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  • Creek Audio A50i Integrated Amplifier (Certified Pre-Owned) Creek Audio A50i Integrated Amplifier (Certified Pre-Owned) Quick View

    $399.00
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    Creek Audio A50i Integrated Amplifier (Certified Pre-Owned)

    Certified Pre-Owned


    Not equipped with phono stage


    The A50i/A50iR integrated amplifiers are the successors to
    the highly revered 4330SE. Many would have thought it was
    hard to improve on the predecessor to the A50i, but improve
    we have! At first glance the new 50 series looks very different
    - indeed the sleek styling of these new Creek integrated amps
    make the A50i range highly desirable.


    Creek however is not about looks alone - what goes on inside.
    These amplifiers is where they stand out from the crowd.
    Whatever your musical preference, these Creek integrated amplifiers will satisfy the most critical
    of listeners. They are powerful yet subtle. You simply won't want to switch off.
    Although an evolution of the 4330SE, the Creek 50 series integrated amplifiers are innovative in
    the true sense of the word. Using proprietary circuitry developed by Creek engineers, the A50i
    guarantees an exceptional level of performance. There is no doubt that these integrated
    amplifiers will stand the test of time like few other products in their price category.

    Demo Discounts
    $399.00
    Creek Audio A50i Integrated Amplifier (Certified Pre-Owned) Buy Now
  • Rega RP8 (No Cartridge) (Certified Pre-Owned) Rega RP8 (No Cartridge) (Certified Pre-Owned) Quick View

    $1,999.00
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    Rega RP8 (No Cartridge) (Certified Pre-Owned)


    40th


    Rega Made


    Need help choosing the right turntable for you? Please contact our audio advisor at 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    **All Cartridges Installed Free Of Charge**


    Certified Pre-Owned


    Cartridge not Included


    The Rega RP8 skeletal turntable.


    Rega is extremely pleased to announce the launch of the much awaited RP8 turntable. A turntable which takes Rega's design philosophy further than ever before. A radical new plinth using custom designed materials, a new tonearm bearing assembly, 24v low volt-age motor controlled by a hand tuned electronic power supply and a custom version of our Planar 9 engineered hub bearing assembly. These are just some of the features of this amazing new turntable designed to extract more music from your vinyl than ever before.


    The Evolution of Revolution


    Evolution is a well proven and documented process in many areas of our lives. This applies in particular to design engineers and machines. Over the past forty years our cars have become more reliable and economical whilst we take for granted the reliability and speed of modern aircraft. Rega is no exception to evolution. Rega's experience and previous achievements allow us to continually develop and produce better products.


    The RP8 represents probably the biggest step forward in the evolution of Roy Gandy's turntable design philosophies. Low mass, high rigidity plinths combined with electronically controlled low vibration motors, high flywheel effect platters and lower mass higher stability tonearms.


    The RP8 is the first of our new "skeletal" design turntables offering groundbreaking levels of performance and amazing value for money.


    The RP8 will also be available with its perfect partner, the Apheta moving coil cartridge, factory fitted as a package option.


    Only available in black


    Demo Discounts
    $1,999.00
    Rega RP8 - No Cartridge - Certified Pre-Owned
    Buy Now
  • Pro-Ject RPM 3 Carbon Turntable (Black) (Certified Pre-Owned) Pro-Ject RPM 3 Carbon Turntable (Black) (Certified Pre-Owned) Quick View

    $599.00
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    Pro-Ject RPM 3 Carbon Turntable (Black) (Certified Pre-Owned)



    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Certfied Pre-Owned


    RPM 3 Carbon (with Sumiko Blue Point No. 2) - Belt-driven turntable with 10 carbon fiber S-shaped tonearm and outboard motor


    RPM 3 Carbon utilizes evolutionary enhancements to improve the performance of RPM series: A low resonance chassis holds an inverted platter bearing with ceramic ball for further reduced rumble. An outboard 15V AC motor is smoothly driven using an ultra precision AC generator with DC power supply for further enhanced speed stability. A 10" S-shaped tonearm tube is made from carbon fiber, aluminium and resin. Using a complex 3-step process with heat treatment and 100bar pressure, arm tube rigidity is strengthened, internal damping is maximized and resonances are reduced to a minimum. This makes the tonearm also suitable for MC cartridges. Additional features are a magnetic anti-skating mechanism and a TPE-damped counterweight. All ingredients add up to a miracle in sound for the price and ultra-stylish look!




    Demo Discounts
    $599.00
    RPM 3 Carbon Turntable - Certified Pre-Owned Buy Now
  • I've Got My Own Album To Do (Pre-Order) I've Got My Own Album To Do (Pre-Order) Quick View

    $32.99
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    I've Got My Own Album To Do (Pre-Order)

    180 Gram Audiophile Translucent Blue Vinyl

    I've Got My Own Album To Do is the first solo album by Ron Wood, released in September 1974. An all-star project recorded outside of his activities with the Faces. Wood has said that the album title originated from contributors such as George Harrison and Mick Jagger nagging me to let them go home and finish their own projects.

    During this period, Wood assisted Jagger in writing and recording the Rolling Stones' 1974 single It's Only Rock 'n Roll, while Jagger reciprocated by helping Wood with this album's opening track, I Can Feel the Fire. Keith Richards was another participant at the sessions, in addition to performing concerts in London with Wood to promote the release.

    Wood's collaboration with Harrison, Far East Man, was re-recorded by Harrison and appeared on the former Beatle's Dark Horse album three months after the release of I've Got My Own Album To Do. Other musicians on the record include Rod Stewart, fellow Faces Ian McLagan and Kenney Jones, Mick Taylor of the Rolling Stones, and the all-American rhythm section of Willie Weeks and Andy Newmark.

    1. I Can Feel The Fire
    2. Far East Man
    3. Mystifies Me
    4. Take A Look At The Guy
    5. Act Together
    6. Am I Grooving You
    7. Shirley
    8. Cancel Everything
    9. Sure The One You Need
    10. If You Gotta Make A Fool Of Somebody
    11. Crotch Music
    Ron Wood
    $32.99
    180 Gram Audiophile Virgin Vinyl LP PRE-ORDER Buy Now
  • Some Cold Rainy Day Some Cold Rainy Day Quick View

    $18.99
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    Some Cold Rainy Day

    Eden & John's East River String Band are a contemporary acoustic duo that play country/blues classics from the 1920s and 1930s. The band consists of Eden Brower on ukulele and vocals with John Heneghan on guitar and vocals, including special guest Terry Waldo (legendary ragtime piano player who has recorded and toured with Leon Redbone and Woody Allen).


