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Thank You Scientist

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  • Stranger Heads Prevail Stranger Heads Prevail Quick View

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    Stranger Heads Prevail

    Green Colored Vinyl


    New Jersey alt/prog connoisseurs, Thank You Scientist, have announced details of their brand new full-length, Stranger Heads Prevail that will be released via Evil Ink Records. The label is best known for being owned and ran by Coheed and Cambria lead singer, Claudio Sanchez.


    Sanchez says of the band, "Thank You Scientist is a rare band that stretches the boundaries of the listener's expectation. Their compositions are a tornado of complexity and style that compel the audience to stay present for every note."


    Following the breakout success of their debut label album, Maps Of Non-Existent Places, the band set to follow one simple but resolute goal: no expectations. Constantly writing and with an intense rehearsal schedule, the band began crafting Stranger Heads Prevail together in late 2014 under the watchful ear of guitarist/primary songwriter Tom Monda.
    According to Monda, musically the band wanted to make a rock record with multiple layers of compartmentalized detail, a la The Beatles "Abbey Road" or Queens' "Night at the Opera". "This record has a lot of attention to detail, which will hopefully keep people coming back for more. We wanted to make something that held up to both surface listens as well as tailor to listeners who are listening with a microscope of sorts. With more listens, I feel the songs unveil themselves more and more."


    Vocalist and lyricist Salvatore Marrano adds, "This is a deeply personal record for me, albeit positive, but I found myself continually needing to find the positive in all of the negative in our lives. We're all just trying to sift through the bullshit to find a bit of hope."

    1. Prologue: A Faint Applause
    2. The Somnambulist
    3. Caverns
    4. Mr. Invisible
    5. A Wolf In Cheap Clothing
    6. Blue Automatic
    7. Need More Input
    8. Rube Goldberg Variations
    9. Psychopomp
    10. The Amateur Arsonist's Handbook
    11. Epilogue: and the Clever Depart
    Thank You Scientist
    $24.99
    Colored Vinyl LP - 2 LPs Sealed Buy Now
  • Maps Of Non-Existent Places Maps Of Non-Existent Places Quick View

    $24.99
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    Maps Of Non-Existent Places

    Claudio Sanchez has officially launched his record label Evil Ink Records and his first signing is New Jersey's young experimental progressive rock septet
    Thank You Scientist. The newly formed label, distributed by INgrooves, will be releasing a fully remixed and remastered version of the band's 2012 debut
    full-length record, Maps of Non-Existent Places, in time for their run with Coheed and Cambria's "Neverender:IKSSE3 Tour."


    Claudio Sanchez knows a little bit about progressive music. His career has spanned 12 years and 7 albums, likely encompassing the longest concept
    album arc in the history of rock and roll. Now, in effort to further support and promote his beloved complex genre, he has launched a label dedicated to
    sharing a wealth of future talent with the first signing being the extremely talented seven-piece band Thank You Scientist.


    For the uninitiated, Thank You Scientist was forged from the music program at Montclair State University in New Jersey when guitarist Tom Monda met
    saxophonist Ellis Jasenovic and trumpeter Andrew Digrius. The three bonded over their love for Frank Zappa, Mahavishnu Orchestra, The Beatles and
    Harry Nilsson. Those influences would become the seeds for what Thank You Scientist would evolve into today.


    With the addition of vocalist Salvatore Marrano, bassist Greg Colacino, drummer Odin Alvarez and violinist Ben Karas, Thank You Scientist's lineup of
    virtuoso musicians was complete. The band would go on to self-release an EP, The Perils of Time Travel, in 2011 followed by their debut full-length, Maps
    of Non-Existent Places, in 2012, which caught the ear of Sanchez, a fellow purveyor of progressive stylings, and led to his signing of the band.


