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  • Exclusively For My Friends Exclusively For My Friends Quick View

    $239.99
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    Exclusively For My Friends

    Oscar Peterson has stated that he feels his MPS recordings are his finest. That is quite a statement considering the huge amount of records that the pianist has produced through the past 50 years. This set reissues the music from six of his MPS LPs: Action, Girl Talk, The Way I Really Play, My Favorite Instrument, Mellow Mood, and Travelin' On. While some of the performances feature the 1963 trio he had with bassist Ray Brown and drummer Ed Thigpen, most of the music dates from 1967-1968 and matches Peterson with bassist Sam Jones and either Louis Hayes or Bobby Durham on drums. A special treat is Peterson's first unaccompanied solo album... Peterson's many fans know what to expect in this set, while other listeners need to discover him to realize what all of the fuss was about. Quite simply, Oscar Peterson has long been one of the greatest pianists the world has ever known; this reissue offers plenty of proof.

    - Scott Yanow (All Music)
    LP1
    1. At Long Last Love
    2. Easy Walker
    3. Tin Tin Deo
    4. I've Got a Crush On You
    5. Foggy Day
    6. Like Someone in Love


    LP2
    1. On a Clear Day
    2. I'm in the Mood for Love
    3. Girl Talk
    4. I Concentrate On You
    5. Moon River
    6. Robbin's Nest


    LP3
    1. Waltzing Is Hip
    2. Satin Doll
    3. Love Is Here to Stay
    4. Sandy's Blues
    5. Alice in Wonderland
    6. Noreen's Nocturne


    LP4
    1. Someone to Watch Over Me
    2. Perdido
    3. Body and Soul
    4. Who Can I Turn To
    5. Bye, Bye Blackbird
    6. I Should Care
    7. Lulu's Back in Town
    8. Little Girl Blue
    9. Take the a Train


    LP5
    1. In a Mellotone
    2. Nica's Dream
    3. Green Dolphin Street
    4. Summertime
    5. Sometimes I'm Happy
    6. Who Can I Turn To


    LP6
    1. Travellin' On
    2. Emily
    3. Quiet Nights
    4. Sax No End
    5. When Lights Are Low

    Oscar Peterson
    $239.99
    180 Gram Audiophile Virgin Vinyl LP Box Set - 6 LPs Sealed Buy Now
  • West Side Story West Side Story Quick View

    $49.99
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    West Side Story

    Mastered by George Marino at Sterling Sound


    ...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen! Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011


    One of the first Broadway musical scores to be overtly jazz-influenced was Leonard Bernstein's West Side Story, a tale of rival street gangs in the inner city. In 1962, pianist Oscar Peterson put his light-swing signature on the already popular score, making it, in the words of one critic, a delight to hear again and earning him a Grammy nomination.


    Originally released in 1962


    Oscar Peterson, piano

    Ray Brown, bass

    Toots Thielemans, harmonica

    1. Something's Coming
    2. Somewhere
    3. Jet Song
    4. Tonight
    5. Maria
    6. I Feel Pretty
    7. Reprise
    Oscar Peterson
    $49.99
    200 Gram Audiophile Virgin Vinyl 45 RPM LP - Sealed Buy Now
  • Night Train Night Train Quick View

    $27.99
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    Night Train

    180 Gram Vinyl


    Includes Bonus Track


    Oscar Peterson has thoroughly assimilated not just every piano style that preceded him but every ensemble idiom as well: swinging big bands, gospel, European classical, and, of course, the blues. Having mastered all of this, Peterson found the standard piano trio the perfect vehicle for exploring all of these types of music. In this classic LP, the crowning achievement in his greatest year, Peterson doesn't just explore these styles, he conquers them.

    1. Night Train
    2. C Jam Blues
    3. Georgia On My Mind
    4. Bags' Groove
    5. Moten Swing
    6. Easy Does It
    7. The Honeydripper
    8. Things Ain't What They Used To Be
    9. I Got It Bad And That Ain't Good
    10. Band Call
    11. Hymn To Freedom
    12. Voltare
    Oscar Peterson
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Ben Webster Meets Oscar Peterson Ben Webster Meets Oscar Peterson Quick View

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    Ben Webster Meets Oscar Peterson

