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  • The Complete 1957 Riverside Recordings (Box Set) The Complete 1957 Riverside Recordings (Box Set) Quick View

    $89.99
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    The Complete 1957 Riverside Recordings (Box Set)

    For just a few months in 1957, two of the greatest musicians in history - Thelonious Monk (a seasoned master) and John Coltrane (a rising star) - recorded together in a studio. This deluxe 3-LP, 180-gram vinyl box set captures all of those sessions in chronological order. Originally released on CD, this edition features newly remastered audio from the original analog sources. An accompanying booklet offers an insightful essay by the late Orrin Keepnews, who produced the original sessions.
    LP 1
    1. Monk's Mood [False Start]
    2. Monk's Mood
    3. Crepuscule With Nellie [Take 1]
    4. Crepuscule With Nellie [Take 2]

    5. Crepuscule With Nellie [Breakdown]

    6. Blues For Tomorrow [Stereo]
    7. Crepuscule With Nellie [Edit / Retakes 4 & 5]


    LP 2
    1. Crepuscule With Nellie [Retake 6]
    2. Off Minor [Take 4]

    3. Off Minor [Take 5]

    4. Abide With Me [Take 1]

    5. Abide With Me

    6. Epistrophy [Short Version]
    7. Epistrophy

    8. Well, You Needn't [Opening]


    LP 2
    1. Well, You Needn't
    2. Ruby, My Dear

    3. Ruby, My Dear

    4. Nutty

    5. Trinkle, Tinkle

    Thelonious Monk & John Coltrane
    $89.99
    180 Gram Audiophile Virgin Vinyl LP Box Set - 3 LPs Sealed Buy Now
  • Thelonious Monk with John Coltrane Thelonious Monk with John Coltrane Quick View

    $21.99
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    Thelonious Monk with John Coltrane

    Thelonious Monk with John Coltrane is a 1961 album by Thelonious Monk issued on Jazzland Records, a subsidiary of Riverside Records. It consists of material recorded four years earlier when Monk worked extensively with John Coltrane, issued after Coltrane had become a leader and jazz star in his own right.


    Musicians:

    Thelonious Monk - piano

    John Coltrane - tenor saxophone

    Ray Copeland - trumpet on Off Minor and Epistrophy

    Gigi Gryce - alto saxophone on Off Minor and Epistrophy

    Coleman Hawkins - tenor saxophone on Off Minor and Epistrophy

    Wilbur Ware - bass

    Shadow Wilson - drums on Ruby, My Dear, Trinkle, Tinkle, and Nutty

    Art Blakey - drums on Off Minor and Epistrophy

    Ruby, My Dear
    Trinkle, Tinkle
    Off Minor
    Nutty
    Epistrophy
    Functional
    Thelonious Monk with John Coltrane
    $21.99
    Vinyl LP Reissue - Sealed Buy Now
  • Coltrane Coltrane Quick View

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    Coltrane

    After establishing himself as a star on the rise with the Miles Davis quintet, the Thelonious Monk quartet, and various Prestige recordings with Sonny Rollins, Hank Mobley, and Tadd Dameron, John Coltrane made his debut as a leader on this excellent self-titled 1957 release. The 6-song set finds the tenor sax giant joined by John Splawn (trumpet), Sahib Shihab (baritone sax), Mal Waldron (piano), Red Garland (piano), Paul Chambers (bass) and Al Heath (drums) on a pair of Trane's own compositions in Straight Street and Chronic Blues, alongside Cal Massey's Bakai and pop fare such as Violets for Your Furs, While My Lady Sleeps and Time Was.


