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Equatorial StarsMusic performed and composed by Robert Fripp & Brian Eno
Brian Eno is usually credited with the claim that everyone who originally bought a Velvet Underground album subsequently formed a band. It's no less valid to suggest that many of those involved in electronic music might not have been but for "No Pussyfooting" and "Evening Star". Indeed few contemporary albums can claim as much lasting influence as "No Pussyfooting" by Fripp & Eno. It's safe to say that for the vast majority of buyers at the time of its initial release in 1973, this was their first exposure to the small world of electronic music. It's equally safe to say it wasn't their last. The equipment used was, by modern standards, primitive. The ideas expressed were, by any standards, enormous. Many went on to have careers based on the possibilities suggested by the album. Fripp & Eno - to their eternal credit - were too busy working as musicians to ever 'milk it' in that sense. One further full album, "Evening Star", was issued in 1975. There were occasional collaborations, but no further recordings under the Fripp & Eno banner until the emergence of "The Equatorial Stars" in late 2004 as a limited edition release via the artists' websites, followed by a full release in 2005 on CD.
However, it was never issued on vinyl, until now.
"The Equatorial Stars" consists of a series of seven soundscapes. The evident care taken in the construction & presentation of the sound world makes the totality of the work so convincing. The textures & atmospheres forming the heart of each track manage to subtly change & alter, while leaving ample space for Robert's guitar solos to emerge from the centre. The album was Fripp & Eno's opportunity to redefine an area of music they helped to launch into the mainstream in the first instance.
It is also, incidentally, Robert Fripp's personal favourite of his many collaborations with Brian Eno.1. Meissa
7. Terebellum$39.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Live In TokyoThree Legendary Guitarists In Concert: Joe Satriani, Steve Vai, And John Petrucci (Dream Theater)
180 Gram Audiophile Vinyl
Deluxe 3-fold Gatefold Sleeve With Gloss Varnish
Includes 4-Page Insert
First Time On Vinyl!
G3 is a concert tour organized by guitarist Joe Satriani featuring him alongside two other guitarists. Since its inception in 1995, G3 has featured many guitarists, including Steve Vai, Eric Johnson, Kenny Wayne Shepherd, Yngwie Malmsteen, John Petrucci, Robert Fripp, Paul Gilbert, Steve Morse, Steve Lukather, Uli Jon Roth, Michael Schenker, Adrian Legg and many other special guests.
Live in Tokyo is recorded during the 2005 G3 tour, featuring Joe Satriani, Steve Vai, and (Dream Theater's) John Petrucci.
The electrifying live performances were recorded on May 8th at the Tokyo Forum, when Satriani brought his popular G3 tour to Japan for a series of sold-out dates. Fans attending the packed-house shows were treated to individual sets by each six-stringer, followed by an evening-ending all-star jam session.
The album is finally available on vinyl for the first time, since its original release in 2005. The 3 records are housed in a deluxe 3-fold jacket with gloss varnish finishing. This package includes a 4-page booklet with pics and credits.LP 1
1. Glasgow Kiss
2. Damage Control
3. The Audience Is Listening
4. Building The Church
1. K'm Pee-Du-We
2. Up In Flames
1. Foxy Lady
2. La Grange
3. Smoke On The Water$42.99180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
Live At The Orpheum200g super-heavyweight vinyl version limited to a single pressing.
Released to coincide with the 46th anniversary of King Crimson's formation in January 1969, Live At The Orpheum comprises performances from the band's critically acclaimed, sold-out 2014 US tour.
41 minutes of live material from the new seven piece King Crimson line-up, including classics such as Starless, Sailor's Tale and The Letters.
King Crimson has performed, recorded and released material in its own inimitable manner for the past 46 years. As the band enters its 47th year of operation in 2015, the occasion is marked with the first release culled from the band's Autumn 2014 US tour.
Comprised of 41 minutes of material by the newest incarnation of the band fronted by the line-up's formidable three drummer setup, Live At The Orpheum has been mixed from 24bit multi-track performances recorded at the band's two concerts at the Los Angeles venue. Featuring a mixture of new and old King Crimson material - some being performed live for the first time - the album makes an ideal
recorded debut for the septet.
For those who travelled from all over the world to see the US shows, it's an opportunity to relive the power, precision and sheer musicality of the concerts. For those who couldn't attend but wanted to, it's an opportunity to hear why the concerts generated such excitement.
