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Stand By Your Van'
Stand By Your Van
Newly Remastered - Vinyl Debut
Stand by Your Van is a retrospective compilation live album recorded between 1994-1996 by the ska-punk band
Sublime featuring the hits "Caress Me Down," "Badfish," and "Don't Push."1.Don't Push
4.Let's Go Get Stoned
10.Work That We Do
11.Pool Shark$24.99Vinyl LP - Sealed Buy Now
The Last StandIf you have any doubts, please update your books now: our favourite Swedish war machine SABATON are on their way to the absolute top of the heavy metal world.
Need some evidence? As we speak, these platinum selling, Falun-based heavy metal heroes are headlining some of the biggest European festivals through fires and flames and playing massive stadium concerts in front of tens of thousands of enthusiastic fans with legendary comrades, such as IRON MAIDEN and SCORPIONS. In August SABATON will once again command the troops on the holy grounds of Rockstad Falun Festival - aka Sabaton Open Air - when the band hosts their own three day festival - closing the last day with an explosive performance. Then, later this year, SABATON's sight will be directed at the USA, where the band is a doing huge tour and also performing at Ozzfest Meets Knotfest Festival in California, alongside BLACK SABBATH, SLIPKNOT and others.
However, this is just the beginning: when the winter arrives, SABATON will unleash their prestigious live power upon the whole of Europe. No mercy will be given and all guns will be blazing, when this tireless killing machine will blow out sold-out arenas to another dimension. During this tour, named "The Last Tour", SABATON's support comes from German metal legend ACCEPT.
What? The last tour of SABATON? No, not really, as the band's worldwide war plans are already marching years ahead.
The title of this massive, to say the least, world tour comes from SABATON's latest masterpiece "The Last Stand". The new record, which will be unleashed to the masses in August by the world's most powerful heavy metal label Nuclear Blast Records, is simply a perfect addition to SABATON's discography, which already contains some of the most heroic heavy metal known to man.
"We have done a majestic record and we couldn't be happier with it. Is 'The Last Stand' SABATON's strongest album to date? Well, time will tell us that, but one thing is 100 % guaranteed: on the record, there are lots of songs that will go down in SABATON's own hall of fame, says the band founder and bassist PÄr Sundström.
"'The Last Stand' contains all the elements that our fans could ask for, adds the band's main composer and singer Joakim BrodÉn. "The new record tells a victorious tale of SABATON in 2016, and even further. Lots of fresh ideas and unprecedented magic can be heard on these new tunes - for example, check out bagpipe and Hammond driven major key song 'Blood Of Bannockburn'. We have never done anything like that before.
"At the same time, our legions of diehard fans will be pleased to observe some echoes from our older works: such as relentless heavy metal of 'Primo Victoria' (2005), catchy flavours of 'The Art Of War' (2008) and deep epicness of 'Carolux Rex' (2012). 'The Last Stand' contains all of these elements - and lots more!
If the previous record, straightforward heavy metal assault "Heroes", showed the unstoppable power of SABATON's eloquent line-up, huge-sounding "The Last Stand" conquers whole new kingdoms. The band's apparent sixth member, HYPOCRISY / PAIN mastermind and renowned producer Peter TÄgtgren (LINDEMANN, DIMMU BORGIR, CHILDREN OF BODOM among others), grasped everything out of BrodÉn, Sundström, drummer Hannes Van Dahl and guitarists Thobbe Englund and Chris Rörland. The result? Innovative guitar solos and razorsharp riffs, pounding drum patters, catchier than catchy choruses and haunting melodies - and the list goes on Well, let's put it this way: if SABATON used to sound intense, bombastic and invincible, this time they sound absurdly intense, bombastic and invincible.
The lyrics have always been a very important part of SABATON's art. Thanks to their classic metal anthems, such as 'Ghost Division', 'Uprising', 'Soldier Of 3 Armies', 'No Bullets Fly' and '40:1, SABATON has achieved superstar status in countries like Sweden, Finland, Czech Republic and Germany. Poland, however, signifies "something else for these guys: SABATON's members have been adopted as Poland's honorary citizens and the band's biggest show ever happened in Przystanek Woodstock Festival in front of half a million fans.
