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The Guess Who'
The Best Of The Guess WhoThe Guess Who are one of the few legendary classic rock bands that have stood the test of time for many decades. Their music penned mostly by founders Randy Bachman and Burton Cummings are compositions that are played all over the world, every hour, every day, thanks to the undying love and support of their signature tunes like American Woman, Laughing, No Time, Hand Me Down World, These Eyes, etc.
After a string of non-stop hit singles and chart topping albums, RCA Records saluted this great band with their very first 'Greatest Hits' album called The Best Of The Guess Who. This amazing collection grabbed all the hit singles and solid album tracks from their first four albums, and rose to the upper rungs of the pop album charts for weeks throughout 1970 and 1971.
Side One features the classic line-up of Burton Cummings, Randy Bachman, Jim Kale and Gary Peterson, with tunes from their key albums American Woman, Canned Wheat and Wheatfield Soul. Side Two included the Mark II band with Burton Cummings, Jim Kale, Gary Peterson with the addition of the late great Kurt Winter and Greg Leskiw, featuring songs from the groundbreaking Share The Land album.
Friday Music is no stranger to The Guess Who and Randy Bachman catalogs of fine music, so it is with great honor they announce the first time ever 180 Gram Audiophile Vinyl release of the mega platinum The Best of the Guess Who. Mastered impeccably by Joe Reagoso and Kevin Gray from the original RCA Records tapes at RTI, this wonderful greatest hits album truly resonates the true rock and soulful performances of The Guess Who at their creative peak.
As a special limited edition release, Friday Music is very pleased to present this creative masterwork in its original gatefold cover, for the first time in four decades, as well as enclosing a poly bag to protect your album cover and poly lined inner sleeve to help keep your vinyl in mint shape.1. These Eyes (1969) [from Wheatfield Soul]
2. Laughing (1969) [from Canned Wheat]
3. Undun (1969) [from Canned Wheat]
4. No Time (1969) [from American Woman]
5. American Woman (1970) [from American Woman]
6. No Sugar Tonight/New Mother Nature (1970) [from American Woman]
7. Hand Me Down World (1970) [from Share The Land]
8. Bus Rider (1970) [from Share The Land]
9. Share the Land (1970) [from Share The Land]
10. Do You Miss Me Darlin' (1970) [from Share The Land]
11. Hang on to Your Life (1970) [from Share The Land]$31.99180 Gram Audiophile Virgin Vinyl LP Buy Now
American WomanMastered impeccably by Joe Reagoso at Friday Music Studios and at RTI with Kevin Gray from the original 1970 RCA Records tapes.
Friday Music is no stranger to The Guess Who catalog, so it is with great honor to continue the Guess Who 180 Gram Audiophile Vinyl Series with the release of the mega platinum "American Woman." Mastered impeccably by Joe Reagoso at Friday Music Studios and at RTI with Kevin Gray from the original 1970 RCA Records tapes, this monumental masterpiece truly resonates the true rock & soulful performances of The Guess Who at their creative peak. Includes all of their smash number one's like "American Woman," "No Sugar Tonight," "No Time," "When Friends Fall Out" and 5 other smashes.
This monumental masterpiece truly resonates the true rock and soulful performances of The Guess Who at their creative peak. After a string of non-stop hit singles and chart albums, The Guess Who finally achieved their biggest album yet with the mega classic American Woman. The band was inducted into The Canadian Music Hall of Fame in 1987.1. American woman
2. No time
4. No sugar tonight - New mother nature
5. 969 -The oldest man
6. When friends fall out
8. Proper stranger
9. Humpty-s Blues - American woman epilogue$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Shakin' All Over!Though they found worldwide fame in 1969, Winnipeg's Guess Who had been scoring scads of hard-rockin' hits in Canada for years, beginning with 1965's ferocious rendition of Shakin' All Over. Now, spurred by the recent unearthing of a bevy of vintage master tapes -and with the help of Guess Who guitarist Randy Bachman-we've gathered 24 of The Guess Who's hardest-hitting, most awesome recordings from '63-'67. With many tracks in true stereo and a handful of cuts that haven't seen daylight for more than 30 years, Shakin' All Over! is the ultimate distillation of the seismic sound of the early Guess Who, and is available on CD and as a double 180 gram vinyl gatefold LP!1. Shakin' All Over
2. Tuff E Nuff
3. I'd Rather Be Alone
4. All Right
5. Baby Feelin'
6. You Know He Did
7. Believe Me
8. Clock On The Wall
9. It's My Pride
10. If You Don't Want Me
11. Baby's Birthday
12. Made In England
13. Seven Long Years
14. Gonna Search*
15. Stop Teasing Me*
16. Hey Ho (What You Do To Me)*
17. One Day*
18. I Should Have Realized*
19. Use Your Imagination*
20. Don't Act So Bad*
22. Just A Matter Of Time*
23. Flying On The Ground Is Wrong
24. Goodnight Goodnight*
*stereo$36.99Vinyl LP - 2 LPs Sealed Buy Now
DustyDusty (PMC 7004) shared the same striking cover photo as that UK album, but its contents were completely different. Originally released in November 1964, this well-programmed disc features the US-only single 'All Cried Out' and two of Dusty's signature performances in the ballads 'I Just Don't Know What To Do With Myself,' and 'My Coloring Book.' Several songs such as 'I Wish I'd Never Loved You' and 'Summer Is Over' were B-sides or EP cuts elsewhere, and tracks like 'Guess Who?' would not even see release in the UK until the CD era. Once again, the mono mixes of many of these cuts have not been reissued on vinyl since the 1960s.1. All Cried Out
2. I Wish I'd Never Loved You
3. Can I Get A Witness
4. Summer Is Over
5. Don't Say It Baby
6. Guess Who?
7. Live It Up
8. My Coloring Book
10. Do Re Me (Forget About The Do And Think About Me)
11. Don't You Know
12. I Just Don't Know What To Do With Myself$25.99180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
Soma Records Story: Vol. 3 - A Man's Gotta Be A Man!The record world was a completely different place in 1965.
