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Signs Of Light

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  • Signs Of Light Signs Of Light Quick View

    $20.99
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    Signs Of Light

    Recorded in Nashville with producer Jay Joyce (Eric Church, Cage The Elephant), Signs Of Light, crackles with the upbeat, sing-a-long energy of the Head And The Heart's finest work. Lead single All We Ever Knew, which was written during the Let's Be Still era but never captured to the band's satisfaction until now, is sure to be a crowd-pleaser, while Turn It Around seems primed to be a future concert staple, matching its inspirational message with a lush and multi-layered soundscape.


    On Signs Of Light, that gamut of emotions is felt most deeply on the Josiah Johnson-penned title track, which none of the other members had ever heard until they happened to walk in on him playing it over and over at the piano during pre-production in El Paso, Texas. It was one of those moments where no one talks, Russell remembers. No one needs the chords; no one is looking up. You simply pick up your instrument and play. The next thing you know, nearly 10 minutes have gone by and you have no idea how or why or what just happened.


    1. All We Ever Knew
    2. City of Angels
    3. Rhythm & Blues
    4. False Alarm
    5. Dreamer
    6. Library Magic
    7. Turn It Around
    8. Colors
    9. Take a Walk
    10. Oh My Dear
    11. I Don't Mind
    12. Your Mother's Eyes
    13. Signs of Light
    Head and the Heart
    $20.99
    Vinyl LP - Sealed Buy Now
  • Signs Of Light (Picture Disc) (Pre-Order) Signs Of Light (Picture Disc) (Pre-Order) Quick View

    $24.99
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    Signs Of Light (Picture Disc) (Pre-Order)

    Picture Disc Edition


    Recorded in Nashville with producer Jay Joyce (Eric Church, Cage The Elephant), Signs Of Light, crackles with the upbeat, sing-a-long energy of the Head And The Heart's finest work. Lead single All We Ever Knew, which was written during the Let's Be Still era but never captured to the band's satisfaction until now, is sure to be a crowd-pleaser, while Turn It Around seems primed to be a future concert staple, matching its inspirational message with a lush and multi-layered soundscape.


    On Signs Of Light, that gamut of emotions is felt most deeply on the Josiah Johnson-penned title track, which none of the other members had ever heard until they happened to walk in on him playing it over and over at the piano during pre-production in El Paso, Texas. It was one of those moments where no one talks, Russell remembers. No one needs the chords; no one is looking up. You simply pick up your instrument and play. The next thing you know, nearly 10 minutes have gone by and you have no idea how or why or what just happened.


    1. All We Ever Knew
    2. City of Angels
    3. Rhythm & Blues
    4. False Alarm
    5. Dreamer
    6. Library Magic
    7. Turn It Around
    8. Colors
    9. Take a Walk
    10. Oh My Dear
    11. I Don't Mind
    12. Your Mother's Eyes
    13. Signs of Light
    The Head And The Heart
    $24.99
    Vinyl LP Picture Disc - Sealed PRE-ORDER Buy Now
  • Where The Light Shines Through Where The Light Shines Through Quick View

    $29.99
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    Where The Light Shines Through

    Multi-platinum selling alternative rock band SWITCHFOOT announce their upcoming album, Where The Light Shines Through. Where The Light Shines Through, the band's tenth album and the first since 2014's highly acclaimed Fading West, was produced in collaboration with John Fields, who helmed the multi-platinum breakthrough The Beautiful Letdown.


    This album marks an important milestone in the band's hugely successful career. SWITCHFOOT's journey began in 1997 with the first of three indie releases before signing with a major label in 2003. Since then, the San Diego, CA based outfit have sold 5.7 million copies worldwide of their nine studio albums (including 2003's The Beautiful Letdown and 2009's GRAMMY Award-winning, Hello Hurricane). Where The Light Shines Through marks the band's return to the indie world and showcases that, two decades from their start, they're able to have a career filled with longevity, revitalization and rejuvenation.

    1. Holy Water
    2. Float
    3. Where The Light Shines Through
    4. I Won't Let You Go
    5. If The House Burns Down Tonight
    6. The Day That I Found God
    7. Shake This Feeling
    8. Bull In A China Shop
    9. Live It Well
    10. Looking For America (featuring Lecrae)
    11. Healer of Souls
    12. Hope Is The Anthem
    Switchfoot
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Summer Bones Summer Bones Quick View

    $14.99
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    Summer Bones

    Hit the Lights is a pop punk band from Lima, Ohio, signed to Pure Noise Records.
    1. Fucked Up Kids
    2. The Real
    3. Life on the Bottom
    4. Revolutions and Executions
    5. No Filter
    6. Blasphemy, Myself and I
    7. Summer Bones
    8. Keep Your Head
    9. Sitter
    10. Old Friend
    Hit The Lights
    $14.99
    Vinyl LP - Sealed Buy Now
  • The Very Special World of Lee Hazlewood The Very Special World of Lee Hazlewood Quick View

    $22.99
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    The Very Special World of Lee Hazlewood

    Lee Hazlewood was a late bloomer. Following a meandering career as a disc jockey, producer, songwriter, label executive and solo artist, Hazlewood hit the jackpot at the ripe age of 37 with "These Boots Are Made For Walkin'," the song Nancy Sinatra took to the top of the charts on both sides of the Atlantic. Its success convinced MGM Records that Hazlewood was a bankable star, and they signed him as an artist in his own right the same year. But as a self-described "non-singer" whose cult 1963 debut, Trouble Is A Lonesome Town, was little more than a happy accident, they'd perhaps gotten the wrong end of the stick where Lee was concerned.


    In three years on the label, Hazlewood delivered three albums and sundry odds and ends, beginning with 1966 album The Very Special World Of Lee Hazlewood. The LP found Hazlewood gunning-in as much as he ever did-for commercial success, blending country, pop, novelty, mariachi, and lounge music into something unusually of-the-moment.


    Lushly orchestrated and-like the album that preceded it-half-sung, half-spoken in a way that Hazlewood made all his own, the album collected solo versions of songs made famous by Sinatra and others ("Sand," "Boots," "So Long Babe," "Summer Wine"-included as a bonus duet with Suzi Jane Hokom) alongside some of his career-best solo compositions, among them the Morricone-like opener, "For One Moment." It's a record of extremes: "When A Fool Loves A Fool" is as light and throwaway as anything he ever laid down, while the wistful "My Autumn's Done Come" (sample lyric: "Let those I-don't-care days come in, I'm tired of holding my stomach in") is as raw and honest.

