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  • Steve Miller Band Greatest Hits 1974-1978 Steve Miller Band Greatest Hits 1974-1978 Quick View

    $24.99
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    Steve Miller Band Greatest Hits 1974-1978

    Greatest Hits 1974-78 chronicles the best singles from Steve Miller's most successful years. Included are The Joker, Fly Like an Eagle, Take the Money and Run, Jungle Love, Rock n 'Me and Jet Airliner which have all gone on to become classic rock standards.
    1. Swingtown
    2. Jungle Love
    3. Take The Money And Run
    4. Rock 'N Me
    5. Serenade
    6. True Fine Love
    7. The Stake
    8. The Joker
    9. Fly Like An Eagle
    10. Threshold
    11. Jet Airliner
    12. Dance, Dance, Dance
    13. Winter Time
    14. Wild Mountain Honey
    Steve Miller Band
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Fly Like An Eagle Fly Like An Eagle Quick View

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    Fly Like An Eagle

    Capitol Records 75th Anniversary Vinyl


    Fly Like An Eagle is the ninth studio album by American rock group Steve Miller Band. The album was originally released in May, 1976 by Capitol Records.

    1. Space Intro
    2. Fly Like an Eagle
    3. Wild Mountain Honey
    4. Serenade
    5. Dance, Dance, Dance
    6. Mercury Blues
    7. Take the Money and Run
    8. Rock'n Me
    9. You Send Me
    10. Blue Odyssey
    11. Sweet Maree
    12. The Window
    Steve Miller Band
    $24.99
    Vinyl LP - Sealed Buy Now
  • The Joker - 40th Anniversary The Joker - 40th Anniversary Quick View

    $24.99
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    The Joker - 40th Anniversary

    40th Anniversary


    The Joker is the eighth album by Steve Miller Band, originally released in 1973. This was, without question, the turning point in Steve Miller's career, the album where he infused his blues with a big, bright dose of pop and got exactly what he deserved: Top Ten hits and stardom.

    1. Sugar Babe
    2. Mary Lou
    3. Shu Ba Da Du Ma Ma Ma Ma
    4. Your Cash Ain't Nothin' But Trash
    5. The Joker
    6. The Lovin' Cup
    7. Come On In My Kitchen
    8. Evil
    9. Something To Believe In
    Steve Miller Band
    $24.99
    Vinyl LP - Sealed Buy Now
  • One Step Closer One Step Closer Quick View

    $32.99
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    One Step Closer


    First Time 180 Gram Audiophile Vinyl & Gatefold Cover Presentation


    Mastered Impeccably By Joe Reagoso At Friday Music & Capitol Mastering


    Known for their ability of churning out hit songs, top charting albums and sell-out shows across the globe, The Doobie Brothers continue to be a force in the music business garnering them success now for over four decades. They were also in the forefront of making excellent sounding recordings, utilizing their masterful skills in the studios, and their amazing catalog of albums have all stood the test of time.


    1980 was a huge year for the Grammy Award winning band as they took their Bay Area soul and rock driven sounds to a further dimension thanks to the hits on their ninth smash LP in a row with One Step Closer.


    Produced by Ted Templeman, this multi-platinum event would go on to become one of the most successful albums by The Doobie Brothers as the LP gave them a huge top five single with the Michael McDonald tour de force Real Love.


    The hard rockin' and soulful masterwork yielded more hits like the fine vocal work of the sorely missed Cornelius Bumpus (Moby Grape/Steely Dan) on Thank You Love and the hit single One Step Closer. Patrick Simmons as usual wails on lead guitar throughout with latest guitarist John McFee (Elvis Costello/Steve Miller) on tunes like Keep This Train-A-Rollin' and the rocker No Stoppin' Us Now.


    Friday Music is proud once again to offer another installment in our popular Doobie Brothers 180 Gram Audiophile Vinyl Series with their masterpiece One Step Closer. Impeccably mastered by Joe Reagoso (Doobie Brothers/Michael McDonald) from the original Warner Bros. tapes at Friday Music Studios and at Capitol Mastering, the top five Lp sounds incredibly rockin' and soulful as you remember it.


    As an added anniversary bonus, we are presenting the audiophile limited edition album in a first time gatefold cover, with artwork elements not seen in years, enhancing your Doobie Brothers listening experience even further.


    The Doobie Brothers One Step Closer Another Audiophile Doobie Brothers Dream Release Exclusively from your friends at Friday Music!


