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  • Little Girl Blue Little Girl Blue Quick View

    $34.99
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    Little Girl Blue

    Mastered by Ryan Smith at Sterling Sound


    Stoughton Printing old-style gatefold jacket with beautiful added photos!


    Plated and pressed by Quality Record Pressings


    Eunice Kathleen Waymon recorded more than 40 albums over a long, distinguished career that stretched for five decades. As Nina Simone, her distinctive mellifluous voice honed a career catagorized variously as a jazz singer, soul singer and folk artist; she was all of these - and more.


    Little Girl Blue was Nina Simone's debut release. Bethlehem founder Gus Wildi, taken with the uniquely beautiful quality of her voice, gave her complete control over song selection, backing musicians, arrangements and production of the recording.

    LP1
    1. Mood Indigo
    2. Don't Smoke In Bed
    3. He Needs Me
    4. Little Girl Blue
    5. Love Me Or Leave Me
    6. My Baby Just Cares For Me


    LP2
    1. Good Bait
    2. Plain Gold Ring
    3. You'll Never Walk Alone
    4. Porgy
    5. Central Park Blues

    Nina Simone
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Nina Simone: The Philips Years Nina Simone: The Philips Years Quick View

    $174.99
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    Nina Simone: The Philips Years

    The Phillips Years is a collection of seven albums released by Nina Simone during her tenure on the label.
    Simone's albums covered topics as diverse as romance, politics, Broadway, civil rights and more.


    Albums included in this package are Nina Simone in Concert, Broadway-Blues- Ballads, I Put a Spell on You, Pastel Blues, Let It All
    Out, Wild is The Wind and High Priestess of Soul. All albums on 180 gram vinyl.

    LP 1
    1. I loves You Porgy (live In New York/1964)
    2. Plain Gold Ring (live In New York/1964)
    3. Pirate Jenny (live In New York/1964)
    4. Old Jim Crow (live In New York/1964)
    5. Don't Smoke In Bed (live In New York/1964)
    6. Go Limp (live In New York/1964)
    7. Mississippi Goddam (live In New York/1964)


    LP 2
    1. Don't Let Me Be Misunderstood
    2. Night Song (album Version)
    3. The Laziest Gal In Town
    4. Something Wonderful
    5. Don't Take All Night
    6. Nobody (album Version)
    7. I am Blessed
    8. Of This I'm Sure
    9. See-Line Woman (album Version)
    10. Our Love (will See Us Through)
    11. How Can I?
    12. The Last Rose Of Summer (album Version)


    LP 3
    1. I put A Spell On You (album Version)
    2. Tomorrow Is My Turn (album Version)
    3. Ne Me Quitte Pas (album Version)
    4. Marriage Is For Old Folks (album Version)
    5. July Tree (album Version)
    6. Gimme Some (album Version)
    7. Feeling Good (album Version)
    8. One September Day (album Version)
    9. Blues On Purpose (album Version)
    10. Beautiful Land (album Version)
    11. You've Got To Learn (album Version)
    12. Take Care Of Business (album Version)


    LP 4
    1. Be My Husband (live In New York/1965)
    2. Nobody Knows You When You're Down And Out (live In New York/1965)
    3. End Of The Line (live In New York/1965)
    4. Trouble In Mind (live In New York/1965)
    5. Tell Me More And More And Then Some (live In New York/1965)
    6. Chilly Winds Don't Blow (live In New York/1964)
    7. Ain't No Use (live In New York/1965)
    8. Strange Fruit (live In New York/1965)
    9. Sinnerman (live In New York/1965)

    LP 5
    1. Mood Indigo (album Version)
    2. The Other Woman (live In New York/1964)
    3. Love Me Or Leave Me (album Version)
    4. Don't Explain (album Version)
    5. Little Girl Blue (live In New York/1964)
    6. Chauffeur (album Version)
    7. For Myself (album Version)
    8. The Ballad Of Hollis Brown (album Version)
    9. This Year's Kisses (album Version)
    10. Images (live In New York/1964)
    11. Nearer Blessed Lord (album Version)


    LP 6
    1. I love Your Lovin' Ways
    2. Four Women
    3. What More Can I Say?
    4. Lilac Wine
    5. That's All I Ask
    6. Break Down And Let It All Out
    7. Why Keep On Breaking My Heart
    8. Wild Is The Wind
    9. Black Is The Color Of My True Love's Hair
    10. If I Should Lose You
    11. Either Way I Lose


