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  • Too Weird To Live, Too Rare To Die! Too Weird To Live, Too Rare To Die! Quick View

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    Too Weird To Live, Too Rare To Die!

    "Too Weird to Live, Too Rare to Die!" is the fourth studio album by the American rock band Panic! at the Disco.


    Panic! At The Disco is a platinum-selling, Grammy-nominated duo from Las Vegas, NV. Formed in 2004, Panic! quickly began writing their debut album, A Fever You Can't Sweat Out, released on Fueled By Ramen in September, 2005. The album, featuring singles such as I Write Sins Not Tragedies and The Only Difference Between Martyrdom and Suicide is Press Coverage was a smash, selling over 1.7 million copies to date. In July 2006, the album was officially certified Platinum. Coming off of their first worldwide tour, the band had established themselves as mainstays in the hearts of fans everywhere.


    In 2007 the band began writing their sophomore release, Pretty. Odd. They decided to make the album they wanted to make. While the album is equally as catchy and infectious as their debut, Pretty. Odd. saw the band digging through their parents' record crates to craft and expansive pop album that channeled the ghosts of Brian Wilson and the Beatles as well as lesser-known pop sensations like the Zombies. After creative differences saw the band split from four to two members in mid-2009, it was time to start rebuilding.

    1. This is Gospel
    2. Miss Jackson (featuring Lolo)
    3. Vegas Lights
    4. Girl That You Love
    5. Nicotine
    6. Girls/Girls/Boys
    7. Casual Affair
    8. Far Too Young to Die
    9. Collar Full
    10. The End of All Things
    Panic! At The Disco
    $19.99
    Vinyl LP - Sealed Buy Now
  • Death Of A Bachelor Death Of A Bachelor Quick View

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    Death Of A Bachelor

    Produced by Jake Sinclair (Taylor Swift, Fall Out Boy),DEATH OF A BACHELOR marks the first release from Panic! At The Disco in nearly two years, following 2013's acclaimed TOO WEIRD TO LIVE, TOO RARE TO DIE!. The album has already generated significant steam - current single Victorious rocketed to #1 on iTunes Top Songs chart, # 1 on Billboard + Twitter's Trending 140 chart, while also trending worldwide on Tumblr and Twitter.


    The first single off Death Of A Bachelor,Hallelujah, made chart history for the band with a Top 40 debut on Billboard's Hot 100 - Panic! At The Disco's second Top 40 hit and first since 2006's breakthrough classic, I Write Sins, Not Tragedies. The album's title track, Death of A Bachelor, has been described by Urie as, It's like some BeyoncÉ beats with some Sinatra vocals. It's really crazy... [Sinatra's] music has been a major player in the soundtrack of my life. So it's only right that I return the favor and/or pay it forward.

    1. Victorious
    2. Don't Threaten Me With A Good Time
    3. Hallelujah
    4. Emperor's New Clothes
    5. Death Of A Bachelor
    6. Crazy=Genius
    7. LA Devotee
    8. Golden Days
    9. The Good, The Bad And The Dirty
    10. House Of Memories
    11. Impossible Year
    Panic! At The Disco
    $19.99
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  • Waiting For 2042 Waiting For 2042 Quick View