    For just one minute of REAL LOVE

    1. Dedicate This Heart
    2. Real Love
    3. No Stopping Us Now
    4. Thank You Love
    5. One Step Closer
    6. Keep This Train A-Rollin'
    7. Just In Time
    8. South Bay Strut
    9. One By One
    The Doobie Brothers
    $32.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Wide River Wide River Quick View

    $22.99
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    Wide River

    Wide River is the fifteenth album by the Steve Miller Band, originally released in 1993. The album marked a return to the bluesy pop/rock sound Miller is known for.
    1. Wide River
    2. Midnight Train
    3. Blue Eyes
    4. Lost in Your Eyes
    5. Perfect World
    6. Horse and Rider
    7. Circle of Fire
    8. Conversation
    9. Cry Cry Cry
    10. Stranger Blues
    11. Walks Like a Lady
    12. All Your Love (I Miss Loving)
    Steve Miller Band
    $22.99
    Vinyl LP - Sealed Buy Now
  • The Sound Of Wilson Pickett (Speakers Corner) The Sound Of Wilson Pickett (Speakers Corner) Quick View

    $34.99
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    The Sound Of Wilson Pickett (Speakers Corner)

    Wilson Pickett's best years were those when he recorded for Atlantic Records, and he remained convinced of this even after changing to other labels in his later career. Atlantic boss Jerry Wexler took the promising young Gospel singer under his wing and launched him on his rapidly developing career as an unruly soul man. Pickett's aggressiveness, which in his mature years occasionally resulted in him having backstage fights with musicians and managers, are expressed here in strong words and are given further bite by his antagonistic band. Although he lashed out to the full in his emotional, crackling vocal attacks, he never lost control and even his strongest outbursts remained highly musical. His unique, breathless sound and his ferocious efforts to express himself succinctly do not make for easy listening on this superb hit record and for white people, who according to Pickett would never understand soul music anyway, could well present a real challenge. Is this such fascinating music that you become dumbstruck? Very possibly, as critic Joachim von Mengershausen writes: »His voice is hard, aggressive and strained; it hardly binds the tones together, chops up the phrases, blurts out the essentials - Pickett has eliminated all the Uncle-Tom warmth in soul and has virtually rocked it away.«

    Musicians:



    • Wilson Pickett (vocal)

    • Spooner Oldham (piano, organ)

    • Andrew Love (tenor saxophone)

    • Floyd Newman (bassoon)

    • Gene Miller, Wayne Jackson (trumpet)

    • Jimmy R. Johnson, Chips Moman (guitar)

    • Junior Lowe (bass)

    • Roger Hawkins (drums)





    Recording: 1967 at Fame Recording Studios, Muscle Shoals (Alabama, USA), by Rick Hall & Tom Dowd

    Production: Jerry Wexler





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    1. Soul Dance Number Three

    2. Funky Broadway
    3. I Need A Lot Of Loving Every Day
    4. I Found A Love, Part 1
    5. I Found A Love, Part 2
    6. You Can't Stand Alone
    7. Mojo Mamma
    8. I Found The One
    9. Something Within Me
    10. I'm Sorry About That
    11. Love Is A Beautiful Thing
    Wilson Pickett
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Joker Live The Joker Live Quick View

    $22.99
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    The Joker Live

    The Steve Miller Band is releasing The Joker Live to celebrate the 40th anniversary of the band's hit album and titular number one single, The Joker.


    The album features brand new live recordings of every track on The Joker and coincides with the Steve Miller Band's tour.


    When several friends and colleagues reminded me that it was the 40th birthday of The Joker album, I smiled-and started playing the whole album's songs live again, Steve Miller said in a press release. And at the end of the last tour realized we had a great new record that we wanted to share with our fans. We hope you like it as much as we did playing and recording it.

    1. Come On In My Kitchen
    2. The Lovin' Cup
    3. Something to Believe In
    4. Evil
    5. Mary Lou
    6. Shu Ba Da Du Ma Ma Ma Ma
    7. Your Cash Ain't Nothin' But Trash
    8. Sugar Babe
    9. The Joker
    Steve Miller Band
    $22.99
    Vinyl LP - Sealed Buy Now
  • Golden Butter: The Best Of The Paul Butterfield Blues Band Golden Butter: The Best Of The Paul Butterfield Blues Band Quick View

    $39.99
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    Golden Butter: The Best Of The Paul Butterfield Blues Band


    The First Time Audiophile Vinyl 40th Anniversary Presentation Of Their Legendary Elektra Recordings


    Mastered Impeccably From The Original Elektra Records Tapes by Joe Reagoso at Friday Music Studios & At Capitol Records With Ron McMaster


    Features The Original Gatefold Cover Album Art & Essay by Tony Glover


    Along with fellow superstars Jefferson Airplane, Steve Miller Band and The Grateful Dead, The Paul Butterfield Blues Band was one of the first powerhouse rock acts of the sixties. With their phenomenal brand of Chicago blues music unlike any band before or after them, they helped to usher in the progressive underground rock movement.