    1. For One Moment
    2. When a Fool Loves a Fool
    3. Not the Lovin' Kind
    4. Your Sweet Love
    5. Sand
    6. My Autumn's Done Come
    7. These Boots Are Made For Walkin'
    8. I Move Around
    9. So Long, Babe
    10. Bugles In the Afternoon
    11. My Baby Cried All Night Long
    Lee Hazlewood
    $22.99
    Vinyl LP - Sealed Buy Now
  • The Columbia Years 1968-1969 The Columbia Years 1968-1969 Quick View

    $25.99
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    The Columbia Years 1968-1969

    All Tracks Previously Unreleased (Except Track B5/8)


    Production By Miles Davis & Teo Macero


    Featuring Performances From Hugh Masekela, Mitch Mitchell (Jimi Hendrix Experience), John Mclaughlin, Herbie Hancock, Harvey Brooks, Wayne Shorter, Billy Cox (Band Of Gypsys), Larry Young, And Members Of The Jazz Crusaders


    Remastered From The Original Analog Master Tapes


    New Interviews, Rare Photos, And Unseen Historical Documents From The Teo Macero Archive


    One can hardly imagine Prince, Erykah Badu, or Outkast without the influence of Betty Davis. Her style of raw and revelatory punk-funk defies any notions that women can't be visionaries in the worlds of rock and pop. In recent years, rappers from Ice Cube to Talib Kweli have rhymed over her intensely strong but sensual music. Betty penned the song ''Uptown'' for The Chambers Brothers and wrote the tunes that got The Commodores signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. Heading to the UK, Marc Bolan of T. Rex urged the creative dynamo to start writing for herself. A common thread throughout Betty's career would be her unbending DIY ethic, which made her quickly turn down anyone who didn't fit with the vision. She would eventually say no to Eric Clapton as her album producer, seeing him as too banal. In 1968, she married Miles Davis and quickly influenced him on the magic of psychedelic rock along with introducing him to Jimi Hendrix-personally inspiring the classic album, Bitches Brew.


    Miles and Betty fans have long debated the truth of a near mythological session recorded in Studios B and E at Columbia's 52nd Street Studios on May 14th and 20th, 1969. The landmark session was produced by Miles and Teo Macero and featured Betty on vocals, accompanied by Jimi Hendrix Experience drummer Mitch Mitchell, guitarist John McLaughlin, Herbie Hancock on keys, and Dylan/Miles session bassist Harvey Brooks. Other players included bassist Billy Cox (Band of Gypsys), saxophonist Wayne Shorter, and organist Larry Young. Now, Light In The Attic, with full support from Betty herself, presents these recordings to the public for the very first time. These historic sessions-never heard, never bootlegged-predate Miles' revolutionary album, Bitches Brew, and are the true birth of Miles' jazz-rock explorations, along with the roots for Betty's groundbreaking funk that came years later, starting with her self-titled debut in 1973. While, ultimately, these recordings would go unreleased for nearly half a century, they would greatly shape each of their careers.


    The vibe is intrinsically unique, fresh, and futuristic-jazz heavyweights playing psychedelia, rock, and jazz-fusion long before the term became commonplace. The songs include Betty originals and covers of classics by Creedence and Cream. The concepts explored on these previously unheard sessions fueled concepts that wouldn't be fully realized until years later with Miles' seminal On The Corner.


    Additionally, included here is the first time rerelease of a 1968 Columbia single, recorded in October 1968 at Columbia Studios in Los Angeles. The session was produced by Jerry Fuller and featured South African maverick Hugh Masekela on trumpet and arrangements, plus members of jazz-funk pioneers The Crusaders-including trombonist Wayne Henderson and pianist Joe Sample. Two of the three tracks included here from this session are previously unreleased.


    This deluxe package is a treasure trove for both Betty and Miles fans, including rare documents from the pen of co-producer Teo Macero, rarely seen photos from legendary photographer Baron Wolman, and new interviews with Mrs. Davis herself, Harvey Brooks, and Hugh Masekela-the entire project overseen with Betty's full blessing.

    1. Hangin' Out
    2. Politician Man

    3. Down Home Girl

    4. Born On The Bayou

    5. I'm Ready, Willing & Able (Take 1)

    6. I'm Ready, Willing & Able (Take 9)

    7. It's My Life (Alternate Take)

    8. Live, Love, Learn

    9. My Soul Is Tired
    Betty Davis
    $25.99
    Vinyl LP - Sealed Buy Now
  • Betty Davis Betty Davis Quick View

    $18.99
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    Betty Davis

    One can hardly imagine the genre-busting, culture-crossing musical magic of Outkast, Prince, Erykah Badu, Rick James, The Roots, or even the early Red Hot Chili Peppers without the influence of R&B pioneer Betty Davis. Her style of raw and revelatory punk-funk defies any notions that women can't be visionaries in the worlds of rock and pop. In recent years, rappers from Ice Cube to Talib Kweli to Ludacris have rhymed over her intensely strong but sensual music.


    There is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago - we live in an age that's been profoundly changed by flamboyant flaunting of female sexuality: from Parlet to Madonna, Lil Kim to Kelis. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? Marva Whitney had the voice but not the independence. Labelle wouldn't get sexy with their "Lady Marmalade" for another year while Millie Jackson wasn't "Feelin' Bitchy" until 1977. Even Tina Turner, the most obvious predecessor to Betty's fierce style wasn't completely out of Ike's shadow until later in the decade.


    Ms. Davis's unique story, still sadly mostly unknown, is unlike any other in popular music. Betty wrote the song "Uptown" for the Chambers Brothers before marrying Miles Davis in the late '60s, influencing him with psychedelic rock, and introducing him to Jimi Hendrix - personally inspiring the classic album 'Bitches Brew.'


    But her songwriting ability was way ahead of its time as well. Betty not only wrote every song she ever recorded and produced every album after her first, but the young woman penned the tunes that got The Commodores signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. Heading to the UK, Marc Bolan of T. Rex urged the creative dynamo to start writing for herself. A common thread throughout Betty's career would be her unbending Do-It-Yourself ethic, which made her quickly turn down anyone who didn't fit with the vision. She would eventually say no to Eric Clapton as her album producer, seeing him as too banal.


