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  • Stone Rollin' Stone Rollin' Quick View

    $24.99
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    Stone Rollin'

    Stone Rollin' is the fifth studio album from Grammy Award winning singer, songwriter and record producer Raphael Saadiq. Known for defying the confines of working within one genre, this standard bearer for old school R&B returns with a new release that celebrates the classic sounds of 60s and 70s soul with a futuristic twist.


    Featuring ten new tracks, Stone Rollin is the follow up to Saadiqs 2008 solo album The Way I See It, which boasted four Billboard R&B chart singles and was nominated for three Grammy Awards including Best R&B Album. Recorded at his studio complex the Blakeslee Recording Company in Los Angeles, Raphael Saadiq played bass, mellotron, keys, guitar, percussion and even drums on most of the tracks.


    Opening with the stomping Heart Attack, the albums other standout cuts include the stunning Go To Hell, featuring his studio squad of musicians who are melodically complimented by an angelic choir, the evocative Dixieland number Day Dreams, featuring Robert Randolph who plays steel guitar on the track, and Just Dont, which includes a guest appearance from one of Saadiqs indie rock favorites Swedish-Japanese singer Yukimi Nagano (Little Dragon). Also making an appearance on that same song is one of Saadiqs idols Larry Dunn (Earth, Wind and Fire), who plays piano and contributes an epic Moog solo.


    1. Heart Attack

    2. Go To Hell
    3. Radio
    4. Over You
    5. Stone Rollin'
    6. Day Dreams
    7. Movin' Down The Line
    8. Just Don't
    9. Good Man
    10. The Answer

    Raphael Saadiq
    $24.99
    Vinyl LP - Sealed Buy Now
  • Cadillactica Cadillactica Quick View

    $24.99
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    Cadillactica

    With his sophomore effort Cadillactica, Big K.R.I.T. (King Remembered In Time) says he's created a planet.


    K.R.I.T. has been labeled a Southern Rapper with an Eastcoast Flow. With Cadillactica he shows how versatile and ahead of his time this MC really is. From brag-rap tracks, to introspective songs to classic Hip-Hop bangers (one producted by Raphael Saadiq) Cadillactica is a planet K.R.I.T. wants us all to visit and perhaps take up residence.

    LP 1
    1. Kreation (Intro)
    2. Life
    3. My Sub Pt. 3 (Big Bang)
    4. Cadillactica
    5. Soul Food
    6. Pay Attention
    7. King Of The South
    8. Mind Control
    9. Standby (Interlude)
    10. Do You Love Me


    LP 2
    1. Third Eye
    2. Mo Better Cool
    3. Angels
    4. Saturdays = Celebration
    5. Lost Generation
    6. Mt. Olympus (Reprise)
    7. Lac Lac

    Big K.R.I.T.
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • The Renaissance The Renaissance Quick View

    $24.99
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    The Renaissance

    Q-Tip's highly anticipated new album The Renaissance mixes soul beats, piano, guitars and his usual thought-provoking lyricism, which takes you on a trip from relationships and summer songs to social issues of late and has a kind of '90s over-all feel. Features the Norah Jones collaboration Life Is Better which serves as a tribute to all of Q-Tip's favorite rappers, including Biz Markie, LL Cool J, Snoop Dogg, Easy-E, Bone Thugs-N-Harmony, Brand Nubian and Pimp C. Also features guest appearances from Raphael Saadiq, D'Angelo and Amanda Diva.
    1. Johnny Is Dead
    2. Won't Trade
    3. Gettin' Up
    4. Offishal
    5. You
    6. Fight/Love
    7. Manwomanboogie
    8. Move
    9. Dance on Glass
    10. Life Is Betta
    11. Believe
    12. Shaka
    Q tip
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Rather You Than Me Rather You Than Me Quick View

    $26.99
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    Rather You Than Me

    Building on months of widespread excitement and anticipation, four-time GRAMMY® Award-nominated multiplatinum rap icon and Maybach Music Group mastermind Rick Ross unleashes his ninth full-length album and first for Epic Records, Rather You Than Me.


