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  • Boom Boom Chi Boom Boom Boom Boom Chi Boom Boom Quick View

    $4.99
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    Boom Boom Chi Boom Boom

    Call Of The Wind
    Kiss Me When I Get Back
    Wa Wa Dance
    I Confess
    Challenge Of The Love Warriors
    Suboceana
    Don't Say No
    Shock The World
    Little Eva
    Femme Fatale
    Tom Tom Club
    $4.99
    Vinyl LP - Sealed Small cutout slit on cover Buy Now
  • The Captain And Me (Speakers Corner) The Captain And Me (Speakers Corner) Quick View

    $34.99
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    The Captain And Me (Speakers Corner)

    The Doobie Brothers weren't brothers, nor were they called Doobie. The band started life as Pud in 1969 in Chateau LibertÉ, a club in the mountains of California. The group took on the slang name for marihuana cigarettes (doobie) one year later. The Doobies' music, however, never sounded like that of befuddled, half-stoned junkies. Heavy metal hard rock was their thing which made their record company Warner target the bikers of the rocker scene. The idea backfired, though, because the band had far more to offer than explosive hard rock.



    The album The Captain And Me is considered to be the group's most concentrated and versatile production since it contrasts aggressive, hard numbers with gentle ones full of melodiousness. The very first number, Natural Thing, shows how winsome vocal folk music and electric guitar riffs can be amalgamated into rock music. Amongst these titles, decidedly angry numbers such as Without You and Evil Woman became real trailblazers. Now and then, an extensive harp solo or nonchalant licks from the acoustic guitar remind one of the pungent bluegrass style emanating from the South. That even the sweet wailing of the steel guitar (South City Midnight Lady) finds room for expression seems quite logical in this well-thought-out musical concept.



    Musicians:



    • Tom Johnston (guitar, harmonica, synthesizer, vocals)

    • Patrick Simmons (guitar, synthesizer, vocals)

    • John Hartman (percussion, drums, vocals)

    • Tiran Porter (bass, vocals)

    • Michael Hossack (drums, conga, percussion)



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    1. Natural Thing
    2. Long Train Runnin'
    3. China Grove
    4. Dark Eyed Cajun Woman
    5. Clear As The Driven Snow
    6. Without You
    7. South City Midnight Lady
    8. Evil Woman
    9. Ukiah
    10. The Captain And Me
    The Doobie Brothers
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Downtown Rockers Downtown Rockers Quick View

    $15.99
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    Downtown Rockers

    Nacional Records is proud to announce the September 11th release of Tom Tom Club's new EP, Downtown Rockers, the first release of new material in more than a decade. Infamous for timeless hits such as Wordy Rappinghood and Genius of Love, which have been prominently sampled by Grandmaster Flash, Mariah Carey, 2pac, and T.I., among many others. Tom Tom Club was formed by Chris Frantz and Tina Weymouth, who were both founding members of Talking Heads.
    1. Downtown Rockers
    2. Won't Give You Up
    3. You Make Me Rock and Roll
    4. Kissin' Antonio
    5. Sweets To The Sweet
    Tom Tom Club
    $15.99
    Vinyl LP - Sealed Buy Now
  • Animal Feelings Animal Feelings Quick View

    $16.99
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    Animal Feelings

    Rafter's latest long player, Animal Feelings, is a Technicolor pop blow-out that recalls Nintendo composer Koji Kondo leading a fantasy camp super-jam with Cody Chesnutt, Justin Timberlake, and the Tom Tom Club. Rafter's history and influences, his dreams and ambition, and his love for love, all come together as a sweet, fun, speaker-blowin', beat-busting ride into the inner-core of pop and R&B music.
    1. No Fucking Around
    2. A Frame
    3. Timeless Form, Formless Time
    4. Fruit
    5. Feels Good
    6. Animal Feelings
    7. Paper
    8. Never Gonna Die
    9. Only You
    10. Love Makes You Happy (When It's Not Making You Sad)
    11. Beauty Beauty
    Rafter
    $16.99
    Vinyl LP - Sealed Buy Now
  • For Life For Life Quick View

    $20.99
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    For Life

    White Colored Vinyl


    PHASES is a tight-knit and talented group of four friends, Z Berg, Alex Greenwald, Jason Boesel, and Michael Runion. True to their creativity and sense of humor, their record For Life is fun, but it also showcases their top-notch musicianship and dedication to next-level production. It fills a void in contemporary music of skilled musicians who don't take themselves too seriously-no surprise that they were inspired by bands of the early-80s, like Bananarama, Human League, and Tom Tom Club. But, while their album was created with the goal of making Blondie meets Thriller, PHASES lives decidedly in 2015.

    1. Silhouette
    2. Betty Blue
    3. I'm In Love With My Life
    4. Spark
    5. Cooler
    6. Vertigo
    7. Part Of Me
    8. Running Away
    9. New Illusion
    10. I Don't Know What's Right
    11. Lonely Nights
    12. Take Me There
    Phases
    $20.99
    Colored Vinyl LP - Sealed Buy Now
  • Moods Baby Moods Moods Baby Moods Quick View

    $19.99
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    Moods Baby Moods


    180-Gram Orange Vinyl


    On previous records, the Sunsets have plundered a
    wide spectrum of musical appropriation (garage-rock,
    forgotten AM radio fodder, Modern Lovers, late-era
    Clash, Doo-Wop, and the Velvet Underground, to
    name a few.)


    Mood Baby Moods follows suit, and on this outing we
    find the Sunsets, along with producer Merrill Garbus
    of tUnE-yArDs, repurposing early '80s funk and new
    wave with rap beats and collages from both sides of
    the ocean (be it Niles Rogers, Jah Wobble, The Gap
    Band, Orange Juice, Trans-era Neil Young or The Tom
    Tom Club.) These are songs that juxtapose the haze of
    today with a vibrant and colorful explosion of sounds
    and 180 degree turns.

    1. Death Cream part 2 "Watch Out for the Cream"
    2. Moods
    3. Modern Age
    4. Well But Strangely Hung Man
    5. Nightmares
    6. Reject of the Lowest Planet
    7. White Cops on Trial
    8. Check Out
    9. Needs
    10. My Little Death
    11. Dead Meat on the Beach
    12. The Hospital Grounds at Night
    Sonny & The Sunsets
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Echoes Echoes Quick View

    $34.99
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    Echoes

    Wally Badarou is a French-born synthesizer specialist, and long-time associate of the British band Level 42, known for its blend of funk, pop, soul and rock. He has co-written and performed on a number of the band's tracks since their recording dÉbut in 1980, later co-producing them. Though not an official member, he has long been considered an informal fifth member.


    Badarou was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah Sticky Thompson), the in-house recording team of Compass Point Studios responsible for a long series of albums of the 1980s recorded by Grace Jones, Tom Tom Club, Joe Cocker, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. His keyboard playing can also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, Talking Heads, Foreigner, Melissa Etheridge, Manu Dibango and Miriam Makeba.