    In 1973, Davis would finally kick off her cosmic career with an amazingly progressive hard funk and sweet soul self-titled debut. Davis showcased her fiercely unique talent and features such gems as "If I'm In Luck I Might Get Picked Up" and "Game Is My Middle Name." The album Betty Davis was recorded with Sly & The Family Stone's rhythm section, sharply produced by Sly Stone drummer Greg Errico, and featured backing vocals from Sylvester and the Pointer Sisters.

    1. If I'm In Luck I Might Get Picked Up
    2. Walkin Up The Road
    3. Anti Love Song
    4. Your Man My Man
    5. Ooh Yeah
    6. Steppin In Her I. Miller Shoes
    7. Game Is My Middle Name
    8. In The Meantime
    Betty Davis
    $18.99
    Vinyl LP - Sealed Buy Now
  • Little Machines Little Machines Quick View

    $20.99
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    Little Machines


    Transparent Orange Colored Vinyl


    Third studio album from Canadian electro rock sensation Lights.


    When electro-rock sensation Lights first hit the music scene in 2008, she was just a songwriter with a synth and a dream.. Her name may have been pluralized but Lights Poxleitner was a one-woman show who played and programmed her own instruments and sang her own lyrics. This admirable self-reliance is rare in pop-in fact, Lights, signed a publishing deal at 16 and began writing songs for other artists-but after her 2008 selftitled debut EP (precocious enough to earn her a best new artist Juno) and gold-selling full-length follow-up THE LISTENING, Lights was ready to open herself up to collaborations on her unexpectedly experimental album SIBERIA. And by choosing such leftfield collaborators as live electronic outfit Holy Fuck and rising rapper Shad, she also opened up her sound.

    1. Portal
    2. Running With The Boys
    3. Up We Go
    4. Same Sea
    5. Speeding
    6. Muscle Memory
    7. Oil And Water
    8. Slow Down
    9. Meteorites
    10. How We Do It
    11. Don't Go Home Without Me
    Lights
    $20.99
    Colored Vinyl LP - Sealed Buy Now
  • AudioQuest Fire Interconnect Cable MULTIPLE LENGTHS AVAILABLE AudioQuest Fire Interconnect Cable Quick View

    $2,145.00
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    AudioQuest Fire Interconnect Cable


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.



    RCA to RCA


    XLR & Custom Lengths Available Upon Request


    Technically speaking, fire is not an object, but an event: the rapid oxidation of a material in the chemical process of combustion by which heat and light are released into the surrounding environment. What we typically think of as "fire"-the often mysteriously beautiful and strangely hypnotic fireplace flicker of white, yellow, or red-orange glow-is actually just the visible part of the fire's flame, containing the superheated byproducts of the fire's incomplete exothermic reaction giving off visible light as excess energy is released. Interestingly, the cherry-red flame of a smoldering campfire measures somewhere around 700 Celsius; the deep orange flame of a candle, lit at a bedside or suffusing a living room with gentle aroma, typically burns at around 1000 Celsius; and the dazzling white flame created by a meteor as it enters Earth's atmosphere can often exceed 1500 Celsius! While fire is commonly considered to be a destructive event, it can also be a very effective tool for managing and enhancing fields, forests, and wetlands: Native Americans discovered that while fire killed woody plants, it encouraged the growth of fruit-bearing shrubs and forage-producing grasslands. Of course, fire's unique potential has been known for some time: It's likely that humans began using fire to heat food approximately 1 million years ago.


    Among the classical elements, fire is commonly associated with energy, assertiveness, and passion. In Greek Mythology, the cult hero Prometheus defied the gods by providing humanity the gift of fire, thereby enabling progress and civilization. People born under the astrological signs of Aries, Leo, and Sagittarius are thought to have fire personalities: They are enthusiastic, extroverted, and, like our good friend Prometheus, they are rebellious, passionate, brave, and valiant. It's no wonder that we have for so long been drawn to fire. A thing to be feared, respected, and loved, fire is that which drives us into the unknown, lights our way through darkness, and signals our way back home.


    SOLID PERFECT-SURFACE SILVER (PSS) CONDUCTORS: Solid conductors prevent both strand-to-strand contacts and magnetic interaction, major sources of distortion. Surface quality is critical because a conductor can be considered as a rail-guide for both the electric fields within a conductor, and for the magnetic fields outside the conductor. While less perfectly processed silver can have the same irritating tweeter-in-your-face sound as silver-plated strands, PSS Silver's smooth surface, extraordinarily careful processing, and high purity, deliver sound as smooth and beautiful as our PSC+ Copper, but with significantly higher resolution.


    DIELECTRIC-BIAS SYSTEM (DBS, US Pat #S 7,126,055 & 7,872,195 B1): Creates a strong, stable electrostatic field which saturates and polarizes (organizes) the molecules of the insulation. This dramatically reduces dielectric induced smearing of the signal, letting sound emerge from a "black" background.


    CARBON-BASED 8-LAYER NOISE-DISSIPATION (NDS): Shields-the-shield, reducing RFI contamination of the equipment ground plane.


    FEP AIR-TUBES (FEP IS A FLUORO-POLYMER): Almost no contact between conductors and insulation reduces smearing and preserves dynamics.


    TRIPLE-BALANCED GEOMETRY: Proper ground-reference conductor prevents using the shield as an inferior ground-reference conductor.


    DOUBLE-CONTACT COLD-WELDED REUSABLE PLUGS, HANGING-SILVER PLATING DIRECTLY OVER MACHINED SOLID EXTREME-PURITY RED COPPER.



    AudioQuest
    $2,145.00
    Analog-Audio Interconnect Cable (Pair) - Multiple Lengths Available
    Buy Now
  • Forever Changes Forever Changes Quick View

    $24.99
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    Forever Changes

    Ranked 40/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    The third and final album by the original Love lineup, Forever Changes has consistently drawn epic praise both upon its 1968 release on Elektra Records and to this very day. Rolling Stone described Forever Changes as "elegant armageddon" when listing it as #40 in the 500 Greatest Albums Of All Time while another rave review considered it, "one of the most distinctive masterpieces in that era of masterpieces." A landmark work that is without question the L.A.-based psychedelic folk-rock pioneers' most fully realized studio effort, Forever Changes was produced by band co-founder/frontman Arthur Lee and The Doors' engineer/producer Bruce Botnick.