    The duo try to keep alive the rural music tradition that existed before the Great Depression of the '30s, playing primarily country blues covers including classics by such greats as Skip James, Mississippi John Hurt, Lottie Kimbrough and Blind Lemon Jefferson.


    Some Cold Rainy Day is by far one of the most enjoyable contemporary recordings of early pre-war blues music I have ever heard. Eden and John stay true to the original arrangements and vocals that these songs had when they were first released. I would call this a MUST-own for fans young and old of blues music and even those who want a modern introduction to the great old music of the 1920s and 1930s. PLEASE NOTE: Crumb not only did the cover for this album; he loves the music on it, too. Crumb collectors know that he does very little commercial work now with his busy schedule and will only illustrate items he himself loves. What better endorsement is there than that? - Ralph Deluca

    1. Ain't No Tellin'
    2. Nobody's Business If I Do
    3. One Dime Blues
    4. Slidin' Delta
    5. Every Day In The Week
    6. Some Cold Rainy Day
    7. Bye Bye Baby Blues
    8. Future Blues
    9. I Had To Give Up Gin
    10. Rolling Log Blues
    11. Crow Jane
    12. Do Dirty Jane
    13. On Our Turpentine Farm
    Eden & John's East River String Band
    $18.99
    Vinyl LP - Sealed Buy Now
  • Behold (Pre-Order) Behold (Pre-Order) Quick View

    $19.99
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    Behold (Pre-Order)

    'Behold' plays like an audio time capsule built of saxes, trombones and other horns (even tubas!), upright bass, brushes on drums, mellow sounding hollow body guitars, and vocals that are rich and distinctive but still somehow laid-back in their feel. Whereas Lauren Daigle's debut album was energy-laced, radio-ready pop, her Christmas project seems in some ways to be a confident re-imagining of her own versatile vocal gifts, showcased in a more mature and subdued, but also more eloquent, context.


    Behold includes nine yuletide standards and one original a tender, jazz reinterpretation of Lauren's first radio single Light of the World. Worshipful favorites like O Come All Ye Faithful and What Child Is This (here given a unique, uptempo feel with a fun tip-of-the-hat to Favorite Things from The Sound of Music) take their places alongside festive holiday fare like Jingle Bells and Merry Little Christmas.

    1. Jingle Bells
    2. Have Yourself A Merry Little Christmas
    3. What Child Is This
    4. White Christmas
    5. O Come All Ye Faithful
    6. Light Of The World (Behold Version)
    7. Christmas Time Is Here
    8. O Holy Night
    9. Little Drummer Boy
    10. Silent Night
    Lauren Daigle
    $19.99
    Vinyl LP - Sealed PRE-ORDER Buy Now
  • Immobilarity (Pre-Order) Immobilarity (Pre-Order) Quick View

    $39.99
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    Immobilarity (Pre-Order)

    180 Gram Audiophile Vinyl

    Gatefold Sleeve

    Includes Fuck Them Featuring Method Man, Sneakers, Yae Yo and Power

    Immobilarity is the second studio album and the follow-up to Only Built 4 Cuban Linx by Wu-Tang Clan member Raekwon (a.k.a. The Chef). Raekwon has been cited as a pioneer of Mafioso rap and is the founder of his own label ICEH20 Records.

    The producers Triflyn, The Infinite Arkatechz, and Six July Productions gave Immobilarity the same sounds which producer RZA gave to Raekwon's first album with ill beats and street lyrics.

    Fellow rappers from the Wu-Tang Clan also appear on the album such as Method Man on Fuck Them, Power with the American Cream Team and The Table featuring Masta Killa. As a nice bonus attribute, there's even a solid Pete Rock produced track Sneakers with Raekwon's flowing rhymes.

    Raekwon explained that the album title is an acronym for I Move More Officially by Implementing Loyalty and Respect in the Youth.

    The album, which was originally released in 1999, reached to number 2 in the US Billboard Top R&B/Hip-Hop Albums and number 4 on the US Billboard album charts and was certified gold by the RIAA.

    LP 1
    1. Intro (Skit)
    2. Yae Yo
    3. Casablanca

    4. 100 Rounds
    5. Real Life

    6. Power

    7. Skit No. 1
    8. All I Got Is You Pt. II
    9. Jury
    10. Fuck Them
    11. Skit No. 2


    LP 2
    1. Live From New York
    2. My Favorite Dred
    3. Friday
    4. The Table
    5. Sneakers
    6. Raw
    7. Pop Shit
    8. Heart To Heart
    9. Forecast
    10. Outro

    Raekwon
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Workout (Pre-Order) Workout (Pre-Order) Quick View

    $39.99
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    Workout (Pre-Order)

    Cut At 33 1/3 RPM By Kevin Gray At Cohearent Audio From The Original Rudy Van Gelder Blue Note Master Tapes


    Pressed On 180 Gram Virgin Vinyl LP By RTI


    Top Quality Gatefold Packaging With Laminated Covers & High Quality Session Photos


    In a word association game, the name "Hank Mobley" will often generate "Blue Note" and vice versa. While Mobley had a musical life beyond the Blue Note label including associations with Dizzy Gillespie, Art Blakey's Jazz Messengers and Miles Davis (the 1961 Quintet), it is for his Blue Note recordings that he rightfully most remembered. Mobley led 25 albums for Blue Note and appeared on over 30 others as a sideman. His consistency resulted in all of those recordings being recommended to hard bop collectors. Mobley's mastery of the style, his attractive tone, and his skill at writing songs that inspire memorable solos made him a perfect representative of the Blue Note sound. Even with his large number of great recordings, Workout is something special and a real standout. Joined by Grant Green, Wynton Kelly, Paul Chambers and Philly Joe Jones, Mobley creates brilliant statements on four of his best originals (including the soulful "Uh Huh" and "Greasin' Easy"), "The Best Things In Life Are Free" and "Three Coins In A Fountain." The passion in Mobley's playing is exciting and will surprise many. He takes wild chances that challenge the other all-stars, and he plays with a constant stream of creative ideas. Even collectors who own a dozen other Hank Mobley albums will have to get this version of Workout which, with its superb remastering, has never sounded better.


