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Steve Earle And The Dukes

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  • So You Wannabe An Outlaw So You Wannabe An Outlaw Quick View

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    So You Wannabe An Outlaw

    So You Wannabe an Outlaw, Earle's first album for Warner Bros. Records since 1997's El Corazón, explores his country songwriting roots and features collaborations with Willie Nelson, Johnny Bush, and Miranda Lambert.

    "There's nothing 'retro' about this record," Earle says. "I'm just acknowledging where I'm coming from." So You Wannabe an Outlaw is the first recording he has made in Austin, TX. Earle has lived in New York City for the past decade. "Look, I'm always gonna be a Texan, no matter what I do," he says. "And I'm always going to be somebody who learned their craft in Nashville. It's who I am."

    So You Wannabe an Outlaw is an homage to outlaw music and is dedicated to the late Waylon Jennings. "I was out to unapologetically 'channel' Waylon as best as I could," Earle says. "This record was all about me playing' on the back pick-up of a '66 Fender Telecaster on an entire record for the first time in my life. The vocal part of it is a little different. I certainly don't sound like Waylon Jennings. I moved to Nashville in November of 1974, and right after that Willie Nelson's Red Headed Stranger came out. I was around when Waylon was recording Dreaming My Dreams. Guitar Town (Earle's 1986 chart-topping, Grammy Award-winning debut album) wound up being kind of my version of those types of songs," Earle recalls.

    Earle is backed on So You Wannabe an Outlaw by his long-time band The Dukes - guitarist Chris Masterson, fiddle player Eleanor Whitmore, bassist Kelly Looney, and new members drummer Brad Pemberton and pedal steel player Ricky Ray Jackson. The album was produced by Richard Bennett and recorded at Arlyn Studios in Austin.

    LP 1
    1. So You Wannabe an Outlaw
    2. Lookin' for a Woman
    3. The Firebreak Line
    4. News from Colorado
    5. If Mama Coulda Seen Me
    6. Fixin' to Die
    7. This Is How It Ends
    8. The Girl on the Mountain

    LP 2
    1. You Broke My Heart
    2. Walkin' in LA
    3. Sunset Highway
    4. Goodbye Michelangelo
    5. Ain't No God in Mexico
    6. Sister's Coming Home / Down at the Corner Beer Joint
    7. Local Memory
    8. Are You Sure Hank Done It This Way

    Steve Earle & The Dukes
    Vinyl LP - 2 LPs Sealed Buy Now
  • The Hard Way The Hard Way Quick View

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    The Hard Way

    This is Steve Earle's fourth studio album by The Dukes. This version has been cut from the original masters & pressed on black 180-gram heavyweight vinyl.
    1. The Other Kind
    2. Promise You Anything
    3. Esmeralda's Hollywood
    4. Hopeless Romantics
    5. This Highway's Mine (Roadmaster)
    6. Billy Austin
    7. Justice In Ontario
    8. Have Mercy
    9. When the People Find Out
    10. Country Girl
    11. Regular Guy
    12. West Nashville Boogie
    13. Close Your Eyes
    Steve Earle & The Dukes
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Exit 0 Exit 0 Quick View

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    Exit 0

    Exit 0, recorded with backing band The Dukes, saw a similar stylistic direction to Steve Earle's debut & resulted in more Grammy nominations and airplay success with key album cut 'Nowhere Road.' This version has been cut from the original masters & pressed on black 180-gram heavyweight vinyl.

    1. Nowhere Road
    2. Sweet Little '66
    3. No. 29
    4. Angry Young Man
    5. San Antonio Girl
    6. The Rain Came Down
    7. I Ain't Ever Satisfied
    8. The Week of Living Dangerously
    9. I Love You Too Much
    10. It's All Up To You
    Steve Earle & The Dukes
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Low Highway The Low Highway Quick View