    Lee's metaphysically super-logical lyrics, warbled sweetly over the band's full-bloom psychedelia, a swirling current of guitars, strings, and horns layered into a mind-expanding wall of beauty. The album's song titles read like signs along the long and winding road to Nirvana: "Andmoreagain," "Maybe The People Would Be The Times Or Between Clark And Hilldale," "The Good Humor Man He Sees Everything Like This," "You Set The Scene." Forever Changes exploded the personal into the universal and uncovered the eternal tucked away inside the familiar.


    "In the summer of 1967 a billboard appeared on Los Angeles' legendary Sunset Strip telling all who looked skyward to 'watch for the third coming of LOVE.' Emblazoned with an image of the group painted in oozing pink, purple, blue, and green meant to resemble an organic heart, Love were barely recognizable in their collective obscurity. Though they had followed hot on the heels of The Byrds to rule the L.A. club scene a year earlier, the band (at the time perhaps the most progressive and uncompromising in pop) never made the leap to mainstream acceptance or the Billboard Top 10. Ironically, that same summer their Elektra labelmates and former opening act, The Doors hit #1 with 'Light My Fire.' Meanwhile, the five members of Love (Arthur Lee, Johnny Echols, Bryan MacLean, Ken Forssi, and Michael Stuart) struggled to complete an album that would barely chart on initial release. In most stories Love would be the group that promised more than they delivered. That would be had 'the third coming' not been Forever Changes, a long-player widely rated above any other waxing of that idyllic era." - Andrew Sandoval/liner notes for the 2008 reissue

    1. Alone Again Or
    2. A House Is Not A Motel
    3. Andmoreagain
    4. The Daily Planet
    5. Old Man
    6. The Red Telephone
    7. Maybe The People Would Be The Times Or Between Clark And Hilldale
    8. Live And Let Live
    9. The Good Humor Man He Sees Everything Like This
    10. Bummer In The Summer
    11. You Set The Scene

    Love
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Meetle Mice Meetle Mice Quick View

    $16.99
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    Meetle Mice

    The music contained on these albums I wrote while in college (and a few while in high school) when I was just discovering computer music. I wrote them for fun, never planning on doing anything with them at the time or expecting them to be heard outside of my circle of friends. When I was asked to play a show on campus I thought it might be a good idea to burn some CD-Rs and try to sell them at the show.


    Going through my files, I found the pieces that I liked the most, grouped them into two different collections and gave them the most appropriate/absurd titles I could think of. Many of the song titles are absurd or toy with the idea of what is offensive and what is not, many of them created as a commentary on the super politically correct atmosphere that was Purchase College in the early 2000s.


    The organization of the songs was somewhat thought out but mostly chaotic: make sure the granular synth pieces are far from each other; keep the songs with beats spread out; sound collages placed amongst sine wave drone pieces. They were more like compilations of my experiments than albums of compositions.


    I made only 8 CD-R copies of each in photocopied sleeves with contact paper on the discs. I sold all but 1 of each for $7 or two for $10. Explosions were going off in my head, dollar signs appearing in my eyes. Making $70 from selling CD-Rs was blowing my mind. I started selling them at every show, even though the music contained on them didnt represent what I ever performed live, since the music on Meetle Mice and Silly Hat was never meant to be performed live (except for the acoustic ensemble pieces).


    The CD-Rs and artwork are riddled with mistakes. Theres digital clipping on many of the tracks; Silly Hat vs. Egale Hat was meant to be Silly Hat vs. Eagle Hat; copy write should have been copyright, etc., but I thought the typos were funny and kept it with each batch of the CD-Rs. Since I was only selling them on campus or a few shows in NYC it didnt really matter. I hated stuff that took itself too seriously so keeping my spelling mistakes glaring was important to me. And considering the music was made in a vacuum with no intention of it ever seeing the light of day, it made sense to keep all the errors in their original state (true of this reissue as well (the artwork was scanned from the original run of 8)).


    I was a very different musician back then trying to figure out how to interact with sound, what could be done with it, where it could go, learning music software for the first time, and discovering many more genres of experimental music than what I was exposed to in my youth on Long Island. It was an exciting time! Since then my aesthetic has shifted, my absurdist mindset subdued and Ive been exposed to a global audience. At times I feel like these albums are skeletons in my musical closet, knowing how easily parts of them could be taken out of context by a media that loves to take things out of context. But these records were made without knowledge of that media world. Theres an innocent ignorance to them that none of my other records will ever be able to have, an ignorance lost to experience.


    These albums are like seeds. They sound, look and feel very different from the fruit that theyve grown but they are still of the same tree. I hope you enjoy listening to them as much as I enjoyed making them. - Dan Deacon

    1. BJI Aii Hmhp #14
    2. Never Do That (Mars)
    3. Biggle Hat Was Ice Cream Time (Card Shark Nose Nose)
    4. 30 (from 21 through 35)
    5. Electronics With Clarinet and Bari Sax
    6. Song For Dina
    7. My own face is F word
    8. Drinking Out of Cups
    9. sdahgsfdgh3frgha3wffhjdvbjs4uh
    10. The Adventures of Mr Bumbershine
    11. Thats A Nice Shirt (Dad)
    12. Aerosmith Permanent Vacation 24162-2
    13. Plums
    14. Im So Gay with The Boner
    15. Aw Ah Ah Ah (Party Cakes)
    16. My Weasle Is Married Worm Married
    17. I Have AIDS
    18. 005 September 22 BE
    Dan Deacon
    $16.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Silly Hat Vs. Egale Hat Silly Hat Vs. Egale Hat Quick View

    $16.99
    Buy Now
    x

    Silly Hat Vs. Egale Hat

    The music contained on these albums I wrote while in college (and a few while in high school) when I was just discovering computer music. I wrote them for fun, never planning on doing anything with them at the time or expecting them to be heard outside of my circle of friends. When I was asked to play a show on campus I thought it might be a good idea to burn some CD-Rs and try to sell them at the show.


    Going through my files, I found the pieces that I liked the most, grouped them into two different collections and gave them the most appropriate/absurd titles I could think of. Many of the song titles are absurd or toy with the idea of what is offensive and what is not, many of them created as a commentary on the super politically correct atmosphere that was Purchase College in the early 2000s.


    The organization of the songs was somewhat thought out but mostly chaotic: make sure the granular synth pieces are far from each other; keep the songs with beats spread out; sound collages placed amongst sine wave drone pieces. They were more like compilations of my experiments than albums of compositions.