    Features:

    Limited Edition of Only 3500 Copies

    Remastered from the Original Rudy Van Gelder Blue Note Master Tapes

    Remastered by Kevin Gray at Cohearent Audio

    Pressed on 180 gram Virgin Vinyl LP by RTI

    Ultra-Durable, Extra Thick Album Jackets

    Gatefold Album with Session Photos in stunning High Resolution

    Stereo


    This title is not eligible for discount.

    Hank Mobley
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • 10X10 (Pre-Order) 10X10 (Pre-Order) Quick View

    $21.99
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    10X10 (Pre-Order)

    Before his untimely death in 2012, renowned American rock guitarist Ronnie Montrose began recording an ambitious passion project with bassist Ricky Phillips (Styx, Bad English) and drummer Eric Singer (Kiss, Alice Cooper). The idea was to record 10 songs with 10 different singers and call the album 10X10. Sadly, Montrose was unable to see the album through during his lifetime. Instead, Phillips made it his mission to finish the songs by enlisting a small army of Ronnie's musician friends to record the vocals and the guitar solos for each song, completing the album in recent years.


    Phillips says the songs represent some of Montrose's best work. "His songs still have the fire and angst of a young rebel, but with some added wisdom and foresight voiced in his own unique language of 'guitar-speak.' On 10X10, we hear Ronnie at the top of his game, from the opening crunch guitar of 'Heavy Traffic,' all the way to the closing song, 'I'm Not Lying,' which was Ronnie's tip of the hat to his friend Robin Trower."


    10X10 features inspired pairings, like Deep Purple singer Glenn Hughes with Def Leppard guitarist Phil Collen ("Still Singin' With The Band") and singer Sammy Hagar with Toto guitarist Steve Lukather ("Color Blind"). Legendary blues guitarist Joe Bonamassa also showcases his guitar talents on the track "The Kingdom's Come Undone" with Ricky Phillips on vocals. A few artists both sing and play, like Edgar Winter ("Love Is An Art") and Tommy Shaw ("Strong Enough").


    Several artists who appear on 10X10 had recorded with Ronnie during his career, like Edgar Winter, who included the guitarist on his 1972 album, They Only Come Out At Night. Sammy Hagar got his start singing with Montrose. Between 1973-75, he recorded two influential albums - Montrose and Paper Money - with the band and toured the world.
    More than 40 years later, Hagar was among the first who agreed to help finish Ronnie's final album. "It's valuable to have 10X10 be seen as Ronnie's last work, rather than going and digging up some stuff from his past. This was something he truly had a vision for," says Hagar.

    1. Heavy Traffic Feat. Eric Martin & Dave Meniketti
    2. Love Is An Art Feat. Edgar Winter & Rick Derringer
    3. Color Blind Feat. Sammy Hagar & Steve Lukather
    4. Still Singin' With The Band Feat. Glenn Hughes, Phil Collen & Jimmy "Z" Zavala
    5. Strong Enough Feat. Tommy Shaw
    6. Any Minute Feat. Mark Farner & Ricky Phillips
    7. The Kingdom's Come Undone Feat. Ricky Phillips & Joe Bonamassa
    8. One Good Reason Feat. Bruce Turgon & Brad Whitford
    9. Head On Straight Feat. Davey Pattison & Marc Bonilla
    10. I'm Not Lying Feat. Gregg Rolie, Tom Gimbel & Lawrence Gowan
    Ronnie Montrose (feat. Ricky Phillips and Eric Singer)
    $21.99
    Vinyl LP - Sealed PRE-ORDER Buy Now
  • Pizazz (Pre-Order) Pizazz (Pre-Order) Quick View

    $19.99
    Buy Now
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    Pizazz (Pre-Order)

    Pigeons Playing Ping Pong are excited to announce their newest record, Pizazz, due out via Independent Label Services, Inc.


    "We pour every ounce of ourselves into every note when we perform live," says Pigeons Playing Ping Pong singer/guitarist Greg Ormont. "When we're recording in the studio, we try to maintain that euphoria while finding a way to pack it into a tight, focused vessel. Each song becomes like a spring-loaded can of worms: there's all this energy boxed up in a neat little package, and then when you come see us live, the cap comes off and the contents fly out in every direction like fireworks."


    It's a whimsically apt metaphor for Pigeons Playing Ping Pong, a band whose very existence is rooted in the unyielding quest for joy and positive energy. Blending infectious funk grooves, psychedelic jams, and experimental electronics, the Baltimore four-piece's new album, Pizazz, is a buoyant, blissful reminder of just how much fun music can be. Eschewing the traditional funk band lineup that typically includes keyboards, Pigeons Playing Ping Pong constructs effervescent soundscapes with just two guitars, bass, and drums, crafting their music with a sophisticated ear for both open space and dense layering.


    While Pizazz is, in many ways, a familiar continuation of the journey that's earned the band its rapidly expanding and rabidly devoted following (known as The Flock), it also marks the beginning of a new chapter for Pigeons Playing Ping Pong. The album's eleven tracks are the group's first recorded with new drummer Alex Petropulos, whose airtight grooves and explosive power push the band's sound to new heights, making for an impressive rhythm section alongside bassist Ben Carrey.


    Tracked live on the floor in Baltimore's WrightWay Studios, Pizazz rises and falls with the same inimitable mix of precision and frenzy that defines the band's one-of-a-kind live show. Glide Magazine called Pigeons "a band that melts faces and pulls no punches," while C-Ville Weekly praised the growing "cult around [their] high-energy music, goofy stage antics, and all around good vibes," and JamBase raved that guitarist/vocalist Jeremy Schon is "destined to become one of our generation's finest guitarists."


    Since the group's inception nearly a decade ago at the University of Maryland (where the band's name came to Ormont and Schon during a moment of transcendence in Psych 100), they've built up a reputation as one of the most engaging and life-affirming acts on the road, maintaining a relentless tour schedule that has them performing up to 200 shows a year and hitting festivals from coast to coast. The band even founded their own gathering, Domefest, which recently celebrated its eighth year and attracted nearly 2,000 members of The Flock for an immersive weekend of love, music, and community.