    Echoes (1983) is his second solo album, which included Chief Inspector, Hi-Life and Mambo, which was sampled for Massive Attack's Daydreaming of the Blue Lines album. You can actually feel Caribbean sunshine with this music. Badarou breathes real life into his synthesizers on this album of happy, upbeat, and danceable instrumentals.

    1. Keys
    2. Hi-life
    3. Mambo
    4. Voices
    5. Canyons
    6. Endless Race
    7. Chief Inspector
    8. Waltz
    9. Jungle
    10. Rain
    Wally Badarou
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Murk Murk Quick View

    $18.99
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    Murk

    Miami House legends Oscar G and Ralph Falcon, aka Murk Boys, Deep South, Liberty City, and Funky Green Dogs, have become one of the most successful dance production duos in the world. With hundreds of original songs and productions, anyone who has ever walked into a club has heard their anthems pounding over the sound system. The Murk sound is created with dark, pounding tribal beats, unforgettable melodies, and soulful vocals. Both singles released from this album ("Some Lovin'" and "Alright") have already held the #1 position on the Billboard Dance chart.

    1. Time

    2. Doesn't Really Matter

    3. Baba-Sulei

    4. Opera

    5. Believe

    6. Let Me Go

    7. Afro-Cuba

    8. True
    Murk
    $18.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Topiary Topiary Quick View

    $18.99
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    Topiary

    Recorded At Tom Tom Club/Talking Heads' Clubhouse Studio On All Analogue Gear


    Ghostly International presents Xeno & Oaklander's new full-length album Topiary.
    In their fifth album to date, the Brooklyn based girl / boy electronic duo explores
    themes of arcana and electricity.


    The title 'Topiary' refers to a highly ornamental hand sculpted garden such as
    Levins Hall in Cumbria UK or the stately grounds of Versailles. Pruned and
    fashioned into forms, shrubs and trees are turned into semblances of abstract and
    natural shapes - nature imitating nature, much to the delight of dreamers and
    romantics. The band, Sean McBride and Liz Wendelbo, views the album as a
    journey through the manifold hallways of electro magnetic architecture and
    enchanted landscapes.


    The sound of Topiary is rich and deep; like a 60s French Pop album shot through a
    prism of late renaissance chamber music. Liz Wendelbo's voice seems haunted by
    ghosts of YÉYÉ girls, Françoise Hardy's whispers set against a glorious backdrop
    of blaring synthetic horns and organs.


    Known for their signature analog synth sound, Xeno & Oaklander have been
    quoted as referring to their synths as elemental: fire is what powers energy,
    voltage and electricity. Electro magnetism is electric energy, like lightning in the
    sky: here it is controlled by switches and buttons, shaped by filters and
    envelopes, and travels through patch cables and modules to create synthetic
    creations of classical instruments: pianos, brass, guitars, percussions. The result is
    orchestral and textured.


    A room - a sound studio is often referred to as 'the room': it has a sound, a history,
    and ghosts in its machines. Xeno & Oaklander's new album was recorded at the
    Tom Tom Club / Talking Heads' Clubhouse Studio deep in the woods of New
    England. Known for their analog synthesizer sound, Xeno & Oaklander plugged in
    their entire arsenal of synths into the Clubhouse array of analog outboard gear.
    They used their signature style of recording: the album was recorded as a live
    session, but this time in a bracketed amount of time and in one place. Everything
    was arranged, recorded and mixed in a month at the Clubhouse. Liz and Sean
    were intent on creating a sense of dimensionality with this recording by exploring
    the idea of 3D in sound: left, right, back and front as well as up and down. Room
    tone is present in the recordings themselves, so that 'the room' is present in the
    songs, and so that there is a trace of the space in the sound itself: making this a
    unique recording. The vinyl and Cd are mixed seamlessly like a constant pulse of
    electricity.


    Metaphysics, the study of being, time and space is a long time fascination for
    Xeno & Oaklander and the inspiration for part of their band name. Xeno was a
    pre-Socratic philosopher whose view on the world tipped it upside down and
    inside out: he is known for his paradoxes; in short what you see is not what you
    get, life is a chimera, an illusion, a matter of perception. It is this inversion that
    captures the imagination of the band. Day vs. night, hot vs. cold, sunshine vs.
    moonlight, glitter vs. silver, chemistry vs. alchemy, stasis vs. movement; these are
    themes that permeate their lyrics and sounds.


    The artwork by Liz Wendelbo echoes the electro magnetic theme with what looks
    like a starry night sky or skyscraper at night. It is a blown up X-Ray of protein
    photographed through an electron microscope - what is called X-Ray crystallography.
    In Liz's words what is deep inside of us is a reflection of what is above us: and
    electricity runs through it all.

    1. Marble
    2. Virtues and Vice
    3. Baroque
    4. Topiary
    5. Palms
    6. Chevron
    7. Chimera
    8. Worldling Worlds
    9. Topiary II
    Xeno & Oaklander
    $18.99
    Vinyl LP - Sealed Buy Now
  • Topiary (Colored Vinyl) Topiary (Colored Vinyl) Quick View

    $19.99
    Buy Now
    x

    Topiary (Colored Vinyl)

    Half-Moon Vinyl (Half Black, Half Transparent)


    Ghostly International presents Xeno & Oaklander's new full-length album Topiary.
    In their fifth album to date, the Brooklyn based girl / boy electronic duo explores
    themes of arcana and electricity.


    The title 'Topiary' refers to a highly ornamental hand sculpted garden such as
    Levins Hall in Cumbria UK or the stately grounds of Versailles. Pruned and
    fashioned into forms, shrubs and trees are turned into semblances of abstract and
    natural shapes - nature imitating nature, much to the delight of dreamers and
    romantics. The band, Sean McBride and Liz Wendelbo, views the album as a
    journey through the manifold hallways of electro magnetic architecture and
    enchanted landscapes.


    The sound of Topiary is rich and deep; like a 60s French Pop album shot through a
    prism of late renaissance chamber music. Liz Wendelbo's voice seems haunted by
    ghosts of YÉYÉ girls, Françoise Hardy's whispers set against a glorious backdrop
    of blaring synthetic horns and organs.


    Known for their signature analog synth sound, Xeno & Oaklander have been
    quoted as referring to their synths as elemental: fire is what powers energy,
    voltage and electricity. Electro magnetism is electric energy, like lightning in the
    sky: here it is controlled by switches and buttons, shaped by filters and
    envelopes, and travels through patch cables and modules to create synthetic
    creations of classical instruments: pianos, brass, guitars, percussions. The result is
    orchestral and textured.