    With its core line-up of Paul Butterfield (harmonica/lead vocalist), Mike Bloomfield (guitar), Elvin Bishop (guitar), Sam Lay(drums), Mark Nataflin (keyboards) and Jerome Arnold (bass), this amazing band truly delivered many legendary blues and rock recordings during their successful reign at Elektra Records.


    Blues masterpieces of the era still resonate today as Paul Butterfield and Co. foretold with their classic signature tunes like Born In Chicago, Look Over Yonders Wall, Mellow Down Easy and the mammoth blues prog-rocker East West. With the superstar talents that made up this band over the years, it was not uncommon to hear radio stations play entire sides of their revolutionary albums during the dawn of FM and underground radio.


    Later albums would reveal even further extensions of the blues rock genre with classic renditions like Marvin Gaye's One More Heartache, Michael Nesmith's Mary Mary, plus more of their own prolific standards like Last Hope's Gone, Morning Blues and of course their Woodstock 1969 anthem Love March.


    Elektra awarded The Paul Butterfield Blues Band and their huge fan base with a very extensive and amazing "Greatest Hits" package called Golden Butter back in 1972. Right from the start you get a healthy serving from their first monster release The Paul Butterfield Blues along with more solid tunes from other fine albums like East West, The Resurrection of Pigboy Crabshaw, In My Own Dream, Live and Keep On Movin'.


    Out of print on vinyl for many years, it is with great pride and honor to announce the first time 180 Gram Audiophile Vinyl release of The Paul Butterfield Blues Band classic Golden Butter - The Best Of The Paul Butterfield Blues Band on Friday Music.


    As a first installment in the Paul Butterfield/Friday Music 180 Gram Audiophile Vinyl Series, this amazing album features 18 of their most important songs from their legendary albums from1965 through 1973. From the early blues rock sounds of Shake Your Money-Maker and the lengthy live epic Driftin' and Driftin' to later day album radio favorites like Blind Leading the Blind, One More Mile and the pivotal Willie Dixon favorite Spoonful, this album truly shows the relevance and importance of this sorely missed iconic band.


    Mastered impeccably from the original Elektra Records tapes by Joe Reagoso at Friday Music Studios and at Capitol Records with Ron McMaster, this super limited edition album also boasts the original gatefold cover album art and wonderful essay by Tony Glover, not seen in years!


    The two HQ vinyl LP's are also protected by polylined sleeves as well as a polybag to help keep the album cover and albums in great condition for your blues collection.


    The Paul Butterfield Band Golden Butter First Time 180 Gram Audiophile Vinyl Sounding blusier than ever Nothin' But Some Of The Finest Blues Ever From Chicago exclusively from your friends at Friday Music! In My Own Dream

    LP 1
    1. Born In Chicago
    2. Shake Your Money-Maker
    3. Mellow Down Easy
    4. Our Love Is Drifting
    5. Mystery Train
    6. Look Over Yonders Wall
    7. East-West
    8. Walkin' Blues
    9. Get Out of My Life, Woman
    10. Mary, Mary


    LP 2
    1. Spoonful
    2. One More Mile
    3. One More Heartache
    4. Last Hope's Gone
    5. In My Own Dream
    6. Love March
    7. Driftin' and Driftin'
    8. Blind Leading the Blind

    The Paul Butterfield Blues Band
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
  • Quicksilver Anthology Quicksilver Anthology Quick View

    $39.99
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    Quicksilver Anthology

    Mastered by Joe Reagoso from the Original Capitol Records Tapes w/ Ron McMaster


    Along with fellow superstars Jefferson Airplane, Steve Miller Band and The Grateful Dead, Quicksilver Messenger Service were one of the first Bay Area rock acts that helped usher in the progressive rock/acid rock movement during the height of the Summer Of Love in San Francisco. With its core line-up of David Freiberg, Dino Valenti, Greg Elmore, Gary Duncan, Nicky Hopkins and John Cipollina, this amazing band truly delivered many fine recordings during their successful reign at Capitol Records.


    Anthems of the era still resonate today with society issues and world problems as Quicksilver foretold with their classic signature tunes like Fresh Air, What About Me, Hope and Pride Of Man. With the superstar talents that made up this band over the years, it was not uncommon to hear radio stations play entire sides of their revolutionary albums during the dawn of FM and underground radio.


    Capitol Records awarded Quicksilver and their huge fan base with a very extensive and amazing Greatest Hits package called Anthology back in 1973. Right from the start you get a healthy three track serving from their first monster release Quicksilver Messenger Service, along with more solid tunes from other fine albums like Happy Trails, Shady Grove, Just For Love, What About Me and others classics.