"Regarding new lyrical themes, there were several possibilities this time, but when we came up with the idea about the famous last stands on battlefields and other historical places, that was it - we didn't have to look any further, tells BrodÉn.
"The previous album's heroic stories about fighting and surviving were a perfect match for SABATON, but these new tales may be even more interesting to our devoted fans. The lyrics are based on very interesting historical episodes and they will open a whole new world for the friends of our band, insists Sundström.
SABATON have reached their unshaken position as heavy metal's AAA-torchbearer after releasing ingenious studio recordings and playing endless amount of unforgettable live shows. "The Last Stand" is another unquestionable and bulletproof evidence of SABATON's top class abilities and it will be followed by the band's most gigantic world tour to date.1. Sparta
2. Last Dying Breath
3. Blood Of Bannockburn
4. Diary Of An Unknown Soldier
5. The Lost Battalion
6. Rorke's Drift
7. The Last Stand
8. Hill 3234
10. Winged Hussars
11. The Last Battle
13. All Guns Blazing$28.99Vinyl LP - Sealed Buy Now
$24.99 $22.49 Save $2.50 (10%)
Street Survivors (On Sale)1977 Smash Remains South Rock Legends Finest Hour: Includes Whats Your Name and That Smell
Last Album Made By Original Members Ronnie Van Zant and Allen Collins
Mastered on Mobile Fidelitys World-Renowned Mastering System and Pressed at RTI
Triple-Guitar Front of Steve Gaines, Gary Rossington, and Collins Remains Rocks Most Formidable Assembly of Six-String Players
Street Survivors remains Lynyrd Skynyrds finest hour, and for many reasons. The last album recorded with original vocalist Ronnie Van Zant and guitarist Steve Gaines, who passed away in a tragic plane accident three days after its release, the 1977 set is both mythical for its historical significance as well as infallible songwriting quality. Then there's the triple-guitar front of Collins, Gary Rossington, and Steve Gaines, which, together, comprise the most formidable combination of lead six-string players assembled on an original album. Add in freshly inspired performances and classic Muscle Shoals production, and you have a timeless work of art.
Mastered from the original master tapes and pressed at RTI (the best record plant in North America), Mobile Fidelity Silver Series' limited edition LP presents Skynyrds landmark effort in a dynamic, organic, soulful, and balanced sound that puts the musicians on a wide soundstage that will make you think they are standing on a stage in your room. In particular, Van Zants re-energized singing comes through with utmost clarity and verve. The complex web of guitars is now unraveled, with each of the instrumentalists possessing their own space, allowing their contributions to assume a transparency that further lends to the musics impact. Background vocals, too, rise up above what had heretofore been an artificial ceiling.
Produced by iconic producer Tom Dowd, Street Survivors is drenched in earthy vibes and live-from-the-floor rawness, the sense of spontaneity and interplay underlining the groups taut albeit loose material. Rebounding from 1975s solid yet semi-formulaic Nuthin Fancy and the following years equally lukewarm Gimme Back My Bullets, Skynyrd comes out firing on Street Survivors and never let up. The septets nucleus was never better. It's lamentable that this stands as the lineups only studio record together, but the music here makes you all the more thankful for the chance to at least here them reach their potential at least once.
Gaines incredible abilities spur on his mates, which respond with strong ideas and even stronger performances. Melodies are sharp, hooks are abundant, rhythms in command. A miasma of blues, rock, country, gospel, and soul informs the arrangements, and those three guitarists play as if their lives depended on getting everything just right. Songs flow with an effortless ease, and whether its the slithering organ-backed rollick of I Never Dreamed, swampy drug-abuse warning That Smell, or autobiographical honky-tonk Ain't No Good Life, Skynryd clicks on all cylinders. Swagger, swing, and strut. What an album.
