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  • Document (Awaiting Repress) (On Sale) Document (Awaiting Repress) (On Sale) On Sale Quick View

    $34.99 $31.49 Save $3.50 (10%)

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    Document (Awaiting Repress) (On Sale)

    Ranked 470/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Urgent 1987 Breakthrough Catapulted Band to Stardom: Includes Classics Such as "The One I Love" and Unforgettable "It's the End of the World As We Know It"


    Half-Speed Mastered From the Original Master Tapes: RTI-Pressed 180 gram LP Abounds With Incredible Dynamics, Faithful Tonalities, and Tremendous Imaging


    Scott Litt-Produced Set Overflows With Mature Creativity, Fiery Intent, Catchy Hooks, and Stellar Songwriting


    The last album R.E.M. made before migrating to Warner Bros., and very arguably the last start-to-finish masterpiece the band created in its acclaimed career, Document turned Georgia's celebrated sons into mainstream stars. Musically unadulterated and sonically pure, the group's 1987 work epitomizes the unmistakable sound and feeling of college rock during a period where innocence, experimentation, and adventurousness freely collided before being co-opted and branded as "alt-rock." Document is the record to which everyone refers when citing R.E.M. as the premier example of how a respected band is expected to behave, evolve, and maintain its integrity after experiencing mass success.


    Mastered from the original master tapes and carefully pressed at RTI, Mobile Fidelity's numbered limited-edition 180g LP edition of this breakthrough set explodes with unrivaled instrumental signatures, deep soundstages, and faithful tonalities that allow listeners insight into the actual makes and models of the guitars utilized on the recording. Sharp and clean, Scott Litt's widescreen production throws the band into clear relief, magnifying its razor-edged melodies and drummer Bill Berry's foundation-establishing beats. R.E.M. has never sounded so muscular or righteous.


    Indeed, the quartet plays as if on a mission, its electrified energy teeming with a contagious fervor that helps fuel political numbers such "Welcome to the Occupation," "Exhuming McCarthy," "Disturbance at the Heron House," and "King of Birds." R.E.M. comes into its own, peeling back the layers on vagueness and utilizing Michael Stipe's biting lyrics and Mike Mills' amped-up guitar riffs to punctuate its catchy fare. Aptly, songs dance around a central image of fire.


    The group's hallmark jangle-pop motifs and swooning refrains remain, yet they exhibit a determined attitude and wily quality that brings everything up to another notch. Toss in surf-rock fills, feedback accents, deep-South rootsiness, and subversive undertones, and Document stands as near-flawless statement: A reaction to the social and material currency of its era, a call-to-arms to overcome trauma via hope, humor, and justified anger.


    All these characteristics bleed into the manic anthem "It's the End of the World As We Know It (And I Feel Fine)," a renegade shot of beat poetry, delirious delivery, punk-infused vitality, and bounce-around-the-room chaotic abandon that never grows stale. Is R.E.M. serious or joking? Or both? Part of the genius is that it's still impossible to tell. R.E.M. delights in taking listeners for a ride on Document, the swerving, drifting, stylistic interplay, and brief detours all of a whole, the group relishing in the fun of going for broke and succeeding at all of its goals.


    We don't need to go on about R.E.M.'s standing as a group that's influenced countless artists and inspired millions of listeners. If you own just one of the quartet's albums, it should be Document.


    This title is not eligible for further discount.

    1. Finest Worksong
    2. Welcome to the Occupation
    3. Exhuming McCarthy
    4. Disturbance at the Heron House
    5. Strange
    6. It's the End of the World As We Know It (And I Feel Fine)
    7. The One I Love
    8. Fireplace
    9. Lightnin' Hopkins
    10. King of Birds
    11. Oddfellows Local 151
    R.E.M.
    $34.99 $31.49 Save $3.50 (10%)
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Carry Me Back Carry Me Back Quick View

    $19.99
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    Carry Me Back

    ATO Records and Old Crow Medicine Show are excited to announce the release of Carry Me Back. Carry Me Back is the band's fourth studio album and features 12 brand new tracks that sonically span the band's career while still pushing them forward in new directions as musicians and songwriters. The album was recorded at the legendary Sound Emporium studios in Nashville (O Brother, Where Art Thou?; REM's Document; Robert Plant and Alison Krauss's Raising Sand).