    1. Bakai
    2. Violets For Your Furs
    3. Time Was
    4. Straight Street
    5. While My Lady Sleeps

    6. Chronic Blues
    John Coltrane
    $21.99
    Vinyl LP Reissue -Sealed Buy Now
  • Coltrane (Mono) Coltrane (Mono) Quick View

    $34.99
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    Coltrane (Mono)

    After establishing himself as a star on the rise with the Miles Davis quintet, the Thelonious Monk quartet, and various Prestige recordings with Sonny Rollins, Hank Mobley, and Tadd Dameron, John Coltrane made his debut as a leader on this excellent self-titled 1957 release. The 6-song set finds the tenor sax giant joined by John Splawn (trumpet), Sahib Shihab (baritone sax), Mal Waldron (piano), Red Garland (piano), Paul Chambers (bass) and Al Heath (drums) on a pair of Trane's own compositions in Straight Street and Chronic Blues, alongside Cal Massey's Bakai and pop fare such as Violets for Your Furs, While My Lady Sleeps and Time Was.


    This title is not eligible for discount.

    1. Bakai
    2. Violets For Your Furs
    3. Time Was
    4. Straight Street
    5. While My Lady Sleeps
    6. Chronic Blues
    John Coltrane
    $34.99
    200 Gram Audiophile Virgin Vinyl Mono LP - Sealed Buy Now
  • Monk's Music Monk's Music Quick View

    $21.99
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    Monk's Music


    Special Vinyl Reissue


    This Is One Of Monk's Pivotal Recordings And Is An Essential Addition To All Jazz Collections.


    Monk's Music is often cited as one of the focal points of Thelonious Monk's six-year affiliation (1955-1961) with the Riverside label. Although the original
    disc clocked in at slightly over 30 minutes, packed into that half hour are not only the introduction of a few of Monk's signature compositions, but also
    some amazing interactions from the assembled ensemble. Joining Thelonious Monk (piano) during these two recording sessions are Ray Copeland
    (trumpet), Gigi Gryce (alto sax), Coleman Hawkins (tenor sax), John Coltrane (tenor sax), Wilbur Ware (bass), and Art Blakey (drums).
    This special vinyl re-issue of Monk's classic album is not to be missed!


    Thelonious Monk: the legendary jazz pianist and composer, considered one of the giants of American music.

    1. Abide With Me
    2. Well You Needn't
    3. Ruby My Dear
    4. Off Minor
    5. Epistrophy
    6. Crepuscule With Nellie
    Thelonious Monk
    $21.99
    Vinyl LP - Sealed Buy Now
  • Paris 1969 Paris 1969 Quick View

    $19.99
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    Paris 1969

    Blue Note Records has announced Thelonious Monk Paris 1969, a fascinating and important late-career document of the legendary jazz pianist and composer in performance with his Quartet at the Salle Pleyel concert hall in Paris, France on December 15, 1969. Beautifully captured on B&W film, the concert also featured a surprise guest appearance from renowned drummer Philly Joe Jones. Also included is a rare on-camera interview with Monk that was conducted by the French bassist Jacques Hess after the concert.


    "The 1969 Paris concert captures the power and the undiminished beauty of Monk's music, reminding us that even as his body aged his musical imagination knew no limits," writes Monk scholar Robin Kelley in his liner notes essay. However, Kelley also illuminates what a peculiar and challenging moment 1969 was for the 52-year-old pianist. Monk hadn't achieved true success until the late-50s with his legendary run at the Five Spot CafÉ in New York City with John Coltrane (a band that was brilliantly captured on the lost recording Thelonious Monk Quartet with John Coltrane at Carnegie Hall from 1957 which was discovered and released on Blue Note in 2005). By the early-60s Monk's success had peaked when he signed with Columbia Records and was eventually featured on the cover of TIME Magazine in 1964.


    However, by 1969, in addition to health issues, Monk's success was beginning to wane with the emergence of rock and the resulting jazz fusion movement. His recording contract with Columbia had just come to end after an ill-advised attempt at marketing him to a younger rock audience. That disappointment was followed by the departure of drummer Ben Riley and bassist Larry Gales from his band which left Monk with two chairs to fill on short notice before his European tour.


    Monk eventually found two young musicians - bassist Nate Hygelund and drummer Paris Wright - to fill out the Quartet with his longtime tenor saxophonist Charlie Rouse. Luckily the inexperienced rhythm section had some time to gel before hitting the stage in Paris with a lengthy engagement in London followed by stops in Germany and Italy. By the time they reached the Pleyel the band was in fine form, which made for a triumphant return for Monk to the very stage he had made his Parisian debut on in 1954 in front of a hostile audience who felt that Monk was too avant-garde. 15 years later the situation could not have been more different with an enthusiastic audience and the concert being broadcast on television.


