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  • MFSL Record Brush MFSL Record Brush Quick View

    $19.99
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    MFSL Record Brush

    The Mobile Fidelity Record Brush is Our All-Time Best-Selling LP Brush! Heres an inexpensive tool for keeping all of your irreplaceable records clean and cared for! We are very proud to offer the latest in essential record care products: The MoFi LP Record Brush! Easy to use, easy to clean; this record brush is guaranteed to keep all of your LPs clean and quiet! It gets really deep into the grooves and helps scrub all that nasty, noisy dirt out. The key to its great vinyl cleaning is found in Mobile Fidelitys proprietary cleaning pad and ergonomic brush handle. Its been designed for multi-purpose use: it can be used as a wet-cleaning brush (we recommend using it as part of your intensive record cleaning machine workout) or as simply the best dry record brush ever designed. One cleaning pad will clean hundreds of your favorite LP's. For best results, we recommend the use of a simple, single step record cleaning fluid like our best selling Mobile Fidelity fluids. Not only is the best record brush ever designed, its also the cheapest! Stock up on a few of these brushes and keep you records in pristine condition!


    For cleaning: We recommend keeping an unused toothbrush around for cleaning the pads on the MD LP Brush. Remember...a clean brush is a happy brush...and one that will not transfer debris onto other records!

    Accessories
    $19.99
    MFSL Record Brush Buy Now
  • Mobile Fidelity LP #9 Mobile Fidelity LP #9 Quick View

    $24.99
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    Mobile Fidelity LP #9

    A dirty stylus gets between you and your music... Mobile Fidelity LP #9, a revolutionary stylus cleaner and lubricant, is a simple, easy to use stylus cleaner which will improve the sound of your analog system while extending the life of your phono cartridge. LP #9 provides smoother, grain-free sound and increased stylus life while reducing record wear. Mobile Fidelity LP#9 is both a stylus cleaner and a stylus preservative in one bottle. The fluid is only used sparingly, so this half ounce bottle will last you a long, long time. Also included is a great, soft stylus cleaning brush. Purchase a second bottle and save! Our highest recommendation!
    Mobile Fidelity
    $24.99
    Stylus Cleaner Buy Now
  • MFSL Record Cleaning Brush Replacement Pads MFSL Record Cleaning Brush Replacement Pads Quick View

    $4.99
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    MFSL Record Cleaning Brush Replacement Pads

    The Mobile Fidelity Record Brush is the best record brush currently available! These are the Replacement Pads for the Record Brush. The pads are simple to replace, gently peel off the old pad, replace it with the new pad, and you're ready to get back to cleaning records. For best results we recommend allowing the adhesive to set for 24Hrs before use.



    Mobile Fidelity recommends replacing the pads on your Record Brush after cleaning approximately 100-150 records or when the pad begins to show wear.



    This package consists of two replacement cleaning pads.
    Mobile Fidelity
    $4.99
    Record Cleaning Brush Pads Buy Now
  • King Of America (On Sale) King Of America (On Sale) On Sale Quick View

    $34.99 $31.49 Save $3.50 (10%)

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    King Of America (On Sale)

    King of America on Numbered Limited Edition 180 Gram LP from Mobile Fidelity


    Costello Teams With Musical Legends and Standout Producer T-Bone Burnett on Exemplary 1986 Album


    Mastered from the Original Master Tapes: Mobile Fidelity LP Maximizes the Get-In, Get-Out, Live-In-the-Studio Immediacy and De-Congested Mix


    Includes Introspective Songwriting Gems Such as "Indoor Fireworks," "Poisoned Rose," "Brilliant Mistake," and "Little Palaces"


    Juggling Themes of Desire and Exile, Costello Strips Arrangements Down to Folk, Country and Pub-Rock Roots


    Elvis Costello spent the year prior to recording King of America embarking on a solo tour, usually accompanied by producer/singer-songwriter T-Bone Burnett. The pair's decision to collaborate on Costello's 1986 album came naturally, and the music sounds it-emotional, effortless, literate, seemingly uncomplicated. Credit, however, not only goes to the best batch of Costello originals since 1982's Imperial Bedroom, but to the literally awesome and awe-inspiring cast of musicians Burnett invited to participate.


    Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram LP of this masterpiece broadens the live-in-the-studio intimacy and opens up the midrange, highs, and lows of Burnett's fabulously de-congested mix. Made with few overdubs or effects, King of America relishes organic approaches and faithful tones-as well as a vast spaciousness and balance not always evident on Costello's efforts with the attractions. Finally, Mobile Fidelity transports the listener to the semicircle of players that surrounded Costello in the studio, and highlights the benefits of the center-of-the-production miking technique employed on the singer's voice and guitar playing.


    Given the brilliance of the performances, every music fan will want to be brought as near as possible to the purity of these sessions. A Hall of Fame-caliber list of instrumentalists accompany Costello, with Elvis Presley's T.C.B. mates Ron Tutt (drums), James Burton (guitar), and Jerry Scheff (bass) forming one band and drummer Earl Palmer (Little Richard), bassist Ray Brown (Oscar Peterson, Duke Ellington), pianist Tom Canning, and organist Mitchell Froom ready in waiting as another. Several of these musicians formed yet another band, joined by drummer Jim Keltner of Bob Dylan, George Harrison, and John Lennon fame. Oh-and the Attractions make a guest appearance on one track.


    King of America-the title reflective of the threads of intentional, thought-provoking contradiction throughout-would be exemplary if just for the troupe. Yet it's the combination of chemistry, ability, sonics, and tunes that propel this watertight platter to iconic status. Unconcerned with writing a radio hit or adhering to a single musical theme, Costello wrote a majority of the material on acoustic guitar and on piano, tapping his pub-rock and folk roots in turning out songs that remain some of the catchiest, introspective, and deep of his career. Cuts such as "Indoor Fireworks," "Poisoned Rose," "Brilliant Mistake," and "Suit of Lights" epitomize Costello's inimitable manner of viewing adulthood, romance, and geographical transition through a transparent lens that blocks neither truth nor consequence.


    As for the music? It swings (vide, Scheff's bass line on "Lovable"), swishes (Keltner's brushes on "I'll Wear It Proudly"), jumps (Brown's string bass on "Eisenhower Blues"), swoons ("Poisoned Rose"), and shuffles ("Jack of All Parades"). There's truly not a bum track here, and now, experienced in such high fidelity, the genius of every contributor can be easily heard and felt. Akin to Mobile Fidelity's other Costello reissues, this is not to be missed.


    This title is not eligible for further discount.

    1. Brilliant Mistake
    2. Lovable
    3. Our Little Angel
    4. Don't Let Me Be Misunderstood
    5. Glitter Gulch
    6. Indoor Fireworks
    7. Little Palaces
    8. I'll Wear It Proudly
    9. American Without Tears
    10. Eisenhower Blues
    11. Poisoned Rose
    12. The Big Light
    13. Jack of All Parades
    14. Suit of Lights
    15. Sleep of The Just
    Elvis Costello
    $34.99 $31.49 Save $3.50 (10%)
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • One From The Heart (On Sale) One From The Heart (On Sale) On Sale Quick View

    $34.99 $31.49 Save $3.50 (10%)

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    One From The Heart (On Sale)

    Numbered, Limited Edition


    Tom Waits and Crystal Gale Create Magic Together on Waits' Most Accessible Outing


    Small Combo Band Provides Jazzy and Bluesy Support


    Stupendous Sonics: Music Largely Recorded Live on Studio Floor


    One From the Heart ranks among the best soundtracks in history. Essential for any Tom Waits or Crystal Gayle devotee, it sets an example of what's not only possible, but should be expected and demanded, when two likeminded artists collaborate. Heartstrings are tugged, passions kindled and lost, sentiments exchanged, skeletons dragged out of closets, seasons changed, romantic truisms cited. And its wide-open sound is supreme, the result of most tracks being recorded live in the studio, free of after-effects and interference.


    Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g LP presents the Academy Award-nominated One From the Heart in stunning sonic relief. You'll be able to gauge the signature tones of the guitars and hear inside the cavity of Waits' piano. Perhaps most importantly, Gayle and Waits' voices now sound just feet away, with your room converted into the world's coolest late-night lounge. Spatial cues, background accents, and studio dimensions emerge with striking realism.


    Inspired by a track Waits cut with Bette Midler on his Foreign Affairs effort, One From the Heart overflows with simpatico chemistry, poignant contrast, elegant atmospherics, and awestruck intimacy. On their four vocal duets, Gayle and Waits inhabit the personas of a man and woman breaking apart yet sharing common bonds. Their singing plumbs emotional depths that traverse melancholy, sensuality, and understanding. Made before Waits' baritone turned into a deep, gravel-laden instrument, the songs are more smoke than whiskey, more piano-man empathy than hipster growler.


    Written by Waits, the music occupies a common ground between laidback small-combo jazz, lounge pop, and downbeat blues. Classy string orchestrations abet a crack ensemble comprised of saxophonist Terry Edwards, drummer Shelly Manne, pianist Pete Jolly, bassist Greg Cohen, and others. The arrangements seamlessly melt into both vocalists' leads, allowing every note-every piano clink, acoustic bass ripple, brushed snare drum-to register with utmost magnitude.


    Experienced on stunning soliloquy pieces such as Gayle's mournful ballad "Is There Any Way Out of This Dream?" and back-and-forth collaborative efforts like the breakup take "Picking Up After You," beautiful instrumentation, spacious production, and flawless vocal phrasing take hold. You can picture the broken dreams exiting out the side doors of the dim bars and abandoned houses that pepper the narratives. Renowned for his sad songs, Waits has never been in better form, the goodbye fare clicking with unflinching honesty and personality.


    This title is not eligible for further discount.

    1. Opening Montage: Tom's Piano Intro/Once Upon a Town
    2. Is There Any Way Out of This Dream?
    3. Picking Up After You
    4. Old Boyfriends
    5. Broken Bicycles
    6. I Beg Your Pardon
    7. Little Boy Blue
    8. Instrumental Montage: The Tango/Circus Girl
    9. You Can't Unring a Bell
    10. This One's From the Heart
    11. Take Me Home
    12. Presents
    Tom Waits
    $34.99 $31.49 Save $3.50 (10%)
    Vinyl LP - Sealed Buy Now
  • Bare Bones (On Sale) Bare Bones (On Sale) On Sale Quick View

    $49.99 $44.99 Save $5.00 (10%)

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    Bare Bones (On Sale)


    Acclaimed 2009 Gem Is Jazz Chanteuse's First Album Of Originals


    Extraordinary Sound Transports Listeners To A Small Coffeehouse: You Need To Hear This On Vinyl!


    Peyroux's Half The Perfect World And Careless Love Also Available On Mofi 180-gram LP


    Having proven several times over that shes among the premier vocal jazz singers on the planet with Half the Perfect World and Careless Loveboth available as limited-edition 180-gram LPs from Mobile FidelityMadeleine Peyroux makes her mark as a songwriter on the exquisite Bare Bones, her first album of originals. A thematic record that begins with wariness, moves to loss, builds to acceptance, and finishes with hope, the critically acclaimed set is Peyrouxs most soul-baring effort.


    The records title says it all. Deeply personal and eminently mature, the chanteuse strips everything down, from her emotional guard to the arrangements. Peyroux penned many of the songs with longtime producer Larry Klein (Joni Mitchell), and also co-wrote the standout You Cant Do Me with Steely Dan legend Walter Becker. As expected, a tart wittiness defines the lyrics, demonstrating Peyrouxs continual growth as an artist. Becker's contributions also spice the title track, while noted tunesmiths Joe Henry and Julian Coryell assist on other songs. As usual, the singer enjoys the sparse, elegant backing of a small group of first-rate musicians. Peyrouxs alto vocals shine.


