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  • Stand Back (Pure Pleasure) Stand Back (Pure Pleasure) Quick View

    $34.99
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    Stand Back (Pure Pleasure)

    Vanguard may have spelled his name wrong (he prefers Charlie or Charles), but the word was out as soon as this solo debut was released: Here was a harpist every bit as authentic, as emotional, in some ways as adventuresome, as Paul Butterfield. Similarly leading a Chicago band with a veteran Black rhythm section (Fred Below on drums, Bob Anderson on bass) and rock-influenced soloists (keyboardist Barry Goldberg, guitarist Harvey Mandel), Musselwhite played with a depth that belied his age - only 22 when this was cut! His gruff vocals were considerably more affected than they would become later (clearer, more relaxed), but his renditions of Help Me, Early in the Morning, and his own Strange Land stand the test of time. He let his harmonica speak even more authoritatively on instrumentals like 39th and Indiana (essentially It Hurts Me Too sans lyrics) and Cha Cha the Blues, and his version of jazz arranger Duke Pearson's gospel-tinged Cristo Redentor has become his signature song - associated with Musselwhite probably more so than with trumpeter Donald Byrd, who originally recorded the song for Blue Note. Goldberg is in fine form (particularly on organ), but Mandel's snakey, stuttering style really stands out - notably on Help Me, his quirky original 4 P.M., and Chicken Shack, where he truly makes you think your record is skipping




    Musicians:



    • Charley Musselwhite (harmonica, vocal)

    • Harvey Mandel (guitar)

    • Barry Goldberg (piano, organ)

    • Bob Anderson (bass)

    • Fred Below Jr. (drums)




    Production: Samuel Charters




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Baby Will You Please Help Me
    2. No More Lonely Nights
    3. Cha Cha The Blues
    4. Christo Redemptor
    5. Help Me
    6. Chicken Shack
    7. Strange Land
    8. 39th And Indiana
    9. My Baby
    10. Early In The Morning
    11. 4 P. M.
    12. Sad Day
    Charley Musselwhite's Southside Blues Band
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Got To Get Back! Got To Get Back! Quick View

    $14.99
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    Got To Get Back!

    The Bo-Keys are the contemporary evolution of the Memphis funk and soul sounds of Stax/Volt and Hi Records. Got To Get Back! is a snapshot of the group in the studio, jamming on instrumentals in the tradition of Booker T & the MGs and Willie Mitchell and backing up some of their favorite vocalists such as Otis Clay, William Bell and Charlie Musselwhite who make guest appearances on the album.

    1. Hi Roller

    2. Got To Get Back (To My Baby)
    3. Just Chillin'
    4. Catch This Teardrop
    5. Jack and Ginger
    6. Sundown on Beale
    7. Weak Spot
    8. 90 Days Same As Cash
    9. I'm Going Home
    10. Cauley Flower
    11. Work That Sucker
    12. Got To Get Back (To My Baby) Pt. 2
    Bo-Keys
    $14.99
    Vinyl LP - Sealed Buy Now
  • Never Get Out Of These Blues Alive Never Get Out Of These Blues Alive Quick View

    $37.99
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    Never Get Out Of These Blues Alive

    The unparalleled John Lee Hooker recorded Never Get Out Of These Blues Alive within two days in 1971, working together with young Blues stars Van Morrison and Steve Miller, among others. John takes centre stage delivering the hard edged Blues he's known for, whilst giving his fellow musicians enough space to jam along. Stellar performances by Charlie Musselwhite on blues harp and Miller & Elvin Bishop on guitar top off the album.


    The title track is simply what Blues is all about: mournful, depressed and loose - epic stuff. Noteworthy is Hooker's laidback rendition of Van Morrison's "T.B. Sheets", of which the original is found on Morrison's debut album Blowin' Your Mind.