    1959's Ben Webster Meets Oscar Peterson brings together two of the greatest stylists in American musical history. Here, in a program of timeless songs, pianist Oscar Peterson proves to be the perfect foil, his effortless swing an excellent set-up for the unhurried scoops, slurs and bent notes of tenor saxophone balladeer Ben Webster. Supporting musicians include Ray Brown on bass and Ed Thigpen on drums. On par with Webster's classic Soulville.
    1. Touch of Your Pips
    2. When Your Lover has Gone
    3. Bye Bye Blackbird
    4. How Deep Is The Ocean (How High is The Sky)
    5. In The Wee Small Hours Of The Morning
    6. Sunday
    7. This Can't Be Love
    Ben Webster
    $49.99
    200 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • Stan Getz And The Oscar Peterson Trio Stan Getz And The Oscar Peterson Trio Quick View

    $27.99
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    Stan Getz And The Oscar Peterson Trio

    This 1957 date for Verve was the only official collaboration between Stan Getz and Oscar Peterson and it finds the two jazz greats in a quartet rounded out by guitarist Herb Ellis and bassist Ray Brown. The lack of drums here allows Getz's tenor to pace the foreground with a graceful precision while Peterson's deft fills and relaxed accompaniment creates the perfect atmosphere for creative interplay and fine sonic detail.


    The Norman Granz-produced 7-song set features a dynamic mix of standards, Getz originals like the heartening Tour's End and an infectious version of Ellis' Detour Ahead. Getz even regarded this historic meeting with the Oscar Peterson Trio as, One of the most enjoyable recordings I ever made. How refreshing it is to play with these pros.

    1. I Want To Be Happy
    2. Pennies From Heaven
    3. Ballad Medley
    4. I'm Glad There's You
    5. Tour's End
    6. I Was Doing All Right
    7. Bronx Blues
    Stan Getz
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Recital (Speakers Corner) Recital (Speakers Corner) Quick View

    $34.99
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    Recital (Speakers Corner)

    Almost 45 years have passed since the death of 'Lady Day'. About 50 years ago she could be seen and heard in just a few rare concerts outside the USA. Alcohol, drugs, affairs and racial discrimination in the USA had all left their mark on her and only her voice served as a reminder of her great successes.



    It is thanks to Norman Granz that Billie Holiday signed a new, lucrative contract in the early Fifties. He drew the very best musicians into the studio and paid for excellent arrangers so that Billie had an opportunity to sing her old songs once again and record them for posterity in the very best sound quality.



    Entitled Recital, this disc compiles numbers from 1952 and 1954 which were recorded with various accompanists. The musicians themselves kept a low profile out of respect for Billie Holiday; even Oscar Peterson shows himself to be a sensitive accompanist, while Paul Quinichette demonstrates that he is a very capable replacement for Lester Young. In this repertoire taken from musical and songbooks from 1921 to 1935, 'Lady Day' manages to convey her personality and life story - even in the softest of songs! Those with quick tempi, too, such as What A Little Moonlight Can Do - one of the outstanding numbers here - shine out with a personal touch. It is not only young talented singers who should listen to these masterpieces at least a dozen times per week - these gems will delight the passive music lover too.



    Musicians:



    • Billie Holiday (vocal)

    • Charlie Shavers, Joe Newman (trumpet)

    • Flip Philips, Paul Quinichette (tenor saxophone)

    • Oscar Peterson (piano, organ)

    • Herb Ellis, Barney Kessel (guitar)

    • Ray Brown (bass)

    • Alvin Stoller, Gus Johnson (drums)




    Recording: May and July 1952, April 1954 in New York

    Production: Norman Granz





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. If the Moon Turns Green
    2. Remember
    3. Autumn in New York
    4. My Man
    5. Lover Come Back to Me
    6. Stormy Weather
    7. Yesterdays
    8. He's Funny That Way
    9. I Can't Face the Music
    10. How Deep is the Ocean
    11. What a Little Moonlight Can Do
    12. I Cried for You
    Billie Holiday
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Louis Armstrong Meets Oscar Peterson Louis Armstrong Meets Oscar Peterson Quick View

    $19.99
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    Louis Armstrong Meets Oscar Peterson

    Louis Armstrong & Oscar Peterson present Louis Armstrong Meets Oscar Peterson. Features exclusive cover by photographer Jean-Pierre Leloir.
    1. That Old Feeling
    2. Let's Fall In Love
    3. I'll Never Be The Same
    4. Blues In The Night
    5. How Long Has This Been Going On
    6. I Was Doing All Right
    1. What's New
    2. Moon Song
    3. Just One Of Those Things
    4. There's No You
    5. You Go To My Head
    6. Sweet Lorraine
    Louis Armstrong & Oscar Peterson
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Trio The Trio Quick View

    $37.99
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    The Trio

    Pressed On 180-Gram Vinyl


    Oscar Peterson was a Canadian jazz pianist and composer. He was called the Maharaja of the keyboard by Duke Ellington, but simply O.P. by his friends. He released over 200 recordings, won eight Grammy Awards, and received numerous other awards and honors. He is considered one of the greatest jazz pianists and played thousands of concerts worldwide in a career lasting more than 60 years.


