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Third Man Records'
Get Behind Me SatanFirst Ever Commercial Vinyl Release Of The Album
Printed Inner Sleeves
Mastered Direct From Analog Tapes
To celebrate the ten year anniversary of the release of Get Behind Me Satan, Third Man Records is happy to unleash the first-ever commercially available version of the album on vinyl. Winner of 2006 Grammy for Best Alternative Music Album. Includes their classic singles, ''Blue Orchid,'' ''My Doorbell,'' and ''The Denial Twist''.
Recorded to eight track reel-to-reel at Third Man Studios in Detroit, Michigan in February 2005, and mixed at Ardent Studios in Memphis, Tennessee.Sequence Exclusive To This Vinyl
1. Blue Orchid
2. The Nurse
3. My Doorbell
4. Forever For Her (Is Over For Me)
5. As Ugly As I Seem
6. The Denial Twist
7. White Moon
1. Instinct Blues
2. Passive Manipulation
3. Take, Take, Take
4. Little Ghost
5. Red Rain
6. I'm Lonely (But I Ain't That Lonely Yet)$24.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
ElephantRanked 390/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
180 Gram Double LP.
Famously produced without the use of computers The White Stripes' true breakout masterpiece puts a new spin on vintage. Chances are good we don't have to tell you, but Elephant was miraculously made in just two weeks at a London studio outfitted with an eight-track tape machine and recording gear that predates the Beatles. While a loose concept album in theme, there's no missing the back to basics sound in its physical creation that makes it perfect for the raw fullness of vinyl.
Elephant won the 2004 Grammy Award for Best Alternative Music Album. In addition to the smash hit Seven Nation Army, which won for Best Rock Song, the group's fourth release and first for a major label is highlighted by the punked-out blues riffs of Black Math, the high-pitched Queen-like squall of There's No Home For You Her, and the spirited interpretation of Burt Bacharach's I Just Don't Know What to Do With Myself.LP 1
1. Seven Nation Army
2. Black Math
3. There's No Home For You Here
4. I Just Don't Know What To Do With Myself
5. In The Cold, Cold Night
6. I Want To Be The Boy To Warm Your Mother's Heart
7. You've Got Her In Your Pocket
1. Ball And Biscuit
2. The Hardest Button To Button
3. Little Acorns
5. The Air Near My Fingers
6. Girl, You Have No Faith In Medicine
7. It's True That We Love One Another$29.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
URPD-THI-071xThe White Stripes
Merry Christmas From...Available again! 333 copies were printed on red vinyl and included as part of the White Stripes 2010 Holiday Merchandise package, but copies are now to be had on black vinyl. The A-side was originally recorded in 1998 and its title has been appropriated by Stripes fans as a term to describe themselves as a group. The b-side features Meg singing an a cappella version of Silent Night coupled with Jack reading the Story of the Magi from the Bible. The whole thing is a warming, heartfelt pile of Christmas goodness...dig in!1. Candy Cane Children
2. Story Of The Magi
3. Silent Night$6.997 Vinyl 45 RPM LP - Sealed Buy Now
Pusher ManLimited Edition Pressing
Everybody's favourite band, Uncle Acid, release a new single, Pusher Man on Rise Above Records. The single is backed by Remember Tomorrow, an Iron Maiden cover, initially available on a Kerrang (legendary UK magazine) cover-mount CD.
Pusher Man is taken from the bands fourth album, The Night Creeper, which was released to much acclaim in July of last year. The track was recorded as part of the album sessions at Toe Rag Studios in early 2015 with engineer Liam Watson (White Stripes, Tame Impala, Electric Wizard).
They released their breakthrough album Blood Lust in 2011, a homage to British Hammer and folk horror films of the 1970s, a candle-lit head-trip of withered hands, ritual knives and gallows ropes. Mind Control (2013), their third album, looked further afield, to the post-Charles Manson US for inspiration: Jim Jones dosing the Kool-Aid. Blue Cheer, Blue Oyster Cult and B-movie biker movies. War, Watergate, serial killers and suicidal TV evangelists.1. Pusher Man
2. Remember Tomorrow$8.997 Vinyl Single - Sealed Buy Now
Live At Third Man Records 10-10-2012This record captures a show we had been wanting to see at Third Man since day Numero Uno. Jamie Hince and Alison Mosshart are two of the most talented and creative people we know and we couldn't be more pleased that they rocked our stage and committed it to wax so we can finally have a release on the label by the one and only KILLS. These 8 songs were recorded direct-to-acetate on October 10, 2012.
