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  • The Jazz Masters (Phil Woods & Tom Harrell) The Jazz Masters (Phil Woods & Tom Harrell) Quick View

    $17.99
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    The Jazz Masters (Phil Woods & Tom Harrell)

    Rather than being merely a bebop revival band, the Phil Woods Quintet (particularly
    after trumpeter joined the group) has often performed obscurities and group originals that
    extend rather than merely reinforce the bebop vocabulary. On this LP from the Japanese
    Denon label, Phil Woods, Tom Harrell and group (which also includes pianist Hal
    Galper, bassist Steve Gilmore and drummer Bill Goodwin) play pieces that are swinging,
    inventive and high-quality modern bop-based music.
    1. 111-44
    2. Another Jones
    3. My Azure
    4. Serenade in Blue
    5. Tenor of the Times
    6. Times Mirror
    7. Ya Know
    Phil Woods And Tom Harrell
    $17.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Rights Of Swing (Pure Pleasure) Rights Of Swing (Pure Pleasure) Quick View

    $34.99
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    Rights Of Swing (Pure Pleasure)

    This Candid recording is such a major success that it is surprising that altoist Phil Woods has rarely recorded in this context. The all-star octet not only features the altoist/leader but trumpeter Benny Bailey, trombonist Curtis Fuller, baritone saxophonist Sahib Shihab, the innovative French horn player Julius Watkins (a major factor in this music), pianist Tommy Flanagan, bassist Buddy Catlett, and drummer Osie Johnson. This set consists entirely of Woods' five-part Rights of Swing suite, which clocks in around 38 minutes. The colourful arrangements use the distinctive horns in inventive fashion and the music (which leaves room for many concise solos) holds one's interest throughout. One of Phil Woods' finest recordings, it's a true gem.




    Musicians:



    • Phil Woods (alto saxophone)

    • Sahib Shihab (baritone saxophone)

    • Benny Bailey (trumpet)

    • Curtis Fuller, Willie Dennis (trombone)

    • Julius Watkins (french horn)

    • Tommy Flanagan (piano)

    • Buddy Catlett (bass)

    • Osie Johnson, Granville Roker (drums)




    Recording: January and February 1961 at Nola Penthouse Sound Studios, New York, by Bob d'Orleans

    Production: Nat Hentoff




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Prelude And Part I
    2. Part II (Ballad)
    3. Part III (Waltz)
    4. Part IV (Scherzo)
    5. Part V (Presto)
    Phil Woods Quartet
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Woodlore (Mono) Woodlore (Mono) Quick View

    $34.99
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    Woodlore (Mono)

    Originally released in 1955, Woodlore finds alto saxophonist Phil Woods carrying the load as the lone horn for the first time in his career while leading a quartet that also includes John Williams (piano), Teddy Kotick (bass) and Nick Stabulas (drums). The 6-song set features a swift, minor-key version of Get Happy and the intense blues number Strollin with Pam alongside swinging standards like Slow Boat to China, Be My Love and Woodlore.
    1. Woodlore
    2. Falling In Love All Over Again
    3. Be My Love
    4. On A Slow Boat To China
    5. Get Happy
    6. Strollin' With Pam
    Phil Woods Quartet
    $34.99
    200 Gram Audiophile Virgin Mono Vinyl LP - Sealed Buy Now
  • Bashin' (Speakers Corner) Bashin' (Speakers Corner) Quick View

    $34.99
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    Bashin' (Speakers Corner)

    Right up until today rumour has it that Creed Taylor enticed the organist Jimmy Smith to leave Blue Note and change to the Verve label by means of a very large fistful of dollars. One things is clear, however: that Jimmy Smith never revealed a single word about this delicate matter; but it is also clear that the whole concept of his music took on new dimensions when he changed over to his new backer. Recordings with Wes Montgomery were just the beginning; large ensembles, superb arrangements by Oliver Nelson, and fine contributions by his soloists created a magnificent background for the 'new' Jimmy Smith on this and subsequent LPs.



    Despite its title, Bashin', there is absolutely nothing to criticise on this LP. The A side presents the new concept: a wonderful, swinging background against which Jimmy Smith can develop his full potential. Oliver Nelson's light and airy arrangements further enhance the standard themes: soloists are never confined within set limits but are gently guided; the riffs are presently precisely and cleanly, without ever sounding overloaded.