Recorded Sept. 30th, October 1st at The Orpheum Theatre, Los Angeles
Front Line: Mixed & Engineered by Gavin Harrison
Back Line: Mixed by Jakko Jakszyk & Robert Fripp
Production Engineer: Jakko Jakszyk
Live Recording Engineer: Mark Vreeken1. Walk On: Monk Morph Chamber Music
2. One More Red Nightmare
3. Banshee Legs Bell Hassle
4. The ConstruKction of Light
5. The Letters
6. Sailor's Tale
7. Starless$32.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Larks' Tongue In AspicKing Crimson reborn yet again -- the newly configured band makes its debut with a violin (courtesy of David Cross) sharing center stage with Robert Fripp's guitars and his Mellotron, which is pushed into the background. The music is the most experimental of Fripp's career up to this time -- though some of it actually dated (in embryonic form) back to the tail end of the Boz Burrell-Ian Wallace-Mel Collins lineup. And John Wetton was the group's strongest singer/bassist since Greg Lake's departure three years earlier. What's more, this lineup quickly established itself as a powerful performing unit working in a more purely experimental, less jazz-oriented vein than its immediate predecessor. Outer Limits music was how one reviewer referred to it, mixing Cross' demonic fiddling with shrieking electronics, Bill Bruford's astounding dexterity at the drum kit, Jamie Muir's melodic and usually understated percussion, Wetton's thundering (yet melodic) bass, and Fripp's guitar, which generated sounds ranging from traditional classical and soft pop-jazz licks to hair-curling electric flourishes.
- Bruce Eder (All Music Guide)1. Larks' Tongues in Aspic, Part One
2. Book of Saturday
4. Easy Money
5. The Talking Drum
6. Larks' Tongues in Aspic, Part Two$32.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Peter Gabriel 2 (Scratch) (45 RPM)Numbered Limited Edition- Only 10,000 Worldwide
Recorded in the Netherlands and New York City, Peter's second solo album saw Robert Fripp promoted to the role of producer. The album was released in June 1978. Fripp continued to feed Peter's growing fascination with electronics and the resulting album is denser and more experimental than the debut. Half-Speed Remastered and cut to lacquers at 45RPM, across two heavyweight LPs to deliver maximum dynamic sound range. Vinyl cut by Matt Colton at Alchemy Mastering, mastered by Tony Cousins at Metropolis and overseen by Peter's main sound engineer Richard Chappell. These albums really have never sounded so good! They also look amazing with the gatefold sleeves utilising imagery from the initial release, sourced and re-scanned from original artwork.1. On The Air
3. Mother Of Violence
4. A Wonderful Day In A One-Way World
5. White Shadow
7. Animal Magic
9. Flotsam And Jetsam
11. Home Sweet Home$37.99180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
Cheerful Insanity Of...(Awaiting Repress)Originally released in 1968, and selling less than 500 copies - according to Robert Fripp's royalty statements - The Cheerful Insanity of Giles, Giles, & Fripp is, of course, the pre-cursor to King Crimson. Drawing its influence from folk, pop, classical, and religious music, the album is a masterpiece on par with the greatest records that the British psychedelic and progressive movements had to offer. Reissued on LP by Cherry Red Phonograph.Side 1: The Saga of Rodney Toady
1. North Meadow (Peter Giles)
2. Newly-weds (P. Giles)
3. One in a Million (Michael Giles)
4. Call Tomorrow (P. Giles)
5. Digging My Lawn (P. Giles)
6. Little Children (Robert Fripp)
7. The Crukster (M. Giles)
8. Thursday Morning (M. Giles)
Side 2: Just George
1. How Do They Know (M. Giles)
2. Elephant Song (M. Giles)
3. The Sun Is Shining (M. Giles)
4. Suite No.1 (Fripp)
5. Erudite Eyes (Fripp)$35.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
A Period of Review (1975-1983)
Expert Mastering By Greg Davis, Liner Notes By K. Leimer And Dave Segal
Double LP Packaging Features Unique Reverse Flap Exterior, Full Color Eurosleeves, &
For the third installment in RVNG Intl.'s archival series, the tape is wound back to 1970s
Seattle, home place of ambient music savant K. Leimer. A Period of Review (Original
Recordings: 1975-1983) unearths unreleased portions of Leimer's vast archives and
highlights the work of a self-taught visionary whose use of generative compositions ferried
his music to infinite resonance.
