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Witchcult Today (Awaiting Repress)Colored Vinyl
Witchcult Today is the sixth album by the British doom metal band Electric Wizard. It was recorded entirely on vintage 1970's equipment at Toe Rag Studios and was originally released in November of 2007. The sound of Witchcult Today was less harsh than preceding albums and Jus Oborn's vocals are much more prominent. Upon its release, Witchcult Today was the band's most well-received album.
The band's fascination with horror movies and writers continues here with Satanic Rites of Drugula, a reference to the Hammer Studios horror film of the same name and Dunwich, a reference to H.P. Lovecraft's short story The Dunwich Horror, while Black Magic Rituals & Perversions makes reference to the Jean Rollins film Le Frisson des Vampires (Shiver of the Vampires and to Italian comic book character Zora the Vampire. The album cover of Witchcult Today was edited from the poster for The Devil Rides Out. Limited edition double gatefold colored LP from Metal Blade Records.1. Witchcult Today
3. Satanic Rites of Drugula
5. The Chosen Few
6. Torquemada '71
7. Black Magic Rituals & Perversions
8. Saturnine$29.99Colored Vinyl LP - Sealed AWAITING REPRESS Buy Now
The Speed Of Twisted ThoughtFrom one of the first bands signed by Touch And Go come these early recordings for the first time in the LP format, re-released and repackaged, in honor of the label's 25th anniversary. Includes the highly sought after singles Vengeance and In This Town, along with Jan's Room, the Process Of Elimination compilation track, Jan's Room demos, and live tracks from a 1981 tour. Liner notes by Byron Coley, Henry Rollins, Tesco Vee, and Tim Tonooka.1.Vengeance
2.In This Town
3.Cos the Elite
4.Truth Right Now
6.Off to War
13.Cos the Elite - (live)
14.Letter, The - (live)
15.Famous - (live)
16.Off to War - (live)
17.In This Town - (live)
18.Rat Patrol - (live)
19.Statement - (live)
20.Candy Store - (live)
21.You - (live)
22.Teenage Drugs - (live)
23.Waiting for Eviction - (live)
24.Media Blitz - (live)$13.99Vinyl LP - Sealed Buy Now
All Those Wasted YearsPressed On 140-Gram Clear Vinyl
The First Live Album By Finnish Rock Band Hanoi Rocks, Originally Released In 1984
Recorded In December 1983 At The Marquee Club In London, A Year Before The Death Of Hanoi Rocks' Drummer Razzle
All Those Wasted Years is the first live album by the Finnish rock band Hanoi Rocks, released in 1984. The album was recorded in December 1983 at The Marquee Club in London, about a year before the death of Hanoi Rocks' drummer Razzle. All Those Wasted Years, shows that they were the real deal (as well as a major influence on future raunch-rockers Guns N' Roses). Nearly all of the band's best tracks are included here, such as Back to Mystery City, Motorvatin', Mental Beat, and Taxi Driver. Also included is a triple-shot encore of cover songs: Alice Cooper's Under My Wheels, the Stooges' I Feel Alright (aka 1970), and the Yardbirds/Aerosmith standard Train Kept A-Rollin'.LP 1
2. Oriental Beat
3. Back to Mystery City
5. Until I Get You
6. Mental Beat
7. Don't Never Leave Me
9. Malibu Beach Nightmare
2. 11th Street Kids
4. Lost in the City
5. Lightning Bar Blues
6. Beer and Cigarette
7. Under My Wheels
8. I Feel Alright
9. Train Kept a Rolling$37.99Colored Vinyl LP - 2 LPs Sealed Buy Now
Annihilate This WeekThis SST EP captures Black Flag in three intense live moments. Henry Rollins sounds enraged, and the band teeters constantly on the verge of musical collapse.1. Annihilate this Week
2. Best One Yet
3. Sinking$7.99Vinyl LP - Sealed Buy Now
Jealous AgainWhen the four-song vinyl EP Jealous Again came out in 1980, Black Flag had yet to provide a full-length LP or hire Henry Rollins as its vocalist. But even in those pre-Rollins days, Black Flag was regarded as one of the most important bands on the Los Angeles punk scene - and rightly so. In fact, it's safe to say that no 1980 release captures the raw, explosive anger of L.A. punk better than Jealous Again. Black Flag's second vocalist, Chavo Pederast (the one who came after Keith Morris and before Rollins), has no problem expressing his rage on such in-your-face classics as 'No Values,' 'White Minority,' 'Revenge,' and 'You Bet We've Got Something Against You!.' In 1980, some fans of corporate rock couldn't begin to understand the appeal of a punk band like Black Flag and dismissed this EP as unmusical. But to criticize Jealous Again (whose contents would, in the 1990s, be placed on SST's CD reissue of Damaged) for its lack of chops or technique completely misses the point: punk wasn't about technique, it was about feeling. Punk was rock and roll stripped down to its rawest, most naked, gut-level emotions. And on this EP, those emotions make for some compelling moments. - All Music Guide1. Jealous Again