    The use of the organ is also quite fascinating: beautifully relaxed in Beggar For The Blues which is arranged for a trio; swinging in the title number Bashin', and cheerful in the style of an old cowboy song - I'm An Old Cowhand, whereby this version has no need to stand in the shadow of Sonny Rollins's almost classical version.



    The old Hammond B3 organ has experienced a revival over the past few years. Jimmy Smith, on the other hand, can look back on a great musical and commercial success story ever since the Fifties - as with Bashin'!



    Musicians:



    • Jimmy Smith (organ)

    • Phil Woods (saxophone)

    • Ernie Royal, Doc Severinsen (trumpet)

    • Jimmy Cleveland, Urbie Green (trombone)

    • Barry Galbraith (guitar)

    • George Duvivier (bass)

    • Ed Shaughnessy, Don Bailey (drums)




    Recording: March 1962 in New York by Rudy Van Gelder

    Production: Creed Taylor





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Walk on the Wild Side

    2. Ol' Man River

    3. In A Mellow Tone

    4. Step Right Up
    5. Beggar for the Blues
    6. Bashin'
    7. I'm an Old Cow Hand (From the Rio Grande)
    Jimmy Smith
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Young Bloods (Mono) The Young Bloods (Mono) Quick View

    $34.99
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    The Young Bloods (Mono)

    This 1956 hard bop Prestige release features Phil Woods and Donald Byrd co-leading a quintet rounded out by Al Haig (piano), Teddy Kotick (bass) and Charlie Persip (drums). The 6-song set is dominated by four strong originals from the prolific Woods including House of Chan and In Walked George which also see the alto saxophonist taking solo honors in style.
    1. Dewey Square
    2. Dupeltook
    3. Once More
    4. House of Chan
    5. In Walked George
    6. Lover Man
    Phil Woods & Donald Byrd
    $34.99
    200 Gram Audiophile Virgin Mono Vinyl LP - Sealed Buy Now
  • Big Band And Quartet In Concert (Speakers Corner) Big Band And Quartet In Concert (Speakers Corner) Quick View

    $34.99
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    Big Band And Quartet In Concert (Speakers Corner)

    Thelonious Monk could walk from his flat to New York's famous Philharmonic Hall on the corner of 64th Street and Broadway when he made his very first appearance there with his Big Band in December 1963. And the other musicians could get there on the underground: Phil Woods, Steve Lacy, Thad Jones - all of them were members of Monk's closest circle of collaborators. It is no wonder then that the well-known themes were highly agreeable and harmonious. I Mean You, Four In One and Epistrophy resounded through the auditorium, the audience was thrilled, Thelonious laughed and danced and a short while later fans could listen to parts of the concert on a recording released by Columbia Records. In a break for a smoke, Monk sat himself down at the piano and played Darkness On The Delta - nocturnal atmosphere pure.


    Does it bear the patina of times long past? Absolutely not! Thelonious Monk is as red-hot as he ever was.



    Musicians:



    • Thelonious Monk (piano)

    • Charlie Rouse (tenor saxophone)

    • Steve Lacy (soprano saxophone)

    • Phil Woods (alto saxophone, clarinet)

    • Gene Allen (bassoon, clarinet)

    • Eddie Bert (trombone)

    • Thad Jones (cornet)

    • Nick Travis (trumpet)

    • Butch Warren (bass)

    • Frank Dunlop (drums)


    Recording: December 1963 at Lincoln Center, Philharmonic Hall, New York

    Production: Teo Macero



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    1. I Mean You
    2. Evidence
    3. (When It's) Darkness On The Delta
    4. Oska T.
    5. Played Twice
    6. Four In One
    7. Epistrophy
    Thelonious Monk
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Jazz Sahib Jazz Sahib Quick View

    $14.99
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    Jazz Sahib

    This excellent reissue spotlights great groups Sahib worked with in late 50s. Phil Woods (as), Bill Evans (p), others on hand.