Kerry Leimer was born in Winnipeg, Canada. He was raised in Chicago before his family
permanently settled in Seattle in 1967. Kerry's teenage interests and artistic experiments
blossomed from the seductively strange tendrils of Dadaism and Surrealism. In the early 70s,
Leimer found musical parallels to these visual movements by studying import copies of NME
and Melody Maker and inquiring with local record store clerks about the exotic descriptions
he read of Can, Neu! and Faust-innovators who were bringing the wild dictates of 60s art-discourse into music
The tape-manipulated serenity Leimer experienced with Cluster's II was a key revelation.
Leimer realized the potential to compose with minimal training and scoured pawnshops
for cheap instruments and recording equipment to transpose his wayward musical instincts.
Leimer's sound palette and composition soon refined and heightened with the accessibility of
dynamic equipment such as the Micromoog and TEAC multi-track tape machines.
Synchronously, the Terry Riley indebted loop-based compositions of Robert Fripp and
Brian Eno's No Pussyfooting inspired Leimer to form recursive musical passages of bare
timbre and melody that would become hallmarks of his sound. "The loop provided an
instant structure-a sort of fatalism," recollects Leimer in A Period of Review's liner notes. "The
participation of the tape machine in shaping and extending the music was a key to setting
self-deterministic systems in motion and held a clear relationship to my interests in fine art."
The underground music scene of Seattle/Olympia in late 70s was small but seeded.
The vestiges of prog rock pompously pummeled the few clubs and record shops before
punk and New Wave became the rage. Leimer sought to support a growing community of
experimental composers by launching the Palace of Lights record label in 1979 with his wife
Dorothy Cross (this was years prior to the birth of regional titans K Records and Sub Pop).
Leimer rarely performed live, averting the litmus of instant appreciation for his solitary
studio pursuits. Tellingly, the "K." that abbreviated Leimer's first name was a nod to Kafka's
doomed pariah Josef K (from The Trial and The Castle). This gives a sense of the reclusive
and literary realm Leimer was fond of working in. Despite his reticence, Leimer's debut 1980
album Closed System Potentials would reach a receptive audience, and eventually sell more
than 3,000 copies thanks in part to Cross's persistent advocation to independent distributors
A Period of Review focuses on unheard material outside of the work Leimer offered on
Palace of Lights, though even that music could be considered relatively "unheard." The thirty
tracks of A Period of Review may have remained a mystery on moldy reels until now, but
Leimer's entire catalog of generative music remains pristine in its absolute power.
Liner notes were crafted by Seattle writer David Segal. Top-tier mastering was done by
Greg Davis, who produced the compilation with Palace of Lights artist Robert Carlberg, RVNG
and Kerry Leimer himself, who continues making music to this day.LP 1
2. My Timid Desires
3. From A Common Center
4. Explanation of Terms
5. From One To Ten
7. Bump In The Night
8. (aka accident)
9. Facing East
10. At Daybreak
11. A Spiritual Life
12. Honey To Ashes
13. Stop It!
14. Two Voices
15. Lonely Boy
16. Practical Demonstration
3. Archie's Dub
6. Assemble and Diffuse
7. Eno's Aviary
8. Almost Chinese
9. Agfa / Lupa
10. The Phonic Chasm (feat. Dawn Seago)
13. All Sad Days
14. Porcelain (feat. Nancy Estle)$29.99Vinyl LP - 2 LPs Sealed Buy Now
In The Court Of The Crimson King (200 Gram)Limited Edition
Recorded over a period of 10 days in August 1969 and released on October 10th of the same year, In The Court of the Crimson King stands as one of the defining albums of British rock music and one of the finest debut albums of all time. Described at the time as an uncanny masterpiece by Pete Townshend, the album has achieved legendary status over the years. It is the only studio document of an extraordinary year in the life of King Crimson; a year that began with the group's first rehearsals on January 13th, included a residency at the Marquee Club, a concert in Hyde Park with The Rolling Stones, the recording and release of the album and ended with the dissolution of the lineup at the close of Crimson's 1st American tour in December.
One of the most anticipated and frequently requested high quality vinyl reissues finally returns to the 12 format! Featuring the Original 1969 Stereo Mix, newly cut from masters approved by Robert Fripp and pressed on 200 Gram Super-Heavyweight Vinyl. Complete with the original iconic gatefold sleeve, In The Court of the Crimson King has been unavailable on vinyl for 20 years!!!
