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Sinatra SwingsIncludes the Classics Come Fly With Me, I Get A Kick Out Of You, It's Only A Paper Moon & More!LP1
1. Come Fly With Me
2. Old Devil Moon
3. A Foggy Day
4. All Of Me
5. At Long Last Love
6. Anything Goes
7. Learnin' The Blues
8. How About You
9. Lean Baby
10. Come Dance With Me
11. Makin' Whoopee
12. In The Still Of The Night
13. Why Should I Cry Over You
14. Day In & Day Out
15. It Happened In Monterey
16. I'm Gonna Sit Right Down And Write Myself A Letter
17. Saturday Night (Is the Loneliest Night Of The Week)
18. You Brought A New Kind Of Love To Me
19. The Song Is You
20. You're Getting To Be A Habit To Me
1. Ring-a-ding Ding
2. I Get A Kick Out Of You
3. September In The Rain
4. I Won't Dance
5. Nice 'n' Easy
6. You Do Something To Me
7. Without A Song
8. Oh! Look At Me Now
9. I Thought About You
10. I'm Gonna Live Till I Die
11. I've Got You Under My Skin
12. The Coffee Song
13. Let's Get Away From It All
14. Wrap Your Troubles In Dreams
15. From This Moment On
16. It's Only A Paper Moon
17. You'd Be So Nice To Come Home To
18. Nice Work If You Can Get It
19. You're Nobody 'til Somebody Loves You$27.99Vinyl LP - 2 LPs Sealed Buy Now
Swing EasySwing Easy! is Frank's second Capitol release and is a companion piece to the Songs For Young Lovers 10" (his
first Capitol release). The two "albums" were later combined into one "2-fer" which is still active today (on CD). It features classic performances of well-known standards including "All Of Me," "Just One Of Those Things," "Get
Happy" and more!1. Just One Of Those Things
2. I'm Gonna Sit Right Down (And Write Myself A Letter)
4. Wrap Your Troubles In Dreams (And Dream Your Troubles Away)
5. Taking A Chance On Love
6. Jeepers Creepers
7. Get Happy
8. All Of Me$22.9910 Vinyl LP - Sealed Buy Now
$24.99 $22.49 Save $2.50 (10%)
Love Swings (On Sale)Numbered Limited Edition
1961 Album of Standards Established Darin As A Sophisticated Singer
Concept Effort Divided Into Halves That Explore the Emotional Gamut of Romance: One Side Upbeat, the Other Heartbreaking
Mastered on Mobile Fidelitys World-Renowned Mastering System and Pressed at RTI (Best Record Plant in America): Darins Voice, Torrie Zitos Orchestral Arrangements Set Up Shop In Your Listening Room
Bobby Darin didnt want to be simply known as the singer that scored the novelty hit Splish Splash. Determined to be recognized as a top-tier vocalist on par with the likes of Frank Sinatra and Tony Bennett, the Bronx native set out to put an authoritative stamp on pop standards. And did just that with Love Swings. Divided into two conceptual halves, the 1961 masterpiece is the singers defining statement, a splendidly effective and smartly performed record that addresses the wild emotional fluctuations associated with romance and finds Darin nailing every note.
Mastered on Mobile Fidelitys world-renowned mastering system and pressed at RTI (the best record plant in North America), Silver Label numbered limited edition LP presents Darins buoyant album with all the brassiness, boldness, and lushness any fan of vocal pop music would ever want. His voice is transparent and immediate, the diversified instrumental arrangements are placed in sharp relief, the songs replete with airiness, warmth, and the sough-after breath of life. The sound is so good that this somewhat-forgotten LP should now finally gain the recognition its long deserved.
Yes, love swings, but like a pendulum: back and forth, state the records liner notes, explaining the concept behind a set that is split into two thematically connected halves. On the first side, Darin delves into the giddy feelings and incredible happiness associated with romances first bloom. Infatuation, devotion, and gaiety take hold, Darin conveying every ounce of joy and pleasure tied to gliding, uptempo staples such as Rodgers and Harts I Didnt Know What Time It Was and the lounge-bound sway of Long Ago (And Far Away). Darins voice, and his ebullient support band (conducted by Torrie Zito), epitomize glee, delight, and bliss.
On the flip side, Darin, ever the realist and proving himself capable of sophisticated material, probes loves disillusions and heartache with incredible panache. The pace slows, the mood darkens, and the lights dim. Zitos orchestrations embrace denser, more poignant tones, and Darin delivers sad, aching tunes like In Love In Vain and Something to Remember You By with stunning realism and haunting impact. Its as cohesive of a vocal performance as youll hear from the era, a journey that takes you from the highs to the lows, and everything in between.
