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Wild Birds Live TourA superb double live album from former Bauhaus frontman Peter Murphy captured in all his majesty touring in support of his landmark solo compilation Wild Birds!
Features incredible and haunting live versions of the biggest highlights from Murphy's illustrious solo career including "Cuts You Up," "Indigo Eyes," "A Strange Kind Of Love," "Marlene Dietrich's Favourite Poem" and more!1. Final Solution
2. Scarlet Thing In You
3. Wild Birds
4. Mirror To My Woman's Mind
7. Deep Ocean Vast Sea
8. I'll Fall With Your Knife
9. Crystal Wrists
10. The Sweetest Drop
11. Hit Song
12. Indigo Eyes
13. Marlene Dietrich's Favourite Poem
14. A Strange Kind Of Love
15. Cuts You Up
17. Roll Call-Recall
18. Huuvola$29.99Vinyl LP - 2 LPs Sealed Buy Now
$24.99 $22.49 Save $2.50 (10%)
First And Last And Always (On Sale)Numbered Limited Edition
Paint It Black: 1985 Debut Is Penultimate Goth-Rock Album
Andrew Eldritch's Ghostly Vocals, Static Beats, Melodic Guitar Jangle Create Hauntingly Atmospheric Soundscapes
Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI (Best Record Plant in America): First Time Any Sisters of Mercy Record Given Audiophile Treatment on LP
The template for all goth-rock records that followed, Sisters of Mercy's First And Last And Always stands as one of the-if not the most-influential albums of its kind ever released. Distinguished by Andrew Eldritch's ghostly singing, which gives the impression of hearing a forlorn ghoul croon from a foggy English graveyard, the 1985 set is drenched in gloom, claustrophobia, black humor, and dance-ready beats that provide exhilarating contrasts. Fans of the Cure, Depeche Mode, Love and Rockets, Peter Murphy, mid-period Nick Cave, and Joy Division will find it to be a new favorite record.
Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI (the best record plant in North America), Silver Label numbered limited edition LP presents First And Last And Always with a fuller, richer sound that positively obliterates the thin, feeble sonic perspectives that have limited the music until now. Every aspect from Eldritch's haunting singing to the group's jangling guitars and prancing bass lines finally gain genuine definition. Yet what's most improved is the sense of atmosphere: Sisters of Mercy revel in painting tone poems, where the feel and effect are as essential as the notes that are played. This is now an atmospheric tour de force.
Ever since it's release, First And Last And Always has been aptly shrouded in mythology. Eldritch pushed the envelope during the recording sessions, literally walking into walls and repeatedly unable to maintain his focus. Strung out on amphetamines, dazed by days of no sleep, upset by a recent breakup, and eating little, the vocalist channeled his discord into somber lyrics and brooding singing. He's framed by pulsing albeit lean, spare rhythms, patient tempos, and the clatter of a programmed drum machine that, in spite of its mechanical operation, sounds strangely organic. The songs evoke wet dungeons, walls-closing-in paranoia, and late-night strolls amidst the U.K.'s mysterious underground.
Despite its overall dark character, the record's arrangements value spaciousness, putting a premium on room and minimalism that makes each note count. As a result, twinkling pianos and keyboards parallel steel-cutting guitars and low-tuned bass lines that, in combination with Eldrtich's baritone, suggest glimmers of hope among the decay. Songs such as the shaking Possession, dramatic Some Kind of Stranger, and desperate Marian remain models of the gothic and post-punk disciplines more than 25 years after their debut. It's no surprise that, given all of the tension and personality that infuse the album, Sisters of Mercy disbanded just months after its release.
It's unlikely that any goth-rock album has ever sounded this good. This MoFi Silver Label LP will turn your room into rainy, dreary England, circa 1985, and expose you to one of the most harrowing vocal performances on record.
This title is not eligible for further discount.1. Black Planet
2. Walk Away
3. No Time to Cry
4. A Rock and a Hard Place
5. Marian (version)
6. First and Last and Always
8. Nine While Nine
9. Amphetamine Logic
10. Some Kind of Stranger$24.99 $22.49 Save $2.50 (10%)Vinyl LP - Sealed Buy Now
FairweatherWashington DC's Fairweather will release their third full-length album, and first album in over a decade, in 2014. The self-titled album will be released through the band's longtime label, Equal Vision Records.
Fairweather is the most straightforward thing we've ever recorded. Our goal was to make this sound like us playing our songs together, no fancy mixing or overdubs, and no overly complex song structures. On Lusitania, we embellished quite a bit - and this record was done with almost the opposite intent. It probably contains our fastest and most aggressive material to date as well. To me, it sounds the most like us of anything we've ever done. It's loud, urgent, and human, shares Green.
Lyrically and conceptually, I'd say the record is much about acceptance - about one's place in life, about how you exist and live, and coming to grips with certain aspects of your functioning as a person, for better or for worse. There's reflection in the record for sure, looking back on choices and habits, taking stock of what's behind you, and thinking of how it informs you of what's ahead.
Prior to disbanding in 2003, Fairweather released two full-length albums, If They Move Kill Them and Lusitania, and a four song EP, Alaska. Over the years, the band has toured with the likes of Thursday, Brand New, Recover, Dashboard Confessional, Piebald, Strike Anywhere, The Movielife and many more.
Fairweather is comprised of Jay Littleton (vocals), Ben Green (guitar, vocals), Peter Tsouras (guitar, vocals), Ben Murphy (bass) and Shane Johnson (drums).1. Carte Blanche
2. Reset Position
3. Survival Is Not Enough
5. Doubt the Doubtless
6. Clear Skies, Full Sails
7. Kill the Silence
8. Last Words
9. Still Waiting
10. No Flags to Fly$16.99Vinyl LP - Sealed Buy Now
Saw DelightOut Of Print For Over 30 Years
Can was founded in 1968 by Irmin Schmidt, Holger
Czukay, Michael Karoli and Jaki Liebezeit who formed
a group which would utilize and transcend all boundaries of
ethnic, electronic experimental and modern classical music.
Saw Delight is the ninth Can studio album.
It features two new band members who were ex-members
of Traffic. The musical direction flirts with world music and
precedes the mid-1980s world music trend set by artists
such as Paul Simon and Peter Gabriel. Saw Delight was
made as a binaural recording, a method of recording sound
that uses two microphones, arranged with the intent to
create a 3-D stereo sound sensation for the listener of
actually being in the room with the performers or instruments.
The band's powerful influence has never diminished, and
their indelible mark is apparent in the bands who freely
acknowledge their importance - from Portishead, James
Murphy, New Order, Factory Floor, Public Image Ltd,
Mogwai, Kanye West (who sampled 'Sing Swan Song') and
Radiohead - as well as across other disciplines such as visual
art and literature.1. Don't Say No
2. Sunshine Day And Night
3. Call Me
4. Animal Waves
5. Fly By Night$20.99Vinyl LP - Sealed Buy Now