3. White Minority
4. No Values
5. You Bet We've Got Something Against You$15.99Vinyl LP - Sealed Buy Now
Brilliant CornersTwo superb piano trio albums of covers had set the stage for Monk the composer to re-emerge with horns, and the pianist responded with BRILLIANT CORNERS, one of his greatest recordings, featuring three classic new tunes and two formidable studio bands. The Sonny Rollins featured on BRILLIANT CORNERS is a far more imposing presence than the young acolyte of previous Monk sessions--just witness the title tune. With its multiple themes, quirky intervallic leaps, idiomatic rhythmic changes and tricky transitions in tempo, it is one of Monk's masterpieces--a miniature symphony. So daunting were its technical challenges, that the final ending was edited on from another take. Rollins begins his solo with swaggering composure, boldly paraphrasing Monk's vinegary intervals and trademark trills, before navigating the swift rapids of the double-time chorus with deft syncopations. Monk plies dissonance upon dissonance in his first chorus, playing rhythmic tag with Max Roach on the out chorus. Ernie Henry's slip-sliding bluesiness is followed by a brilliant rhythmic edifice from Roach, who maintains melodic coherence at a drowsy tempo, then explodes into the final chorus.Elsewhere, Ba-Lue Bolivar Ba-Lues-Are is a soulful, easygoing blues, and Monk's solo is a compendium of pithy rhythmic devices, bent notes and calculated melodic abstractions, played with enormous relaxation and swing. He concludes with heckling big-band figures that form the basis for Rollins' expressive rhythmic testimonies. Monk employs the bell-like timbre of a celeste to stunning effect on Pannonica, one of his loveliest melodies and improvisations. And in closing, Bemsha Swing is a hard-swinging, conversational performance, with fine contributions from trumpeter Clark Terry, bassist Paul Chambers and Roach on drums and timpani.1. Brilliant Corners
2. Ba-Lue Bolivar Ba-Lues-Are
4. I Surrender Dear
5. Bemsha Swing
6. Pannonica (Thelonious Monk)(Alt. Take)*
*Bonus Track$27.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
JOE HENDERSON, MCCOY TYNER, BOB CRANSHAW, ELVIN JONES, MCCOY TYNER
This early recording by Joe Henderson is not only one of the finest of all of his fine recordings, but is also a high point for 1960s jazz. At this point in his career, Henderson was a full-time member of Horace Silver's combo and did not yet have a steady band in his hire. He is joined on Inner Urge by veterans of other combos: McCoy Tyner and Elvin Jones from John Coltrane's unit and Sonny Rollins sideman Bob Cranshaw. This album is perhaps the best Henderson recorded in his long and illustrious career, and stands easily alongside the best records of the era.1. INNER URGE (Joe Henderson)
2. ISOTOPE (Henderson)
3. EL BARRIO (Joe Henderson)
4. YOU KNOW I CARE (Duke Pearson)
5. NIGHT AND DAY (Cole Porter)$15.99Vinyl LP Reissue - Sealed Buy Now
Brilliant CornersFew composers or improvisers can match the originality of pianist Thelonious Monk. Quirky yet rigorously logical, Monk's playful but always purposeful choice of skewed melodies and interrupted rhythm patterns gave the bebop movement, and jazz in total, a new sound that was totally modern. Although he created a surprisingly limited body of compositions, his impact on the vocabulary and canon of jazz is second to none, including such prolific giants as Duke Ellington. Brilliant Corners is a triumph of both performance and conception: the two small-group sessions, anchored by Monk, drummer Max Roach, and the bass work of either Oscar Pettiford or Paul Chambers, feature superb front-line performances by saxophonists Sonny Rollins and the tragically under-recorded Ernie Henry, as well as trumpeter Clark Terry. The title track, which centers the collection, is one of Monk's most unconventional pieces, skirting whole-tone, chromatic and Lydian scales; a version of Pannonica finds Monk doubling on celeste, while the band stretches out on Bemsha Swing and the blues Ba-lue Bolivar Ba-lues-are. - Fred Goodman1. Brilliant Corners
2. Ba-Lue Bolivar Ba-Lues-Are
4. I Surrender, Dear
5. Bemsha Swing$21.99Vinyl LP - Sealed Buy Now
The Church Within
Features Two Bonus Tracks
Includes Added Photos and Original Album Art With Lyrics
Includes a New Note From Wino Himself
Biker metal, doom metal, stoner metal whatever metal subgenre you
want to fit him into, Scott "Wino" Weinrich has been at the forefront of it
for over thirty years. The unmistakable rasp of his lead vocals and thick, fuzzy Gibson
guitar tone have spearheaded bands ranging from Saint Vitus to Spirit Caravan to Probot,
but for many his crowning achievement (and most accessible one) was The Church
Within, the last album he made with his first band, The Obsessed, for Columbia in 1994.