Yes, the human voice is the most difficult element to accurately reproduce on record. Yet Mobile Fidelitys Silver Label LP does wonders with this Darin classic, opening up the highs, clearing out a previously foggy midrange, and, as importantly, restoring to print in analog a vocal tour de force. Unavailable on vinyl for eons, Love Swings demands to be heard on this sumptuously remastered LP, which runs circles around its digital brethren.
About Silver Series: New from Mobile Fidelity Sound Lab, the MoFi Silver Label Vinyl Series will feature an eclectic mix of recordings. This series is mastered and cut on the famous Mobile Fidelity Sound Lab state-of-the-art Tim de Paravacini-designed mastering system. Vinyl will be pressed at RTI on audiophile-grade standard vinyl and will be numbered limited-editions. Future releases will continue to stretch stylistic boundaries, as the MoFi Silver Label continues to explore music from many different genres. Expand your musical horizons with the Silver Label!
This title is not eligible for further discount.1. Long Ago and Far Away
2. I Didn't Know What Time It Was
3. How About You
4. The More I See You
5. It Had To Be You
6. No Greater Love
7. In Love Vain
8. Just Friends
9. Something To Remember You By
11. Spring Is Here
12. I Guess I'll Have To Change My Plan$24.99 $22.49 Save $2.50 (10%)Vinyl LP - Sealed Buy Now
Come Swing With Me!2015 marks the Frank Sinatra Centennial with active celebrations all year long. Recorded in 1961 and arranged by Billy May, this was Sinatra's final swing session for Capitol Records.1. Day By Day
2. Sentimental Journey
3. Almost Like Being In Love
4. Five Minutes More
5. American Beauty Rose
6. Yes Indeed!
7. On The Sunny Side Of The Street
8. Don't Take Your Love From Me
9. That Old Black Magic
11. Paper Doll
12. I've Heard That Song Before$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Sinatra & Basie (Bonus Track)Includes Bonus Track!
The long-awaited first collaboration between two icons, Count Basie and Frank Sinatra, did something unique for the reputations of both. For Basie, the Sinatra connection inaugurated a period in the '60s where his band was more popular and better-known than it ever was, even in the big-band era. For Sinatra, Basie meant liberation, producing perhaps the loosest, rhythmically free singing of his career. Propelled by the irresistible drums of Sonny Payne, Sinatra careens up to and around the tunes, reacting jauntily to the beat and encouraging Payne to swing even harder, which was exactly the way to interact with the Basie rhythm machine -- using his exquisite timing flawlessly. Also the members of the Basie band play a more prominent role than usual on a Sinatra record, with soloists like Frank Wess -- in some of the finest flute work of his life -- and tenors Frank Foster and Eric Dixon getting prominent solo opportunities on several of the tracks. The record was criticized by some as a letdown when it came out, probably because Neal Hefti's charts rarely permit the band to roar, concentrating on use of subtlety and space. Yet the record's restraint has worn very well over the long haul -- it doesn't beat you into submission -- and it concludes with its best shot, a wonderfully playful treatment of I Won't Dance.
- Richard S. Ginell (All Music)1. Pennies from Heaven
2. Please Be Kind
3. (Love Is) The Tender Trap
4. Looking at the World Through Rose Colored Glasses
5. My Kind of Girl
6. I Only Have Eyes for You
7. Nice Work if You Can Get It
8. Learnin' the Blues
9. I'm Gonna Sit Right Down (And Write Myself a Letter)
10. I Won't Dance
11. Pennies From Heaven (Sinatra/Riddle Version)*
*Bonus Track$27.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Holiday For SwingAcademy Award-nominated and Grammy-nominated writer, singer, actor, producer and director, Seth MacFarlane has recently completed his first-ever
Christmas album. Following his critically acclaimed 2011 debut, Music Is Better Than Words, and a 2013 Oscar Nomination for co-writing Everybody
Needs a Best Friend from Ted, the record will be available just in time for the holiday season via Republic
Once again, MacFarlane teamed up with composer, arranger, and producer Joel McNeely. The album features a 52-piece orchestra recorded at the
iconic Abbey Road Studios and a bevy of London's premier players. Among the musicians in the orchestra were jazz legend Peter Erskine on the drums
and former Frank Sinatra bassist Chuck Berghoffer.
