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The Revenant Soundtrack180 Gram Audiophile Vinyl
Matte Tip-On Gatefold Jacket
Limited Edition Of 3000 On Pearlescent Colored Vinyl
Following the success of 2014's Birdman (Winner of four Academy Awards including Best Picture and Best Director), director Alejandro G. Iñárritu pushes the limits of film making with the survival epic The Revenant. Starring Leonardo DiCaprio (Titanic, Wolf of Wall Street), Tom Hardy (Mad Max: Fury Road, The Dark Knight Rises) and shot in the frozen Canadian wilderness with only natural lighting, The Revenant is a story of loss, revenge and resilience in the face of impossible odds against the furies of man and nature itself. The film is heavily favored to be a critical darling as awards season gets under way. Director Iñárritu has chosen to forgo almost all dialogue in favor of a gorgeous soundscape and a sweeping score. A film of this magnitude deserves a composer who understands creative artistry and unbridled passion. Japanese master and Oscar winner Ryuichi Sakamoto (Merry Christmas Mr. Lawrence, The Last Emperor) fits the bill perfectly. Along with fellow Yellow Magic Orchestra member and frequent collaborator Alva Noto, Sakamoto has created a gripping soundtrack that is sure to be a treat for the winter crowds. Bryce Dessner (writer for Kronos Quartet and the LA Phil) also supplies additional music.
This is a limited pressing of 3,000 copies on pearlescent colored vinyl (one translescent blue, one cloud white).LP 1
1. The Revenant Main Theme
2. Hawk Punished
3. Carrying Glass
4. First Dream
5. Killing Hawk
6. Discovering River
7. Goodbye To Hawk
8. Discover Buffalo
9. Hell Ensemble
10. Glass And Buffalo Warrior Travel
11. Arriving At The For Kiowa
12. Church Dream
13. Powaqa Rescue
1. Imagining Buffalo
2. The Revenant Theme 2
3. Second Dream
4. Out Of Horse
5. Looking For Glass
6. Cat & Mouse
7. The Revenant Main Theme Atmospheric
8. Final Fight
9. The End
10. The Revevant Theme (Alva Noto Remodel)$35.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
The Rise & Fall Of Paramount Records, Volume One (1917-1927) Box Set
* 800 Newly-Remastered Digital Tracks, Representing 172 Artists
* 200+ Fully-Restored Original 1920s Ads And Images
* 6x 180g Vinyl LPs Pressed On Burled Chestnut Colored Vinyl W/ Hand-Engraved, Blind-embossed Gold-Leaf Labels, Housed In A Laser-Etched White Birch LP Folio
* 250 Page Deluxe Large-Format Clothbound Hardcover Art Book
* 360 Page Encyclopedia-Style Softcover Field Guide Containing Artist Portraits And Full Paramount Discography
* Handcrafted Quarter-Sawn Oak Cabinet With Lush Sage Velvet Upholstery And Custom-forged Metal Hardware
* First-Of-Its-Kind Music And Image Player App, Allowing User Mgmt Of All Tracks And Ads, Housed On Custom-Designed USB Drive
How did a Wisconsin chair company, producing records on the cheap and run by men with little knowledge of their audience or the music business, build one of the greatest musical rosters ever assembled under one roof? The answer lies in 'The Rise and Fall of Paramount Records 1917-1932,' an epic, two-volume omnibus of art, words and music housed in a limited-edition, hand-sculpted cabinet-of-wonder, to be jointly released by Jack White's Third Man Records and John Fahey's Revenant Records.
'Volume One,' which covers the label's improbable rise from 1917-1927, will be released exclusively through Third Man on October 29, and worldwide on November 19. The project is co-produced by leading Paramount authority Alex van der Tuuk, and 'Volume 2' will be released in November 2014.
Paramount Records was founded on a modest proposition: produce records as cheaply as possible, recording whatever talent was available. Over its lifetime, the label would become a "race records" powerhouse, its sound and fortunes directly linked to the Great Migration.