His lone major label release, The Church Within features the dark vision and crushing,
slow-motion riffs beloved by fans of Black Sabbath, but the driving intensity and atonal guitar solos recall
Motörhead and Black Flag, respectively; in short, this album transcends genre classifications even as it defines
them. Now, for the first time, this lost classic of '90s metal is being reissued by Real Gone Music on double
180-gram gatefold vinyl with two bonus tracks (the single "Mental Kingdom" and the unreleased track "Melancholy
Grey"), added photos, the original album art with lyrics and a new note from Wino himself. Everyone from Henry
Rollins to Dave Grohl to Ian MacKaye has sung Wino's praises time to join the chorus.LP 1
1. To Protect And To Serve
2. Field Of Hours
4. Blind Lightning
5. Neatz Brigade
6. A World Apart
2. Climate Of Despair
5. Touch Of Everything
7. Living Rain
8. Mental Kingdom (1994 Version) (Bonus Track)
9. Melancholy Grey (1994 Version-Unreleased) (Bonus Track)$37.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Live At The Jazz MillPressed On Red Vinyl
Unearthed tape from a jazz icon. Thanks to a 21-year-old with a tape machine, we can all experience the majesty of guitar legend Barney Kessel at his 1954 best!
Even if you don't know Barney Kessel, you know Barney Kessel -- as a first-string member of the group of LA session musicians nicknamed The Wrecking Crew, Kessel's guitar is heard on just about every LA-based hit you'd care to name from the 60s, including songs by the Monkees and The Beach Boys' legendary Smile LP. And that's Kessel's playing on the famous fight music from the Star Trek TV series. He was regarded as the very best of the session guitarists by just about everyone around, and guitarists everywhere site him as an influence.
But before he played rock and roll, Kessel was a jazz pioneer -- as one of the leading lights of the hard-bop movement, his jazz guitar was legendary, and he was ranked the No. 1 guitarist in Down Beat and Playboy for numerous years. He played with Sonny Rollins and Oscar Peterson (and Chico Marx -- yes, that Chico Marx!) as well as leading his own super-tight group. On albums such as The Poll Winners, Kessel defined the bop style with a jazz power trio, creating a body of work that made him a legend.
Live At The Jazz Mill is a unique artifact -- recorded on a tape recorder by young jazz fan Jack Miller, this live recording catches Barney Kessel in the middle of his run at the Jazz Mill with a great four-piece band. The collection, gleaned from a couple of nights' best recordings, features Kessel's spirited take on such Songbook classics as Get Happy and Stardust, not to mention the Gershwin great Embraceable You. It's pressed on red vinyl and wrapped in a sleeve which captures the unique vibe of jazz graphics of the 1950s. Get with Barney Kessel, and get with a true pioneer of the jazz form!1. Strike Up The Band
2. How About You
3. Get Happy
5. Seven Come Eleven
6. Rose Room
7. Somebody Loves Me
8. Embraceable You$24.99Colored Vinyl LP - Sealed Buy Now
Paris, 1972Part of Norman Granz's Jazz at the Philharmonic series, Paris, 1972 features a live performance in the City of Lights by one of the biggest name in Blues: the great Muddy Waters. Backed by an all-star band (Pinetop Perkins on piano, Calvin Jones on bass, Willie Smith on drums, Mojo Buford on harmonica and Louis Meyers on guitar), Waters performs his biggest hits of the day, including Rollin' and Tumblin,' I'm Your Hoochie Coochie Man and Got My Mojo Working. With impressive musicianship, and the quirks that make a live record unique, Paris, 1972 is a must-have for any fan of Muddy Waters.1. Introduction
2. Clouds in My Heart
3. Lovin' Man
4. County Jail
5. Hoochie Coochie Man
6. Blow Wind Blow
7. Honey Bee
8. Walking Thru the Park
9. Rollin' 'N' Tumblin'
10. Walkin' Blues
11. Got My Mojo Workin'$21.99Vinyl LP Reissue - Sealed Buy Now
Down Fell The DovesAmanda Shires landed everywhere from NPR's Tiny Desk to the Grand Ole Opry to the cover of Texas Music as their Artist Of The Year in 2011. Now she's back with 'Down Fell The Doves' set for release via Lightning Rod Records. The album's 11 original songs feature Amanda's sharpest writing to date, brought to life by a voice that melts, a fiddle that sears, and guitars - played for the most part by her husband, Jason Isbell - that scrape and howl.