Pressed on 200 Gram Super-Heavyweight Vinyl
Newly Cut from the Original Studio Masters approved by Robert Fripp
Featuring the Original 1969 Stereo Mix
Original Iconic Gatefold Jacket1. 21st Century Schizoid Man (including Mirrors)
2. I Talk To The Wind
3. Epitaph (including March For No Reason and Tomorrow And Tomorrow)
4. Moonchild (including The Dream and The Illusion)
5. The Court Of The Crimson King (including The Return Of The Fire Witch and The Dance Of The Puppets)$32.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
LizardDGM & Panegyric are proud to present the third in a series of King Crimson high quality vinyl reissues with the September release of "Lizard". The album's return to the 12" vinyl format is newly cut from masters approved by Robert Fripp. Manufactured on 200 gram super-heavyweight vinyl & housed in a reprint of the original beautiful gatefold sleeve, this edition also contains bonus MP3 codes giving access to a download of a transfer of an original 1970 pressing.
"Lizard" - King Crimson's third studio album & second recording of 1970, was, like its predecessor "In the Wake of Poseidon", the product of a studio band. It was also the first Crimson album for which Robert Fripp provided all of the music. Remarkably self-contained & sounding somewhat atypical for a King Crimson album - even by the standards of a band that rarely sounded similar from album to album, "Lizard" is an often overlooked & under-appreciated gem from their early years. Certainly at the time of release, anyone expecting an extension of the soundscapes introduced & explored on the band's earlier two albums was in for a surprise.
"Lizard" featured a lighter, more delicate sound than the earlier albums - an approach perhaps necessitated by an extended instrumental lineup. The expanded range of instruments allowed for intricately interwoven instrumental passages - with Fripp's guitar & Tippett's piano pleasingly to the fore - and this combination, along with the prominence afforded to Mel Collins & the guest players on the album's main title suite, led some to believe that Fripp was guiding Crimson towards the world of jazz & away from rock altogether. But such claims were misguided. Crimson was, as ever, seeking to expand the vocabulary of rock music & "Lizard" was, in some ways, the band's most ambitious album to date.
As this lineup never toured, very little of the material was performed live & "Lizard" remained a product of the studio environment & the musicians who performed on it. "Lizard" remains a fascinating, intriguing album - an album only a band called King Crimson could make - even if it was a very different King Crimson to that which had gone before or would come after. The album's reputation has undergone a serious re-evaluation in recent years, due in no small part to the overwhelmingly positive nature of the reception given to Steven Wilson & Robert Fripp's 2009 CD/DVD-A edition. As a result the album has never been as popular in its 42 years' history.1. Cirkus (Including: Entry Of The Chameleons)
2. Indoor Games
3. Happy Family
4. Lady Of The Dancing Water
I. Prince Rupert Awakes
II. Bolero - The Peacocks Tale
III. The Battle Of Glass Tears (Including Dawn Song/Last Skirmish/Prince Rupert's Lament)
IV. Big Top$32.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Surfing With The AlienJoe Satriani is one of the world's best and most well-known guitarists. Early in his career, Satriani worked as a guitar instructor, and among his students were now famous guitarists Steve Vai, Larry LaLonde, Kirk Hammett, Andy Timmons, Charlie Hunter and Alex Skolnick. He himself is influenced by blues-rock guitar icons such as Jimi Hendrix, Eric Clapton, Jimmy Page, Ritchie Blackmore and Jeff Beck. Satriani worked with a range of musicians from several musical genres, including Mick Jagger, Deep Purple, John Petrucci, Eric Johnson, Yngwie Malmsteen, Brian May, Patrick Rondat, Paul Gilbert, Adrian Legg, and Robert Fripp. He is currently the lead guitarist for the supergroup Chickenfoot.