    I made only 8 CD-R copies of each in photocopied sleeves with contact paper on the discs. I sold all but 1 of each for $7 or two for $10. Explosions were going off in my head, dollar signs appearing in my eyes. Making $70 from selling CD-Rs was blowing my mind. I started selling them at every show, even though the music contained on them didnt represent what I ever performed live, since the music on Meetle Mice and Silly Hat was never meant to be performed live (except for the acoustic ensemble pieces).


    The CD-Rs and artwork are riddled with mistakes. Theres digital clipping on many of the tracks; Silly Hat vs. Egale Hat was meant to be Silly Hat vs. Eagle Hat; copy write should have been copyright, etc., but I thought the typos were funny and kept it with each batch of the CD-Rs. Since I was only selling them on campus or a few shows in NYC it didnt really matter. I hated stuff that took itself too seriously so keeping my spelling mistakes glaring was important to me. And considering the music was made in a vacuum with no intention of it ever seeing the light of day, it made sense to keep all the errors in their original state (true of this reissue as well (the artwork was scanned from the original run of 8)).


    I was a very different musician back then trying to figure out how to interact with sound, what could be done with it, where it could go, learning music software for the first time, and discovering many more genres of experimental music than what I was exposed to in my youth on Long Island. It was an exciting time! Since then my aesthetic has shifted, my absurdist mindset subdued and Ive been exposed to a global audience. At times I feel like these albums are skeletons in my musical closet, knowing how easily parts of them could be taken out of context by a media that loves to take things out of context. But these records were made without knowledge of that media world. Theres an innocent ignorance to them that none of my other records will ever be able to have, an ignorance lost to experience.


    These albums are like seeds. They sound, look and feel very different from the fruit that theyve grown but they are still of the same tree. I hope you enjoy listening to them as much as I enjoyed making them. - Dan Deacon

    1. My Name Is Robert
    2. ksjfhgljkhertykjlehgskjhkjvhda
    3. Sound Events (Live)
    4. Shit Slowly Applied On Cock Parts
    5. The House I Was Isn't My Girlfriends Porshe
    6. Missy Modle x 1000
    7. Spring
    8. I Will Always Have Juice Today
    9. Glass and Metal
    10. It's Not As It's Going Downtown
    11. Junior High Band With Trucks and Dogs
    12. 4400440044040 with Dufus and The Beatles
    Dan Deacon
    $16.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Grace/Wastelands Grace/Wastelands Quick View

    $34.99
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    Grace/Wastelands

    Ever since Up The Bracket was released in 2002 there have been whispers about a solo album from Pete Doherty but as his problems and addictions have worsened it seemed the chances of anything coming to light were slim to none. However, Doherty signed a contract with Parlophone owing them two Babyshambles albums and one solo effort. So following Shotters Nation and the live album Oh What A Lovely Tour from Babyshambles comes that solo offering entitled Grace/ Wastelands.


    Recorded with Graham Coxon on guitars, Grace/Wastelands is a mostly acoustic affair with the exception of the lead single Last Of The English Roses, which also happens to be one of the album's highlights. The album applies classic instruments not found on any of the artist's previous releases, including a hearty dose of strings plus horns, tambourines and lots of piano. The set here is mellow and laidback, hearkening to an older, simpler time. Produced by Stephen Street (Blur Parklife).

    1. Arcadie
    2. Last of the English Roses
    3. 1939 Returning
    4. A Little Death Around the Eyes
    5. Salome
    6. Through the Looking Glass
    7. Sweet By and By
    8. Palace of Bone
    9. Sheepskin Tearaway
    10. Broken Love Song
    11. New Love Grows on Trees
    12. Lady, Don't Fall Backwards
    Pete Doherty
    $34.99
    Vinyl LP - Sealed Buy Now
  • Sic Lvceat Lvx Sic Lvceat Lvx Quick View

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    Sic Lvceat Lvx

    Formed in 2009, the Swiss group SCHAMMASCH combines a forward approach to modern black metal, articulating their extreme roots with doom-laden atmospherics dredged with Hermetic mysticism. The band, whose name derives from Babylonian sun god Samaš, signed to Prosthetic in 2014 to release Contradiction, which Metal Hammer lauded as one of the most overwhelming albums of the year...cerebral and utterly absorbing. Now, Prosthetic proudly reissues SCHAMMASCH's 2010 debut opus Sic Lvceat Lvx, which translates from Latin to Let the Light Shine. Consisting of seven hypnotic, cinematic tracks, the album -- which, until now, has only been available as a limited-edition CD release in select European countries -- has been freshly remastered by V. Santura (Celtic Frost, Triptykon), with glorious new artwork by Valnoir (The Black Dahlia Murder, Behemoth).
    1. Lux Eterna

    2. He Whose Face Is Made Of Entrails

    3. Chaos Reigns

    4. No Light From The Fires

    5. Black But Shining

    6. INRI
    7. The Venom Of Gods
    Schammasch
    $19.99
    Vinyl LP - Sealed Buy Now
  • Fear In Bliss Fear In Bliss Quick View

    $22.99
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    Fear In Bliss

    Bella Union is excited to release Fear In Bliss, the debut album from
    recent signings HORSE THIEF. This youthful band is a purveyor of a
    panoramic yet nuanced sound, flowing from intimate to anthemic,
    the mood from vibrant to contemplative, with front-man Cameron
    Neal's lyrics ranging from confessional to metaphorical. The result
    evokes the wide-open spaces of America's Midwest but infuses the
    sense of grit and wonderment with edgier emotions.


    Horse Thief, originally founded in Denton, TX, moved to Oklahoma
    City to attend the Academy of Contemporary Music at the University
    of Central Oklahoma, from which they recently graduated. The band
    subsequently signed with the Flaming Lips' management and soon
    came to the attention of Bella Union. Though Fear In Bliss was
    conceived at Horse Thief's Oklahoma headquarters the band
    decided to record the album in LA, "to leave our comfort zone of
    Oklahoma", and producer Thom Monahan (Devendra Banhart,
    Vetiver) has helped the band fuse their renowned stage performance
    with studio quality.


    The over-arching theme to Fear In Bliss is "finding yourself and what
    you believe in, and finding the comfort in acknowledging fear. I've
    struggled with anxiety and depression which comes out a lot on the
    new album. But when everything gets rough, I think there's always a
    way to fix it. The biggest thing for me is to give comfort to people,
    to shed light on the truth that someone is feeling the same way as
    them.