    - Ron Wynn (All Music Guide)

    1. S.M.T.W.T.F.S.S. Blues
    2. Jamila
    3. The Moors
    4. Blu-A-Round
    5. Le' Sneak
    6. Ballad to the East
    Sahib Shihab
    $14.99
    Vinyl LP - Sealed Buy Now
  • Jazz For The Carriage Trade (Mono) Jazz For The Carriage Trade (Mono) Quick View

    $34.99
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    Jazz For The Carriage Trade (Mono)

    Recorded in 1956 when George Wallington was also musical director at the Cafe Bohemia in Greenwich Village, Jazz For The Carriage Trade finds the multi-faceted pianist leading a quintet with regular members Donald Byrd (trumpeter) and Phil Woods (alto saxophone) joined by Teddy Kotick (bass) and Art Taylor (drums). The 6-song set features a fine mix of standards such as Our Delight, Our Love Is Here to Stay and What's New alongside strong originals including Woods' own Together We Wail and But George.
    1. Our Delight
    2. Love Is Here to Stay
    3. Foster Dulles
    4. Together We Wail
    5. What's New?
    6. But George
    George Wallington Quintet
    $34.99
    200 Gram Audiophile Virgin Vinyl Mono LP - Sealed Buy Now
  • At Newport '61 At Newport '61 Quick View

    $25.99
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    At Newport '61

    Import


    The Quincy Jones & His Orchestra recorded at the 1961 Newport Jazz Festival. With trumpeter Joe Newman, altoist Phil Woods, trombonist Curtis Fuller and tenor man Eric Dixon as key soloists, this ensemble could hold its own with most of its contemporaries. Jones' arrangements were colorful and distinctive, and the musicianship of the orchestra was quite impressive.


    *Artwork is subject to change

    1. Meet B.B.
    2. The Boy In The Tree
    3. Evening In Paris

    4. Air Mail Special
    5. Lester Leaps In

    6. G'Won Train

    7. Banja Luka
    Quincy Jones
    $25.99
    Vinyl LP - Sealed Buy Now
  • Manny Albam And The Jazz Greats Of Our Time Volume 1 (On Sale) Manny Albam And The Jazz Greats Of Our Time Volume 1 (On Sale) On Sale Quick View

    $24.99 $19.74 Save $5.25 (21%)

    Buy Now
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    Manny Albam And The Jazz Greats Of Our Time Volume 1 (On Sale)

    In mid-1957, composer and arranger Manny Albam produced two albums under the title Manny Albam and the Jazz Greats of Our Time, each of which reunited spectacular jazz stars. The first volume, presented here, included the likes of Art Farmer, Gerry Mulligan, Bob Brookmeyer, Phil Woods, Zoot Sims, Al Cohn and Hank Jones. The second volume presented Richie Kamuca, Jack Sheldon, Bill Holman, Conte Candoli, Charlie Mariano, Herb Geller, Lou Levy, and Harry Sweets Edison.
    1. Blues From Neither Coast
    2. Latined Fracture
    3. Poor Dr. Millmoss
    4. Minor Matters
    5. My Sweetie Went Away (He Didn't Say Where, When Or Why)(Roy Turk - Lou Handman)
    6. All Too Soon (Duke Ellington - Carl Sigman)
    7. See Here, Miss Bromley
    Manny Albam
    $24.99 $19.74 Save $5.25 (21%)
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Manny Albam And The Jazz Greats Of Our Time Volume 2 Manny Albam And The Jazz Greats Of Our Time Volume 2 Quick View

    $24.99
    Buy Now
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    Manny Albam And The Jazz Greats Of Our Time Volume 2

    In mid-1957, composer and arranger Manny Albam produced two albums under the title Manny Albam and the Jazz Greats of Our Time, each of which reunited spectacular jazz stars. The first volume included the likes of Art Farmer, Gerry Mulligan, Bob Brookmeyer, Phil Woods, Zoot Sims, Al Cohn and Hank Jones, among others. The current album presents the second volume, featuring Richie Kamuca, Jack Sheldon, Bill Holman, Conte Candoli, Charlie Mariano, Herb Geller, Lou Levy, and Harry Sweets Edison.
    1. Interwoven
    2. Afterthoughts
    3. Sweet's Bread
    4. Jive At Five (Harry Edison - Count Basie)
    5. Thunder Burt (Manny Albam)
    6. How Long Has This Been Going On (George & Ira Gershwin)
    7. It's De - Lovely (Cole Porter)
    Manny Albam
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Big Band Bossa Nova Big Band Bossa Nova Quick View

    $27.99
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    Big Band Bossa Nova

    A byproduct of the bossa nova fad that followed the success of Desafinado (and preceded the famous recording Getz/Gilberto), this set finds Quincy Jones utilizing and exploiting bossa nova rhythms in his arrangements for a big band. The personnel includes flÜgelhornist Clark Terry, altoist Phil Woods, pianist Lalo Schifrin, guitarist Jim Hall, and (on Soul Bossa Nova) the remarkable Rahsaan Roland Kirk. However, since the selections are all quite brief, and some of the charts are a bit cheesy and inappropriate for the gentle rhythms, this disc (although pleasant enough) is of lesser interest.