    Peterson made numerous duo performances and recordings with bassists Ray Brown, Sam Jones, and Irving Ashby, Herb Ellis, and Barney Kessel, pianists Count Basie, Herbie Hancock, Benny Green, and Oliver Jones, trumpeters Clark Terry and Louis Armstrong, and many other important jazz players.


    Peterson redefined the jazz trio by bringing the musicianship of all three members to the highest level. Together with Joe Pass (guitar) and Niels-Henning Ørsted Pedersen (bass), Oscar Peterson (piano) called the trio in his own words, 'the most stimulating' and productive setting for public performances as well as in studio recordings.


    The Trio is a 1973 live recording at the London House in Chicago. Winner of the 1975 Grammy Award for Best Jazz Performance By A Group, this energetic live set is the highlight of all three storied careers.


    In his Allmusic review, critic Scott Yanow complimented the playing of Pass and Pedersen but wrote the reason to acquire this set is for the remarkable Oscar Peterson. The pianist brilliantly investigates several jazz styles... Peterson really flourished during his years with Norman Granz's Pablo label, and this was one of his finest recordings of the period.

    1. Blues Etude
    2. Chicago Blues
    3. Easy Listening Blues
    4. Come Sunday
    5. Secret Love
    Oscar Peterson Trio
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Exclusively for My Friends - The Lost Tapes (Speakers Corner) Exclusively for My Friends - The Lost Tapes (Speakers Corner) Quick View

    $34.99
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    Exclusively for My Friends - The Lost Tapes (Speakers Corner)

    Tears of sorrow mingled with tears of joy as Oscar Peterson fans realized that the keyboard genius who had just recovered his health was still capable of amazing them all, although he had obviously forfeited some of his past vitality. This may well have induced MPS - the label with whom Oscar Petersen himself claimed to have made his best recordings - to search their archives for lost tapes from Peterson's heydey. And lo and behold, a number of previously unreleased recordings were discovered which had been taped "exclusively for my friends" in the private studio in Villingen in 1965-1968.
    The electric atmosphere of these live sessions before a mere handful of listeners proves once again just how at home the musicians felt in the Black Forest villa - as is borne out by the fact that Peterson's usual trio formation alternated with his stand-in musicians of Sam Jones on the bass and Bobby Durham on the drums.



    And now, exclusively for all jazz fans, these amazing tracks are available for the very first time on an LP filled with glorious sound. Whether long-time collector or jazz newcomer, one thing is certain: this album belongs in every collection!



    Musicians:



    • Oscar Peterson (piano)

    • Ray Brown, Sam Jones (bass)

    • Ed Thigpen, Bobby Durham (drums)




    Recording: May 1965, November 1967 and October 1968 at H.G. Brunner-Schwer's private studio's in Villingen/ Germany by H.-G. Brunner-Schwer

    Production: H.-G. Brunner-Schwer





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Gravy Waltz
    2. Three O'Clock in the Morning
    3. Squeaky's Blues
    4. Tenderly
    5. I Will Wait for You
    6. Let's Fall in Love
    7. Put on a Happy Face
    8. Stella by Starlight
    9. Moanin' 10. Never Say Yes
    11. It's Impossible
    12. My Romance
    Oscar Peterson
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Affinity Affinity Quick View

    $19.99
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    Affinity

    The Oscar Peterson Trio presents Affinity. Features exclusive cover by photographer Jean-Pierre Leloir.
    1. Waltz For Debbie
    2. Tangerine
    3. Gravy Waltz
    4. This Could Be The Start Of Something
    5. Baubles, Bangles And Beads
    6. Six And Four
    7. I'm A Fool To Want You
    8. Yours Is My Heart Alone
    Oscar Peterson Trio
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Us Three (Pre-Order) Us Three (Pre-Order) Quick View

    $39.99
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    Us Three (Pre-Order)

    Cut At 33 1/3 RPM By Kevin Gray At Cohearent Audio From The Original Rudy Van Gelder Blue Note Master Tapes


    Pressed On 180 Gram Virgin Vinyl LP By RTI


    Top Quality Gatefold Packaging With Laminated Covers & High Quality Session Photos