    LP 7
    1. Don't You Pay Them No Mind (album Version)
    2. I'm Gonna Leave You (album Version)
    3. Brown Eyed Handsome Man (album Version)
    4. Keeper Of The Flame (album Version)
    5. The Gal From Joe's (album Version)
    6. Take Me To The Water (album Version)
    7. I'm Going Back Home (album Version)
    8. I hold No Grudge (album Version)
    9. Come Ye (album Version)
    10. He Ain't Comin' Home No More (album Version)
    11. Work Song (album Version)
    12. I love My Baby (album Version)

    Nina Simone
    $174.99
    180 Gram Audiophile Virgin Vinyl LP Box Set -7 LPs Sealed Buy Now
  • Sings the Blues (Speakers Corner) Sings the Blues (Speakers Corner) Quick View

    $34.99
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    Sings the Blues (Speakers Corner)

    In both her public and private life, Nina Simone was adamant about one thing, namely, what she simply would not tolerate. She sometimes complained about the miserable erotic prowess of her lovers, while at other times her audience were a target for her tongue. Sometimes she cancelled her performances at short notice and held a tirade against show business as such. In her music, rooted in gospel, she sought a path which took her down a middle course between jazz and pop, thus earning her the title of High Priestess Of Soul (as in the LP title) with her rock fans in the Sixties.



    The present blues album was recorded during what was undisputedly her most productive phase. It is a recording which does not swim with the tide of the times in that it does not employ massive forces or seek the twang of electrification. Instead Nina Simone's wonderfully sleek contralto voice bathes in the gentle timbre of an organ and a pithy, pulsating - but by no means stomping - rhythm. The cool, unemotional number "Sings The Blues" guarantees riveting tension and the authenticity of the genre which is, of course, the be all and end all of music for every black artist. Surely no compilation, no matter how carefully conceived, could possibly mark the diva's 70th birthday in February and sudden death in April 2203 better than this re-release.



    Musicians:



    • Nina Simone (piano, vocal)

    • Rudy Stevenson, Eric Gale (guitar)

    • Ernest Hayes (organ)

    • Bob Bushnell (bass)

    • Bernard Purdie (drums)





    Recording: 1967 by Ray Hall and Mickey Crofford at RCA Victor's Studio B, New York

    Production: Danny Davis




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Do I Move You
    2. Day And Night
    3. In The Dark
    4. Real Real
    5. My Man's Gone Now
    6. Backlash Blues
    7. I Want A Little Sugar In My Bowl
    8. Buck
    9. Since I Fell For You
    10. The House Of The Rising Sun
    11. Blues For Mama
    Nina Simone
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Nina At The Village Gate (Pure Pleasure) Nina At The Village Gate (Pure Pleasure) Quick View

    $34.99
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    Nina At The Village Gate (Pure Pleasure)

    In the intimate ambiance of The Village Gate, Nina Simone made pure magic with her voice and on the keyboard, one Manhattan evening back in 1961. She sang and played with a trio, which featured her favorite guitarist, Al Shackman. We are so fortunate that the moment was captured and recorded.



    I can't really categorize Nina's sound or her music and call her 'just' a fabulous jazz vocalist. Although, she plays extraordinary jazz with her voice, as in Just In Time. She has been often called a musical anomaly, because there is no one category for her work. She was trained as a classical pianist, and in cuts like Bye Bye Blackbird, the complexity of her piano comes through loud and clear. Her folk songs, like the biting House Of The Rising Sun, and Zungo, an African work song, place her at the top of a long list of folk singers. Ms. Simone's gospel songs, i.e., Children Go Where I Send You, can raise the roof and bring down the house, as she did at the Gate in '61. She is a protest singer, Brown Baby, and an actress, capable of an extraordinary range of emotions.



    Nina has the rare ability to dig into her material and bring unexpected meaning to familiar lyrics. She is eclectic with her taste and her repertoire. But whatever touches Nina, and whatever Nina touches, will reach you and evoke an emotional response. Her music is as fresh today, as it was 42 years ago, singing for that Manhattan audience. They could not have loved her more then, than we do now.