For the album, MacFarlane and McNeely cherry-picked both timeless holiday songs and lesser-known gems. MacFarlane slides from a warm,
introspective introduction with a vocal quintet into a bright, up-tempo swing in Let It Snow, and brings a new interpretation to the Lee Gordon rarity
Christmas Dreaming. Continuing a longtime friendship and creative partnership, Norah Jones joins him for Seger Ellis and Al Stillman's Little Jack Frost
Get Lost, while Sara Bareilles lends her powerful pipes to Frank Loesser's Baby It's Cold Outside.1. Let It Snow
2. Christmas Dreaming
3. I'll Be Home For Christmas
4. Little Jack Frost Get Lost
6. Marshmallow World
7. What Are You Doing New Years Eve
8. Baby It's Cold Outside
9. Mele Kalikimaka
10. Warm December
11. Moonlight In Vermont
12. Everybody's Waiting For The Man With The Bag
13. The Christmas Song$19.99Vinyl LP - Sealed Buy Now
Sinatra's Swingin' Session (On Sale)Mastered from the Original Master Tapes
Legend has it that when Frank Sinatra initially stepped into the recording studio for the first of four sessions, he asked Nelson Riddle to speed up the tempos to the songs that landed on Sinatra's Swingin' Session!!! It's safe to say that the arranger followed orders and that the results-buoyant, cheery, fun, exuberant, zesty, and wonderfully jazzy-speak for themselves. This 1961 effort remains the Chairman's fastest, hardest-swinging set. And oh, how it swaggers.
Mastered from the original master tapes, Mobile Fidelity's numbered limited edition 180 gram LP of this gem possesses a punchiness, immediacy, forcefulness, and dynamic heft that rivals even what's heard on a pristine original Capitol pressing-provided you can even find one. The reissue will help convert your room into a studio stuffed with horn players and percussionists, with Sinatra, decked out in a trademark fedora and suit, holding court at the center of it all. Sinatra's Swingin' Session!!! isn't a live album, but it hits with the gusto and tang of one.
Forget about incorrect rumors that state that this album was only completed due to contractual obligations and that Sinatra hurried through the material. No matter the circumstances, nothing here is tossed-off or rushed. As always, Sinatra takes it all seriously, pouring his all into each of the dozen tracks here. He wouldn't have it any other way. Name another singer from his era (or any) that could possibly keep time with these uptempo beats and sound as if he isn't even breaking a sweat. Needless to say, Sinatra has a blast making it all happen.
Riddle's arrangements help push forward the tunes, whether they be happy standards such as "When You're Smiling (The Whole World Smiles With You)," optimistic finger-snappers like "S'posin'," or the evergreen "Blue Moon," punctuated with a memorable tenor sax solo. Melodies unfurl like red ribbons on packages; grooves alternate between galloping and gallivanting; even ballads can't resist moving to joyous rhythmic patterns. Throughout, Sinatra's casual, uninhibited singing rises above the band, producing emotions that are at once frisky, lighthearted, pleasurable, and contagious. Dust off your dancing shoes.
This title is not eligible for further discount.1. When You're Smiling (The Whole World Smiles With You)