By the time Paramount ceased operations in 1932, it had compiled a dizzying array of performers still unrivaled to this day, spanning early jazz titans (Louis Armstrong, King Oliver, Jelly Roll Morton, Fats Waller), blues masters (Charley Patton, Blind Lemon Jefferson, Son House, Skip James), American divas (Ma Rainey, Alberta Hunter, Ethel Waters), gospel (Norfolk Jubilee Quartette), vaudeville (Papa Charlie Jackson), and the indefinable "other" (Geeshie Wiley, Elvie Thomas). Paramount would also directly influence the style of Robert Crumb and countless other 20th century artists and illustrators, through a series of hand-drawn ads promoting its releases in the pages of the Chicago Defender.
The 'Rise and Fall' wonder-cabinet gives equal status to page-turning narrative and new scholarship; original and newly created graphic art; industrial design; and compelling analog and digital music experiences.6 LPs feature 87 tracks from the collection.
USB Drive contains 800 digital tracks by 172 artists across the Paramount family of labels, including the earliest recordings of:
King Oliver, Jelly Roll Morton, Blind Blake, Fats Waller, Ma Rainey, Blind Lemon Jefferson, Duke Ellington, Louis Armstrong, Fletcher Henderson, Alberta Hunter, Papa Charlie Jackson, Ethel Waters, Coleman Hawkins, Johnny and Baby Dodds, Bo Weavil Jackson, Jimmy O'Bryant, Buddy Boy Hawkins, Tiny Parham, Jimmy Blythe, and Jaybird Coleman.$469.99180 Gram Audiophile Virgin Vinyl LP + 2 Books - 6 LPs Sealed Buy Now
Rave TapesRave Tapes is the eighth studio album by Mogwai and their second
for Sub Pop. Since their formation in 1995, the Scottish quintet
has established itself internationally through a prolific recorded
output and a commitment to touring that few of their peers can
With Rave Tapes, Mogwai's mastery of sound and space is firmly
at its apex. The album is a lustrous collection mined from the same
quarry as its predecessors, wreathed in painterly textures underpinned
by increasingly electronic beats. The haunted strains of "Deesh"
channel the slow-burning ecstasy of their 2006 song "Auto Rock"
(a key presence in the denouement of Michael Mann's film of Miami
Vice that year), while the guitars on which Mogwai built their
reputation remain, if less overtly belligerent this time round, as
evidenced by the somnambulant opener "Heard About You Last
Night" and the sonic scowl of "Hexon Bogon."
In the past year, the band have broadened their reach with the
soundtrack to the acclaimed Canal+ supernatural drama series Les
Revenants (retitled The Returned when broadcast on Channel 4 in
summer 2013, averaging 1.8m viewers a week; the show is now
broadcasting in the US on the Sundance Channel, and being remade
for A&E). As the show reached its climax on UK TV screens in July,
Mogwai returned to their predecessor to Les Revenants, the 2007
soundtrack to Douglas Gordon and Philippe Pareno's film Zidane:
A 21st-century Portrait, in sell-out performances with the band
playing live while the film was projected above them.
Having barely had time to draw breath, the ever-restless band
kicked off 2013 with the release of the Les Revenants EP, and
wrote and recorded Rave Tapes at the band's Castle Of Doom studio
in Glasgow, Scotland. Rave Tapes was recorded with Paul Savage,
who also worked with the band on their 2011 Sub Pop album,
Hardcore Will Never Die, But You Will. The release of Rave Tapes
will signal the beginning of a frantic year of live activity, including
the group's maiden foray into Africa. Fasten your seatbelts.1. Heard About You Last Night
2. Simon Ferocious
4. Hexon Bogon
6. Master Card
8. Blues Hour
9. No Medicine For Regret
10. The Lord Is Out Of Control$17.99Vinyl LP - Sealed Buy Now
AtomicAtomic, the new album by Scottish experimental rock
legends Mogwai, is composed of reworked versions of
the music recorded for the soundtrack to director Mark
Cousins' acclaimed documentary Atomic: Living In
Dread and Promise, which first aired on BBC Four last
Constructed entirely of archive film, Atomic is an
impressionistic kaleidoscope of the horrors of our nuclear
times - protest marches, Cold War sabre-rattling,
Chernobyl and Fukishima - but also the sublime beauty
of the atomic world, and how x-rays and MRI scans have
improved human lives. Mogwai's soundtrack
encapsulates the nightmare of the nuclear age, but its
dreamlike qualities too. It is the latest in the band's series
of impressive soundtracks and scores, following
acclaimed albums Les Revenants (The Returned) and
Zidane: A 21st Century Portrait.