Three very special live records - The Shins, The Kills, and Seasick Steve - all recorded in the Third Man Blue Room last October, and the first three releases recorded live using their one-of-a-kind direct-to-acetate recording process. Without overdubs or editing, these three records were mixed in real time on a Rupert Neve 5008 console by Grammy Award winning engineer Vance Powell, and instantly cut to vinyl by master cutter George Ingram using a 1953 Scully Lathe that previously churned out masters for Cincinnati's legendary King Records (the story goes that James Brown's It's A Man's World was cut on this lathe among many more great sides...)1. Heart is a Beating Drum
2. Future Starts Slow
3. Kissy Kissy
5. Baby Says
6. Tape Song
7. Pots and Pans
8. Last Goodbye$14.99Vinyl LP (Direct-to-Acetate) - Sealed Buy Now
The Rise & Fall Of Paramount Records, Volume One (1917-1927) Box Set
* 800 Newly-Remastered Digital Tracks, Representing 172 Artists
* 200+ Fully-Restored Original 1920s Ads And Images
* 6x 180g Vinyl LPs Pressed On Burled Chestnut Colored Vinyl W/ Hand-Engraved, Blind-embossed Gold-Leaf Labels, Housed In A Laser-Etched White Birch LP Folio
* 250 Page Deluxe Large-Format Clothbound Hardcover Art Book
* 360 Page Encyclopedia-Style Softcover Field Guide Containing Artist Portraits And Full Paramount Discography
* Handcrafted Quarter-Sawn Oak Cabinet With Lush Sage Velvet Upholstery And Custom-forged Metal Hardware
* First-Of-Its-Kind Music And Image Player App, Allowing User Mgmt Of All Tracks And Ads, Housed On Custom-Designed USB Drive
How did a Wisconsin chair company, producing records on the cheap and run by men with little knowledge of their audience or the music business, build one of the greatest musical rosters ever assembled under one roof? The answer lies in 'The Rise and Fall of Paramount Records 1917-1932,' an epic, two-volume omnibus of art, words and music housed in a limited-edition, hand-sculpted cabinet-of-wonder, to be jointly released by Jack White's Third Man Records and John Fahey's Revenant Records.
'Volume One,' which covers the label's improbable rise from 1917-1927, will be released exclusively through Third Man on October 29, and worldwide on November 19. The project is co-produced by leading Paramount authority Alex van der Tuuk, and 'Volume 2' will be released in November 2014.
Paramount Records was founded on a modest proposition: produce records as cheaply as possible, recording whatever talent was available. Over its lifetime, the label would become a "race records" powerhouse, its sound and fortunes directly linked to the Great Migration.
By the time Paramount ceased operations in 1932, it had compiled a dizzying array of performers still unrivaled to this day, spanning early jazz titans (Louis Armstrong, King Oliver, Jelly Roll Morton, Fats Waller), blues masters (Charley Patton, Blind Lemon Jefferson, Son House, Skip James), American divas (Ma Rainey, Alberta Hunter, Ethel Waters), gospel (Norfolk Jubilee Quartette), vaudeville (Papa Charlie Jackson), and the indefinable "other" (Geeshie Wiley, Elvie Thomas). Paramount would also directly influence the style of Robert Crumb and countless other 20th century artists and illustrators, through a series of hand-drawn ads promoting its releases in the pages of the Chicago Defender.
The 'Rise and Fall' wonder-cabinet gives equal status to page-turning narrative and new scholarship; original and newly created graphic art; industrial design; and compelling analog and digital music experiences.6 LPs feature 87 tracks from the collection.
USB Drive contains 800 digital tracks by 172 artists across the Paramount family of labels, including the earliest recordings of:
King Oliver, Jelly Roll Morton, Blind Blake, Fats Waller, Ma Rainey, Blind Lemon Jefferson, Duke Ellington, Louis Armstrong, Fletcher Henderson, Alberta Hunter, Papa Charlie Jackson, Ethel Waters, Coleman Hawkins, Johnny and Baby Dodds, Bo Weavil Jackson, Jimmy O'Bryant, Buddy Boy Hawkins, Tiny Parham, Jimmy Blythe, and Jaybird Coleman.$469.99180 Gram Audiophile Virgin Vinyl LP + 2 Books - 6 LPs Sealed Buy Now
Manley Stingray iTube Stereo Integrated Amplifier
Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.
Handcrafted in the USA
The famous Manley Stingray stereo integrated amplifier has been renewed and refreshed. New for 2009 we present to you the Stingray iTube integrated tube amplifier with iPod dock and full featured RF and IR remote control.
The STINGRAY iTube is the next evolution from our acclaimed Stingray Integrated Amplifier, legendary in the hifi world since it swam from our labs in 1997. Originally conceived with particular attention paid to optimal component placement for the purity and symmetry of the signal path layout, the Stingray quickly became one of our best-selling products. The Stingray iTube retains the same basic tube circuitry and marvelous output transformers as the original with some important improvements:
An iPod dock has been integrated into the Stingray iTube as the 4th input source. The Manley iTube has been certified by Apple and officially sanctioned as a Made for iPod product. The Stingray's Remote Control commands the iPod PLAY/PAUSE and TRACK FORWARD/BACK controls.