    Us Three, featuring pianist Horace Parlan, bassist George Tucker and drummer Al Harewood, is one of Blue Note's greatest trio albums. The piano-bass-drums trio has long been the most compact of all jazz combos, a complete orchestra with just three pieces. Some trios have been completely dominated by its pianist including the Oscar Peterson and Art Tatum Trios. The trio on Us Three is a bit different for it features three superior jazz men who constantly play off of each other, communicating immediately and telepathically in sensitive yet funky interactions. Horace Parlan, already well known at 29 and a member of the Lou Donaldson Quartet, was perfect for the trio format in 1960. His soulful chordal style matches very well with the subtle contributions of George Tucker and Al Harewood. There are some very memorable originals and the trio makes some superior standards sound as if they were written for them. The members of Us Three seem to think as one and the resulting music, which has sonics never before realized, is fantastic.


    Features:

    Limited Edition of Only 3500 Copies

    Remastered from the Original Rudy Van Gelder Blue Note Master Tapes

    Remastered by Kevin Gray at Cohearent Audio

    Pressed on 180 gram Virgin Vinyl LP by RTI

    Ultra-Durable, Extra Thick Album Jackets

    Gatefold Album with Session Photos in stunning High Resolution

    Stereo


    This title is not eligible for discount.

    Horace Parlan
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Blue Hour (Awaiting Repress) Blue Hour (Awaiting Repress) Quick View

    $39.99
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    Blue Hour (Awaiting Repress)

    Cut At 33 1/3 RPM By Kevin Gray At Cohearent Audio From The Original Rudy Van Gelder Blue Note Master Tapes


    Pressed On 180 Gram Virgin Vinyl LP By RTI


    Top Quality Gatefold Packaging With Laminated Covers & High Quality Session Photos


    Blue Hour has such a logical match up that it is very surprising that it did not happen again. Stanley Turrentine, the most soulful of all tenor-saxophonists, teams up with Gene Harris and the Three Sounds, one of the most swinging soul jazz trios, a group that was at the height of its popularity. The results are magical and timeless. At the time of this Dec. 16, 1960 recording, Stanley Turrentine was 26 and on the verge of stardom in the jazz world and beyond. In the 1950s he had worked with Lowell Fulson, Earl Bostic and other r&b bands. Most significant were his 1959-60 stint with Max Roach and his recordings with Jimmy Smith which helped lead to his signing with Blue Note. From the start, Turrentine's fat tone, soulful style and ability to put a maximum amount of emotion into every single note made him instantly recognizable. Gene Harris was Turrentine's equivalent on piano. His gutsy and bluesy style mixed together Oscar Peterson with Junior Mance. He formed the Three Sounds with bassist Andy Simpkins and drummer Bill Dowdy in 1956 and the group was such a hit that they recorded 12 albums for Blue Note during 1958-62 including four in 1960 alone. Blue Hour features the original "Blue Riff" plus four of the most beloved songs in blues and jazz history. No matter how many times one has heard such songs as "Gee Baby, Ain't I Good To You," "Willow Weep For Me" and "Since I Fell For You," these versions are still very special. Turrentine and Harris have similar approaches, being jazz masters who loved to play the blues. They constantly echo each other's ideas and put such feeling into these vintage songs that they make every moment count. Stanley Turrentine and Gene Harris may have only teamed up this one time but Blue Hour is a classic that will be loved by anyone who is lucky enough to hear it.


    Features:

    Limited Edition of Only 3500 Copies

    Remastered from the Original Rudy Van Gelder Blue Note Master Tapes

    Remastered by Kevin Gray at Cohearent Audio

    Pressed on 180 gram Virgin Vinyl LP by RTI

    Ultra-Durable, Extra Thick Album Jackets

    Gatefold Album with Session Photos in stunning High Resolution

    Stereo


    This title is not eligible for discount.

    Stanley Turrentine
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Lost Voice Lost Voice Quick View

    $27.99
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    Lost Voice

    Toni Harper's two original albums Toni (1956) and Lady Lonely (1959).


    Toni Harper's childhood was made of the magic any aspiring adult artist would kill for: a platinum record, a performance at Carnegie Hall, evenings spent sharing a stage with such performers as Cab Calloway, and invitations to appear on television with Frank Sinatra, Perry Como, Milton Berle, and Ed Sullivan. And all of the magic unfolded before she'd turned 12 years old.

    The jazz vocalist, who now goes by the name Toni Dunlap, got her big break in 1945 when she went up against a couple hundred other kids at an audition held by choreographer Nick Castle. Harper, who had been a dance student of Maceo Anderson, passed muster as far as her dancing, but when she sang Waitin' for the Train to Come In, she had the audition sewn up on the spot. Castle cast her in his production of Christmas Follies, which was staged at Los Angeles' Wilshire Ebell Theatre. Harper drew enthusiastic reviews and went on to earn a platinum record when she was eight years old with Candy Store Blues.