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    Waiting For 2042

    Album now available on LP! Hari Kondabolu is a Brooklyn-based, Queens-raised comic who the NY Times has called "one of the most exciting political comics in stand-up today." In March 2014, he released his standup album "Waiting for 2042" on Kill Rock Stars. He is currently NYU's APA Institute's "Artist in Residence" for the 2014-2015 academic year. Hari has done standup on the Late Show with David Letterman, Conan, Jimmy Kimmel Live, Live at Gotham, and John Oliver's New York Standup Show. His Comedy Central Presents half-hour television debuted on the network in February 2011. He was also a writer and correspondent for the Chris Rock-produced Totally Biased with W. Kamau Bell on FX. In 2014, he was interviewed on Fresh Air with Terry Gross on NPR. A regular on the public radio circuit, he has also appeared on Morning Edition, All Things Considered, Studio 360, Bullseye, Soundcheck, and Q with Jian Ghomeshi. He has also appeared on popular podcasts like WTF with Marc Maron, You Made it Weird with Pete Holmes, and Too Beautiful to Lie with Luke Burbank.
    1. My White Chocolate Joke
    2. A Feminist Dick Joke
    3. Moving to Canada
    4. My Healthcare Plan
    5. Environmentally Friendly Pollution Machines
    6. Toby
    7. Weezer Broke My Heart 0
    8. Asians Are Well-Behaved
    9. 2042 & the White Minority
    10. Mexican Stereotypes
    11. When in Rome
    12. Homosexuality Is Natural
    13. Flamboyant Heterosexuals
    14. Matthew McConaughey on Tolerance
    15. Brown Doc Brown & the Prophet Marty McFly
    16. Breastfeeding
    17. Chess
    18. List of Roles I'd Be Perfect For
    Hari Kondabolu
    $18.99
    Vinyl LP - Sealed Buy Now
  • Eyehategod (Awaiting Repress) Eyehategod (Awaiting Repress) Quick View

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    Eyehategod (Awaiting Repress)

    Legendary New Orleans gods of sludge, excess and mayhem EYEHATEGOD release their new, self-titled album.


    Mixed by Sanford Parker, Eyehategod will feature the final recordings of EYEHATEGOD drummer Joey LaCaze, who passed away last August of respiratory failure. He also suffered from severe long-term asthma. He has since been replaced by Aaron Hill, who comes by way of New Orleans' local acts MISSING MONUMENTS and MOUNTAIN OF WIZARD.


    In a recent interview with NPR, EYEHATEGOD frontman Mike IX Williams stated about the band's forthcoming album: We started out the recording with Billy Anderson. He recorded the drums, bass and some guitar, but that was a mess. There was a documentary crew in there filming, and it was distracting away from our time recording. Jimmy [Bower, guitar] was having a couple problems at the time too, waiting for his kid to be born, so it was a weird time to be in the studio. We ended up using just Joey's drum tracks from Billy. He's awesome - I love him and there's no hard feelings, but we just wanted to finish it somewhere else. We got Steve Berrigan to come out to where I live two hours outside of NOLA, and redid the bass and the guitars. Phil Anselmo [PANTERA, DOWN] gave me some ideas for the vocals, like how we did the ARSON ANTHEM record; me and him work well together.


    Asked if EYEHATEGOD ever considered giving up following Joey's passing, Mike said: It was never an option as far as I'm concerned. I don't think it was for anybody else either.


    This all happened at the end of September, when we'd just gotten back from a six-week tour of Europe. He's had pretty bad asthma ever since I've known him, and in Europe he was having these weird sleep apnea things when he was sleeping. It was a breathing issue, a respiratory thing, but I don't know; I'm not a doctor. So when we got back, that's when he passed away, so there was a little bit of time in there when we had to think - 'We've got shows booked. What do we do?' We did have to cancel probably 50% of them, but we still just said, 'Let's keep going, that's what he would want us to do.' We'd even had conversations before, when Joey and I would talk, and he'd ask me, 'Who would you get to replace me?' Things like that, and just be honest with each other. He knew the band would keep going, and he wanted it to.


    To me, it's just part of life; it's just the way things happen, what cards you're dealt, how life treats you.


    We don't know how to give up. That's been the story of our entire career, our lives, even without the band. We just don't know when to quit. It's just a matter of moving forward.


    - Blabbermouth

    1. Agitation! Propaganda!
    2. Trying to Crack the Hard Dollar
    3. Parish Motel Sickness
    4. Quitter's Offensive
    5. Nobody Told Me
    6. Worthless Rescue
    7. Framed to the Wall
    8. Robitussin and Rejection
    9. Flags and Cities Bound
    10. Medicine Noose
    11. The Age of Bootcamp
    Eyehategod
    $19.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Thin Walls Thin Walls Quick View

    $22.99
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    Thin Walls

    The world is growing ever smaller. There are less places to hide and less space to think. Nothing is private. It's a notion that Belgian quintet Balthazar felt keenly as they traversed the world touring their 2012 album Rats. It was an intense period where they clocked up the sort of hard road mileage that can make or break a band but Balthazar's two songwriters, Maarten Devoldere and Jinte Deprez, emerged emboldened. As Jinte explains, we know each other's darkest secrets now. We grew together. You live together as each other's brother and sister. We discovered we really like each other.


