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  • Communique (45 RPM) (Pre-Order) (On Sale) Communique (45 RPM) (Pre-Order) (On Sale) On Sale Quick View

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    Communique (45 RPM) (Pre-Order) (On Sale)


    Smooth, Effortless, Relaxed, Tuneful, And Deceivingly Simple: Dire Straits' Communique Teems With Technical Perfectionism, Southern-Styled Grooves, And Low-Key Blues


    Reference-Level Detail, Depth, Soundstaging, Balance, And Presence: Communique Has Never Sounded Better Than On Mobile Fidelity's 180g 45RPM 2LP Version


    Mark Knopfler's Mesmerizing Textures, Intricate Lines, And Crisp Tones Pair With Engaging Storytelling And Tight Rhythms: Every Song An Example Of Understated Virtuosity


    The performances on Dire Straits' Communique are so smooth and effortless, they were originally criticized for replicating the blueprints of the band's breakout debut. Time, however, has a way of changing perspectives and exposing the truth. More than 35 years after its original release in June 1979, Communique rightfully takes its place as the group's most underrated record - a nine-track set spiked with engaging storytelling, relaxed vibes, and deceiving simplicity.


    Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP set of Communique elevates Dire Straits' sophomore album to an even higher plane. Recorded in the Bahamas by Muscle Shoals veterans Barry Beckett and Jerry Wexler, the songs benefit from a laidback approach that makes guitarist/vocalist Mark Knopfler and company's stellar playing seem even more fluent - particularly when experienced on this collector's 45RPM version, on which the wider grooves allow for more detail retrieval and deeper musical insight.


    Knopfler's mesmerizing guitar textures and composed vocals appear as if they're right in front of you, holding court amidst expansive soundstages and deep-black backgrounds. Details, imaging, and presence are on a level associated with the finest audiophile recordings. You'll be hard-pressed to find another LP with cleaner, pinpoint-accurate tones. Mobile Fidelity's LP also brings into transparent view Knopfler's seemingly perfect intricate lines as well as the simpatico accompaniment from his band mates. Whole, lively, and balanced, the bass and drums arrive with a solidity rarely heard on albums of this era. Communique has truly never sounded better.


    Of course, the audiophile sonics mean little if the artistic content is lacking. Needless to say, Dire Straits' technical perfectionism and creative elan prevail throughout. Knopfler's penchant for sketching cynical characters is further developed on moody tracks like Where Do You Think You're Going and News, while Wexler's presence at the boards ensures the band keeps the rhythms extra tight. The quartet's low-key blues and swampy, Southern-styled grooves turn every song into an exercise in understated virtuosity.


    Refusing to give into excess, magnetic tunes such as Lady Writer and Angel of Mercy split a fine line between insinuating and insisting. The group shows off a combination of control, virtuosity, and tunefulness that harkens back to a rock n' roll's classic period while also pointing the way ahead. Need indisputable evidence of Dire Straits' compositional strengths? Cue up the closing Follow Me Home on this pressing and get lost amidst the peacefulness of the gentle surf and chirping crickets that frame the song. Heavenly.


    The sequence serves as additional proof that Communique remains one of the best-sounding rock records ever made.


    This title is not eligible for further discount.

    1. Once Upon a Time in the West
    2. News
    3. Where Do You Think You're Going?
    4. Communique
    5. Lady Writer
    6. Angel of Mercy
    7. Portobello Belle
    8. Single-Handed Sailor
    9. Follow Me Home
    Dire Straits
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed PRE-ORDER Buy Now
  • Rides Again (Pre-Order) (On Sale) Rides Again (Pre-Order) (On Sale) On Sale Quick View

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    Rides Again (Pre-Order) (On Sale)


    The Joe Walsh-Led James Gang Balances Edgy Hard Rock and Sincere Country-Tinged Ballads on 1970 Classic: Rides Again Features the Radio Favorite Funk #49 and Multi-Part Bomber


    Mastered from the Original Master Tapes, Pressed at RTI, and Strictly Limited to 4000 Numbered Copies: Mobile Fidelity 180g Vinyl LP of Rides Again Presents James Gang in Full-Scale Detail


    Led by future Eagle Joe Walsh, the James Gang establishes a power-trio template for all times on its 1970 sophomore album. Home to the top-down favorite Funk #49, Rides Again sparks with a stylistic versatility, hard-rocking edge, and balladic vulnerability united by tight-knit musicianship. The quartet's penchant for crunch-laden boogies and focused jamming pours out on the first half of the record before the band pulls its trick bag out on the second half and injects keyboards into the stylistically varied mix. From start to finish, Rides Again is a 70s rock classic - and, now, one that at last features first-rate sonics to match the music.


    Recorded at the then-brand-new Record Plant, the songs sound more authoritative and fun than ever before on Mobile Fidelity's restored analog pressing. Mastered from the original analog tapes, pressed at RTI, and strictly limited to 4000 numbered copies, this 180g LP teems with involving textures, details, and depth hidden from view on prior pressings. The dimensional body and weight of the guitars, probing low-end of Dale Peters' bass lines, reedy timbre of Walsh's singing, and pacing of the crisp percussive cues are all enhanced. Increased separation between the instruments and airier, more open soundstaging add to the record's toe-tapping fun and seemingly unlimited groove quotient.


    Walsh, without question, remains the biggest draw on Rides Again. The FM radio staple Funk #49 - kick-started by the irresistible declaration I sleep all day, out all night/I know where you're goin' - continues to be identified by many as a Walsh solo tune. Yet it, as well as the sexual thrust of the head-bobbing Woman and proto-metal slash of the multi-part The Bomber, fully represents the pure chemistry and locomotive momentum of the James Gang. With Walsh's Echoplex-equipped slide guitar making psychedelic- and blues-leaning comments, his mates pick up on the direction and answer with melodic responses.


    Throughout the record, the trio's synergy clicks at every turn. Such interplay extends to the more diverse, country-tinged fare on Side B. Streaked with throaty organ passages and reflective moods, sincere midtempo ballads like Tend My Garden tease with rave-up structures and express a softer side of the group. Similarly, the acoustic-based Garden Gate and Jack Nitzsche-orchestrated Ashes the Rain and I showcase sincerity and diversity suggesting the James Gang prepared to defy limitations afforded most of its peers.


    Yet Walsh's departure in 1971 changed the group's fortunes - and, by extension, upped the value of Rides Again, which survives as a near-flawless example of earnest 70s rock and organic playing.


    This title is not eligible for further discount.

    1. Funk #49
    2. Asshtonpark
    3. Woman
    4. The Bomber
    5. Tend My Garden
    6. Garden Gate
    7. There I Go Again
    8. Thanks
    9. Ashes the Rain and I
    The James Gang
    $34.99 $31.49 Save $3.50 (10%)
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Rumor and Sigh (Pre-Order) (On Sale) Rumor and Sigh (Pre-Order) (On Sale) On Sale Quick View

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    Rumor and Sigh (Pre-Order) (On Sale)


    The Most Cohesive and Accessible Album of Richard Thompson's Career: Brilliantly Diverse, Savagely Witty Rumor and Sigh Includes All TIME 100 Song 1952 Vincent Black Lightning


    Mastered from the Original Master Tapes, Pressed at RTI, and Strictly Limited to 3000 Numbered Copies: Rumor and Sigh on 180g Vinyl 2LP for the First Time, Features Dynamic Production


    Richard Thompson manages all of his usual superhuman feats on Rumor and Sigh. Rippled, vibrant guitar lines that sound like they're coming from four guitars? Check. Lyrics that expose the delicate quirks of human behavior in witty, truthful manners? Here. Engaging vocals that arrive as if they are sung only to you, the words doubling as whispered thoughts in your own head? Yep. But Rumor and Sigh goes further by featuring astute, lively production and well-planned arrangements that turn the 1991 album into one of the - if not the - most cohesive and accessible efforts of Thompson's storied career. And now, courtesy of Mobile Fidelity, it's his best-sounding record.