Kids wanting to take home a piece of the rock 'n' roll action they frugged to at the Armory dance last weekend or a wild tune they heard the local bossjocks spin on the way home from school, inevitably had to deal with seven-inchers made by independent record labels. The single was the thing in the mid-60's, not the album. In even the hippest big city record emporiums, you could thumb through the entire recorded canon of British Invasion-influenced LPs - no more than a hundred or so - in about five minutes. But, ahhh, those singles. And nobody did them better than the shoebox companies sprouting up like bread mold all over the country, labels who could tap into the best local talent and get their show-stopping songs into the local record shops.
Just about every sector of the US had its own scene, red hot local chart entries that kids three hundred miles away were destined to never hear. And that's why the legendary indie labels - from International Artists in Houston or Autumn in San Francisco to Dunwich in Chicago or Etiquette in Tacoma - and hundreds more just as groovy, are revered today more than ever.
The Soma Record Company of Minneapolis caught the national spotlight by releasing hits from the likes of the Castaways and the Gestures. But Liar Liar and Run, Run, Run are just the tip ofthe iceberg. If you've always suspected that thousands of great singles from the '60s that you've yet to hear are lurking in the bushes, guess what? You're right. Step into the dusty Soma vaults with us - brush aside those cobwebs, if you would - point your flashlight towards the strobelight flickering at the far end of the tunnel and keep walking. When the cool Fender 'n Farfisa sounds finally grab you by the shirt collar, just keep telling yourself: This isn't a dream. It's what I was born to do.1. The Chancellors / I Can Tell*
2. The Castaways / A Man's Gotta Be A Man
3. The High Spirits / (Turn On Your) Love Light
4. The Gestures / Don't Mess Around
5. The Del Counts / Let The Good Times Roll
6. The Titans / Reveille Rock
7. The Messengers / My Baby
8. The Gamins / Freeway
9. The Gestures / Run, Run, Run
10. The Chancellors / Surf Beat*
11. The Torres / I've Had It
12. The Shades / Please Please Please
13. The Fabulous Rumbles / I'll Be Gone
14. The Titans / Tchaikovsky Rides Again
15. The Castaways / Should Happen To Me
16. The Sounds Like Us / The Other Side Of A Record$24.99Vinyl LP - Sealed Buy Now
Queensryche (Awaiting Repress)The group's brand new album, with a brand new singer, Todd La Torre.
Drummer Scott Rockenfield says, Century Media has been extremely enthusiastic ever since they came into the equation with us, and for what it's worth it's hard to find enthusiasm like that. After 35 years I guess I'm gracious and honored that we have people that are that enthusiastic about the band, so we're really happy about moving forward with them.
They've approached recording their 12th studio album with that open anything goes mindset. At the same time, the group hearkens back to the heavy metal side that defined classics such as The Warning, Empire, and Operation: Mindcrime - which KERRANG! ranked #34 on their 100 Greatest Heavy Metal Albums of All-Time list and is often uttered in the same breath alongside classic concept records such as Pink Floyd's The Wall and The Who's Tommy.
It's a return to form, Wilton says of the new music. We're rebuilding the architecture and setting it back on course. We have the energy I felt when writing 'Speak' and 'The Needle Lies' from Operation: Mindcrime. There was an excitement in knowing we were clicking on all cylinders at the top of our game. That chemistry and our passion for metal and hard rock has kept us together. We're keeping things fresh, while maintaining that thread that got us here in the first place. It may have gone astray, but it's a key element. You'll feel it on the next album. It'll be from the blood of the band more than ever.
Jackson echoes that sentiment, We want to bring back the sound we started with. As kids, we bonded over listening to Iron Maiden, Judas Priest and Rush. That heavier element is a major part of this band. We're revisiting that, and we're having a great time doing it. This is for the fans. We're so blessed to have them, and they're going to love this.1. X2
2. Where Dreams Go To Die
3. Don't Look Back
4. In This Light
7. A World Without
10. Open Road$19.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Hard AttackThe 70's were the golden era of rock music. Especially in 1972 albums such as Deep Purple's Machine Head, Jethro Tull's Thick as a Brick, David Bowie's Ziggy Stardust, Uriah Heep's Demons and Wizards, Black Sabbath's Vol. 4, and of course the colossal live Made in Japan were released. In addition to their undeniable historical value, these albums were released by British artists that dominated the rock scene back then. On the other side of the Atlantic, 3 teens from the US were forming a short-lived band that released only two albums but had a strong impact on a small nucleus of fans that recognized something different in the sound of Dust. The sound of Hard Attack, the band's second and final release, that we now call proto-metal is influenced by the likes of Deep Purple, Uriah Heep, Black Sabbath, the Who and even Cream. So, what we have here is an American band that sounds as if it consists of British musicians. The band members however were not strangers to the world of rock. Drummer Marc Bell became known as Marky Ramone, while singer and guitarist Richie Wise went on to produce the first two KISS albums along with Kenny Kerner who wrote the lyrics of Hard Attack. Nevertheless, bass player Kenny Aaronson is the one who shines mostly throughout the album with his amazing musicianship.
As a result, the fact that the album sounds like a fusion of the aforementioned bands is not accidental. In addition, the listener can recognize elements of KISS from the very beginning with excellent riffs, heavy rock attitude but most notably huge chugging bass lines. But it's not just speed and heaviness that this band has to offer. The combination of acoustic and electric guitar showcases the band's ability to create more melodic passages along with their proto-metal sound. The song Suicide is the pinnacle of the whole album as one can listen to the band's Sabbathian sound accompanied by drum fills reminiscent of Ginger Baker. Bear in mind that in this release Marc Bell (aka Marky Ramone) is just 16 years old. Additionally, one can listen to melodic brakes in the middle of some songs that remind Uriah Heep and psychedelic influences from the likes of the Beatles. Moreover, the band sounds even more interesting when they add strings and organ to a mellow song with lyrics such as "Angry angels cried, Satan yearning cast a spell on us, Cherubim with wings that cannot fly, Dancing demons fill the sky". An additional sample of proto-metal can be heard in the speedy instrumental Ivory with its catchy riffs, cool bass licks, and Paice-like drumming. As you may have guessed, Dust is not your typical 70's hard rock band. Yes, they do incorporate elements from several bands but they add their own style in order to produce a rather exciting outcome, that we now call proto-metal.