The iPod's video output is available at the S-Video output jack located on the left side facia.
The high voltage tube energy storage has been increased vastly resulting in even more solid and coherent bass control and impact.
A headphone jack has been added to the right side facia. This jack re-routes the output from the speaker binding posts and mutes the Subwoofer output feed.
The Remote Control works with both Radio Frequency and InfraRed technologies. Using the remote in RF mode gives freedom from having to point and shoot. The RF remote is omnidirectional and works through walls and cabinets. IR capability is included for those with Universal Learning Remote Controls for consolidated integration into existing systems. The volume control, balance adjust, input switching, and iPod interface commands are all on the RF/IR Remote Control. Additionally user can perform the MUTE, DIM, INSERT and STANDBY commands with the Remote Control.
Each INPUT can be individually level trimmed to match and to optimize system gain staging of various input devices.
The fancy blue LED displays surrounding the INPUT and VOLUME encoder knobs can be dimmed down or turned off entirely, after a user-settable time period, or a screen-saver random light sequence can be selected. Speed and intensity of the Starlight mode can be tweaked to taste.
All custom user settings are hard written into memory when the unit is put into STANDBY mode and thus retained if power is later interrupted.
Individual sealed gold contact relays deliver the selected input into the volume control system before hitting the first 12AT7 input tubes. Following the mighty 6414 driver/phase splitter, the trusty EL84 output stage can be switched between either 20 watts of TRIODE power or 40 watts of Ultra Linear mode push-pull operation. Individual bias for each tube is easily adjusted using the trimpots and test points, conveniently located on the top surface of the amplifier. The Stingray's power supply is extra-rugged and stiff, a MANLEY hallmark. It swims with the sharks: fast, agile, fluid, and with consummate authority.
Post-volume SUBWOOFER OUTPUT allows easy hookup of outboard line-level driven active powered subwoofers. This output is after the volume control so that the subwoofer will track the volume level changes of the main speakers. The SUB OUTPUT is a line level and full frequency output that is AFTER the volume control so your powered subwoofer follows the same volume as your main speakers. These are unbalanced RCA jacks, line level. They feed the line inputs of your subwoofer, NOT the speaker jacks. A switchable TAPE LOOP is standard. The TAPE SEND is the output of the selected input before the volume control. The TAPE RETURN can also be used as a 5th line input if needed.
RECORD OUT (aka Tape OUT) is BEFORE the volume control so you can record whatever input you have selected without your listening level affecting the level going to your recorder. These are unbalanced RCA's. It is UNbalanced RCA's and UNbuffered so check out the input Z to your recorder to make sure it won't load down the Stingray main input while it is plugged in. Usually with unbuffered record outs we recommend you only plug in your recorder only when you are actually recording...
Tape LOOP: Also known as an INSERT point, the SEND or Tape Out comes off the selector switch as the Record Out option does going to your outboard EQ or Merlin BAM unit or tape recorder and then the signal returns (RETURN) to the Stingray in front of of the volume control so you can play tunes. A toggle switch selects whether the Tape LOOP (and whatever is plugged into the Tape Loop) is active or the signal goes straight through the Stingray as normal. If you have the Merlin BAM system, order your Stingray with the Tape LOOP option.
Need more than four inputs? Get a SKIPJACK line switcher and run it into this LOOP RETURN: The SKIPJACK is perfect for adding more inputs to anything. So if you use a SKIPJACK's 4 stereo inputs plus the Stingray's 4 stereo inputs you'll get 8 stereo inputs total. The way to do that is to consider the TAPE LOOP: you can bring the SKIPJACK output into the LOOP RETURN, enact the LOOP ACTIVE switch and use the 4 x SKIPJACK inputs feeding the LOOP RETURN with the SKIPJACK controlling source switching for those 4 inputs. Then if you put the Stingray's LOOP switch to BYPASS you will be working with the 4 x Stingray inputs selectable on the Stingray. That gives you 8 total stereo inputs.
Or if you do not want to use the TAPE LOOP feature (because you are using it for other purposes) or if you have an older Stingray without the TAPE LOOP, you can use a SKIPJACK to get up to 7 stereo line inputs by running the SKIPJACK's output into one of the Stingray's inputs.