    Mastered from the original master tapes, pressed at RTI, strictly limited to 3000 numbered copies, and on 180g vinyl 2LP for the first time ever to provide needed groove space, Mobile Fidelity's analog edition breathes with an effervescent openness that makes the music emerge with a livelier sheen, standout dynamics, and unstoppable energy. The dead-quiet pressing makes it immediately evident Rumor and Sigh endures as a very special album - a cohesive, varied, and fun set spiked with some of Thompson's finest compositions and an exoticism that extends to the modest use of the hurdy-gurdy, mandolin, concertina, and crumhorn.


    Casual fans will likely even recognize the Mitchell Froom-produced release includes the incomparable 1952 Vincent Black Lightning, a motorcycle-based tale of desire, love, and death rightly recognized by TIME magazine as one of its All TIME 100 songs. It, and the other 13 tracks, takes on newfound radiance that showcases the brilliant range of Thompson's instrumentation and tone. You could plug in a guitar amplifier right next to you, connect a Fender, and strum. Yet you still wouldn't have the depth, intimacy, and detail afforded by this audiophile edition. It's that remarkable.


    So is the diversity of the album's sonic signatures and themes. Opener Read About Love provides an electric-start jolt, its upbeat tempos, shimmering accents, and massive hooks framing Thompson's amusing story of an inexperienced introvert that applies pop-culture ideas of romance to the real thing. The master wordsmith finds similar ironies in the mischievous intent of I Feel So Good, a Celtic-flavored tune whose uplifting emotions contrast with the character's out-of-control desires. Humor further wriggles in the jaunty Psycho Street and spirited Don't Sit on My Jimmy Shands, an enduring tribute to the Scottish accordionist and the pursuit of collecting rare 78 records.


    The singer-songwriter's knack for accentuating biting contrast - and for delving into darker regions where jealousy, bitterness, and self-deprecation reside - pervades Rumor and Sigh in the same manner his band shades his every move with narrative skill. Just listen to the faint keyboard cues on I Misunderstood or Jim Keltner's crisp, hi-hat cracks on You Dream Too Much. Of course, everyone stands aside for the folk-leaning 1952 Vincent Black Lightning, a solo tour de force of musicianship and lyricism that confirms Rumor and Sigh survives not only as one of the finest records of the 1990s - but one of the best platters of the last three decades.


    This title is not eligible for further discount.

    1. Read About Love
    2. I Feel So Good
    3. I Misunderstood
    4. Grey Walls
    5. You Dream Too Much
    6. Why Must I Plead
    7.1952 Vincent Black Lightning
    8. Backlash Love Affair
    9. Mystery Wind
    10. Don't Sit on My Jimmy Shands
    11. Keep Your Distance
    12. Mother Knows Best
    13. God Loves a Drunk
    14. Psycho Street
    Richard Thompson
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
  • A Salty Dog (Pre-Order) (On Sale) A Salty Dog (Pre-Order) (On Sale) On Sale Quick View

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    A Salty Dog (Pre-Order) (On Sale)


    Procol Harum Fuses Classical Structures, Rock Motifs, and Sweeping Melodies with Unparalleled Virtuosity: A Salty Dog Features Ravishing Symmetry Between Piano, Organ, Guitar, and Strings


    Mastered from the Original Master Tapes for Reference-Level Sound, Clarity, and Presence: Ultra-Dynamic Mobile Fidelity 180g Vinyl LP Limited to 3,000 Numbered Copies


    A call for all hands on deck opens Procol Harum's third album, and with that command, an effort that witnesses the band coming into its own as a collective capable of fusing classical structures with rock motifs via an expertise, virtuosity, and style matched by none of its peers is on its way to making history. A Salty Dog survives as proof no other artist ever sounded like Procol Harum - while also demonstrating few collectives boasted a lineup full of such ace instrumentalists. Stacked with exploratory themes, boundary-crossing directions, and sweeping melodies, A Salty Dog proudly veers off traditional course and ventures to intrepid places forbidden to even the most thrill-seeking groups of the highly experimental era.


    Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 numbered copies, Mobile Fidelity's 180g vinyl LP takes its place as the definitive-sounding analog version of the record. The intertwined symmetry between organist Matthew Fisher and pianist Gary Brooker, central to every song on the set, gets revealed with newfound detail, openness, and clarity. Produced by Fisher, A Salty Dog now resonates with a presence and immediacy stunted on prior editions. The full-bodied tones, front-to-back imaging, and grand dynamics inherent on this audiophile edition elevate the 1969 favorite to landmark status. In addition, the evocative cover art, which pays homage to the Player's Navy Cut logo, is reproduced in faithful-to-the-original fashion.


    The cinematic breadth of the sonics parallels the scope of the bold arrangements, which include strings, recorders, bells, celeste, and a myriad of guitars. Brooker and Fisher split vocal duties, save for on Crucifiction Lane, which boasts a rare lead from marvel-in-the-making Robin Trower. The latter's prodigious guitar lines add another distinctive element to the compositions and further up the ante of the interplay between Brooker and Fisher. Trower accents tracks such as the topsy-turvy The Milk of Human Kindness with bluesy vibes and jolts Juicy John Pink by way of jukejoint energy. Not to be outdone, B.J. Wilson's still-unsung percussion draws from R&B and swing techniques to supply a natural albeit firm footing.


    For all the proficient playing and narrative storytelling, the most impressive feat surrounding A Salty Dog remains its accessible complexity and relative modesty. Procol Harum never comes across as pretentious, self-indulgent, or contrived. Anchored by Fisher's unique Hammond M102 organ riffs, the works function as a summation of their parts. Tunes like Wreck of the Hesperus serve as wondrously varied tapestries stitched with swelling chamber rhythms, barbed thickets of distortion, and thundering progressions. It's a ravishing picture of majestic subtlety and sheer power.


    NME wrote shortly after the record's release that the most exciting facet of this tremendous album is not so much that it contains the Procols' best recorded works to date, but that their potential is still nowhere near being fully spent. Rolling Stone concurred, observing, 'Too Much Between Us' is the kind of song you can float away on - its background and vocal of marimba and acoustic guitar in a perfectly understated waltz-time are beautifully ethereal.


    A notable footnote, Fisher departed Procol Harum shortly after the release of A Salty Dog, permanently impacting the band's trajectory and sound. His performances here are just one reason this inimitable album carries sway nearly five decades after its release.


    This title is not eligible for further discount.

    1. A Salty Dog
    2. The Milk Of Human Kindness
    3. Too Much Between Us
    4. The Devil Came From Kansas
    5. Boredom
    6. Juicy John Pink
    7. Wreck Of The Hesperus
    8. All This And More
    9. Crucifiction Lane
    10. Pilgrim's Progress
    Procol Harum
    $34.99 $31.49 Save $3.50 (10%)
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Get The Knack (Pre-Order) (On Sale) Get The Knack (Pre-Order) (On Sale) On Sale Quick View

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    Get The Knack (Pre-Order) (On Sale)


    One of the Most Instantly Successful and Highest-Selling Debut Albums in History: The Knack's Attitudinal Get the Knack Loaded With Power Pop, Catchy Hooks, Keen Melodies, and My Sharona


    Mastered from the Original Master Tapes, Pressed at RTI, and Strictly Limited to 3000 Numbered Copies: Mobile Fidelity 180g LP of Get the Knack Teems with Abundant Energy


    Most everyone knows The Knack's Get the Knack because of the ubiquitous smash My Sharona, a contagious hit that still plays countless times everyday on radio stations nationwide. But the appeal and significance of the Los Angeles quartet's 1979 debut extend far beyond the career-making single. Loaded with tight power pop, hummable hooks, blunt lyrics, and precision playing, the controversy-igniting Get the Knack resonates with an ageless freshness that's influenced everyone from Kurt Cobain to modern indie artists such as the Mountain Goats.