2. Blue Moon
4. It All Depends on You
5. It's Only a Paper Moon
6. My Blue Heaven
7. Should I?
8. September in the Rain
10. I Can't Believe That You're in Love With Me
11. I Concentrate on You
12. You Do Something to Me$34.99 $31.49 Save $3.50 (10%)180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Come Dance With MeNewly Remastered On 180 Gram Vinyl
2015 marks the Frank Sinatra Centennial with active celebrations all year long. Released in 1959, Come Dance With Me is considered Sinatra's hardest swing album, full of dance songs. Come Dance With Me peaked at #2 on the Billboard Top 200 and won three Grammys® including Album of the Year and Best Male Pop Vocal Performance. Features 'Cheek to Cheek,' 'I Could Have Danced All Night,' 'Just In Time' and the title track.1. Come Dance With Me [Remastered]
2. Something's Gotta Give
3. Just In Time
4. Dancing In The Dark [Remastered]
5. Too Close For Comfort
6. I Could Have Danced All Night
7. Saturday Night (Is The Loneliest Night Of The Week)
8. Day In - Day Out
9. Cheek To Cheek [Remastered]
10. Baubles, Bangles And Beads
11. The Song Is You
12. The Last Dance$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Come Fly With MeSinatra's first collaboration with arranger/conductor Billy May, Come Fly with Me was designed as a musical trip around the world. Sammy Cahn and Jimmy Van Heusen wrote the title track at Sinatra's request. May would arrange two other Capitol albums for Sinatra, Come Dance with Me! (1958) and Come Swing with Me! (1961).1. Come Fly with Me
2. Around the World
3. Isle of Capri
4. Moonlight in Vermont
5. Autumn in New York
6. On the Road to Mandalay
7. Let's Get Away from It All
8. April in Paris
9. London by Night
11. Blue Hawaii
12. It's Nice to Go Trav'ling$24.99Vinyl LP - Sealed Buy Now
LION-WAX-0436xNat King Cole
Just One Of Those ThingsContrasting downbeat ballads with an ironic brassy, upbeat big-band attitude, the brilliant and expressive work of vocalist Nat King Cole and arranger Billy May on display here is one for the ages. 1957's Just One Of Those Things is a classic collection that perfectly captures the inherent experience of love and disillusionment. On par with Frank Sinatra's period albums, the set swings effortlessly and lightly, as Cole brings a fine, unhurried touch to uptempo standards and jazz-based pop material. Featuring top shelf interpretations of These Foolish Things, Who's Sorry Now? The Party's Over and more, this album is among its era's finest recordings of popular music, replete with a quality, style and spirit that remain touchstones for any vocal pop outing.1. When your Lover Has Gone
2. A Cottage For Sale
3. Who's Sorry Now?
4. Once in a While
5. These Foolish Things Remind Me of You
6. Just for the Fun of It
7. Don't Get Around Much Anymore
8. I Understand
9. Just One of Those Things
10. The Song is Ended (But the Melody Lingers On)
11. I Should Care
12. The Party's Over$27.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Songs For Swingin' Lovers (Bonus Track)Import
Ranked 306/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Songs for Swingin' Lovers! is the tenth studio album recorded by the American singer Frank Sinatra for Capitol Records, it was arranged by Nelson Riddle and released in March 1956.
It took an alternative tack after In the Wee Small Hours (1954), recording existing pop standards in a hipper, jazzier fashion, revealing an overall exuberance in the vein of Songs for Young Lovers and Swing Easy!. The original cover had Sinatra facing away from the young couple, but in 1957 Capitol altered the cover with a new image of Sinatra facing the couple.
The album was the first ever number one album in the UK.1. You Make Me Feel So Young
2. It Happened In Monterey
3. You're Getting To Be A Habit With Me
4. You Brought A New Kind Of Love To Me
5. Too Marvelous For Words
6. Old Devil Moon
7. Pennies From Heaven
8. Love Is Here To Stay
9. I've Got You Under My Skin
10. I Thought About You
11. We'll Be Together Again
12. Makin' Whoopie
13. Swingin' Down The Lane
14. Anything Goes
15. How About You?
*Bonus Track$27.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Standards (Pre-Order)British soul legend Seal returns with his new album, Standards - combining his unique voice with some of the greatest jazz standards and swing classics ever written. An artist who's been at the top of his game throughout his 30-year career, Seal's 10th studio album breathes life into iconic hits, paying tribute to legends including Frank Sinatra, Ella Fitzgerald, and Nina Simone. It will be released on 10th November through Decca Records/Virgin EMI.
Seal said: "This is the album I have always wanted to make. I grew up listening to music from the Rat Pack era, so recording these timeless tunes was a lifelong dream. It was a true honor to collaborate with the same musicians who performed with Frank Sinatra and so many of my favorite artists, in the very same studios where the magic was first made - it was one of the greatest days of my recording career."
Seal's new album brings the glamour of Old Hollywood straight to the present. It is a natural successor to his series of soul records, made a decade ago which sold over 5 million copies around the world. Standards hears Seal's signature, velvety warm vocals bring to life classics made popular by Frank Sinatra (such as 'Luck Be A Lady', 'I've Got You Under My Skin' and 'It Was A Very Good Year'), Ella Fitzgerald ('I'm Beginning to See The Light') and Nina Simone ('I Put A Spell on You'). Elsewhere, there are lush orchestral moments captured on 'Smile' (Charlie Chaplin) and the Cole Porter gem, 'Love For Sale'.
The unmistakable richness of Standards is largely down to Seal's choice to collaborate with the very same, legendary musicians who have performed with Frank Sinatra - Randy Waldman (pianist who toured with Sinatra and Paul Anka), Chuck Berghofer (bass player, who had performed with Ella Fitzgerald and Ray Charles) and Greg Fields (drummer who also performed with Quincy Jones and Stevie Wonder).