    Lives lived in each other's pockets has left its mark on Thin Walls, the stunning new album from the five-piece who are completed by Patricia Vanneste, Simon Casier and Michiel Balcaen. Thin Walls is all about touring and never having any privacy, says Jinte. The songs were written in a hazy hyperactive state between shows. Balthazar's previous two albums, 2010's Applause and the calculated, searing alt-rock of 2012's Rats, were created in a slow, considered manner back home. This time round, the band had to fit in writing sessions whenever they had a spare day off. When you're on tour, the mood is very restless and chaotic, says Maarten. Life on tour is kind of weird, everything is prepared for you and you drink way too much. If you write with a hangover, then you write differently...

    1. Decency
    2. Then What
    3. Nightclub
    4. Bunker
    5. Wait Any Longer
    6. Dirty Love
    7. Last Call
    8. I Looked for You
    9. So Easy
    10. True Love
    Balthazar
    $22.99
    Vinyl LP - Sealed Buy Now
  • I'm Not Your Man I'm Not Your Man Quick View

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    I'm Not Your Man

    It's amazing how the floodgates open when you shut out all the internal and external noise, stop pandering to stereotype, cease listening to your anxieties, and disregard the compartment society has built for you. I'm Not Your Man, the Charlie Andrew(Alt-J, Rae Morris)-produced second album from Marika Hackman, begins with an impromptu hearty laugh. It's not the sound of silliness; it's the sound of liberation, spontaneity, and joy. 24-year-old Hackman is feeling more herself than ever. Life isn't necessarily funnier or happier, but when there's cause for a joke or a big ballsy statement, she's not holding back anymore.


    The album took almost 18 months to complete, during which time Hackman switched to a new manager and a new label, transitions that yielded new avenues for exploration, a lot of time, and a lot of distance - mainly, she insists, from self-imposed boundaries. "I used to be very self-conscious," explains Hackman. "If something sounded a bit too pop or like I'd heard it before I'd mold it into something different. This time around I thought, 'fuck it, I'll just let it flow.'"


    The results of this semi-anarchic approach are evident in the grungier, catchier sonics of I'm Not Your Man, and the lyrics, which reveal an unhinged and shamelessly free Hackman. There's an open-ended nature to the lyrics, which delve into femininity, sex and sexual identity, millennial ennui, the pressures of living in a social media bubble, and the perils of being young in a fast-paced industry. "The record's all about female relationships, romance, and breakdowns, but there's also a dim worldview going on. 'I'm Not Your Man' can either mean 'I'm not your man, I'm your woman,' or it can mean 'I'm not a part of this.'"


    Hackman cranked up the knobs in the studio, turning away from the quieter sounds of her past to realize her teenage fantasy of fronting a raucous band. "I wanted to let rip and lose control. When I was younger I wasn't looking at Joni Mitchell. I was looking at Nirvana thinking, 'I wanna be like that!'" To channel this feral female energy, Hackman recruited London quartet The Big Moon as her backing band. The results are a dynamic, multi-genre album tied together by razor-sharp wit. The sounds span from Cate Le Bon weirdness to Warpaint dirge jams to straight-up Britpop choruses. "People were saying it was a mash-up between Radiohead, Blondie, and The Cure," laughs Hackman, self-mockingly. "I can't wait to see the reaction," she says. "That's the thrill of reinventing yourself. I might piss off a lot of die-hard folky fans but this is still my brain, it's still my world, and I'm gonna create it how I want."