    1. Fun In Funk
    2. Something For Ya
    3. Ocean Flows

    4. The Liquid

    5. Porcupine

    6. Henrietta

    7. Too Long

    8. Doc

    9. Fox And Toad
    10. Offshoot

    11. Poseidon
    Pigeons Playing Ping Pong
    $19.99
    Vinyl LP - Sealed PRE-ORDER Buy Now
  • U-Men (Pre-Order) U-Men (Pre-Order) Quick View

    $44.99
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    U-Men (Pre-Order)

    This 3xLP Box Set Collects The Entire Studio-Recorded Output Of The U-Men


    Remastered


    Plus 5 Unreleased Songs


    With 16 Pages Of Photos, Liner Notes & Interviews With The Band


    Executive Produced By Jack Endino


    The U-Men are one of the best bands I've ever seen. They were
    hypnotic, frenetic, powerful and compelling. It was impossible to
    resist getting sucked into their weird, darkly absurd world. They
    effortlessly blended The Sonics, Link Wray, Pere Ubu, and
    Captain Beefheart. Their shows were loose-limbed, drunken
    dance parties and no two shows were alike. The U-Men were
    avant-garage explorers and, most importantly, they fucking
    rocked. I was lucky enough to live in their hometown and I saw
    them every chance I could.


    From 1983 to 1987, the U-Men were the undisputed kings of
    the Seattle Underground. No one else came close. They ruled a
    bleak backwater landscape populated by maybe 200 people.
    They were the only band that could unify the disparate
    sub-subcultures and get all 200 of those people to fill a room.
    Anglophilic, dress-dark Goths; neo-psych MDA acolytes; skate
    punks who shit in bathtubs at parties; Mod vigilantes who
    tormented the homeless with pellet guns; college kids who
    thought college kids were lame; Industrial Artistes; some random
    guy with a moustache; and eccentrics who insisted that they
    couldn't be pigeonholed: all coalesced around the U-Men.


    Sub Pop co-founder, Bruce Pavitt released the first record by the
    U-Men, a 4-song 12" EP on Bombshelter Records. By the time
    they had recorded songs for another record, Bruce was too broke
    to release it on his proto-Sub Pop label, so he hooked them up
    with Gerard Cosloy at Homestead Records. This was a big deal.
    Homestead had a heavy rep at the time with recent releases by
    Foetus, Nick Cave, Sonic Youth, and Big Black. I was sure that
    the release of their second 12", Stop Spinning, would propel the
    U-Men into the ranks of those Homestead acts and the
    worldwide underground would get hip to Seattle's finest.
    Following the departure of bassist Jim Tillman (replaced by Tom
    Hazelmyer of Amphetamine Reptile Records, and then Tony
    Ransome), the band recorded two fantastic singles, and recorded
    their one full-length album, Step on a Bug, for Black Label,
    which was run out of Fallout Records. They became increasingly
    disenchanted with the direction the Seattle underground was
    heading and called it quits in 1989.


    The U-Men had nothing to do with Grunge. They were their own
    unique thing. I loved them and I still miss them. I remember
    thinking at the time that most of their recordings were a little
    soft and didn't capture the power of the band live. Now, thirty
    years later, their records sound great to me and we are lucky that
    they exist. I'm stoked that Sub Pop complied these long
    out-of-print records and scrounged up some unreleased songs so
    that everyone has a chance to take a trip back to old weird
    Seattle.


    - Mark Arm, Seattle, August 2017

    LP 1
    1. Blight
    2. The Fumes
    3. Flowers DGIH
    4. Shoot 'em Down
    5. Gila
    6. Trouble Under Water
    7. Mystery Pain
    8. Last Lunch


    LP 2
    1. Clubs
    2. Cow Rock
    3. Green Trumpet
    4. A Year and a Day
    5. Ten After One
    6. They!
    7. U-Men Stomp
    8. Solid Action
    9. Dig It a Hole


    LP 3
    1. Whistlin' Pete
    2. 2 x 4
    3. A Three Year Old Could Do That
    4. Juice Party
    5. Flea Circus
    6. Too Good to Be Food
    7. Willie Dong Hurts Dogs
    8. Papa Doesn't Love His Children Anymore
    9. Pay the Bubba
    10. Freezebomb
    11. That's Wild About Jack
    12. Bad Little Woman
    13. Selfish

    U-Men
    $44.99
    Vinyl LP Box Set - 3 LPs Sealed PRE-ORDER Buy Now
  • Nightbringers (Pre-Order) Nightbringers (Pre-Order) Quick View

    $25.99
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    Nightbringers (Pre-Order)

    Any band that has earned an army of devout followers through dropping seven killer full-lengths - and touring their collective ass off for sixteen years - could perhaps be forgiven for thinking they could take it easy as they wade into their eighth release. But that's just not The Black Dahlia Murder's style, and Nightbringers is testament to that. Having released their most accomplished, aggressive, and emotionally diverse music to date in the form of 2015's Abysmal, the Michigan quintet have once more pushed themselves to new heights, and the 34 minutes of searing melodic death metal that comprises Nightbringers is riveting listening. "I always feel a responsibility to the people who support this band when we start making a new record," asserts vocalist Trevor Strnad. "The pressure that comes from people being excited to hear what you come up with next can be intimidating, but it's so exciting that those people love you so much for just doing what you do. It makes you want to honor what you've done in the past, but also excite them with where you go next, and that definitely drove us on Nightbringers. When we started writing I honestly didn't know we had this album in us, and I feel really proud of it. It's a great moment for us."