    Musicians:



    • Nina Simone (piano, vocal)

    • Al Schackman (guitar)

    • Chris White (bass)

    • Bob Hamilton (drums)




    Recording: 1961 in New York City

    Production: Cal Lampley



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Just In Time
    2. He Was Too Good to Me
    3. House of the Rising Sun
    4. Bye Bye Blackbird
    5. Brown Baby
    6. Zungo
    7. If He Changed My Name
    8. Children Go Where I Send You
    Nina Simone
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Silk & Soul Silk & Soul Quick View

    $14.99
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    Silk & Soul

    It Be's That Way Sometime
    The Look of Love
    Go to Hell
    Love o' Love
    Cherish
    I Wish I Knew How It Would Feel To Be Free
    Turn Me On
    Turning Point
    Some Say
    Consummation
    Nina Simone
    $14.99
    Vinyl LP Reissue - Sealed Buy Now
  • The Amazing Nina Simone (Colored Vinyl) The Amazing Nina Simone (Colored Vinyl) Quick View

    $23.99
    Buy Now
    x

    The Amazing Nina Simone (Colored Vinyl)


    Pink Colored Vinyl


    This is Simone's 2nd recording released in 1959. She does not play much piano (just cameos on two songs) and is backed by a subtle orchestra arranged by Bob Mersey. Pink vinyl reissue. Original artwork.

    1. Blue Prelude
    2. Children Go Where I Send You
    3. Tomorrow (We Will Meet Once More)
    4. Stompin' At The Savoy
    5. It Might As Well Be Spring
    6. You've Been Gone Too Long
    7. That's Him Over There
    8. Chilly Winds Don't Blow
    9. Theme From Middle of the Night
    10. Can't Get Out Of This Mood
    11. Willow Weep For Me
    12. Solitaire
    Nina Simone
    $23.99
    Colored Vinyl LP - Sealed Buy Now
  • Pastel Blues Pastel Blues Quick View

    $24.99
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    Pastel Blues

    Pastel Blues features Be My Husband and was written by Andrew Stroud, Simone's husband and manager at the time. She sings it a cappella with her handclapping and a hi-hat as her only accompaniment. The song was later retitled as Be Your Husband and covered by Jeff Buckley on Live at Sin-É (2003). The album also features covers of Billie Holiday songs, Tell Me More and More and Then Some and Strange Fruit.
    1. Be My Husband
    2. Nobody Knows You When You're Down and Out
    3. End of the Line
    4. Trouble in Mind
    5. Tell Me More and More and Then Some
    6. Chilly Winds Don't Blow
    7. Ain't No Use
    8. Strange Fruit
    9. Sinnerman
    Nina Simone
    $24.99
    Vinyl LP - Sealed Buy Now
  • Here Comes The Sun Here Comes The Sun Quick View

    $21.99
    Buy Now
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    Here Comes The Sun

    1971s Here Comes The Sun follows the success of Nina Simone's previous studio album, To Love Somebody, with another batch of pop songs, from the Beatles and Bob Dylan to Jerry Jeff Walker and Paul Anka.


    Fantastic new and adventurous arrangements, along with Ninas unique vocal interpretations, keep this from just being another covers record. A classic soul-jazz release reissued on 180g vinyl with a deluxe tip-on jacket.

    1. Here Comes the Sun

    2. Just Like a Woman
    3. O-O-H Child
    4. Mr. Bojangles
    5. New World Coming
    6. Angel of the Morning
    7. How Long Must I Wander
    8. My Way

    Nina Simone
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • High Priestess Of Soul High Priestess Of Soul Quick View

    $24.99
    Buy Now
    x

    High Priestess Of Soul

    High Priestess of Soul is the last album Simone released under Philips Records. The songs are accompanied by a large band directed by Hal Mooney. The album contains popular songs, such as Don't You Pay Them No Mind and African American gospel and folk related songs written by Simone herself, such as Take Me to the Water and Come Ye. After this album title, Nina Simone was sometimes referred to as the high priestess of soul.
    1. Don't You Pay Them No Mind
    2. I'm Gonna Leave You
    3. Brown Eyed Handsome Man
    4. Keeper Of The Flame
    5. The Gal From Joe's
    6. Take Me To The Water
    7. I'm Going Back Home
    8. I Hold No Grudge
    9. Come Ye
    10. He Ain't Comin' Home No More
    11. Work Song
    12. I Love My Baby
    Nina Simone
    $24.99
    Vinyl LP - Sealed Buy Now
  • Nina Simone At Carnegie Hall (Pure Pleasure) Nina Simone At Carnegie Hall (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Nina Simone At Carnegie Hall (Pure Pleasure)

    Pianist and singer Nina Simone defied categorization by blending classical, jazz and popular music into an unconventional and highly personal idiom: over four decades, she galvanized audiences with albums and performances replete with deep passion and keen attention to emotion.