    1. Boyfriend
    2. Good Intentions
    3. Gina's World
    4. My Lover Cindy
    5. Round We Go
    6. Violet
    7. Cigarette
    8. Time's Been Reckless
    9. Apple Tree
    10. So Long
    11. Eastbound Train
    12. Blahblahblah
    13. I'd Rather Be With Them
    Marika Hackman
    $19.99
    Vinyl LP - Sealed Buy Now
  • Don't Press Your Luck! The In Sound Of 60's Connecticut Don't Press Your Luck! The In Sound Of 60's Connecticut Quick View

    $36.99
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    Don't Press Your Luck! The In Sound Of 60's Connecticut

    Connecticut had a solid garage rock scene in the mid-'60s, and more than a few of the best bands in the region logged time at Wallingford's Trod Nossel Studios (aka Syncron Sound), a recording facility run by Thomas Doc Cavalier, truly an unlikely champion of local rock & roll. Cavalier was a successful dentist who gave up his practice to manage New England rockers the Bram Rigg Set and the Shags (not to be confused with the infamous Wiggin sisters), and when Syncron Sound (where both bands had recorded) fell on hard times, he bought the studio, changed the name, and turned it into a profitable business that's still running today.


    Don't Press Your Luck! collects material from a handful of New England acts who recorded at Trod Nossel and were overseen by Cavalier, and there's little arguing that the folks at the studio knew their stuff -- compared to many compilations of '60s garage rarities, these tracks sound lively and robust, crackling with teenage energy but recorded with a skill that didn't blunt the enthusiasm of the musicians. (Bob Irwin's superb remastering is also to be commended.) And the music is pretty great, too -- the Wildweeds' classic No Good to Cry (featuring a pre-NRBQ Al Anderson) is the standout here, but there's also some moody beat stuff from the Shags (Don't Press Your Luck, Hide Away), fuzztone-powered angst from the Bram Rigg Set (Sleepless Nights, You Don't Love Me, and a potent cover of Them's I Can Only Give You Everything), and intriguing weirdness from the misanthropic Fourth Ryke (Please Leave, You're Cutting Out).


    While you'd expect high goofiness from a group called Uranus and the Five Moons, their material is actually smart and adventurous (Nothing Remains, SSS Happenin' Here). Some radio spots recorded at Trod Nossel also make the cut, as does a demonstration of the wonders of multi-track recorded based around a session by the Shags. Garage fanatics and folks with a taste for Connecticut history will both find this set to be well worth investigating.

    1. I Can Only Give You Everything: Bram Rigg Set
    2. Don't Press Your Luck: The Shags
    3. Help Me: George's Boys*
    4. Too Many Lies: The Lively Ones*>
    5. Take the Time Be Yourself: Bram Rigg Set
    6. Hide Away: The Shags
    7. 'SSS' Happenin' Here: Uranus and the Five Moons*
    8. Sleepless Nights: The Ravens*
    9. You're Cutting Out: Fourth Ryke*
    10. I've Paid My Dues: The Bearies*
    11. Radio Spot: WAVZ Radio Jingle: The Shags
    12. No Good to Cry: The Wildweeds
    13. Think: The Lively Ones*
    14. I Can't Explain: Bram Rigg Set*
    15. Breathe in My Ear: The Shags
    16. Please Leave: Fourth Ryke*
    17. Radio Spot: Specter's Radio Ad: The Shags
    18. Nothing Remains: Uranus and the Five Moons*
    19. You Don't Love Me: Bram Rigg Set*
    20. Come Back to Me: The Shags*
    21. LUV: The Roadrunners*
    22. I'm Dreaming:The Wildweeds LP Bonus Track
    23. Your Groove: Uranus and the Five Moons LP Bonus Track
    24. Hey, Little Girl: The Shags LP Bonus Track
    25. Sticks and Stones: George's Boys* LP Bonus Track
    26. Bad News for Me: The Bearies* LP Bonus Track
    27. Make a Record with the Shags: The Shags*
    Various Artists
    $36.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Visuals Visuals Quick View

    $23.99
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    Visuals

    Mew frontman Jonas Bjerre has worked on the projections for the band's live shows since their early days. Usually, the Danish trio finish an album and Bjerre gets to work on the visuals. For their seventh record, though, the singer decided to turn things upside down, working on the visuals first and seeing if they informed the music. The resultant record feels like a culmination for one of rock's most ambitious and inventive groups: Visuals is where Bjerre and his bandmates, bassist Johan Wohlert and drummer Silas Utke Graae Jørgensen, join the dots of a career that has spanned over two decades. "We do everything on this album ourselves," says Bjerre. "We produced it ourselves, I did the artwork, I'm doing the visuals. Visuals felt like a fitting title. I like the idea that each song has a visual aspect to it somehow."