    Out of print for many years, Friday Music has announced the first time 180 Gram Audiophile Vinyl release of their classic Capitol Records release Quicksilvers Anthology on Friday Music. This amazing album features 16 of their most important songs from their legendary albums from 1967 through 1973. From the early acid rock sounds of Dinos Song and the 12 minute epic The Fool, to later day hits like the aforementioned Fresh Air, What About Me and Just For Love, this album truly shows the relevance and importance of this sorely missed iconic band.


    Mastered impeccably from the original Capitol Records tapes by Joe Reagoso and Ron McMaster, this super limited edition album also boasts the original gatefold cover album art, including the silver on black embossed Quicksilver logo. The two HQ vinyl LPs are also protected by poly lined sleeves, as well as a poly bag to help keep the album cover and albums in great condition.

    LP 1

    1. Pride of Man (1967) [from Quicksilver Messenger Service]
    2. Dino's Song (1967) [from Quicksilver Messenger Service]
    3. The Fool (1967) [from Quicksilver Messenger Service]
    4. Bears (1968) [45 RPM only single release]
    5. Mona (1969) [from Happy Trails]
    6. Edward, the Mad Shirt Grinder (1969) [from Shady Grove]


    LP 2
    1. Three or Four Feet from Home (1969) [from Shady Grove]
    2. Fresh Air (1970) [from Just For Love]
    3. Just for Love (1970) [from Just For Love]
    4. Spindrifter (1970) [from What About Me]
    5. Local Color (1970) [from What About Me]
    6. What About Me (1970) [from What About Me]
    7. Don't Cry My Lady Love (1971) [from Quicksilver]
    8. Hope (1971) [from Quicksilver]
    9. Fire Brothers (1971) [from Quicksilver]
    10. I Found Love (1971) [from Quicksilver]

    Quicksilver Messenger Service
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
  • Ray Charles Ray Charles Quick View

    $29.99
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    Ray Charles


    First Time On 180 Gram Audiophile Vinyl!


    Ray Charles' Stunning Atlantic Records Debut!


    The One That Started The Genius Of Soul Phenomenon!


    Mastered For The First Time From The Original Monophonic Atlantic Records Tapes By Joe Reagoso


    Ray Charles was the premiere architect singer/songwriter/musician whose "genius" of combining jazz, blues
    with gospel most certainly began the American soul music movement. This modern form of R&B which would become
    an American way of life forever etched itself in total with the release of his classic #1 hit single I Got a Woman from
    his stunning debut 1957 album Ray Charles.


    Fused with heavy blues, gospel and rock and roll, I Got a Woman was one of Ray's very first top charting hits
    soon to be followed by other #1 smash hit singles like Mess Around and A Fool for You. More hit singles graced his first
    album as well with Hallelujah I Love Her So, Ain't That Love and This Little Girl of Mine. The Ray Charles album itself
    on its own merit is truly a Greatest Hits LP, whereby most of these early Ray Charles' hit tracks have been covered
    hundreds of times by some of the most important voices in popular music, like The Beatles, Elvis Presley, The Steve
    Miller Band, Van Morrison, Peggy Lee, Johnny Winter, Jerry Lee Lewis, Stevie Wonder and many others.


    Also included on this debut masterpiece are some of Ray Charles' more definitive blues rockers like the powerful
    Come Back Baby, the rockin' Greenbacks, the #1 blues rocker Mary Ann, and the brilliant soul sounds of Don't You
    Know, Drown in My Own Tears and Losing Hand.


    The Ray Charles album forever etched the name superstar and genius with Ray Charles as the LP reached the
    upper rungs of the popular, jazz and R&B charts and has become an American institution which will forever stand the
    test of time. Being one of his rarest LP's of his career, the magnificent album has not been officially released on vinyl
    in over five decades and fetches hundreds of dollars for a mint used copy if you can even find one.


    Friday Music is very honored to announce the first time ever 180 Gram Audiophile Vinyl LP of the Ray Charles'
    classic Ray Charles. As another installment in our treasured Ray Charles/Friday Music 180 Gram Audiophile Series, his
    amazing debut LP is mastered from the original monophonic Atlantic Records' tapes by Joe Reagoso at Friday Music
    Studios and at Capitol Mastering with Ron McMaster. This masterwork truly sounds exceptional and will become one
    of the more important roots albums to be reissued in quite some time for the audiophile vinyl domain.


    This limited edition release also comes with the original album cover graphics of Marvin Israel, featuring the
    stunning liner notes by Guy Remark.


    The album will be packaged in a poly bag to preserve the rich details of the legendary cover art as well as a poly
    lined inner sleeve to protect your vinyl purchase for years to come. I Got a Woman!!!