'Surfing with the Alien' is Satriani's second album, released in 1987 and meant his breakthrough to a larger audience. It was the first instrumental rock record to enter the charts in a very long time. Although the album contains fast and complex songs as well as slower, melodic songs Satriani's unique style is always easily recognizable.1. Surfing With the Alien
2. Ice 9
3. Crushing Day
4. Always With Me, Always With You
5. Satch Boogie
6. Hill of the Skull
8. Lords of Karma
10. Echo$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
H To He, Who Am The Only OneOriginally released on Charisma in 1970, H to He, Who Am the Only One, is the 3rd album from Peter Hammill's legendary British prog group. In addition to the core band, the album features a guest appearance by Robert Fripp of King Crimson on one track. Another cosmic classic from Van der Graaf Generator reissued on 180 gram vinyl in a deluxe gatefold jacket.1. Killer
2. House With No Door
3. Emperor In His War-room: The Emperor/The Room
4. Lost: The Dance In Sand And Sea/The Dance In The Frost
5. Pioneers Over C$21.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
In The Wake Of PoseidonFollowing last years well-received 200 gram vinyl edition of In The Court Of The Crimson King, DGM & Panegyric are proud to present the second in a series of King Crimson high quality vinyl reissues with the October release of In the Wake Of Poseidon. The albums return to the 12 vinyl format is newly cut from masters approved by Robert Fripp. Manufactured on 200 gram super-heavyweight vinyl & housed in a reprint of the original stunning gatefold sleeve this edition also contains bonus MP3 codes giving access to a download of a transfer of an original 1970 pressing (in this case Robert Fripps personal file copy.)Side 1:
1. Peace: A Beginning
2. Pictures of a City
3. Cadence & Cascade
4. In The Wake of Poseidon
1. Peace: A Theme
2. Cat Food
3. The Devils Triangle Including: Merday Morn, Hand of Sceiron Garden of Worm
4. Peace: An End$39.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Peter Gabriel 2Half-Speed Remastered And Cut To Lacquers At 33 RPM On Heavyweight LP
Vinyl Cut By Matt Colton At Alchemy Mastering, Mastered By Tony Cousins At Metropolis And Overseen By Peter's Main Sound Engineer Richard Chappell
Recorded in the Netherlands and New York City, Peter's second solo album saw Robert Fripp promoted to the role of producer. The album was released in June 1978. Fripp continued to feed Peter's growing fascination with electronics and the resulting album is denser and more experimental than the debut. Half-Speed Remastered and cut to lacquers at 33RPM, on heavyweight LP. Vinyl cut by Matt Colton at Alchemy Mastering, mastered by Tony Cousins at Metropolis and overseen by Peter's main sound engineer Richard Chappell. These albums really have never sounded so good! They also look amazing with the gatefold sleeves utilizing imagery from the initial release, sourced and re-scanned from original artwork.1. On The Air
3. Mother Of Violence
4. A Wonderful Day In A One-Way World
5. White Shadow
7. Animal Magic
9. Flotsam And Jetsam
11. Home Sweet Home$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
USAAs Robert Fripp had done with King Crimson's first live LP, Earthbound (1972), USA is a single-disc concert package documenting the quartet during its 1974 swing through North America. As with its predecessor, USA was also issued as a sonic cenotaph of the concurrently defunct Krim. So insistent that the band would not be resurrected, Fripp concluded the LP's liner notes at the time with another three-letter epitaph: R.I.P. The 1973/1974 King Crimson included the collective efforts of Fripp (guitar/mellotron), David Cross (violin), John Wetton (bass/vocals), and Bill Bruford (drums/percussion). USA also includes notable violin overdubs by Eddie Jobson on the tracks Larks' Tongues in Aspic, Pt. 2 and 21st Century Schizoid Man, as well as electric piano addendums to Lament. The opening drone re-creates the typical performance prelude, lifted directly from the Fripp and Brian Eno sonic sculpture No Pussyfooting (1973). The brusque juxtaposition of the ethereal opening to the aggressive Larks' Tongues in Aspic, Pt. 2 jolts the audience into the rips and snorts found during this tautly rendered instrumental. The readings of Lament and Exiles demonstrate this band's overwhelming sonic sensibilities. They are able to contrast and incorporate thick, viscous melodies and rhythms with alternately underlying sensitive, as well as ultimately beautiful, musical responses.1. Walk on.. No Pussyfooting
2. Larks Tongues In Aspic: Part II
5. Asbury Park
6. Easy Money
7. 21st Century Schizoid Man
9. Starless$37.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
$18.99 $15.00 Save $3.99 (21%)
Magic Is A Child (On Sale)A special deluxe reissue of the 1977 album from Prog masters Nektar, featuring a young Brooke Shields as cover model.
