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Pete Rodriguez

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  • Hot & Wild: Yo Vengo Soltando Chispas Hot & Wild: Yo Vengo Soltando Chispas Quick View

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    Hot & Wild: Yo Vengo Soltando Chispas

    Soltando Chispas
    People Want To Know
    Tears On My Pillow
    Pa'lla Va
    Arranca En Fa
    Contigo Aprendi
    Her Come the Judge
    Mi Angel De La Guardia
    Cata Con Tata
    Pete Rodriguez And His Orchestra
    Vinyl LP Reissue - Sealed Buy Now
  • I Like It Like That/A Mi Me Gusta Asi (Awaiting Repress) I Like It Like That/A Mi Me Gusta Asi (Awaiting Repress) Quick View

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    I Like It Like That/A Mi Me Gusta Asi (Awaiting Repress)

    Like It (I Like That)
    El Hueso
    Pete's Madness
    3 & 1
    Si Quieres Bailar
    Soy El Rey
    Pete Rodriguez
    Vinyl LP Reissue - Sealed AWAITING REPRESS Buy Now
  • Go Waggaloo (Awaiting Repress) Go Waggaloo (Awaiting Repress) Quick View

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    Go Waggaloo (Awaiting Repress)

    Gifted singer-songwriter Sarah Lee Guthrie brings charm, freshness and feeling to her debut recording for Smithsonian Folkways. Joined by a host of family and friends including Arlo Guthrie, Pete and Tao Rodriguez Seeger, Guthrie presents thoughtful yet playful recordings of traditional and new songs including 3 songs featuring lyrics by Woody Guthrie (Bright Clear Day, Fox and the Goose, and Go Waggaloo) never before put to music. Vinyl version includes a dual full album digital download.
    1. Don't I Fit In My Daddy's Shoes?
    2. Go Waggaloo
    3. Take Me To Show-and-Tell
    4. Bright Clear Day
    5. 'Cuz We're Cousins
    6. Oh How He Lied
    7. Big Moon
    8. Fox and the Goose
    9. If Mama Had Four Hands
    10. Big Square Walkin'
    11. She'll Be Comin' 'Round the Mountain
    12. Brush Your Teeth Blues #57
    13. Oni's Ponies
    Sarah Lee Guthrie And Family
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Live At The Red Garter Vol. 2 Live At The Red Garter Vol. 2 Quick View

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    Live At The Red Garter Vol. 2

    From the late '60s to the mid '90s, the Fania All Stars were probably the most important and influential group in salsa, Afro-Cuban and Puerto Rican music. What began as a showcase band for a young label developed into a Latino supergroup capable of filling stadiums. The band's members were either successful bandleaders or the top musicians on their instruments at the time. As Fania Records expanded its horizons and endeavoured to reach outside its traditional Spanish speaking market in the 1970s, the All Stars became their musical ambassadors, traveling across the globe from South America to Africa to Europe spreading the salsa gospel.

    But that was the future! The Fania All Stars began at the Red Garter Club in Greenwich Village. By 1967 Fania Records was on the rise and label owner Jerry Masucci was wanting to feature a showcase of all his artists, which now included long-established bandleaders Ray Barretto and Fania co-owner Johnny Pacheco, alongside the new generation (Willie Colon, Larry Harlow, Monguito, Joe Bataan, Louie Ramirez, Ralph Robles, Bobby Valentin). The idea was to record a live session which would serve as a showcase for the label using the all star format which had already proved popular by Fania's rivals Tico and Alegre.

    In 1968, Masucci and popular Latin music/jazz DJ Symphony Sid talked Red Garter promoter Jack Hooke into putting on a series of nights with the Fania musicians, but to broaden the appeal of the concerts and records, a host of guest stars were added to the bill. The Live At the Red Garter Vol 2 album sleeve reads like a who's who of Afro-Cuban and Puerto Rican music in the late 1960s! Special guest stars include the mambo king Tito Puente, Eddie Palmieri on piano and timbalero/sonero Jimmy Sabater from the million selling Joe Cuba Sextet. A supporting cast from the bands of Puente, Palmieri, Pacheco and Barretto included vocalists Ismael Miranda, Pete Conde Rodriguez, bassist Bobby Rodriguez and timbalero Orestes Vilato. A truly staggering bill though at the time, many musicians were just starting out, Willie Colon was just 18, however, almost every player present at these sessions would go on to be a salsa star in the next decade.

    After Barretto's introduction, the band gets counted in and that unmistakable bassline starts, 8 bars of low-end heaven as smooth as Baileys on ice, the trademark riff to Son Cuero Y Boogaloo, a Barretto's signature tune of the period. It's much more than just a boogaloo, it's a son montuno with soul! An earlier version of the song had appeared on Barretto's album Hard Hands, but this live version smoked! After the coro and brass sections traded 8's the tension builds, then the band hits a break and timbalero Orestes Vilato comes in and blazes a monsterous solo.

    The next track Noche featured its composer, pianist Larry Harlow, on a slow guajira montuno. Harlow was a non-Latino but his solo is pure Cuban proving it's not where you're from but it's how you play and what you feel that matters! The last track on the opening side was a full-on soul/funk instrumental jam called Red Garter Strut, the Fania All Stars kicking like Junior Walker or the Famous Flames! Another example of the cross-cultural experiments going on at the time in New York.

    Side two is equally mixed, a Charlie Palmieri funky montuno salsa called Kikapoo Joy Juice opening the set. An uptempo dance tune with the vocalists singing in English, a sign of the times when boogaloo ruled everything in sight. Next up, If This World Were Mine, a Marvin Gaye cover featuring Joe Bataan and female vocalist La La doing their best Marvin and Tammi Tyrrell impression over a slow soulful latin-tinged groove.Richie's Bag closes side 2, written by and featuring pianist Richie Ray, another soul montuno dancefloor classic with the vocalists singing English lyrics quoting Joe Bataan's present and future hits , Gypsy woman, Subway Joe, "Ordinary Guy.

    And that's it! The whole album is just 6-tracks long but it serves as a historical musical document of something new and vibrant that was evolving in Latin New York in the '60s. A coming together of black, white and brown as music crossed ethnic barriers. Music, like society, was attempting to integrate. What Masucci and Pacheco succeeded to do with this recording and Fania Records in general was to bring together the older and new generations of Latin musicians, where it became the roots of what became salsa in the next decade, whilst making the first recordings of the Fania All Stars, the band that would be most associated with spreading the music to a global audience. These reasons make this album a must for any true aficionado of Puerto Rican music from New York.

    1. Son Cuero Y Boogaloo
    2. Noche
    3. Red Garter Strut
    4. Kikapooo Joy Juice
    5. If This World Were Mine
    6. Richie's Bag
    Fania All Stars
    Vinyl LP - Sealed Buy Now
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