    Fiercely honest, Simone was admired for her eccentricity and individualism. She was known for her spirited personality on and off the stage, which included flirting with audience members and voicing her opinions about social topics of the time.



    The legacy of Simone's music and message can be heard not only in jazz but amongst the many pop artists who cite her influence. Several of Simone's songs have become jazz standards, and her voice is even familiar to audiences who don't know her name through their frequent use in movie soundtracks and commercials.



    Musicians:



    • Nina Simone (piano, vocal)

    • Alvin Schackman, Phil Orlando (guitar)

    • Lisle Ackinson (b)

    • Montego Joe (dr)




    Recording: May 1963 live at Carnegie Hall, New York

    Production: Jack Lewis




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Black Swan
    2. Theme From Samson and Delilah
    3. If You Knew
    4. Theme From Sayonara
    5. The Twelth Of Never
    6. Will I Find My Love Today
    7. The Other Woman/Cotton Eyed Joe
    Nina Simone
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Forbidden Fruit (Pure Pleasure) Forbidden Fruit (Pure Pleasure) Quick View

    $49.99
    Buy Now
    x

    Forbidden Fruit (Pure Pleasure)

    To call Nina Simone a jazz singer is to neglect the depth and range of her artistry. A classical pianist, folk singer, protest singer, and songwriter, her arrangements are harmonically rich, varied, and rhythmically experimental, while her voice can go from lounge singer-smooth to raw and exposed in the space of a verse.


    The tracks on Sides 1 & 2 comprise 1961's masterful Forbidden Fruit album. While no session information exists to confirm this, Schackman, Hamilton and White were likely accompanying Nina when she recorded the eleven songs that comprise Sides 3 & 4, seven of which are from the small archive of previously unreleased tracks left in the Colpix vaults; and four of which were included on the Nina's final Colpix release, 1963's "Nina Simone With Strings".


    Features: 



    • 180g Vinyl

    • Double LP

    • Re-mastered by Sean Magee at Abbey Road Studios


    Musicians:



    • Nina Simone, piano, vocals

    • Al Schackman, guitar

    • Chris White, bass

    • Bob Hamilton, drums


     Recorded in New York City, 1961




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    LP 1
    1. Rags and Old Iron
    2. No Good Man
    3. Gin House Blues
    4. I'll Look Around
    5. I Love to Love
    6. Work Song
    7. Where Can I Go Without You
    8. Just Say I Love Him
    9. Memphis In June
    10. Forbidden Fruit


    LP 2
    1. Porgy I Is Your Woman Now
    2. Baubles, Bangles and Beads
    3. Gimme A Pigfoot
    4. Ev'rytime We Say Goodbye
    5. Spring Is Here
    6. Lonesome Valley
    7. Golden Earrings
    8. My Ship
    9. 'Tain't Nobody's Biz-ness If I Do
    10. Try A Little Tenderness
    11. Od Yesh Homa

    Nina Simone
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • At The Village Gate At The Village Gate Quick View

    $19.99
    Buy Now
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    At The Village Gate

    Original Album Plus Bonus Tracks From The Album At Town Hall


    New York, September 12, 1959 - Original Recordings Remastered


    Nina Simone - Vocals, Piano

    Jimmy Bond - Bass

    Albert Heath - Drums

    1. Just In Time
    2. He Was Too Good To Me
    3. House Of The Rising Sun
    4. Bye Bye Blackbird

    5. Brown Baby
    6. Zungo
    7. If He Changed My Name
    8. Children Go Where I Send You
    9. Black Is The Color Of My True Love's Hair [Bonus Track]
    10. The Other Woman [Bonus Track]
    11. Summertime [Bonus Track]
    Nina Simone
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • I Put A Spell On You I Put A Spell On You Quick View