    A room - a sound studio is often referred to as 'the room': it has a sound, a history,
    and ghosts in its machines. Xeno & Oaklander's new album was recorded at the
    Tom Tom Club / Talking Heads' Clubhouse Studio deep in the woods of New
    England. Known for their analog synthesizer sound, Xeno & Oaklander plugged in
    their entire arsenal of synths into the Clubhouse array of analog outboard gear.
    They used their signature style of recording: the album was recorded as a live
    session, but this time in a bracketed amount of time and in one place. Everything
    was arranged, recorded and mixed in a month at the Clubhouse. Liz and Sean
    were intent on creating a sense of dimensionality with this recording by exploring
    the idea of 3D in sound: left, right, back and front as well as up and down. Room
    tone is present in the recordings themselves, so that 'the room' is present in the
    songs, and so that there is a trace of the space in the sound itself: making this a
    unique recording. The vinyl and Cd are mixed seamlessly like a constant pulse of
    electricity.


    Metaphysics, the study of being, time and space is a long time fascination for
    Xeno & Oaklander and the inspiration for part of their band name. Xeno was a
    pre-Socratic philosopher whose view on the world tipped it upside down and
    inside out: he is known for his paradoxes; in short what you see is not what you
    get, life is a chimera, an illusion, a matter of perception. It is this inversion that
    captures the imagination of the band. Day vs. night, hot vs. cold, sunshine vs.
    moonlight, glitter vs. silver, chemistry vs. alchemy, stasis vs. movement; these are
    themes that permeate their lyrics and sounds.


    The artwork by Liz Wendelbo echoes the electro magnetic theme with what looks
    like a starry night sky or skyscraper at night. It is a blown up X-Ray of protein
    photographed through an electron microscope - what is called X-Ray crystallography.
    In Liz's words what is deep inside of us is a reflection of what is above us: and
    electricity runs through it all.

    1. Marble
    2. Virtues and Vice
    3. Baroque
    4. Topiary
    5. Palms
    6. Chevron
    7. Chimera
    8. Worldling Worlds
    9. Topiary II
    Xeno & Oaklander
    $19.99
    Colored Vinyl LP - Sealed Buy Now
  • Ghetto Blaster EP (On Sale) Ghetto Blaster EP (On Sale) On Sale Quick View

    $13.99 $11.05 Save $2.94 (21%)

    Buy Now
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    Ghetto Blaster EP (On Sale)

    Tom Morello and Boots Riley joined forces to form Street Sweeper Social Club in 2009. Following the group's critically acclaimed, self-titled debut album, SSSC will release the Ghetto Blaster EP. The new release features seven new recordings, including two songs that have become fan favorites during their blistering live sets: covers of MIA's Paper Planes, and LL Cool J's Mama Said Knock You Out. The EP also features a new, extended version of their single, Promenade, which highlights an explosive and unique guitar solo that validates Morello's status as a real, live Guitar Hero.
    1. Ghettoblaster
    2. Everythang
    3. Paper Planes
    4. New Fuck You, The
    5. Scars (Hold That Pose)
    6. Mama Said Knock You Out
    7. Promenade [Guitar Fury Remix] - (remix)
    Street Sweeper Social Club
    $13.99 $11.05 Save $2.94 (21%)
    10 Vinyl LP - Sealed Buy Now
  • Blood Pressures Blood Pressures Quick View

    $21.99
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    Blood Pressures

    The Kills, Jamie Hince and Alison Mosshart, are back with the new studio album, Blood Pressures, the highly anticipated follow-up to their critically acclaimed third album, Midnight Boom.


    For the sessions that became Blood Pressures, Jamie Hince and Alison Mosshart returned to Key Club Studios in Michigan where they reunited with Midnight Boom engineers Bill Skibbe and Jessica Ruffins. Produced by Jamie Hince, the album was mixed in London by Tom Elmhirst.


    With their basic sound intact; searing guitars, driving rhythms and sexually charged lyrical savvy, the 11 tracks on Blood Pressures find The Kills embracing a fuller sound and becoming more adventurous in the studio, while the lyrics are honest, heartfelt and sometimes just plain heartbreaking. Departing from the sparse, angular sound of Midnight Boom, the duo explore complex textures on Blood Pressures with heavier instrumentation and layered, huge-sounding harmonies. Alison and Jamie play all the instruments on the album, including piano and mellotron.

    1. Future Starts Slow
    2. Satellite
    3. Heart Is A Beating Drum
    4. Nail In My Coffin
    5. Wild Charms
    6. DNA
    7. Baby Says
    8. The Last Goodbye
    9. Damned If She Do
    10. You Don't Own The Road
    11. Pots and Pans
    The Kills
    $21.99
    Vinyl LP - Sealed Buy Now
  • Howlin' Mercy Howlin' Mercy Quick View

    $34.99
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    Howlin' Mercy

    Pressed On 180 Gram Audiophile Vinyl


    Howlin' Mercy is the third album by American slide blues guitarist, singer and songwriter John Campbell. Born in 1952 he started to play Delta blues at an early age, listening to and influenced by his peers like Muddy Waters, John Lee Hooker and Lightnin' Hopinks. He performed in clubs in Texas and New Orleans before settling down in New York. It was in New York that his live performance came to fruition which led to his signing with Elektra Records in 1991.


    This album was made before his untimely death due to heart failure in 1993 and contains a bluesified Led Zeppelin cover When The Levee Breaks.


    Additionally songs like Firin' Line, Written In Stone Down In The Hole (written by Tom Waits) and Wolf Among The Lambs are proof of Campbell's roots playing the blues.


    Howlin Mercy was produced by Dennis Walker, who also worked on a lot off Robert Cray's recordings.

    1. Ain't Afraid Of Midnight
    2. When The Levee Breaks

    3. Down In The Hole
    4. Look What Love Can Do

    5. Saddle Up My Pony

    6. Firin' Line

    7. Love's Name

    8. Written In Stone

    9. Wiseblood

    10. Wolf Among The Lambs
    John Campbell
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Lungs Lungs Quick View

    $19.99
    Buy Now
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    Lungs

    Florence Welch, an art-school dropout from South London, first gained fame at home with two bombastic singles; Kiss With A Fist and Dog Days Are Over. Not two years after she was discovered while singing Etta James in a club bathroom, she was awarded the 2009 Brit Awards Critics' Choice. She found herself wowing attendee's with her incredible live performance and her now legendary set of pipes.



    Her debut album is co-produced by Paul Epworth (Bloc Party, Maximo Park), James Ford (Arctic Monkeys, Last Shadow Puppets) and Steve Mackay (PULP, M.I.A), and has already amassed a hefty amount of critical acclaim in the UK. Lungs is made of harps, choirs, drums, quartets, strange electronic wailing, while incorporating countless other instruments and emotions along the way.



    The songs are full of Gothic imagery and fairytale flights of fantasy. Her seven-piece band includes long-term collaborators; Rob Ackroyd (guitar), Chris Hayden (drums), Isabella Summers (keyboards) and Tom Monger (harp). Lungs was nominated for the prestigious Mercury Music Prize as one of the 12 best albums to be released in the UK this year.