    -All Music Guide
    1. Soul Bossa Nova
    2. Boogie Bossa Nova
    3. Desafinado
    4. Manha De Carnival
    5. Se E Tarde Me Perdoa
    6. On The Street
    7. Una Nota Samba
    8. Lalo Bossa Nova
    9. Serenata
    10. Chega De Saudade (No More Blues)
    11. A Taste of Honey*


    *Bonus Track

    Quincy Jones
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • At Town Hall At Town Hall Quick View

    $21.99
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    At Town Hall

    A rarity in pianist Thelonious Monk's recorded output, At Town Hall captures the idiosyncratic genius in concert with a large ensemble featuring a star-studded cast, including trumpeter Donald Byrd, trombonist Eddie Bert, altoist Phil Woods, tenor saxophonist Charlie Rouse, and baritonist Pepper Adams,
    among others. The 1959 Town Hall concert was a major success and one of only two recorded performances of Monk in a large group setting. Highlights
    include original arrangements by Hall Overton and Monk's stylish, impressionistic soloing throughout. A truly unique date, and one that fans of Monk
    should not hesitate to pick up, this classic LP is now available on vinyl.
    1. Thelonious
    2. Friday The 13th
    3. Monk's Mood
    4. Little Rootie Tootie
    5. Off Minor
    6. Crepuscule With Nellie
    The Thelonious Monk Orchestra
    $21.99
    Vinyl LP - Sealed Buy Now
  • Legrand Jazz (Pre-Order) Legrand Jazz (Pre-Order) Quick View

    $34.99
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    Legrand Jazz (Pre-Order)

    Numbered Limited Edition 100% Analog 180-Gram Vinyl LP!

    Limited To Only 3000 Numbered Copies!

    Features Performances By John Coltrane, Miles Davis, Herbie Mann, Bill Evans & More!

    In 1958, a young, successful French composer-arranger with a major infatuation on American jazz, worked his way to New York and convinced the very best players of the time to record an album of largely jazz standards. Michel Legrand would go on to win numerous prizes and accolades (3 Oscars, 5 Grammies, 2 Palmes D'or, etc.), but little of what followed matched the sheer brilliance of Legrand Jazz.

    Miles Davis, John Coltrane, Bill Evans, Ben Webster, Phil Woods and practically every other session man in town signed up for sessions with Legrand to record his idiosyncratic arrangements of standards (Django, Don't Get Around Much Anymore, Night in Tunisia, etc.). Instead of regurgitating then current bop styles, he reinvented the very nature of orchestral jazz band repertoire to make a unique and forward-looking statement on the genre.

    The sound of Impex's all-analog LP preserves the wide soundstage of late 50's Columbia recordings while creating intimate spaces between players on the stage for maximum definition. This rare, highly-praised recording has never sounded as good as it does now. Go big with Legrand Jazz.

    Legrand Jazz was greeted by an enthusiastic review in the magazine Down Beat. Dom Cerulli awarded it five stars out of a possible five.

    Musicians:
    Michel Legrand, Conductor, Arranger (All Songs)

    For The Jitterbug Waltz, Django, Wild Man Blues & 'Round Midnight - Recorded June 25, 1958:
    Paul Chambers (bass)
    John Coltrane (tenor sax)
    Eddie Costa (vibes)
    Miles Davis (trumpet)
    Kenny Dennis (drums)
    Bill Evans (piano)
    Barry Galbraith (guitar)
    Betty Glamann (harp)
    Herbie Mann (flute)
    Jerome Richardson (baritone sax, bass clarinet)
    Phil Woods (alto sax)