    $24.99
    Buy Now
    x

    I Put A Spell On You

    I Put a Spell on You is the 1965 album by Nina Simone, and features some of her best known songs. I Put a Spell on You is a song originally by Screamin' Jay Hawkins. The original version gave the song an ironic theme, but Simone transformed it into a thrilling love song, complete with horns and strings. It had become one of her most well-known songs. She used the title for her autobiography I Put A Spell On You (1992).
    1. I Put A Spell On You
    2. Tomorrow Is My Turn
    3. Ne Me Quitte Pas
    4. Marriage Is For Old Folks
    5. July Tree
    6. Gimme Some
    7. Feeling Good
    8. One September Day
    9. Blues On Purpose
    10. Beautiful Land
    11. You've Got To Learn
    12. Take Care Of Business
    Nina Simone
    $24.99
    Vinyl LP - Sealed Buy Now
  • Black Gold Black Gold Quick View

    $39.99
    Buy Now
    x

    Black Gold

    In 1969, the High Priestess Of Soul, Nina Simone, descended onto the stage of the Philharmonic Hall in New York to record her new live-album, Black Gold.


    It became a legendary performance, with the first recording of the Civil Rights song 'To Be Young, Gifted And Black',
    a song which is not addressed to white people primarily. Though it doesn't put you down in any way...it simply ignores you. For my people need all the inspiration and love that they can get.


    Black Gold also contains a rendition of Sandy Denny's 'Who Knows Where The Time Goes,' in a minimalist arrangement that ends in an uplifting orchestration true to both the writer of the song and the performer. Throughout the entire performance Ms Simone keeps a regal, aloof and sometimes goofy composure, her monologues in between songs ushering the listener a little closer to her moving performance.


    Her eclectic style takes us past a number of different music forms; past Soul and Gospel and Folk, Jazz and Broadway; her androgynous and distinctive timbre floats somewhere between melancholy and bliss, and yet we always feel that Ms Simone is taking us exactly where she wants us to go.


    Overall, Black Gold is a poignant and touching album from the peak of her performing and recording period that should not be overlooked.

    1. Introduction
    2. Black Is The Color Of My True Love's Hair - Part 1 & 2
    3. Ain't Got No - I Got Life
    4. West Wind
    5. Who Knows Where The Time Goes
    6. The Assignment Song
    7. To Be Young, Gifted And Black
    Nina Simone
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Amazing Nina Simone The Amazing Nina Simone Quick View

    $21.99
    Buy Now
    x

    The Amazing Nina Simone

    1. Blue Prelude
    2. Children Go Where I Send You
    3. Tomorrow (We Will Meet Once More)
    4. Stompin' At The Savoy
    5. It Might As Well Be Spring
    6. You've Been Gone Too Long
    7. That's Him Over There
    8. Chilly Winds Don't Blow
    9. Theme From Middle of the Night
    10. Can't Get Out Of This Mood
    11. Willow Weep For Me
    12. Solitaire
    Nina Simone
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Sings The Blues Sings The Blues Quick View

    $25.99
    Buy Now
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    Sings The Blues

    Originally released in 1967, this is Nina Simones debut release for RCA Records. Featuring a stellar backing band that includes, amongst others, Eric Gale and Bernard Pretty Purdie, Sings The Blues is an incredible mix of blues, soul, gospel, folk, jazz and more.


    With Nina handling piano and vocal duties, the band slow burns through a killer selection of songs (including a track from Porgy & Bess and one whose lyrics are penned by the immortal Langston Hughes). Another fine 180g vinyl reissue with a deluxe tip-on jacket from 4 Men With Beards.

    1. Do I Move You

    2. Day and Night
    3. In the Dark
    4. Real Real
    5. My Man's Gone Now
    6. Backlash Blues
    7. I Want a Little Sugar In My Bowl
    8. Buck
    9. Since I Fell for You
    10. The House of the Rising Sun
    11. Blues for Mama
    Nina Simone
    $25.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Wild Is The Wind Wild Is The Wind Quick View