- manosg (Sputnik Music)1. Pull Away/So Many Times
2. Walk In The Soft Rain
3. Thusly Spoken
4. Learning To Die
5. All In All
6. I Been Thinkin
8. How Many Horses
9. Suicide$13.99Vinyl LP Reissue - Sealed Buy Now
The Guessing GameDoom metal? Prog punk? Psychedelic metal? British legends CATHEDRAL make all categories, genre boundaries and conventional approaches to metal seem redundant. Each one of their past albums showed a different face of CATHEDRAL, and The Guessing Game stays true to this tradition: guess what they came up with this time around!
Produced once again by Warren Riker (DOWN, CROWBAR), who also took care of the band`s last effort „The Garden Of Unearthly Delights" in 2005, The Guessing Game is one wild and unpredictable ride with one of the most unique and exciting acts the metal genre has got to offer! For the first time in the band`s history, they have recorded a double album that boasts thirteen tracks offering a colourful variety of musical styles and lyrical themes: 'Requiem for the voiceless' for example is pure, down`n`out crawling doom - and the first animal rights song in doom metal history! Then you`ll get classic stomping and grooving CATHEDRAL material with the catchy 'Painting in the dark', plus many songs wading through psychedelic and proggy waters - especially 'Funeral of dreams' featuring none other than Alison O`Donnell of MELLOW CANDLE (70s Irish folk rock band) fame doing guest vocals has to be mentioned here! It comes as no surprise that this time around CATHEDRAL went as far as to include exotic instrumentation such as Mellotron and Sitar. And pay special attention to the lyrics of 'Journeys into Jade': Lee Dorrian and co are celebrating 20 years of CATHEDRAL with this one!
And what a way to celebrate this anniversary: traditional CATHEDRAL cover artist Dave Patchett came up with one of his finest artworks in the band`s history, mirroring the themes and musical quirkiness of the album itself. Let`s look forward to another twenty years with CATHEDRAL!1. Immaculate Misconception
2. Funeral of Dreams
3. Painting in the Dark
4. Death of an Anarchist
5. The Guessing Game
6. Edwige's Eyes
7. Cats, Incense, Candles & Wine
8. One Dimensional People
9. The Casket Chasers
10. La Noche del Buque Maldito (aka Ghost Ship Of Blind Dead)
11. The Running Man
12. Requiem for the Voiceless
13, Journey Into Jade$24.99Vinyl LP - 2 LPs Sealed Buy Now
White MountainHaving played in various bands including Swords of Chaos and in Jónsi's touring band, White Mountain is Úlfur Hansson's debut under his own name. With influences ranging from cult cinema, esoteric literature and contemporary music, Úlfur presents a unique twist on the supernatural. In his own words:
Every track is a collage of field-recordings made while travelling. I met so many interesting people on the road (for instance, Alexandra of Mountain Man who did amazing vocals for So Very Strange) and I always carry my tape recorder with me like a camera. Some tracks are composed of beats made from my cousin throwing rocks into a pond out in the sticks in Iceland, converging with some birds I met in Chigaco. It makes this album extremely personal to me, remembering things like that and helps me achieve greater depth with the programming aspect of it. I guess i'm searching for a more
living breathing sound for completely electronic music.
The title is an homage to Rene Daumal's Mount Analogue, as well as Alejandro Jodorowski's film Holy Mountain, but also something else Each individual sound has a very special memory attached to it, so the album creates these nostalgic nonexistent spaces, hidden places - an amalgamation of instances, situations that couldn't possibly exist. I imagine this White Mountain, an invisible imaginary place - a sacred place on the horizon. Maybe like a connection to the the universe above. An analogy of the journey of Man.1. Evoke Ewok
2. So Very Strange
3. Black Shore
4. Heaven In A Wildflower
5. White Mountain
6. Knoll of Juniper
7. Molasses$18.99Vinyl LP - Sealed Buy Now
Profile: Best Of Emmylou HarrisAlready celebrated as a discoverer and interpreter of other artists' songs, 12-time Grammy Award winner Emmylou Harris has, in the last decade, gained admiration as much for her eloquently straightforward songwriting as for her incomparably expressive singing. On Hard Bargain, her third Nonesuch disc, she offers 11 original songs-three of them co-written with Grammy- and Oscar-winning composer Will Jennings-that touch on the autobiographical while reaching for the universal. She recalls the storied time she spent with her mentor Gram Parsons ("The Road") and composes a sweet remembrance of the late singer-songwriter Kate McGarrigle ("Darlin' Kate") and the time they spent together, right up to the end. Harris locates poignancy and fresh meaning in events both historical and personal. On "My Name Is Emmett Till" she recounts a violent, headline-making story from the civil rights era in a heartbreakingly plain-spoken narrative, told from the murdered victim's perspective; on "Goodnight Old World," she fashions a bittersweet lullaby to her newly born grandchild, contrasting a grown-up's world-weariness with a baby's wide-eyed wonder. "Big Black Dog," with its loping canine-like rhythms, is also a true tale, about a black lab mix named Bella. Harris, who runs a dog shelter called Bonaparte's Retreat on her property, rescued Bella from the Nashville Metro pound and provided an especially happy ending to her story: "She goes on the tour bus with me now, along with another one of my rescues. I think of all the years on the road I wasted without a dog. They make it so much more pleasant. I'm making up for lost time now, that's for sure."Few in pop or country music have achieved such honesty or revealed such maturity in their writing.