    Rather You Than Me represents the apex of the rapper's catalog thus far. There are moments of soulful emotion on the likes of "Apple of My Eye" (feat. Raphael Saadiq) and pure rap fireworks during "Powers That Be" (feat. Nas) and "Dead Presidents" (feat. Future, Jeezy, & Yo Gotti). It holds quite a few surprises too including "Idols Become Rivals" (feat. Chris Rock) and the stunning "Maybach Music V" (feat. Dej Loaf).


    Now, Rather You Than Me marks the beginning of a new era for Rick Ross and rap music.


    "Untouchable" is the best way to describe Rick Ross's decade-plus run at the top of rap. Along the way, he achieved five Billboard Top 200 #1 debuts and three #2 debuts, received four Grammy Award® nominations, graced the cover of Rolling Stone twice, and made history more than once. His debut single "Hustlin'" became the "first mastertone ever certified RIAA platinum before the associated album had been released." He sold millions of singles and albums and cemented his status as one of rap's biggest and brashest voices. Moreover, he founded Maybach Music Group home to Meek Mill, Wale, and more. Signing to Epic Records in 2016, his "untouchable" streak continues with Rather You Than Me.

    1. Apple of My Eye (feat. Raphael Saadiq)
    2. Santorini Greece
    3. Idols Become Rivals (feat. Chris Rock)
    4. Trap Trap Trap (feat. Young Thug and Wale)
    5. Dead Presidents (feat. Future, Jeezy and Yo Gotti)
    6. She on My Dick (feat. Gucci Mane)
    7. I Think She Like Me (feat. Ty Dolla $ign)
    8. Powers That Be (feat. Nas)
    9. Game Ain't Based On Sympathy
    10. Scientology
    11. Lamborghini Doors (feat. Meek Mill and Anthony Hamilton)
    12. Triple Platinum (feat. Scrilla)
    13. Maybach Music V (feat. DeJ Loaf)
    14. Summer Seventeen (feat. Yo Gotti)
    Rick Ross
    $26.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Inner Fire  (Awaiting Repress) Inner Fire (Awaiting Repress) Quick View

    $21.99
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    Inner Fire (Awaiting Repress)

    The Souljazz Orchestra return with another essential mystical odyssey in February 2014 as they release their brand new studio album, Inner Fire, on Strut. Recorded using the Orchestra's signature analogue techniques at their studio HQ in their home city of Ottawa, the new set continues their expansive musical journey as they effortlessly fuse intricate Eastern influences, Afro beats, Egyptian jazz, Latin styles and spiritual elements into their unique musical melting pot. The secret to the band's sound remains a true openness to global music of all kinds and the individual experiences of the Orchestra's band members. "We all have very wide tastes, we're always digging for new sounds, and we've had the chance to work with master musicians from all over, from Nigeria to Rwanda, from Cuba to Haiti, so each band member ends up bringing different vibes and ideas to each of our albums," explains keyboardist Pierre ChrÉtien. On Inner Fire, the different vibes come thick and fast. Side One features "Kingdom Come," a fierce afro-jazz stomper influenced by North-East African big band sounds, "One Life To Live," a haunting highlife arrangement on the importance of seizing the day, "As The Crow Flies," a soaring bossa-tinged piece and "Black Orchid," a bumping fusion of cinematic soul-jazz with Cuban bolero sounds. The flip brings us the firing salsa dura party jam "Agoya" before the ritual chant of "East Flows The River," a spiritual jazz hymn using Eastern modes. The tempo ramps up once more on "Sommet En Sommet," a heavy 12/8 afro-jazz piece influenced by Guinean popular music. Percussionist Marielle Rivard then takes the lead on vocals for a scorching personal rendition of Gary Bartz NTU Troop's 1971 classic, "Celestial Blues."The Souljazz Orchestra have become the undisputed leaders in their field since their first album back in 2005, breaking through with the huge international hit "Mista President" on Do Right! in 2007. Since then, the band has remained tight with their original line-up of Pierre ChrÉtien (keyboards), Zakari Frantz (alto sax & flute), Steve Patterson (tenor sax), Ray Murray (baritone sax), Marielle Rivard (percussion) and Philippe Lafrenière (drums). With their on-stage chemistry and stellar musicianship, the Orchestra's live shows have now become the stuff of legend, sparking instant parties wherever they play. 2013 was already a massive year for the band with their heaviest touring schedule to date. Highlights included a chaotic night playing to a sold-out crowd at New Morning in Paris, the band's first full US tours, high profile festival slots alongside Pharoah Sanders, Stevie Wonder and Raphael Saadiq and a 12-minute live "Battle Suite" packed full of classic and original breaks and beats for the B-Boy Battle Finals at Ottawa's annual House Of Paint hip hop festival. The band will be undertaking a Canadian tour to support the new album starting in February 2014, followed by a full European tour in March and April.
    1. Initiation
    2. Kingdom Come
    3. One Life To Live
    4. As The Crow Flies
    5. Black Orchid
    6. Agoya
    7. East Flows The River
    8. Sommet En Sommet
    9. Celestial Blues
    10. Completion
    The Souljazz Orchestra
    $21.99
    Vinyl LP + CD - Sealed AWAITING REPRESS Buy Now
  • Broken People Broken People Quick View

