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The Adventures Of Panama RedPurple Colored Vinyl
1000 Only Limited Edition
f there was ever any doubt that the New Riders of the Purple Sage were the ultimate hippie country rock band-and having had Jerry Garcia, Phil Lesh and Mickey Hart of the Grateful Dead as early members meant that there wasn't much-The Adventures of Panama Red put them to rest. This 1973 album's loosely connected tall tales of drug culture, complete with the album's underground comic book graphics, ensured that this gatefold record was a long-time dorm room favorite for separating out those stems and seeds. But Panama Red (their only gold record) had a lot more going for it than just countercultural kicks-the band, by now consisting of John Dawson, David Nelson, Dave Torbert, pedal steel ace Buddy Cage and Jefferson Airplane drummer Spencer Dryden-was much tighter than any outfit this stoned had a right to be, and with songwriting contributions from Peter Rowan (the hit "Panama Red" and "Lonesome L.A. Cowboy") and Robert Hunter ("Kick in the Head") as well as from the band's own fine tunesmiths in Dawson and Torbert, the songs were of a uniformly high quality. Production by multi-instrumentalist Norbert Putnam, charts by the Memphis Horns and vocal contributions by Buffy Sainte-Marie and Donna Godchaux helped enshrine this record as one of the finest country-rock outings of the '70s. Now, Real Gone Music is reissuing this classic album for the first time on vinyl, remastered by Vic Anesini at Battery Studios in NYC and lacquer cut by Kevin Gray, with a limited edition pressing of 1000 in-what else?-purple vinyl, with the original gatefold album and inner sleeve graphics (with lyrics) intact. Time to add to your stash of essential '70s vinyl!1. Panama Red (Album Version)
2. It's Alright with Me
3. Lonesome L.A. Cowboy (Album Version)
4. Important Exportin Man (Album Version)
5. One Too Many Stories (Album Version)
6. Kick In the Head
7. You Should Have Seen Me Runnin (Album Version)
8. Teardrops In My Eyes (Album Version)
9. L.A. Lady (Album Version)
10. Thank the Day
11. Cement, Clay and Glass$25.99Colored Vinyl LP - Sealed Buy Now
The Lowdown Back Porch Blues (Pure Pleasure)Louisiana Red (born Iverson Minter) was a flamboyant guitarist, harmonica player, and vocalist. He lost his parents early in life through multiple tragedies; his mother died of pneumonia a week after his birth, and his father was lynched by the Klu Klux Klan when he was five.
Red began recording for Chess in 1949, then joined the Army. After his discharge, he played with John Lee Hooker in Detroit for almost two years in the late '50s, and continued through the '60s and '70s with recording sessions for a number of labels. Louisiana Red moved to Hanover, Germany in 1981, and maintained a busy recording and performing schedule through the subsequent decades into the new millennium. He died in Germany in 2012 when his thyroid imbalance brought on a stroke.
Recorded in New York with Tommy Tucker, Lowdown Back Porch Blues is Louisiana Red's first album and, in many ways, it's his best. Supported by a bare-bones rhythm section, Red plays a number or traditional tunes and originals. His guitar is nearly as powerful and overwhelming as his vocals, making this a truly compelling listen.
- Louisiana Red (vocal, guitar, harpsichord)
- Karl Lynch (bass)
- Panama Francis (drums)
Recording: 1963 in New York City
Production: Henry Glover
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.1. Red's Dream
2. Working Man Blues
3. I'm Louisiana Red
4. Sweet Aleese
5. Keep Your Hands Off My Woman
6. I'm A Roaming Stranger
7. Ride On Red, Ride On
8. I Wonder Who
9. The Seventh Son
10. Sad News
11. Two Fifty Three
12. Don't Cry$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now