    1. Ain't That Love
    2. Drown in My Own Tears
    3. Come Back Baby
    4. Sinner's Prayer
    5. Funny (But I Still Love You)
    6. Losing Hand
    7. A Fool for You
    8. Hallelujah I Love Her So
    9. Mess Around
    10. This Little Girl of Mine
    11. Mary Ann
    12. Greenbacks
    13. Don't You Know
    14. I Got a Woman
    Ray Charles
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Northern Lights - Live 9-22-76 Northern Lights - Live 9-22-76 Quick View

    $29.99
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    Northern Lights - Live 9-22-76

    Recorded just two and a half months before Tommy Bolin's untimely death, the Tommy Bolin Band are heard playing in an intimate setting for an FM broadcast (after spending the summer of 1976 playing huge stadiums with the likes of Steve Miller, Peter Frampton, ZZ Top, and Rush).
    1. Teaser
    2. People People
    3. You Told Me That You Loved Me
    4. Wild Dogs
    5. Shake The Devil
    6. Post Toastee
    7. Homeward Strut
    Tommy Bolin
    $29.99
    180 Gram Vinyl LP Buy Now
  • Heaven Is In Your Mind Heaven Is In Your Mind Quick View

    $24.99
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    Heaven Is In Your Mind

    Traffic was one of the most original and influential British groups of the 1960s, gathering a diverse set of individual talents in vocalist/multi-instrumentalist Steve Winwood, singer/guitarist Dave Mason, drummer Jim Capaldi and reeds player Chris Wood. The foursomes expansive talents and formidable creative chemistry allowed the musicians to integrate an array of folk, jazz, pop and R&B elements, infusing their eclectic stylistic mix with a playfully psychedelic spirit that perfectly captured the experimental sensibility of the times.


    Traffics historic 1967 debut LP (produced by noted studio vet Jimmy Miller) was released in the U.K. as Mr. Fantasy, but initially reached U.S. shores in altered form as Heaven Is in Your Mind/Mr. Fantasy. The American edition featured an altered track listing and new cover art with Winwood, Capaldi and Wood but not Mason, who had quit the band prior to the albums release.


    The U.S. LP added the British singles Paper Sun, Hole in My Shoe and Smiling Phases to the albums running order, along with a short snippet of the U.K. single Here We Go Round the Mulberry Bush as a recurring motif between tracks. The American edition also tacked on the short closing track Were a Fade, You Missed This, which is actually the fadeout of an alternate version of Paper Sun. The American LPs title was quickly amended to Mr. Fantasy, and it was under that name that most stateside fans came to know the album, with the original U.S. edition becoming something of a rarity.


    In any form, and under any title, Heaven Is in Your Mind/Mr. Fantasy ranks as one of the most audacious and inventive rock albums of its time. Such catchy tunes as Paper Sun, Hole in My Shoe and Heaven Is in Your Mind combine stylistic adventurousness with effortless melodic appeal, while more introspective numbers like Dear Mr. Fantasy and Coloured Rain capture early stirrings of prog-rock and jazz-fusion.


    Sundazeds new vinyl edition of this seminal vintage disc completely restores the albums rare original U.S. cover art. The LP also features the albums incredibly rare mono mix, which differs substantially from the albums more familiar stereo mix. Pressed on pristine high-definition vinyl, Heaven Is in Your Mind/Mr. Fantasy now looks and sounds better than ever.

    1. Paper Sun
    2. Dealer
    3. Coloured Rain
    4. Hole in My Shoe
    5. No Face, No Name and No Number
    6. Heaven Is in Your Mind
    7. House for Everyone
    8. Berkshire Poppies
    9. Giving to You
    10. Smiling Phases
    11. Dear Mr. Fantasy
    12. We're a Fade, You Missed This
    Traffic
    $24.99
    Vinyl LP - Sealed Buy Now
  • Blaze Of Glory Blaze Of Glory Quick View

    $19.99
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    Blaze Of Glory

    Translucent Pink Vinyl


    Even before the world lost musician and author Scott Miller in 2013, the work he did with his band Game Theory had also been missing for decades. Omnivore Recordings is pleased to right that audio wrong with the first in a series of expanded reissues of the Davis, California group's classic catalog.


    Blaze Of Glory, originally released in 1982, was the first music from Miller and company, after an album and EP fronting Alternate Learning. It showed the beginnings of the power-pop mixed with new-wave sensibilities the band would become known for and even hints at the upcoming Paisley Underground sound that would take California by storm.


    Unavailable in its original form since its initial release (the material was remixed and re-recorded as part of a now out-of-print 1993 compilation that also commands top dollar in collector circles), the vinyl LP also sees its first reissue in over 3 decades. The first pressing on translucent pink vinyl (black to follow).