    For Nuages, Blue And Sentimental, Rosetta & Don't Get Around Much Anymore - Recorded June 27, 1958:
    Eddie Bert (trombone)
    Billy Byers (trombone)
    Jimmy Cleveland (trombone)
    George Duvivier (bass)
    Major Holly (bass, tuba)
    Hank Jones (piano)
    Don Lamond (drums)
    Herbie Mann (flute)
    Frank Rehak (trombone)
    Ben Webster (tenor sax)

    For Night In Tunisia, Stompin' At The Savoy & In A Mist - Recorded June 30, 1958:
    James Buffington (french horns)
    Donald Byrd (trumpet)
    Jimmy Cleveland (trombone)
    Don Elliot (vibes)
    Art Farmer (trumpet)
    Milt Hinton (bass)
    Osie Johnson (drums)
    Teo Macero (baritone sax)
    Nat Pierce (piano)
    Seldon Powell (tenor sax)
    Gene Quill (alto sax)
    Frank Rehak (trombone)
    Ernie Royal (trumpet)
    Joe Wilder (trumpet)
    Phil Woods (alto sax)

    1. The Jitterbug Waltz (Fats Waller)
    2. Nuages (Django Reinhardt)
    3. Night In Tunisia (Dizzy Gillespie)
    4. Blue and Sentimental (Count Basie)
    5. Stompin' At the Savoy (Benny Goodman)
    6. Django (John Lewis)
    7. Wild Man Blues (Jelly Roll Morton)
    8. Rosetta (Earl Hines)
    9. 'Round Midnight (Thelonious Monk)
    10. Don't Get Around Much Anymore (Duke Ellington)
    11. In A Mist (Bix Beiderbecke)
    Michel Legrand
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Blow-Up Soundtrack Blow-Up Soundtrack Quick View

    $34.99
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    Blow-Up Soundtrack

    Blow-Up is a soundtrack album by Herbie Hancock featuring music composed for Michelangelo Antonioni's cult film Blow-Up, released in 1966. Musically the songs evoke the ambience of swinging Sixties' London with grooves that create effective bluesy Jazz moods on the slow pieces, and funky ones on the up-tempo tracks.


    The album features performances by Hancock on keys, Freddie Hubbard and Joe Newman on trumpet, Phil Woods and Joe Henderson on sax, Ron Carter on bass and Jack DeJohnette on drums. Rumours go that either the fabled Jimmy Smith or Paul Griffin played the Hammond organ on this record.


    Rock fans remember the film and the soundtrack for the inclusion of a rare Yardbirds number, Stroll On (actually, an adaptation of Tiny Bradshaw's The Train Kept A-Rollin'), one of only three songs they recorded with both Jeff Beck and Jimmy Page on guitars. The bassline to Bring Down The Birds was sampled by Deee-Lite for their 1990 hit single Groove Is In The Heart featuring Bootsy Collins.

    1. Main Title - "Blow Up"
    2. Verushka Part I
    3. Verushka Part II
    4. The Naked Camera
    5. Bring Down The Birds
    6. Jane's Theme
    7. Stroll On
    8. The Thief
    9. The Kiss
    10. Curiosity
    11. Thomas Studies Photos
    12. The Bed
    13. End Title - "Blow Up"
    Herbie Hancock
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Arms & Hands Arms & Hands Quick View

    $16.99
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    Arms & Hands

    Cornetist and composer Kirk Knuffke is one of modern jazz's most skilled navigators of the divide between inside and outside, freedom and swing. On his latest album, Arms & Hands, he assembles the ideal trio to bridge that divide. Joined by bassist Mark Helias and drummer Bill Goodwin, along with special guests Brian Drye (trombone), Daniel Carter (alto saxophone), and Jeff Lederer (soprano/tenor saxophone), Knuffke creates a set of music that is both engaging and inventive.


    Helias is best known for his work with jazz experimentalists like Anthony Braxton, Cecil Taylor, Marilyn Crispell, and Gerry Hemingway, his band BassDrumBone with Hemingway and Ray Anderson, and his trio Open Loose with Tony Malaby and Tom Rainey. Goodwin, on the other hand, is recognized as a premiere straight-ahead drummer, through his decades-long relationship with saxophonist Phil Woods and credits that include such giants as Bill Evans, Tony Bennett, Dexter Gordon, Jim Hall, Gary Burton, and Art Pepper.
    The chemistry between the trio is irrefutable on Arms & Hands, which is a showcase for the immense creativity of all three musicians. Knuffke intentionally wrote compositions that took advantage of Goodwin's gift for groove and swing while remaining open enough to allow the improvisations to wander however far afield the moment might call for.