    1. Dog Days Are Over
    2. Rabbit Heart (Raise It Up)
    3. Im Not Calling You A Liar
    4. Howl
    5. Kiss With A Fist
    6. Girl With One Eye
    7. Drumming Song
    8. Between Two Lungs
    9. Cosmic Love
    10. My Boy Builds Coffins
    11. Hurricane Drunk
    12. Blinding
    Florence And The Machine
    $19.99
    Vinyl LP - Sealed Buy Now
  • A Tribute To Michael Been A Tribute To Michael Been Quick View

    $24.99
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    A Tribute To Michael Been

    Feat. Robert Levon Been Of B.R.M.C.


    Robert Levon Been of Black Rebel Motor Cycle Club pays tribute to his late father's music with an unforgettable live performance leading his father's
    legendary band The Call. Starting with their self-titled 1982 debut, The Call gained acclaim from countless critics and had their music hailed as "uncompromising," "urgent,"
    "bristling," and even "apocalyptic." Those in the know- from Spin to New Musical Express-have extolled The Call for the depth of their material and the
    passion with which it's performed. "If there is any justice," wrote the Philadelphia Daily News in the band's earliest days, "The Call will soon be heard and
    celebrated 'round the world as the best new rock band of the '80s."


    Over the next eight years, The Call would release seven heavily praised albums and earn considerable airplay with iconic hits songs like "Let The Day
    Begin" and "I Still Believe (Great Design)." After a seven-year break, the band reformed in 1997 to record To Heaven & Back which had a limited release.
    The Call then disbanded, paving the way for Been to begin serving as sound engineer for his son Robert Levon Been's band Black Rebel Motorcycle
    Club. But while working with Black Rebel Motorcycle Club at the 2010 Pukkelpop festival in Belgium, Been suffered a heart attack and passed away
    backstage.


    Now The Call have captured an incredible live performance, for the first time in over 20 years, with Robert taking over his father's role. He joins drummer
    Scott Musick, guitarist Tom Ferrier, and keyboardist Jim Goodwin at The Troubadour in Los Angeles for this historic and electrifying event. In addition to
    delivering passionate lead vocals, Robert played his father's signature fretless bass guitar (which had been stolen but returned in time for the event). The
    musical connection that was created is seamless, and all the crowd's expectations were exceeded. For Robert-who grew up going out on the road with The Call anytime he had a break from school-the performance offered the chance to honor his musical legacy and perform nearly a dozen and a half songs from the band's esteemed catalog. And for the original members, the show allowed the opportunity to move forward with the band while preserving the solidarity that Been very much treasured as the founder of The Call.


    "That's something I've wanted since I was 16 years old, when I heard The Band for the first time," Been once said of the band's uncommon cohesiveness. "When that happens-that chemistry between people-it's incredibly satisfying To know that we've done this together is what makes it all worthwhile."

    1. Everywhere I Go
    2. I Still Believe
    3. I Don't Wanna
    4. Floating Back
    5. Into the Woods
    6. Turn a Blind Eye
    7. Oklahoma
    8. You Were There
    9. Red Moon
    10. Let the Day Begin
    11. Modern Romans
    12. You Run
    13. The Walls Came Down
    14. Uncovered
    The Call
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • The Warner Brothers Years: The 12 Collection The Warner Brothers Years: The 12 Collection Quick View

    $29.99
    Buy Now
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    The Warner Brothers Years: The 12 Collection

    R&B's most enduring duo Nickolas Ashford & Valerie Simpson sure know how to make it right when it comes to soulful R&B gems and lush dance grooves from golden era of '70s soul and disco. They recorded for Warner Bros. from '73 through to the early '80s, and Rhino's ASHFORD & SIMPSON - THE WARNER BROS. YEARS: THE 12 COLLECTION both rediscovers and re-imagines the best of those years.



    The 12 Collection gathers together 12 tracks, pressed on 180-gram vinyl 12 singles, including many of the beyond-rare 12 mixes that were previously never commercially released, and originally only appeared as promo-only 12 extended 'disco mixes' which featured the handywork of Valerie's brother Jimmy Simpson, a pioneer of 'intros and breaks' which now form the basis of much of today's dance music. The original mixes are cut at 45rpm and record one couples One More Try with Tried Tested & Found True, record two pairs Over & Over with It Seems To Hang On. Record three features Don't Cost You Nothing backed with Bourgie Bourgie, and record four backs Found A Cure with Stay Free.



    The fifth 12 is a Remixes EP, cut at 33rpm, and featuring four contemporary retellings of Ashford & Simpson musical lore by star remixers whose admiration for the songs pulses through every groove. DJ Tom Moulton's revealing take on the hit Found A Cure, including his unearthing of elements that were long forgotten and Paul Simpson and John Morales reconsider Tried, Tested And Found True, Dimitri re-edits Stay Free, to become a slamming club mix and Tommy Musto re-touches It Seems To Hang On to create a sexy between-the-sheets groove. 'These remixers', noted Simpson, 'did an incredible job breathing new life into our songs while maintaining the integrity of them.



    All five 12 singles come on original contemporary labels and are housed in the Disco range bags of the period, housed in an attractive 12 x 12 slipcase box. This release is a strictly limited edition of 3,000 copies worldwide.

    1. One More Try
    2. Tried Test And Found True
    3. Over And Over
    4. It Seems To Hang On
    5. Don't Cost You Nothing
    6. Bourgie Bourgie
    7. Found A Cure
    8. Stay Free
    9. Found A cure (Tom Moulton Mix)
    10. Tried Tested And Found True (Simphous/ M&M Soulful Mix)
    11. It Seems To Hang On (Tommy Musto Re-Touch)
    12. Stay Free (Dims Club Mix)
    Ashford And Simpson
    $29.99
    Limited Edition LP Set - 5 LPs Sealed Buy Now
  • Richter: Berlin By Overnight Richter: Berlin By Overnight Quick View

    $25.99
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    Richter: Berlin By Overnight

    To coincide with Max Richter's Royal Albert Hall debut on 4th October, where he joins forces with Daniel Hope in one of the rare live occasions that sees
    them together on stage, DG will release a new, eclectic REMIX EP.


    Berlin by Overnight by Max Richter is taken from Daniel Hope's latest album Spheres (2013) and will include 4 remixes by internationally acclaimed remixers, who were carefully selected and picked up on the nocturnal, minimal and repetitive atmosphere.