    1. Bumblebee, Bumblebee
    2. Hit The Road
    3. Country Boy
    4. Boogie With The Hook
    5. T.B. Sheets
    6. Letter To My Baby
    7. Never Get Out Of These Blues Alive
    John Lee Hooker
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Friends (Pure Pleasure) (On Sale) Friends (Pure Pleasure) (On Sale) On Sale Quick View

    $49.99 $34.99 Save $15.00 (30%)

    Buy Now
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    Friends (Pure Pleasure) (On Sale)

    Friends is the accurate and revealing title for New York bluesman Eric Bibb's tenth album since 1997. The cuts here feature rootsy folk and blues collaborations with different 'friends' in differing small group settings. The set starts with a killer acoustic slide duet between Bibb and Guy Davis on the nugget 99 ½ Won't Do. The contrast between Davis' sweet and smoky delivery and Bibb's husky wail - akin to Blind Willie Johnson's in places - offers a double-sided dimension in interpretation for the listener, as well. Elsewhere, Charlie Musselwhite gives a killer snaky harmonica performance on Six O' Clock Blues. Taj Mahal makes two appearances; one in a duet on Goin' Down Slow, and one in a trio with Bibb and Malian guitarist Djelimady Tounkara on a medley of the traditional Kulanjan and Bibb's own Sebastian's Tune. Speaking of Mali, and Mahal, Bibb also covers the elder bluesman's classic Lovin' in My Baby's Eyes, with the great kora player Mamadou Diabate that rivals the original. There's also a gorgeous version of Guy and Susanna Clark's The Cape, with guitarist Martin Simpson, Bibb's moving For You with Ruthie Foster, and Tain't No Such Thing, a bright new folk song written and sung with legendary folksinger Odetta. Mohan Veena ace Harry Manx performs with Bibb on the high lonesome, droning blues of Needed Time, and with Kristina Olsen on her If I Stayed. The set closes with the tender Dance Me to the End of Love, (an original, not the Leonard Cohen tune) with the Lovin' Spoonful Jerry Yester playing piano. Given that most records of this type are mixed bags at best, with 'star-studded' collabs serving to muck up or water down rather than enhance performances, Friends is an anomaly. There is nothing that's obvious or overblown here, everything is subtly shaded, and the performers serve the songs and not themselves. The listener gets no sense of back-patting or self-congratulation, only the great pleasure of hearing this music in a revealing, emotionally honest way. Bravo.



    Musicians:



    • Eric Bibb (arranger, guitar, vocal)

    • Odetta (vocal)

    • Ruthie Foster (vocal)

    • Guy Davis (arranger, harpsichord, vocal, guitar)

    • Taj Mahal (guitar, vocal, banjo)

    • Charlie Musselwhite (harpsichord)

    • Mamadou Diabate (kora)

    • Martin Simpson (guitar)

    • Michael Jerome Browne (fiddle, vocal, guitar, mandolin)





    Format: 2LPs 33rpm / gatefold sleeve



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. 99 1/2 Won't Do
    2. Six O'Clock Blues
    3. Goin' Down Slow
    4. Lovin' In My Baby's Eyes
    5. For You
    6. The Cape
    7. 'Tain't Such A Much
    8. Needed Time
    9. If I Stayed
    10. Connected
    11. Ribbons And Bows
    12. Just Look Up
    13. Cowgirl Queen
    14. Kulanjan/Sebastian's Tune
    15. Dance Me To The End Of Love
    Eric Bibb
    $49.99 $34.99 Save $15.00 (30%)
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Chicago/The Blues/Today! (Pure Pleasure) Chicago/The Blues/Today! (Pure Pleasure) Quick View

    $99.99
    Buy Now
    x

    Chicago/The Blues/Today! (Pure Pleasure)

    In early 1966, blues history was made with the issuance of a three-volume set of new recordings produced by blues historian Samuel Charters. This series was known as Chicago/The Blues/Today! and the release sent shock waves through the world of rock & roll. Every artist on the three volumes had recorded before (some, like Otis Rush and Junior Wells, had actually seen small hits on the R&B charts), but these recordings were largely their introduction to a newer -- and predominately white -- album-oriented audience. These recordings have stayed in print and have been reasonably good sellers over the years since their original release, all coming out on compact disc. This new packaging puts all three volumes together, but with no bonus tracks, as no extras were recorded for these sessions.