Shires has blossomed into a truly original voice with 'Doves,' which was produced by Andy LeMaster (Bright Eyes, REM) and recorded at his Chase Park Transduction studio in Athens, GA. Bulletproof ponders invincibility with the help of a Siberian tiger claw. Wasted and Rollin' casts a deep, impressionistic fog. For Deep Dark Below Shires' attention shifts to the underworld, where the devil plays fiddle with a bow made of bones. Song for Leonard Cohen has a softer touch, imagining a drunken evening stroll with the master songwriter.
Now based in Nashville, Shires began playing fiddle at age ten in Texas. By 15, she had joined the Texas Playboys, former backing band of western swing pioneer Bob Wills. More recently she has toured and recorded with Snider and Justin Townes Earle who says, With a voice that whispers Dolly and lyrics that scream Faulkner, this girl shines like a diamond.1. Look Like A Bird
4. Box Cutters
5. Deep Dark Below
6. Wasted And Rollin'
7. If I
9. Drop And Lift
10. A Song For Leonard Cohen
11. The Garden Song$15.99Vinyl LP Buy Now
Special Vinyl Reissue In A Series Of Special 2014 Releases Commemorating The 65th Anniversary Of Prestige Records And The 90th Birthday Of Legendary
Recording Engineer Rudy Van Gelder
Originally released in 1956, Collectors' Items consists of two studio sessions recorded over roughly three years, with a menagerie of musicians taking
part. Because of the amount of time between each session (1953 and 1956), fans will get an intimate peek into the artistic maturation of the esteemed
artists who took part in the recordings. Sonny Rollins, Charlie Parker (who recorded under the name "Charlie Chan" to avoid contractual issues while
under a rival label), Paul Chambers, Art Taylor and Tommy Flanagan were just some of the names who joined Davis in the studio. Collectors' Items opens
the studio doors to listeners, allowing them to take part in a moment-Charlie Parker trying out a new King tenor sax; Miles Davis informally improvising;
the band recording "Round About Midnight" at six PM, due to the studio closing down for the night. Ira Gitler's liner notes recall details like this-adding
dimension and a context to the album's tracks. This is most definitely a Collectors' Item for any jazz fan.1. The Serpent's Tooth [Take 1]
2. The Serpent's Tooth [Take 2]
3. 'Round Midnight
5. No Line
6. Vierd Blues
7. In Your Own Sweet Way$21.99Vinyl LP Reissue - Sealed Buy Now
Fire MusicDanko Jones has announced the release of FIRE MUSIC via Bad Taste Records/MRI. The new album is loaded with some of the most incendiary, fierce, and downright pissed-off songs the band has ever committed to tape. In the past, Danko Jones' repertoire has frequently exhibited a physical and emotional release for those times when love is unkind, but with these songs the trio exhibits what happens when therapy doesn't work. Song to song, the listener experiences Danko's pent-up agitation that has been left to stew, getting expelled into pure, merciless, violent rock 'n' roll fury. The repertoire unleashes a torrent of Misfits-worthy shout along hooks, as Jones crosses into a realm where whatever belief he ever had in love and romance has disintegrated into the darkest depths of a blackened soul.
Danko Jones' composition "Gonna Be A Fight Tonight" has been selected as the official theme song for WWE's Royal Rumble Pay-Per-View Event, taking place on January 25, 2015 at Wells Fargo Center in Philadelphia, PA. One of WWE's pinnacle annual events, this year it is especially buzzing in anticipation of its main event "Triple Threat Match" featuring WWE Heavyweight Champion Brock Lesnar versus John Cena versus Seth Rollins.
With the new album, co-founders Danko Jones and John JC Calabrese welcome new drummer Rich Knox, formerly of southern fried Toronto rockers Flash Lightning. FIRE MUSIC was produced and mixed by Juno Award winning producer Eric Ratz (Billy Talent, Monster Truck, Metric), and the cover / packaging was designed by Grammy Award winner Gail Marowitz.1. Wild Woman
2. The Twisting Knife
3. Gonna Be A Fight Tonight
4. Body Bags
5. Live Forever
6. Do You Wanna Rock
7. Getting Into Drugs
8. Watch You Slide
9. I Will Break Your Heart
11. She Ain't Coming Home$15.99Vinyl LP - Sealed Buy Now
Performance: Rockin' The FillmoreFeaturing Dead-Quiet Surfaces, This Wax Cathedral LP is Pressed at RTI, America's best record plant!