    The international line up of remixers:

    Efdemin: A dark sounding producer from Berlin, known for his minimalist musical approach, who regularly performs at clubs such as the Berlin Panorama
    Bar (Berghain)


    CFCF: A renowned Canadian electronic artists whose music alternates between the spaces of dance, ambient, pop and neo-classical who has already
    remixed the music of artists such as Crystal Castles


    Lorna Dune: One of the most versatile keyboardists & producers currently working in New York, with a background in classical, experimental, electronic,
    and pop. Known for the creation and performance of new and experimental music


    Tom Adams: A multi-instrumentalist, composer, producer and songwriter based in Cambridge, who has recently scored the music for the Universal
    Picture film The Knive that killed me whilst doing remixes for artists such as Nils Frahm

    1. Berlin By Overnight (from the Album Spheres)
    2. Berlin By Overnight (CFCF Remix)
    3. Berlin By Overnight (Efdemin Remix)
    4. Berlin By Overnight (Lorna Dune Remix)
    5. Berlin By Overnight (Tom Adams Remix)
    Daniel Hope
    $25.99
    Vinyl LP - Sealed Buy Now
  • The Soft Machine The Soft Machine Quick View

    $24.99
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    The Soft Machine

    The first two albums by England's legendary Soft Machine, originally released in 1968 and 1969, remain among the most innovative and influential releases of that musically fertile era. These seminal LPs offered a visionary psychedelic-progressive-jazz-rock mix that helped to make the Soft Machine one of Britain's first significant underground bands, as well as a key force in the birth of both progressive rock and jazz-rock.


    A product of the same fabled Canterbury scene that spawned such beloved cult acts as Caravan and Hatfield and the North, the Soft Machine was the rare art-rock combo whose members possessed the instrumental skills to execute their ambitious musical ideas, as well as a playful sense of humor that balanced the band's complex compositions and adventurous improvisations. By the time they began making albums, the Soft Machine was already a sensation in the budding U.K. rock underground, thanks to their now-legendary performances at such fabled London clubs as the UFO, the Speakeasy and Middle Earth, where they shared stages with the likes of Pink Floyd and Tomorrow.


    The Soft Machine, co-produced by Chas Chandler and Tom Wilson, announced the band's arrival on the international scene in fine style. With an unusual three-man lineup comprised of Kevin Ayers on bass and vocals, Robert Wyatt on drums and vocals, and Mike Ratledge on keyboards, the album was recorded in New York, while the band was touring North America with the Jimi Hendrix Experience. In contrast to the extended pieces that would later dominate the Soft Machine's repertoire, the album focuses on shorter, more concise songs that nonetheless provide plenty of room for the musicians to demonstrate their varied abilities.


    This landmark vinyl gem has been out of print for decades, but now it is back in this meticulously packaged Sundazed edition. Mastered from the original analog tapes and pressed on pristine high-definition vinyl, this lovingly restored vintage gem sounds as powerful and imaginative as ever.

    1. Hope for Happiness
    2. Joy of a Toy
    3. Hope for Happiness (reprise)
    4. Why Am I So Short?
    5. So Boot If At All
    6. A Certain Kind
    7. Save Yourself
    8. Priscilla
    9. Lullabye Letter
    10. We Did It Again
    11. Plus Belle qu'une Poubelle
    12. Why Are We Sleeping?
    13. Box 25/4 Lid
    Soft Machine
    $24.99
    Vinyl LP - Sealed Buy Now
  • Multiviral Multiviral Quick View

    $30.99
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    Multiviral

    Calle 13 have come a long way since their 2005 debut, when they were a smartass pair of twentysomethings from Trujillo Alto, Puerto Rico, riding the international reggaeton boom with a club-minded mix of sex talk and political invective. With their fifth record, frontman Residente and his halfbrother Visitante have made as ambitious a hip-hop album - if that's not too narrow a term - as any in any language. Beginning with an incantatory intro delivered by Uruguayan author Eduardo Galeano, the album ramps up through Respira El Momento, where Residente breathlessly escalates his Eminem-ish flow over dark piano, orchestral swells and choral drama. El Aguante pays tribute to human endurance, calling out a laundry list of dubious leaders (among them Hitler, Idi Amin, Stalin/Bush, Truman, Ariel Sharon) over a pennywhistle stomp owing to both Gogol Bordello and the Pogues. And on the title track, driven forward by Middle Eastern vocals and guest Tom Morello's strafing guitar, controversial WikiLeaks founder Julian Assange - who recorded his spoken-word part in the basement of the Ecuadorian embassy in London - salutes the power of people armed with the truth. The song, like the entire LP, is an object lesson in just that.


    - Will Hermes (Rolling Stone)

    LP 1
    1. Intro - El Viaje
    2. La Vida (Respira el Momento)
    3. Interludio - Un Buen Día para Morir
    4. El Aguante
    5. Ojos Color Sol
    6. Multi_Viral
    7. Cuando los Pies Besan el Piso
    8. Adentro


    LP 2
    1. Interludio - Stupid Is as Stupid Does
    2. Los Idiotas
    3. Fuera de la Atmósfera del Cráneo
    4. Perseguido
    5. Gato Que Avanza, Perro Que Ladra
    6. Me Vieron Cruzar
    7. Así de Grandes Son las Ideas

    Calle 13
    $30.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Rock Steady Rock Steady Quick View

    $24.99
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    Rock Steady


    Ranked 316/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    They say you can never go home again.


    Yet, on their new Interscope Records release and fifth album, Rock Steady, No Doubt has embarked on a globe-spanning musical adventure that proves, once and for all, that home is where the heart is.


    At the heart of the quartet's fifteen-year musical journey is a sound, a style and a sensibility that celebrates their enduring bond with millions of fans worldwide: the sheer pleasure of pure pop - danceable, hummable, instantly accessible songs that have become indispensable additions to the soundtrack of our life and times. And now with Rock Steady, that soundtrack signals a return to some of the key creative elements that have made No Doubt one of today's most popular and enduring bands. Simply put, No Doubt is ready to party.


    "It's the hardest thing in the world just to be simple, to let the music and the words speak for what you're feeling and, hopefully, to share that feeling. And the feeling we all shared on this album turned out to be pretty simple, too: we were in a good mood."


    So says vocalist, lyricist and glorious gamine Gwen Stefani on the inspiration that ignited the dozen deliriously entertaining new tracks comprising Rock Steady. With all-original material penned by Gwen and No Doubt's dynamic songwriting duo of Tony Kanal and Tom Dumont and a roster of producers that pretty much covers the cutting edge of the studio art, Rock Steady, recorded in such far flung locations as London and Los Angeles, San Francisco and Jamaica, is without question the most eclectic, wide-ranging and stylistically diverse offering in the band's extraordinary career. It is also a loving tribute to the musical roots that have nourished No Doubt from their very inception.


    "We were on tour pretty much all of last year," explains drummer Adrian Young, "and whenever we had some down time, we found ourselves listening to lots of dancehall. It was kind of like getting back to where we once belonged." Dancehall, the exuberant evolution of reggae, ska and calypso currently rocking the clubs and studios of Jamaica, proved a potent point of departure for the group when they convened in early 2001 to begin work on a new album. "We were part of the whole ska revival back when we first got together," continues Adrian. "The fact is, we had to work hard to prove we had a wider range, and I guess we did that. Because this time around we didn't feel like we had anything to prove. The whole point was to follow the music, wherever it led."