Mogwai's Stuart Braithwaite says: The Atomic
soundtrack is one of the most intense and fulfilling
projects we've taken on as a band. Ever since we went to
Hiroshima to play and visited the peace park this has
been a subject very close to us. The end results, both the
film score and the record are pieces I'm extremely proud
3. Bitterness Centrifuge
1. Weak Force
2. Little Boy
3. Are You A Dancer?
5. Fat Man$24.99Vinyl LP - 2 LPs Sealed Buy Now
The Magic City (Awaiting Repress)On the original 1965 The Magic City LP, issued on Saturn, the monster 27-1/2 minute title track sprawled across side A. Ra customarily supervised the Arkestra's improvisational process via keyboard cues or hand signals. He was always in charge-hence critic Simon Adams describing the title track as 27 minutes of controled freedom. The Magic City was never performed in concert; saxophonist John Gilmore said it was unreproducible, a tapestry of sound. Although shorter in scope than side A's magnum opus, the four works on The Magic City's flip side reflect the same improvisational approach, spatiality, and lack of structure. One session outtake, Other Worlds, an alternate version of Shadow World, is included as a bonus track on side B.
For this definitive edition, historical and technical liner notes are provided by noted jazz historian Ben Young, who restored and remastered the album with his Triple Point Records partner Joe Lizzi. Both men have been recognized for their extensive work on the Grammy Nominated Albert Ayler boxset, released on John Fahey's Revenant records in 2005.
First-generation Saturn pressings of The Magic City were monophonic. A full stereo version had been issued on Sun Ra's Thoth subsidiary label sometime after 1969; however, it suffered from a technical flaw that prevented many copies of the LP from tracking cleanly through the first cut on side B. A 1973 gatefold LP reissue on Impulse featured reprocessed stereo. For this definitive reissue, Cosmic Myth Records used stereo sources which are superior to the Thoth pressing.
Cosmic Myth Records issues recordings under license from Sun Ra LLC, comprised of the heirs and rights holders of Sun Ra's music. The series is being co-produced and supervised by Irwin Chusid (Raymond Scott, Esquivel, Langley School Music Project) and Michael D. Anderson, who maintains the Sun Ra Music Archive, the world's foremost collection of original Ra session masters.$20.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Grave Command: All Hallowed Hymns
Limited To 1000 Copies
Mastered By Timothy Stollenwerk Of Stereophonic
UNSEEN FORCES proudly presents GRAVE COMMAND: All Hallowed Hymns, a sepulchral compilation picture disc celebrating the thinning of the veils between the living and the (un)dead that occurs under the hungry Harvest Moon! Limited to 1000 copies and introducing the fantastic artwork of Brian Profilio, GRAVE COMMAND is an eclectic and sinister assemblage of never-before-heard compositions written and recorded specifically for this collection (plus one mandatory killer from the 1984 XINR recordings!) and showcasing some of our most beloved fiends, necromancers, ravagers and revenants pushing themselves far beyond the pale of limitations. Mastered by Timothy Stollenwerk of Stereophonic. All treats, no tricks. Do you dare peer behind the mask?1. Ghoul - Noapte De Fantome Vii In D Minor
2. Xinr - All Hallows Eve
3. Orchid - Demon's Eyes
4. Ride For Revenge - Insects Fled To The Core Of The Earth
5. Xander Harris - The Piper Of Soggoth
6. Grave Violators - Black Incantations
7. Deceased - Torn Apart By Werewolves
8. Occultation - All Hallows Fire
9. Venenum - Waltz In Hell
10. Danava - Grave Command (Main Theme)$23.99Vinyl LP - Sealed Buy Now
Rise & Fall Of Paramount Records, Volume 2 (1928 - 1932) (Awaiting Repress)
Six LPs, 800 Digital Tracks, Two Definitive Large-Format Books. All Housed In A Polished Aluminum Case Evoking The Era's High Art Deco Stylings And America's Own Machine Age Modernism.