    Rather than meticulously plan things out or stick rigidly to any kind of template, when it comes to writing The Black Dahlia Murder prefer to let things happen organically. In the hands of guitarist Brian Eschbach - who co-founded the band with Strnad in 2001 - and new recruit Brandon Ellis (Cannabis Corpse/ex-Arsis) Nightbringers is rich with dynamic riffs that are at once fresh and classic TBDM, resulting in a collection that shifts through many moods and effortlessly incorporates various elements of extreme metal. With guitarist Ryan Knight having amicably stepped down in 2016, the addition of twenty-four-year-old Ellis to the band's ranks has helped usher in an exciting new era. "He's very professional for his age, I think he's skilled far beyond his years, and his live energy is exceptional. When Max (Lavelle, bass) joined the band he challenged a lot of us on stage to raise our personal bar, and Brandon's pushed that even further," states Strnad. "Brandon coming into the band and writing a bunch of songs was an awesome surprise too. He really took the reins, and this record is also the most involved that Alan (Cassidy drums) has been too. The way that we were doing the demos and bouncing things back and forth he had a lot of room to do what he wanted to do, and I think it's definitely a more colorful album for that. I also think as we get older the emotional content goes up. I think we better realize how to grip the listener. Personally, I try to write lyrics that are going to match each part, and kind of ramp up those feelings that we're putting across." Strnad's statements are vividly borne out by every moment of Nightbringers. For fans attending 2017's Summer Slaughter tour, the first taste of of the record came with the inclusion of the title track in their set, which has an undeniable immediacy to it, rich with hooks and boasting a "circusy, evil and playful" air. By contrast, "Catacomb Hecatomb" is suffused with tragedy, the mournful tone of its slower passages deeply affecting. This too is dramatically different to "As Good As Dead", which has some swagger to it that Strnad likens to Megadeth, or "Matriarch", described by Eschbach as a "wild, neoclassical romp" and stands as one of the most cutthroat and all out aggressive tracks in the quintet's arsenal. Upon first hearing the latter, Strnad was intent on matching its visceral intensity. "I felt inspired to write very violent lyrics to it. It's told from the perspective of a woman who is trying to have a child and not having any luck, and she goes kind of crazy and stalks this other woman who is due to have a child. She finds her moment to take it from her, cutting it right out of her stomach." While Strnad explores a variety of themes and ideas with his lyrics, they are united by the album's title, which embraces a tenet that has been central to The Black Dahlia Murder's output since the very beginning. "A lot of archaic ideas that are still upheld - such as marriage and monogamy - came from Christianity, whether people want to acknowledge it or not, and to me, death metal has always been bucking that. It's 'being-the-villain music', because we're the enemy of Christianity, the enemy of all that is good and traditional. Death metal is for free thinkers, it's for showing people the path to inner strength and operating on your own will, instead of being told what to do and living in fear, and songs like the title track and "Kings Of The Nightworld" are about leading a legion of awakened minds into battle." Following this theme also motivated Strnad to forge into ever-darker territory, even when this meant tearing things up and starting over. "I felt I needed to rise to the occasion to make as much of the blood and guts and heinousness as possible, and there was actually a couple of points where I rewrote some songs. I just didn't feel like they were dark enough, or violent enough, so I was really trying to ramp up the monstrous aspects of things, and definitely trying in different ways to take down tradition."


    Rather than decamp to a single studio, the members split off when it came time to start laying down the songs - all well versed in how to get the best out of their individual performances. With former bassist Ryan Williams once again assisting, the drums were tracked at The Pipe Yard in Plymouth, Michigan and rhythm guitars in the band's practice space in Warren, Michigan [was bass tracked there too?]. Ellis then recorded his many blistering solos in his home studio, while Strnad headed to Full Force Studios on Long Island, with Joe Cincotta (Suffocation, Internal Bleeding) overseeing his sessions. For the unique and haunting cover art they turned to Kristian Wåhlin, aka Necrolord, who has designed seminal artwork for the likes of At The Gates, Bathory, Emperor and also TBDM's 2007 release, Nocturnal. "I think he's the most prominent artist when it comes to classic releases in the melodic death metal genre, and kind of bringing things full circle with it being the ten-year anniversary of Nocturnal felt right. By now people probably wouldn't have expected us to go back to him, so it's kind of a surprise, but at the same time it's a very classic cover too." With the band celebrating the 10-year anniversary of the aforementioned album by playing it in its entirety on Summer Slaughter, it has given them a moment to reflect not only on the road that has led them to here but also that which lies ahead. "When I think back to when we started the band I feel very proud of everything we've done, and I also see a lot of improvement over the years," says Strnad. "In the early songs I can hear us as kids, and then segueing into our adulthood as musicians and writers, but sixteen years in I still feel young as a band. I feel like we have a shit ton left to do, and I think we're sitting pretty with the best lineup we've ever had. I also think Nightbringers could be our finest hour yet. I feel very strongly that it will affect people, I want to get all of these songs in people's ears, and I want them to check out everything we've got on this record. There's so much variety and so many great ideas, and I think that this could take us to another place."

    1. Widowmaker
    2. Of God and Serpent, of Spectre and Snake
    3. Matriarch
    4. Nightbringers
    5. Jars
    6. Kings of the Nightworld
    7. Catacomb Hecatomb
    8. As Good as Dead
    9. The Lonely Deceased
    The Black Dahlia Murder
    $25.99
    Vinyl LP - Sealed PRE-ORDER Buy Now
  • Boston (Pre-Order) Boston (Pre-Order) Quick View

    $32.99
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    Boston (Pre-Order)

    Celebrate 40 Years Of Boston


    First Time 180 Gram Translucent Blue Vinyl


    Stunning Gatefold Cover Art


    Mastered Impeccably By Joe Reagoso - Pressed At R.T.I.


    Features Smash Hits More Than A Feeling Long Time Rock And Roll Band & Peace Of Mind


    There are groundbreaking albums, then there are extraordinary mega-classic masterworks that have stood the test of time during their time and for decades beyond, Boston's debut masterpiece Boston is one such rare recording feat.


    Thanks to the strong masterful lead guitar and production chops of Tom Scholz, the late great Brad Delp on power vocals, guitar great Barry Goudreau, plus Fran Sheehan on bass and the late great Sib Hashian on drums, the number one Boston lp took the rock music world by storm, and it continues to be one of the most enduring and much loved albums of all time.


    Friday Music is very pleased to bring to you one of the finest albums ever recorded - Boston by Boston. Mastered impeccably by Joe Reagoso, this stunning masterpiece now boasts premium classic rock memories on first time 180 Gram Audiophile Translucent Blue Vinyl, a stunning gatefold cover, and of course, all of the hits you remember like More Than A Feeling, Rock And Roll Band, Long Time and many more time honored classics.