    Mew have a tradition of, as Bjerre puts it, hiding away in a cave for three or four years between albums. The tour that accompanied 2015's +- album found the band reaching a creative peak that they felt was too exhilarating to be dampened by a period of extended cave-dwelling. They arrived home with demos that had been written on the road and the spark was lit. They wanted to break the cycle and make an album quickly. "We just felt like, "if we do it the normal way, it's gonna be another three or four years before we get to do it again'," says Bjerre. "If you keep doing it like that, ultimately you make a handful of albums and then you're ready for retirement." The trio wanted to make an album spontaneously, keeping the energy they'd generated on the road going.


    They set to work in Copenhagen and started knocking the demos they'd written on tourbuses and in hotel rooms into shape. At the same time, new songs were emerging in reaction to what was going on around them. Mew aren't a political band but couldn't help but be affected by rolling news and the death of an icon. "It was pretty dark last year, so some of the darkness in the lyrics comes from that. You definitely get the feeling that things don't last forever when someone like David Bowie dies." Visuals was completed in just under a year - what Bjerre describes as an "incredible" feat for a band used to periods of prolonged tinkering. "Spending less time on it, you can still maintain the feeling you had when you first wrote it," says Bjerre.


    Bjerre doesn't know where Mew songs come from. He finds it hard to pin down his lyrics, his melodies, himself. It's what makes his band so special, that thrill that songs could go anywhere, that understated verses could suddenly rocket skyward, anthemic choruses could implode into beautiful soundscapes or sophisticated grooves could be crushed like a tincan. "I don't consciously know why the songs come out the way they do," says Bjerre. "It's a lot of trial and error for us. Even though a song is on an album, it keeps growing because we get to go out and perform it for an audience. I like the thought it can keep growing. It's never really finished."


    Visuals is Mew at their most compact, their chemistry at its most potent. With only one song over five minutes, it's their most concise album. Bjerre says there was no need for a grand, overarching concept. Each song on Visuals represents its own little chapter and story: nothing needed to be overly long. "Each album is like a collection of thoughts and ideas that fit the time we're in," he says. "They're like little diary entries, except they're a little bit more veiled perhaps. To me, albums are memories of times in my life."


    The song that led the way was the slow-building euphoria of Nothingness And No Regrets. Bjerre says that Mew lyrics often have two or three different meanings, and the opener is a reflection on life and death at the same time as "imagining this team of people trying to accomplish something and ultimately failing." The expansive 80s-style pop of The Wake Of Your Life is about legacy and what's left after you've gone. "These are things you think about more and more the older you get." It started out as a synth-pop track with lots of programming before taking on a different shape when the band added guitars over the top. "We try to change the method of how we reach the destination all the time cos if you do things the same way all the time, the results will often be very similar," says Bjerre.


    The discordant stomp of Candy Pieces All Smeared Out came about after Bjerre went back over some demos he'd made as a youngster on an Omega 500. "Some of them were interesting sonically so I kept some of the programming. We built the song on top of this really weird 8-bit computer track." The song sums up the emotional to and fro and ca

    ptivating contrariness at the heart of Visuals: it's an album that's both nostalgic and contemporary, that looks back whilst marching forward.

    The blissful glide of In A Better Place is a prime example of the impulsive environment that the songs were written in, a drumbeat by Jorgensen inspiring Bjerre to write a song immediately, whilst the atmospheric rock of Ay Ay Ay was based around a choir part that Bjerre had come up with a few years ago. All of the vocal parts were recorded in the booth that Bjerre had constructed in his apartment in Copenhagen. "I like waking up in the middle of the night and feeling inspired by something and being able to go in my booth and just sing it," he says.