Honor Van Zant and Collins memories, and revisit a Southern rock masterpiece, by acquiring this collectable version of Street Survivors.
This title is not eligible for further discount.1. What's Your Name
2. That Smell
3. One More Time
4. I Know A Little
5. You Got That Rig
6. I Never Dreamed
7. Honky Tonk Night Man
8. Ain't No Good Life$24.99 $22.49 Save $2.50 (10%)Vinyl LP - Sealed Buy Now
Lee-WayBlue Note Reissue
How do these new deluxe re-issues stack up to the alternatives? Not surprisingly, the big difference comes from the 45-RPM cutting. The faster cutting speed creates greater dynamic range and the sense of more air around the instruments, which stand out in better relief and give that you-are-there feel. The tradeoff requires you to flip the record twice as often, a small price to pay for this level of enhanced realism. These new issues maintain that timbral accuracy and at the same time bring out the piano sound like never before, for the first time Blue Note re-issues sound right. Dennis D. Davis, Hi-Fi+, Issue 57
As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands. Back home a month later, I unpack some test pressings Chad Kassem has sent me. I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud. Jason Victor Serinus, Stereophile, April 2008
...these first five Acoustic Sounds Blue Note re-issues are pure bop genius...The best news is that Kevin Gray and Steve Hoffman were keen enough to do nothing more than gently clean up the masters, bringing us even closer to the hard bop edge. The 45 rpm pressings that I received were all super quiet with every last drop of resolution from the master tapes. I had almost forgotten just how good Paul Chambers and Phil Joe were together as the backbone of these groups. I've always loved this music but I didn't remember it sounding this good! Hank Mobley offers us some brilliant sax bits on one of Kenny Dorham's finest recordings, Whistle Stop and Dexter Gordon's performance blew me away as well. The biggest surprise were the Lee Morgan records. I suggest turning these up loud, since they possess unlimited energy and some hooks that will knock you out. Amazing! Just a small warning: Once you start playing these Blue Note recordings you will be hooked. The good news is that Acoustic Sounds is working on at least 20 more of these jazz gems. So make sure your turntable has a setting for 45 rpm, clean your stylus occassionally, and get ready to be transported to nirvana. - Dan Babineau, Tone Audio, No. 14 2008, www.tonepublications.com
This album is unique within Lee Morgan's vast and rich Blue Note discography. With then current employer Art Blakey, band mate Bobby Timmons on piano, Paul Chambers on bass and Jackie McLean on alto saxophone, the trumpeter abandons time constraints and stretches out on four, soulful, hard-bop compositions (the first and the last are by Cal Massey). These hard bop masters are constantly inspired by Blakey's explosive grooves.These Are Soulful Days
The Lion and the Wolf
Nakatini Suite$49.99180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
Ray Charles (Awaiting Repress)
First Time On 180 Gram Audiophile Vinyl!
Ray Charles' Stunning Atlantic Records Debut!
The One That Started The Genius Of Soul Phenomenon!
Mastered For The First Time From The Original Monophonic Atlantic Records Tapes By Joe Reagoso
Ray Charles was the premiere architect singer/songwriter/musician whose "genius" of combining jazz, blues
with gospel most certainly began the American soul music movement. This modern form of R&B which would become
an American way of life forever etched itself in total with the release of his classic #1 hit single I Got a Woman from
his stunning debut 1957 album Ray Charles.
Fused with heavy blues, gospel and rock and roll, I Got a Woman was one of Ray's very first top charting hits
soon to be followed by other #1 smash hit singles like Mess Around and A Fool for You. More hit singles graced his first
album as well with Hallelujah I Love Her So, Ain't That Love and This Little Girl of Mine. The Ray Charles album itself
on its own merit is truly a Greatest Hits LP, whereby most of these early Ray Charles' hit tracks have been covered
hundreds of times by some of the most important voices in popular music, like The Beatles, Elvis Presley, The Steve
Miller Band, Van Morrison, Peggy Lee, Johnny Winter, Jerry Lee Lewis, Stevie Wonder and many others.