    "Following the music" would lead the quartet to a variety of exotic locales as they indulged their instincts and experimented with sounds and settings that would capture the sensational new music beginning to emerge. "This album was less about technique and more about attitude," asserts Tony. "We took it one day at a time and it became a very spontaneous process. Tom had set up a studio at his place in L.A. and we'd meet there just to try out different ideas. Whereas before we'd write everything with a guitar or bass, this time we started with just beats and grooves and keyboards and built from there. After a week or two of songwriting, Gwen had a trip planned to London. Since we were having such a good time we just packed up and followed her over there. We knew we were onto something."


    "It felt like starting over," is Tom's assessment. "We had spent two years working on Return Of Saturn because we felt it was important to prove we could do a record that had depth and substance. Once we got that out of our system it was time to have some fun."


    Return Of Saturn, the group's smash 2000 release, did indeed establish No Doubt's ability to fashion songs of substance as well as style. It also conclusively demonstrated that the group's 1995 breakthrough release, Tragic Kingdom was more than a flash in the pan, although it was a distinctly dazzling flash that elevated the group to world class status with a solid string of hit singles. "We'd already done most of what we'd set out to accomplish," continues Tom. "We wanted try something fresh."


    Something fresh and, as it turned out, something tried and true. "With all the dancehall we'd been listening to it was only natural that some of that rhythm would seep into our new songs," Gwen adds. "We ended up going to Jamaica without really knowing exactly what we'd find when we got there. That was the whole plan from the beginning not to have a plan."


    What No Doubt found in the lush musical environs of the island was a creative collaboration with some of Jamaica's most revered producers including the legendary team of Sly & Robbie who sat behind the board for the album's debut single "Hey Baby" and "Underneath It All," a tune written by Gwen with Eurthymics mainstay Dave Stewart during the group's London sojourn. They would also go on record with the fast rising dancehall duo of Steely & Clevie, who worked their magic for the incendiary selection, "Start The Fire." Remarks Tom, "Going to Jamaica and working with the great artists there had always been a dream of ours. Having that opportunity is one the best things about having some success. It's more important than any amount of fame or fortune."


    As the spring of 2001 turned to summer the pace of recording stepped up, along with the group's increasingly bold ventures into new creative territory. In Los Angeles they added hip-hop to the mix with the streetwise sensibilities of The Neptunes, co-writers on the album's opening track, the scorching "Hella Good." Next they huddled with high-profile mixmaster Nellee Hooper on Rock Steady's title track as well as such standout selections as "In My Head," "Running," "Detective" and the above mentioned "Hella Good." Along the way they logged time with William Orbit for "Making Out," Ric Ocasek on "Platinum Blonde Life" and "Don't Let Me Down," and the inimitable Prince who co-produced and provided backing vocals on the drop dead gorgeous "Waiting Room."


    But mixing and matching songs and producers was only part of the creative evolution that took place with Rock Steady. Says Tony, "Our attitude from the beginning was that we'd do whatever it took to make the music work. We've always been a very self-contained unit. This time we wanted to open it up, to find out what other people could bring to the party."


    "The whole album was an exercise in spontaneity," adds Gwen, "and that challenged me to write more directly from my thoughts and feelings. I threw away my thesaurus and put aside my influences, everyone from Joni Mitchell to Sylvia Plath. I wanted to write songs about how it felt to be alive right now and that feeling, despite everything that going on in the world, is optimistic and full of hope. This is a time to affirm what's good and positive in our lives and if we can convey even a small part of the fun and excitement we had making this music, then we've done what we set out to do."


    Hot on the heels of Rock Steady's release comes news of an extensive touring schedule that includes select dates with U2 as well as an extensive itinerary of international headlining dates. "We're primarily a live band," comments Tony. "That's how we started and that's how we maintain contact with our fans. Over the past couple of years, as the No Doubt machine got bigger, it's been more difficult to maintain that connection. But this time around,we're determined to stay true to the spirit of the music. It's about having a good time, about dancing in aisles and singing along. We all need that and it's what this tour is going to be about."


    "After fifteen years together you naturally create all kinds of rules about how things should be," concludes Gwen. "There comes a time when you've got to throw the rules out and start all over again. That's what keeps it fun and interesting. For us that time has come."


    It's a sentiment that gets to the heart of the brilliant music on Rock Steady, an album that finds No Doubt comfortable at home with the risks and rewards of true originality. It's also proof positive that, when No Doubt throws a party, everyone's invited.

    LP1
    1. Intro
    2. Hella Good
    3. Hey Baby
    4. Making Out
    5. Underneath It All

    6. Detective
    7. Don't Let Me Down


    LP2
    1. Start The Fire
    2. Running
    3. In My Head
    4. Platinum Blonde Life
    5. Waiting Room
    6. Rock Steady

    No Doubt
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Highway 61 Revisited (On Sale) Highway 61 Revisited (On Sale) On Sale Quick View

    $49.99 $44.99 Save $5.00 (10%)

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    Highway 61 Revisited (On Sale)

    Highway 61 Revisited on Numbered Limited Edition 180 Gram 45RPM 2LP from Mobile Fidelity


    Dylan's First Entirely Rock-Backed Album Marks Sea Change in Sound and Potential of Popular Music


    Ranked #4 on Rolling Stone's 500 Greatest Albums of All Time List


    Album-Opening Like a Rolling Stone Challenging, Bold, Revolutionary-And Arguably the Best Rock Song Ever Recorded


    Widescreen Sonics: Brilliant Collision of Evocative Poetry, Swirling Roots-Based Soul, and Hard-Driving Blues Sounds Incredible on MoFi 45RPM Pressing


    1965 Set Also Includes Ballad of a Thin Man, Desolation Row, and Just Like Tom Thumb's Blues


    Its title references the road that spans North Minnesota to the Mississippi Delta, and the formative blues, country, and roots sounds connected to its existence. The highway also lays claim to towering musical myths and deaths, many tied to the blues lexicon and narrative. All figure prominently on the revolutionary beacon that is Highway 61 Revisited, the 1965 set that overturned rules, upended preexisting limits, and utterly changed everything in its path. Ranked the fourth-greatest album ever made by Rolling Stone, its reach, power, and content boggle the mind nearly five decades after its release.


    Mastered on Mobile Fidelity's world-renowned mastering system and pressed on 180 gram LP at RTI, this restored 45RPM analog version presents the life-altering music in reference-quality sound-so much so that the record's famous first lightning-strike note is now indeed the "snare shot that sound[s] like somebody'd kicked open the door to your mind," as once described by Bruce Springsteen.


    Teeming with organic energy, palpable voltage, and countless textures, the LP faithfully recreates the dimensions, vibes, and events associated with the six days Dylan and Co. spent at Columbia's Studio A. Everything from the soundstages to dynamics, instrumental separation to balances, resonates with enormous might and insightful perspective. Wider grooves mean more information reaches your ears.