    The empress of the jazzy, languid groove does what she has done on her two bestsellers (and her half-forgotten 1996 debut); purr intimately about life and the iniquities of love over retro backings of brushed drums and polite piano that evoke Billie Holiday. Neil Spencer, The Observer, March 2009


    Sonically, Bare Bones continues Peyrouxs tradition of making some of the best-sounding albums around. Her tunesdirect, emotional, beautiful, detailedbenefit from production that emphasizes her strengths and puts a spotlight on the songs, not on any unnecessary tricks or embellishments. This is strictly about the music, its emotional effects on the listener, and the universal healing power of feelings associated with lost love and recovery.


    Its hard to imagine a candlelit cocktail bar that wouldnt benefit from playing Madeleine Peyrouxs fourth album, Bare Bones. The ear loves to catch on the inflections of her supple alto, the clear picking on her acoustic guitar, the pacing as slow as a hand-stitched dress. Margaret Wappler, Los Angeles Times, March 2009


    Half-speed mastered from the original analog tapes, Mobile Fidelitys 180-gram 2-LP set enhances the experiences of hearing Peyrouxs languorous gems. Transparent, airy, three dimensional, fully textured, and featuring extended response from the acoustic bass and guitars, this analog pressing puts you in the middle of a coffeehouse, with Peyroux and her small ensemble seated a few feet in front of you. Its that good.


    Mobile Fidelitys collector's vinyl editions of Peyrouxs earlier hit studio albums have sold quickly. Dont wait on this.


    This title is not eligible for further discount.

    1. Instead

    2. Bare Bones

    3. Damn the Circumstances

    4. River of Tears

    5. You Can't do Me

    6. Love and Treachery

    7. Our Lady of Pigalle

    8. Homeless Happiness

    9. To Love You All Over Again

    10. I Must Be Saved

    11. Somethin' Grand

    Madeleine Peyroux
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Aretha's Gold (Pre-Order) (On Sale) Aretha's Gold (Pre-Order) (On Sale) On Sale Quick View

    $49.99 $44.99 Save $5.00 (10%)

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    Aretha's Gold (Pre-Order) (On Sale)


    Astonishing Collection of The Queen of Soul's Greatest Songs for Atlantic Records: Aretha's Gold Includes Nine Top Ten Hits: Respect, Chain of Fools, and Think Among Them


    Mastered from the Original Master Tapes and Pressed at RTI: Breathtaking Sonics on Mobile Fidelity 180g 45RPM 2LP of Aretha's Gold Get to the Heart of Franklin's Range, Emotions, Expressiveness


    Aretha Franklin made her Hall of Fame reputation at Atlantic Records between 1967-1968. This astonishing two-year period witnessed the singer score nine Top 10 hits and define soul music, a era chronicled on Aretha's Gold. Pairing with producer Jerry Wexler and a flawless Muscle Shoals studio band, Franklin unleashed bolder sides of her artistry kept under wraps during her tenure at Columbia. The rest is history - a history that, until now, has never been in heard in true audiophile sound. And if there's any voice you want to experience to the most realistic extent, it's that of the vocalist Rolling Stone crowned the Greatest Singer of All Time.


    Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP of Aretha's Gold presents Franklin's most seminal early Atlantic songs with reference-standard sonics. Finally, hear the full range of the Queen of Soul's depth, reach, and expressiveness. Complementing her timeless classics with tremendous dynamics, restored balances, and stunning clarity, this collectible analog set sheds new light on Franklin's power and technique, honesty and confidence, enunciation and directness.