    Mastered from the original tapes and featuring an 8 page booklet with rare photos, an essay from Game Theory tour manager (and set co-producer) Dan Vallor and remembrances from band members and colleagues, including The Dream Syndicate's Steve Wynn.

    1. Something To Show
    2. Tin Scarecrow
    3. White Blues
    4. Date With An Angel
    5. Mary Magdalene
    6. The Young Drug
    7. Bad Year At UCLA
    8. All I Want Is Everything
    9. Stupid Heart
    10. Sleeping Through Heaven
    11. It Gives Me Chills
    12. The Girls Are Ready To Go
    Game Theory
    $19.99
    Colored Vinyl LP - Sealed Buy Now
  • Arms & Hands Arms & Hands Quick View

    $16.99
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    Arms & Hands

    Cornetist and composer Kirk Knuffke is one of modern jazz's most skilled navigators of the divide between inside and outside, freedom and swing. On his latest album, Arms & Hands, he assembles the ideal trio to bridge that divide. Joined by bassist Mark Helias and drummer Bill Goodwin, along with special guests Brian Drye (trombone), Daniel Carter (alto saxophone), and Jeff Lederer (soprano/tenor saxophone), Knuffke creates a set of music that is both engaging and inventive.


    Helias is best known for his work with jazz experimentalists like Anthony Braxton, Cecil Taylor, Marilyn Crispell, and Gerry Hemingway, his band BassDrumBone with Hemingway and Ray Anderson, and his trio Open Loose with Tony Malaby and Tom Rainey. Goodwin, on the other hand, is recognized as a premiere straight-ahead drummer, through his decades-long relationship with saxophonist Phil Woods and credits that include such giants as Bill Evans, Tony Bennett, Dexter Gordon, Jim Hall, Gary Burton, and Art Pepper.
    The chemistry between the trio is irrefutable on Arms & Hands, which is a showcase for the immense creativity of all three musicians. Knuffke intentionally wrote compositions that took advantage of Goodwin's gift for groove and swing while remaining open enough to allow the improvisations to wander however far afield the moment might call for.


    Kirk Knuffke is a prolific composer and improviser who has worked with a host of incredible musicians including Roswell Rudd, William Parker, Uri Caine, Myra Melford, Allison Miller, Steve Swell, John Zorn, Dave Douglas, Billy Hart, Steven Bernstein, and Mary Halvorson. Internationally, he has played with ensembles at jazz festivals in Saalfeldan Austria, Willisau Switzerland, The North Sea Jazz festival in Holland, The Moers festival as well as festival dates in Canada, Mexico, Italy and France. He is currently a member of the Matt Wilson Quartet. Knuffke is also a member of the Mark Helias Quartet, the Andrew D'angelo Big Band, Josh Roseman's Extended Constellations, Kenny Wollesen's Wollesonic and Allison Miller's Boom tic Boom. Knuffke's leader debut, Big Wig, was released by Clean Feed in 2008, followed by the trio recordings Chew Your Food and Amnesia Brown and the quartet album Chorale. He has also recorded several duo CDs with pianist Jesse Stacken and one with percussionist Mike Pride, and co-led the collaborative trio Sifter with Mary Halvorson and Matt Wilson and a quartet with saxophonist Ted Brown.

    1. Safety Shoes
    2. Bright Light
    3. Pepper
    4. Chirp
    5. Umbrella
    6. Next
    7. Arms & Hands
    8. Bonderizer
    9. Atessa
    10. Thanks A Lot
    Kirk Knuffke
    $16.99
    Vinyl LP - Sealed Buy Now
  • Tutu Tutu Quick View

    $39.99
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    Tutu


    2-LP Set On 180-gram Vinyl Includes Remastered Original Studio Album, Plus Unreleased Live Performances


    Extra 180-Gram Vinyl LP Of Live Performances By The Miles Davis Octet Of The Nice Jazz Festival Of 1986, Available For The First Time On Vinyl


    Packaging Is A Replica Of The Original Vinyl Album, Including Stickers, LP Labels, Irving Penn's Beautiful And Iconic Photographs


    30 Years ago, Miles Davis made waves in the music world when he left Columbia Records to sign recording and publishing contracts with Warner Bros. and Warner Chappell in 1985. With a new label to call home, Davis immediately started working on the album, which originally had the working title, Perfect Way, named after a song by new wave pop band Scritti Politti that he was covering on the album. The album was later renamed Tutu by producer Tommy LiPuma, taken from news headlines of the day referencing the well-known South African archbishop and anti-apartheid leader, Desmond Tutu.