    1. Intro
    2. I Don't Mind
    3. Human Geographer
    4. Devil
    5. Holding On
    6. Already Dead
    7. Little Dust
    8. Dead Drum
    9. Let It Go
    10. Come On
    11. Warm Regards
    12. Stop (Bonus Song)
    Horse Thief
    $22.99
    Vinyl LP - Sealed Buy Now
  • With Loving And Open Arms With Loving And Open Arms Quick View

    $7.99
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    With Loving And Open Arms

    THE CAUSEY WAY IS NOT A CULT. They wish they were, but they are not. Sure, they are building a compound in a remote and undisclosed place, outside of Gainsville, Florida.(oops) Sure they offer Causey Blood (vegan) in communion cups before their services. And, of course, concert goers are encouraged to fill out membership nametags at their concerts. And it goes without saying that they're more than merely terrified about Y2K. But they are not a cult. They can't be because Alternative Tentacles Records can't sign cults; they're supposed to sign bands.


    Causey formed the band in 1997. His requisites were stringent in recruiting his flock. The future parishoners were not allowed to have been in a band - not in their current life nor in prior lives. They made one exception though, they allowed Boy Causey to join the band. Boy, aka Brian, you see, is currently in a ROCK N ROLL band called Man Or Astroman? as well as serving in Servotron. Causey, believe it or not, used to be a professional skateboarder using the phony last name Stanton. He used to defy gravity with corporate sponsorship emblazoned upon his bosom (in interviews he would explain it was the closest feeling approximating that of walking on water) when one day he landed on his nose and finally saw the light. This revelation changed Causey. He wanted to start anew, he suddenly felt a greater purpose. He needed to remain true to his new self while at the same time start something new & exciting and not merely regurgitate putrid bile like some old Linda Blair movie. He dreamed that his followers would release doves in asking for an encore, rather than lighting lighters. He had a mission, and the mission was THE CAUSEY WAY.


    Shortly after this period Jello Causey received a care-package from THE CAUSEY WAY. It contained a digital testament of their musical sacrifices, and some thoughtful Y2K preparedness items such as generic bleach, generic toothpaste, and enough cotton swabs to clean out an entire chapel-full of ears. Shortly after receiving the package, he quickly filled out his membership nametag, and the rest is history. (Jello has adamantly denied journalists' claims that he was 'brainwashed'.) It was exactly the type of new 'testament' wave, and pulpit punk that was missing in his life. (Some heathen have made references to Devo due to the presence of keyboards.)


    Jello wasn't the only soul converted. Rain Phoenix (sister of late River Phoenix) quickly signed up and did penance by singing background vocals on With Open and Loving Arms. One openly famous musical celebrity superstar, Michael Stipe of the rock quartet REM, was so healed upon experiencing THE CAUSEY WAY service, that he invited the pulpit back to his house for a serving of grits to show his gratitude. The band declined.


    Prior to their debut full-length sermon With Open and Loving Arms, THE CAUSEY WAY released an ep by the name of WWCD (that rose to #30 on CMJ's charts) and released an ep called Testimony for the skankedly trendy label Fueled By Ramen.(Less Than Jake's label) before releasing their latest one Causey vs. Everything on Alternative Tentacles in January 2001.

    1. Message From The Pulpit
    2. Sweat
    3. Carousel Of Progress
    4. What Power Is
    5. The Electronic Church(You Sell God)
    6. Toys
    7. Fact Finding Mission
    8. Light Of The World
    9. Institutional Man
    10. Bed Is Where
    11. Love Me
    12. Word Problems
    Causey Way
    $7.99
    Vinyl LP - Sealed Buy Now
  • Do You Wanna Start A War (Awaiting Repress) Do You Wanna Start A War (Awaiting Repress) Quick View

    $22.99
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    Do You Wanna Start A War (Awaiting Repress)

    FOZZY have really always been about one thing: having fun. What started out for guitarist Rich Ward as a weekend cover band soon became an internationally signed act with the biggest star in professional wrestling, Chris Jericho, as its lead singer. These two larger-than-life, trailblazing personalities that have spent the past decade shaping their own brand of sonic splendor - Ward's incendiary guitars forging a path for Jericho's inimitable vocals atop a rhythmic foundation of earth-rattling proportions. 'Do You Wanna Start a War' features 12 tracks, including the singles Lights Go Out and the title track, and the ABBA cover, SOS.
    1. Do You Wanna Start A War
    2. Bad Tattoo
    3. Lights Go Out
    4. Died With You
    5. Tonite
    6. Brides of Fire
    7. One Crazed Anarchist
    8. Unstoppable
    9. Scarecrow
    10. No Good Way
    11. SOS
    12. Witchery
    Fozzy
    $22.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Big Brother & The Holding Company Big Brother & The Holding Company Quick View

    $14.99
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    Big Brother & The Holding Company

    Six months before becoming an overnight sensation following a blistering set at the 1967 Monterey Pop Festival, Big Brother and the Holding Company was an unknown group from San Francisco playing a month-long Chicago club engagement. Mutual freind, Chet Helms introduced the band to singer, Janis Joplin and after their gig was cut short, Big Brother and Janis avoided returning to California, signed with the small, struggling jazz label Mainstream Records and cut the three-day recording session that makes up this, their self-titled debut in December of 1966. The set mostly consisted of original songs, with the exception of New York City street musician, Moondog's All Is Loneliness and a more secular arrangement of the gospel standard Down on Me. Despite Joplin's fiery singing style, Big Brother was still the kind of democracy in which Joplin shared vocals with Sam Andrew on the trippy Light Is Faster Than Sound and the more soulful duet Call on Me. Most of the record features Joplin reaching back and channeling her hero, Big Maybelle on songs like the brassy Women Is Losers and the no-nonsense Intruder.
    1. Bye, Bye Baby
    2. Easy Rider
    3. Intruder
    4. Light Is Faster Than Sound
    5. Call on Me
    6. Women Is Losers
    7. Blindman
    8. Down on Me
    9. Caterpillar
    10. All Is Loneliness
    Big Brother & The Holding Company feat. Janis Joplin
    $14.99
    Vinyl LP - Sealed Buy Now
  • A Place Where There's No More Pain A Place Where There's No More Pain Quick View

    $19.99
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    A Place Where There's No More Pain