    In addition to rollicking Quartet versions of Monk classics such as "I Mean You," "Straight No Chaser," and "Blue Monk," the set also includes three stunning solo piano performances on "Don't Blame Me," "I Love You Sweetheart Of All My Dreams," and "Crepuscule With Nellie." However, an undeniable highlight of the concert was when the veteran drummer Philly Joe Jones who was an expat living in Paris at the time comes from backstage to borrow the sticks from the 17-year-old Wright, providing a palpable spark on Monk's "Nutty."

    1. I Mean You
    2. Ruby My Dear
    3. Straight No Chaser
    4. Bright Mississippi
    5. Light Blue
    6. Epistrophy
    7. Don't Blame Me
    8. I Love You Sweetheart of All My Dreams
    9. Crepuscule With Nellie
    10. Bright Mississippi
    11. Nutty
    12. Blue Monk
    Thelonious Monk
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • A.T.'s Delight A.T.'s Delight Quick View

    $49.99
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    A.T.'s Delight

    Blue Note Reissue


    As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their handsBack home a month later, I unpack some test pressings Chad Kassem has sent meI hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud. Jason Victor Serinus, Stereophile, April 2008


    Since his days with the Bud Powell Trio, drummer Art Taylor was an invaluable member of the Blue Note recording family. A.T.'s Delight is the only album made under his own name for the label and it is a remarkable one. Choosing great compositions by Coltrane, Monk, Denzil Best and Kenny Dorham, Taylor assembled a great quintet fronted by Dave Burns and Stanley Turrentine, often adding Patato's congas to the proceedings. The unique and varied arrangements and great playing pay tribute to the drummer's exceptional song selection.

    Syeeda's Song Flute
    Epistrophy
    Move
    High Seas
    Cookoo and Fungi
    Blue Interlude
    Art Taylor
    $49.99
    180 Gram Audiophile Virgin Vinyl 45rpm LP - 2 LPs Sealed Buy Now
  • Quartets: Live At The Village Vanguard Vol. 2 Quartets: Live At The Village Vanguard Vol. 2 Quick View

    $24.99
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    Quartets: Live At The Village Vanguard Vol. 2


    Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    Named Jazz Album of the Year by readers of Downbeat Magazine, this double album features tenor saxophonist Joe Lovano during two appearances at the Village Vanguard recorded ten months apart. Other than the leader, the pair of quartets are completely different and they bring out two sides of Lovano. The earlier session features the leader in a stimulating piano-less quartet, matching wits and creativity with flÜgelhornist Tom Harrell. While the music is closer to Ornette Coleman than to Gerry Mulligan (to name two famous pianoless groups), Harrell's tone more closely resembles Chuck Mangione than Don Cherry although fortunately he is much more inventive. The four Lovano originals are adventurous and all of the musicians sound as if they are stretching themselves. The second disc showcases Lovano in a more conventional quartet. The repertoire (just one original this time) covers John Coltrane, Thelonious Monk, Miles Davis, Charles Mingus, and Gordon Jenkins and finds the tenorman displaying his roots in Sonny Rollins. The rhythm section on the later date (pianist Mulgrew Miller, bassist Christian McBride, and drummer Lewis Nash) is excellent at accompanying (rather than challenging) Lovano. In both cases, Joe Lovano is heard in prime form, making this an easily recommended two-fer.


    - Scott Yanow (All Music Guide)

    1. Lonnie's Lament
    2. Reflections
    3. Little Willie Leaps
    4. This Is All I Ask
    5. 26-2
    6. Duke Ellington's Sound Of Love
    7. Sounds Of Joy
    Joe Lovano
    $24.99
    Vinyl LP Reissue - 2 LPs Sealed Buy Now
  • Thelonious Himself Thelonious Himself Quick View

    $21.99
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    Thelonious Himself

    Because Thelonious Monk's artistic vision was so personal and peculiar, hearing him in a solo setting is perhaps the best way to begin to understand him.