NOTE: The SUBWOOFER OUT, RECORD OUT, and TAPE LOOP are all passive. So are the BALANCE and VOLUME controls also passive. No active electronics or buffers are used in these circuits. The RECORD OUT comes straight off the input select switch. So whatever source is selected will show up passed through at the TAPE OUT.
iPod can play songs with the these sample rates, and with all compatible codecs
- 8 kHz
- 11.025 kHz
- 16 kHz
- 22.050 kHz
- 32 kHz
- 44.1 kHz
Most iPods (except the iPod Shuffle) will play WAV and AIFF files. The iPod will play up to 16 bit/48kHz files.
iTunes is not compatible with FLAC format files without a third party plugin.
iTunes does support 24/96 wav files. iPod won't play them, but iTunes does support them.
iTunes can in fact output 24/96 digitally, so in theory you could actually assemble a hi-rez music server based on iTunes, and use it to drive the DAC of your choice. Thus using your iPod docked on your Stingray iTube you can play WAV files which will yield similar audio quality to CD.
With the Stingray, the MANLEY team has struck a remarkably harmonious balance in design which satisfies the sonic desires of the audiophile and the rocker, the artist and the musician, the student and the master, the yin and the yang.$6,300.00Manley Stingray iTube Stereo Integrated Amplifier Buy Now
Live At The Cellar Door
Mastered By Chris Bellman At Bernie Grundman Mastering And Pressed At Pallas In Germany
Neil Young will release Live At The Cellar Door, the latest in his Archives Performance Series, on Reprise Records. The album collects recordings made during Young's intimate six-show solo stand at The Cellar Door in Washington D.C. between November 30th and December 2nd, 1970, a few months after Reprise released his classic third solo album After The Gold Rush in August.
The album, which features Young performing on acoustic guitar and piano, includes tracks that are interesting for several reasons, such as stunning live versions of songs that appeared on After The Gold Rush (Tell Me Why, Only Love Can Break Your Heart, Birds, Don't Let It Bring You Down and the title track) and solo performances of the Buffalo Springfield songs Expecting To Fly (from their 1967 second album Buffalo Springfield Again), I Am A Child (from their third and final album Last Time Around and Young's 1977 Decade compilation), and Flying On The Ground Is Wrong, from their 1966 self-titled debut.
In addition, Live At The Cellar Door features early, raw performances of songs that wouldn't appear until subsequent Young albums, including the rarity Bad Fog Of Loneliness (which appears on Live At Massey Hall '71 - released in 2007-but was previously unreleased until the studio band version was included on Archives Vol. 1 1963-1972), Old Man (released two years later on 1972's Harvest album), a rare solo performance of Cinnamon Girl on piano (the full band version appears on Young's 1969 second solo album Everybody Knows This Is Nowhere), and Down By The River, also from Everybody Knows This Is Nowhere.
Live At The Cellar Door was recorded by Henry Lewy and produced by Young.1. Tell Me Why
2. Only Love Can Break Your Heart
3. After the Gold Rush
4. Expecting To Fly
5. Bad Fog of Loneliness
6. Old Man
8. Don't Let It Bring You Down
9. See the Sky About to Rain
10. Cinnamon Girl
11. I Am A Child
12. Down By the River
13. Flying On The Ground Is Wrong$36.99180 Gram Audiophile Classic Vinyl LP - Sealed Buy Now
Quentin Tarantino's The Hateful Eight Soundtrack
2LP, 180 Gram
60''x12'' & 36''x12'' poster
Tri-Fold Reversible Jacket With Soft-Touch Finish
The Hateful 8 is the eighth film by two-time Academy Award winner Quentin Tarantino, and the first time he has made a film with a dedicated score. Who better to help create and coordinate his first dedicated score than the legendary film composer and Academy Award winner, Ennio Morricone? Tarantino has used Morricone pieces in each of his most recent six films, including Django Unchained and Inglorious Basterds. The Hateful 8 marks the first time the two have collaborated throughout the production of the film to create a complete picture: bringing together the sounds, sights, and passionate grit to fabricate a truly well rounded piece of smart art.
Morricone started writing music at the age of six and has been composing critically acclaimed film scores since the 1960's when his career was launched after composing the score to The Man with No Name trilogy starring Clint Eastwood. Morricone established himself as the master of spaghetti western scores and later on began working in all genres of film with directors such as Franco Zeffirelli, Federico Felini, Roman Polanski, and Roland Joffe putting him on par with the major composers and establishing him as one of the all-time greats, composing soundtracks for over 400 film and TV projects. He has made his mark on film by blending jazz, folk, blues, funk, and classical music to make for brilliantly simple scores that set him apart from the rest. In Tarantino's tradition of not confining his soundtrack selections to space or time periods, the soundtrack also features songs from Roy Orbison, David Hess, and The White Stripes to round everything out. Hateful 8 is the most sweeping and narrative soundtrack Tarantino has released yet, and is sure to become a classic.