The making of Standards became a real pilgrimage for the Grammy Award-winning artist. The songs were recorded in the famous Capitol Records in Los Angeles (the very studio where Frank Sinatra, Dean Martin, Nat "King" Cole and many others have created some of the most treasured music of our time), and United Studios, which was established by Bing Crosby and Frank Sinatra, where the latter recorded It Was A Very Good Year.
In a career spanning three decades, racking up over 30 million records sales worldwide and a string of Grammy, Brit and Ivor Novello awards along the way, Seal continues to shine as one of the world's brightest music stars. His new album is full of musical gems which glisten when brought to life with his stunning voice.1. Luck Be A Lady
2. Autumn Leaves
3. I Put A Spell On You
4. They Can't Take That Away From Me
5. Anyone Who Knows What Love Is
6. Love For Sale
7. My Funny Valentine
8. I've Got You Under My Skin
10. I'm Beginning To See The Light
11. It Was A Very Good Year$25.99Vinyl LP - Sealed PRE-ORDER Buy Now
$49.99 $44.99 Save $5.00 (10%)
Live At The Sands: Before Frank (On Sale)Swinging Hard and Heavy With Orchestral Support, Live Big-Band Album Recorded During the Count's Warm-Up Sets for Sinatra in Early 1966 in Vegas
Incredible Sound: Mastered from the Original Master Tapes, Reissue Improves Upon Renowned Dynamics, Presence, Crispness, and Balances
Long Out-of-Print, Seminal Classic is Perfect Complement to Sinatra's Live at the Sands
Count Basie and Frank Sinatra had the perfect arrangement at the Sands. Before the Chairman hit the stage in Vegas, Count Basie and his big band warmed up the already enthusiastic crowd with a brief set of their own. A dynamite entertainer, the legendary leader causes hearts to race, hips to shake, and fingers to snap with high-energy readings of his trademark swing music, taken to feverish heights by both his first-rate orchestra and the incredibly swank setting. Fortunately, the finest of Basie and Co.'s introductory performances from the historic 1966 dates have been preserved here and serve as a seminal complement to Sinatra's iconic Live at the Sands.
Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's analog version of Live at the Sands (Before Frank) gives you a dead-center, eighth-row seat at the famed Sin City club. You'll just need to supply your own table and cocktail. Renowned for its sonic clarity, transparency, crispness, and punch, the record is now tremendously enhanced, with improved tonality, a deeper soundstage, correct balances, and lifelike presence. Each horn occupies its own space, and Basie's transfixing piano-a focal point throughout-resonates with gorgeous detail and impeccable pacing. The collective's energy almost demands to be measured with an SPL meter.
Captured in late January and early February 1966, Live at the Sands (Before Frank) contains most of Basie's signature pieces delivered with an enthusiasm, style, and brassiness that exceed that gracing nearly any of the Count's studio efforts. His band is stacked to the nines, with tenor saxophonist Eddie "Lockjaw" Davis, saxophonist/flautist Eric Dixon, and drummer "Sonny" Payne among the prized cast. The Sands dates marked the first time in years that these players, as well as trombonist Al Grey, gathered onstage together.
Encouraged by Basie, the instrumentalists engage in a series of call-and-response passages and standout solos, not the least of which is Davis' turn on a white-hot "Jumpin' at the Woodside" and he and Dixon's exchanges on "This Could Be the Start of Something Big." No slouch, Basie approaches "Makin' Whoopee" with graceful playfulness, and oversees the assortment of uptempo swing numbers and mellow ballads with astute melodicism. A sublime version of the Don Gibson country standard "I Can't Stop Loving You," arranged by Quincy Jones, can almost be considered a bonus.
No, it don't mean a thing if it ain't got that swing. And Basie and his mates have plenty of it on this superb outing. Big-band jazz seldom enjoyed such levels of rhythmic precision, expert charts, or unfettered joy. Unbelievably, this gem has been out of print for years, with original copies both on vinyl and CD commanding steep prices. Mobile Fidelity's reissue restores not only the sonics but the record's place in jazz history.