    Bjerre says that the celebratory groove of Learn Our Crystals "is one of our weirdest songs." Poppy and fantastical, it had a familiar feeling to the singer as soon as he wrote it. The soulful sway of Shoulders has an R'n'B feel to it, whilst Bjerre had earmarked the mesmerising intricacy Carry Me To Safety as the album's closer as soon as it'd been written. "I just like how it twists and turns," he says. "It's a reflection on life and being in a band, what it means to be in a band, dedicating so many years of your life to this thing."


    Twenty years into their career, Mew have the irrepressible ebullience of a band on their debut album. Visuals feels like the beginning of a new chapter. "Mew is what I always come back to, it's a companion to my life. It's always been there, as long as I can remember. It's a big part of the footprint that we'll leave behind," says Bjerre. Mew march on: this is the sound of a band seizing the moment.

    1. Nothingness and No Regrets
    2. The Wake of Your Life
    3. Candy Pieces All Smeared Out
    4. In a Better Place
    5. Ay Ay Ay
    6. Learn Our Crystals
    7. Twist Quest
    8. Shoulders
    9. Videos
    10. Zanzibar
    11. Carry Me to Safety
    Mew
    $23.99
    Vinyl LP - Sealed Buy Now
  • Kids In Love Kids In Love Quick View

    $19.99
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    Kids In Love

    Love is all you need. It's been said many times and many ways of course, but it's truer now than ever.


    When The Mowgli's first landed on the scene, their message of positivity and love resonated with audiences everywhere. The group's 2013 major label debut, Waiting for the Dawn [Photo Finish], debuted at #4 on the Billboard Heatseekers Chart and yielded the hit "San Francisco". Following its release, the seven-piece-Colin Louis Dieden [vocals, guitar], Katie Jayne Earl [vocals, percussion], Dave Appelbaum [keyboards], Josh Hogan [guitar, vocals], Matthew Di Panni [bass], Spencer Trent [guitar, vocals], and Andy Warren [drums]-performed on Jimmy Kimmel LIVE!, The Tonight Show with Jay Leno, CONAN, Watch What Happens Live, and more. Between headline tours and runs supporting everybody from Walk The Moon to Manchester Orchestra, they even cut a song for the Relativity Media hit film Earth To Echo. Along the way, their interpretation of love became even clearer, and it defines their sophomore outing, Kids In Love.


    "Our first album essentially said, 'What's up everyone? We're The Mowgli's, and we believe love can change the world," explains Katie. "Over the past couple of years, we really came to terms with who we are as a band. With Kids In Love we're exploring the intricacies of love. It's such a broad concept. This time around, we get into intimate love, personal love, as well as universal love. We've found art is the best vehicle to ponder what this really means."


    "Before, the concept was painted in very broad strokes," Colin goes on. "Our intention was to start a movement and a culture around what we do. We put all of that under a microscope on this album and talked about personal experiences and stories, the lack of love, and finding it again."


    "We've learned so much about the business, ourselves, and this message," adds Josh. "We've become more direct. It's a little wiser."


    In order to properly convey that sentiment, the group teamed up with producer Tony Hoffer [The Kooks, Silversun Pickups, Fitz & The Tantrums] in his Los Angeles studio during the summer of 2014. With Hoffer at the helm, they fine-tuned their sound into an elegant amalgam of influences. Additionally, they recorded with prior collaborators Captain Cuts [Smallpools, Tove Lo] - a production team that includes Ryan Rabin of Grouplove, and worked with Matt Radosevich [Walk The Moon, One Direction] on two additional tracks. "We wanted to create songs that we knew we would enjoy playing live, songs we hoped that speak to people's personal experiences with love and life and loss and everything that comes with being a kid - or really anyone - in love," Katie explains.


    "We've been on tour incessantly, and this album was really written all over the country," Colin recalls. "It was composed in green rooms, hotels, parking lots, and everywhere in between. I went to Nashville for a week on a whim and tried to learn how to write country music. I was so lucky to work with some of the best in the business. I wanted to bring some of those storytelling elements into the music too. We really grew up, and the songs reflect that journey."