Two 180-gram vinyl LPs, Tri-fold reversible jacket, double LP, soft-touch finish with spot UV, includes a 60'' x 12'' poster, a 36'' x 12'' poster and a 12-page booklet insert with stills from the movie
United Record PressingLP 1
1. L' Ultima Diligenza di Red Rock (versione integrale) by Ennio Morricone
2. Overture by Ennio Morricone
3. ''Major Warren Meet Daisy Domergue'' by Kurt Russell, Samuel L. Jackson, and Jennifer Jason Leigh
4. Narratore Letterario by Ennio Morricone
5. Apple Blossom by The White Stripes
6. ''Frontier Justice'' by Tim Roth and Kurt Russell
7. L'Ultima Diligenza di Red Rock #2 by Ennio Morricone
8. Neve (versione integrale) by Ennio Morricone
9. ''This Here Is Daisy Domergue'' by Kurt Russell and Michael Madsen
10. Sei Cavalli by Ennio Morricone
11. Raggi di Sole Sulla Montagna by Ennio Morricone
12. ''Son of the Bloody Nigger Killer of Baton Rouge'' by Walton Goggins, Bruce Dern, and Samuel L. Jackson
1. Jim Jones at Botany Bay by Jennifer Jason Leigh featuring Kurt Russell
2. Neve #2 by Ennio Morricone
3. ''Uncle Charlie's Stew'' by Samuel L. Jackson, Demian Bichir, and Walton Goggins
4. I Quattro Passeggeri by Ennio Morricone
5. La Musica Prima del Massacro by Ennio Morricone
6. L'Inferno Bianco (synth) by Ennio Morricone
7. The Suggestive Oswaldo Mobray by Tim Roth, Walton Goggins, and Kurt Russell
8. Now You're All Alone by David Hess
9. Sangue e Neve by Ennio Morricone
10. L'Inferno Bianco (ottoni) by Ennio Morricone
11. Neve #3 by Ennio Morricone
12. Daisy's Speech by Walton Goggins, Jennifer Jason Leigh and Michael Madsen
13. La Lettera di Lincoln (strumentale) by Ennio Morricone
14. La Lettera di Lincoln (con dialogo) by Ennio Morricone and Walton Goggins
15. There Won't Be Many Coming Home by Roy Orbison
16. La Puntura Della Morte by Ennio Morricone$29.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
American Epic: The Best of BluesEarly geniuses of Delta Blues - Robert Johnson, Geeshie Wiley & Elvie Thomas, Son House, Charley Patton and many more have been painstakingly remastered using a mix of analog and digital technology for a hybrid sound that is simultaneously contemporary, immediate but still completely true-to-form.
Single LP with single pocket tip-on jacket with soft touch finish.1. Cross Road Blues by Robert Johnson
2. On the Road Again by Memphis Jug Band
3. Louis Collins by Mississippi John Hurt
4. Sittin' On Top of the World by Mississippi Sheiks
5. 'Tain't Nobody's Business If I Do (Part 1) by Frank Stokes
6. Down the Dirt Road Blues by Charley Patton
7. My Black Mama (Parts 1 & 2) by Son House
8. Walk Right In by Cannon's Jug Stompers
9. The Panama Limited by Bukka White
10. Last Kind Words Blues by Geeshie Wiley & Elvie Thomas
11. Cottonfield Blues (Part 2) by Garfield Akers
12. Tallahatchie River Blues by Mattie Delaney
13. Mama 'Tain't Long fo' Day by Blind Willie McTell
14. Future Blues by Willie Brown
15. Cool Drink of Water Blues by Tommy Johnson
16. Cypress Grove Blues by Skip James
17. Dark Was the Night, Cold Was the Ground by Blind Willie Johnson$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Bathtub Love KillingsBathtub Love Killings is the debut solo LP from Olivia Jean, the
multi-instrumentalist who cut her teeth in the Third Man stable backing
folks as varied as Karen Elson, Wanda Jackson and Jack White in
addition to fronting the much-loved Black Belles. Jean has accrued a
lifetime of experience in a few short years, from highlight performances
on The Colbert Report, Conan, Late Show With David Letterman and
the Grand Old Opry stage to having one of her songs used as the
theme for the television series Elvira's Movie Macabre.
Produced by Jack White, Bathtub Love Killings showcases Jean as a
songwriting force to be reckoned with. Playing damn-near every instrument
she could get her hands on, the result is a well-rounded, catchy record that's
chockfull of ear worm moments.1. Mistakes
2. Merry Widow
4. Green Honeycreeper
5. Haunt Me
6. After The Storm
9. Cat Fight
11. Deadly Hex$17.99Vinyl LP - Sealed Buy Now
URPD-TMR-179xGibby Haynes and Jack White
Paul's Not HomeThe Pope of The Butthole Surfers and Silver Screen Legend, Gibby Haynes teams up with Jack White and Third Man Records and releases into the wilds three blasts of psychic energy in the punk rock idiom exploiting a range of subjects from, teenagers on fire, Equine love affairs, and Recession shotgun stories. Yes folks, it's the Gibby Haynes Blue Series 7'' Single on Third Man Records and it's being released on Valentines Day, 2013. For lovers.