    Recorded amidst a time of unfathomable turmoil and frustration that witnessed Dylan booed by fans, labeled a traitor, and call into question his work, Highway 61 Revisited roars and snarls, jabs and criticizes. Its bonfire of cynicism, fury, indignation, and absurdity forever transformed rock, what it could mean, and what it could do. Supported by a thundering, commanding band that included guitarist Mike Bloomfield and organist Al Kooper, Dylan hopscotches between tempos, moods, and melodies. The symmetry of the songs references a scattered hybrid of R&B, blues, folk, soul, gospel, vaudeville, and garage rock pieces that Dylan assembles in the shape of a brilliant, mind-teasing aural puzzle.


    Outside of "Like a Rolling Stone"-the six-minute-plus anthem that both challenged and chewed up all preconceived notions of an acceptable radio single by way of its length, ambition, and vitriol-every tune was captured shortly after Dylan's contentious performance at the Newport Folk Festival. The lingering impact of the hostility comes through in both the searing music and rich, literate, zinging poetry. Dylan's sneering tones, raucous arrangements, and unmistakable resentment toward both the establishment and counterculture that adopted him, and assume the form of songs such as "Ballad of a Thin Man," "Queen Jane Approximately," "Tombstone Blues," and the stupefying "Desolation Row."


    At its core, Highway 61 Revisited is about experience, reality, and the cruelties and truths that lie outside soporific safety nets and bourgeois ideals. These reasons-and the bold musicianship, ace performances, inimitable sonics, and vast lyrical expanses-are why the album means as much today as it did in the mid-1960s. Akin to Sgt. Pepper's Lonely Hearts Club Band and Dark Side of the Moon, this is an album that everyone needs to own and hear in the best-possible fidelity.


    This title is not eligible for further discount.

    1. Like a Rolling Stone
    2. Tombstone Blues
    3. It Takes a Lot to Laugh, It Takes a Train to Cry
    4. From a Buick 6
    5. Ballad of a Thin Man
    6. Queen Jane Approximately
    7. Highway 61 Revisited
    8. Just Like Tom Thumb's Blues
    9. Desolation Row
    Bob Dylan
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • (What's The Story) Morning Glory? Box Set (What's The Story) Morning Glory? Box Set Quick View

    $179.99
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    (What's The Story) Morning Glory? Box Set


    Deluxe Box Set Of The Classic Sophomore Record From Oasis


    20th Anniversary Of This Title, Which Has Sold 4 Million Copies In The Us Alone!


    Features The Mega-hits Wonderwall, Don't Look Back In Anger, Champagne Supernova, Roll With It And More


    What's The Story) Morning Glory?, the follow-up to debut album Definitely Maybe, is Oasis's biggest-selling album with 22 million copies sold worldwide. It was recorded between May and June 1995 in Rockfield Studios, Monmouthshire, with Owen Morris and Noel Gallagher producing. Released on October 2nd 1995 it spent 10 weeks at No.1, is the 5th biggest-selling album in UK chart history and became the band's breakthrough album in the US where it sold 4 million copies. The new edition has been remastered from the original tapes by Ian Cooper at London's Metropolis Studios, supervised by the album's producer Owen Morris. A small army of contributors including original members of the inner circle who were involved in studio and live recordings came together to hunt down unheard demos and live material. The team also unearthed a wealth of never-seen-before photos and vintage memorabilia which will be included in the new artwork.


    Collectors Coffee Table Book - This beautiful 56 page hardback book contains rare and unseen photographs documenting the (What's The Story) Morning Glory? period by Stefan Batselier, Brian Cannon, Kevin Cummings, Grant Fleming, Jill Furmanovsky, Owen Morris, Tom Sheehan - plus private photos taken by the inner circle. Original artwork designer Brian Cannon explains the story behind each single cover art and sleeve notes are written by Neil McCormick.


    7 Inch Vinyl - This 7 inch vinyl includes demos of Hello and She's Electric, both of which were recorded in Definitely Maybe producer Mark Coyle's studio. The Hello (Demo) track is exclusive to the box set.


    12 Inch Vinyl - This 12 inch vinyl is a replica of the original promotional 12 inch, sent to industry contacts as a promotional item in 1995. Tracklisting features A side Cum on Feel The Noize and B side Champagne Supernova (Lynch Mob Beats Remix), which has never been commercially available


    Cassette - Exact replica of the original promotional copy of (What's The Story) Morning Glory? This rare cassette, only sent out to industry contacts, has never been commercially available. It includes Step Out which was removed from the album prior to its release


    Roll With It Cigarette Papers- These rolling papers were an original 1996 promotional item. They have been replicated solely for the box set and feature the lyrics for Roll With It printed on the back.


    180 Gram Double 12 Inch Vinyl In Gatefold Sleeve - Heavyweight vinyl of (What's The Story) Morning Glory? album, meticulously remastered from the original 1995 half inch tapes. Includes download code for B sides, plus unreleased and rare tracks including demos and live recordings.


    Deluxe 3 x CD Album - (What's The Story) Morning Glory? deluxe CD, meticulously remastered with B sides, plus unreleased and rare tracks including demos and live recordings.


    Postcards & Art Card Set - 3 photograph postcards and a 12 x 12 inch art card


    Highlights Of The Bonus Content Include:


    • Previously unheard demos of She's Electric and Rockin' Chair recorded at Mark Coyle's Manchester studio. Demos of Some Might Say, Hey Now, and Bonehead's Bank Holiday recorded by Mark Coyle for the first time at the band's soundcheck, Club Quattro in Tokyo in September 1994.


    • Live recordings from legendary gigs such as Knebworth House, Maine Road Stadium, Earls Court, and Bath Pavilion.


    • All of the Morning Glory singles and acclaimed B-sides including Talk Tonight, Acquiesce, The Masterplan, and Underneath The Sky.