    To pinpoint Thank You Scientist's sound would be inconceivable. On Maps of Non-Existent Places they hold a virtual master class on musicianship,
    fusing elements of progressive rock with jazz fusion, classical, metal, psychedelic and pop for a head spinning, mind-blowing listening experience. The
    seven-piece band, who collectively play some 20 instruments, boasts a hyper-composed sound which is indebted to their experience and formal training
    in both classical and jazz idioms.


    A Frank Zappa for the indie generation? Incubus jamming with the Mahavishnu Orchestra? Mr. Bungle and Steely Dan joining forces to fight Godzilla?
    King Crimson and the Brecker Brothers serenading you at your bedside? It all seems so strange on paper, yet it's sure to satisfy your ears in the best of
    ways.

    1. Prelude
    2. A Salesman's Guide to Non-Existence
    3. Feed the Horses
    4. Blood On the Radio
    5. Absentee
    6. Suspicious Waveforms
    7. Carnival
    8. Concrete Swan Dive
    9. In the Company of Worms
    10. My Famed Disappearing Act
    Thank You Scientist
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Unlimited Unlimited Quick View

    $24.99
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    Unlimited

    Limited Edition Pressing Of 5,000


    Splatter Colored Vinyl


    Gatefold Cover


    Our whole entire team is excited to announce the release of my next album "UNLIMITED" - this is a collection of music which represents the vastly eclectic musical tastes & creative ideas of both myself and many friends & collaborators who joined the project to build something unique and heartfelt. This is a very deep release for me, with much more downtempo than usual, and a lot of concepts I have wanted to finish for a long time finally coming to fruition. The general theme of this album is the unlimited combinations of sound & ideas within the creative process; treating music like a sonic collage, exploring multiple simultaneous possibilities at once and wandering through the interplay between all the various layers and options. Every song has multiple versions and special hidden meaning, and alternate endings. And each song was created with you in mind as part of an unwritten soundtrack to a future experience where your body and mind can lose themselves in the molecules, and the sound waves, and the energy : )


    I feel like I am introducing you to 15 new friends: hopefully these songs will find their way into your lives at the right time, and serve the right purpose, or enrich your journey somehow. I of course want to thank all of my creative partners & collaborators, as well as all of the extended team and the behind-the-scenes mad scientists who work around the clock to run the label, and plan the tours, and run the shows which fuel the spark that this community is built around. Thank you all for being a part of it, your passion & enthusiasm is the ultimate reflection : )


    -Lorin / Bassnectar

    1. Reaching Out
    2. Music Is The Drug
    3. TKO

    4. Mind Tricks
    5. Unlimited Combinations
    6. Level Up
    7. Shampion Chip

    8. Zodgilla

    9. Paracosm

    10. Surrender

    11. Dream Catcher
    12. Journey To The Center

    13. In The Beginning

    14. Rising, Rising

    15. Inspire The Empathetic
    Bassnectar
    $24.99
    Colored Vinyl LP - 2 LPs Sealed Buy Now
  • Fences Fences Quick View

    $20.99
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    Fences

    New Album Produced By John Vanderslice (Spoon, The Mountain Goats, Samantha Crain)


    Mastered By Bernie Grundman (Michael Jackson's Thriller, Dr. Dre's The Chronic, Carole King's Tapestry)


    180-Gram Vinyl Pressed By Quality Record Pressing


    Vinyl Lacquers Were Cut Directly From Analog Tape


    Dear listener,


    Fences is something new for our band Bombadil. It is more than just an album; it is a new path, a reset after several challenging years. The path began in January 2015, when a longtime member of Bombadil unexpectedly left our band. Daniel Michalak and I sat down to discuss our next steps. It was a time for soul searching. A duo of a bassist and drummer did not feel like a band. Moving forward seemed daunting, but we both felt like there was more to say with the band. We wanted to make music. So we began simply by making some. Writing and recording the Still Bombadil EP was fun. A fast and dirty exploration of a creative idea, no room for fiddling, deadline looming. Our last album, Hold On, had not been like that. It had been an ordeal.