The three-song single features two originals ''You Don't Have To Be Smart'' and ''Horse Named George,'' and a cover of Adrenalin OD's ''Paul's Not Home,'' a lost classic (cough cough... ahem) that originally appeared on the 1982 New York Thrash compilation alongside the first ever recorded material by Beastie Boys and some of the earliest known recordings by Bad Brains, Kraut and others.1. Paul's Not Home
2. You Don't Have To Be Smart
3. Horse Named George$6.99Vinyl LP 7 Single - Sealed Buy Now
$6.99 $5.52 Save $1.47 (21%)
C'mon And Ride/After Party (On Sale)Transit is a band whose membership is composed entirely of employees of the Nashville Metro Transit Authority. They are part of a long-standing folk tradition of people coming together to make something beautiful out of a shared external circumstance. From the Detroit Sanitary Workers Band or the American Watch Company Band, there is deep history of music that reflects employees shared experiences and brings them to the wider attention of the public at large.
Third Man Records presents two songs produced by Jack White that are by and about the Nashville bussing system, written and recorded by the people who know it best; the drivers, cleaners, mechanics, and office workers of the Nashville Metro Transit Authority. They are called Transit and this record is the fifth release in Third Mans Blue Series.C'mon and Ride
Afterparty$6.99 $5.52 Save $1.47 (21%)Vinyl LP 7'' Single - Sealed Buy Now
On The TrackON THE TRACK is among the most remarkable debut albums of 1975 or any other year, a reverent and remarkably authentic revival of late 19th century and early 20th century popular music, spanning Roaring Twenties radio ditties, Depression-era ragtime, the folk-jazz of World War II, and still-sung favorites by songwriters like Irving Berlin, Hoagy Carmichael & Johnny Mercer, Fats Waller, Al Dubin & Harry Warren, Lonnie Johnson, and Jimmie Rodgers. The album - which sees Redbone accompanied by such studio luminaries as drummer Steve Gadd, percussionist Ralph MacDonald, and the great double bassist Milt Hinton - was an across-the-board success, reaching #83 on Billboard's overall Top LPs & Tape chart amidst widespread critical acclaim. TMR's exclusive vinyl reissue of ON THE TRACK comes in a 12 single pocket, direct-to-board replica of the original Warner Bros. Records release, with classic cover art featuring a Chuck Jones illustration of Merrie Melodies star Michigan J. Frog.
Leon Redbone - who only recently retired from active recording and live performance - is a true original, a one of a kind singer, songwriter, and guitarist whose imitable interpretations of turn of the 20th century music have affirmed him as both Invaluable curator and resounding pop pioneer. Redbone began performing in Toronto more than four decades ago, earning the approval of such notables as Bob Dylan, The Lovin' Spoonful's John Sebastian, and famed producer John Hammond. Immediately iconic in his trademark Panama hat and dark sunglasses, Redbone proved an exceptional star, known far and wide via laconic performances on Saturday Night Live, The Tonight Show with Johnny Carson, and A Prairie Home Companion. His remarkable work in the years since encompass a stunning range of creative output - 13 studio albums, sold out live performances around the globe, multiple TV themes, countless commercials, voiceovers, and a memorable duet with Zooey Deschanel of Baby, It's Cold Outside featured in the 2003 holiday blockbuster, Elf. Throughout, Redbone's greatest contribution has been his undying championship of America's musical heritage, his singular talent introducing generation after generation to a still potent folk tradition.1. Sweet Mama Hurry Home or I'll Be Gone
2. Ain't Misbehavin'
3. My Walking Stick
6. Desert Blues (Big Chief Buffalo Nickel)
7. Lulu's Back in Town
8. Some of These Days
9. Big Time Woman
10. Haunted House
11. Polly Wolly Doodle$17.99Vinyl LP - Sealed Buy Now
Charley Patton's Complete Recorded Works Volume 2Charley Patton's Volume 2 from Third Man's highly-anticipated Document Records reissue series on black 180-gram vinyl, remastered by Document's very own Gary Atkinson and features brand new artwork by Grammy-award-winning designer Rob Jones.Elder Greene Blues (take 1)
Elder Greene Blues (take 2)
Circle Round The Moon
Devil Sent The Rain Blues
Mean Black Cat BluesFrankie and Albert
Some These Days I'll Be Gone (take 1)
Some These Days I'll Be Gone (take 2)
Green River Blues
Come Back Corrina
Hammer Blues (take 1)
Hammer Blues (take 2)
When Your Way Gets Dark
Heart Like Railroad Steel$16.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The Shaw Tapes: Live In Detroit 5/27/88"The best garage band in America since the '60s. Very primitive they made
people with Les Pauls and Marshall amps look like idiots."