    Harper paired with Herb Jeffries for You're Too Tall 'n' I'm Too Small, the number for which she later paired live with Calloway at Los Angeles' Million Dollar Theatre. Television beckoned the young singer and she was a guest on numerous programs, among them Sullivan's weekly variety show. When she wasn't appearing on television, she was singing at numerous New York hot spots that included the Apollo, the Strand, and the Paramount. At the age of 11, Harper topped it all off by singing at Carnegie Hall.


    Like many child stars, Harper's career slowed down as she began to mature. As a teenager, she was too old for the childhood image that had given her a great start, but too young to effectively take on a more adult image. She attended high school in Los Angeles, involving herself in such extracurricular activities as drama, choir, and the glee club. She continued to take professional singing jobs during the school's summer break. Having completed high school in the mid-'50s, and still hampered by her youth, she sang for the teenaged record-buying public. For a young woman of her age, One Hamburger to Go was more acceptable in the public eye than any of the more sophisticated songs that she would record in later years, such as Love for Sale.


    The vocalist got her chance to sing the more adult songs when she recorded for Verve. In addition to Love for Sale, Harper recorded such songs as I Could Write a Book and Bewitched, Bothered, and Bewildered. Backing Harper on her self-titled first recording for Verve were pianist Oscar Peterson, drummer Alvin Stoller, guitarist Herb Ellis, and bassist Ray Brown. The vocalist later signed with RCA Victor, recording for the label for about four years and ending in 1963. Harper quit the business in 1966 after devoting more than 20 years to her singing career.


    - Linda Seida (All Music Guide)

    LP 1 - Toni:
    1. Can't We Be Friends
    2. I Could Write A Book
    3. Gone With The Wind
    4. Singin' In The Rain
    5. Love For Sale
    6. Just A Sittin' And A-Rockin'
    7. A Foggy Day
    8. You Don't Know Love Is
    9. Bewitched, Bothered And Bewildered
    10. Little Girl Blue
    11. You Took Advantage Of Me
    12. Like Someone In Love


    LP 2 - Lady Lonely:
    1. Lady Lonely
    2. In The Dark Of The Night
    3. He Was A Man
    4. My Heart Is A Lonely Hunter
    5. The Lack Of Love
    6. Blue It Grows
    7. I Love The Blues
    8. You Taught Me How To Cry
    9. The Velvet Hammer
    10. The Other Woman
    11. Nobody Home But The Blues
    12. Busy Blues
    13. Love Has Come, Love Has Gone
    14. River Weep

    Toni Harper
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Oscar Peterson Plays The Cole Porter Song Book Oscar Peterson Plays The Cole Porter Song Book Quick View

    $27.99
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    Oscar Peterson Plays The Cole Porter Song Book

    Direct Metal Mastering!

    1. In The Still Of The Night 2:53

    2. It s All Right With Me 2:55

    3. Love For Sale 3:30

    4. Just One Of Those Things 2:25

    5. I ve Got You Under My Skin 2:51

    6. Every Time We Say Goodbye 2:21


    1. Night And Day 2:34

    2. Easy To Love 2:38

    3. Why Can t You Behave 3:02

    4. I Love Paris 2:13

    5. I Concentrate On You 3:12

    6. It s De-Lovely 2:28

    7. What Is This Thing Called Love 3:08*

    Oscar Peterson
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Coleman Hawkins And Confreres Coleman Hawkins And Confreres Quick View

    $49.99
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    Coleman Hawkins And Confreres

    Mastered by George Marino at Sterling Sound


    Ben Webster had long before passed through the ranks of imitator, then pupil and finally master. His college attendance, as one might put it, in the Duke Ellington Orchestra gave him a sureness of expression in his great showpieces and he also learned to hold his own against such musical giants as Paul Gonsalves and Jimmy Hamilton. Hawk was able to thoroughly enjoy his fame in numerous Jazz At The Philharmonic concerts given all over the world, where, of course, he had to assert himself against many other saxophone players. Two such JATP ensembles are to be found on the Confrères LP. The relaxed atmosphere is particularly noticeable in the title Sunday in which Roy Eldridge comes into the limelight with a brilliant solo. And just listen to George Buvivier's marvelous bass playing (in Nabab!) where he certainly has no reason to hide in the shadow thrown by Ray Brown. Coleman Hawkins' voluminous, supple sound which had a great influence on the styles of musicians ranging from Dexter Gordon and Sonny Rollins up to Joe Lovano, is best heard after Roy's solo in Honey Flower.