    Kirk Knuffke is a prolific composer and improviser who has worked with a host of incredible musicians including Roswell Rudd, William Parker, Uri Caine, Myra Melford, Allison Miller, Steve Swell, John Zorn, Dave Douglas, Billy Hart, Steven Bernstein, and Mary Halvorson. Internationally, he has played with ensembles at jazz festivals in Saalfeldan Austria, Willisau Switzerland, The North Sea Jazz festival in Holland, The Moers festival as well as festival dates in Canada, Mexico, Italy and France. He is currently a member of the Matt Wilson Quartet. Knuffke is also a member of the Mark Helias Quartet, the Andrew D'angelo Big Band, Josh Roseman's Extended Constellations, Kenny Wollesen's Wollesonic and Allison Miller's Boom tic Boom. Knuffke's leader debut, Big Wig, was released by Clean Feed in 2008, followed by the trio recordings Chew Your Food and Amnesia Brown and the quartet album Chorale. He has also recorded several duo CDs with pianist Jesse Stacken and one with percussionist Mike Pride, and co-led the collaborative trio Sifter with Mary Halvorson and Matt Wilson and a quartet with saxophonist Ted Brown.

    1. Safety Shoes
    2. Bright Light
    3. Pepper
    4. Chirp
    5. Umbrella
    6. Next
    7. Arms & Hands
    8. Bonderizer
    9. Atessa
    10. Thanks A Lot
    Kirk Knuffke
    $16.99
    Vinyl LP - Sealed Buy Now
  • Up, On & Over Up, On & Over Quick View

    $24.99
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    Up, On & Over

    The album is a collection of songs defined by the band's ability to step out of their comfort zone and push forward. Leading the way is first single "Further
    On," an optimistic anthem steeped in summertime brightness. "Further On" started making waves months before the album's anticipated release, when it
    was tapped as the soundtrack to the PGA Tour's national ad campaign featuring Tiger Woods and Phil Mickelson. The rest of the record follows suit with
    strong hooks, twangy guitars, and driving percussion. While we can't be sure where Bronze Radio Return's story will take them next, Up, On & Over is an
    exciting new chapter in their journey. Keep an eye out as their story unfolds, taking us all for a ride moving... well Further On.


    Formed in 2008, Bronze Radio Return's line-up took a few years to solidify, though most of the band's members were orbiting each other for years at the
    Hartt School, one of the country's best schools of music, located in Hartford, Connecticut. For debut Old Time Speaker, the band relocated to Nashville for
    a two-week period, to, as lead vocalist Chris Henderson puts it, "A place we'd never been with a producer we'd never met, and played a bunch of songs
    we'd never played before." For such an inauspicious set of circumstances, the band managed a solid and well-received debut, and forged a lasting bond
    with producer Chad Copelin (Ivan & Alyosha, Train.) Old Time Speaker established the band's relentless touring schedule, including an invitation to
    represent the Connecticut music scene by performing for President Obama at an event in Bridgeport, CT in 2010. Fan favorites "Digital Love" and "Lo-Fi"
    have been picked up for advertising and television licensing and the album landed on CMJ's Top 200 Album Chart.

    1. Up, On & Over
    2. Mister, Mister
    3. Further On
    4. Rather Never Know
    5. Melting In My Icebox
    6. All In
    7. Soon As I Fall
    8. World Spin, Home Spun
    9. Thick and Thin
    10. M.O.T.R. (Middle of the Road)
    11. Above, Below
    12. Gilded Lily
    13. Sylvan
    Bronze Radio Return
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Infinite Arms Infinite Arms Quick View

    $28.99
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    Infinite Arms

    Originally released in 2010, Infinite Arms is the third full-length from the Low Country's premier rock 'n' roll outfit Band of Horses. Produced by Band of Horses with additional production from Phil Ek and mixed by Dave Sardy, the 12-tracks on Infinite Arms project the essence of the different locales across America that became the setting for the recording and songwriting process behind the album.