    Hear why Franklin is even better than you likely think or remember. You just haven't been able to hear the Detroit native on a format that mirrors exactly what went down in the studios when she recorded songs that, to this day, remain the bar by which all other singers are measured. The same goes for Franklin's backing band, known as the Swampers, whose instrumental savvy, feel, and textures are so unique, the group is credited with creating its own style: The Muscle Shoals Sound. On this vinyl edition of Aretha's Gold, experience every picked guitar note, brushed snare, and fluid bass line. Seldom has a band and vocalist ever made a more formidable, memorable, and emotional combination.


    The evidence plays out across these 14 songs, each a soul landmark, each unforgettable thanks to Franklin's impassioned performances and empowering attitude. The Sweet Impressions (Franklin's backing vocalists) and sweeping string arrangements bolster the foundation, but the material belongs to Franklin. A veritable hit parade, the track listing on Aretha's Gold reads like a dictionary of soul.


    I Never Loved a Man (The Way I Loved You), Respect, (You Make Me Feel Like) A Natural Woman, Chain of Fools, Since You've Been Gone (Sweet Sweet Baby), Think, The House That Jack Built, I Say a Little Prayer, Baby I Love You: All Top 10 hits. Plus five more tunes, including a riveting cover of Sam Cooke's You Send Me, that charted.


    You know the songs by heart. You know the voice by memory. But you've never quite known them so intimately. Aretha's Gold on Mobile Fidelity gives the Queen the royal treatment she deserves.


    This title is not eligible for further discount.

    1. I Never Loved a Man (The Way I Love You)
    2. Do Right Woman-Do Right Man
    3. Respect
    4. Dr. Feelgood
    5. Baby, I Love You
    6. (You Make Me Feel Like) A Natural Woman
    7. Chain of Fools
    8. Since You've Been Gone (Sweet Sweet Baby)
    9. Ain't No Way
    10. Think
    11. You Send Me
    12. The House That Jack Built
    13. I Say a Little Prayer
    14. See Saw
    Aretha Franklin
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed PRE-ORDER Buy Now
  • Touch And Flee (Speakers Corner) Touch And Flee (Speakers Corner) Quick View

    $34.99
    Buy Now
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    Touch And Flee (Speakers Corner)

    Touch And Flee is the new recording from Neil Cowley Trio, and marks a defining moment in the evolution of the band. It is their bravest, most daring album to date, spotlighting the ever- increasing brilliance of Cowley as a composer. With long time band mates, Evan Jenkins on drums and Rex Horan on bass, they jump headlong into new territory to present what they describe as »our concert hall record« for an altogether deeper listening journey.



    Gone are the familiar hook laden tunes, repeating riffs and pounding crescendos, replaced, in the main, by shifting, expansive melodies, longer elegant passages, and a broader brush stroke on Cowley's blank canvas. What is familiar though is Cowley's power to move through music. Exquisitely graceful movements meet with dark haunting passages. And although this is a new direction for Neil Cowley Trio, their personality, and unmistakable sound, still shines through. We hear, for example in the epic, sweeping Kneel Down, a three movement piece containing pulse, power, climax, spaciousness, and then, gentle surprise. The wonky jazz of Winterlude keeps the head nodding while Cowley's proclivity for atmospheric film scores remains.



    Touch And Flee was recorded at the legendary RAK studios with Grammy nominated Dom Monks in the producer's chair. RAK has seen some of the biggest names in music record there - David Bowie, Al Green, Michael Jackson, Pink Floyd, Arctic Monkeys, and of course Adele, with whom Cowley recorded the global hit, Rolling In The Deep. Touch And Flee is the result of three gifted musicians who think as one, growing together, driving forward. A collection of tunes best savoured in a darkened room, at full volume. They demand attention, but as always, deliver to the listener the most blissful of rides.