- Jack White
Recorded at a party in a Detroit storefront in 1988, this live recording of the
Gories captures the band at their apex. The ferocity, intensity and grit that come
through this record is a testament to why the Gories oeuvre has been heavily
mined for the past two decades by hundreds of poseurs, pretenders and johnny-come-latelys
The dual-guitar attack of Dan Kroha's smooth Fender Jaguar and
Mick Collins screechy Kent Videocaster, coupled with the snare-less, cymbal-less,
bass drum-less primitive drumming of Peggy O'Neill forms a perfect meld of
40's blues, 50's R&B, 60's garage and 70's punk. Dare we say it, but in terms of
in uence and reach, the Gories were the Velvet Underground of their day1. Nautiloid Reef
2. Leavin' Here
3. I Think I've Had It
4. To Find Out
5. Boogie Chillen
6. Real Cool Time
7. Charm Bag
8. Sovereignty Flight
9. Again and Again
10. Thunderbird ESQ
12. Train Kept a Rolling
13. I Just Wanna Make Love to You / Give Me Love$17.99Vinyl LP - Sealed Buy Now
Be Mine / You Ain't AloneThird Man Records announces a new leg to their ongoing project of live shows and recordings for 2012, with a live series of 7s that theyll be launching with none other than Alabama Shakes from their performance at Third Man for the Soundland Festival 2011.
Alabama Shakes is the new rock and roll soul group who is putting old school music back on the map. This live 7 featuring Be Mine and You Aint Alone are two slabs of high tension deep southern soul cuts the likes of which used to drip down the walls in Muscle Shoals.
Like all of their live releases, this analog recording was produced by Jack White and mixed by Vance Powell. This will be Alabama Shakes' first ever vinyl release!A1. Be Mine
B1. You Aint Alone$6.99Vinyl 7 Single - Sealed Buy Now
URPD-THI-3100xScharpling & Wurster
Live At Third Man RecordsLast May, two of the funniest guys we know decided to stop in the Blue Room while on the road promoting their definitive and comprehensive 16-CD Box Set (yes, you read that right) The Best of The Best Show. What was comprehensive became immediately not so after Tom Scharpling (#31 on Rolling Stone's Fifty Funniest People List), and Jon Wurster (#51 on said list, plus esteemed indie-rock pioneer, comedy writer, and actor in his own right) recorded an episode of The Best Show here at Third Man Records. But, fear not, completists! As with nearly every event to grace our famous cornerless room, we recorded it, and it's almost as hilarious on wax as it was in person.
Needle to vinyl is the only way to hear this comedy gold, and we're proud to be the ones to bring an LP of this caliber into existence. Backed by friends-of-Third-Man-and-anyone-with-ears ''Willy and the Mason Jars'' (William Tyler, Ryan Norris, Jem Cohen, and Jacob Edwards), Scharpling & Wurster not only witty repartee your face off over and over again on this seminal offering, they also sing their asses off, and interview a very special guest.1. Intro
2. Backstage Banter
3. Jon Leaves
4. Philly Boy Roy
5. More, More, More
6. Scharp Conversations with Barry Dworkin
7. We're Newbridge, We're Comin' To Get Ya!$14.99Vinyl LP - Sealed Buy Now
A Glorious Dawn (Cosmos Remixed)Third Man Records is over the moon to announce the 7-inch release of 'A Glorious Dawn' on November 9th.
'A Glorious Dawn' is a moving arrangement of Carl Sagans sagacious words culled from his magnificent 'Cosmos' series. The piece initially gained recognition when composer John Boswell uploaded to YouTube his remixed Sagan dialogue edited, Auto-Tuned and put to a beat and coupled with a guest appearance by Stephen Hawking. At well over one million views, this is a project that goes far-beyond the buzz of 'Internet phenomenon.'
The release is timed to coincide with the 75th anniversary of Sagans birth. Also happening that day is a reception in United States Congress with speeches by senators, NASA officials and assorted scientists, all hosted by the Planetary Society, which was co-founded by Sagan.
The one-sided single features a very special etching on the flipside. Reproduced from the original artwork, the etching copies the etching included with the Voyager Golden Record, set off into space in 1977 as the most elaborate message-in-a-bottle idea ever imagined. With its inclusion of Blind Willie Johnsons 'Dark Was The Night' it goes without saying that the Voyager Golden Record is one of Third Mans favorite releases of all-time.1. A Glorious Dawn (feat. Stephen Hawking)
1. b-side is an etched reproduction of The Voyager Golden Record [NO AUDIO]$6.99Vinyl LP 7'' Single - Sealed Buy Now
I Just Started Hating Some People TodayTwo brand-new original songs from the inimitable Beck. While the A-side of Hating manages genre hop as well as anything Mr. Hansen has done in the past, the flip side of Blue Randy has a certain timeless quality that feels like it would equally be at home on any past release whether it be One Foot in the Grave or Sea Change.