    Carry Me Back was produced by Ted Hutt (Gaslight Anthem, Dropkick Murphys, Flogging Molly). Hutt pushed the band in a whole new way that they hadn't been pushed before. "Ted Hutt asked us to really dig deep as artists, as songwriters, to get to the heart of the matter of these songs and, especially, not to settle for anything less than their greatness," recalls Ketch Secor. Secor is also very proud of the result of the band's songwriting efforts on the album, saying "For me, Carry Me Back is all about the songs, how they line up, intertwine, switch partners, and promenade home. Each of these songs was an accident waiting to happen."

    1. Carry Me Back to Viriginia
    2. We Don't Grow Tobacco
    3. Levi
    4. Bootlegger's Boy
    5. Ain't It Enough
    6. Mississippi
    7. Steppin' Out
    8. Genevieve
    9. Country Gal
    10. Half Mile Down
    11. Sewanee Mountain Catfight
    12. Ways of Man
    Old Crow Medicine Show
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • #1 Record #1 Record Quick View

    $21.99
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    #1 Record

    Ranked 403/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Although the original members of the Memphis quartet Big Star recorded only the album, #1 Record together and were dissolving rapidly by the time the second, Radio City, was completed, those records have influenced countless 80s and 90s rockers on both sides of the Atlantic, from the Replacements and R.E.M. to Englands Primal Scream and Scotlands Teenage Fanclub. That Big Stars impact should extend so far afield is less surprising in light of the bands own inspirations. Taking the gritty soul of Memphis rhythm and blues and fusing it with the artful melodies and vocal harmonies of British power pop, and injecting it all with a flailing, pre-punk, garage-band energy, Big Star created a unique sound with a universal appeal.


    Originally released in 1972, Big Star's legendary debut, #1 Record was the second release for the newly formed Ardent Records. Their simple, light pop and jangly guitars mixed with sweet harmonies was ahead of its time, garnering a die-hard cult following and receiving widespread critical acclaim. A remarkable document of innovative craft and content!

    1. Feel
    2. The Ballad of el Goodo
    3. In the Street
    4. Thirteen
    5. Don't Lie to Me
    6. The India Song
    7. When My Baby's Beside Me
    8. My Life Is Right
    9. Give Me Another Chance
    10. Try Again
    11. Watch the Sunrise
    12. ST 100/6

    Big Star
    $21.99
    Vinyl LP -Sealed Buy Now
  • Cuba Cuba Quick View

    $17.99
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    Cuba


    White Vinyl


    Re-Released For The First Time Since 1987


    Includes The Original 17"x11" Poster


    Originally released in 1987 and long out of print, Cuba, from The Silos has been called:< br>
    "One of the great rock albums of the late '80's, it's decidedly American, anthemic, personal car music."
    -ESQUIRE MAGAZINE.


    The Silos formed in New York in 1985 and Cuba, their second album, is not only The Silos‚' definitive recording,
    but one that stands out amid a period of extraordinary creativity among American underground
    rock bands at the time such as R.E.M., the Replacements and HÜsker DÜ. "Tennessee Fire" is awesome
    garage-rock sprawl, "Mary's Getting Married" pure bliss, and "Margaret" a disarming look at the day-to-day
    meaning of love.


    "Cuba is one of those albums that, in the twenty-seven years since its release, has become a kind of talisman
    among true music fans. Its mention elicits nods of approval and agreement from like-minded souls, and
    kicks the next phase of the conversation into enthusiastic high gear. When you meet people of taste who
    are unfamiliar with it, the prospect of turning them onto it becomes a palpable pleasure. Because you know
    that Cuba exists inside everyone, and this extraordinary album can take you there. It's a journey filled
    with longing and loss, warmth and wonder and whether everything happens for a reason or not,
    albums like this are a document, a memory map, of why we want to think so."
    -ROLLING STONE MAGAZINE

    1. Tennessee Fire
    2. She Lives Up The Street
    3. For Always
    4. Margaret
    5. Mary's Getting Married
    6. Memories
    7. Just This Morning
    8. Going Round
    9. It's Alright
    10. All Falls Away
    The Silos
    $17.99
    Colored Vinyl LP - Sealed Buy Now
  • Bright Sunny South Bright Sunny South Quick View

    $24.99
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    Bright Sunny South

    Nonesuch Records releases Sam Amidon's label debut, Bright Sunny South in 2013. Produced by Amidon with his childhood friend and longtime collaborator Thomas Bartlett (a.k.a. Doveman) and legendary English engineer Jerry Boys (Buena Vista Social Club, Vashti Bunyan, R.E.M.) and recorded in London, the record features a band made up of Bartlett and multi-instrumentalists Shahzad Ismaily and Chris Vatalaro. Jazz trumpeter Kenny Wheeler also makes a cameo. Amidon himself not only sings but also plays banjo, fiddle, acoustic guitar, and piano on the album.