    This 1957 album was his first to consist of exclusively solo material. His lines are fractured, his ideas are deliberate, his mood is introspective, and the end result is an album of both stunning beauty and jarring surprise, often at once. The three originals included are all significant: Functional shows how Monk's irregularities translate into a blues format. 'Round Midnight, his most famous composition, is boiled down to its very core. The finale Monk's Mood is a fragile ballad that eventually adds color from tenor John Coltrane and bassist Wilbur Ware--the only spot on the record with accompaniment.


    That said, it's equally as fascinating to hear Monk reinvent the five timeless standards in his own image.


    -Marc Greilsamer

    1. April In Paris
    2. Ghost Of A Chance
    3. Functional
    4. I'm Getting Sentimental Over You
    5. I Should Care
    6. 'Round Midnight
    7. All Alone
    8. Monk's Mood
    Thelonious Monk
    $21.99
    Vinyl LP Reissue - Sealed Buy Now
  • Taylor's Wailers (Mono) Taylor's Wailers (Mono) Quick View

    $34.99
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    Taylor's Wailers (Mono)

    In 1956, drummer Art Taylor formed a group called Taylor's Wailers that included Donald Byrd (trumpet) and Charlie Rouse (tenor sax). This 1957 Prestige release, finds the group joined by Jackie McLean (alto sax) on five of the album's six songs including the two Thelonious Monk compositions Well, You Needn't and Off Minor while Taylor leads a line-up of John Coltrane (tenor sax), Red Garland (piano) and Paul Chambers (bass) from a separate session on Jimmy Heath's C.T.A.
    1. Batland
    2. C.T.A.
    3. Exhibit A
    4. Cubano Chant
    5. Off Minor
    6. Well, You Needn't
    Art Taylor
    $34.99
    200 Gram Audiophile Virgin Vinyl Mono LP - Sealed Buy Now
  • Manhattan Symphonie (Pure Pleasure) Manhattan Symphonie (Pure Pleasure) Quick View

    $44.99
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    Manhattan Symphonie (Pure Pleasure)

    During the autumn of his illustrious career, Dexter Gordon (1923-1990) was on a winning streak. In 1976, the sophisticated giant of the tenor saxophone had returned to America after 14 successful years in Europe (with occasional visits to his native country); when he played a homecoming engagement at New York's fabled Village Vanguard, the seats were filled each night with adoring fans and enraptured critics. Two years later, Gordon recorded Manhattan Symphonie, his third album for Columbia and the first with his exceptional working rhythm section of pianist George Cables, bassist Rufus Reid, and drummer Eddie Gladden.



    From the opening notes of the classic ballad As Time Goes By, we are fully aware that we're in the presence of a master. The tone is luminous; the placement of the notes, impeccable; the feeling profoundly affecting. More than almost any other improviser of his caliber, Gordon understands exactly why »the fundamental things apply«. The rest of the set combines bright new material, such as Gordon's jauntily bopping blues LTD (which stands for Long Tall Dexter) and Cables' samba I Told You So with updates of two post-bop staples: Donald Byrd's Tanya (which Gordon had recorded for Blue Note in 1964) and John Coltrane's propulsive Moment's Notice. But the masterpiece herein - indeed one of Gordon's all-time surpassing performances - is Body and Soul, in which Gordon, an early crucial influence on Coltrane's approach to the tenor, returns the favour by taking a page out of Coltrane's (and McCoy Tyner's) harmonic book.



    This expanded issue of Manhattan Symphonie includes two bonus tracks, also from 1978: Thelonius Monk's lustrous "Ruby My Dear", and a previously unreleased on vinyl rendition of "Secret Love", a Dexter favourite. In addition to the acclaimed writer Pete Hamill's wonderful original liner notes, there is a lovely reminiscence from pianist George Cables.



