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There Will Be Blood Soundtrack

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  • Inherent Vice Soundtrack Inherent Vice Soundtrack Quick View

    $39.99
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    Inherent Vice Soundtrack

    Nonesuch will release Jonny Greenwood's soundtrack to Oscar-nominated filmmaker Paul Thomas Anderson's new feature film, Inherent Vice). An adaptation of the Thomas Pynchon novel of the same name, Inherent Vice, which will be released by Warner Bros. Pictures in theaters starting on December 12, is set in the tail end of the psychedelic '60s and stars Oscar nominees Joaquin Phoenix, Josh Brolin and Owen Wilson. In addition to nine compositions by Jonny Greenwood, the soundtrack features Spooks, an unreleased Radiohead tune performed by members of Supergrass, as well as other recordings from the movie's era (complete track list follows). Additional performers include The Royal Philharmonic Orchestra, Neil Young, Can, and The Marketts, among others.


    This is the third Anderson film that Greenwood has scored. Their previous collaborations include the critically praised soundtrack for 2007's Academy Award-winning There Will Be Blood and 2012's The Master, both released by Nonesuch. Rolling Stone said of The Master that its visual poetry is matched by Jonny Greenwood's haunting, hypnotic score. The New Yorker described the music as rich and inventive. The Times of London exclaimed: Jonny Greenwood's score is superb. Of the There Will Be Blood score, the Boston Globe noted that the squealing, cicada-like strings of...Popcorn Superhet Receiver masterfully evoke the film's apocalyptic vision of the West.


    All Tracks Composed by Jonny Greenwood, except Vitamin C by Michael Karoli, Jaki Liebezeit, Irmin Schmidt, Holger Schuering, and Kenji Suzuki; Here Comes the Ho-Dads, by Joseph Saraceno; Spooks, by Colin Greenwood, Jonny Greenwood, Ed O'Brien, Philip Selway, and Thom Yorke; Les Fleur, by Richard Rudolph and Charles Stepney; Sukiyaki, by Rokusuke Ei and Hachidai Nakamura; Journey Through the Past, by Neil Young; Simba, by Les Baxter; and Any Day Now, by Burt Bacharach and Bob Hilliard.

    LP 1
    1. Shasta Fay - By Jonny Greenwood
    2. Les Fleurs - By Minnie Riperton
    3. The Chryskylodon Institute - By Jonny Greenwood
    4. Sukiyaki - By Kyu Sakamoto
    5. Shasta - By Jonny Greenwood
    6. Vitamin C - By Can
    7. Meeting Crocker Fenway - By Jonny Greenwood
    8. Here Comes the Ho-Dads - By The Marketts
    9. Spooks - By Jonny Greenwood


    LP 2
    1. Journey Through the Past - By Neil Young
    2. Adrian Prussia - By Jonny Greenwood
    3. Simba - By Les Baxter
    4. Under the Paving-Stones, the Beach! - By Jonny Greenwood
    5. Amethyst - By Jonny Greenwood
    6. The Golden Fang - By Jonny Greenwood
    7. Shasta Fay Hepworth - By Jonny Greenwood
    8. Any Day Now - By Chuck Jackson

    Various Artists
    $39.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • St. Carolyn By The Sea / Suite From 'There Will Be Blood' St. Carolyn By The Sea / Suite From 'There Will Be Blood' Quick View

    $25.99
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    St. Carolyn By The Sea / Suite From 'There Will Be Blood'

    Dessner: St. Carolyn By The Sea; Greenwood: Suite From 'There Will Be Blood'


    Never before have classical and rock converged in such an organic, compelling and sensual way as they do in the three short orchestral works written by and featuring The National guitarist Bryce Dessner on his new release St. Carolyn by the Sea, performed with the Copenhagen Phil and conducted by Andree de Ridder.


    Dessner presents three pieces of modern classical music, written from the perspective of a rock musician who is keenly aware of the raw emotional impact music any music can have on an audience. He draws on elements from Baroque and folk music, late Romanticism and modernism, minimalist music and the blues, among others, as well as referencing the work of such legendary figures as John Fahey, La Monte Young, Bela Bartook, Glenn Branca, Benjamin Britten, Morton Feldman, Philip Glass and Steve Reich. Despite this broad spectrum of influences, his voice remains individual and distinct.