    This essential limited edition masterpiece is being released right in time for the holidays and should be on the list of every rock fan who owns a turntable. It sounds amazing, it gives us the chills and all of the good feelings you would expect from this incredible and historic rock debut.


    Boston by the iconic rock legends Boston, one of the essential classic rock albums of all time on Friday Music 180 Gram Audiophile Translucent Blue Vinyl... its' more than a feeling!

    1. More Than A Feeling
    2. Peace of Mind
    3. Foreplay/Long Time
    4. Rock & Roll Band
    5. Smokin'
    6. Hitch a Ride
    7. Something About You
    8. Let Me Take You Home Tonight
    Boston
    $32.99
    180 Gram Audiophile Virgin Vinyl LP PRE-ORDER Buy Now
  • Amnesia Haze (Pre-Order) Amnesia Haze (Pre-Order) Quick View

    $19.99
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    Amnesia Haze (Pre-Order)

    The Velcro Lewis Group is earth's premier acid-rock, space-funk septet. The band twists the aesthetics of
    Funkadelic, Hawkwind, the Temptations, and Black Sabbath into their own living breathing planet of sound. Once it
    becomes possible to drive an Impala through space and time, the Velcro Lewis Group will be hot glued into the tape
    deck.
    1. Castles Will Fall
    2. Ancient Darkness, Ancient Light
    3. Free
    4. Patriarchal Reptile
    5. Stormbringer
    Velcro Lewis Group
    $19.99
    Vinyl LP - Sealed PRE-ORDER Buy Now
  • Black Moses (Pre-Order) Black Moses (Pre-Order) Quick View

    $45.99
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    Black Moses (Pre-Order)

    Black Moses is the fifth studio album by American soul musician Isaac Hayes. It is a double album released on Stax Records' Enterprise label in 1971. The follow-up to Hayes' successful soundtrack for Shaft, Black Moses features Hayes' version of The Jackson 5's hit single Never Can Say Goodbye. Hayes' version became a hit in its own right, peaking at number 22 on the Billboard Hot 100.
    LP 1
    1. Never Can Say Goodbye

    2. (They Long To Be) Close To You
    3. Nothing Takes The Place Of You
    4. Man's Temptation

    5. Never Gonna Give You Up

    6. Medley: Ike's Rap II / Help Me Love

    7. Need To Belong To Someone

    8. Good Love 6-9-9-6-9


    LP 2
    1. Medley: Ike's Rap III / Your Love Is So Doggone Good

    2. For The Good Times

    3. I'll Never Fall In Love Again

    4. Part-Time Love

    5. Medley: Ike's Rap IV / A Brand New Me

    6. Going In Circles

    Isaac Hayes
    $45.99
    Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Mama Earth (Pre-Order) Mama Earth (Pre-Order) Quick View

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    Mama Earth (Pre-Order)

    The all-star Mama Earth lineup of Joss Stone (vocals), Nitin Sawhney (guitar), Jonathan Joseph (drums), Étienne M'BappÉ (bass/guitar) and Jonathan Shorten (keyboards) will release their debut EP Mama Earth via Mascot/Provogue.


    The project started when British soul singer Joss Stone and her former musical director Jonathan Joseph hit on the Mama Earth concept of an album driven by the dynamic rhythms of Africa. A band was assembled from all corners of the music world. Jonathan's compadre Étienne M'BappÉ, the dazzling Cameroon-born multi-instrumentalist whose rÉsumÉ spans from John McLaughlin to Robben Ford; Jonathan Shorten, who had produced much of Stone's studio catalogue between penning some of the biggest hits for acts including Gabrielle and (again) Joss Stone. Finally, there was Nitin Sawhney: the genre-slipping wildcard and one-man musical tidal wave whose collaborations take in Sting, Paul McCartney, and the London Symphony Orchestra.


    The 5 musicians convened at Stone's house, where the musical squad didn't take long to feel each other out. Music was spontaneously written on the spot, without any preparation. In the meantime, Stone purposefully kept her own creative process separate from the four musicians. I left them to do their own thing with the music in the studio, she reflects, while I was cooking dinner in the kitchen. I deliberately didn't have any input in the music, because I didn't want to affect it - or it'd all come out hip-hop and R&B! Then they'd come across into the house, give me the track and I'd sit in the kitchen writing lyrics and melodies with my mum. So it was, like, 'You guys do you, and I'll do me - then we'll put it together'. And that's the way it worked. I also went down to the river on my own with a pen and paper and write in the grass by the river. Which was a good way to do it, actually, The whole project is about Mother Nature. It's supposed to be from her perspective.


    Just ten days after they came together - and following a powerful co-production from all five band members - the Mama Earth sessions were over. And yet, you sense that the story of this fascinating band is only just beginning. Impulsive, dynamic and sometimes downright dangerous, this is an album unlike anything else in the five musicians' respective CVs, unprecedented in the clinical modern music scene - and sure to make waves upon its release. I guess this album is essentially how I think of music, considers Sawhney. It was all about being open to the moment. I think that's really what I loved about this project. To me, Mama Earth is what music should be about, really...

    1. Mama Earth
    2. Interlude 1
    3. Waterfall
    4. Interlude 2
    5. Spring
    6. Interlude 3
    7. What Would She Say?
    8. Interlude 4
    9. Entanglement
    10. Interlude 5
    11. Breathe
    Project Mama Earth & Joss Stone
    $15.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Any Other Way (Pre-Order) Any Other Way (Pre-Order) Quick View

    $27.99
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    Any Other Way (Pre-Order)

    Known by genre aficionados as one of the
    greatest singers and most riveting stage
    presences in soul music, Jackie Shane has
    remained largely unknown outside Toronto,
    where her career briefly flowered in the
    1960s. Beyond her unmistakable gift of the
    gab, Shane is a pioneer of transgender rights,
    born in a male body but unabashedly living
    her entire life as a woman at a time when to
    do so seemed unthinkable.


    Any Other Way
    is the first artist-approved collection of
    Ms. Shane's work, collecting all six of her
    45s and every highlight from the legendary
    1967 live sessions at the Sapphire Tavern,
    including three mind blowing, previouslyunreleased
    tracks. Rob Bowman's 20,000
    word essay is Jackie's first communication
    with the public in nearly half a century,
    telling for the first time ever Jackie Shane's
    story in her own words.