At the turn of the 1970s, Humble Pie rivaled Led Zeppelin as the biggest blues-rock band in the world. Performance: Rockin' the Fillmore demonstrates why. Capturing the group at the height of its powers, the live set smokes with outlandish energy, virtuosic interplay, rhythmic might, and blistering grooves. Guitarist Peter Frampton and vocalist Steve Marriott use their individual star power to complement rather than compete with one another, while the remainder of the band follows suit with similar intensity.
Soaring on the strength of Frampton's struck-by-lightning melodies and Marriott's soulful high-pitched deliveries, Humble Pie personifies classic 1970s hard rock throughout this set, defined by zealous reinventions of songs by Willie Dixon, Ray
Charles, and Dr. John. The group appropriates the classics as its own, with twin guitars harmonizing and harmonicas blowing, the original arrangements extended and reshaped, the band members pushing each other at every turn. That Frampton departed shortly after this San Francisco concert makes this album all the more memorable.
Remarkable, too, are the two epic workouts, one a 23-minute-plus jam on Dr. John's "I Walk on Gilded Splinters"-listen for the sound of the bottle dropping at the beginning-and the other an inventive perusal of Muddy Waters' "Rollin' Stone" that
closes with a boogie-based rendition of "My Babe." Frampton, Marriott, and Co. were never as good as they are here.
Music sounds better on vinyl. Especially when it's experienced on new pressings from RTI, America's finest record plant. Introducing Wax Cathedral, an imprint focused on reissuing great albums on LP, complete with dead-quiet surfaces and authentically replicated artwork. Wax Cathedral goes where few other labels dare, restoring titles from diverse genres, myriad eras, and recognizable artists beloved by generations of listeners. Wax Cathedral is all about bringing back quality vinyl titles that have been out-of-print on LP for decades, and having fun in the process. Get your turntables ready.1. Four Day Creep
2. I'm Ready
3. Stone Cold Fever
4. I Walk on Gilded Splinters
5. Rollin' Stone
6. Hallelujah I Love Her So
7. I Don't Need No Doctor$28.99Vinyl LP - Sealed Buy Now
Includes Two Unreleased Tracks Not Available Anywhere Else
Victoria, B.C.'s Current Swell is set to release their new album, Ulysses, on May 6, 2014. The 12-tracks
on Ulysses perfectly deliver the band's textured, deep-groove sound while capturing the energy of their live
show, which has earned them scores of fans across The Americas, Australia and Europe. The band will
debut many of these new songs next month in Austin during SXSW.
Ulysses was produced by Nathan Sabatino (Dr. Dog, Neko Case, Giant Sand) at Vancouver's iconic
Greenhouse Studios. The album captures every bit of warmth the studio's massive Neve console could
provide, as heard on "Rollin'" (a showcase for Stanton's exemplary slide work), the title track "Ulysses,"
rocker "Keys to the Kingdom" and the readymade sing-along "One Day I'll Be Rich."
While Current Swell spent the better part of six months recording their previous album (and Nettwerk
debut), 2012's Long Time Ago, the four band members entered the studio with a clear goal and knocked
Ulysses out in 20 days.
From appearances at key festivals from Australia to Canada (Byron Bay Bluesfest, Peats Ridge, Rock
The Shores, Ottawa Bluesfest and more), to sold-out headline tours of Brazil, to support slots with such
established artists as Edward Sharpe and The Magnetic Zeros, Dispatch, Xavier Rudd, K'Naan, The
Tragically Hip and even The Beach Boys, Current Swell's infectious sound and raucous live shows have
earned the quartet scores of devoted fans around the word. In 2011, Current Swell earned first place at
Vancouver's Peak Performance Project and headlined a Canada Day concert to a crowd of 45,000.1. Ulysses
2. Keys To The Kingdom
4. One Day I'll Be Rich
5. Bad News
6. Who's With Us
8. Man Of Maps
11. We Will Run
12. Flesh and Bone$24.99Vinyl LP - Sealed Buy Now
Get Your WingsRemastered from the original source tapes!