Beck is one of the greatest artists of our time and we are beyond honored to be able to release such a pivotal record in his already-golden catalog.1. I Just Started Hating Some People Today
2. Blue Randy$6.997 Vinyl Single Buy Now
White Blood CellsThe White Stripes White Blood Cells on 180g LP
Mastered from the Original Analog Source by George Ingram with Input from Third Man Records
The White Stripes, songwriter Jack White (vocals/guitar/piano/bass) and Meg White (drums/vocals) formed in 1997 in Detroit, Michigan. After releasing several singles and three albums within the Detroit independent music underground, The White Stripes rose to prominence in 2002, as part of the garage rock revival scene.
Their use of analog and low-fidelity equipment in the recording process partnered with a DIY approach created a raw simplicity of composition, arrangement and performance that sets them apart from their contemporaries.
The White Stripes 2001 album White Blood Cells served as the band's commercial breakthrough, going gold and yielding the Top 20 modern rock hits Fell In Love With A Girl and Dead Leaves And The Dirty Ground.1. Dead Leaves And The Dirty Ground
2. Hotel Yorba
3. I'm Finding It Harder To Be A Gentleman
4. Fell In Love With A Girl
6. Little Room
7. The Union Forever
8. The Same Boy You've Always Known
9. We're Going To Be Friends
10. Offend In Every Way
11. I Think I Smell A Rat
13. I Can't Wait
14. Now Mary
15. I Can Learn
16. This Protector$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
URPD-TMR-104xJerry Lee Lewis
Live At Third Man RecordsCommercial release of the Killer's killer live set at Third Man's 2011 Record Store Day celebrations, complete with a crack backing band featuring Steve Cropper, Jim Keltner and Jack Lawrence. Includes ace takes on such classics as "Sweet Little Sixteen," "Great Balls of Fire" and "Whole Lotta Shakin' Goin' On."1. Down The Line
2. Georgia On My Mind
3. Drinking Wine, Spo-Dee-O-Dee
4. Before The Night Is Over
5. Why You Been Gone So Long?
6. I Wish I Was 18 Again
7. Sweet Little Sixteen
8. You Belong To Me
9. She Even Woke Me Up To Say Goodbye
10. Mexicali Rose
11. Great Balls Of Fire
12. Whole Lotta Shakin' Goin' On$16.99Vinyl LP - Sealed Buy Now
URPD-THI-045xThe 5, 6, 7, 8'S
The 5, 6, 7, 8's (Awaiting Repress)Weve been sitting on this one so long it feels good to finally let it free like some doves at a wedding.
You may know them from Kill Bill but let it be known that for many years prior the 126.96.36.199s toiled away in their own 1960s gold-glitter garage universe without the slightest notice from those outside a small circle a like-minded anoraks.
Thats why Third Man is overjoyed to reissue the self-titled LP from Japans finest female garage rockers. As its first-ever domestic US release, this album is a long-time personal favorite of Jack Whites and hes been known to break into I Walk Like Jayne Mansfield (a veritable classic included on this LP) without notice during White Stripes live performances. Couple that with impeccable covers of Harlem Nocturne, Long Tall Sally as well other originals and what you get is as close to a modern garage must-have as there is.
Third Man spared no expense with this project with the gold-foil embossing on the old-style, tip-on LP cover (something the band wanted on the original issue of the record but which was not feasible at the time) ...this project was a labor of love.1 Harlem Nocturne 1:19
2 Oriental Rock 2:28
3 I Walk Like Jayne Mansfield 3:48
4 Arkansas Twist 2:22
5 Handsome Man 2:35
6 Rockin' Rochester 2:18
7 One Potato 1:55
1 Long Tall Sally 2:57
2 Cat Fight Run 2:19
3 I Don't Need You No More 2:11
4 Highschool Witch 2:57
5 Teenage Cleopatra 3:26
6 Tallahassee Lassie 2:29
7 Scream 2:05$16.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Live At Third ManOn Record Store Day, April 17 2010, Brendan Benson and Patrick Keeler along with Mark Watrous and Andrew Higley performed a re-worked set of Raconteurs songs in celebration of the re-release of Broken Boy Soldiers on LP at Third Man Records. 20 flight rock!1. The Switch And The Spur
3. Many Shades Of Black
4. Yellow Sun
5. Steady As She Goes
6. You Don't Understand Me
7. Old Enough
8. Hands$14.99Vinyl LP - Sealed Buy Now