Forty years into her career, Harris shares the hard-earned wisdom that-hopefully if not inevitably-comes with getting older, though she's never stopped looking ahead. The candor of Harris's words is matched by a simple, elegantly rendered production from Jay Joyce (Patty Griffin, Jack Ingram, Cage the Elephant), with whom she'd previously recorded a theme for the romantic drama, Nights in Rodanthe. While Harris's acclaimed 2008 All I Intended to Be was recorded intermittently over a span of three years and featured an all-star cast of musician friends, including Dolly Parton, Vince Gill, and the McGarrigles, Hard Bargain was cut in a mere four weeks last summer at a Nashville studio, with only Harris, Joyce, and multi-instrumentalist Giles Reaves. Joyce gets big results from this strikingly small combo: Harris played acoustic guitars and overdubbed all the harmonies; Joyce layered shimmering electric guitar parts; Reaves-employing piano, pump organ, and synths as well as playing percussion-conjured gorgeous atmospherics, often giving these tracks, as Harris puts it, "a floaty, dreamy quality.""It's such a beautifully realized sound," says Harris. "We didn't have the need for anyone else given how versatile Giles and Jay are. We became our own little family in the studio. We cut very simply, with just maybe a click and whatever they wanted to play and me on an acoustic guitar, going for that vocal and that feel, right to the heart of the matter. After we got a track, there were all those lovely brush strokes they were able to add to it later on. I particularly love the guitar part Jay put on 'My Name Is Emmett Till.' It's a simple part but it just breaks my heart whenever I hear it. It's like a cry from heaven or something. Jay works really fast but he puts so much thought into what he does. I've been very lucky to work with so many great producers over the years and now I guess it was time to increase the stable."On "The Road,"1. One Of These Days
2. Sweet Dreams
3. To Daddy
4. (You Never Can Tell) C'est La Vie
5. Making Believe
6. East From Now On
7. Together Again
8. If I Could Only Win Your Love
9. Too Far Gone
10. Two More Bottles Of Wine
11. Boulder To Birminham
12. Hello Stranger$21.99Vinyl LP - Sealed Buy Now
The Blues King's BestA very special LP vinyl of vintage studio recordings and incredible live performances by the living embodiment of the blues, Mr. B.B. King! Features some of his best-known songs including "The Thrill Is Gone," "Guess Who," "Payin' The Cost To Be The Boss," plus studio recordings of "Every Day I Have The Blues" and rare Gospel tunes!1. The Thrill Is Gone
2. Payin' The Cost To Be The Boss
3. Every Day I Have The Blues
4. How Blue Can You Get
5. Please Love Me
6. Guess Who
7. You've Done Lost Your Good Thing Now
8. Save A Seat For Me
9. I Am Willing To Run All The Way
10. Long Nights
11. From The Bottom [with Sonny Boy Williamson]
12. That Evil Child$22.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Kiss: MTV UnpluggedCelebrating four decades of decibels, KISS, Mercury Records and UMe proudly announce reissuing the legendary KISS albums on 180g audiophile vinyl
starting in 2014. Remastered to high definition 192kHz/24-bit audio for maximum fidelity, these albums have never sounded so amazing and now
vinyl collectors will get what they've been demanding. All posters, sleeve art, stickers, etc that appeared in the original LP release where applicable have
been faithfully reproduced for the KISS Army.
On April 10, KISS will be inducted into the Rock and Roll Hall of Fame - which will be broadcast in May -
and then will kick off a summer co-headlining tour with Def Leppard starting in June.
After sinking deep into this musical celebration, even the not-so-avid listener will surely know something more about Kiss, a classic rock icon of the '70s roaring back in vibrant and passionate form. This recording of a session done expressly for the program MTV Unplugged in 1996 brought together a special group for a remarkable, if unexpected, reunion. Throughout this record, you can feel the support and raw adoration of the audience present, certainly a mixture of long-time fans and new admirers. The members of Kiss got together to rock hard on their axes and crash big on the drums, bringing a renewed sense of freshness and excitement. Nearly rock & roll legends, they exceeded expectations and, given their newfound energy, charisma, and love for the music, their performance provided the catalyst for the beginning of a successful world reunion tour. Coming Home delivers a feverish and electric opening that gets the crowd on its feet in a hurry. Soon the emotion and presence of this group are brought back with startling grace and wisdom on Plaster Caster, and the beautiful acoustic medley Goin' Blind. The decades of Kiss, their costumes, and their wild stadium shows roll back in a heartbeat through the crashing tune Do You Love Me. Perhaps one of the most bewildering tunes that really reflects the image of Kiss is the rocking blues tune Domino. The crowd is really fired up now, next experiencing the charming and soulful power rock ballad Sure Know Something. A World Without Heroes is very subdued and reflective. Rock Bottom is delicate and mysterious in the opening seconds, with a lush minor harmony delivered picking style on the acoustic. Now it gets rough, expresses Stanley, grooving in a racy blues statement. See You Tonight is a romantic and pretty ballad delivered with sweetness, and the group sings, I'll see you tonight/And if I can't, I'll cry, I'll cry/I see you tonight, outside. Then on comes the darker resonance of the band with I Still Love You, expressing grave longing after a grueling breakup. I got to make you see, is a gripping line in a haunting bridge section, before the shouted, emotional, sometimes painful chorus: Girl, it seems the price I have of losing you/Will be my hell to pay/It makes me want to die/'Cause I still love you. The solo during the bridge is reminiscent of the chord structure of the Guess Who's Undun. After this painful, depressing song, new breath is found with Every Time I Look at You, a song of forgiveness, delivered with sincerity and the feeling of hope: Every time I hold you/The things I never told you seem to come easily/'Cause you're everything to me. The bridge is brilliant and seems to elevate the melody to a gratifying level, before breaking into a chilling guitar improv, layered over with a shimmering string orchestra. Beth is the most heartwarming song of Kiss' power ballads: Beth I know you're lonely/And I hope you'll be alright/'Cause me and the boys will be playing all night. Finally, a Kiss show wouldn't be complete without the ultimate party song, Rock and Roll All Night, a tune still electric without electric guitars.
- Shawn M. Haney (All Music Guide)LP 1
1. Comin' Home
2. Plaster Caster
3. Goin' Blind
4. Do You Love Me
6. Sure Know Something
7. A World Without Heroes
8. Rock Bottom
1. See You Tonight
2. I Still Love You
3. Every Time I Look At You
4. 2,000 Man
6. Nothin' To Lose
7. Rock 'N' Roll All Nite
8. Got To Choose$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
The King's Blues BoxSilver Foil Stamped Deluxe Box Set With Red, White & Blue Colored Vinyl
Lavish Full Color Booklet Of Photos And Liner Notes
4 Collectible Postcards
Celebrate the life and career of blues music's most exalted royalty, American legend B.B. King, with this gorgeous 3LP box set on red, white & blue colored vinyl!