    This deluxe two album set is
    copiously illustrated with never-beforeseen
    pictures from a career and a life unlike
    any other.

    LP 1
    1. Sticks And Stones
    2. Any Other Way
    3. In My Tenement
    4. Comin' Down
    5. Money (That's What I Want)
    6. I've Really Got The Blues
    7. Send Me Some Lovin'
    8. You Are My Sunshine
    9. Stand Up Straight And Tall
    10. Knock On Wood (Live)
    11. Money (That's What I Want) (Live)
    12. Raindrops (Live)
    13. You're The One (That I Need) (Live)


    LP 2
    1. I Don't Play That Song (You Lied) (Live)
    2. Papa's Got A Brand New Bag (Live)
    3. Any Other Way (Live)
    4. You Are My Sunshine (Live)
    5. I Don't Want To Cry (Live)
    6. Shotgun (Live)
    7. New Way Of Lovin'
    8. Cruel Cruel World

    Jackie Shane
    $27.99
    Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Strange Trails (Pink Vinyl) (Pre-Order) Strange Trails (Pink Vinyl) (Pre-Order) Quick View

    $20.99
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    Strange Trails (Pink Vinyl) (Pre-Order)

    Pressed On Pink Colored Vinyl

    The stunning follow-up to 2012's 'Lonesome Dreams', recorded at the band's own Whispering Pines Studio in deepest LA.

    1. Love Like Ghosts
    2. Until The Night Turns
    3. Dead Man's Hand
    4. Hurricane (Johnnie's Theme)
    5. La Belle Fleur Sauvage
    6. Fool For Love
    7. The World Ender
    8. Meet Me In The Woods
    9. The Yawning Grave
    10. Frozen Pines
    11. Cursed
    12. Way Out There
    13. Louisa
    14. The Night We Met
    Lord Huron
    $20.99
    Colored Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Groovin' With Golson (Pre-Order) Groovin' With Golson (Pre-Order) Quick View

    $34.99
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    Groovin' With Golson (Pre-Order)

    Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions - 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3.


    All mastered from the original analog master tapes by mastering maestro Kevin Gray. 200-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom


    Deep groove label pressings, tip-on jackets on thick cardboard stock


    Benny Golson, who came to the attention of the jazz public with Tadd Dameron's band and Dizzy Gillespie's orchestra, was a member of the Jazztet - the group he had formed with Art Farmer - at the time of this recording. Farmer is not with him in this recording but another Jazztet-mate, trombonist Curtis Fuller, is. Although this session is not as structured as the three-horn efforts of the Jazztet, there is a balance between blowing and Golson's writing that makes for a felicitous blend, whether on Golson's own My Blues House, Gene Krupa's old burner, Drum/Boogie, or Jerome Kern's Yesterdays. And with Art Blakey on drums things cook when they have to, and simmer at the right moments. With Curtis Fuller, Ray Bryant, Paul Chambers and Art Blakey.


    This title is not eligible for discount.

    1. My Blues House
    2. Drumboogie
    3. I Didn't Know What Time it Was
    4. The Stroller
    5. Yesterdays
    Benny Golson
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Speak No Evil (Pre-Order) Speak No Evil (Pre-Order) Quick View

    $39.99
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    Speak No Evil (Pre-Order)

    Cut At 33 1/3 RPM By Kevin Gray At Cohearent Audio From The Original Rudy Van Gelder Blue Note Master Tapes


    Pressed On 180 Gram Virgin Vinyl LP By RTI


    Top Quality Gatefold Packaging With Laminated Covers & High Quality Session Photos


    Wayne Shorter made a major impact on the Jazz world during 1963-64. He left Art Blakey's Jazz Messengers to become a member of the Miles Davis Quintet, and he recorded Night Dreamer and Juju as a leader for Blue Note. Speak No Evil is even notable than those two gems, for Shorter had developed into not only one of the most original tenor-saxophonists of the 1960?s but also one of its most vital composers. With superb playing by Herbie Hancock, Ron Carter, Freddie Hubbard and Elvin Jones, Shorter introduces six unique compositions including Fee-Fi-Fo-Fum, Speak No Evil and Infant Eyes. Hubbard and Hancock consistently raise the temperature with fiery solos. Shorter's playing and writing are both beyond description, utilizing a logic all his own which, over time, has become a major influence in Modern Jazz. Throughout Speak No Evil, Shorter creates brilliant new music like no one else.


    Features:

    Limited Edition of Only 3500 Copies

    Remastered from the Original Rudy Van Gelder Blue Note Master Tapes

    Remastered by Kevin Gray at Cohearent Audio

    Pressed on 180 gram Virgin Vinyl LP by RTI

    Ultra-Durable, Extra Thick Album Jackets

    Gatefold Album with Session Photos in stunning High Resolution

    Stereo


    This title is not eligible for discount.

    Wayne Shorter
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Charade Soundtrack (Pre-Order) Charade Soundtrack (Pre-Order) Quick View

    $34.99
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    Charade Soundtrack (Pre-Order)

    180 Gram Audiophile Vinyl


    PVC Protective Sleeve


    Music Composed By Henry Mancini


    Charade is a 1963 Technicolor American romantic comedy/mystery film directed by Stanley Donen, written by Peter Stone and Marc Behm, and starring Cary Grant and Audrey Hepburn. It spans three genres: suspense thriller, romance, and comedy.


    The film is notable for its screenplay, for having been filmed on location in Paris and for Henry Mancini's score and theme song. Charade has received generally positive reviews from critics and was additionally noted to contain influences of genres such as whodunit, screwball and spy thriller.


    Film director Stanley Donen had been charmed by Henry Mancini's song Baby Elephant Walk from the film Hatari!, so he contacted Mancini from London to tell him about his current picture. Donen had directed several famous musical films throughout the 1950s and he now intended to put his own slant on a Hitchcock-like thriller and he wanted a strong melody in the background score.


    Johnny Mercer wrote the lyrics.


    The title track Charade is a sad, lonely Parisian waltz. It was nominated that year for the Academy Award for Best Original Song.