    Originally released in 1958.


    Musicians:


    Coleman Hawkins, tenor saxophone

    Ray Brown, bass

    George Duvivier, bass

    Roy Eldridge, trumpet

    Herb Ellis, guitar

    Hank Jones, piano

    Oscar Peterson, piano

    Mickey Sheen, drums

    Alvin Stoller, drums

    Ben Webster, tenor saxophone

    1. Maria
    2. Sunday
    3. Hanid
    4. Honey Flower
    5. Nabob
    Coleman Hawkins
    $49.99
    200 Gram Audiophile Virgin Vinyl LP 45RPM - Sealed Buy Now
  • Bursting Out with the All Star Big Band! Bursting Out with the All Star Big Band! Quick View

    $32.99
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    Bursting Out with the All Star Big Band!

    Pianist Oscar Peterson has a rare outing with a big band on this excellent reissue. In addition to his usual bassist Ray Brown and drummer Ed Thigpen , Peterson is joined by a particularly strong big band arranged by Ernie Wilkins ; there are short solos for several of the sidemen including altoist Norris Turney , James Moody on tenor and altoist Cannonball Adderley . However the main focus is on Peterson and he is in excellent form on such songs as West Coast Blues, Here's That Rainy Day, Tricotism and Manteca, blending in very well with the orchestra.
    Side 1
    1 Blues For Big Scotia

    2 West Coast Blues
    3 Here's That Rainy Day

    4 I Love You
    5 Daahoud


    Side 2
    1 Tricrotism

    2 I'm Old Fashioned

    3 Young And Foolish

    4 Manteca

    Oscar Peterson
    $32.99
    Vinyl LP - Sealed Buy Now
  • An Oscar Peterson Christmas An Oscar Peterson Christmas Quick View

    $21.99
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    An Oscar Peterson Christmas

    Pianist Oscar Peterson turns in a relaxed and exceedingly pleasant set of Christmas favorites on this perennial holiday favorite. An Oscar Peterson
    Christmas finds the jazz legend playing impressively with accompaniment from guitarist Lorne Lofsky, bassist David Young, drummer Jerry Fuller, and a
    20-piece string section arranged and conducted by Rick Wilkins. The standouts among the 10 holiday tunes here include God Rest Ye Merry
    Gentleman, White Christmas, and Have Yourself a Merry Little Christmas, which are all given tasteful, balanced and lightly swinging treatments
    befitting of the soundtrack to any holiday party. A must have for any and all holiday music collections.
    1. God Rest Ye Merry, Gentlemen
    2. What Child Is This?
    3. Let It Snow
    4. White Christmas
    5. Jingle Bells
    6. I'll Be Home For Christmas
    7. Christmas Waltz
    8. Have Yourself A Merry Little Christmas
    9. Winter Wonderland
    10. O Christmas Tree
    Oscar Peterson
    $21.99
    Vinyl LP - Sealed Buy Now
  • Keep On Keepin' On Keep On Keepin' On Quick View

    $34.99
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    Keep On Keepin' On

    Keep On Keepin' On is the soundtrack to the acclaimed film of the same name from seven time Academy Award nominated producer Quincy Jones. The soundtrack is a virtual Best of Clark Terry collection, which features many of his most iconic recordings, including his performances with some of the all-time jazz greats: Duke Ellington, Oscar Peterson, Count Basie, and Quincy Jones. Also features select film dialogue and new compositions from Terry's protege, Justin Kauflin.
    1. Dialog by Clark Terry/Letter to Justin/Exodus (Justin Kauflin)
    2. Brotherhood Of Man (Oscar Peterson Trio + One: Clark Terry)
    3. Candy (Clark Terry)
    4. Mumbles (Oscar Peterson Trio + One: Clark Terry)
    5. Dialog by Clark Terry and Justin Kauflin/Mood Indigo (Duke Ellington)
    6. Harlem Air Shaft (Duke Ellington and His Famous Orchestra)
    7. Dialog by Justin Kauflin and Clark Terry/Breeze (Blow My Baby Back To Me) (Clark Terry and Justin Kauflin)
    8. Grammys Lifetime (Dave Grusin)
    9. Girl Talk (Clark Terry)
    10. If I Had You (Live) (Benny Carter)
    11. Dreams Change (Justin Kauflin)
    12. Jazz Conversations (Clark Terry)
    13. Michelle (Clark Terry)
    14. Dialog by Justin Kauflin/My Biggest Enemy (Dave Grusin)
    15. Jim (Oscar Peterson Trio + One: Clark Terry)
    16. Dialog by Clark Terry and Justin Kauflin/What The Hell Time Is It? (Dave Grusin)
    17. Darkest Hour (Justin Kauflin)
    18. Stardust (live in London) (Clark Terry Quintet)
    19. Blee Blop Blues (Normania) (The Count Basie Orchestra)
    20. Misty (Clark Terry)
    21. Dialog by/Farewell (Quincy Jones and Clark Terry)
    22. I Remember Clifford (Quincy Jones)
    23. Dialog by Quincy Jones and Clark Terry/Letter To Justin (Justin Kauflin)
    24. For Clark/Serenade to a Bus Seat (Live) (Justin Kauflin)
    Various Artists
    $34.99
    Vinyl LP - Sealed Buy Now
  • Encounters Ben Webster Encounters Ben Webster Quick View