This title is not eligible for further discount.1. Introduction
3. I Can't Stop Loving You
4. I Needs to Be Bee'd With
5. Flight of the Foo Birds
6. Satin Doll
7. Makin' Whoopee!
8. Corner Pocket
9. One O'Clock Jump
10. Hello Little Girl
11. Whirly Bird
12. Blues for Ilene
13. This Could Be the Start of Something Big
14. Jumpin' at the Woodside$49.99 $44.99 Save $5.00 (10%)180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Lullabies Of BirdlandElla Fitzgerald is widely heralded for her clean phrasing, scat-singing and a confident sense of swing. Viewed as one of the world's most popular jazz singers, she performed alongside Louis Armstrong, Dizzy Gillespie, Frank Sinatra and Duke Ellington. Her outstanding performances on record and live yielded both critical and popular success during her lifetime. Lullabies Of Birdland consists of recordings from 1945 to 1955. It offers a wonderful set of swing-era standards, impossible to listen to without imagining yourself sipping cognac in a smoky jazzclub on Broadway.1. Lullaby Of Birdland
2. Rough Ridin'
3. Angel Eyes
4. Smooth Sailing
5. Oh, Lady Be Good!
7. Ella Hums The Blues
8. How High The Moon
9. Basin Street Blues
10. Air Mail Special
11. Flying Home$37.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
I Left My Heart In San FranciscoOriginal Recordings Remastered
Along with his producer, Ernest Altschuler, and his arranger/pianist, Ralph Sharon, Tony Bennett had been searching for a repertoire and a musical approach beyond his long-gone pop work with Mitch Miller of the early '50s and his artistically pleasing but commercially dicey jazz work of the mid- to late '50s.
It seemed to be a combination of Broadway songs and other contemporary material, carefully selected and arranged to show off Bennett's now-burnished vocals, which, as he approached the end of his thirties, were starting to be located in a more comfortable range closer to a baritone than a tenor. With this album, they found the key, not only by happening across a signature song in the title track, but also in the approach to songs like Once Upon a Time, a gem from the flop musical All American, and Cy Coleman and Carolyn Leigh's The Best Is Yet to Come, which Bennett helped make a standard. (Frank Sinatra didn't do it until two years later.)
From here on until the world changed again toward the late '60s, Bennett would not have to feel that he had to compromise his art for popularity, making up-tempo singles in an attempt to meet the marketplace while longing to do ballads and swing material instead. I Left My Heart In San Francisco, a gold-selling Top Ten hit that stayed in the charts almost three years, demonstrated that he could have it all. (Tony Bennett won two 1962 Grammy Awards for the title song: Record of the Year and Best Solo Vocal Performance, Male.)1. I Left My Heart in San Francisco
2. Once Upon a Time
3. Tender Is the Night
5. Love for Sale
6. Taking a Chance on Love
7. Candy Kisses
8. Have I Told You Lately?
9. Rules of the Road
10. Marry Young
11. I'm Always Chasing Rainbows
12. The Best Is Yet to Come$22.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
This Time I'm Swingin' (Awaiting Repress) (On Sale)
Numbered Limited Edition 180g LP from Mobile Fidelity
Legendary Crooner Backed by Orchestra Conducted by Nelson Riddle
1960 Capitol Album of Then-Recent and Classic Standards Arguably Martin's Most Timeless Set: MoFi Edition Includes Bonus Track Ain't That a Kick in the Head
Mastered from the Original Master Tapes: No Martin Album Sounds Like This
Dean Martin was always at his best when he sounded effortless, when the singing required no exertion-just the same amount of investment required to order a martini. Confident, refined, breezy, and easygoing, this 1960 Capitol album epitomizes the crooner's charm. In pairing with arranger and Frank Sinatra right-hand-man Nelson Riddle, Martin strikes all the right notes on this collection of then-recent and retro standards.
Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g LP gets inside the core being of Martin's impeccably smooth, relaxed singing by presenting every phrase, dip, and inflection with lifelike realism. The LP does similar wonders for Riddle's backing orchestra. Horns teem with punch and midrange; rhythms possess incredible pacing; strings saunter and float. No Martin album has ever sounded like this. Mobile Fidelity also secured the rights to a bonus track, Ain't That a Kick in the Head, left off the album and released as a single in order to promote the movie Ocean's Eleven.
While Martin enjoyed his biggest commercial success at Reprise, the aptly titled This Time I'm Swingin' is considered by many critics and vocal-pop fans to be his finest studio hour. He approaches each song with supreme confidence and debonair control, never overreaching his limits or breaking a sweat. Here, he more than lives up to his nickname: The King of Cool. Charismatic, assured, and note-perfect, the album belongs alongside any of the period sets cut by his pal and once-and-future labelmate Sinatra. No wonder that his most recognized hit, the aforementioned and included "Ain't That a Kick in the Head," was actually cut at these sessions.