    The rich musical heritage of Muscle Shoals, AL, the sublime beauty of Asheville's Blue Ridge Mountains, the glamorous Hollywood Hills and the vast Mojave desert all influenced the sounds on Infinite Arms and helped yield the group's most focused and dynamic recordings to date. The serene woods of Northern Minnesota and the band's native Carolinas inspired the songwriting, lending the compositions an air of comfort and familiarity.


    Band of Horses is Ben Bridwell, Creighton Barrett, Ryan Monroe, Tyler Ramsey and Bill Reynolds. Long-time touring members of the group, Infinite Arms marks the recording debut of Ramsey and Reynolds, while Barrett and Monroe graced the last album, Cease to Begin. Through touring together in support of Cease to Begin and during breaks in the Infinite Arms recording process, the band have become a cohesive force with all members making invaluable contributions to the unmistakable sound that founder Bridwell has crafted since the band's inception.

    1. Factory
    2. Compliments
    3. Laredo
    4. Blue Beard
    5. On My Way Back Home
    6. Infinite Arms
    7. Dilly
    8. Evening Kitchen
    9. Older
    10. For Annabelle
    11. NW Apt.
    12. Neighbor
    Band Of Horses
    $28.99
    Vinyl LP - Sealed Buy Now
  • Carney (200 Gram Vinyl) Carney (200 Gram Vinyl) Quick View

    $34.99
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    Carney (200 Gram Vinyl)

    Hit Maker And Musician's Musician Struck Chart Gold With 1972 Album Carney


    Analogue Productions Reissue On 200-Gram Vinyl


    Mastered By Kevin Gray At Cohearent Audio From The Original Master Tapes


    Plated And Pressed At Quality Record Pressings


    Heavyweight Tip-On Old-Style Jacket From Stoughton Printing


    With his trademark top hat, hair well past his shoulders, a long, lush beard, an Oklahoma drawl and his fingers splashing two-fisted barrelhouse piano chords, future Rock and Roll Hall of Fame inductee Leon Russell cut a flamboyant figure in the early 1970s. He recorded his first hit single Tight Rope with the release of his third, and most successful album Carney, in 1972, which peaked at No. 2 on the Billboard Hot 200.


    Two years earlier Russell had already played on hundreds of songs as one of the top studio musicians in Los Angeles. The Oklahoma-born pianist, guitarist, songwriter and bandleader led Joe Cocker's band Mad Dogs & Englishmen, appeared at George Harrison's 1971 Concert for Bangladesh in New York City and composed numerous hits of his own. He was in Phil Spector's Wall of Sound Orchestra and played sessions for Frank Sinatra, Sam Cooke, Aretha Franklin, the Ventures and the Monkees, among many others.


    But it was the top-rated Carney, reissued here on an audibly exquisite 200-gram LP from Analogue Productions, that put Carney into the league of extraordinary musicians. Soulful roots-rock yields to dizzying psychedelia on this, Russell's most famous album. His all-time biggest hit, Tight Rope, leads to Out in the Woods, Cajun Love Song, This Masquerade, and more! No link in the reissue chain was sacrificed, making this outstanding reissue a true audiophile masterpiece. Kevin Gray at Cohearent Audio remastered the album from the original master tapes; plating and pressing took place at Quality Record Pressings, makers of the world's finest-sounding LPs. Lastly, as benefits a stellar reissue, we packaged our version in a heavyweight old-style tip-on jacket from Stoughton Printing.


    Russell wrote scores of hits for others, among them Superstar, (written with Bonnie Bramlett) for the Carpenters, Delta Lady for Joe Cocker and This Masquerade, for George Benson. His own version of This Masquerade is featured on Carney. More than 100 acts recorded A Song for You, which Russell said he wrote in 10 minutes. Ray Charles' recording of the song in 1993 received a Grammy Award.


    Sadly, Russell's life as a musical muse and performer ended with his death at 74 on Nov. 13, 2016, at his home in Nashville. He will be forever remembered for making a broad, sophisticated palette of American music sound down-home and natural.

    1. Tight Rope
    2. Out in the Woods
    3. Me and Baby Jane
    4. Manhattan Island Serenade
    5. Cajun Love Song
    6. Roller Derby
    7. Carney
    8. Acid Annapolis
    9. If the Shoe Fits
    10. My Cricket
    11. This Masquerade
    12. Magic Mirror
    Leon Russell
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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