    Musicians:



    • Neil Cowley (piano)

    • Rex Horan (bass)

    • Evan Jenkins (drums)




    Recording: 2013 by Dom Monks and Helen Broadhurst at RAK Studios, London

    Production: Dom Monks





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. Kneel Down
    2. Winterlude
    3. Sparkling
    4. Gang of One
    5. Couch Slouch
    6. Bryce
    7. Mission
    8. Queen
    9. The Art
    Neil Cowley Trio
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Images pour Orchestre (Speakers Corner) Images pour Orchestre (Speakers Corner) Quick View

    $34.99
    Buy Now
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    Images pour Orchestre (Speakers Corner)

    "And the blind shall see" - promising words indeed! And very apt to describe the impressionist tonal paintings of Claude Debussy, who exchanged the paintbrush for a pen and the canvas for manuscript paper. Debussy's musical tools were not so much the etching-needle or sharp pencil but rather more a rich variety of glorious paints on his palette and thick brushes and sponges to form flowing figures and shapes on his musical canvas. With the Images pour Orchestre, the art lover possesses three of the mature composer's most important musical paintings to hang in his gallery.



    Thanks to its rhythmic and melodic structure, IbÉria is very probably the most striking of these three studies. The impressionistic, frazzled theme is lent substance through the familiar sounds and rhythms of Spanish folk music; Debussy conjures up the moods and impressions of a landscape which he himself hardly knew. And should the listener not be in a position to wander the streets and pathways, to breathe the perfume of the night, nor to enjoy a fiesta morning, then this record will certainly enable him to "see" all this for himself.




    Recording: May 1957 at Victoria Hall, Geneva by Roy Wallace / Production: James Walker



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    Debussy: Images pour Orchestre "Gigues", "IbÉria" and "Rondes de Printemps" - Orchestre de la Suisse Romande conducted by Ataúlfo Argenta
    Debussy
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Mobile Fidelity ONE Record Cleaning Solution and Brush Combo (Out Of Stock) Mobile Fidelity ONE Record Cleaning Solution and Brush Combo (Out Of Stock) Quick View

    $34.99
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    Mobile Fidelity ONE Record Cleaning Solution and Brush Combo (Out Of Stock)

    Mobile Fidelity ONE Record Cleaning Solution:


    Mobile Fidelity ONE Record Cleaning Solution is the Best, Easiest, One-Step LP Cleaner for Those of You Without a Record Cleaning Machine!


    For record collectors who dont use a vacuum cleaning system, there is now a unique product that is perfect for cleaning vinyl. Introducing Mobile Fidelity ONE Cleaning Fluid. Rather than using our exclusive triple-distilled water as a base, we have produced a formulation that contains a base of quick-drying alcohol. Our intention was to make a cleaner that dissolves particulate matter and evaporates, taking the residue with it, eliminating the need for a secondary stage of rinsing.


    Users will hear a reduction in noise and quieter, blacker backgrounds, allowing a greater dynamic range. Instruments jump out, revealing more air in the recording, bringing the listener closer to the music. The best part is that by using Mobile Fidelity ONE Cleaning Fluid, audiophiles will be maintaining their valuable investment in vinyl.


    Like all our formulations, Mobile Fidelity ONE Cleaning Fluid contains neither fragrances nor oils. These oils, which have no place on valuable records, remain behind on the surface as a film, attracting particles and affecting the sonic signature. ONE Cleaning Fluid removes that veil between the listener and the music. Call us today to learn more about how analog lovers can benefit from Mobile Fidelity ONE Cleaning Fluid.


    Mobile Fidelity Record Brush:


    The Mobile Fidelity Record Brush is Our All-Time Best-Selling LP Brush! Heres an inexpensive tool for keeping all of your irreplaceable records clean and cared for! We are very proud to offer the latest in essential record care products: The MoFi LP Record Brush! Easy to use, easy to clean; this record brush is guaranteed to keep all of your LPs clean and quiet! It gets really deep into the grooves and helps scrub all that nasty, noisy dirt out. The key to its great vinyl cleaning is found in Mobile Fidelitys proprietary cleaning pad and ergonomic brush handle. Its been designed for multi-purpose use: it can be used as a wet-cleaning brush (we recommend using it as part of your intensive record cleaning machine workout) or as simply the best dry record brush ever designed. One cleaning pad will clean hundreds of your favorite LP's. For best results, we recommend the use of a simple, single step record cleaning fluid like our best selling Mobile Fidelity fluids. Not only is the best record brush ever designed, its also the cheapest! Stock up on a few of these brushes and keep you records in pristine condition!