    With this album, which also showcases a suite drawn from Radiohead guitarist Jonny Greenwoods soundtrack for There Will Be Blood, Bryce Dessner and Jonny Greenwood open up a new frontier for symphonic music.

    BRYCE DESSNER
    1. St. Carolyn by the Sea
    2. Lachrimae
    3. Raphael


    JONNY GREENWOOD
    Suite from "There Will Be Blood"
    4. Open Spaces
    5. Future Markets
    6. HW/Hope of New Fields
    7. Henry Plainview
    8. Proven Lands
    9. Oil

    Andre de Ridder
    $25.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • High Fidelity High Fidelity Quick View

    $29.99
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    High Fidelity

    Original soundtrack to the film High Fidelity (15th Anniversary).



    Gen X rock buffs can revel in nostalgia with the High Fidelity soundtrack. The film centers on the romantic escapades of record-store owner and ex-club DJ Rob Gordon (John Cusack) and his full-time obsession with music. Since High Fidelity has as much to do with vinyl addiction as it does with the difficulties of love, great care has been taken with its selection of tracks, a solidly eccentric collection of heartache-heavy pop gems ranging from obscure '60s bands and groundbreaking artists like the Velvet Underground and Bob Dylan, to Stevie Wonder and Stereolab. As in the film, there's a method to the compilers' elitist rock-geek madness. Even co-star Jack Black's schlocky blue-eyed cover of Marvin Gaye's Let's Get It On doesn't seem out of place.



    The inspired screeches of acid-fried '60s singer-songwriter Roky Erickson's You're Gonna Miss Me set the pace for the musing, hangdog tone of the album. Besides the joyous licks of the Kinks' Everybody's Gonna Be Happy and Royal Trux's hybrid of hip-hip, techno, and aggressive rock on Inside Game, the bulk of the set is composed of moody folk-rock tunes like Dylan's exquisite Most of the Time and the Velvets' Oh! Sweet Nuthin. Other noteworthy tracks include Love's Always See Your Face, the Beta Band's Dry the Rain, Elvis Costello's wistful Shipbuilding, the stinging irony of Smog's Cold Blooded Old Times, and Stevie Wonder's soulful optimism on I Believe (When I Fall in Love It Will Be Forever). It's a fine, complementary batch of tunes that not only enhances the film's mood but is integral to its theme, and, as High Fidelity's Rob Gordon would agree, it'll go down as one of the top five soundtracks [originally] released in 2000. - Derrick Mathis (AllMusic)

    LP 1
    1. You're Gonna Miss Me - The 13th Floor Elevators
    2. Everybody's Gonna Be Happy - The Kinks
    3. I'm Wrong about Everything - John Wesley Harding
    4. Oh! Sweet Nuthin' - The Velvet Underground
    5. Always See Your Face - Love
    6. Most Of The Time - Bob Dylan

    7. Fallen For You - Sheila Nicholls
    8. Dry The Rain - The Beta Band


    LP 2
    1. Shipbuilding - Elvis Costello & The Attractions
    2. Cold Blooded Old Times - Smog
    3. Let's Get It On - Jack Black
    4. Lo Boob Oscillator - Stereolab
    5. Inside Game - Royal Trux
    6. Who Loves The Sun - The Velvet Underground
    7. I Believe (When I Fall In Love It Will Be Forever) - Stevie Wonder

    Various Artists
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Indoor Living Indoor Living Quick View

    $21.99
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    Indoor Living

    With a lot of Superchunk products, it's easy to think there's a simple message because
    the music is so direct. But on Indoor Living, typically unfussy guitar hooks and
    shout-sung tag lines that beg for an audience to croon along-"Let's burn last
    Sunday"-are just the overarching structure of a record that moons over details:
    "Marquee" drapes a lazy sonic arm over the seat, pulling you in for a story about egos
    twisting apart ("The arc of lights / above your head / is not to be believed").
    "Martinis on the Roof " puts a slightly manic, rueful smile on the loss of a friend, a
    search for that emotion that lurks in a mix of anger and nostalgia: "Well the wasted
    space is mine / Yeah I hardly have the right to sing about it."