    Life Of Agony emerged from the New York music scene in the early ‚90s with one of the most distinctive
    sounds in its genre. Best known for its 1993 metal/crossover debut River Runs Red, the band instantly
    built a die-hard, cult following. For over two decades, the group toured relentlessly all over the world,
    sharing stages with the biggest names in rock, including Metallica, Black Sabbath, Ozzy Osbourne, Foo
    Fighters, and The Red Hot Chili Peppers. After the much-praised Ugly (1995), LOA opted for a highly
    energetic alternative rock approach on Soul Searching Sun (1997) and Broken Valley (2005) - the latter
    produced by Greg Fidelman (Slipknot, Metallica). Life of Agony has sold over one million albums to date.
    In 2016, LOA signed a deal with Napalm Records to record the group's 5th studio album, titled A Place
    Where There's No More Pain. Rolling Stone hailed it as „One of the Most Anticipated Albums of the Year".
    The album is produced by Matt Brown & Life Of Agony and mastered by Ted Jensen (Alice in Chains,
    Machine Head, Deftones). The drive and intensity these ten blistering new tracks possess, surpass all
    expectations that built up in the past 12 years - a cathartic Sturm & Drang experience for the listener that
    matches the ferocity of River Runs Red with gut wrenching rock melodies. Raging guitar riffs, heartfelt
    lyrics and killer grooves mark the return of LOA's signature sound and turn A Place Where There's No
    More Pain into a passionate, soul-searching affair.


    The highly emotional lyrics by singer Mina Caputo link all songs by the four-piece together, then and
    now: born as Keith Caputo, she had her Transgender coming out in 2011, changed her name, but kept
    her inimitable style of writing deeply from the heart. „And I just want to disappear and hide," she sings
    and shines a light on the path of all lost souls - while steadily walking her own. „Many of our fans have
    told us over the years that sharing our personal struggles has been cathartic for them in healing the pain
    in their own lives. That uplifting energy we share at the shows, gives us hope that there's light at the end
    of the tunnel. And for us and hopefully our fans, that short time when we're all together is a place where
    there's no more pain."

    1. Meet My Maker
    2. Right This Wrong
    3. A Place Where There's No More Pain
    4. Dead Speak Kindly
    5. A New Low
    6. World Gone Mad
    7. Bag Of Bones
    8. Walking Catastrophe
    9. Song For The Abused
    10. Little Spots Of You
    Life Of Agony
    $19.99
    Vinyl LP - Sealed Buy Now
  • Put Your Needle Down Put Your Needle Down Quick View

    $23.99
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    Put Your Needle Down

    The Secret Sisters' incredible story is as simple and true as the effortless harmonies that got them here. Begin anywhere -- the thick and fertile brambles
    of their own family history or light upon the branches of the wondrous, fractal menagerie that makes up their self-titled debut album. The pair of Alabama
    sisters direct from Muscle Shoals (barely twenty-somethings themselves) caught the attention of T Bone Burnett, who signed on as Executive Producer of
    their debut album after spending time with Laura and Lydia and hearing them sing live, and is releasing the album on his new label created especially for
    this release -- Beladroit. As Burnett explains, I have been making music for over forty years and The Secret Sisters album is as close to pure as it gets.


    Their self-titled debut album consists of ballads, originals, and cover songs such as Why Don't Ya Love Me?, Why Baby Why, and the Frank Sinatra
    song Somethin' Stupid. The album also includes two originals written by Laura Rogers: Tennessee Me and Waste the Day. The album was recorded
    in two weeks at Blackbird studios. Their eleven-song debut was produced by Dave Cobb, who has worked with artists such as Waylon Jennings and
    Jamey Johnson, and also executive produced by T-Bone Burnett. The Secret Sisters brough in studio musicians such as steel guitar player Robbie
    Turner and pianist Pig Robbins. Also included on the album is a cover of the 60s rock song by then teenage singer Nancy Baron I've got a Feeling,
    written by Wally Zober and C. Laverne. The album was also recorded with classic analog equipment. The production team and the Sisters utilized vintage
    microphones and classic recording techniques, down to the same type of tape they would have used fifty years ago.

    1. Rattle My Bones
    2. Iuka
    3. Dirty Lie
    4. The Pocket Knife
    5. Let There Be Lonely
    6. Black And Blue
    7. Lonely Island
    8. I Cannot Find A Way
    9. If I Don't
    10. Good Luck, Good Night, Goodbye
    11. Bad Habit
    12. River Jordan
    The Secret Sisters
    $23.99
    Vinyl LP - Sealed Buy Now
  • Canyon Songs Canyon Songs Quick View

    $24.99
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    Canyon Songs

    First time available on vinyl and celebrating the 10-year anniversary of what many fans and critics concede could be the crown jewel of Lucca's catalog, the emotive Canyon Songs, a touching 10-track tip of the cap to the legendary Laurel Canyon sound immortalized by master musicians including Crosby, Stills, Nash & Young, The Byrds, Buffalo Springfield, Joni Mitchell and Jackson Browne.


    Lucca says. "Instead of diving back into the next album cycle, I've decided to reflect for a minute and promote the larger body of work, to shine more light on Tony Lucca, the songwriter." For Lucca, who was raised in a very large musical family in Detroit, a short stint doing the Hollywood shuffle/auditioning actor thing led him to recognize his true passion: music. A number of albums and EPs followed.


    Lucca has made myriad television appearances on popular shows such as Parenthood, The Tonight Show, Last Call with Carson Daly, The All New Mickey Mouse Club, the Aaron Spelling-produced Malibu Shores, as well as small roles in some independent features. He was also the source oftabloid fodder during his years dating actress Keri Russell, as well as when he was a third place finisher on Season 2 of The Voice (which served as a springboard for a series of additional key career milestones,including the signing of a recording contract with Adam Levine's 222 Records, as well as high profile stints on tour with the likes of Maroon 5, Kelly Clarkson and Sara Bareilles, among countless others).


    The vinyl edition of Canyon Songs will be remastered.

    1. Death of Me
    2. Darlin'
    3. Longing
    4. Sarah Jane
    5. The Hustler, The Widow, and The Boy From Detroit
    6. Songbird
    7. So Long
    8 Julia
    9. Feel Like Love
    10. Around the Bend
    Tony Lucca
    $24.99
    Vinyl LP - Sealed Buy Now
  • Judee Sill (Pre-Order) Judee Sill (Pre-Order) Quick View

    $54.99
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    Judee Sill (Pre-Order)

    180-Gram Double 45s

    100% Analog AAA Mastered By Kevin Gray At Cohearent Audio

    Pressed At RTI

    Comes In Old Style ''Tip-On'' Single-Jacket Printed By Stoughton on Heavy Stock

    Rapturous and otherworldly. -Rolling Stone

    ... it's hard to suppress the inner light of Sill's work. It shines. -Pitchfork

    The astonishing Judee Sill was the first artist signed to David Geffen's Asylum Records, and Judee Sill the first album released on the label. Sill's music is intensely spiritual, redolent of both mysticism and divine imagery, yet grounded by great songwriting and a pure but powerful singing talent. Her songs impart incredible intimacy that is enhanced and not diminished by her sometimes complex string/orchestral arrangements (remarkably Sill arranged and conducted the strings/orchestra on her albums!).