    LP 1
    1. Hello (Remastered)
    2. Roll With It (Remastered)
    3. Wonderwall (Remastered)
    4. Don't Look Back In Anger (Remastered)
    5. Hey Now! (Remastered)
    6. [Untitled] (Remastered)
    7. Bonehead's Bank Holiday (Remastered)


    LP 2
    1. Some Might Say (Remastered)
    2. Cast No Shadow (Remastered)
    3. She's Electric (Remastered)
    4. Morning Glory (Remastered)
    5. [Untitled] (Remastered)
    6. Champagne Supernova (Remastered)


    CD 1
    1. Hello (Remastered)
    2. Roll With It (Remastered)
    3. Wonderwall (Remastered)
    4. Don't Look Back In Anger (Remastered)
    5. Hey Now! (Remastered)
    6. [Untitled] (Remastered)
    7. Some Might Say (Remastered)
    8. Cast No Shadow (Remastered)
    9. She's Electric (Remastered)
    10. Morning Glory (Remastered)
    11. [Untitled] (Remastered)
    12. Champagne Supernova (Remastered)


    CD 2
    1. Talk Tonight (Remastered)
    2. Acquiesce (Remastered)
    3. Headshrinker (Remastered)
    4. It's Better People (Remastered)

    5. Rockin' Chair (Remastered)

    6. Step Out (Remastered)
    7. Underneath The Sky (Remastered)
    8. Cum On Feel The Noize (Remastered)
    9. Round Are Way (Remastered)
    10. The Swamp Song (Remastered)
    11. The Masterplan (Remastered)
    12. Bonehead's Bank Holiday (Remastered)
    13. Champagne Supernova (Brendan Lynch Mix) (Remastered)
    14. You've Got To Hide Your Love Away (Remastered)


    CD 3
    1. Acquiesce (Live At Earls Court)
    2. Some Might Say (Demo)
    3. Some Might Say (Live at Roskilde)
    4. She's Electric (Demo)
    5. Talk Tonight (Live At Bath Pavilion)
    6. Rockin' Chair (Demo)
    7. Hello (Live At Roskilde)
    8. Roll With It (Live At Roskilde)
    9. Morning Glory (Live At Roskilde)
    10. Hey Now (Demo)
    11. Bonehead's Bank Holiday (Demo)
    12. Round Are Way (MTV Unplugged)
    13. Cast No Shadow (Live At Maine Road)
    14. The Masterplan (Live At Knebworth Park)


    12
    A1. Cum on Feel The Noize
    B1. Champagne Supernova (Lynch Mob Beats Remix)


    7
    A1. Hello (demo)
    B1. She's Electric (demo)


    Cassette
    1. Hello
    2. Roll With It

    3. Wonderwall
    4. Don't Look Back In Anger
    5. Hey Now!
    6. Untitled
    7. Some Might Say

    8. Step Out
    9. Cast No Shadow

    10. She's Electric
    11. Morning Glory
    12. Untitled

    13. Champagne Supernova

    Oasis
    $179.99
    180 Gram Audiophile Virgin Vinyl LP + 3 CD + Cassette + 7 + 12 Box Set - 2 LPs Sealed Buy Now
  • Live 1966 Live 1966 Quick View

    $24.99
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    Live 1966

    Besides releasing two classic longplayers and many more singles (including the smash, "Gloria"), touring/behaving badly all across America and appearing on TV shows like 'Upbeat' and 'Where The Action Is', the Shadows of Knight also ruled at suburban Chicago's hands-down hippest teen club, The Cellar. Over the decades, their Cellar performances have become the stuff of legend.


    Miraculously, two reels of tape of the Shadows of Knight live on stage at the Cellar (in 1966!) were eventually uncovered by Sundazed. As early as their 'Gloria' album debut in spring '66, the Shadows of Knight had separated themselves from the garage band pack with a heavily Chicago Blues-based, wildly rocking repertoire. Their trademark sound is on full display in this attitude-drenched, anarchic live recording from late in that exalted year.


    For this expanded edition, the original sets and correct song sequence have been faithfully restored. And to top that, additional and until now completely unheard bonus material is rescued from those old reels. Specifically, added to an already scorching set are previously-unheard takes of "Peepin' and Hidin'" (sung by blues legend Joe Kelley), "Willie Jean" (with a vocal from drummer Tom Schiffour) and "Any Way That You Want Me". Equally important, the packaging now equals the musical contents thanks to an all-new, eye grabbing sleeve highlighted by John Hora's amazing original photography from '66.


    Unlike their comparatively harnessed studio recordings, the Shadows of Knight are presented here raw 'n' alive, sloppy bordering on brilliant and with all the subtlety of a bulldozer. Would you want 'em any other way?

    1. Everybody Needs Somebody to Love
    2. Don't Fight It
    3. Got My Mojo Working
    4. Any Way That You Want Me
    5. Gospel Zone
    6. Got To Get You Off My Mind
    7. It Takes A Long Time Comin'
    8. Hey Joe
    9. Tomorrow's Gonna Be Another Day
    10. Peepin' and Hidin'
    11. Let It Rock
    12. Willie Jean
    13. Spoonful
    14. Oh Yeah
    15. Dark Side
    16. Gloria
    The Shadows of Knight
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Sacred Heart Sessions The Sacred Heart Sessions Quick View

    $15.99
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    The Sacred Heart Sessions

    The Lowest Pair features the duel banjo picking of Kendl Winter and
    Palmer T. Lee. Draped in Kendl's high lonesome harmonies and Palmer's
    Midwest croon, their debut release, 36¢, (Team Love Records) was
    hailed by many outlets and American Songwriter praised their earnest,
    earthy songcraft. Team Love will release their
    sophomore album, The Sacred Heart Sessions.


    Arkansas-born and now homesteading in Olympia, Washington, Kendl
    Winter sprouts alfalfa beans in mason jars in the back of the tour van and
    spreads her songs across the country Johnny Appleseed style. Kendl
    brings to The Lowest Pair her wonderfully weaving poetry of song, old
    and new, and a voice somewhere between Gillian Welch and Iris DeMent
    with a little Olympia twist. Palmer T. Lee who hails from Minneapolis was
    nineteen years old when he inherited a couple of banjos and discovered
    he could reassemble them into his dream instrument. Former front man
    for the much loved high energy bluegrass band The Boys n' the
    Barrels, Palmer's songs are distilled into the warm sweet sounds of his
    percussive wordplay and the melodic interludes of his own unique style
    played on a pieced together banjo.


    After nearly a year of traveling the country playing clubs, hotels, house
    shows, back yards and street corners, they found their way back up to
    Minnesota, this time to Duluth where they sat down to record the followup
    to 36¢.   Linking up with Tom Fabjance at an old church seemed like
    the perfect way to expand on their sound without diluting their original
    magical formula. The Sacred Heart Sessions is an album that allows the
    listening to enter the space that surrounds its creation. One can virtually
    feel the walls and vaulted ceiling of the old wooden church rising up,
    creating a natural reverb and warming the air.


    Be it Kendl's punk roots, her admiration for the traditional American
    songbook, or the gravitational pull she sensed drawing her to Olympia,
    it's her combining these talents and creative impulses with Palmer's
    Midwestern charm, the long winters spent listening to a steady diet of
    Townes Van Zandt and John Hartford and the strange moment of fate
    that left him with two inherited banjos as a young man; this combination
    has resulted in a uniquely original sound that is The Lowest Pair.

    1. Ruben's Fortune
    2. Howl
    3. Rosie
    4. Fourth Time's A Charm
    5. Minnesota, Mend Me
    6. Shipwright
    7. In The During Of A Moment
    8. Smile And Nod
    9. Hogtied
    10. Scavenger Hunt
    The Lowest Pair
    $15.99
    Vinyl LP - Sealed Buy Now
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