Features live and studio performances dating back to B.B.'s earliest recordings in the 1950s on through to his most well-known and best-loved classics such as "The Thrill Is Gone", "Every Day I Have The Blues, "Payin 'The Cost To Be The Boss", "Guess Who" and many more!LP 1
1. B.B. Boogie
2. Walkin' and Cryin'
3. A New Way of Driving
4. Please Love Me
5. Every Day I Have the Blues
6. Mr. Pawnbroker
7. From The Bottom
8. You've Done Lost Your Good Thing Now
9. It's My Own Fault
10. Catfish Blues (A/K/A Fishin' After Me)
11. The Letter
12. Servant's Prayer
1. Take My Hand, Precious Lord
2. Save a Seat for Me
3. Swing Low, Sweet Chariot
4. Jesus Gave Me Water
5. I Never Heard a Man
6. Army of the Lord
7. The Thrill Is Gone (Live)
8. Every Day I Have the Blues (Live)
9. How Blue Can You Get? (Live)
10. Caldonia (Live)
11. Please Love Me (Live)
12. Sweet Sixteen (Live)
1. I Got Some Help (I Don't Really Need) [A/K/A Outside Help] [Live]
2. Payin' the Cost to Be the Boss (Live)
3. That Evil Child (Live)
4. Guess Who (Live)
5. Why I Sing the Blues (Live)
6. You Know I Love You (Live)
7. Sweet Little Angel (Live)
8. All Over Again (Live)$64.99Colored Vinyl LP Box Set - 3 LPs Sealed Buy Now
Party JailParty Jail picks up where Jazz Mind left off with a greater focus on making the listener aware that Ed Schrader's Music Beat are not nut jobs who just play their best guess at punk. They wish to reveal that they are secretly a band that write pop songs, whether you know it or not.$14.99Vinyl LP - Sealed Buy Now
Combining death metal with anything resembling melody kinda defeats the whole purpose, doesn't it? Guess no one ever bothered to tell the Black Dahlia Murder this heavy metal golden rule, as evidenced by their fourth studio release overall, 2009's Deflorate. But don't be misled: it's not like they're going to be confused anytime soon as power pop champions when it comes to melodic content -- it's a tiny pinch of melody stirred into gallons of brutal extreme metal.
The album signals the first appearance by new guitarist Ryan Knight, replacing John Kempainen, who played on all of the group's previous studio efforts. However, the slight lineup hiccup has not affected the ferocity of the Black Dahlia Murder's mighty metal attack, especially on such eardrum blasters as Necropolis and Denounced, Disgraced. As with past Black Dahlia Murder releases, Trevor Strnad is one of the genre's most impressive vocalists, as he effortlessly alternates between screechy screams and guttural growls, without ever missing a beat.
Some bands soften their approaches with experimentation as their discographies grow. Deflorate proves that the Black Dahlia Murder will not be listed in this category anytime soon.
- Greg Prato (All Music Guide)1. Black Valor
3. A Selection Unnatural
4. Denounced, Disgraced
5. Christ Deformed
6. Death Panorama
7. Throne Of Lunacy
8. Eyes Of Thousand
9. That Which Erodes The Most Tender
10. I Will Return$22.99Colored Vinyl LP - Sealed Buy Now
Tied To A StarJ Mascis' Tied to a Star is the follow up to his acclaimed Sub Pop debut
Several Shades of Why. The album, led by the songs "Every Morning"
and "Wide Awake," was recorded and produced by Mascis and mixed
by John Agnello at Bisquiteen in Amherst, MA.
It makes perfect sense that I was asked to write a bio for J Mascis.
Let's face it, he and I have a long history. It all started the first time I
saw him live. It was in New York City. I don't remember when or where,
but I think he was walking around. I was probably walking around, too.
The second time was also in New York, at a Mexican restaurant in the
East Village (the one that takes credit cards now, but didn't used to).
Years later I actually met him at the SXSW festival though a friend who
works at Sub Pop. I guess that meeting went well, because when that
friend from Sub Pop got married, she sat me at the same table as J.
Sounds unbelievable? I suggest you look at the picture below. Now keep
staring at that picture until... J's new acoustic
album Tied to a Star comes out on Sub Pop Records. It features
appearances by Ken Maiuri (Young@Heart Chorus), Pall Jenkins (Black
Heart Procession), Mark Mulcahy (Miracle Legion) and Chan Marshall
(Cat Power). Had I been in the area, I'm sure I would've been asked to
play on it, too.
-Todd Barry1. Me Again
2. Every Morning
3. Heal the Star
4. Wide Awake
6. And Then
8. Trailing Off
9. Come Down
10. Better Plane$17.99Vinyl LP - Sealed Buy Now
Strange Weather, Isn't It?Everyones got a Berlin record in them and I guess we just wanted to see what
ours would sound like, !!!s lead singer Nic Offer says, with tongue partially in
cheek, of the groups fourth album, Strange Weather, Isnt It? Following in the
footsteps of artists like David Bowie, Iggy Pop, and Depeche Mode, who have
flocked to Berlin in order to mainline the citys legendary dark energy, !!! traveled
to the German capital to produce a record that is simultaneously brooding and
somehow their poppiest, most immediate record yet. !!! has also managed to
create the best distillation of the chaos, fun and intensity of !!!'s live show yet.
Strange Weather, Isnt It? was co-produced by the band with Eric Broucek,
who used to be the house engineer for DFA Records. We used everything we
could MacGyvered it together with a popsicle stick and a rubber band to make
it work and Eric was definitely instrumental in making that happen, says Offer.