Contains the classics Same Old Song And Dance, Train Kept A-Rollin' and Seasons of Wither
Often overshadowed by the subsequent twin highlights of Toys in the Attic and Rocks, Aerosmith's 1974 second album, Get Your Wings, is where Aerosmith became Aerosmith -- it's where they teamed up with producer Jack Douglas, it's where they shed much of their influences and developed their own trademark sound, it's where they turned into songwriters, it's where Steven Tyler unveiled his signature obsessions with sex and sleaze. Chief among these attributes may be Douglas, who either helped the band ease into the studio or captured their sound in a way their debut never did. This is a leaner, harder album, bathed in grease and layered in grit, but it's not just down to Douglas. The band itself sounds more distinctive. There are blues in Joe Perry and Joey Kramer's interplay, but this leapfrogs over blues-rock; it turns into slippery hard rock. To be sure, it's still easy to hear the Stones here, but they never really sound Stonesy; there's almost more of the Yardbirds to the way the group works the riffs, particularly evident on the cover of the early 'Birds classic The Train Kept a Rollin'. But if the Yardbirds were tight and nervy, Aerosmith is blown out and loose, the sound of excess incarnate -- that is, in every way but the writing itself, which is confident and strong, fueled by Tyler's gonzo sex drive. He is the Lord of the Thighs, playing that Same Old Song and Dance, but he also slows down enough for the eerie Seasons of Wither, a powerful slow-churning ballad whose mastery of atmosphere is a good indication of how far the band has grown. They never attempted anything quite so creepy on their debut, but it isn't just that Aerosmith is trying newer things on Get Your Wings, it's that they're doing their bloozy bluster better and bolder, which is what turns this sophomore effort into their first classic.
-All Music Guide1. Same Old Song and Dance
2. Lord of the Thighs
4. Woman of the World
5. S.O.S. (Too Bad)
6. Train Kept A-Rollin'
7. Seasons of Wither
8. Pandora's Box$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Fuchsia Swing SongDuring the Blue Note 75th anniversary celebration the label released 100 essential Blue Note LPs and asked New York Times readers what titles they'd like to see make the list. This album is one of five new reissues that were hand-selected by Blue Note President, Don Was, based on New York Times reader recommendations.
Recorded in 1964 immediately after leaving the Miles Davis Quintet, Sam Rivers' Fuchsia Swing Song is one of the more auspicious debuts the label released in the mid-'60s. Rivers was a seasoned session player (his excellent work on Larry Young's Into Somethin' is a case in point) and a former member of Herb Pomeroy's Big Band before he went out with Davis. By the time of his debut, Rivers had been deep under the influence of Coltrane and Coleman, but wasn't willing to give up the blues just yet. Hence the sound on Fuchsia Swing Song is one of an artist who is at once very self-assured, and in transition.
Using a rhythm section that included Tony Williams (whose Life Time he had guested on), pianist Jaki Byard, and bassist Ron Carter, Rivers took the hard bop and blues of his roots and poured them through the avant-garde colander. Today, players like Joshua Redman, Branford Marsalis, and James Carter do it all the time, but in 1964 it was unheard of. You either played hard bop or free; Davis' entire modal thing hadn't even completely blasted off yet. The title and opening track is a case in point.
Rivers opens with an angular figure that is quickly translated by the band into sweeping, bopping blues. Rivers legato is lightning quick and his phrasing touches upon Coleman Hawkins, Sonny Rollins, Coleman, and Coltrane, but his embouchure is all his. He strikes the balance and then takes off on both sides of the aisle. Byard's comping is actually far more than that, building in rhythmic figures in striated minors just behind the tenor. Downstairs Blues Upstairs sounds, initially anyway, like it might have come out of the Davis book so deep is its blue root. But courtesy of Byard and Williams, Rivers goes to the left after only four choruses, moving onto the ledge a bit at a time, running knotty arpeggios through the center of the melody and increasingly bending his notes into succeeding intervals while shifting keys and times signatures
He never goes completely over the edge as he would on his later Blue Note dates. The most difficult cut on the date is Luminous Monolith, with its swing-like figure introducing the melody. Eight bars in, the syncopation of the rhythm sections begins a stutter stem around the time and then the harmony with Byard building dense chords for Rivers to jump off of. On the Connoisseur Series CD (shame on Blue Note once again for making some of its best outside records limited editions; titles like this should be as readily available as Horace Silver's Song for My Father, but the label had been playing it ever so safe for a while and making fans buy the limited number of titles over and again) there are alternate takes of Luminous Monolith and three more of Downstairs Blues Upstairs, making it a very worthwhile look at the entire session.
This is a highly recommended date. Rivers never played quite like this again.
- Thom Jurek1. Fuchsia Swing Song
2. Downstairs Blues Upstairs
3. Cyclic Episode
4. Luminous Monolith
6. Ellipsis$19.99Vinyl LP - Sealed Buy Now
One Step Closer
First Time 180 Gram Audiophile Vinyl & Gatefold Cover Presentation
Mastered Impeccably By Joe Reagoso At Friday Music & Capitol Mastering
Known for their ability of churning out hit songs, top charting albums and sell-out shows across the globe, The Doobie Brothers continue to be a force in the music business garnering them success now for over four decades. They were also in the forefront of making excellent sounding recordings, utilizing their masterful skills in the studios, and their amazing catalog of albums have all stood the test of time.