    Musicians:



    • Dexter Gordon (tenor saxophone)

    • George Cables (piano)

    • Rufus Reid (bass)

    • Eddie Gladden (drums)



    Format: 2LPs 33rpm / gatefold sleeve



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    As Time Goes By/ Moments Notice
    Tanya/ Body and Soul
    I Told You So / Ltd
    Ruby, My Dear/ Secret Love*
    Dexter Gordon
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Round About Midnight (Awaiting Repress) (On Sale) Round About Midnight (Awaiting Repress) (On Sale) On Sale Quick View

    $34.99 $31.49 Save $3.50 (10%)

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    Round About Midnight (Awaiting Repress) (On Sale)

    Hipness Personified: Davis Columbia Records Debut Highlights His Diverse Palette and Famed Quintet


    Lifelike Sonics: Mobile Fidelity Presents This Standard with a Dynamic Sound That Allows You to Picture Davis Mouth as He Blows Harmon-Muted Trumpet


    Blowing Cool and Hot Jazz: Quintet Plays Reflective Ballads, Pop Standards, and Fervent Bop on One of Eras Only Complete Start-to-Finish Full-Length LPs


    Sketches of Spain, Milestones, Kind of Blue, Four & More, and In a Silent Way Also Available from Mobile Fidelity


    Miles Davis first album for Columbia, Round About Midnight, represents both the beginning of a three-plus-decade relationship with the famed label as well as the start of an extended collaboration with then-unknown saxophonist John Coltrane. As one of the eras only complete start-to-finish full-length LPs, the 1957 set stands as a hard-bop benchmarka summation of the styles that came before its creation, an immersion into the periods cutting-edge strains, and a hint of the rivoluse modalism that would follow.


    Part of Mobile Fidelitys Miles Davis catalog restoration series, Round About Midnight now resonates with a physical palpability and emotional heft never before experienced. Mastered from the original master tapes and pressed at RTI, this unsurpassed 180g LP edition traces the individual paths each musician takes in contributing to the whole, whether its pianist Red Garlands left hand spinning actinoid chords or Coltrane infusing a tune with harmony-defying fills that suggest arabesque patterns. Recorded at three separate sessions, the music has never sounded so cohesive, immediate, or involving.


    Historically, few jazz records claim the significance boasted by Round About Midnight. The albums creationand the assembly of Davis quintet, which also includes Paul Chambers and Philly Joe Jonesstems from the headliners rousing rendition of the title-inspired track, Round Midnight, a Thelonious Monk standard, at the 1955 Newport Jazz Festival. Stunning the audience with an interpretation that witnessed him personalize the composition with a brooding tone made possible via employment of his soon-to-be-trademark Harmon mute, Davis redefined perspective and possibility, taking ownership of the ballad as his own, and further improving upon its reach in the studio. It wasnt the composers only surprise.


    'Round About Midnight thrives due to diversity and consistency, a rare combination epitomized by the first-rate selection and astonishing performance of pensive ballads, bebop classics, pop standards, and folk pieces. Witness the counterpoint exchanges during Ah-Leu-Cha and its Dixieland shades. Soak up the progressive drama and swinging tempos on All of You and Bye Bye Blackbird. Delight in the mÉlange of latticed textures and schematic moods throughout the sequence, here presented in gorgeous fidelity, zeroing in on Davis warm, plush, rich, and close-up trumpet timbres and how, by playing his instrument right near the microphone, he infuses the arrangements with the sort of daring intimacy embraced by two lovers.


    Tension, suggestiveness, calm, mystery, nostalgia: All here. Gather now, Round About Midnight. Slip on a pair of shades, draw the curtains, slouch into a chair, and light a cigarette. This is Miles and Co. at their best. Hipness personified.


    This title is not eligible for further discount.

    1. Round Midnight
    2. Ah-Leu-Cha
    3. All of You
    4. Bye Bye Blackbird
    5. Tadds Delight
    6. Dear Old Stockholm
    Miles Davis
    $34.99 $31.49 Save $3.50 (10%)
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Milestones Milestones Quick View

    $27.99
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    Milestones

    Miles Davis created just one studio album with his original sextet and he made every moment count. Joined by Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, the trumpeter not only laid the groundwork for the modalism that immediately followed but created a genuine modern-jazz masterwork laden with performances that are among the most explosive of his distinguished career in the process.