    Mastered from the original master tapes, pressed at RTI, and strictly limited to 3000 numbered copies, Mobile Fidelity's 180g LP of Get the Knack brings the record's urgent harmonies, keen melodies, bell-clear tones, and snapping percussion out of the shadows and into the limelight. Graced with large-scale frequency extension and ample separation, the Knack's feisty music now teems with added energy, body, and immediacy. Absent the dynamic compression that squelched previous reissues, this numbered limited-edition audiophile analog version blossoms with detail, openness, and brashness. A guilty pleasure to some and new-wave classic to many others, Get the Knack is so attitudinal it spawned one of the industry's most famous backlashes.


    Released by Capitol Records after the Knack courted a dozen other offers, the 12-track set remains one of the most instantaneously successful debuts ever made. Aided by tongue-in-cheek marketing, a sly cover-art reference to the Beatles' Meet the Beatles, and Mack Truck-sized refrains that stick in your head for hours, Get the Knack went gold in days and, to date, has sold more than five million copies. The meteoric rise didn't sit well with detractors committed to ripping apart the band for its perceived arrogance (members refused to sit for interviews) and alleged misogynist stance. Needless to say, the boycotting campaigns fell on deaf ears.


    Holding down the top of the singles chart for six weeks, and the eventual number-one single on the year-end 1979 chart, My Sharona alone cemented the Knack's position in history. Written by lead singer and guitarist Doug Fieger about his lust for the then-underage 17-year-old Sharona Alperin, who ultimately became his fiancÉe, the anthem's suggestive themes carry throughout the record. Straightforward in its sleaziness and sexuality, Get the Knack pulls no punches about teenage frustrations, boy-girl one-upsmanship, sticky sweet romance, and unrequited passions for the opposite sex.


    Teasing, mischievous tracks such as (She's So) Selfish connect with Bo Diddley-inspired riffs and crude, hormonally charged lines that split the difference between manipulation, nastiness, and arousal. The Top 15 hit Good Girls Don't similarly confronts the pent-up carnal desires and libidinous emotions shared by youth of all generations, while That's What the Little Girls Do functions as a sly response. Your Number or Your Name dabbles in related subject matter, with sensitivity and hopefulness added for good measure. It's a perfect mix of agony and ecstasy, fear and confidence.


    Shot-through with yearning, every song bursts forth with undeniable catchiness, firecracker release, and sassy style - an approach Rolling Stone rightly says finds the band [winding] itself tighter than a hot pair of disco jeans, then [doing] its best to hold to that energy until its time to explode.


    This title is not eligible for further discount.

    1. Let Me Out
    2. Your Number or Your Name
    3. Oh Tara
    4. (She's So) Selfish
    5. Maybe Tonight
    6. Good Girls Don't
    7. My Sharona
    8. Heartbeat
    9. Siamese Twins (The Monkey and Me)
    10. Lucinda
    11. That's What the Little Girls Do
    12. Frustrated
    The Knack
    $34.99 $31.49 Save $3.50 (10%)
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Shady Grove (Pre-Order) (On Sale) Shady Grove (Pre-Order) (On Sale) On Sale Quick View

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    Shady Grove (Pre-Order) (On Sale)


    A Natural, Acoustic Portrait of American Folk, Country, and Bluegrass Standards by Two Virtuosos: Jerry Garcia and David Grisman's Shady Grove Filled with Endearing Joy and Spirited Playing


    Mastered from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity 180g 2LP Set Sounds Incredibly Realistic, Features Deluxe Booklet in Gatefold Jacket


    Jerry Garcia began recording with longtime friend David Grisman at the beginning of the last decade of his life, the refreshing excursions marking a full-circle return to the roots fare the white-bearded virtuoso originally performed before co-founding the Grateful Dead. Garcia's dalliances with Grisman also served another equally important purpose given they provided a much-needed outlet from the demanding pressures, schedules, and business affairs associated with his main band. The endearing joy, contagious enthusiasm, and free-spirited playing on Shady Grove attest to the collection serving as not only the finest musical snapshot of Garcia's final years, but among the best of his storied career.


    Mastered from the original master tapes, available on vinyl for the first time, and strictly limited to 3,000 numbered copies, Mobile Fidelity's 180g 2LP set presents the 1996 collection in exquisite sound. Originally recorded at Dawg Studios between August 1990 and June 1993, Shady Grove bowed as the first release of Grisman-Garcia collaborations in the wake of the iconic guitarist's August 1995 death - and remains, by way of its genre-specific organization, a passionate albeit naturally relaxed portrait of folk, country, and bluegrass standards that provide the foundation of American songbook. To experience it all in such brilliant fidelity is to pull up a chair at the sessions themselves and enjoy a transparent view into lasting tradition and instrumental virtuosity.


    Entirely unplugged, the material emerges in three-dimensional detail on this very special audiophile pressing, the wooden tones and organic textures unfolding with wondrous openness, ease, and realism. Nothing is forced, brittle, or exaggerated. What you hear is on par with the acoustics you'd encounter at a world-class hall. Garcia and Grisman's clean, rustic picking on guitar, banjo, mandola, and mandolin harbors a rare intimacy mirrored by an equally uncommon chemistry evident by the seamless interplay.


    These traits remain in tact even when the soul mates are occasionally joined by pals such as Jim Kerwin (acoustic bass) and Joe Craven (fiddle and percussion). Garcia's singing, replete with the slight, graceful, dignified shakiness that forever defined his deliveries, comes across with utmost purity and transparency. Emotions and eagerness pour over every note. At the end of several tracks, Garcia and company exchange remarks and laughter - all indicative of the camaraderie, looseness, and spirit that carries through each tune here.


    Mobile Fidelity's audiophile edition of Shady Grove also features the kind of deluxe packaging only the best physical media can provide. Sixteen 12-inch x 12-inch pages bound to the gatefold jacket provide extraordinary insight into the songs, atmosphere, and history. Images of artifacts and telling photos serve as a visual guide. New Lost City Ramblers member John Cohen pens extensive liner notes that reveal the lasting importance and timelessness of the tunes herein. Among his observations:


    Jerry and David's performances of these traditional folk songs and ballads reconnect us all - folk singers, Deadheads, university students, hillbillies, country and western musicians - with the America [poet Kenneth] Rexroth wrote about; that [Carl] Sandburg wrote about; that the cynicism of American wars and politics, culture wars and culture politics just couldn't destroy.


    Indeed, the versions of barn-dance tunes (Shady Grove), jug-band standards (Stealin', also performed in the early days of the Grateful Dead), Delta ballads (Louis Collins), Civil War era fare (The Sweet Sunny South), and campfire songs (Down in the Valley) here astound with depth, soulfulness, and warmth. Deadheads will also find Garcia and Grisman putting a spin on two more tracks - Casey Jones and Jackaroo - long part of the iconic group's repertoire. In countless ways, Shady Grove is not to be missed, particularly on this unsurpassed pressing.



    This title is not eligible for further discount.

    1. Shady Grove
    2. Stealin'
    3. Off to Sea Once More
    4. The Sweet Sunny South
    5. Louis Collins
    6. Fair Ellender
    7. Jackaroo
    8. The Ballad of Casey Jones
    9. Dreadful Wind and Rain
    10. I Truly Understand
    11. The Handsome Cabin Boy
    12. Whiskey in the Jar
    13. Down in the Valley
    14. Hesitation Blues
    Jerry Garcia And David Grisman
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Making Movies (45 RPM) (Pre-Order) (On Sale) Making Movies (45 RPM) (Pre-Order) (On Sale) On Sale Quick View

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    Making Movies (45 RPM) (Pre-Order) (On Sale)


    Dire Straits Expand Musical Framework And Come Into Own On Making Movies: Co-Produced By Jimmy Iovine, Thematic Album Soars With Personal Songwriting And Epic Arrangements


    Cinematic Landscapes And Intricate Passages Sound Sublime: Mobile Fidelity 45RPM 2LP Pressing Of Making Movies Mastered From Original Master Tapes, Features Audiophile Dynamics


    Bruce Springsteen Pianist Roy Bittan, Mark Knopfler's Guitar Playing, And Passionate Performances Turn Making Movies Into A Classic: Includes Romeo And Juliet, Tunnel Of Love, Solid Rock


    Making Movies marks a magnificent turning point in Dire Straits' career. Considered by many fans to be the group's most complete album, the 1980 set witnesses leader Mark Knopfler greatly expanding his songwriting palette and setting his storytelling amidst more complex, involving arrangements. Dire Straits also benefits from crucial contributions from Bruce Springsteen pianist Roy Bittan and the departure of rhythm guitarist David Knopfler. The songs spark with a mÉlange of poetry, passion, and cohesion that engages the senses and begs to be experienced again and again.


    Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP set of Making Movies breathes with reference-caliber airiness, spaciousness, dynamics, and separation. Produced by Jimmy Iovine and Knopfler, the record - which contains many Springsteen-esque elements - features the cleanliness and clarity that have long been Dire Straits trademarks. The extra-wide 45RPM grooves on this edition provide previously unattainable detail, information, and soundstaging. This is what audiophile recordings are all about.


    You know you're in the presence of sonic greatness as soon as the first few seconds of the opening Tunnel of Love pass, as the introductory passage built on organ and piano - new additions to Dire Straits' palette - intertwine with the unmistakable coil-spring twang of Knopfler's guitar. The three-dimensional, full-bodied presentation of the latter instrument on this Mobile Fidelity LP is alone worth the price of admission. Crisp, rich, and balanced, the analog sound brings Knopfler's Fender Vibrolux and Music Man HD130 amplifiers into your room. The romanticism of Bittan's piano, precision timekeeping of drummer Pick Withers, and steady roll of bassist John Illsley come across with similar potency, scale, and verve.


    Always more about the whole than the sum of their individual parts, Dire Straits demonstrate that while Knopfler is the lynchpin, this record is a true band effort. Bittan's role cannot be overstated. His melodicism poetically complements Knopfler's subtle staccato rhythms and more than makes up for the exit of David Knopfler. Expansive and cinematic, the aptly titled Making Movies puts a premium on interrelated subjects (love, relationships, heartbreak) and deep-seated emotions that play out in heartfelt lyrics, intense singing, and epic frameworks. Everything clicks.


    The album's power isn't lost on Iovine, who later told Rolling Stone: The right people were in the room together. It really was making a record in the pure sense of the term. The whole thing sounds like one song. But you what that is? That's the writing, the guy who wrote it. He wrote the album like that; he wanted to make the album like that.


    Indeed, the first five tracks - Tunnel of Love, Romeo and Juliet, Skateaway, Expresso Love, Hand in Hand - comprise a mini-suite united by theme, harmony, and spirit. Every member of the newly configured Dire Straits has a say in the shaping of the material. There's not a note out of place. Iovine and Knopfler's standout production puts it over the top.


    This title is not eligible for further discount.

    1. Tunnel of Love
    2. Romeo and Juliet
    3. Skateaway
    4. Expresso Love
    5. Hand in Hand
    6. Solid Rock
    7. Les Boys
    Dire Straits
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed PRE-ORDER Buy Now
  • Heart Like A Wheel (Pre-Order) (On Sale) Heart Like A Wheel (Pre-Order) (On Sale) On Sale Quick View

    $34.99 $31.49 Save $3.50 (10%)

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    Heart Like A Wheel (Pre-Order) (On Sale)


    Linda Ronstadt's 1974 Breakthrough Remains a Paragon of Extraordinary Performance, Arranging, and Songwriting: Heart Like a Wheel Features an All-Star Instrumental Cast and Singer at Her Best


    Audiophile Clarity, Profound Depth, Lifelike Naturalism, and Transfixing Warmth: Numbered, Limited-Edition Mobile Fidelity 180g LP Meticulously Mastered for Supreme Sound


    How to put the ageless appeal, artistic splendor, and imaginative instrumental variety of Linda Ronstadt's Heart Like a Wheel in proper perspective more than four decades after its original release? For starters, the 1974 landmark earned three major Grammy nominations and won for Best Country Vocal Performance - Female. But that feat pales in comparison to what the record did for Ronstadt, who became the decade's most in-demand, multifaceted, and cherished female singer soon after it captured the public's attention. Or the fact that it remains a paragon of songwriting, arrangement, and performance - a trifecta that still holds sway in this era or any. Mobile Fidelity's reissue puts it over the top to stay.


    Mastered on Mobile Fidelity's world-renowned mastering system and pressed on dead-quiet 180g vinyl at RTI, this LP reissue presents Heart Like a Wheel with astounding clarity, depth, and naturalism. Still the most difficult instrument to accurately capture, the female voice is here conveyed with transfixing realism, warmth, and feeling. The inner beauty of Ronstadt's flawless phrasing and passionate inflections bears out with obvious candor, her tonality and emotiveness pouring through every lyric and wordless expression.


    Yet the advantages of this limited, numbered-edition audiophile version extend far beyond the intimacy afforded Ronstadt's singing. Specifically, the majesty of Peter Asher's crafty arrangements now come to life like never before. Free of the fatiguing high frequencies and flat, dull responsiveness inherent on previous remasters and the original Capitol issue, respectively, this 180g LP sets the sonic standard and lets the extraordinary instrumental blends blossom with openness, airiness, and organic textures.


    While Ronstadt's interpretive skills and stunning vocals remain front and center, the all-star cast of California-based musicians that helped transform Heart Like a Wheel into a 1970s mainstream pop-rock staple - and a lasting example of the period's laid-back West Coast sound - cannot be forgotten. Glenn Frey, Don Henley, Emmylou Harris, Maria Muldaur, Herb Pedersen, David Lindley, J.D. Souther, and Andrew Gold are just a few of the luminaries that ensure the Billboard chart-topping set rests on an unassailable foundation. Asher puts everything in the right place and, in concert with the headliner, chooses a repertoire of standards that both shakes up traditions and pays homage to them.


    The other secrets to the record's distinctiveness lie with Ronstadt's versatility and passion, her uncanny ability to inhabit every lyric with conviction and believability, and her graceful technique. As Stephen Holden stated in his rave review of the album for Rolling Stone in early 1975, No other pop singer so perfectly embodies the Western mythical girl/woman, heartbroken yet resilient and entirely feminine in the traditional sense. There is a throbbing edge to Ronstadt's honey-colored soprano that no other singer quite possesses - the edge between vulnerability and willfulness that I find totally, irresistibly sexy.


    Ronstadt indeed proves seductive and inviting throughout, whether on the bluesy reading of Clint Ballad Jr.'s You're No Good, harmony-rich treatment of Hank Williams' I Can't Help It (If I'm Still in Love with You), folk-rock lilt of Lowell George's Willin', or soulful send-up of Phil Everly's When Will I Be Loved? Complete with piano, double bass, cello, viola, and fiddle, as well as support vocals from Muldaur, the cover of Anna McGarrigle's title track reinforces the one-of-a-kind expanse and all-for-one chemistry evident throughout the double-platinum effort - the kind of record they just don't make anymore.


    This title is not eligible for further discount.

    1. You're No Good
    2. It Doesn't Matter Anymore
    3. Faithless Love
    4. The Dark End of the Street
    5. Heart Like a Wheel
    6. When Will I Be Loved
    7. Willin'
    8. I Can't Help It (If I'm Still in Love with You)
    9. Keep Me from Blowing Away
    10. You Can Close Your Eyes
    Linda Ronstadt
    $34.99 $31.49 Save $3.50 (10%)
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Dire Straits (45 RPM) (Pre-Order) (On Sale) Dire Straits (45 RPM) (Pre-Order) (On Sale) On Sale Quick View

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    Dire Straits (45 RPM) (Pre-Order) (On Sale)


    Dire Straits' Self-Titled 1978 Debut Distinguished By Jazz-Inflected Mix Of Folk, Blues, Country, And Rock: Guitarist Mark Knopfler Displays Uncanny Precision, Intricacy, And Texture


    Mastered From The Original Master Tapes And Pressed At RTI For Optimal Sound: Mobile Fidelity 45RPM 2LP Set Engages With Natural Tones, Superb Balances, Reference Imaging, Sterling Clarity


    Breakout Dire Straits Album Includes Sultans Of Swing And Down To The Waterline: Band's Shuffles, Boogies, And Ballads Spark With Crispness, Soulfulness, Coolness


    Dire Straits' arresting self-titled debut arrived in the midst of punk's reign but couldn't have been further removed from the era's slash-and-burn style. Recorded in West London in February 1978, the band's tasteful, jazz-inflected set embraces folk, blues, and pub rock while also tracing a direct line back to the beat-oriented sound of early rock n' roll. Country and roots accents further distinguish the British quartet's stripped-down music from any 1970s peers, as does the transparent production, which has remained revered among audiophiles the world over - and which has never been better than on this meticulous analog pressing.


    Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP version of Dire Straits features natural tonalities, superb balances, you-are-there imaging, deep-black backgrounds, and pristine clarity. Even if you've heard this album hundreds of times before, you've never experienced it with such lifelike sonics and premium richness. This numbered, limited-edition collector's set immerses you within the smoky, laidback atmospherics of every song. This is how all vinyl should sound.


    Crucial to every arrangement, Mark Knopfler's winding guitar lines emerge with supreme transparency and multi-hued textural detail. His intricate playing comes across as if it's being transmitted via his 60s-era Fender Vibrolux amplifier placed right before you. The cleanliness, dimensions, and live feel are that good. His bandmates, too, benefit from the extra groove space afforded by this 45RPM edition. Rhythms skate and swirl; percussive effects resonate with crispness and attack; the leading edges of notes naturally decay.


    Dire Straits' strong, well-edited batch of original material further enhances the overall enjoyment and makes the record one whose pleasures go far beyond the organic sonics. Just as Knopfler's narratives pour forth with poetic and surrealist texts, the musical settings - an intoxicating combination of easygoing shuffles, back-hall boogies, and pop-honed ballads - mirror the old-fashioned soulfulness inherent in the classic recordings of the late 50s and early 60s. The lyrics are equally captivating.


    Drawing from his time as a youth in Newcastle, Leeds, and London, Knopfler invests tunes with an autobiographical slant and emotional connectivity that become obvious the moment he opens his mouth to sing. Down to the Waterline, Wild West End, and Lions all feature colloquial touches that add to their reach. By extension, In the Gallery functions as a tribute to Leeds sculptor Harry Phillips (father of future Knoplfer collaborator, Steve Phillips) while the record's breakout smash, Sultans of Swing, pays homage to struggling bar bands.


    Through it all, Dire Straits performs with a subtle cool and clever poise that no band ever matched. Just how good is the chemistry? Bob Dylan heard the quartet and invited Knopfler and drummer Pick Withers to play on Slow Train Coming. But even Dylan himself didn't hear Dire Straits sound this magnetic back in its original heyday. Now, everyone can.


    This title is not eligible for further discount.

    1. Down to the Waterline
    2. Water of Love
    3. Setting Me Up
    4. Six Blade Knife
    5. Southbound Again
    6. Sultans of Swing
    7. In the Gallery
    8. Wild West End
    9. Lions
    Dire Straits
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed PRE-ORDER Buy Now
  • Breakfast In America (Pre-Order) (On Sale) Breakfast In America (Pre-Order) (On Sale) On Sale Quick View

    $34.99 $31.49 Save $3.50 (10%)

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    Breakfast In America (Pre-Order) (On Sale)


    Supertramp's Blockbuster Features Catchy Hooks, Rhapsodic Melodies, Symphonic Bluster, Meticulous Production: Breakfast in America Includes The Logical Song, Take the Long Way Home


    Mastered from the Original Master Tapes for Supreme Sonics: Mobile Fidelity's 180g Vinyl LP Presents the Record's Famed Dynamics, Colors, Tones, and Instrumentation in Full-Range Glory


    Supertramp's Breakfast in America has it all: Illustrious artwork. Sing-a-long hooks. Contagious melodies. Symphonic bluster. Rhapsodic thrust. Signature Wurlitzer electric piano sounds. Two Grammy Awards, including one for Best Engineered Album. More than 20 million copies sold. Four Billboard hit singles that continue to dominate radio airplay today. Every aspect of the chart-topping art-rock set screams blockbuster, not the least of which is the production, the result of painstaking studio setups and months of mixing. Now, you can experience the sonic brilliance in unprecedented clarity on Mobile Fidelity's definitive analog reissue.


    Mastered from the original master tapes and pressed at RTI, this numbered, limited-edition 180g LP wrings out the record's dynamics, colors, and tones in all their full-range glory. Absent artificial ceilings, Breakfast in America unfolds with an expansiveness and radiance that parallels the vibrancy of its iconic New York-themed cover. Crucial traits such as imaging, separation, balance, transients, and openness achieve near-epic levels of realism and presence. Songs unfold and breathe on mammoth soundstages that put the effort's legendary production - and stellar playing - into proper perspective. The 1979 set has been reissued multiple times in the past, but it's never sounded so engaging, lifelike, or entertaining. If you think you know the record backwards and forwards, wait until you hear this version.


    Indeed, aside from the undeniably catchy nature of the ten tracks, fun remains the most central element of Breakfast in America. The band even titled the record to fall in line with the overall joyful feeling of the material. About the latter: Few late 1970s rock albums feature a more cohesive, harmony-drenched parade of stunningly executed, wondrously arranged works. The collective offspring of members Rick Davies and Roger Hodgson, each tune reflects the creative pulses of each musician, with the resultant contrasts lending to their appeal. Davies' penchant for grittier, bluesy strands blends with Hodgson's witty, pop-leaning techniques. The combination proves unstoppable.


    Home to a quartet of commercial staples - The Logical Song, Goodbye Stranger, Take the Long Way Home, and the title track - Breakfast in America teems with arena-sized drama, meticulous craftsmanship, and mesmerizing refrains. Shrewd lyrical turns abound, whether on the phonetic, adjective-stacked The Logical Song, life-in-America portrait Child of Vision, or move-to-L.A. saga Gone Hollywood. U.S. references also dot the smash title track, which reflects the glib humor, romantic fantasies, and pop culture permeating the record.


    Breakfast in America also retains its vitality because of its expert instrumentation and placement. Deemed a a textbook-perfect album of post-Beatles, keyboard-centered English art rock that strikes the shrewdest possible balance between quasi-symphonic classicism and rock & roll by Rolling Stone shortly after its release, the record serves as a blueprint of reference-setting production and mixing. Check the scorching guitar outro on Goodbye Stranger, gospel accents on Lord Is It Mine, saxophone lines on Take the Long Way Home, or chemistry of the choruses on basically every piece here. It's enough to make one long for the 70s again.


    This title is not eligible for further discount.

    1. Gone Hollywood
    2. Logical Song, The
    3. Goodbye Stranger
    4. Breakfast in America
    5. Oh Darling
    6. Take the Long Way Home
    7. Lord Is It Mine
    8. Just Another Nervous Wreck
    9. Casual Conversations
    10. Child of Vision
    Supertramp
    $34.99 $31.49 Save $3.50 (10%)
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Chicken Skin Music (Pre-Order) (On Sale) Chicken Skin Music (Pre-Order) (On Sale) On Sale Quick View

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    Chicken Skin Music (Pre-Order) (On Sale)


    Give Yourself Goosebumps: Ry Cooder's Cross-Cultural Chicken Skin Music Mixes Hawaiian, Gospel, Conjunto, Folk, and Blues Styles into a Visionary Roots-Music Tapestry


    Mastered from the Original Master Tapes, Pressed at RTI, and Strictly Limited to 3000 Numbered Copies: Natural-Sounding 180g Vinyl LP Features Defined Textures, Intricate Details, Ample Airiness


    The title of Ry Cooder's Chicken Skin Music - Hawaiian slang for goosebumps - serves as a direct, simple description of the album's emotional appeal. But it barely scratches the surface of a 1976 effort that triggered an interest in world music a decade before the term became commonplace and a genre into and of itself. Part of a series of inimitable mid-1970s records on which Cooder ignored traditional boundaries and instigated lasting cross-cultural communication, Chicken Skin Music blends gospel, Hawaiian, folk, blues, and Tex-Mex styles into a brilliant roots stew distinguished with virtuosic playing and inspired contextual surprises.