The result is an album that is leaner and more detailed than any of !!!s previous
albums. In the early days wed put something deep in the mix, so that kids on
acid could hear it the 20th time they listened to it, says Offer. Now weve
learned how to make records better. Its like the deep techno you hear in Berlin;
its molded down to its most basic essence, almost like a sculpture that you keep
working on to make it both denser and clearer at the same time. Offer pauses
for a moment to consider what hes saying. Dont get me wrong, though, you
should still check the record out on acid. Trust me.01. AM/FM
02. The Most Certain Sure
03. Wannagain Wannagain
04. Jamie, My Intentions Are Bass
05. Steady As The Sidewalk Cracks
07. Jump Back
08. Even Judas Gave Jesus A Kiss
09. The Hammer$21.99Vinyl LP - 2 LPs Sealed Buy Now
Lowtalker EPMenace Beach are UK based twosome Ryan Needham (vocals, guitar) and Liza Webster (vocals / guitar / synths) plus a revolving cast of local musicians. Lowtalker is the band's first release for their new label home Memphis Industries following a string of singles, including the Dream Out EP on French label Desire Records and the Drop Outs 7 on the acclaimed Too Pure Singles Club. Written over a summer of endless bleary-eyed bouts of insomnia, the first few Menace Beach tracks captured the zero attention span and spontaneous, weird-out nature of a couple of minds totally zoned-in to a fuzz pedal and a cassette recorder in the dead of night. After several un-treated breakdowns and a subsequent rash decision to relocate to Leeds, Ryan and Liza shacked up with MJ (Hookworms) to re-imagine their crackly 8-track demos. Joining them on the session, were friends Nestor Matthews (Sky Larkin) Matt Spalding, and Robert Lee (Pulled Apart By Horses) who fought their way through Liza's rats nest of cables and home-made synth modules to blast through the songs during another all-nighter, having so much fun in the process that they all decided to stick around. The Menace Beach vortex has amazingly also recently sucked in Paul Draper of Mansun who performed with them on their Marc Riley session for BBC 6 Music. Ryan says of the new EP : "If, lyrically, the first load of songs we did were a document of losing it again, being ill, moving cities, and all that comes with that, then I guess the songs on Lowtalker are about the aftermath of that; getting better, making friends and trying to reconnect mentally and spiritually. I feel like there's a lot of positivity on there". Lowtalker was recorded, produced and mixed with MJ at his Suburban Home studios in Leeds over four pizza, coffee and falafel fuelled days. The result is a kaleidoscopic vision of fuzzed out, psych-y pop exemplified by key tracks Fortune Teller and Where I Come From.1. Fortune Teller
3. Where I Come From
5. Cheerleader$10.9912 Vinyl LP - Sealed Buy Now
VonThe heaps of praise during 2000 surrounding 1999's Ágætis Byrjun brought surprisingly little attention to Sigur Rós' first record, released in 1997. Remaining available only through the band's Icelandic label, it took some effort to obtain, but those who did get a copy probably found it to be just as adventurous as Agætis. Though darker and more fractured than the string-laden nooks of the follow-up, it's just as sprawling and outright bombastic. It's remarkable that such a young band would be this experimental at this stage in their lifespan, but the sheer breadth gets to be an albatross. Poking fun at '70s prog rock is just as easy as shooting at cement gargoyles on a suburban rooftop, especially when you're an indie kid or a fan of post-rock. But Sigur Rós makes Yes look like the Minutemen. Whittled down to 40 minutes, Von would be considerably more effective than it already is. As a mood setter, the 10-minute opening track really takes about three minutes to do what it needs, and a few other spots seem to drag on for the sake of sucking time. That doesn't prevent Von from being impressive, veering from Gavin Bryars-style aquatic minimalism to My Bloody Valentine-style dream pop. Varying states of isolationist ambience run throughout, whether evoking unrest or tranquil rest. You can practically envision a stray headboard floating through the Sinking of the Titanic-type passages, and the lush Myrkur comes from a planet where MBV's Kevin Shields and Kitchens of Distinction's Julian Swales are accorded the level or worship that Earth gives to Hendrix and Clapton. And then there's that voice, one of the most distinctly unintelligible voices since the Cocteau Twins' Liz Fraser. Boy? Girl? One would be hard-pressed to guess without liner notes. Based on pure sound, Von is just as much of a treat as the acclaimed follow-up.
- Andy Kellman (All Music Guide)LP 1
1. Sigur Rós
3. Hún Jörð
4. Leit að lífi
6. 18 sekúndur fyrir sólarupprás
1. Veröld ný og óð
4. Syndir Guðs (Opinberun frelsarans)
5. Rukrym$29.99Vinyl LP - 2 LPs Sealed Buy Now
Major HandyMajor Handy was actually born Joseph Majay Handy, May 15, 1947. He thinks, if he understands what his mother's told him, that his parents had a child before him and named that boy Joseph Majay Handy. That son died near birth, and when the couple had their next child, also a boy, they decided to reuse the name. Eventually, after people had trouble recognizing the correct pronunciation, the middle name Majay morphed into Major. He says he did go by his first name initially. A lot of people called me 'Joe,' but that didn't ring no bell. And so, Major Handy it became.
Handy was born and raised as the oldest of seven children in St. Martinville, Louisiana, the parish seat of St. Martin Parish and right on the Bayou Teche. It's a rural town about 15 miles southeast of Lafayette and is generally considered the heart of the Creole and Cajun melting pot that makes this specific sub-region unique to anywhere else in the world. It's from right here that so much of the culture - the food, music, swamp life - that people associate with Louisiana comes.
Like with many people from St. Martinville, Handy's heritage is Creole, meaning it's tangled. I'm like a gumbo - everything. Alligator, fish, shrimp, Indian, Negro, white, whatever...I guess that's what that is. But I was raised as a black person, he says. The only time I ever mingled with white people was the music thing. 'Cause I didn't go to school with white people. I quit school in the ninth grade (just before school desegregation in Louisiana).
Handy's earliest musical inspiration came from his father, who had an old accordion that he toyed with as nothing more than a pastime, and some cousins who were fooling around with music. I saw that, and I wanted to take it and be better, Handy says. The first thing I picked up was a guitar. And I took it from there. His first professional gig came on bass in a cousin's band. From there it was back to guitar and eventually accordion as a bandleader. In between, he played in the bands of Rockin' Dopsie for many years as well as in the very first incarnation of Buckwheat Zydeco just after Buckwheat had left Clifton Chenier.
While he'd recorded previously as a bandleader, Handy's 2008 APO Records release Zydeco Feeling marked his first widely distributed release in 25 years.1. Jalapeno Cornbread
2. Bad Luck And Trouble
3. Well I Done Got Over It
4. Zydeco Feeling
5. Te Ni Nee Ni Nu
6. Lost My Baby$24.99180 Gram Audiophile Virgin Vinyl LP D2D -Sealed Direct to Disc (D2D) Buy Now
Mama Earth (Pre-Order)The all-star Mama Earth lineup of Joss Stone (vocals), Nitin Sawhney (guitar), Jonathan Joseph (drums), Étienne M'BappÉ (bass/guitar) and Jonathan Shorten (keyboards) will release their debut EP Mama Earth via Mascot/Provogue.