    $18.99
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    Broken People

    American music is a mile-wide river that beckons black and white, urban and rural, dreamer and doer alike to launch their vessels. All the streams of style and genre flow into it; its tributaries are blues and jazz, mountain and folk, rock, soul and R&B.


    The release of the debut album by Muddy Magnolias, Broken People, marks the launch of a great new vessel onto that waterway. The album showcases a confluence of style and sound as colorful as it is unlikely, steeped in that river of influence, yet bracingly fresh.


    With Broken People, Jessy Wilson and Kallie North take us on an 11-song journey with its origins in two widely divergent backgrounds that came together in a friendship and creative partnership with world-changing resonance.


    North was raised in southeast Texas and began singing with her family and studying piano at an early age. She grew to love rich vocal harmonies singing in church choirs and listening to artists like the Carpenters, Alison Krauss, James Taylor and the Eagles. By her early teens, she was singing lead parts in church and in musical theater productions at her high school. Her palette grew when a friend turned her on to the Grateful Dead, and after high school she spent every spare moment in the clubs of Austin, absorbing everything from alt-country and jam bands to New Orleans funk. She met her husband at a concert and moved with him to his native Mississippi. There, on their isolated farm, she had her awakening, starting a career as a photographer, capturing the spirited, deep history of the Mississippi Delta.


    "To me, the Delta is the most overlooked and mysterious place," she says. "It was the birthplace of America's music, and all the legends were influenced by everything that came out of it. I went on this personal exploration to learn about the Delta blues and the region's history. I picked up a camera and started taking pictures, blogging about what I was experiencing, and I tapped into all the creative energy lying dormant inside me." When her husband gave her a guitar, she began spending her days on the porch of their farm learning how to connect her first chords. From there, the songs began pouring out and she knew she had to find a way to get to Nashville and write songs professionally.


    Wilson, raised in Brooklyn, was in love with music from her earliest days. She was singing before she could talk, and was 5 when her mother recognized her passion for music. "I would cry because I couldn't hit the high notes in Whitney Houston and Mariah Carey songs," she says. Influenced by greats from Aretha and Smokey Robinson to Lauryn Hill, Mary J. Blige and The Notorious B.I.G., she began auditioning in the highly competitive New York entertainment scene and was working professionally in musical theater by the age of 10. Her mother took her to nightclubs where she experienced a variety of live performances. She attended New York's top performing arts schools, including La Guardia High School, the "Fame" school, where she discovered her love for gospel music and took part in the gospel chorus for four years. She worked at Cafe Wha? in Greenwich Village, making $500 a weekend while still in high school.