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    The Low Highway

    Steve Earle is set to release his new album The Low Highway via New West Records. The 12-track set is the anticipated follow up to 2011's Grammy Award-nominated album I'll Never Get Out of This World Alive and is the first billed as "Steve Earle &
    The Dukes (& Duchesses)." The album is also the first to feature "The Dukes" band name since 1987's Exit 0. The Low Highway features his live band consisting of Chris Masterson, Eleanor Whitmore, Kelley Looney, Will Rigby and Allison Moorer and
    was co-produced by Earle and Ray Kennedy (whose production partnership known as the "Twangtrust" was behind Lucinda Williams' Car Wheels on a Gravel road). The Low Highway is Earle's 15th studio album since the release of his highly influential 1986
    debut Guitar Town.
    1. The low Highway
    2. Calico County
    3. Burnin' it Down
    4. That All You Got?
    5. Love's gonna Blow My Way
    6. After Mardi Gras
    7. Pocket Full of Rain
    8. Invisible
    9. Warren Hellman's Banjo
    10. Down the Road Part II
    11. 21st Century Blues
    12. Remember Me
    Steve Earle & The Dukes (& Duchesses)
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Terraplane Terraplane Quick View

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    Terraplane takes its title from the 1930s Hudson Motor Car Company of Detroit model, which also inspired the Robert Johnson song, "Terraplane Blues." It is Earle's 16th studio album since the release of his highly influential 1986 debut Guitar Town. As its title suggests, the album is very much a blues record, some of which was written while Earle toured Europe alone for five weeks with just a guitar, a mandolin and a backpack
    1. Baby Baby Baby (Baby)
    2. You're the Best Lover That I Ever Had
    3. The Tennessee Kid
    4. Ain't Nobody's Daddy Now
    5. Better Off Alone
    6. The Usual Time
    7. Go Go Boots Are Back
    8. Acquainted With the Wind
    9. Baby's Just as Mean as Me
    10. Gamblin' Blues
    11. King of the Blues
    Steve Earle & The Dukes
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Down At The Club Down At The Club Quick View

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    Down At The Club

    This release contains a complete Steve Earle live broadcast and includes inter-song chat which is at times hilarious and at others somewhat tragic. The set-list includes seven numbers from Copperhead Road, four from its predecessor Exit 0, two from Guitar Town and a track from the rare 1982 Pink & Black EP. Opening the show was blind blues guitarist Jeff Healey who also joined The Dukes on stage for the final three numbers. Recorded live at the Cotton Club in Atlanta, Georgia on December 17, 1988.
    1. Copperhead Road
    2. Good Ol' Boy
    3. The Rain Came Down
    4. San Antonio Girl
    5. Even When I'M Blue
    6. Someday
    7. The Devil'S Right Hand
    8. Johnny Come Lately
    9. Nothing But A Child
    10. The Week Of Living Dangerously
    11. Waiting On You
    12. You Belong To Me
    13. No. 29
    14. My Baby Worships Me
    15. It'S All Up To You
    Steve Earle & The Dukes
    Vinyl LP - 2 LPs Sealed Buy Now
  • Just an American Boy (Live) (Pre-Order) Just an American Boy (Live) (Pre-Order) Quick View

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    Just an American Boy (Live) (Pre-Order)


    Just An American Boy is a live album by Steve Earle recorded with the Dukes on their tour supporting Earle's 2002 album Jerusalem. The album was originally released in 2003.

    LP 1
    1. Audience Intro (Live)
    2. Amerika v. 6.0 (The Best That We Can Do) [Live]
    3. Ashes to Ashes (Live)
    4. Paranoia (Monologue) [Live]
    5. Conspiracy Theory (Live)
    6. I Remember You (Live)
    7. Schertz, Texas (Monologue) [Live]
    8. Hometown Blues (Live)
    9. The Mountain (Live)
    10. Pennsylvania Miners (Monologue) [Live]
    11. Harlan Man (Live)
    12. Copperhead Road (Live)

    LP 2
    1. Guitar Town (Live)
    2. I Oppose the Death Penalty (Monologue) [Live]
    3. Over Yonder (Jonathan's Song) [Live]
    4. Billy Austin (Live)
    5. Audience Intro #2 (Live)
    6. South Nashville Blues (Live)
    7. Rex's Blues / Ft. Worth Blues (Live)
    8. John Walker's Blues (Live)
    9. Jerusalem (Live)
    10. The Unrepentant (Live)