    1. Charade (Main Title)
    2. Bistro

    3. Bateau Mouche

    4. MÉgève
    5. Bye Bye Charlie

    6. The Happy Carousel

    7. Charade (Vocal)

    8. Orange TamourÉ
    9. Latin Snowfall

    10. The Drip-dry Waltz

    11. Mambo Parisienne

    12. Punch And Judy

    13. Charade (Carousel)
    Henry Mancini
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Miss E...So Addictive (Pre-Order) Miss E...So Addictive (Pre-Order) Quick View

    $24.99
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    Miss E...So Addictive (Pre-Order)

    After a long winter of discontent, So Addictive finds Missy Elliott hoping to initiate hip-hop's summer of love. Miss E's third album is dosed with feel-good flavor and has more guests than the VIP section of the hippest hip-hop hot spot. Buddies Method Man and Redman bark across the bridge of Dog in Heat's canine funk. Jay-Z and Ludacris feature on two different versions of One Minute Man's scathing soul. Synths tweak and creak in rhythm as Missy unleashes a dreamy diss of those hopeless suitors who unload their cargo before they've sparked her ignition. Take Away features Pony man Ginuwine on a hypnotic slow-burner heavily reminiscent of Art of Noise's Moments in Love.

    When left to her own devices, as she is on Lick Shots (which jangles like Django Reinhardt on downers), Missy comes on like Schooly D, a fearless, female gangsta licking shots against anyone who dares cross her. On Scream a.k.a. Itchin' she breaks into a soprano. A 4/4 stomp is stamped indelibly across the ecstasy-holler song 4 My People (featuring Eve). Overall, it feels as if producer Timbaland has muted his experimental leanings on this outing with his favorite muse in favor of submersible club tracks. Musically, the bhangra beat bop of Get Ur Freak On is the standout. The spiral timing of Whatcha Gon' Do, the fret-skipping Slap! Slap Slap! (featuring Da Brat), and the sunken, drunken funk of the not-so-subtle X-hex X-Tasy are tied at a close second. -Chris Campion

    1. ...So Addictive (Intro)
    2. Dog In Heat
    3. One Minute Man
    4. Lick Shots
    5. Get Ur Freak On
    6. Scream A.K.A Itchin'
    7. Old School Joint

    8. Take Away
    9. 4 My People
    10. Bus-a-bus Interlude
    11. Whatcha Gon' Do
    12. Step Off
    13. X-Tasy
    14. Slap! Slap! Slap!
    15. I've Changed-Interlude
    16. One Minute Man (Remix)
    17. Higher Ground - Prelude
    18. Higher Ground
    Missy Elliott
    $24.99
    Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Stompin' Ground (Pre-Order) Stompin' Ground (Pre-Order) Quick View

    $20.99
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    Stompin' Ground (Pre-Order)

    Over the course of his career, Tommy Castro has always been inspired by the sounds he absorbed while coming of age on the rough and tumble side of San Jose, California. During the late 1960s and early 1970s, this was Tommy's home turf-his stomping ground. It was a place where the street-tough Mexican Americans and the counterculture hippies came together to drink, smoke, laugh, party and listen to tunes-the hippies with their blues and rock, the Mexicans with their soul music. Mixing the blues-rock he loved and the soul music he heard blasting out from the lowriders cruising the streets, along with the socially conscious message songs of the day, Tommy's own sound was born.

    Almost every major rock and soul act, from Ike & Tina Turner to Janis Joplin to Elvin Bishop and Taj Mahal toured through the area, and Tommy was at almost every show. He saw John Lee Hooker, Albert King, and Buddy Guy & Junior Wells at the same local blues bar, JJ's, where he often jammed, honing his chops and dreaming of one day busting out. Tommy Castro has long since gone from that local bar to stages around the world, but his San Jose DNA still infuses his music to this day. You can hear it in every note of Stompin' Ground.

    -Marc Lipkin

    1. Nonchalant
    2. Blues All Around Me
    3. Fear Is The Enemy
    4. My Old Neighborhood
    5. Enough Is Enough
    6. Love
    7. Rock Bottom
    8. Soul Shake
    9. Further On Down The Raod
    10. Them Changes
    11. Sticks And Stones
    12. Live Every Day
    Tommy Castro And The Painkillers
    $20.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Dunkirk Soundtrack (Pre-Order) Dunkirk Soundtrack (Pre-Order) Quick View

    $43.99
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    Dunkirk Soundtrack (Pre-Order)

    First Pressing Of 4000 Numbered Copies On Transparent Blue Vinyl, Black Vinyl Thereafter


    180 Gram Audiophile Vinyl


    PVC Protective Sleeve


    Gatefold Sleeve


    Music Composed By Hans Zimmer


    Brand New Movie, Directed By Christopher Nolan


    Dunkirk is a 2017 English-language war film written, co-produced and directed by Christopher Nolan. The film stars Fionn Whitehead, Tom Hardy, Tom Glynn-Carney, Jack Lowden, Harry Styles, Aneurin Barnard and James D'Arcy. The movie focusses on the evacuation of Allied soldiers from Belgium, the British Empire, Canada, and France, who were cut off and surrounded by the German army from the beaches and harbor of Dunkirk, France, between May 26- June 04, 1940, during the Battle of France in World War II.


    The score is composed by multiple award winner Hans Zimmer. On 5 April 2017, Zimmer revealed that he was nearly finished with the score and that it would be complete by the start of his Hans Zimmer Live on Tour shows in May.


    For the purpose of intensity, the script was written to accommodate the auditory illusion of a Shepard tone, which had previously been explored in Nolan's 2006 film The Prestige. This was coupled with the sound of a ticking clock, that of Nolan's own pocket watch, which he recorded and sent to Zimmer to be synthesized.


    The collaborative careers of Christopher Nolan and Hans Zimmer have proven to be a success in the last decade, with examples such as Interstellar, The Dark Knight, and Inception. This score turns out to be epic once again.

    LP 1
    1. The Mole

    2. We Need Our Army Back
    3. Shivering Soldier

    4. Supermarine

    5. The Tide

    6. Regimental Brothers


    LP 2
    1. Impulse

    2. Home

    3. The Oil

    4. Variation 15 (Dunkirk)
    5. End Titles

    Hans Zimmer
    $43.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
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