    The first released track "Through The Dark" builds from a shimmering acoustic guitar into an unshakable harmony between Josh and Colin. It shines its own kind of musical light.


    "Everybody goes through dark times," Josh asserts. "We're trying to put a positive spin on that though, and show you can get through that darkness no matter what."


    Colin continues, "In a weird way, it feels like the answer to Waiting for the Dawn. It's a hopeful and encouraging song."


    Then, there's the first single "I'm Good." It begins with a sun-soaked clean guitar and resounding percussion before snapping into a delightful refrain that's undeniably unforgettable. You'll feel good after one listen


    Elsewhere on the album, "Whatever Forever" is augmented by driving handclaps and a group chorus that proves infectious. Lyrically, it stemmed from some shared ink within the band. "Colin and I both got a tattoo of that phrase a few years ago in a hotel bar during Hurricane Sandy," smiles Josh. "We'd seen it on the wall of a bar, and it felt like the perfect new life motto. We're not worried about anything; we're just going for it."


    "That's a personal favorite," concurs Colin. "After one show, I had a girl walk up to me and say, 'I've been dealing with so much and hurting so badly. I adopted 'Whatever Forever' as my mantra. I needed that.' Sometimes, you need to distance yourself from what hurts."


    Ultimately, The Mowgli's open up their hearts once more, and the results are nothing short of inspiring. "We just want people to feel good," Katie concludes. "It's a domino effect. If someone leaves a show feeling great, maybe they pay it forward. If we can contribute a little bit of joy, companionship, and happiness, we're doing our part to make the world a little brighter."


    "I want them to feel inspired to do something positive," Josh agrees. "It's all about sharing that." Colin leaves off, "I want this to be a positive transformative experience. It's almost like falling in love. When you're in a good mood, you tend to react positively. I hope it adds more positivity and love to the world."

    1. You're Not Alone
    2. I'm Good
    3. Bad Dream
    4. What's Going On
    5. Through the Dark
    6. Whatever Forever
    7. Make It Right
    8. Love Me Anyway
    9. Shake Me Up
    10. Home To You
    11. Kids In Love
    12. Sunlight
    The Mowgli's
    $19.99
    Vinyl LP - Sealed Buy Now
  • The Year of Hibernation The Year of Hibernation Quick View

    $17.99
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    The Year of Hibernation

    Twenty-two year old Trevor Powers, whose musical venture is called Youth Lagoon, has had a long year. Not because hes been endlessly touring or pursuing some wild dream, but because of life, the life of a kid going to college, being in love, dealing with heartache, and just living. Youth Lagoon isnt me. says Powers. Its merely a part of me. I was in and out of different bands in high school and always tried to define myself by what music I played. I tried to find a sense of meaning by being in a band. But it wasnt until this last year when I realized I was more than just music, that I was able to create music that means something to me. And that is Youth Lagoon.


    Throughout the course of 2010, Powers began to write an album about things he had a hard time talking about. He claims that when he tries to talk about it to people, he doesnt make sense. So he wrote an album about it entitled The Year of Hibernation. For my whole life Ive dealt with extreme anxiety. says Powers. Not anxiety about passing a test or somewhat normal things, but weird, bizarre things. Things that only I know. I sometimes feel like Im literally being eaten up inside. So I started writing these songs. Not just songs about my anxiety, but about my past and my present. Songs about memories, and all those feelings that those bring. I know that if I can be honest about what is inside my mind, there will be others that will be able to relate to it.


    Although his music seems somewhat dreamy with the first listen, the lyrics show a different side to the matter. Hidden beneath the melodies is a voice that is eerie yet nostalgic. Powers claims his music is like letting people read his journal. I dont think I could ever write a completely happy album. Its not that Im not a happy person, claims Powers, but I just have too many things in my mind that haunt me.

    1. Posters
    2. Cannons
    3. Afternoon
    4. 17
    5. July
    6. Daydream
    7. Montana
    8. The Hunt
    Youth Lagoon
    $17.99
    Vinyl LP - Sealed Buy Now
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