    Mastered from the original master tapes, pressed at RTI, and strictly limited to 3000 numbered copies, Mobile Fidelity's 180g vinyl LP of Chicken Skin Music brings the brilliant instrumental textures and lively tonalities to the fore like no prior analog edition. Graced with silent, black backgrounds and generous soundstages, this reissue particularly underscores the depth of Flaco Jimenez's accordion contributions. You'll hear the air flowing through the reeds, pressure resonating from the bellows, and the wide-spanning timbres emanating from the register stops.


    Equally transfixing are the lifelike manners in which the rich assortment of guitars come alive, with each note occupying its own space and portraying a character unique to the individual instrument, be it a slack-key, steel, or acoustic guitar. The result is a multi-detailed, organic-sounding musical tapestry that dazzles by way of beautiful interplay, unexpected dialogue, and connective eclecticism that proves music is indeed a common language when executed with a collaborative mindset, innovative exploration, and respectful authenticity - no easy feats, but achievements fully on display on Chicken Skin Music.


    Jimenez, now a legend that's performed with everyone from the Rolling Stones to Dr. John, remains one of the keys to Cooder being able to successfully carry out what the latter deemed a mutuality in music vision. Cooder first heard conjunto accordion fare on a Mexican radio station in his car and proceeded to teach himself the instrument while committing himself to embracing the then-local, regionalized style for the set that became Chicken Skin Music. Jimenez graces three tracks, including a ravishing interpretation of Ben E. King's Stand by Me transformed into a spiritual grounded by a norteno structure and a romantic take on Jim Reeves' He'll Have to Go recast with a bolero rhythm and saxophone-accordion duet.


    Chicken Skin Music isn't limited to South of the Border geography and tradition. Steel-guitarist and vocalist Gabby Pahinui and slack-key guitar great Atta Isaacs represent the 50th state on stripped-down renditions of Hank Snow's smash Yellow Roses and the wordless Chloe. Elsewhere, gospel singers team with Cooder on the Appalachian-tinted Always Lift Them Up, the midsection of which features the Hawaiian standard Kanaka Wai Wai.


    Cooder bookends everything with a pair of Leadbelly numbers - The Bourgeois Blues and Goodnight Irene - chosen after the headliner witnessed Jimenez and his band perform at a local dance. Given their ordering on the album, techniques they employ, and themes, the songs also further tighten the thematic connection the headliner makes with the standout guests. In many ways, Chicken Skin Music is the equivalent of Buena Vista Social Club more than 20 years before the latter emerged. Experience it the way Cooder and company meant it to be heard - in unparalleled fidelity.


    This title is not eligible for further discount.

    1. The Bourgeois Blues
    2. I Got Mine
    3. Always Lift Him Up/Kanaka Wai Wai
    4. He'll Have to Go
    5. Smack Dab in the Middle
    6. Stand by Me
    7. Yellow Roses
    8. Chlo-e
    9. Goodnight Irene
    Ry Cooder
    $34.99 $31.49 Save $3.50 (10%)
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Aretha's Gold (Pre-Order) (On Sale) Aretha's Gold (Pre-Order) (On Sale) On Sale Quick View

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    Aretha's Gold (Pre-Order) (On Sale)


    Astonishing Collection of The Queen of Soul's Greatest Songs for Atlantic Records: Aretha's Gold Includes Nine Top Ten Hits: Respect, Chain of Fools, and Think Among Them


    Mastered from the Original Master Tapes and Pressed at RTI: Breathtaking Sonics on Mobile Fidelity 180g 45RPM 2LP of Aretha's Gold Get to the Heart of Franklin's Range, Emotions, Expressiveness


    Aretha Franklin made her Hall of Fame reputation at Atlantic Records between 1967-1968. This astonishing two-year period witnessed the singer score nine Top 10 hits and define soul music, a era chronicled on Aretha's Gold. Pairing with producer Jerry Wexler and a flawless Muscle Shoals studio band, Franklin unleashed bolder sides of her artistry kept under wraps during her tenure at Columbia. The rest is history - a history that, until now, has never been in heard in true audiophile sound. And if there's any voice you want to experience to the most realistic extent, it's that of the vocalist Rolling Stone crowned the Greatest Singer of All Time.


    Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP of Aretha's Gold presents Franklin's most seminal early Atlantic songs with reference-standard sonics. Finally, hear the full range of the Queen of Soul's depth, reach, and expressiveness. Complementing her timeless classics with tremendous dynamics, restored balances, and stunning clarity, this collectible analog set sheds new light on Franklin's power and technique, honesty and confidence, enunciation and directness.


    Hear why Franklin is even better than you likely think or remember. You just haven't been able to hear the Detroit native on a format that mirrors exactly what went down in the studios when she recorded songs that, to this day, remain the bar by which all other singers are measured. The same goes for Franklin's backing band, known as the Swampers, whose instrumental savvy, feel, and textures are so unique, the group is credited with creating its own style: The Muscle Shoals Sound. On this vinyl edition of Aretha's Gold, experience every picked guitar note, brushed snare, and fluid bass line. Seldom has a band and vocalist ever made a more formidable, memorable, and emotional combination.


    The evidence plays out across these 14 songs, each a soul landmark, each unforgettable thanks to Franklin's impassioned performances and empowering attitude. The Sweet Impressions (Franklin's backing vocalists) and sweeping string arrangements bolster the foundation, but the material belongs to Franklin. A veritable hit parade, the track listing on Aretha's Gold reads like a dictionary of soul.


    I Never Loved a Man (The Way I Loved You), Respect, (You Make Me Feel Like) A Natural Woman, Chain of Fools, Since You've Been Gone (Sweet Sweet Baby), Think, The House That Jack Built, I Say a Little Prayer, Baby I Love You: All Top 10 hits. Plus five more tunes, including a riveting cover of Sam Cooke's You Send Me, that charted.


    You know the songs by heart. You know the voice by memory. But you've never quite known them so intimately. Aretha's Gold on Mobile Fidelity gives the Queen the royal treatment she deserves.


    This title is not eligible for further discount.

    1. I Never Loved a Man (The Way I Love You)
    2. Do Right Woman-Do Right Man
    3. Respect
    4. Dr. Feelgood
    5. Baby, I Love You
    6. (You Make Me Feel Like) A Natural Woman
    7. Chain of Fools
    8. Since You've Been Gone (Sweet Sweet Baby)
    9. Ain't No Way
    10. Think
    11. You Send Me
    12. The House That Jack Built
    13. I Say a Little Prayer
    14. See Saw
    Aretha Franklin
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed PRE-ORDER Buy Now
  • Love Over Gold (45 RPM) (Pre-Order) (On Sale) Love Over Gold (45 RPM) (Pre-Order) (On Sale) On Sale Quick View

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    Love Over Gold (45 RPM) (Pre-Order) (On Sale)


    Dire Straits Stretch Out With Extended, Ambitious Arrangements And Moody Atmospherics: Love Over Gold Mesmerizes With Tension, Contrast, Interplay, And Craftsmanship


    Mobile Fidelity 45RPM 2LP Set Of Love Over Gold Touts Unsurpassed Spaciousness, Imaging, And Transparency: Mastered From The Original Tapes, Music Emerges With New Details And Tones


    Love Over Gold Includes The Epic Telegraph Road And Aching Private Investigations: Heartfelt Narrative Songs Steeped In Patience, Drama, Sadness, And Romance


    Love Over Gold is all about contrast, tension, and crafty composition. Dire Straits' fourth album finds the band continuing to evolve by welcoming increasingly bold arrangements and exploring moody variations. Parts edgy and sharp, and part seductive and relaxed, the five lengthy songs on Love Over Gold sprawl out like a long, winding road cutting through a pastoral landscape. The addition of a new rhythm guitarist, Hal Lindes, encourages deeper atmospheric interplay while the presence of engineer Neil Dorfsman - his first appearance in what would be a long string of collaborations with Mark Knopfler - ensures stunning sonic properties that now come to life like never before.


    Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP version of Love Over Gold teems with superb balances, front-to-back soundstages, and crystalline purity. The dead-quiet surfaces and extra-wide grooves bring forward previously obscured details, extra information, and mastering-studio-quality transients. The distinctive textures of a host of instruments - marimbas, acoustic and electric guitars, vibes, synthesizers - further enhance the ambitiousness of the 1982 album.


    On this audiophile pressing, everything Knopfler does seemingly turn to gold. Gearheads will hear the unique characteristics afforded by his use of a Mesa Boogie Mark II guitar amplifier (soon again employed on Brothers in Arms) and carefully chosen selection of Schecter Stratocasters, 1937 National steel guitar, and Ovation six- and twelve-string models. Reference-level separation and lifelike imaging place Knopfler and company in your room, while tube-like warmth, spaciousness, and airiness causes the music to breathe anew. This LP will be in your rotation for months.


    It doesn't take long to realize Love Over Gold is like no other Dire Straits album - and a staunch proclamation of independence from a band that continued to take longer creative strides with each successive project. Fearlessly extending over metaphoric hills, valleys, and plains for nearly 14-and-a-half minutes, the opening Telegraph Road is a guitar hero's dream and exhilarating showcase for Lindes' give-and-take capabilities. In tandem with keyboardist Alan Clark, Lindes provides the ideal foil for not only Knopfler but the long-time rhythm section of bassist John Illsley and drummer Pick Withers.


    Taking its time to arrive at destinations, the quintet paints evocative musical and lyrical portraits steeped in patience, drama, and, often times, sadness. Desolate emotions color the sweeping Telegraph Road and barren Private Investigations, which finds Knopfler in the role of a tired private eye contemplating the emptiness and scars of his profession. Vocally, the Dire Straits leader remains in top form throughout, his whiskey-coated rasp conveying romantic ache, ongoing frustration, and what Rolling Stone beautifully deemed wracking schizophrenia between the heart and the heartless, the loving and the pain.


    Called Dire Straits' prog-rock statement, Love Over Gold is a classic that defies labeling and avoids aging.


    This title is not eligible for further discount.

    1. Telegraph Road
    2. Private Investigations
    3. Industrial Disease
    4. Love Over Gold
    5. It Never Rains
    Dire Straits
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed PRE-ORDER Buy Now
  • Bob Dylan (Mono) (Pre-Order) (On Sale) Bob Dylan (Mono) (Pre-Order) (On Sale) On Sale Quick View

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    Bob Dylan (Mono) (Pre-Order) (On Sale)

    Bob Dylan On Numbered Limited Edition 180 Gram Mono 45RPM 2LP From Mobile Fidelity


    Understated 1962 Debut Launched Immeasurably Influential Career


    Album Stands as Clearest Connection to Dylan's Purist Folk Roots


    Ghosts of Woody Guthrie and Blues Legends Appear Throughout Recording of Originals and Covers


    Mastered From The Original Master Tapes And Strictly Limited To 3,000 Copies


    Mobile Fidelity Mono 45RPM 2LP Features Unparalleled Directness And Sound Dylan, Producers Originally Intended


    Made when mono was still king, Bob Dylan's self-titled 1962 debut is as understated of an entrance as any significant musician as ever made. Already well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of our contemporary songs and styles. Free of ego, and performed with masterful conviction, Bob Dylan ranks with the debut efforts of similar artistic giants Elvis Presley and the Rolling Stones.


    Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, Mobile Fidelity's restored 180g mono 45RPM 2LP analog version brings the contents of this seminal release as closest as they've ever come to master tape-quality in the original mono configuration. Transparent to the source, the simple sounds of Dylan's voice, acoustic guitar, and harmonica take on lifelike perspective and directness-the husk and bark to which Robert Shelton referred in his now-legendary New York Times review of a Dylan appearance at Gerde's Folk City. MoFi has made possible an inexpensive time-traveling trip back to the Greenwich Village coffeehouses and folk clubs in which Dylan cut his teeth, albeit in much better fidelity and without any annoying background chatter. Wider grooves mean more information reaches your ears.


    As the preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, the mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album-making the mono mix all the more historically valuable and truthful.


    Much has been made of the commercial indifference that greeted the album upon its low-key release. Yet focusing on sales figures and the reaction of a public not yet hip to Dylan's name or music is to miss the forest for the trees. Distinguished from the era's other folk efforts by way of the determination, brazenness, and lived-through-this worldliness Dylan approaches the material and sings the songs, Dylan lays the groundwork for the path he'd soon trailblaze and everyone else would follow.


    By nodding to Woody Guthrie at the same time he completely re-imagines a sobering tune such as Blind Lemon Jefferson's See That My Grave Is Kept Clean, Dylan straddles the past and future. He also displays, with challenging authority and savant-like expertise, the ability to handle weighty topics such as death, sorrow, and lamentation with the vaudeville flair, bluesy mannerisms, and poignant command of an artist three times his age.


    As Dylan scholar and pop-culture critic Greil Marcus observed in 2010, Everybody knew Joan Baez and the Kingston Trio; if you knew Bob Dylan, you knew something other people didn't, something that soon enough everybody had to know. Within a year, an album could put an adjective in front of the singer's name as if it were already common coin. It all starts here.


    This title is not eligible for further discount.

    1. You're No Good
    2. Talkin' New York
    3. In My Time of Dyin'
    4. Man of Constant Sorrow
    5. Fixin' to Die
    6. Pretty Peggy-O
    7. Highway 51
    8. Gospel Plow
    9. Baby, Let Me Follow You Down
    10. House of the Risin' Sun
    11. Freight Train Blues
    12. Song to Woody
    13. See That My Grave Is Kept Clean
    Bob Dylan
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP Mono 45 RPM - 2 LPs Sealed PRE-ORDER Buy Now
  • The Freewheelin' Bob Dylan (Mono) (Pre-Order) (On Sale) The Freewheelin' Bob Dylan (Mono) (Pre-Order) (On Sale) On Sale Quick View

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    The Freewheelin' Bob Dylan (Mono) (Pre-Order) (On Sale)

    Ranked 97/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time


    The Freewheelin' Bob Dylan Marks the Beginning of a Cultural Sea Change: 1963 Set Transformed Songwriting, Folk, and Pop


    Numbered Limited Edition 180 Gram Mono 45 RPM Vinyl 2LP


    Wider Grooves for The Ultimate Sonic Quality: Strictly Limited to 3,000 Copies, Mobile Fidelity's Mono 45RPM Vinyl Pressing Teems With Directness and Sound Dylan Originally Intended


    Records Ambitious Poetry, Melodies, and Moral Conviction Transformed Songwriting, Folk, and Pop


    Includes Masters of War, Blowin' in the Wind, and A Hard Rains A-Gonna Fall


    Originally experienced by everyone in direct, attention-getting mono sound, The Freewheelin' Bob Dylan is the album the ignited sea changes in pop culture, music, songwriting, poetry, and the social consciousness. It's the creation of a 22-year-old visionary still years away from casting a jaundiced eye to the media. It's the sound of change, the feeling of ground shifting beneath one's feet, and the entrance of an entirely new way of thinking. It's the effective beginning of what's arguably the boldest career in music history, the yawning vortex into the complex mind, supernatural wordplay, and folk techniques of a vocalist/guitarist whose name is forever associated with transformation.


    Mobile Fidelity is humbled to have the privilege of mastering the iconic LP from the original master tapes, presenting it in its original take-notice mono sound, and pressing it on 45RPM LPs at RTI. Strictly limited to 3,000 copies, the end result is the finest, most transparent mono analog edition of The Freewheelin' Bob Dylan ever produced. Never before has the resonance of his nylon guitar strings, fingerpicked notes, shivering harmonica fills, or plainspoken timbre possessed such directness, clarity, openness, body, or realism.