The project started when British soul singer Joss Stone and her former musical director Jonathan Joseph hit on the Mama Earth concept of an album driven by the dynamic rhythms of Africa. A band was assembled from all corners of the music world. Jonathan's compadre Étienne M'BappÉ, the dazzling Cameroon-born multi-instrumentalist whose rÉsumÉ spans from John McLaughlin to Robben Ford; Jonathan Shorten, who had produced much of Stone's studio catalogue between penning some of the biggest hits for acts including Gabrielle and (again) Joss Stone. Finally, there was Nitin Sawhney: the genre-slipping wildcard and one-man musical tidal wave whose collaborations take in Sting, Paul McCartney, and the London Symphony Orchestra.
The 5 musicians convened at Stone's house, where the musical squad didn't take long to feel each other out. Music was spontaneously written on the spot, without any preparation. In the meantime, Stone purposefully kept her own creative process separate from the four musicians. I left them to do their own thing with the music in the studio, she reflects, while I was cooking dinner in the kitchen. I deliberately didn't have any input in the music, because I didn't want to affect it - or it'd all come out hip-hop and R&B! Then they'd come across into the house, give me the track and I'd sit in the kitchen writing lyrics and melodies with my mum. So it was, like, 'You guys do you, and I'll do me - then we'll put it together'. And that's the way it worked. I also went down to the river on my own with a pen and paper and write in the grass by the river. Which was a good way to do it, actually, The whole project is about Mother Nature. It's supposed to be from her perspective.
Just ten days after they came together - and following a powerful co-production from all five band members - the Mama Earth sessions were over. And yet, you sense that the story of this fascinating band is only just beginning. Impulsive, dynamic and sometimes downright dangerous, this is an album unlike anything else in the five musicians' respective CVs, unprecedented in the clinical modern music scene - and sure to make waves upon its release. I guess this album is essentially how I think of music, considers Sawhney. It was all about being open to the moment. I think that's really what I loved about this project. To me, Mama Earth is what music should be about, really...1. Mama Earth
2. Interlude 1
4. Interlude 2
6. Interlude 3
7. What Would She Say?
8. Interlude 4
10. Interlude 5
11. Breathe$15.99180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
Driving Towards The DaylightOn May 21, 2012, internationally renowned guitar superstar Joe Bonamassa will release a brand new solo album 'Driving Towards The Daylight' on Provogue Records. 'Driving Towards The Daylight' was produced by Kevin 'Caveman' Shirley (Black Crowes, Aerosmith, Led Zeppelin). This is their seventh collaboration in six years and Joe's 13th album.
Recorded at The Village Recorder in Los Angeles, CA and Studio At The Palms in Las Vegas, NV, 'Driving Towards The Daylight' is a balanced back-to-basics album that highlights Bonamassa's signature style of roots blues with rock-and-roll guts, while honouring the traditions of the original blues musicians.
"We've taken some really traditional old blues songs - the Howlin' Wolf song 'Who's Been Talkin' and the Robert Johnson song 'Stones In My Passway,' and we've tried to imagine how they would do them in a rock context," said Shirley. "It's a very exciting return to the blues in a very visceral way. It's vibrant and it's gutsy and it's really, really rugged."
The album features five Bonamassa-penned originals including the bruising opener 'Dislocated Boy', the road warrior title track (and first single) 'Driving Towards The Daylight', 'I Got All You Need', 'Heavenly Soul' and 'Somewhere Trouble Don't Go'. Other tracks include Bonamassa's versions of Tom Waits' 'New Coat Of Paint', Bill Withers' 'Lonely Town Lonely Street', and 'A Place In My Heart' by Bernie Marsden. On the album closer, Australian rock singer Jimmy Barnes sings lead vocals on his 1987 hit 'Too Much Ain't Enough Love'.
To challenge Joe and move him out of his comfort zone, a unique group of musicians was gathered including Aerosmith guitarist Brad Whitford (guitar), Blondie Chaplin (guitar), Anton Fig (drums and percussion), Arlan Schierbaum (keyboard), Michael Rhodes (bass), Carmine Rojas (bass), Jeff Bova and The Bovaland Brass, Pat Thrall (guitar), and Brad's son Harrison Whitford (guitar).
Brad Whitford, speaking from the studio in Vegas, said, "This is definitely more influenced by the stuff that the guys and musicians in this room love, early '60s English and American rock and blues. I guess we'll never get that out of our system and its fun to come in here and find our own path down that highway."
Bonamassa's last studio album 'Dust Bowl 'released in March 2011 charted at no.12 in the UK1. Dislocated Boy
2. Stones In My Passway
3. Driving Towards The Daylight
4. Who's Been Talking
5. I Got All You Need
6. A Place In My Heart
7. Lonely Town Lonely Street
8. Heavenly Soul
9. New Coat Of Paint
10. Somewhere Trouble Don't Go
11. Too Much Ain't Enough Love (w/ Jimmy Barnes)$32.99Vinyl LP - Sealed Buy Now
London ZooIn Gibson's Neuromancer, when Case and Molly meet the two surviving founders of Zion, there is talk of hearing a mighty dub in the Babel of tongues signaling the final days. If indeed we're living in these end times, as many predict, then there can be no more of an appropriate soundtrack for the coming apocalypse than The Bug's London Zoo.
The Bug is the main project for Kevin Martin, a producer who has headed a diverse range of projects. He is part of Techno Animal, Ice, and God (all with Justin Broadrick of Godflesh and Jesu), King Midas Sound, Razor X Productions (with The Rootsman), Pressure, and Ladybug; runs his Pathological Records label; and has collaborated with noise jazz outfit 16-17, Pete Sonic Boom Kemper's E.A.R. project, John Zorn, Kevin Shields, El-P, and the Antipop Consortium. He has recorded for Rephlex, Position Chrome/Mille Plateaux, Word Sound, Hyperdub, City Slang, Tigerbeat 6, Grand Royal, and now Ninja Tune. He has been personally asked to remix Thom Yorke, Grace Jones, Einsturzende Neubauten, and Primal Scream, and compiled jazz and dub compilations for Virgin Records. London Zoo is the fruition of all these activities.