Riddle's expert ordering of the charts and direction of horns, strings, and piano equates to jazz and swing genius. Brass blows hard and strong during breaks, calm down for verses during which slinky 88s and swaying strings join the dance, and then rise up, the mix elegantly performed and irresistibly catchy. If you're not snapping your fingers and instantly transported to a swank nightclub within the first few passages of the opening "I Can't Believe That You're In Love With Me," check your system's setup.
Yet Martin is the real star. Hearing him handle such classics as the devotional "I've Grown Accustomed to Her Face," upbeat "You're Nobody 'Til Somebody Loves You," hopeful "Someday (You'll Want Me to Want You)," bluesy "You're Mean to Me," and clever "Please Don't Talk About Me When I'm Gone" with such aplomb-and now, in such ravishing detail-will remind you why you love music, and why nothing of this ilk will likely ever be made again.
Martin convincingly conveys the mood each song demands, but a sense of optimism, playfulness, and feel-good romance pervade this stylish effort. If you are a fan of real singing and emotional crooning, you cannot live without this analog edition. A veritable gem.
This title is not eligible for further discount.1. I Can't Believe That You're In Love With Me
2. True Love
3. You're Nobody 'Til Somebody Loves You
4. On the Street Where You Live
6. (It Will Have to Do) Until the Real Thing Comes Along
7. Please Don't Talk About Me When I'm Gone
8. I've Grown Accustomed to Her Face
9. Someday (You'll Want Me to Want You)
10. Mean to Me
11. Heaven Can Wait
12. Just In Time
13. Ain't That a Kick in the Head$34.99 $31.49 Save $3.50 (10%)180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Blue Rose (Pure Pleasure)One of Rosemary Clooney's best records, and one of Duke's more accessible offerings, combined on one LP. The recorded output of the 1950's didn't get much more satisfying than this. Duke's music was always very sophisticated and this time it's even more obvious with a presence of such a talented singer as Rosemary Clooney. The songs are marvelous and she sounds young, fresh and sexy (ladylike sexy). In Blue Rose, not only are Clooney's vocals outstanding, but the arrangements are some of the prettiest of jazz.
The band swings simply and sweetly, though still thoroughly in the Duke style. As if to make the point that the band is the 'other' star of this recording, there's one instrumental here - Passion Flower (Johnny Hodges on sax never sounded more sure of himself). Its inclusion in the program, without a vocal from Clooney, is at first bizarre - but seems to make sense within the context of the album.
The fascinating album notes explain why and how separate tracks for Rosemary Clooney and Duke Ellington's orchestra had to be laid down. One would never realize that singer and orchestra were not together. They are totally in sync. This is not big, belting jazz; this is sophisticated, late night, intimate singing and playing. This is one of the most memorable pairings of a 'popular' singer with a jazz giant; ranking with the first Sinatra-Basie album and the Coltrane-Hartman session.
- Rosemary Clooney (vocal)
- Duke Ellington (piano, arranger)
- Billy Strayhorn (arranger)
- Johnny Hodges, Russell Procope (alto saxophone)
- Clark Terry, Cat Anderson (trumpet)
- Gordon Jackson (trombone)
- Jimmy Woode (bass)
- Sam Woodyard (drums)
Recording: January and February 1956
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.1. Hey Baby
2. Sophisticated Lady
3. Me and You
4. Passion Flower
5. I Let A Song Go Out Of My Heart
7. Blue Rose
8. Im Checkin OutGoombye
9. I Got It Bad
10. Mood Indigo$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
I Left My Heart In San Francisco (On Sale)Can there really be a definitive album from a singer whose voice is one of the most immediately recognized and internationally cherished, and whose command of songs is akin to the manner in which an able-bodied masseuse handles delicate muscle tissues? If so, then I Left My Heart In San Francisco is that record, the 1962 effort a turning point for the great Tony Bennett and an all-time pop standard. Winner of two Grammy Awards, the record contains Bennetts signature track as well as eleven other indelible classics.
Half-speed mastered from the original master tapes, Mobile Fidelitys numbered limited-edition 180g LP presents Bennett in the finest sound hes ever enjoyed. Amazingly, this landmark recording has lavished in the vaults over the years and longed for the restoration that meticulous engineering can bring. Gone is the veiled haze that hung over the orchestrations, artificial ceiling that held back the highs, and cloudiness that obscured the entire range of Bennetts vocals. Previously unheard levels of warmth, expressiveness, and detailing are just some of the hallmarks of this terrific audiophile delight.