    Sill's life was tragic personally and professionally. Her father and brother were killed when Sill was young, and her tempestuous relationship with her alcoholic (and remarried) mother resulted in her leaving home at 15. She committed robberies and began a battle she was destined to lose against drug addiction. When stardom didn't follow the critical acclaim of these two albums her career never recovered. Sill was dead in 1979 at just 35. The brevity of Judee's musical legacy is vastly outweighed by the emotional power in these two extraordinary albums.

    Judee Sill and Heart Food were AAA mastered directly from the original analog master tapes by Kevin Gray at Cohearent Audio.

    The master tapes are in fine shape, and listeners will be blown away by the increased inner detail and three-dimensionality of these achingly gorgeous recordings. These new Intervention reissues represent THE definitive listening experience for these classic LPs!

    LP 1
    1. Crayon Angels
    2. The Phantom Cowboy
    3. The Archetypal Man
    4. The Lamb Ran Away With The Crown
    5. Lady-O
    6. Jesus Was a Crossmaker


    LP 2
    1. Ridge Rider
    2. My Man On Love
    3. Lopin' Along Thru The Cosmos
    4. Enchanted Sky Machines
    5. Abracadabra

    Judee Sill
    $54.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed PRE-ORDER Buy Now
  • I Wish U Heaven (Single) I Wish U Heaven (Single) Quick View

    $12.99
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    I Wish U Heaven (Single)

    12 Maxi-Single Reissue

    Featuring I Wish U Heaven And Scarlet Pussy

    I Wish U Heaven is a joyful, spiritual song with few lyrics, which runs 2:43. The 12 single is a substantially extended three-part suite which runs over ten minutes.

    Part One of the mix starts with a stripped-down version of the Lovesexy album song, remixed with a dance beat. The original drum programming and rhythmic electric guitar riffs are deleted for much of the song.

    Part Two is a gospel rendition with new lyrics, continuing the spiritual theme. This part of the song was often sung in concert during the Lovesexy World Tour. The beginning of this section paraphrases lyrics from Housequake, from the previous album Sign O the Times. Prince also quotes the film Scarface with the lines Say hello to my little friend... and then introduces the Blue Angel, a new blue version of his custom White Cloud guitar featured in the film Purple Rain. Sheila E. is also given a call out, and her voice can be heard responding in this section.

    Part Three is based on an outtake called Take This Beat and deviates quite a bit from the original theme. This segment has Prince using his Jamie Starr persona to humorously tout the fact that he's funky, musically talented, and has plenty of beats (songs) that are so fine. The song ends with a looped repeat of the title. This version of the song became one of the highlights during the supporting tour in which Prince would usually order the house lights to be turned up, and instruct the crowd during a call and response segment.

    The B-side, Scarlet Pussy, is credited to Prince's alter ego, Camille. The song is very sexual, using metaphors of cats and dogs for sexual organs, a theme Prince previously used for the B-side La, La, La, He, He, Hee. Prince uses his sped-up Camille vocals, as well as a slowed-down vocal, similar to Bob George from The Black Album. The song features a saxophone solo from Eric Leeds. The decision to include such a raunchy song with the spiritual A-side was noteworthy. The edit of Scarlet Pussy was included on 1993's The Hits/The B-Sides.

    1. I Wish U Heaven (Part 1, 2, & 3)
    2. Scarlet Pussy
    Prince
    $12.99
    12 Vinyl Single - Sealed Buy Now
  • Bound For Glory Bound For Glory Quick View

    $37.99
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    Bound For Glory

    Previously unreleased early broadcast featuring rare versions of many early Springsteen hits!


    April 1973 from The Main Point, Bryn Mawr, Philadelphia


    By mid 1972 the rock landscape was looking decidedly dull. The search for a new Beatles or a new Dylan to re-unite the Woodstock generation and their younger siblings had come to nothing and the natives were getting restless. So when word began to filter through of new-kid-on-the-block Bruce Springsteen breaking out of home city Asbury Park, New Jersey, and playing shows nationwide that reconfirmed audiences faith in the redemptive power of rock n roll, hope began to restore. Bruce had signed a recording deal with Columbia in mid-72 and had been working on his debut record since. Greetings From Asbury Park saw the light of day in early 73, and within the week Springsteen, with a little help from three of the soon to be named East Street Band, were performing their first ever radio broadcast, aired on Boston's WBCN FM. A quite remarkable performance ensued with Bruce and the boys in excellent humour and fine form as they played a terrific set, although remarkably including just one cut from Greetings. The show was an intimate affair without an audience but gave listeners their first glimpse into Springsteen's infectious personality, enormous enthusiasm and unique sense of humour. It also drove home the message that here was an artist who could prove to be the new messiah, with songs that quite beggared belief. The second show featured on this LP is Bruce's very first broadcast from the Main Point venue in Bryn Mawr, just outside Philadelphia - the venue at which Bruce's most prestigious and highly regarded broadcast was made, the astonishing 1975 gig that has also recently been released. This April 1973 set differs widely from the January 73 show as the full band (drummer Vini Lopez joins proceedings) rock out, and comparisons with the largely acoustic Boston broadcast remain fascinating. That was pretty good, Bruce is heard to mutter as the final track of this broadcast draws to a close - providing the perfect understatement for the burgeoning talent heard maturing in these two broadcasts, and equally for the shows themselves, as just one listen to this remarkable LP will testify.



    This item is not eligible for further discount.

    LP1 - Live broadcast on WBCN-FM BOSTON 9th Jan 1973
    1. Satin Doll
    2. Bishop Danced
    3. Circus Story
    4. Song For Orphans
    5. Does This Bus Stop At 82nd Street?


    LP2 - Live broadcast on WMMR-FM PHILADELPHIA 24th
    6. New York Song
    7. Circus Story
    8. Spirit In The Sky
    9. Does This Bus Stop At 82nd Street?
    10. Santa Ana
    11. Tokyo
    12. Thundercrack

    Bruce Springsteen
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
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