The album was born of three key moments: an introduction to the thriving dubstep scene (of which The Bug is very much a pioneer from before it carried a name) and its key producers (via Kode 9 and Loefah) where Martin realized there were others on the same sonic trajectory as himself; an introduction to Warrior Queen via his work with Wayne Lonesome on the Razor X Productions project; and a Mary Anne Hobbs Breezeblock session which introduced him to Flowdan (Roll Deep) and Ricky Ranking. All three of these figure heavily in the end result and live presentation.
The obvious entry point to the album is the dubstep tag, particularly after the success of the three lead-up singles, but London Zoo clearly reaches past, brings together, and celebrates reference points from dancehall, grime, hip-hop, and noise-- it could have only come out of London sound-system culture, while its appeal spans cities and scenes.
From the opening strains of Angry (featuring reggae legend Tippa Irie) it's clear that the world has been served notice from the heart of the UK capital. The message is further strengthened as Ranking (best known for his work with Roots Manuva), Flowdan, Warrior Queen, Spaceape, Roger Robinson, Killa P, and Aya step up to lay waste to the boombastic rhythms put before them, eventually culminating in Judgement where Ranking leaves us with a prophecy: So much people are losing their minds, because we're living in a serious time. I guess it come in like a judgment sign, the people have killing on their mind. Living in end times, indeed. Best start building the Marcus Garvey tug now.Angry ft Tippa Irie
Murder We ft Ricky Ranking
Skeng ft Killa P & Flowdan
Too Much Pain ft Ricky Ranking & Aya
Insane ft Warrior Queen
Jah War ft Flowdan
Fuckaz ft Spaceape
You & Me ft Roger Robinson
Warning ft Flowdan
Poison Dart ft Warrior Queen
Judgement Ricky Ranking$45.99Vinyl LP - 3 LPs Sealed Buy Now
Roadsinger (To Warm You Through The NIght)With his reintroduction to the pop world behind him, renowned singer-songwriter Yusuf (the artist known as Cat Stevens) is ready to once again strike up an intimate relationship with his audience. After retreating from the pop stage following classic '70s multi-platinum albums such as Tea For The Tillerman and Teaser And The Firecat and acclaimed hits such as Wild World, Peace Train, Moonshadow, Morning Has Broken and Father And Son, Yusuf returned in late 2006 with his first pop album in 28 years. Now he's back again with a second album, Roadsinger (To Warm You Through The Night).
I was absent from my audience for so long, Yusuf says, people thought another album would never come. The 2006 album, An Other Cup, was a surprise. With this new album, the distance is much less. I'm back to doing what I do best, painting pictures with music and storytelling on a very human, personal, intuitive level through lyrics and song, so I can help people feel good again. I guess in some ways the new album picks up where the Cat Stevens the public knows left off.
The album, Roadsinger (To Warm You Through The Night), was produced by the now singularly named Yusuf with help from Martin Terefe (James Morrison, Jason Mraz, Martha Wainwright), and recorded around the world. Guests include Morrison, Michelle Branch and Holly Williams (granddaughter of Hank Williams, Sr.).
The new album is a response to the way An Other Cup was received, Yusuf explains. Fans said they wanted to hear more of me with a guitar. So, this album is much more folk-tale oriented. Also, apart from one track, all of it was recorded live. I listened to a lot of' '70s L.A. music, such as Joni Mitchell, James Taylor, Carole King, and it inspired me to go back into that intimate style of recording. The songs are somewhat autobiographical but abstract enough so everyone can relate to them and connect them to their own lives.
The title track, Roadsinger, unfolds the tale of an outcast who revisits his old hometown; along the empty street a child peeks from behind a store window and gives an innocent smile out of the shadows of prejudice. The theme of a journey has always been big with me, says Yusuf. A journey that was unexpectedly cut short in 2004 was when Yusuf was flying from his London home to Washington, D.C., en route to a meeting with Dolly Parton, who had recorded Peace Train several years earlier and wanted Yusuf to play guitar on her cover of his Where Do the Children Play. The incident that made headlines was resolved in 2006 and Yusuf's new song Boots and Sand resulted.
There are plenty people who sing, but not enough who have walked far from their block, he says. I embraced an unexpected spiritual path that was confusing for many (converting to Islam in 1977). Sadly, I'm still often misunderstood. Some people want to put me into their own one-sided view, but I don't fit those limitations. My world is still borderless and wide. The removal of conflict and establishment of peace has always been my global objective. It's a shame that lot of people, including some Muslims, overlook the name Islam, which actually comes from the word 'Peace' in Arabic.
The forthcoming album also showcases some songs from his upcoming musical Moonshadow. The story takes place on a planet of perpetual night where only the moon's shine lights the darkness; it is about a boy's meeting with his Moonshadow and the adventures they share in search for the a world of the sunlight and happiness. As well as having many new songs, the surrealistic musical, Moonshadow also weaves classic songs from his past, including Morning Has Broken, Wild World and The First Cut Is The Deepest.
Yusuf's return to his guitar came about when his teenage artist-musician son, Muhammad (aka Yoriyos), brought one home again. One morning, Yusuf was alone in the lounge when he looked over and felt a draw of curiosity overtake him. He slowly picked it up. I put my fingers on the fretboard to make a 'C' chord, he remembers, and surprised myself, It's still there! It felt right. So I started playing again. On the forthcoming album, Yusuf even plays electric guitar on a couple of tracks, along with keyboards. This part of my career feels similar in one sense to when I began, Yusuf reflects. I had to get past the songs on Mona Bone Jakon before I could move on to Tea For The Tillerman, etc. This time around it was the same story: I laid the groundwork with my debut album, An Other Cup, which inspired a great new collection of songs and scribblings. I had quite a few in my back pocket and again it was my son who sparked the next step. He said, 'Isn't it time to start recording a new album?' And it was.
1. Welcome Home
2. Thinking 'Bout You
3. Everytime I Dream
4. The Rain
5. World O'Darkness
6. To Be What You Must
7. This Glass World
9. All Kinds Of Roses
10. Dream On (Until...)
11. Shamsia$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now