Bonus tracks feature alternate mixes including one with King Crimson guitarist Robert Fripp PLUS a full audio disc of a never-before-heard recording of the band's 1977 show in New York!1. Away From Asgard
2. Magic Is A Child
3. Eerie Lackawanna
4. Midnite Lite
5. Love To Share (Keep Your Worries Behind You)
6. Train From Nowhere
8. On The Run (The Trucker)
9. Spread Your Wings$18.99 $15.00 Save $3.99 (21%)Vinyl LP - Sealed Temporarily out of stock
Nil Recurring (Out of Stock)Pressed On 180 Gram Clear Vinyl
First Time Issued As A Stand Alone Vinyl Release
A 2016 Kscope label 180g clear vinyl edition of Porcupine Tree's Nil Recurring.
Following the release of the critically-acclaimed Fear of a Blank Planet and the success of the band's 2007 North American tour, Porcupine Tree released Nil Recurring.
The mini-album (29 minutes of music) was written during the Fear Of A Blank Planet sessions, completed over the Summer of 2007, and represented a cohesive, self-contained Porcupine Tree work in its own right
The title track features Robert Fripp on lead guitar, and the album moves through the full Porcupine Tree spectrum of atmospheric ambience, melodic hooks, and crushing riffs.
This is the first time the album has been issued as a stand alone vinyl release.1. Nil Recurring
3. Cheating The Polygraph
4. What Happens Now?$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
Fear Of A Blank Planet (Out Of Stock)Pressed On 180 Gram Blue Vinyl
Packaged In A Gatefold Sleeve
Originally released in 2007, 'Fear Of A Blank Planet' was Porcupine Tree's ninth studio album. It was the band's biggest selling album at the time, was their first album to break into the Billboard top 100 in the USA as well as charting across Europe, earned the band a Grammy nomination and has been featured in Rolling Stone Magazine's Greatest Prog Albums Of All Time.
'Fear Of A Blank Planet' was an ambitious 50 minute piece of music made of 6 tracks that flow together to create a cohesive whole, the British art-rockers Porcupine Tree created a concept album based on the Bret Easton Ellis novel Lunar Park, with lyrics that addressed how the adolescent protagonist battled his bipolar and attention-deficit disorders with a regimen of prescription drugs and Internet overstimulation.
The music used sprawling vocal melodies, atmospheric guitars and drums that tumbled through chaotic passages to echo the main character's manic-depressive states.
'Fear Of A Blank Planet' features guest appearances from Robert Fripp (King Crimson) , Rush guitarist Alex Lifeson and ex-Japan keyboardist Richard Barbieri.
In 2016 Kscope will re-release the 2012 Steven Wilson remastered edition of the album as a gatefold double heavyweight 180g LP on blue vinyl.1. Fear of a Blank Planet
2. My Ashes
5. Way Out of Here
6. Sleep Together$32.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Temporarily out of stock
Another Green World (Half-Speed Master) (Out Of Stock)'Another Green World' Is Presented Over Two 180-Gram Discs Which Play At 45 RPM For Optimum Sound Quality
High-Resolution Mastering From The Best-Known Sources And Half-Speed Cutting Were Supervised By Miles Showell At Abbey Road Studios
Housed In A Gatefold Jacket
Contains An Obi And Abbey Road Half-Speed Master Certificate
From November 1975, 'Another Green World' represents the bridge between Brian's ground-breaking pop career and his early experiments with ambient music. This time around he was ably assisted in the studio by Robert Fripp from King Crimson, Phil Collins and Percy Jones from Brand X and, on viola, The Velvet Underground's John Cale. The album features 5 vocal and 9 instrumental songs including the title track which will be known to many as the theme to the BBC arts programme, 'Arena'.
This new gatefold 2LP vinyl edition of 'Another Green World' is presented over two 180GM discs which play at 45rpm for optimum sound quality. High resolution mastering from the best-known sources and half-speed cutting were supervised by Miles Showell at Abbey Road Studios. Each album contains an Obi and Abbey Road Half Speed Master certificate.LP 1
1. Sky Saw
2. Over Fire Island
3. St. Elmo's Fire
4. In Dark Trees
5. The Big Ship
6. I'll Come Running (To Tie Your Shoes)
7. Another Green World
1. Sombre Reptiles
2. Little Fishes
3. Golden Hours
5. Zawinul / Lava
6. Everything Merges With The Night
7. Spirits Drifting$35.99180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2LPs Sealed Temporarily out of stock