    A plus in the new packaging, is that it features a nice booklet with detailed, updated notes from Charters, a nice appreciation from Ed Ward, and absolutely eye-boggling session photos taken by Charters' wife, Ann. Even if you still have the original vinyl or CDs, this is one of the times when it would be best to spend the dough and add this one to your collection, because blues records seldom come as important, innovative, or just plain pleasurable to listen to as this set. File under 'essential'.




    Musicians:



    • J.B. Hutto

    • Junior Wells

    • Otis Spann

    • Otis Rush

    • Jimmy Cotton

    • Johnny Shines Blues Band

    • Johnny Young's South Side Blues Band

    • Homesick James

    • and Big Walter Horton's Blues Harp Band with Memphis Charlie Musselwhite




    Recording: 1965 at RCA Studios, Chicago

    Production: Samuel Chartersdeutsch



    Format: 3LPs 33rpm / Box, booklet



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    LP1
    1. Help Me (A Tribute to Sonny Boy Williamson)
    2. It Hurts Me Too
    3. Messin' with the Kid
    4. Vietcong Blues
    5. All Night Long
    6. Going Ahead
    7. Please Help
    8. Too Much Alcohol
    9. Married Woman Blues
    10. That's the Truth
    11. Marie
    12. Burning Fire
    13. S P Blues
    14. Sometimes I Wonder
    15. Spann's Stomp


    LP2
    1. Cotton Crop Blues
    2. The Blues Keep Falling
    3. Love Me or Leave
    4. Rocket 88
    5. West Helena Blues
    6. Everything's Gonna Turn Out Allright
    7. It's a Mean Old World
    8. I Can't Quit You Baby
    9. Rock
    10. It's My Own Fault
    11. Dust my Broom
    12. Somebody Been Talkin'
    13. Set a Date
    14. So Mean to Me


    LP3
    1. One More Time
    2. Kid Man Blues
    3. My Black Mare
    4. Stealin' Back
    5. I Got Mine In Time
    6. Tighten Up On It
    7. Dynaflow Blues
    8. Black Spider Blues
    9. Layin' Down My Shoes and Clothes
    10. If I Get Lucky
    11. Rockin' My Boogie
    12. Mr. Boweevil
    13. Hey Hey

    Various Artists
    $99.99
    180 Gram Audiophile Virgin Vinyl - 3 LPs Sealed Buy Now
  • 2120 South Michigan Ave 2120 South Michigan Ave Quick View

    $34.99
    Buy Now
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    2120 South Michigan Ave

    On their 17th studio album, George Thorogood and The Destroyers pay tribute to their Chess Records label heroes, including many of Thorogood's legendary mentors who helped to launch his career in rock & roll. Titled 2120 South Michigan Avenue named for the the address of Chess Records' Chicago headquarters the 13-track album features Thorogood's raw, rocking turn on classics by a who's-who of the blues, including Willie Dixon, Muddy Waters, Bo Diddley, Chuck Berry, Howlin' Wolf, Buddy Guy, Sonny Boy Williamson, Little Walter and other Chess greats, as well as new original songs written by Thorogood, the album's producer, Tom Hambridge, and Richard Fleming.The album is produced by musician, songwriter and producer Tom Hambridge, a four-time Grammy Award nominee and 2010 Grammy winner for Best Contemporary Blues Album (Hambridge produced Buddy Guy's Living Proof) and ASCAP Songwriter of the Year Award winner. The album's featured guests include 2010 Grammy Award winners Buddy Guy and Charlie Musselwhite.
    1. Going Back

    2. Hi-Heel Sneakers - Featuring Buddy Guy

    3. Seventh Son
    4. Spoonful
    5. Let It Rock
    6. Two Trains Running (Still A Fool)

    7. Bo Diddley
    8. Mama Talk To Your Daughter
    9. Help Me
    10. My Babe - Featuring Charlie Musselwhite

    11. Sweet Little Rock and Roller
    12. Willie Dixon's Gone
    13. Chicago Bound
    14. 2120 South Michigan Ave. - Featuring Charlie Musselwhite

    George Thorogood
    $34.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • We're All In This Together We're All In This Together Quick View