    $49.99
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    Encounters Ben Webster

    Mastered by George Marino at Sterling Sound


    ...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen! Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011


    As critic Nat Hentoff makes clear, Coleman Hawkins and Ben Webster were larger than life. Formidable, even forbidding presences, they revealed a depth of feeling in their playing that spoke of their vast life experiences, as great writers or painters speak through their work.


    Recorded in 1957.


    Coleman Hawkins, tenor saxophone

    Ben Webster, tenor saxophone

    Ray Brown, bass

    Herb Ellis, guitar

    Oscar Peterson, piano

    Alvin Stoller, drums

    1. Blues for Yolande
    2. It Never Entered My Mind
    3. La Rosita
    4. You's Be So Nice to Come Home To
    5. Prisoner of Love
    6. Tangerine
    7. Shine On Harvest Moon
    Coleman Hawkins
    $49.99
    200 Gram Audiophile Virgin Vinyl LP 45RPM - Sealed Buy Now
  • Live At The Jazz Mill Live At The Jazz Mill Quick View

    $24.99
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    Live At The Jazz Mill

    Pressed On Red Vinyl


    Unearthed tape from a jazz icon. Thanks to a 21-year-old with a tape machine, we can all experience the majesty of guitar legend Barney Kessel at his 1954 best!


    Even if you don't know Barney Kessel, you know Barney Kessel -- as a first-string member of the group of LA session musicians nicknamed The Wrecking Crew, Kessel's guitar is heard on just about every LA-based hit you'd care to name from the 60s, including songs by the Monkees and The Beach Boys' legendary Smile LP. And that's Kessel's playing on the famous fight music from the Star Trek TV series. He was regarded as the very best of the session guitarists by just about everyone around, and guitarists everywhere site him as an influence.


    But before he played rock and roll, Kessel was a jazz pioneer -- as one of the leading lights of the hard-bop movement, his jazz guitar was legendary, and he was ranked the No. 1 guitarist in Down Beat and Playboy for numerous years. He played with Sonny Rollins and Oscar Peterson (and Chico Marx -- yes, that Chico Marx!) as well as leading his own super-tight group. On albums such as The Poll Winners, Kessel defined the bop style with a jazz power trio, creating a body of work that made him a legend.


    Live At The Jazz Mill is a unique artifact -- recorded on a tape recorder by young jazz fan Jack Miller, this live recording catches Barney Kessel in the middle of his run at the Jazz Mill with a great four-piece band. The collection, gleaned from a couple of nights' best recordings, features Kessel's spirited take on such Songbook classics as Get Happy and Stardust, not to mention the Gershwin great Embraceable You. It's pressed on red vinyl and wrapped in a sleeve which captures the unique vibe of jazz graphics of the 1950s. Get with Barney Kessel, and get with a true pioneer of the jazz form!

    1. Strike Up The Band
    2. How About You
    3. Get Happy
    4. Stardust
    5. Seven Come Eleven
    6. Rose Room
    7. Somebody Loves Me
    8. Embraceable You
    Barney Kessel
    $24.99
    Colored Vinyl LP - Sealed Buy Now
  • God Bless The Child (Pure Pleasure) (Awaiting Repress) God Bless The Child (Pure Pleasure) (Awaiting Repress) Quick View

    $34.99
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    God Bless The Child (Pure Pleasure) (Awaiting Repress)