At the time of the albums sessions, Bennett found himself caught between the need to sing thin uptempo numbers in order to appease the marketplace and the desire to move beyond the jazzier material he tackled in the late 50s. Unwilling to compromise his will to sing ballads and swing, Bennett, along with producer Ernest Altschuler and arranger/pianist Ralph Sharon, found the perfect combination on I Left My Heart In San Francisco, replete with expansive orchestration, period echo, anthemic ballads, and lush pop arrangements that still leave plenty of room for intimacy and delicacy.
Theres little left to say about the timeless title track, amidst the most definitive songs ever recorded. Similarly, the closing The Best Is Yet to Come ranks equally high, with Bennetts rendition coming a full two years before Frank Sinatras version. Its no wonder why The Voice deemed Bennett his favorite singer. The proof is everywhere, whether on the brassy Rules of the Road, big-band bossa nova send-up of Cole Porters Love for Sale, tender Have I Told You Lately?, or the white-gloves treatment of the Broadway tune Once Upon a Time. Bennetts charismatic personality and refined singing ring true throughout, his burnished baritone as clear as spring water.
Now, hear this triumphant performance as if Bennett is singing to you on a private stage. Witness every breath, and experience the thrill of the singer holding a note for what seems like eternity on I'm Always Chasing Rainbows without flinching. Seldom, if ever, has a vocalists singing sounded so effortlessly natural and innate. Mobile Fidelitys 180g LP is simply unmatched in terms of sonics, spaciousness, and sensation.
One of the five-best vocal albums ever made. Order your collectors copy today!
This title is not eligible for further discount.1. I Left My Heart in San Francisco
2. Once Upon a Time
3. Tender Is the Night
5. Love for Sale
6. Taking a Chance on Love
7. Candy Kisses
8. Have I Told You Lately?
9. Rules of the Road
10. Marry Young
11. I'm Always Chasing Rainbows
12. The Best Is Yet to Come$34.99 $31.49 Save $3.50 (10%)180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
H.R. Is A Dirty Guitar PlayerIn the pantheon of under-the-radar American guitar heroes, Howard Roberts looms large. A remarkably versatile musician who was one of Los Angeles' most in-demand session players from the early 1950s through the 1970s, Roberts' career encompassed an incredible array of studio assignments. He recorded with a dizzying assortment of acts, including Elvis Presley, Frank Sinatra, the Beach Boys, the Monkees, Dean Martin, Sonny and Cher, the Jackson 5, Peggy Lee, Eddie Cochran, Chet Atkins and the Electric Prunes. He also played on countless film and television soundtracks; his guitar work is featured prominently in the iconic theme music of The Twilight Zone, The Munsters and I Dream of Jeannie.
Roberts was also an accomplished musical educator, co-founding Hollywood's Guitar Institute of Technology, writing a regular instructional column on jazz improvisation for Guitar Player magazine, and penning several highly-regarded guitar instruction books. As a guitar teacher, one of his students was a teenaged Phil Spector, for whom Roberts would later work as a session man.
Impressive as his session resume is, for many guitar aficionados, the real highlights of Howard Roberts' body of work are the instrumental albums he released under his own name throughout his career. One of his best-loved solo releases is the memorably titled H.R. Is A Dirty Guitar Player, originally released by Capitol Records in 1963. Recorded at the legendary Studio A in the Capitol Tower, with a band that includes fellow studio legends Chuck Berghofer and Earl Palmer on bass and drums, H.R. Is A Dirty Guitar Player is a potent showcase for Roberts' fluid, swinging guitar work. The material offers ample opportunity for the artist to demonstrate his versatility, encompassing pop standards 9Lerner, Loewe If Ever I Would Leave You), bossa nova (Antonio Carlos Jobim's One Note Samba) and jazz (tunes by Herbie Hancock, Count Basie and Duke Ellington), along with such Roberts originals as Smolderin', Turista, Deep Fry and Dirty Old Bossa Nova.
Long unavailable in its original form, this vintage instrumental gem has been restored to its original vinyl glory by Sundazed Music. The album has been sourced from the original stereo masters and pressed on 180 gram vinyl, with complete original cover art.1.Watermelon Man
3. Liâl Darlin'
5. If Ever I Would Leave You
6. One O'Clock Jump
7. Deep Fry
8. Rough Ridin'
9. Satin Doll
11. One Note Samba
12. Dirty Old Bossa Nova$24.99180 Gram Audiophile Virgin Vinyl LP- Sealed Buy Now