    $24.99
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    We're All In This Together

    We're All In This Together features Walter with a different guest on each track, including artists Kenny Wayne Shepherd, Sonny Landreth, Robben Ford, Warren Haynes, Eric Gales, Joe Louis Walker, John Mayall and Joe Bonamassa. Gonna Hurt Like Hell (feat. Kenny Wayne Shepherd) Ain't Goin' Back (feat. Sonny Landreth) The Other Side Of The Pillow (feat. Charlie Musselwhite) She Listens To The Blackbird Sing (feat. Mike Zito) Mr. Davis (feat. Robben Ford) The Sky Is Crying (feat. Warren Haynes) Somebody Goin' Down (feat. Eric Gales) She Steals My Heart Away (feat. Edgar Winter) Crash And Burn (feat. Joe Louis Walker) Too Much To Carry (feat. John Nemeth) Do You Still See Me At All (feat. Jon Trout) Got Nothin' Left (feat. Randy Bachman) Blues For Jimmy T. (feat John Mayall) We're All In This Together (feat. Joe Bonamassa).
    LP 1
    1. Marie's Introduction
    2. Play The Guitar
    3. Help Me
    4. I'm Back
    5. Say Goodbye To The Blues
    6. Almost Gone


    LP 2
    1. Omaha
    2. Tomorrow Seems So Far Away
    3. Playin' Hideaway
    4. Haunted By The Night
    5. Fly Away
    6. Please Take Me Home


    LP 3
    1. Rock Me Baby
    2. Marie's Mood
    3. Serve Me Right To Suffer
    4. Love That We Once Knew

    Walter Trout
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Tell 'Em I'm Gone Tell 'Em I'm Gone Quick View

    $24.99
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    Tell 'Em I'm Gone


    First Album In Five Years From The 2014 Rock And Roll Hall Of Fame Inductee


    10 Brand-New Recordings, Including 5 New Compositions By Yusuf


    Features Collaborations With Rick Rubin, Richard Thompson, Charlie Musselwhite, Bonnie 'Prince' Billy, Tinariwen, And Matt Sweeney


    Tell 'Em I'm Gone is the first new Yusuf album since 2009's
    acclaimed Roadsinger. Recorded all over the world,
    including Los Angeles, Dubai, Brussels, and London, the
    album features 10 brand-new studio recordings, including five
    originals and five carefully-chosen cover songs. Tell 'Em I'm
    Gone features musical contributions from Richard Thompson,
    blues harmonica legend Charlie Musselwhite, singer-songwriter
    Bonnie 'Prince' Billy, Tuareg group Tinariwen, and guitarist
    Matt Sweeney, as well as production from Rick Rubin.


    Each track on Tell 'Em I'm Gone is threaded together by the
    themes of freedom and peace that have prevailed through more
    than four decades of Yusuf's musical career. On this album,
    Yusuf returns to the roots of his musical inspiration: American
    blues and R&B, using these genres to explore the universality
    of the desire for freedom with songs that recall the spirit of his
    earliest days as a nascent singer-songwriter in London.


    "What's powerful and profound, to me, is the overall message
    which emerged, lyrically," Yusuf says of the new album.
    "It suddenly stared me in the face: the struggle for Freedom!
    My God, isn't that what most human beings dream of?


    "I hope this record will help revive the spirit of Freedom
    and re-kindle some of the excitement of those amazing days,
    when every musical door seemed to point us a way out of our
    imprisonment," Yusuf says.


    Stunning originals like "I Was Raised In Babylon" and "Cat And
    The Dog Trap" plus covers of blues-pop standards ("Big Boss
    Man," "You Are My Sunshine") and a moving version of Edgar
    Winter's "Dying To Live" find Yusuf as strong of voice and as
    engaging a performer as ever before.


    Having first found fame as a teenage folk singer in 1960s
    England, Cat Stevens gained worldwide acclaim for his
    intimate and affecting works in the 1970s. His compositions
    "Wild World," "Peace Train," "Father and Son" and "Morning
    Has Broken" remain staples of the folk genre. Following a
    conversion to the Islamic faith in 1978, Stevens retired from
    the music business to pursue important causes in the
    Muslim community; 2006 saw Yusuf's celebrated return to pop
    music with the album An Other Cup.