    Kenny Burrell's guitar artistry is well-documented in his years with Oscar Peterson and on his first dates as a leader on the Blue Note label, but God Bless The Child, his only date for CTI in 1971, is an under-heard masterpiece in his catalogue. Burrell's band for the set includes bassist Ron Carter, percussionist Ray Barretto, Richard Wyands on piano, flutist Hubert Laws, trumpeter Freddie Hubbard, and drummer Billy Cobham. CTI's house arranger, Don Sebesky, assembled and conducted the strings in a manner that stands strangely and beautifully apart from his other work on the label. Sebesky understood Burrell's understated approach to playing guitar. Burrell didn't belong with the fusioneers, but he could groove better than any of them. Sebesky built a moody, atmospheric soundscape behind him, one that was as impressionistic as it was illuminating of a player who could dig in and chop it up -- as he does on his own composition Love Is the Answer and Do What You Gotta Do -- and stroke it smooth and mellow as on the title track, the truly sublime Be Yourself, and Thad Jones' A Child Is Born. This is Burrell at his level best as a player to be sure, but also as a composer and as a bandleader. Magnificent.



    Musicians:



    • Kenny Burrell (guitar)

    • Freddie Hubbard (trumpet)

    • Hubert Laws (flute)

    • Hugh Lawson, Richard Wyands (piano)

    • Ron Carter (bass)

    • Billie Cobham (drums)

    • Ray Barretto, Airto Moreira (percussion)



    Recording: April & May 1971 at Rudy Van Gelder Studio, Englewood Cliffs, NJ, USA

    Production: Creed Taylor



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. Be Yourself
    2. Love Is The Answer
    3. Do What You Gotta Do
    4. A Child Is Born
    5. God Bless The Child
    Kenny Burrell
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • 900 Shares Of The Blues 900 Shares Of The Blues Quick View

    $17.99
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    900 Shares Of The Blues

    Mike Longo is best-known as a reliable and versatile player who was the pianist with
    Dizzy Gillespie during 1966-1973. Also recording with Cannonball Adderley, Oscar
    Peterson. This album, originally released in 1973 shows off Longo's talents.- Scott
    Yanow
    900 Shares Of The Blues
    Like A Thief In The Night
    Ocean Of His Might
    Magic Number
    Summers Gone
    El Moodo Grande
    Mike Longo
    $17.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Montreux '77 Montreux '77 Quick View

    $21.99
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    Montreux '77

    All star jam from Montreux featuring Milt Jackson - vibes, Clark Terry - trumpet & flugelhorn, Ronnie Scott - sax, Oscar Peterson - piano, Joe Pass - guitar, Niels Pedersen - bass and Bobby Durham on drums. Tracks include: Cote D'Azur, Pennies From Heaven, and two others.
    1. Cote D'Azur
    2. Pennies From Heaven
    3. Samba De Orfeu
    4. God Bless The Child
    The Pablo All-Stars Jam
    $21.99
    Vinyl LP - Sealed Buy Now
  • Goodbye To Love Goodbye To Love Quick View

    $24.99
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    Goodbye To Love

    Pressed On Translucent Gold Vinyl


    A sultry and sophisticated songbird. The ultra-rare debut and sole output of a wondrous and mysterious vocalist, perfectly accompanied by guitar icon Barney Kessel. An Early Stereo marvel from the original 1959 tapes!


    Kessel was a jazz pioneer -- as one of the leading lights of the hard-bop movement, his jazz guitar was legendary, and he was ranked the No. 1 guitarist in Down Beat and Playboy for numerous years. He played with Sonny Rollins and Oscar Peterson and Ella Fitzgerald as well as leading his own super-tight group. On albums such as The Poll Winners, Kessel defined the bop style with a jazz power trio, creating a body of work that made him a legend.


    Not much is known of Thompson -- even though the record's a long-time crate digger classic, she remains a mystery. But her stunning voice will knock you out -- sounding like the precedent of singers like Karen Carpenter, her no-nonsense, emotion-soaked singing carries marvelously a collection of standards including Stormy Weather and Body And Soul. Kessel's remarkable playing provides a sparkling backing for her vocals. The album has been pressed onto gold vinyl and wrapped in a restored sleeve that captures the beauty of the era.


    Claudia Thompson has a perfectly tuned, and wildly dramatic voice. Picture a female Chet Baker; you'll have to hear it to believe it.

    1. Some Of These Days
    2. Body And Soul
    3. If I Should Lose You
    4. Stormy Weather
    5. I'm Through With Love
    6. The Morning After
    7. Goodbye
    8. Blue Prelude
    9. You Call It Madness
    10. Fan Me
    11. I Was Yours
    12. Gloomy Sunday
    Claudia Thompson
    $24.99
    Colored Vinyl LP - Sealed Buy Now
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