    Rhino celebrates one of jazz music's most revered and innovative talents with a 2-LP deluxe edition set on 180-gram vinyl of Miles Davis' TUTU, released to coincide with the 30th Anniversary of Davis signing with Warner. The deluxe edition includes a remastered LP of the original album and a bonus LP of live performances at the Nice Festival held in 1986, packaged with the original artwork featuring photographs by the legendary Irving Penn.


    TUTU pushed Davis back into center stage, winning him two Grammy® awards, when even the most reverent seemed to admit that his best music lay in the past. Tutu stands as an important part of the Davis legacy, and a testament to a prolific artist whose boundless creativity continuously redefined a genre throughout his legendary career.


    As Davis recalled, Tutu "started with some music that George Duke, the piano player sent to me." Davis' affection for the initial track - eventually titled "Backyard Ritual" and filled with synthesizer sounds and electronic beats - revealed the trumpeter's willingness to consider music written by others, and the use of cutting-edge electronics.


    Producer Tommy LiPuma recruited composer and studio musician Marcus Miller to collaborate on the project, who at 27, had already made a name for himself in jazz, R&B and popular music, playing funk, rock, bebop and hip hop. Davis later praised him as being "so hip and into the music that he even walks in tempo . . . in the studio we make a great team."


    "Technology was kind of exploding and I thought it would be interesting to hear Davis making his way through this new world," said Miller. Performing on the album were George Duke, Adam Holzman and Bernard Wright, percussionists Paulinho Da Costa and Steve Reid, drummer Omar Hakim and violinist Michael Urbaniak all contributed tracks; keyboardist Jason Miles played a significant role as well, programming the synthesizers and helping push the tracks to a level of sonic detail that could compete with contemporary recordings.


    Tutu would feature a variety of tunes that offered a mix of flavors and mood. Besides the title track, four were composed by Miller - "Splatch," "Portia," "Don't Lose Your Mind" and "Full Nelson" (the last a tribute to another South African leader, Nelson Mandela). "Tomaas" - named by Davis for LiPuma - was co-written by Davis and Miller, based on ideas Davis had previously recorded. The selections were rounded out by one cover - "Perfect Way," which Davis had initially chosen to be the album's title track.


    By that summer, Davis' group was touring Europe. With a four-night run approaching at the Grande Parade du Jazz festival in Nice, France, the decision was made to record the group at its prime. It was a wise choice. Warner Bros. hired a mobile recording truck and all four concerts were taped. "Everybody in the band knew we were being recorded so we were on our game," remembers his nephew, drummer Vince Wilburn. "Miles had an uncanny knack for knowing not only what to record but when and where. Every night was more beautiful than the one before: wonderful weather, captive audiences and the band was on fire."


    "At the time, there wasn't anything that jumped out at me," LiPuma admits. "Believe me, if I thought there had been, I would've put an album out. But having spent some time with the music, it's brilliant - and I think it's an important recording." Like the best live recordings, these tracks are both historic and timeless - filled with a spirit and snap that can still be felt today, yet cannot be repeated.

    LP 1
    1. Tutu
    2. Tomaas
    3. Porttia
    4. Splatch
    5. Backyard Ritual
    6. Perfect Way
    7. Don't Lose Your Mind
    8. Full Nelson


    LP 2 - Live from Nice Festival, France, July 1986
    1. Portia
    2. Human Nature
    3. Carnival Time
    4. Splatch
    5. New Blues

    Miles Davis
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Infinite Search (Pure Pleasure) Infinite Search (Pure Pleasure) Quick View

    $34.99
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    Infinite Search (Pure Pleasure)

    With John McLaughlin, Herbie Hancock, Joe Henderson, and Jack DeJohnette, this group rivaled the best fusion bands of the day. It must have been an intimidating challenge for a young Czech bassist to lead such a group on his debut album as a frontman, especially since he composed five of the six tracks. Recorded in late 1969, roughly the same time as the historic Bitches Brew, and the year before Vitous began a stint with the innovative Weather Report, this was trend-setting fusion. It's produced by Herbie Mann, for whom Vitous played on such albums as Memphis Underground and Stone Flute.


    -Mark Allan/AMG



    Miroslav's first album; superb even in the 21st century. If you are interested in finding out about the beginnings of 'jazz-rock fusion' this record is absolutely crucial. DeJohnette and Mclaughlin both had something to prove at the time and it shows. Vitous had won a scholarship to Boston's Berklee school of music but on this evidence, he didn't need it at all and probably scared the heck out of the teaching staff before he left to go with Herbie Mann, the occasional Miles gig, and the album sessions with Shorter and Zawinul that led to Weather Report. A brilliant and influential debut from a prodigious talent; buy this one!