    Due to its position between the more famous 'Round About Midnight and epochal Kind of Blue, Milestones remains, for too many music lovers, an overlooked classic. Every song here is a highlight, whether it's the influential title track, the bravado of "No Jackle," the blues themed "Sid's Ahead," or the definitive rendition of Thelonious Monk's signature piece "Straight, No Chaser," this 1958 release is a milestone indeed!

    1. Dr. Jackle
    2. Sid's Ahead
    3. Two Bass Hit
    4. Milestones
    5. Billy Boy
    6. Straight, No Chaser
    Miles Davis
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • New York Is Now! New York Is Now! Quick View

    $19.99
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    New York Is Now!


    Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    Recorded during the same session that resulted in the Love Call album (in late April and early May of 1968), New York Is Now is one of the true curiosity pieces in Ornette's catalog. With a rhythm section comprised of ex-Coltrane sidemen Jimmy Garrison and Elvin Jones as well as tenorist Dewey Redman, Ornette is, in some sense, at odds with himself here. This particular rhythm section is a lot more modally than harmonically propelled -- especially Jones, who sounds here like he doesn't know what to do with himself in the restrictive tempos -- and creates a complex set of issues for Coleman and Redman to contend with. That said, on The Garden of Souls, which opens the album, Coleman makes the most of this sprightly, energetic rhythm team and moves through quotations of Moon River, Danny Boy, and even Paul Muriat's Love Is Blue during his solo, before shifting the harmonics around and anchoring them somewhere between E flat 7 and E major. On Broadway Blues, Coleman uses Monk liberally in his melodic conception, and he and Redman have a go at turning a seven-note vamp into all sorts of knotty material for soloing -- and you can almost feel Jones smile as the tempo reaches triple time as the saxophonists race each other through it. And while this date is of only marginal interest on some level (for true hardcore Ornette-ophiles), it is pleasant and amusing if not amazing -- with the exception of For a Commercial, which features Ornette's fine violin playing above the rest of the band in the mix (what a downer). ~ Thom Jurek

    1. The Garden Of Souls

    2. Toy Dance

    3. We Now Interrupt For A Commercial

    4. Broad Way Blues

    5. Round Trip
    Ornette Coleman
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • New Groove (Pure Pleasure) New Groove (Pure Pleasure) Quick View

    $34.99
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    New Groove (Pure Pleasure)

    Clarinetist Pee Wee Russell's career on record stretched all the way from the 1920s, when he played with musicians such as Jack Teagarden and Bix Beiderbecke, to the 1960s, when he appeared with Thelonious Monk at Newport and made albums that included compositions by modernists such as Ornette Coleman and John Coltrane.



    Although he was pegged as being Dixieland by some and trumpeted as an elder hero of the 60s avant-garde by others, Russell remained a school unto himself. Jazz writer Whitney Balliett said that Russell played with an incomparable daring and nakedness and intuition. He had discovered some of the secrets of life and his improvisations were generally successful attempts to tell those secrets in a new, funny, gentle way.



    After Russell died, his friend and musical cohort Ruby Braff, told Nat Hentoff, »Like Louis Armstrong, Pee Wee will always be contemporary.«




    Musicians:



    • Pee Wee Russell (cl)

    • Marshall Brown (tb)

    • Russell George (b)

    • Ron Lundberg (dr)




    Recording: December 1962

    Production: Frank Driggs




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. My Mother's Eyes
    2. Chelsea Bridge
    3. Red Planet
    4. Pee Wee's Blues
    5. Moten Swing
    6. 'Round Midnight
    7. Good Bait
    8. Old Folks
    9. Taps Miller
    The Pee Wee Russell Quartet
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Settin' The Pace (Out Of Stock) Settin' The Pace (Out Of Stock) Quick View

    $49.99
    x

    Settin' The Pace (Out Of Stock)