800 Newly-remastered Digital Tracks, Representing 175 Artists
90+ Fully-restored Original 1920s-30s Paramount Ads From Chicago Defender
6 X 180g LPs Pressed On Alabaster-white Label-less Vinyl, Each Side With Its Own Hand-Etched Numeral And Holographic Image
250 Pg. Large-Format Clothbound Hardcover Book Featuring Original Paramount Art And The Label's Curious Tale
400 Pg. Encyclopedia-Style Softcover Field Guide Containing Artist Bios & Portraits And Full Paramount Discography
Polished Aluminum And Stainless Steel Cabinet, Evoking 1930s High Art Deco Stylings And America's Own Machine Age Modernism
First-Of-Its-Kind Music And Image Player App Containing All Tracks And Ads, Housed On Sculpted Metal USB Drive
Last November, Jack White's Third Man and John Fahey's Revenant issued The Rise & Fall of Paramount Records, Volume One (1917-27), the first installment of the curious tale of America's most important record label. It was called spectacular (New York Times), unprecedented (Rolling Stone), breathtaking (Boing Boing), a cabinet of wonder, indeed (Pitchfork), and the most perfectly realized attempt to combine music and documentation (Fretboard Journal) and damnedest musical objet d'art (Nashville Scene) folks had ever seen.
Third Man-Revenant now presents the final volume in the Paramount story - The Rise & Fall of Paramount Records, Volume Two (1928-32).
As Volume Two begins, Paramount is entitled to a breather - in the previous 5 years it's been home to giants like King Oliver, Jelly Roll Morton, Louis Armstrong, Blind Lemon Jefferson, Alberta Hunter, Blind Blake, Ethel Waters, Ma Rainey, Papa Charlie Jackson, Eubie Blake, Fletcher Henderson, Big Bill Broonzy, Roosevelt Sykes, James P. Johnson, Jaybird Coleman, Clarence Williams, and Fats Waller.
But just as it seems the label might be losing steam, it begins a second act that threatens to dwarf its first. In its final 5 year push from 1928-32, Paramount embarks on a furious run for the ages, birthing the entire genre of Mississippi Delta blues and issuing some of the most coveted recordings in the history of wax - a staggering playlist including Skip James, Charley Patton, Son House, Tommy Johnson, Blind Roosevelt Graves, Willie Brown, King Solomon Hill, Tampa Red, Georgia Tom Dorsey, Little Brother Montgomery, Lottie Kimbrough, Rube Lacy, Meade Lux Lewis, Buddy Boy Hawkins, Ramblin' Thomas, Jaydee Short, George Bullet Williams, Cow Cow Davenport, Clifford Gibson, Ishman Bracey, Charlie Spand, Jabo Williams, Louise Johnson, Blind Joe Taggart, Geeshie Wiley & Elvie Thomas, and The Mississippi Sheiks.
Paramount simply killed. But more than that, it changed how this country thought of itself. It was the first and most comprehensive chronicler of what America really sounded like in the 1920s and '30s - on its street corners, at its fish fries and country suppers, in its nightclubs and dance halls and showtents. In the process, Paramount - not some preservationist-minded enterprise like the Library of Congress - inadvertently created the most significant repository of this young nation's greatest art form.6 LPs feature tracks from the collection.
USB Drive contains 800 digital tracks by 175 artists across the Paramount family of labels.$469.99180 Gram Audiophile Virgin Vinyl LP + 2 Books - 6 LPs Sealed AWAITING REPRESS Buy Now
For His Children and OursSETH AVETT ON THE ALBUM 'FOR HIS CHILDREN AND OURS'
Our dad often tells fans of The Avett Brothers that he is equally proud of our willingness to bale hay or feed the cows with him as he is of our career in music. It is a genuine affirmation, spoken often and with the storytelling flair of a learned yet grounded North Carolinian man of 70 (think Andy Griffith had he spent 35 years welding on Interstate bridges in the southern sun). He is proud of all three of us - the third being our sister, Bonnie. A woman possessing a creative mind, a lovely voice, and a kind heart, she has enthusiastically dedicated much of her life to the study and education of dance (while raising three children of her own). As a proud parent does, dad speaks about us often and with anyone who will listen (strangers possibly preferred). Years ago, this was a source of great exasperation for me. I could not understand or appreciate our dad's motivation or his seemingly infinite willingness to initiate conversations about us, to build us up, to champion us. This was, of course, before I had a son of my own. Now I, the last of my siblings to join the joyful and bleary-eyed ranks of parenthood, gratefully see why this has been (and continues to be) the case. Having a child is a little like falling in love, in its specialness and in its universal ability to shift the meaning of life. I now understand, as my brother, sister, and parents have for years, that when that interior levee breaks and the reservoir of untapped love fills your heart, you are introduced immediately and absolutely to your new favorite subject of conversation.