    -J. Miller



    Musicians:



    • Miroslav Vitous (bass)

    • Joe Henderson (tenor saxophone)

    • John McLaughlin (guitar)

    • Herbie Hancock (piano)

    • Jack DeJohnette, Joe Chambers (drums)



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. Freedom Jazz Dance
    2. Mountain In The Clouds
    3. When Face Gets Pale
    4. Infinite Search
    4. I Will Tell Him On You
    6. Epilogue
    Miroslav Vitous
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Straight From The Heart (Speakers Corner) Straight From The Heart (Speakers Corner) Quick View

    $34.99
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    Straight From The Heart (Speakers Corner)

    Ann Peebles' climb up the career ladder was rather more conventional than spectacular in the tough, rough days of rhythm and blues. She was first discovered when she appeared in Memphis nightclubs, was given a break by the big-band leader Gene 'Bowlegs' Miller, and landed her first top hit with the celebrated song I Can't Stand The Rain.



    Towards the end of the Seventies she made a well-timed retreat just before the outbreak of the highly commercialised disco wave, only to return many years later with a revival of her old songs.
    Her album from 1972 has certainly not mellowed with age. Her singing is sharp and soulful, and comes right from the heart (Slipped, Tripped And Fell In Love). The beat is powerful, throbbing, young and fresh (What You Laid On Me) or surging and groovy (How Strong Is A Woman?). The arrangements come across as sophisticated and well balanced, yet do not baulk at harsh attacks from the winds nor from the use of Hammond and Hohner keyboards, which were so popular at that time. Melody, singers and big band are airy and finely interwoven (Somebody's On Your Case), while a fusion of soft swing and snappy acerbity (I Pity The Fool) rounds off this album which is filled with pure emotion, heart and soul.



    Musicians:



    • Ann Peebles (vocal)

    • James Mitchell (bassoon)

    • Jack Hale (trombone)

    • Andrew Love, Ed Logan (tenor saxophone, vocals)

    • Charles Hodges (organ, piano)

    • Wayne Jackson (trumpet)

    • Teenie Hodges (guitar)

    • Leroy Hodges (bass)

    • Howard Grimes (drums)



    Recording: August 1971 at Royal Recording Studios, Memphis, TN, by Willie Mitchell

    Production: Willie Mitchell





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Slipped, Tripped and Fell In Love
    2. Trouble, Heartaches & Sadness
    3. What You Laid On Me
    4. How Strong Is A Woman
    5. Somebody's On Your Case
    6. I Feel Like Breaking Up Somebody's Home Tonight
    7. I've Been There Before
    8. I Pity The Fool
    9. 99 Pounds
    10. I Take What I Want
    Ann Peebles
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • I Remember (Pure Pleasure) I Remember (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    I Remember (Pure Pleasure)

    Jazz singer Dianne Reeves was born into a family rich in musical background. Her uncle, Charles Burrell, a bass player with the Denver Symphony Orchestra, introduced her to the music of jazz singers such as Ella Fitzgerald, Billie Holiday, and, especially impressive to Reeves, Sarah Vaughan.



    Her musical career includes a tour with Eduardo del Barrio's group Caldera; singing with Billy Childs' jazz band Night Flight; touring with Sergio Mendes; from 1983-86 touring with Harry Belafonte as a lead singer. She also sang at the closing ceremony of the 2002 Winter Olympic Games in Salt Lake City.



    Reeves has been awarded four Grammys for Best Jazz Vocal Performances for the albums In the Moment - Live In Concert (2001), The Calling: Celebrating Sarah Vaughan (2002), A Little Moonlight (2003), and Good Night and Good Luck (soundtrack) (2006).


    Recorded at Madhatter Studios, Los Angeles, California on September 10-11, 1990 and The Van Gelder Studio, Englewood Cliffs, New Jersey on April 27-28 and May 9, 1988.


    Features:



    • 180g Vinyl

    • Re-mastered by Ron McMaster at Capitol Studios


    Musicians:



    • Dianne Reeves, vocals

    • Kevin Eubanks, acoustic guitar

    • Bobby Hutcherson, vibraphone

    • Greg Osby, alto saxophone

    • Justo Almario, saxophone

    • Charles Mims, piano

    • Billy Childs, piano

    • Donald Brown, piano

    • Mulgrew Miller, piano

    • Chris Severin, bass

    • Charnett Moffett, bass

    • Billy Kilson, drums

    • Marvin Smitty Smith, drums

    • Terri Lyne Carrington, drums

    • Ron Powell, percussion, wind chimes

    • Bill Summers, percussion

    • Luis Conte, percussion


    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Afro Blue
    2. The Nearness Of You / Misty
    3. I Remember Sky
    4. Love For Sale
    5. Softly As In The Morning Sunrise
    6. Like A Lover
    7. How High The Moon
    8. You Taught My Heart To Sing
    9. For All We Know
    Dianne Reeves
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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