    LP 3
    1. Christmas in Washington (Live)
    2. Democracy (Monologue) [Live]
    3. What's So Funny About Peace, Love & Understanding (Live)
    4. Time You Waste (Live)

    Steve Earle
    Vinyl LP - 3 LPs Sealed PRE-ORDER Buy Now
  • Good Luck Charm Good Luck Charm Quick View

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    Good Luck Charm

    Already recognized for their critically-lauded 2012 debut album Birds Fly South, Austin, TX-based husband-wife duo The Mastersons are now "poised to be one of Austin's breakout acts in 2014 " (Austin American Statesman). While they are seasoned songwriters and virtuosic multi-instrumentalists in their own right, they have also become integral members of Steve Earle's band The Dukes, having been featured on Earle's The Low Highway and playing hundreds of shows with Earle for the better part of 3 years.

    During a break between tours, the duo recorded their sophomore album Good Luck Charm with noted producer/engineer Jim Scott (Tom Petty, Wilco, The Dixie Chicks). The new collection raises the stakes with 11 emotionally precise songs that are firmly rooted in sometimes-harsh reality, yet which radiate faith and optimism. While Good Luck Charm is their second album together, in many ways it's their first full-on collaboration. All of the songs were co-written by Chris and Eleanor, giving the material added depth as well as a powerful collective lyrical identity that's matched by their expressive harmonies.

    1. Good Luck Charm
    2. Closer To You
    3. If I Wanted To
    4. Uniform
    5. It's Not Like Me
    6. Anywhere But Here
    7. I Found You
    8. Easy By Your Side
    9. Cautionary Tale
    10. Nobody Knows
    11. Time Is Tender
    The Mastersons
    Vinyl LP - Sealed Buy Now
  • Paradise & Lunch (Speakers Corner) Paradise & Lunch (Speakers Corner) Quick View

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    Paradise & Lunch (Speakers Corner)

    A good 20 years have passed since a band with ancient musicians from Cuba - the Buena Vista Social Club - took the world by storm. Behind the project, in the wings yet right in the midst of this unheard-of music, was Ry Cooder, who regarded this encounter as the greatest musical event of his entire life. The bottleneck guitar hero had always been very interested in the music from the other Americas ever since the solo albums he made in his early years, in which he told the story of the American folk and blues in a multitude of styles. The LP Paradise And Lunch is no exception and begins with gospel-like grooves that smell of native soil. The faint smell of a wooden church from pioneering days wafts out of the processional antiphonal song Jesus On The Mainline and a healthy 12-bar blues paints a picture of what silent witnesses could tell if they could (If Walls Could Talk). Cooder and his sidemen felt themselves perfectly at home when adventuring further afield and this is testified to in the laid-back calypso rhythm of It's All Over Now and the clip-clop of Mexican Divorce.

    This wonderful album is highly recommended for each and every number, but if you want a tip for a very special track, then just listen to the ragtime piano rolls in Bo Diddley's Ditty Wah Ditty.


    • Ry Cooder (guitar, mandolin, bass, vocal)

    • Ronnie Barron (piano, organ)

    • Earl Hines (piano)

    • Plas Johnson (alto saxophone)

    • Oscar Brashear (cornet)

    • Red Callender (bass)

    • John Duke (bass)

    • Russ Titelman (electric bass)

    • Chris Ethridge (electric bass)

    • Milt Holland (drums, percussion)

    • Jim Keltner (drums)

    Recording: 1974 at the Warner Brothers Studios in North Hollywood and Burbank (USA), by Lee Herschberg

    Production: Lenny Waronker & Russ Titelman

    About Speakers Corner

    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.

    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.

    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. Tamp 'Em Up Solid
    2. Tattler
    3. Married Man's a Fool
    4. Jesus on the Mainline
    5. It's All Over Now
    6. Fool for a Cigarette/Feelin' Good
    7. If Walls Could Talk
    8. Mexican Divorce
    9. Ditty Wah Ditty
    Ry Cooder
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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