Also included on this debut masterpiece are some of Ray Charles' more definitive blues rockers like the powerful
Come Back Baby, the rockin' Greenbacks, the #1 blues rocker Mary Ann, and the brilliant soul sounds of Don't You
Know, Drown in My Own Tears and Losing Hand.
The Ray Charles album forever etched the name superstar and genius with Ray Charles as the LP reached the
upper rungs of the popular, jazz and R&B charts and has become an American institution which will forever stand the
test of time. Being one of his rarest LP's of his career, the magnificent album has not been officially released on vinyl
in over five decades and fetches hundreds of dollars for a mint used copy if you can even find one.
Friday Music is very honored to announce the first time ever 180 Gram Audiophile Vinyl LP of the Ray Charles'
classic Ray Charles. As another installment in our treasured Ray Charles/Friday Music 180 Gram Audiophile Series, his
amazing debut LP is mastered from the original monophonic Atlantic Records' tapes by Joe Reagoso at Friday Music
Studios and at Capitol Mastering with Ron McMaster. This masterwork truly sounds exceptional and will become one
of the more important roots albums to be reissued in quite some time for the audiophile vinyl domain.
This limited edition release also comes with the original album cover graphics of Marvin Israel, featuring the
stunning liner notes by Guy Remark.
The album will be packaged in a poly bag to preserve the rich details of the legendary cover art as well as a poly
lined inner sleeve to protect your vinyl purchase for years to come. I Got a Woman!!!1. Ain't That Love
2. Drown in My Own Tears
3. Come Back Baby
4. Sinner's Prayer
5. Funny (But I Still Love You)
6. Losing Hand
7. A Fool for You
8. Hallelujah I Love Her So
9. Mess Around
10. This Little Girl of Mine
11. Mary Ann
13. Don't You Know
14. I Got a Woman$29.99180 Gram Audiophile Virgin Vinyl LP AWAITING REPRESS Buy Now
MontroseThe Legendary Debut from Sammy Hagar, Ronnie Montrose, Denny Carmassi and Bill Church
Mastered Impeccably by Joe Reagoso and Kevin Gray from the Original Warner Bros Tapes
In 1973 a hard working rock band named Montrose set the world on fire with their debut album simply called Montrose. Ronnie Montroses guitar work was that of legendary proportions even that early on and what he also brought to the game was a newcomer and future superstar Sammy Hagar to the hard rock music world. With heavy pile drivers like Bad Motor Scooter and Rock The Nation, the album and the band Montrose rose to fame rather quickly and became trailblazers for many hard rock outfits for years to follow.
Produced by Ted Templeman (Van Halen/The Doobie Brothers) and Montrose, the Montrose album was full of great songs and superstar delivery from Ronnie Montrose (guitars) and Sammy Hagar (vocals), as well as a solid rhythm section provided by Denny Carmassi (drums) and Bill Church (bass). This quartet rocked the house then and now with tunes like Rock Candy, Make It Last and the Roy Brown classic Good Rockin Tonight.
In an effort to continue to bring you the best recordings ever made on this planet, Friday Music is very proud to announce the 180 Gram Audiophile Vinyl first time release of Montrose. Mastered impeccably by Joe Reagoso and Kevin Gray from the original Warner Bros. tapes at Friday Music Studios, this amazing debut continues to resonate and bring hard rockin excitement with every listen. Indeed, the Montrose album is truly a defining masterwork from the early '70s, which continues to stand the classic rock test of time.