Jim Avett is a natural-born storyteller. You shouldn't expect to have a seat at the dining room table with the man and have a conversation relegated to small talk and light commenting on current events. It's more probable (by a long shot) that between loading forkfuls of green beans, you'll seamlessly find yourself learning about a World War II submarine battle and the subsequent shark attack. Or a Victorian-era train conductor. Or the little-known backstory about the real life of the DiCaprio-played character in The Revenant. Our dad reads a lot, and his knowledge paired with a great wealth of life experience makes him a person that people like to listen to. The man can be hilarious, but there is a certain pace, depth, and gravity present in his manner of imparting information that is rare. This quality has increasingly shone through in his singing over the last decade. Texturally and spiritually, it fits like a glove over the weathered and beautiful hand of the traditional hymn.
Gospel music is more than a genre with a unifying theme. In our case, it is a vehicle for spending time together. And the longer we are on this earth, the more we realize how important it is to carve out some of that precious time for each other. Our parents make these efforts often, with obvious love and devoted interest in what is happening in our lives. Truth be told, dad probably cared just as much about getting all of us together as he did about the album we were making. The recordings were certainly made with a lot of care, as we all genuinely love the old gospel songs, but I'm willing to bet my father would've recorded any kind of album if it meant a few sunny afternoons with all three of his children. This is a sentiment that we all can thankfully grasp now with great personal clarity.
Jim Avett was raised by a soft-spoken Methodist minister and a dedicated mother with (very) above average skills when seated at the piano. Between their living influence, our parents love and care, and a glowing sense of community provided by our small town church, this record was an inevitability.
For my siblings and me, the prospect of recording an album together gave us an opportunity to add something to the family photo album a document so our children and their own will always have another little connection to their kin (a link in the chain, as Dad says). On this occasion, it is the sound we made with our father when we sang together in the living room.
This piece you are reading now was written for the purpose of announcing an album. I'm writing it so folks will know the album exists and so they may hear it and hopefully enjoy it. Maybe it sells a few copies. Maybe it doesn't. But something else is possible here; perhaps this could be a reminder to you, whoever you are and however you came to lay your eyes on these words, that you have an opportunity. Have you set up your camera and filmed a conversation with your mother, your father, your kids, your great-aunt? Could you, this week, ask an elder of your own blood what it was like for them growing up? What's their favorite Christmas memory? What was their town like? How did they first fall in love? Imagine what it will be like for family members to see a hundred years from now... or two hundred! You have in your hands the ability to gift a priceless treasure to loved ones you will never meet but love just the same. These kinds of efforts are made so the little ones, a long time from now, will have an easier path to familial strength, and a bridge to knowing who and where they are from. Maybe you could sing some songs together...
We are all part of a family. What could you give to yours?
- Seth Avett, Spring 20171. Beulah Land
2. Where The Roses Never Fade
3. He Said, If You Love Me, Feed My Sheep
4. I Saw The Light
5. I'm Gonna Have A Little Talk
6. Hear Am I, Lord, Send Me
7. Peace In The Valley
8. Jesus Lifted Me
9. Jim's Gospel Song
10. Just A Closer Walk With Thee
11. Angel Band
12. Precious Lord$18.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Offerings: Lost Songs 2000-2004This year Gravenhurst celebrates a decade of work on Warp Records with the reissue of two classic albums, Flashlight Seasons and Black Holes In The Sand, and an additional new album: Offerings: Lost Songs 2000 - 2004, a compilation of unreleased material from that period. 2004's Flashlight Seasons quickly earned Gravenhurst a devoted fan base, consistently strong support from the music press, and cemented Nick Talbot's reputation as a unique talent, and one of the most original British singer-songwriter and producers of his generation. Black Holes In The Sand, a noisier and more overtly lo-fi record of dark pastoral psychedelia firmly established an enduring Gravenhurst aesthetic: enigmatic lyrics, ghostly vocals and virtuoso finger-picked guitars against a backdrop of cinematic, shape-shifting, semi-conscious sonic textures; subliminal transmissions from the surrounding landscape. These two records established Gravenhurst as a place; a place of revenants. Plotting a journey from the unquiet graves of the unjustly accused, through the dark temptations of the city to the ancient rituals of the forest, Gravenhurst is a musical treasure map of sigils and coded clues, where the very earth itself has a message to convey. Offerings: Lost Songs 2000-2004 is a collection of previously unheard recordings quickly deemed worthy of an exclusive release. Alongside eight previously unheard songs are two early demos that differ from album versions in intriguing ways and the result is a carefully selected and coherent collection.1. The Citizen