    Coltrane does not do the old Dexter Gordon/Leo Parker duet number, Settin the Pace, in this set. The overall title merely refers to his preeminence in the jazz world at the time the recording was released in the early Sixties. Recorded in 1958, this session comes from a time when Trane had already played in the Miles Davis quintet and the Thelonious Monk quartet and was frequenting Rudy Van Gelders New Jersey studio in recording situations backed by the Red Garland Trio. This threesome Garland, Paul Chambers and Arthur Taylor was a Prestige entity on its own, but had already released such albums with Coltrane as Traneing In and Soultrane. Settin The Pace, with its heady combination of seldom-done pop material and Jackie McLeans intriguing Little Melonae, continued the excellent quartet series at a time when Trane was making jazz history at the head of yet another powerful foursome.
    1. I See Your Face Before Me (9:56)
    2. If There is Someone Lovelier Than You (9:19)
    3. Little Melonae (14:03)
    4. Rise 'N' Shine (7:14)
    John Coltrane
    $49.99
    45 RPM 180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
  • Milestones (Mono) (Out Of Stock) Milestones (Mono) (Out Of Stock) Quick View

    $34.99
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    Milestones (Mono) (Out Of Stock)

    Masterwork is Oft-Overlooked Link Between Round About Midnight and Kind of Blue


    Vanguard Sonics: Mobile Fidelity Reissue Presents The 1958 Standard with Unparalleled Sound Quality


    In MONO You Will Not Hear a Better Analog Edition


    Only Record to Feature Davis Original Sextet, Including Rhythm Section of Paul Chambers and Philly Joe Jones


    Title Track Stands as First-Ever Modal Composition Even as Blues and Hard-Bop Flavors Make LP One of Davis Most Explosive Affairs


    Sketches of Spain, Kind of Blue, Round About Midnight, Four & More, and In a Silent Way Also Available from Mobile Fidelity


    Miles Davis created just one studio album with his original sextet. He made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, the trumpeter not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Due to its sandwiched position between the more famous Round About Midnight and epochal Kind of Blue, Milestones remains, for too many music lovers, an overlooked classic.


    Part of Mobile Fidelitys Miles Davis catalog restoration series, Milestones has been restored to mono for the first time as to expose the records standing as one of the all-time great jazz efforts.Mastered from the original master tapes and pressed at RTI, this unsurpassed 180g mono LP edition grants each musician their own space in a well-defined, broadened soundstage. Colors, shapes, and dimensions appear in the manner they do when beheld from behind a studio-control rooms window.


    Davis burnished trumpet? Rendered in three-dimensional perspective, coaxing his mates out to play with unburdened zest and commotion. Coltranes trademark saxophone? Witness it in life-size proportion, his solos working in tandem with and against the driving rhythms. Garlands swaggering piano lines? Visualize the 88 keys as he hits full stride, the chords and fills slithering around skeletal frameworks.


    If anything, Milestones is as famous for its title track as the players that produced it. The launching pad for many of Davis (and later, his contemporaries) improvisational flights, the singular piece invites the tessellated explorations Coltrane would forever chase as well as the headliners argyle solo work, who broaches territories that far exceed what he had done with his bop-rooted past. Every song is a highlight, whether its the bravado No Jackle, featuring a hot-foot pace and bebop strains, or Sids Ahead, which continues the albums blues theme while tossing around edgy harmonics and inside-out structures.


    Then theres Straight, No Chaser, the absolutely definitive rendition of Thelonious Monks signature piece. Coltranes marbled playing pulls at the tunes lobed borders, Adderley takes liberty with solos, and Davis dances around his mates, at one point quoting When the Saints Go Marching In while demonstrating his knowledge of tradition and eye towards the future. A milestone if there ever was. And now, in resplendent mono.


    This title is not eligible for discount.

    1. Dr. Jackle
    2. Sids Ahead
    3. Two Bass Hit
    4. Milestones
    5. Billy Boy
    6. Straight, No Chaser
    Miles Davis
    $34.99
    180 Gram Audiophile Virgin Vinyl Mono LP - Sealed Temporarily out of stock
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