    $24.99
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    Wild Is The Wind

    Nina Simone's sixth album for Philips Records was Wild Is the Wind, released in 1966. The album was compiled from several recordings that were left over from sessions for previous Philips albums. The song Four Women was released as a single, and gained attention when banned by the New York jazz focused radio station WLIB due to concern over the lyrics. Wild Is The Wind was covered by David Bowie on his 1976 studio recording Station to Station.
    1. I Love Your Lovin' Ways
    2. Four Women
    3. Lilac Wine (From 'Dance Me A Song')
    4. Break Down And Let It All Out
    5. Either Way I Lose
    6. Why Keep On Breaking My Heart
    7. Wild Is The Wind
    8. Black Is The Color Of My True Love's Hair
    9. If I Should Lose You
    Nina Simone
    $24.99
    Vinyl LP - Sealed Buy Now
  • Little Girl Blue Little Girl Blue Quick View

    $15.99
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    Little Girl Blue

    Little Girl Blue is the debut album by Jazz singer/pianist/songwriter Nina Simone for Bethlehem Records.

    It was also released as Jazz As Played in an Exclusive Side Street Club.

    Nina was in her mid-20s at the time of this album, and still aspiring to be a classical concert pianist.

    She immediately sold the rights for the songs on this album to Bethlehem for $3,000.

    In the end, this cost her royalty profits of more than a million dollars.

    Simone was dissatisfied by the lack of effort the record company took in promoting her, and after this album she went over for a long relationship with Colpix Records.

    SIDE 1
    1. Mood Indigo
    2. Don't Smoke In Bed
    3. He Needs Me
    4. Little Girl Blue
    5. Love Me Or Leave Me
    6. My Baby Just Cares For Me


    SIDE 2
    1. Good Bait
    2. Plain Gold Ring
    3. You'll Never Walk Alone
    4. I Loves You Porgy
    5. Central Park Blues

    Nina Simone
    $15.99
    Vinyl LP - Sealed Buy Now
  • A Very Rare Evening A Very Rare Evening Quick View

    $31.99
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    A Very Rare Evening

    Tidal Waves Music proudly presents the re-issue for Nina Simone's A Very Rare Evening. Originally released on PM records in 1979, featuring Weldon Irvine on organ, Don Allias on drums and Jazz legend Gene Perla on bass. Included on these European sessions from 1969 you'll find Nina classics & rare versions of recordings written by Aretha Franklin, Barry Gibb, Randy Newman & Pete Seeger.


    One of the most sought after Nina Simone albums is now back available as a deluxe limited vinyl edition for the first time since 1979. Produced by Gene Perla, officially licensed from PM Records & featuring the original artwork created by A.M. Schnider.

    1. In the Morning
    2. Turn! Turn! Turn!
    3. To Love Somebody
    4. Ain't Got No / I Got Life
    5. The Other Woman
    6. I Think It's Going to Rain Today
    7. Save Me
    8. Revolution
    Nina Simone
    $31.99
    Vinyl LP - Sealed Buy Now
  • Here Comes The Sun Here Comes The Sun Quick View

    $34.99
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    Here Comes The Sun

    Remastered Audio


    Here Comes the Sun (1971) is an album by jazz singer-pianist Nina Simone, consisting of cover versions of songs by Pop and Rock musicians. It features songs recorded in the RCA studios with a full orchestra and backing vocals. Although Simone covers songs by Bob Dylan and The Beatles, among others, most of the versions feature arrangements substantially different from the original recordings. This is most clearly in the final song My Way, which with its fast pacing rhythm deviates significantly from the usual interpretations.

    1. Here Comes The Sun
    2. Just Like A Woman
    3. O-o-h Child
    4. Mr. Bojangles
    5. New World Coming
    6. Angel Of The Morning
    7. How Long Must I Wander
    8. My Way
    Nina Simone
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Little Girl Blue (Pure Pleasure) Little Girl Blue (Pure Pleasure) Quick View

    $34.99
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    Little Girl Blue (Pure Pleasure)

    Little Girl Blue, released in 1957, was Nina Simone's first recording, originally issued on the Bethlehem label. Backed by bassist Jimmy Bond and Albert 'Tootie' Heath, it showcases her ballad voice as one of mystery and sensuality and showcases her up-tempo jazz style with authority and an enigmatic down-home feel that is nonetheless elegant. The album also introduced a fine jazz pianist. Simone was a solid improviser who never strayed far from the blues. Check the opener, her reading of Duke Ellington's Mood Indigo, which finger-pops and swings while keeping the phrasing deep-blue. It is contrasted immediately with one of the -- if not the -- definitive reads of Willard Robison's steamy leave-your-lover ballad Don't Smoke in Bed. The title track, written by Rodgers & Hart, features Good King Wenceslas as a classical prelude to one of the most beautiful pop ballads ever written. It is followed immediately by the funky swing in Love Me or Leave Me with a smoking little piano solo in the bridge where Bach meets Horace Silver and Bobby Timmons.