    Indoor Living is about domestication: The taming and training of human beings to inhabit each others' lives, during which a certain amount of blood is spilled. But anyone
    can write a break-up record, anyone can color in a broken heart all black. It takes a
    more sophisticated eye to find the light and perfect moments that happen even when
    we wish they didn't, and Indoor Living is a scrapbook of those moments. A request
    for mercy comes across like an in-joke ("We both know that I've got bad knees") in
    "Watery Hands." "European Medicine" is a lively travelog that's by turns amusingly
    fatalistic ("All our wine just froze, so much for your sunny coast") and achingly needy
    ("Hold my hand steady while I write / Look over my shoulder all night"). Even "The
    Popular Music," the record's angriest slice of heartache, has a protagonist that can't
    quite pull off a fully punk rock tantrum: "I'm smashing not washing the china you left
    me to use," but "making mosaics of scenes from the parts of my life that you left me
    to lose."


    Angst is easy, hope is hard. Thinking you're going to die from a broken heart is easy,
    knowing you won't is hard. Adulthood is about forsaking the black and white
    resolutions of youth for a more complicated, and resonant, resilience: From "Burn
    Last Sunday," one of the saddest lines in indie rock: "The branches you thought you'd
    break / Well, they just bend." In music and with people, maturity happens when the
    sharp edges and jangly rhythms of angst and outrage give over to fuller conversations.
    Indoor Living shows that you don't have to lose a single joule of energy in becoming a
    little more self-reflective. You just have to be willing to take it all in.


    Trying to hear Indoor Living the way I heard it sixteen years ago was easier than I
    wanted it to be. Though of course-of course!-I've listened to the record on and
    off in the intervening time, I had forgotten how familiar this record is to me. I had
    forgotten I knew all the words to every song, could anticipate every hesitant drop in
    rhythm and wavering chorus. This record was the soundtrack of being 25 and because
    of that, it does remind me of a really specific time; but that time is not so much the
    late '90s as the turning point between adolescence and adulthood, which happens later
    and later to me every year.


    -Ana Marie Cox, 2013

    1. Unbelievable Things
    2. Burn Last Sunday
    3. Marquee
    4. Watery Hands
    5. Nu Bruises
    6. Every Single Instinct
    7. Song for Marion Brown
    8. The Popular Music
    9. Under Our Feet
    10. European Medicine
    11. Martinis on the Roof
    Superchunk
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Return Of Saturn Return Of Saturn Quick View

    $24.99
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    Return Of Saturn

    Just like the heavenly occasion which inspires its name, Return of Saturn, the latest album from Southern California rock band No Doubt, is best experienced with both feet firmly on the ground, and with eyes and ears held wide open.


    The album's title refers to the notion that in the first 29 years of someone's life (the same time it takes the planet Saturn to orbit the Sun), a person is only beginning to understand himself or herself, which, singer and songwriter Gwen Stefani explains, helped her to discern her own place in life as she turned 30 years old. I wrote the song 'Artificial Sweetener', Gwen says, which has the line, 'the Return of Saturn, assessing my life, second guessing.' From the time you're born till the time Saturn returns to that point is a time of reassessment and a growing period, where you second-guess everything, and you clear out things that are going to be in the way of moving on in your life. I really did feel like I was going through a transitional phase in my life as I made this album. I think the name Return of Saturn is relevant in the sense that it shows how we've grown as a band, and as songwriters.


    The culmination of two years of creative blood, sweat and tears for the quartet, Return of Saturn is a bold and exciting coming-of-age saga. An intimate view of the world as seen by a group of musicians and friends who watched their humble worlds turned literally upside-down by the unexpected (though well-deserved) success of No Doubt's third album, Tragic Kingdom. While that youthful recording reflects the concerns and observations of a band at the edge of possibility, Return of Saturn represents that same group looking collectively inward. What they saw and what they created those two years, will surprise and fascinate you. Who am I, and how did I get to this point in my life, when I thought I was going to be something completely different? -- that pretty much sums up the subject of this album, says Gwen.