    For cleaning: We recommend keeping an unused toothbrush around for cleaning the pads on the MD LP Brush. Remember...a clean brush is a happy brush...and one that will not transfer debris onto other records!


    This title is not eligible for discount.

    Mobile Fidelity
    $34.99
    16 Oz. Record Cleaning Solution & Brush Combo Temporarily out of stock
  • Stardust (Out Of Stock) Stardust (Out Of Stock) Quick View

    $24.99
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    Stardust (Out Of Stock)

    Ranked 257/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    An American Classic: Gorgeous Breakthrough Album of Pop Standards Spent More than a Decade on Country Charts


    Quintuple Platinum 1978 Set Finds Nelson Interpreting Fare From Likes of Kurt Weill, Hoagy Carmichael, and Irving Berlin


    Sumptuous Sound Elevates Booker T. Jones Production: Mastered on Mobile Fidelitys World-Renowned Mastering System and Pressed at RTI


    As a Singer, Nelson Never Better: Gets Inside the Phrasing, Lyrics, and Emotions of Songs


    Why be predictable?, Willie Nelson asked Columbia Records executive Nick Blackburn, after the latter resisted the Red Headed Strangers decision to make an album of classic pop tunes. Talk about outlaw country. Cutting against the genres traditions and Music Row conventions, Nelsons Stardust remains a genius-level creation as well as the icons most commercially successful release, a truly gorgeous record infused with ultimate respect for composers and lyrics and many of the finest performances of his career. It is a quintessential part of any catalog.


    Mastered on Mobile Fidelitys world-renowned mastering system and pressed at RTI, this Silver Label LP dazzles with dead-quiet surfaces, tube-like warmth, and an enhanced soundstage. Further exposing the delicate touches abounding in Stax legend Booker T. Jones production, this edition brings out the textured kernels of Nelsons voiceand the deep-seeded dignity, austerity, devotion, grit, sensitivity, grace, and plaintiveness within it. His brilliant phrasing throughout is on par with that of Frank Sinatra and Ray Charles, two giants that influenced this project and his willingness to pair with strings and small combo to wondrous effect.


    Having met Jones while living in Malibu, Nelson established a relationship with the musician that extended to roles as producer, arranger and band mate. Jones superior knowledge of the American Songbook comes through via the materials economy of scale and sympathetic approach. Acoustic guitar arpeggios, contrasting breaks, bluesy harmonicas, glowing organs, R&B-tinged horns, brushed drums, and relaxed bass lines trickle throughout the songs, all distinguished by Nelsons intimate timbre and absolutely astonishing vocal expressiveness.


    In redefining and reimagining standards such as Irving Berlins Blue Skies, Hoagy Carmichaels Georgia On My Mind, and the age-old All of Meall of which landed in the Top 5 of the Country singles chartNelson wedded together pop, country, jazz, folk, and blues in a manner in which no artist had ever before done. He gained considerable rewards for his exquisite efforts: Stardust sold more than five million copies and, incredibly, stayed on the Country album charts for more than ten years.


    This is a record no one should be without. Hear the definitive analog pressing.


    This title is not eligible for discount.

    1. Stardust
    2. Georgia On My Mind
    3. Blue Skies
    4. All of Me
    5. Unchained Melody
    6. September Song
    7. On the Sunny Side of the Street
    8. Moonlight In Vermont
    9. Dont Get Around Much Anymore
    10. Someone to Watch Over Me
    Willie Nelson
    $24.99
    Vinyl LP - Sealed Temporarily out of stock
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