    It's also interesting to note that while this was her first recording, the record's grooves evidence an artist who arrives fully formed; many of the traits Simone displayed throughout her career as not only a vocalist and pianist but as an arranger are put on first notice here. My Baby Just Cares for Me has a stride shuffle that is extrapolated on in the piano break. Her instrumental and improvising skills are put to good use on Tadd Dameron's Good Bait, which is transformed into something classical from its original bebop intent. You'll Never Walk Alone feels more like some regal gospel song than the Rodgers & Hammerstein show tune it was. Of course, one of Simone's signature tunes was her version of I Loves You, Porgy, which appears here for the first time and was released as a single. Her own Central Park Blues is one of the finest jazz tunes here.



    Musicians:



    • Nina Simone (piano, vocal)

    • Jimmy Bond (bass)

    • Albert "Tootie" Heath (drums)



    Recording: 1957



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Mood Indigo
    2. Don't Smoke In Bed
    3. He Needs Me
    4. Little Girl Blue
    5. Love Me Or Leave Me
    6. My baby Just Cares For Me
    7. Good Bait
    8. Plain Gold Ring
    9. You'll Never Walk Alone
    10. I Loves You Porgy
    11. Central Park Blues
    Nina Simone
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • It Is Finished It Is Finished Quick View

    $15.99
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    It Is Finished

    The Pusher
    Com' by H'Yere-Good Lord
    Funkier Than A Mosquito's Tweeter
    Mr. Bojangles
    I Want A Little Sugar In My Bowl
    Dambala
    Let It Be Me
    Obeah Woman
    Nina Simone
    $15.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • In Concert In Concert Quick View

    $24.99
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    In Concert

    In Concert was Simone's first album for Philips and was made up of three live recordings in Carnegie Hall, New York City in March and April 1964. This album marks the beginning of Nina Simone, the Civil Rights singer in her recording career. Included on the album are politically laden songs, most notably the self-written Mississippi Goddam, released as a single at the time
    1. I Loves You Porgy
    2. Plain Gold Ring
    3. Pirate Jenny
    4. Old Jim Crow
    5. Don't Smoke in Bed
    6. Go Limp
    7. Mississippi Goddam
    Nina Simone
    $24.99
    Vinyl LP - Sealed Buy Now
  • Emergency Ward (Speakers Corner) Emergency Ward (Speakers Corner) Quick View

    $34.99
    Buy Now
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    Emergency Ward (Speakers Corner)

    We can thank our lucky stars that Nina Simone was well aware of her musical environment and enjoyed experimenting with it, despite her notorious eccentric personality. This was the only reason that so much basic repertoire, traditional blues numbers, black work songs and favourite white show melodies - all filled with a deep soul feeling - reached her fans. Emergency Ward! is no exception. First there is the explosive medley, recorded live, of George Harrison's My Sweet Lord and David Nelson's Today Is A Killer. Accompanied by a small combo and a gospel choir, Nina Simone ignites an 18-minute blazing bonfire which loses none of its spiritual fire for even a second.



    In contrast to the gentle Poppies, extravagantly produced with strings, woodwinds and chorus, is the questioning Isn't It A Pity, arranged for piano. Here, simple, throbbing harmonies are occasionally allowed to swell into clouds of chords, giving Nina Simone the opportunity to show off her highly diversified vocal timbre which, as so often, fades away into nothing like an unanswered question. This is an exceptional album filled with a wealth of feeling and one which will leave no one untouched.



    Musicians:



    • Nina Simone (piano, vocal)

    • Sam Waymon (vocal)

    • Orchestra




    Recording: November 1971 at Fort Dix and February 1972 at RCA Victor's Studio A,
    New York City, by Ed Begley

    Production: Nina Simone, Andrew Stroud and Weldon J. Irvine Jr.





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. My Sweet Lord
    2. Today is a Killer
    3. Poppies
    4. Isn't It a Pity
    Nina Simone
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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