    Return of Saturn was recorded in two Los Angeles studios during 1998 and 1999. Twelve of the album's 13 songs were produced by Glen Ballard, (Alanis Morissette, Aerosmith), whose contribution was a key ingredient in the album's creation. In our band, everyone has such strong opinions that if you put the four of us in the room together you could have some troubles, says bassist Tony Kanal. But if you get somebody as experienced as Glen, not only as a producer but as a songwriter, you can bounce ideas off him and get some really cool objective answers, and it helps level the creative playing field.


    One song on the album, New (also heard on the GO soundtrack) was produced by the band with Jerry Harrison (Talking Heads, Live). It was fun to start with a clean slate and create something brand new, says guitarist Tom Dumont, who also wrote much of the album's music. We hadn't really done much writing on the road, so when it came time, we had to come up with the entire record. Every time we wrote a song it was like having a baby. It's such a good feeling to sit down with an acoustic guitar and a tape recorder, and later to have created something really cool.


    In light of the international success of Tragic Kingdom (more than 15 million copies sold worldwide, including over 11 million in the U.S.), the four band members were bound to be subject to any number of outside influences and pressures when it came time to make their follow-up.


    But as it turned out, the band was able to turn any outside distraction to their ultimate benefit, beginning with pre-production and writing sessions at a rented Hollywood Hills house. I remember being in a very open, optimistic mood, says Tony, getting the house up in the hills, and just feeling like we had time to do it right. There was no deadline to deliver a record, so I remember not feeling pressure. It just felt like a good place to be, creatively.


    Drummer Adrian Young agrees: We were just more conscious of the fact that we're following a huge record, and we need good songs, but I don't know what kind of album we wanted, or expected to make. It was very experimental most of the time. In fact, we didn't have any predisposition about it. That's always a good way for us to approach the music. We've always been across the board, stylistically, and I'm glad we didn't lose that part of the band, he says.


    Songs on Return of Saturn like Marry Me, Simple Kind of Life and the album's first single Ex Girlfriend show vocalist Gwen Stefani in a reflective and unashamedly romantic mood, traits which she says are often overlooked in her hectic life. I think I am a romantic at heart, but my life in a lot of ways these days doesn't reflect that, she remarks. So I have this inner conflict about it, and this guilt about it. I'm very hopeful that someday those things will happen in my life, because it's all I've ever dreamed of. But right now it seems like my life doesn't have any room for it, and I won't make any room for it because I'm so passionate about what No Doubt is doing right now.


    The music on each of No Doubt's three previous albums (1992's No Doubt, 1995's Beacon Street Incident, Tragic Kingdom) runs the stylistic gamut, mixing in as many influences as the band members can think of, and this collection is no different. Tom says the band has few rules when it comes to songwriting. We discovered a way to write on songs like Just a Girl and Spiderwebs and some of the older ones, which we incorporated when we started this album, and that was that there were no preconceived ideas at all. We would sit down in a room with a tape recorder and acoustic guitars and start improvising things. All the songs were written very spontaneously, starting from a blank slate every time.


    The truth is, I feel like I've been turned inside-out after writing this album, adds Gwen. It's everything that I have been in the last two years, which have been really hard years for me. I just feet this sense of accomplishment, and this lightness has come over me since the album has been finished. It's so rewarding to be done and feel so proud of it, I can't wait for people to hear it.

    LP1
    1. Ex-Girlfriend
    2. Simple Kind of Life
    3. Bathwater
    4. Six Feet Under
    5. Magic's in the Makeup
    6. Artificial Sweetener
    7. Marry Me


    LP2
    1. New
    2. Too Late
    3. Comforting Lie
    4. Suspension Without Suspense
    5. Staring Problem
    6. Home Now
    7. Dark Blue

    No Doubt
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
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