1980 was a huge year for the Grammy Award winning band as they took their Bay Area soul and rock driven sounds to a further dimension thanks to the hits on their ninth smash LP in a row with One Step Closer.
Produced by Ted Templeman, this multi-platinum event would go on to become one of the most successful albums by The Doobie Brothers as the LP gave them a huge top five single with the Michael McDonald tour de force Real Love.
The hard rockin' and soulful masterwork yielded more hits like the fine vocal work of the sorely missed Cornelius Bumpus (Moby Grape/Steely Dan) on Thank You Love and the hit single One Step Closer. Patrick Simmons as usual wails on lead guitar throughout with latest guitarist John McFee (Elvis Costello/Steve Miller) on tunes like Keep This Train-A-Rollin' and the rocker No Stoppin' Us Now.
Friday Music is proud once again to offer another installment in our popular Doobie Brothers 180 Gram Audiophile Vinyl Series with their masterpiece One Step Closer. Impeccably mastered by Joe Reagoso (Doobie Brothers/Michael McDonald) from the original Warner Bros. tapes at Friday Music Studios and at Capitol Mastering, the top five Lp sounds incredibly rockin' and soulful as you remember it.
As an added anniversary bonus, we are presenting the audiophile limited edition album in a first time gatefold cover, with artwork elements not seen in years, enhancing your Doobie Brothers listening experience even further.
The Doobie Brothers One Step Closer Another Audiophile Doobie Brothers Dream Release Exclusively from your friends at Friday Music!
For just one minute of REAL LOVE1. Dedicate This Heart
2. Real Love
3. No Stopping Us Now
4. Thank You Love
5. One Step Closer
6. Keep This Train A-Rollin'
7. Just In Time
8. South Bay Strut
9. One By One$30.99180 Gram Audiophile Virgin Vinyl LP Buy Now
The Dark Side Of The Moon (Out Of Stock)The world's most predictably unpredictable band, The Flaming Lips, have teamed up with their Oklahoma City brethren, Stardeath and White Dwarfs to record their own unique take of Pink Floyd's 1973 classic album The Dark Side Of The Moon, under the title of The Flaming Lips and Stardeath and White Dwarfs with Henry Rollins and Peaches.
The collaborative project was recorded after several weeks of both bands touring the world together and mutually citing Pink Floyd as one of their favorite bands of all time and The Dark Side Of the Moon as one of their primary influences.1. Speak to Me/Breathe (featuring Henry Rollins and Peaches)
2. On the Run (featuring Henry Rollins)
3. Time/Breathe (Reprise)
4. The Great Gig in the Sky (featuring Henry Rollins and Peaches)
5. Money (featuring Henry Rollins)
6. Us and Them (featuring Henry Rollins)
7. Any Colour You Like
8. Brain Damage (featuring Henry Rollins)
9. Eclipse (featuring Henry Rollins)$24.99Vinyl LP - Sealed Temporarily out of stock
The Nightfly (45 RPM Box Set) (Out Of Stock)Mastered From The Original Master Tapes With Mobile Fidelity's One-Step Process: The Nightfly US1S 45RPM Box Set Is The Ultimate Analog Version Of Donald Fagen's 1982 Landmark Debut
Lavish Packaging Includes Opulent Box And Special Foil-Stamped Jackets: Deluxe Audiophile Pressing Strictly Limited To 6000 Numbered Copies
Cinema For The Ears: The Nightly Remains One Of The Best-Sounding Albums Ever Made With Reference Production, Standout Playing, And Jazz-Like Arrangements That Embody Timeless Cool
Donald Fagen's largely autobiographical The Nightfly remains one of the best-sounding albums ever made. Revered by audiophiles, the Steely Dan co-founder's 1982 set immediately became a demonstration disc at hi-fi shows and audio salons the world over. It also quickly emerged as an irreplaceable monitor-evaluating tool for recording-studio engineers and front-of-the-house testing device for concert-venue soundboard engineers who continue to use it today. Painstakingly recorded over eight months by illustrious producer Gary Katz and a Hall of Fame-worthy cast of perfectionist-minded musicians, The Nightfly endures as a rare trifecta of superlative performance, consummate songwriting, and crisp, benchmark production. Mobile Fidelity is honored to give this seminal effort unsurpassed treatment befitting the most serious music connoisseurs.