For this amazing HQ release, Friday Music has also included the original LP artwork not seen in the LP format since its first release, a poly lined sleeve to protect your LP and a poly bag for the beautiful LP artwork with photos by the renowned Norman Seeff.1. Rock the Nation
2. Bad Motor Scooter
3. Space Station No. 5
4. I Dont Want It
5. Good Rockin Tonight
6. Rock Candy
7. One Thing on My Mind
8. Make It Last$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Little Death ShakerStripped of all noise influences and focusing on straight-up songs, Little Death Shaker is a record evocative of late nights and dusty parking lots, long drives and boozy hookups. This is the work of a dude who's spent his youth and young manhood on tour and it comes through in both the music and the lyrics. Where Castanets' lyrics gave us Ray Carver-ian fragments and it's-what-you-leave-out-that-counts minimalism, here we see Raposa back from the battleground with stories to tell.
This is the most lyric-heavy Raposa's been and it's also the most playful and humorous, and you get the feeling some of these songs would be the ones that would go down best near 2am at some weird sports bar dive in southeast Alabama/Iowa/Mississippi. (We can just see some big biker dude/fallen NASCAR star/Gary Busey lookalike sitting back-to-bar, Bud in hand, having a good-natured laugh over the punchline from Some of My Friends or the WTF premise of the Dan Reeder penned You'll Never Surf Again.)
The record begins with fighting spirit. Allegiance comes on with a punch of electric guitar and Raposa singing I woke up feeling/bold as shit. It's his rowdiest and most confident song to date, a real knockabout that'll take you by surprise if you're used to Castanets. Up next the title track verges on Queen (Flash Gordon soundtrack?) and Some of My Friends is a barnburner with the ghosts old Sun Studios players holding court.
Highlights are many. The dark-as-Skoal interstate roller Whippoorwill, the slowly ramping Some Kind of Fool, which rolls easy and pretty with backup vocals from Matthew Houck of Phosphorescent before building to a shitkicking rock 'n' roll peak where we find Raposa delivering some of his best and most racy lyrics, singing the very un-indie-rock, I could spend this good money wherever I care to/taste all the honies that I choose /lay myself down beside anyone's flower/all alive in the morning with the dew. It's a song about libertine freedom and heartbreak ignored and taking the bull by the horns and being, well, kind of a bastard.
More highlights: Castanets collaborator Talia Gordon taking main vocals on You're Not Standing Like You Used To (Kate Wolf); the after-afterhours minor chord jam Stateline, Little Death Shaker's most ruckus track of all, a late-night spent trapped in the stripclub/rig cab/country bar/tour van/your own damn head. At 10 minutes it's a tale of drugs and wayward love, a real red-lit kind of aloneness, backed by a legit live crawl, with high and ghostly organ and distorted vocals crackling like a bad CB connection.
With Meridian, Raposa and Houck bring back the vibe of Some Kind of Fool and take it on a humid trip through the deepest South, gators in the water, snakes in the sand, a stormhead looming over the sun-dappled river. When Raposa sings oh honey here comes the storm you can just FEEL the weather breaking.
One of this record's real charms is you can close your eyes and see these 13 tracks played live; you can see the drummer leaning over his kit with his brushes (and sunglasses on?), the backup singers standing around the mic, beers in hand, eyes closed, swaying side to side, the lights crisscrossing the stage. Meridian is no different. You can see this band. You can see these people playing together, and in a world of records that bands can't duplicate live, it's crazy-refreshing!
The album's closer, Allegiance 2, brings backlongtime Castanets collaborator Bridgit Jacobsen (nÉe Decook) for a hushed and barely-there apology. Oh lord be kind to me/after all these devils I have kissed. As a prayer, a shrug, and an exhausted offering, it's a fitting way to end an album so concerned with sin and vice. It's also a fitting end-introduction to this new band. So meet Raymond Byron and the White Freighters and their record Little Death Shaker. Here's to the new!1. Allegiance
2. Little Death Shaker
3. Some of My Friends
5. You'll Never Surf Again
6. Don't That Lake Just Shine
8. A Little More Credit
9. Some Kind of Fool
10. You're Not Standing Like You Used To
12. Meridian, MS
13. Allegiance 2$19.99Vinyl LP - Sealed Buy Now