    Daniel suggested composing songs using guitar instrumentals our old bandmate Bryan Rahija had written, and of limiting ourselves to a small palette for the next album: guitar, piano, upright bass, harmony vocals. The goal was to make a folk record, something easy to understand, something beautiful. He shared a demo for "Binoculars" and I loved it. It was simple, elegant. We added it to the live set almost immediately. Daniel continued writing, focusing on guitar, harmony, and emotion. The songs inconveniently had no drums (what was I going to play?!). He instead wrote parts for me to sing and we began collaborating on composing tunes with a similar approach. "Fence" was written together at a friends house in Crozet, Virginia to kill time on tour. An old song of mine, "Long Life," was revived and extended. Percussion parts started to show up. Daniel's commitment to songwriting continued to inspire, a new demo was in my inbox almost weekly. Daniel enlisted the help of an old friend and data scientist, Nasir Bhanpuri, to analyze the success of our old catalog of songs and make suggestions to guide our writing and arranging. It was an experiment that pushed us to take the songs further than we might have in the past. In part, we were throwing ideas at the wall to see what would stick, but we were also searching for something new, actively trying to push ourselves to new creative heights.


    We kept the Bombadil ship moving by accepting all shows, searching for more opportunities to play. We found wonderful people to tour in our band. There were good shows. There were bad ones, too. I learned to be a lead singer on the fly and on stage (with the help of an encouraging septuagenarian opera singer). And we kept writing, practicing, and recording. In July 2015, Stacy Harden sent me an email inquiring if we needed a musician. In his audition, he played through songs like he had been in the band all along. He even knew the harmonies. He had grown up a fan of the band, singing along in the car. In October, Stacy and I drove our equipment across the country for a West Coast tour in a four-day sprint and listened to every song the Beatles recorded. His easy-going spirit was infectious, his presence made the band more fun and more inspiring. We had found our man. "What's So Great About You" was the first collaboration between this new trio, and we started to discover what a new version of our band sounded like.


    In January 2016, the three of us left North Carolina for Littleton, Massachusetts to spend several weeks at a friend's farmhouse. We recorded all day long, cooked together, spent our breaks around a roaring wood stove carefully tended to by Daniel. The resulting demo recordings gave us a roadmap to follow. Our label, Ramseur Records, suggested a producer, a departure after self-recording our last three records. John Vanderslice was given the demos and was enthusiastic about the material. He insisted that we listen closely to Paul Simon's first record. He told us the songs needed a sense of danger, that our demos felt like we were being too careful, and that the songs needed more percussion. John is opinionated, talented, and inspirational. And most of all, making the record with him over 12 days in September 2016 at Tiny Telephone in San Francisco was easy. And fun. And fast. We used only analog equipment, recording to tape through high-end vintage equipment. Bryan came to play his guitar parts (which by this point Stacy had learned for live performances of the material). The recordings were all first takes, new ideas were quickly embraced, mistakes were left alone as intention, very little artificial reverb was used but John's concrete echo chamber was used extensively. We hoped to catch lightning in a bottle and I think that we did.


    To me, Fences represents the journey of the last two years. It is the discovery of a group voice, the willingness to explore collaboration between old friends, and an openness to let new voices into the fold. It is something I am proud to have been a part of and am excited to share with the world. To me, it is an example of the power and positivity of collaboration, of a group of human beings working diligently on a shared vision. If nothing else, I can say that we tried as hard as we possibly could. I can't wait to do it again.


    Thank you for listening,


    James Phillips/Bombadil

    1. What's So Great About You
    2. Not Those Kind of People
    3. Binoculars
    4. Math and Love
    5. Perfect
    6. Fence
    7. Good News Sadie
    8. I Could Make You So Happy
    9. Long Life
    10. Is This Danger
    11. No Snow in the Valley
    Bombadil
    $20.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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