Fagen's solo debut reaches three-dimensional sonic and emotional heights never before attained by analog recordings on Mobile Fidelity's opulent UD1S (UltraDisc One-Step) box set. Strictly limited to 5,000 numbered copies, this ultra-hi-fi collector's edition literally and figuratively brings you closer to music that picks up where Steely Dan's Gaucho leaves off. You'll enjoy deep-black backgrounds, boundless soundstaging, pointillist details, staggering dynamics, and arguably, the most lifelike tonalities and nuances ever committed to vinyl. Experienced via UD1S, The Nightfly places Fagen and his session pros in your listening room. Every note, breath, and movement is reproduced with exquisite accuracy, wowing clarity, and impeccable balance. Consider this edition your new go-to reference.
The lavish packaging and beautiful presentation of Mobile Fidelity's The Nightfly pressing befit its extremely select status. Housed in a deluxe box, this UD1S version contains special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this reissue of The Nightfly is a curatorial artifact meant to be preserved, poured over, touched, and examined. It is made for discerning listeners that prize sound quality and creativity, and who desire to fully immerse themselves in the art - and everything involved with the album, from the images to the textures and liner notes.
Nominated for seven Grammy Awards, The Nightfly represent[s] certain fantasies that might have been entertained by a young man growing up in the remote suburbs of a northeastern city during the late fifties and early sixties, i.e., one of my general height, weight, and build, pens Fagen in the liner notes, revealing the work's thematic thrust and wistful, nostalgic appeal. At their core, songs look at the world via an optimistic, mindfully innocent lens and through the eyes of an adolescent holed up in his bedroom with his ear to a radio whose exciting transmissions inspire thoughts of futuristic cities, late-night deejays, otherworldly hopes, and Cold War romances. Cinema for the ears, The Nightfly comes on like a film transferred to wax - its stories filled with relatable vulnerability, ambition, and warmth.
It is also timelessly cool, with everything from the iconic album cover - complete with Fagen in the role of a cigarette-smoking disk jockey spinning a Sonny Rollins album on an RCA turntable at 4:09 in the morning - to the flawless playing honoring the laid-back, hip, stylish jazz pedigree of the arrangements. Indeed, The Nightfly's fame owes as much to the stunning contributions by stickler musicians - saxophonist Michael Brecker, trumpeter Randy Brecker, guitarist Larry Carlton, drummer Steve Jordan, bassist Marcus Miller, drummer Jeff Porcaro, and Harmonica Frank Floyd included - as it does the particulars behind its creation, which involved cutting-edge technology, novel microphoning techniques, and pioneering recording methods that gave Fagen exactly what he demanded. His insistence on dialing in exacting drum sounds is by itself the stuff of legend.
The results of the meticulous sessions transcend eras and generations - part of its very design. Virtually every track connects with classic 50s and 60s styles. Green Flower Street doubles as an homage to the jazz standard On Green Dolphin Street. The title track draws imagery from blues pioneer Charley Patton. Ruby Baby references soul greats the Drifters. Maxine nods to harmonies perfected by big-band vocal quartets like the Four Freshmen. The Goodbye Look acknowledges the bossa-nova craze of Fagen's youth. In all respects, The Nightfly rules the airwaves.
More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a convert. Delicate converts are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
This title is not eligible for discount.1. I.G.Y.
2. Green Flower Street
3. Ruby Baby
5. New Frontier
6. The Nightfly
7. The Goodbye Look
8. Walk Between Raindrops$99.99Vinyl LP UltraDisc One-Step 45 RPM Box Set - 2 LPs Sealed Temporarily out of stock
Kelly Blue (Out Of Stock)Wynton Kellys recording career started in the late 1940s with Hal Singer, Babs Gonzales and Eddie Vinson. He went on to record with Dinah Washington, Lester Young, Dizzy Gillespie, J.J. Johnson, Billie Holiday, Sonny Rollins, Art Blakey and many other stars. Respected by his peers as a pianist of remarkable creativity and feeling, his own stardom was on hold until 1959, when he got a call from Miles Davis and joined one of the most important small bands in jazz. The same year, Kelly recorded Kelly Blue for Riverside. The albums critical notices and popularity combined with his Davis exposure to bring Kelly general recognition. Paul Chambers and Jimmy Cobb, his section mates from Davis group, round out the rhythm section. Nat Adderley, Benny Golson and Bobby Jaspar join for two memorable tracks. Throughout, Kelly cultivates the blues atmosphere that makes the collection one of his finest.1. Kelly Blue
3. As in a Morning Sunrise
4. On Green Dolphin Street
5. Willow Weep for Me
6. Keep It Moving (take 4)
7. Old Clothes$49.99180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Temporarily out of stock