    She sang backup for Alicia Keys in her teens, then worked four years with John Legend, and through him with legends like will.i.am, Kanye West, Raphael Saadiq and Babyface. Legend mentored her in songwriting and recording before she began writing songs on her own for American Idol winner Fantasia Barrino and others. Inspired by her evolving love of songwriting, she too moved to Nashville, looking for a wider creative palette. There, while meeting with then-BMI executive Clay Bradley, her eye settled on a photograph of "a rundown juke joint piano" in his office.


    "I want to meet whoever took that photo," she said. The photographer was North-it had been taken during her creative awakening in Mississippi-and the subsequent meeting led quickly to collaboration and an epic friendship.


    "The first day we wrote together," says North, "there wasn't much thought that we were blending genres and worlds. That never came up. It was just natural. She had never written a country song and I was writing them every day. We sat down to write one but when we listened back it was a country R&B song. And we decided to become songwriting partners." Before long, they had their first cut as collaborators, and they were off and running.


    "The spirit of the Muddy Magnolias existed from the moment we met," says Wilson, "but we didn't know we were the Muddy Magnolias yet." North was toying with the idea of a solo career; Wilson had aspirations of making history as an African-American female songwriter in Nashville. Their new friendship was a game-changer.


    "We spent a whole year writing, trying to understand what our message was when we combined our stories," says Wilson. Then one day over afternoon wine at Burger Up, their favorite hangout in the 12 South section of Nashville, both admitted to be being at a crossroads. "The next thing you know," says North, "Jessy said, 'What if we made a record together?' It was like all of our dreams in one."


    "We went back to that same office on Music Row where I saw the photograph," says Wilson, "and sat down side by side in Clay's office and said, 'We've got something to tell you. We're going to make an album together.'" Bradley believed enough to sign on as their manager. They held three days of band auditions and found four best friends who had been playing together since college, primarily doing jazz. The fit was perfect, providing just the right sonic backdrop for their soulful approach and high-energy delivery.


    As they continued to write and perform, opening for the likes of The Zac Brown Band and Gary Clark, Jr., they put together a project that crosses genres effortlessly, showcasing two voices that soar together in a blending of cultures as electrifying as if Janis Joplin and Tina Turner, or Whitney Houston and Lee Ann Womack had joined forces.


    Broken People combines poetic imagery and vocal passion, with the musicianship and production of Motown or Muscle Shoals by way of the raw honesty of Sun Records. Of course it deals with love, longed for and unleashed, in songs like "I Need A Man," "Why Don't You Stay" and "Devil's Teeth," but the album soars as it reaches for bigger themes, dealing with the need for hope in "Take Me Home," for love on a societal scale in "Shine On" and "Brother What Happened," and hope for the future in "Got It Goin' On." With "Leave It To The Sky," the two, joined by John Legend on vocals and piano, make a powerful case for spiritual solutions, and few songs in the modern lexicon are as steeped in present-day reality as the gospel- and R&B-tinged title track.


    "Ultimately," says North, "this album is a result of an unlikely friendship and is a testament to what can happen when you diversify your relationships."


    "It's about getting out of your comfort zone and being rewarded with a great friendship," adds Wilson. "We've both felt the power of that."


    "Our path is so much better and our lives are so much richer because of it," says North, "and we want to bring people along on this journey."


    "We want to see what society would be like if we all reached out in ways we normally wouldn't," adds Wilson.


    And that is the magic and the message. The music of Muddy Magnolias, live and on record, comes from a place where the Mississippi meets the A-Train by way of Nashville. Whether yours is the back porch or the front stoop, Spanish moss or window box garden, dusty country lane or crowded subway car, rural honky-tonk or uptown club, this is music that beckons. Muddy Magnolias are collaboration without boundaries, musical healing in a landscape of the heart, and all of us who treasure creative energy, honest art and the possibilities of love and unity, are better for their arrival.

    1. Broken People
    2. Brother, What Happened?
    3. Got It Goin' On
    4. Why Don't You Stay
    5. Take Me Home
    6. Shine On!
    7. It Ain't Easy
    8. I Need A Man
    9. Devil's Teeth
    10. Train
    11. Leave It To The Sky (feat. John Legend)
    Muddy Magnolias
    $18.99
    Vinyl LP - Sealed Buy Now
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