    1. I Was Raised In Babylon (Yusuf)
    2. Big Boss Man (Luther Dixon-Al Smith)
    3. Dying To Live (Edgar Winter)
    4. You Are My Sunshine (Jimmie Davis-Charles Mitchell, arr. Yusuf)
    5. Editing Floor Blues (Yusuf)
    6. Cat And The Dog Trap (Yusuf)
    7. Gold Digger (Yusuf)
    8. The Devil Came From Kansas (Gary Brooker-Keith Reid)
    9. Tell 'Em I'm Gone (originally "Take This Hammer," arr. Yusuf)
    10. Doors (Yusuf)
    Yusuf/Cat Stevens
    $24.99
    Vinyl LP - Sealed Buy Now
  • The Harmonica According To Charlie Musselwhite (Out Of Stock) The Harmonica According To Charlie Musselwhite (Out Of Stock) Quick View

    $21.99
    x

    The Harmonica According To Charlie Musselwhite (Out Of Stock)

    Unique within his long and varied body of recorded work, this 1978 session features Charlie Musselwhite offering a virtual master class in blues harmonica style and performance, playing thirteen tunes in thirteen different keys. A tour-de-force from a giant of the blues harmonica. Remastered from the original analog tapes with a new design for this Limited Edition 180g LP.
    1. Harpin' on a Riff
    2. Run Here Mama
    3. Tuff
    4. Pistol in Your Face
    5. Azul Para Amparo
    6. Blues All Nights
    7. Fast Life Blues
    8. Way I Feel
    9. Chicago Sunset
    10. Blues in the Dark
    11. Shelby County Blues
    12. Scuffin'
    13. Hard Time
    Charlie Musselwhite
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
  • Come To Find (Out Of Stock) Come To Find (Out Of Stock) Quick View

    $34.99
    x

    Come To Find (Out Of Stock)

    Come To Find on 200-gram vinyl, pressed at Quality Record Pressings!


    Doug MacLeod's ode to acoustic blues, a consummate bluesman channeling his focus


    Mastered from the original analog tapes by Kevin Gray


    Tip-on, thick cardboard gatefold jacket


    Spend any time around Doug MacLeod and the stories from his years of road time with the likes of Big Joe Turner and Pee Wee Crayton start to flow as easily as a brook tickled by a breeze. And you know you're getting to the good part, the climax if you will, when Doug's eyes start to twinkle, his grin grows broader and out of his mouth pop the words Come to find ...


    MacLeod was a widely acknowledged electric blues guitarist for many years, and the leader of his own band, yielding a number of U.S. and European tours and several albums to his credit. Doug disbanded the group to focus all his energies on his first love, acoustic blues.


    Come To Find is the debut fruit of that effort. And now it's made even more remarkable, with this 331/3, 200-gram reissue by Analogue Productions. The pressing sounds spectacular. You're holding a hefty 200-gram masterpiece from our own Quality Record Pressings, our state-of-the-art LP pressing plant. And the gatefold jacket is hard-core, old-school style - thick cardboard, tip-on, with additional photos and liner notes inside. Sweet.


    Come To Find is the sound of a consummate bluesman touching the core of his art in a program featuring ten originals by Doug. He is beautifully supported in this intimate setting by harmonica ace Charlie Musselwhite and the Mighty Flyer rhythm section, Jimi Bott and Bill Stuve. This is the album that deserves a place of honor in the music collections of even casual blues fans. And for those who love blues already, this is one of the best-sounding, most original works you'll ever hear.


    This title is not eligible for discount.

    1. Bring It on Home
    2. Since I Left St. Louis
    3. Mystery Woman
    4. Come to Find
    5. Old Virginia Stomp
    6. Master's Plan
    7. Ain't No Grave
    8. Lost Something This Morning
    9. Rollin' & Tumblin'
    10. Any Port in a Storm
    11. When I Left Missouri
    Doug MacLeod
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
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