictable headwaters of real rock and roll.
Dex, with his whip-wristed sister Sara Romweber on drums, take Images 13 through neon-lit alleys, full of pulp fiction juvey rock, sci-fi theme songs and greasy denim hipster jive. Effortlessly versatile and raucously dismissive of genre constraints, exciting and darkly romantic, Images 13 would make everyone from Duane Eddy to Stan Kenton to Lenny Bruce crack a smile, a joke or the seal on a fifth of rye and head for the Naugahyde ice bucket.
Recorded at Rick Miller's (Southern Culture on the Skids) Kudzu Ranch studio in North Carolina, the album bristles with a sense of drama, of tension, of release, of mystery. "Roll On" and "Long Battle Coming" display the cinematic sleaze nestled between The Cramps and West Side Story. Eerie ballads "Baby I Know What It's Like to be Alone" and "I Don't Want to Listen" reveal the crooning, bruised romantic, the harsh morning light of a strange hotel room, a Raymond Chandler novel on the bedside table. "Beyond the Moonlight" is part sea shanty longing and part campfire revival. Then, just as easily, the instrumentals take center stage. "Blackout!" updates Henry Mancini's Peter Gunn theme with a dynamic tension and sly cool, and Dex and Sara attack the big waves off Maui with a chaotic rush on "Blue Surf" - his guitar guiding you into the sweet spot of the pipeline and her drums pounding you into the sand. Hey Tarantino, wake up!
Digging into the skeleton-filled rock 'n' roll closet, Dex Romweber Duo comes up with some obscure and wonderful gems. The early Who track "So Sad About Us," featuring Mary Huff (SCOTS) on vocals, hits an uncharacteristically sunny power pop vibe. The hopeful "We'll Be Together Again" written by Eddie Cochran's girlfriend Sharon Sheeley about his death in a car accident (that she and Gene Vincent survived). The song was never released formally but recorded by Jackie DeShannon in the early '60s. Finishing up the album is the music of Harry Lubin, who did theme music for shows like The Outer Limits and One Step Beyond. "Weird (Aurora Borealis)" is the music from the latter when ghosts, UFO's, or odd paranormal experiences begin to rear their strange heads, complete with tribal drums and Melissa Swingle (Trailer Bride, The Moaners) on the saw.
Flat Duo Jets - so often emulated, so rarely duplicated - released the first of nine albums in 1990 to rave reviews worldwide. They starred, alongside R.E.M. and The B-52s, in the 1987 cult classic film Athens, GA: Inside/Out. Their first national tour in 1990 was as opening act for The Cramps and they made a stunning impression on Late Night with David Letterman. Dex Romweber Duo's first record Ruins of Berlin featured guest appearances by Neko Case, Cat Power, and Exene Cervenka. Dex was name-checked by Jack White in the guitar superstar documentary It Might Get Loud, and the Duo recorded a single and live album with White for his label Third Man Records in 2009. Subsequently, the Duo has shared the stage with dozens of rock icons including Wanda Jackson, Cat Power, Neko Case, and The White Stripes. In 2012, the documentary about Dex's sometimes harrowing career Two Headed Cow was released.1. Roll On
2. Long Battle Coming
3. Baby I Know What It's Like To Be Alone
4. So Sad About Us
5. Prelude in G Minor
7. I Don't Want To Listen
8. Beyond The Moonlight
9. We'll Be Together Again
10. Blue Surf
11. One Sided Love Affair
12. Weird (Aurora Borealis)$16.99Vinyl LP - Sealed Temporarily out of stock