2. Entertainment (demo)
3. The Diver (demo)
4. Who Put Bella In The Wych Elm?
5. Gas Mask Days
7. For Erin
8. Abilene/Still Water outro
10. Return To Stapleton Road$22.99Vinyl LP - Sealed Buy Now
Flashlight Seasons - ReissueThis year Gravenhurst celebrates a decade of work on Warp Records with the reissue of two classic albums, Flashlight Seasons and Black Holes In The Sand, and an additional new album: Offerings: Lost Songs 2000 - 2004, a compilation of unreleased material from that period. 2004's Flashlight Seasons quickly earned Gravenhurst a devoted fan base, consistently strong support from the music press, and cemented Nick Talbot's reputation as a unique talent, and one of the most original British singer-songwriter and producers of his generation. Black Holes In The Sand, a noisier and more overtly lo-fi record of dark pastoral psychedelia firmly established an enduring Gravenhurst aesthetic: enigmatic lyrics, ghostly vocals and virtuoso finger-picked guitars against a backdrop of cinematic, shape-shifting, semi-conscious sonic textures; subliminal transmissions from the surrounding landscape. These two records established Gravenhurst as a place; a place of revenants. Plotting a journey from the unquiet graves of the unjustly accused, through the dark temptations of the city to the ancient rituals of the forest, Gravenhurst is a musical treasure map of sigils and coded clues, where the very earth itself has a message to convey. Offerings: Lost Songs 2000-2004 is a collection of previously unheard recordings quickly deemed worthy of an exclusive release. Alongside eight previously unheard songs are two early demos that differ from album versions in intriguing ways and the result is a carefully selected and coherent collection.1. Tunnels
2. Fog Round The Figurehead
3. I Turn My Face To The Forest Floor
5. The Diver
6. East Of The City
8. Damage II
9. The Ice Tree
10. Hopechapel Hill$22.99Vinyl LP Reissue - Sealed Buy Now
Black Holes In The SandThis year Gravenhurst celebrates a decade of work on Warp Records with the reissue of two classic albums, Flashlight Seasons and Black Holes In The Sand, and an additional new album: Offerings: Lost Songs 2000 - 2004, a compilation of unreleased material from that period. 2004's Flashlight Seasons quickly earned Gravenhurst a devoted fan base, consistently strong support from the music press, and cemented Nick Talbot's reputation as a unique talent, and one of the most original British singer-songwriter and producers of his generation. Black Holes In The Sand, a noisier and more overtly lo-fi record of dark pastoral psychedelia firmly established an enduring Gravenhurst aesthetic: enigmatic lyrics, ghostly vocals and virtuoso finger-picked guitars against a backdrop of cinematic, shape-shifting, semi-conscious sonic textures; subliminal transmissions from the surrounding landscape. These two records established Gravenhurst as a place; a place of revenants. Plotting a journey from the unquiet graves of the unjustly accused, through the dark temptations of the city to the ancient rituals of the forest, Gravenhurst is a musical treasure map of sigils and coded clues, where the very earth itself has a message to convey. Offerings: Lost Songs 2000-2004 is a collection of previously unheard recordings quickly deemed worthy of an exclusive release. Alongside eight previously unheard songs are two early demos that differ from album versions in intriguing ways and the result is a carefully selected and coherent collection.1. Black Holes in the Sand
2. Flowers in Her Hair
3. Still Water
4. Winter Moon
6. Flashlight Seasons$22.99Vinyl LP Reissue - Sealed Buy Now