    Amidon describes Bright Sunny South as a "a lonesome record" and a return to the more spare sound of his 2007 self-recorded debut, But This Chicken Proved Falsehearted: "There was an atmospheric quality to my last two records; those albums are like a garden of sounds," says Amidon, "but this one is more of a journey, a winding path. The band comes rushing in and then they disappear. It comes from more of a darker, internal space."


    A longtime admirer of Boys' work, Amidon was particularly enamored of his recordings with Martin Carthy in the 1970s, as well as the Ali Farka TourÉ/Toumani DiabatÉ duet albums on World Circuit/Nonesuch: "Those are so beautiful. I listened to all of that. I loved the sense of documentation, the unadorned quality. Everything sounded so clear."


    The Vermont-born and raised, London-based Amidon is known for his reworking of traditional melodies into a new form. In addition to country ballads and shape-note hymns, Bright Sunny South features interpretations of traditional and contemporary songs, including Tim McGraw's "My Old Friend" and Mariah Carey's "Shake It Off." The record also includes a version of "Weeping Mary," a shape-note hymn that his parents, Peter and Mary Alice Amidon, had recorded with the Vermont-based Word of Mouth Chorus for Nonesuch Records on the 1977 disc Rivers of Delight: American Folk Hymns from the Sacred Harp Tradition.


    Bright Sunny South follows 2010's critically acclaimed I See the Sign, which earned Amidon praise from SPIN for his "quirky alchemy contrasting pretty sounds with violent lyrical undercurrents" and Pitchfork, which said, "[Amidon's] interpretations are so singular that it stops mattering how (or if) they existed before."


    Prior to I See the Sign, which was released on the Iceland-based label Bedroom Community, Amidon released But This Chicken Proved Falsehearted (Plug Research, 2007) and All Is Well (Bedroom Community, 2008). In addition to his solo albums, Amidon has collaborated on performances pieces with musical polymath Nico Muhly, toured as part of Thomas Bartlett's group Doveman and the Brooklyn band Stars Like Fleas, collaborated with Beth Orton, and embarked on a series of live shows with the guitarist Bill Frisell.


    MUSICIANS

    Sam Amidon, sing, banjo, fiddle, acoustic guitar; piano (8)

    Thomas Bartlett, piano, Hammond organ, Wurlitzer, Moog synthesizer; percussion & electric guitar (11)

    Shahzad Ismaily, electric & acoustic guitars, electric bass, Moog bass; drums (2); shaker egg (7)

    Chris Vatalaro: drums & percussion; flute (6); a taste of the Wurli (2)

    Kenny Wheeler, trumpet (2, 5)

    Doug Wieselman, clarinets (11)

    Tyler Gibbons, electric bass (10)


    PRODUCTION CREDITS

    Produced by Sam Amidon, Jerry Boys, and Thomas Bartlett

    Engineered and Mixed by Jerry Boys

    Recorded at Snap Recording Studios and Livingston Studios, London

    "Weeping Mary" Engineered by Patrick Dillett at No Fat Studios, New York, NY

    Violin and bass on "Streets of Derry" Recorded by Tyler Gibbons at Red Heart Studios, Marlboro, VT

    Assistant Engineers: Ben Mclusky at Snap; Sonny at Livingston


    All songs are traditional, reworked & arranged by Sam Amidon, except track 4 written by McEwan/Wiseman, arranged by Sam Amidon and Thomas Bartlett; track 8 by Cox/Carey/Austin/Dupri, arranged by Sam Amidon; track 11 by McCurry/Power, arranged by Sam Amidon and Thomas Bartlett


    Design by John Gall


    Executive Producer: David Bither

    1. Bright Sunny South
    2. I Wish I Wish
    3. Short Life
    4. My Old Friend
    5. He's Taken My Feet
    6. Pharoah
    7. As I Roved Out
    8. Shake It Off
    9. Groundhog
    10. Streets of Derry
    11. Weeping Mary
    Sam Amidon
    $24.99
    Vinyl LP + Bonus 7 - Sealed Buy Now
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