    As the preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. More intimate, focused, and direct than its stereo counterpart, the mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. With the advantage of wider and deeper grooves, the 45RPM pressing affords the opportunity to detect more information and lavish in extra richness. Whether it's the exaggerated nasal accents employed on Down the Highway or the decay of each strummed line on the entirely acoustic album, previously concealed details, microdynamics, and ambient cues surface - enhancing the listeners' experience and taking them inside Columbia's Studio A.


    Exponentially surpassing the potential he demonstrated on his debut, Dylan became a mirror of the concerns, issues, and feelings confronting the nation. Writing and singing with penetrating honesty, observational wit, moral conviction, and scathing emotion, he digs into the madness of war (Masters of War, A Hard Rain's A-Gonna Fall), hypocrisy of segregation (Oxford Town), urgency of civil rights and freedom (Blowin' in the Wind), and multiple angles of unrequited love (Girl From the North Country, Don't Think Twice It's All Right) with a literate astuteness and depth that, nearly 50 years later, still leave audiences slack-jawed. Satire, absurdist humor, and traditional blues also pepper the album, which rests upon graceful melodies and sparse, poignant patterns.


    Viewed as protest songs, love songs, folk songs, or talking blues songs, the material on The Freewheelin' Bob Dylan remains amongst the most astonishing and imaginative ever committed to tape. It deserves - as much as you deserve - a fidelity that makes as closely intimate as possible the music's connection with you. You deserve this mono edition.


    This title is not eligible for further discount.

    1. Blowin in the Wind
    2. Girl From the North Country
    3. Masters of War
    4. Down the Highway
    5. Bob Dylans Blues
    6. A Hard Rains A-Gonna Fall
    7. Dont Think Twice, Its All Right
    8. Bob Dylans Dream
    9. Oxford Town
    10. Talking World War III Blues
    11. Corrina, Corrina
    12. Honey, Just Allow Me One More Chance
    13. I Shall Be Free
    Bob Dylan
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP Mono 45 RPM - 2 LPs Sealed PRE-ORDER Buy Now
  • Another Side Of Bob Dylan (Mono) (Pre-Order) (On Sale) Another Side Of Bob Dylan (Mono) (Pre-Order) (On Sale) On Sale Quick View

    $49.99 $44.99 Save $5.00 (10%)

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    Another Side Of Bob Dylan (Mono) (Pre-Order) (On Sale)

    Dylan's Second 1964 Album Expands Songwriting Themes and Adds Levity


    Mono 2LP Mastered from the Original Master Tapes: Strictly Limited to 3,000 Copies, Vinyl Delivers Whimsical Feel, Surrealist Lyrics, On-the-Fly Fluidness in Sound Dylan Intended


    Includes I Shall Be Free No. 10, It Ain't Me Babe, My Back Pages, Chimes of Freedom


    The ever-evasive Bob Dylan never explicitly stated exactly what represented the another side of himself referenced in the title to his second 1964 record. Yet the whimsical moods, hallucinogenic prose, humorous angles, transparent mistakes, and noncommittal themes give a pretty clear idea at what the Bard hinted as he emerged from being labeled as a reluctant generation spokesperson and folk savior after releasing two highly intellectual, socially pioneering sets replete with protest songs. Dylan needed to take a breath, step back from the drama, and reevaluate his surroundings. Experienced in mono, Another Side of Bob Dylan is all that and more.


    Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, Mobile Fidelity's 180g 45RPM 2LP set illuminates Dylan's emotional condition - he laughs in the midst of songs, experiences a few false starts, hits a couple of bum notes, occasionally sings as if he's stumbling down a Manhattan sidewalk after having one too many at a smoky pub, prizes rawness over perfection - with microscopic accuracy and unparalleled directness. The preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, this mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album - making the mono mix all the more historically valuable and truthful.


    The uninhibited joie de vive is discernible in the rattling piano lines on Black Crow Blues, seemingly subconscious ramble of the hysterical folk rhyming of Motorpsycho Nightmare, bluesy dream sequencing throughout I Don't Believe You, and intentionally out-of-tune yodeling during All I Really Want to Do. On a majority of the prized set, Dylan lets his guard down, but does so in clever manners that speak to his surrealist imagination and biting wit. He possesses the rare ability to make planned strategies appear spontaneous, to challenge audiences with stinting wordplay and minimalist melodies that provide a deceptive false security.


    And so the apparently autobiographical and self-aware My Back Pages, one of the earliest examples of Dylan's immersion into symbolist prose and abstract metaphor, remains controversial for its on-the-surface denouncement of his earlier condemnations of social institutions and injustices. Peeled back, the tune is a brilliant release - an essential escape hatch for Dylan to both relieve himself of unneeded pressures and distance himself from pundits. As an indelible piece of art, it succeeds in masquerading obvious meaning while simultaneously forcing listeners to question their own actions.


    As is the trifecta of relationship-themed compositions that closes the record, as well as the eternal Chimes of Freedom, the standard that journalist Paul Williams dubbed Dylan's Sermon on the Mount. Its inseparable conjunction of apocalyptic imagery, personal emotion, allusive lyricism, balladic alliteration, and inclusive sympathy signaled that, having already eviscerated the rules associated with pop and folk music, Dylan had just begun his assault on our consciousness, making Another Side of Bob Dylan that much more mysterious, unequivocal, and requisite.


    This title is not eligible for further discount.

    1. All I Really Want to Do
    2. Black Crow Blues
    3. Spanish Harlem Incident
    4. Chimes of Freedom
    5. I Shall Be Free, No. 10
    6. To Ramona
    7. Motorpsycho Nightmare
    8. My Back Pages
    9. I Dont Believe You
    10. Ballad in Plain D
    11. It Aint Me Babe
    Bob Dylan
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP Mono 45 RPM - 2 LPs Sealed PRE-ORDER Buy Now
  • Criss-Cross (Pure Pleasure) (Pre-Order) Criss-Cross (Pure Pleasure) (Pre-Order) Quick View

    $34.99
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    Criss-Cross (Pure Pleasure) (Pre-Order)

    Criss-Cross - Thelonious Monk's second album for Columbia Records - features some of the finest work that Monk ever did in the studio with his '60s trio and quartet. Whether revisiting pop standards or reinventing Monk's own classic compositions, Monk and Charlie Rouse (tenor sax), John Ore (bass), and Frankie Dunlop (drums) exchange powerful musical ideas, as well as provide potent solos throughout the disc. Fittingly, Hackensack - a frenetic original composition - opens the disc by demonstrating the bandleader's strength in a quartet environment. The solid rhythmic support of the trio unfetters Monk into unleashing endless cascades of percussive inflections and intoxicating chord progressions. The title cut also reflects the ability of the four musicians to maintain melodic intricacies that are at times so exigent it seems cruel that Monk would have expected a musician of any caliber to pull them off. Tea for Two showcases Monk's appreciation for the great stride or 'walking' piano style of James P. Johnson and Willie 'The Lion' Smith. The arrangement here is lighter and features a trio (minus Rouse) to accent rather than banter with Monk's splashes of magnificence throughout. Likewise, Monk's solo on Don't Blame Me is excellent. The extended runs up and down the keyboard can't help but reiterate the tremendous debt of gratitude owed to the original stride pianists of the early 20th century. This is prime Monk for any degree of listener.

    - Lindsay Planer (AMG)

    Musicians:

    • Thelonious Monk (piano)
    • Charlie Rouse (tenor saxophone)
    • John Ore (bass)
    • Frankie Dunlop (drums)

    About Pure Pleasure

    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.

    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.

    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.


    1. Hackensack
    2. Tea For Two
    3. Criss-Cross
    4. Eronel
    5. Rhythm-A-Ning
    6. Don't Blame Me
    7. Think Of One
    8. Crepuscule With Nellie
    Thelonious Monk
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Drumming (Pure Pleasure) (Pre-Order) Drumming (Pure Pleasure) (Pre-Order) Quick View

    $37.99
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    Drumming (Pure Pleasure) (Pre-Order)

    Simply put, Drumming is, along with some of Philip Glass' Einstein On The Beach, one of the most fascinating pieces of first-generation minimalism. The version recorded for Elektra/Nonesuch in 1987 ranks among Reich's masterpieces. The 60-minute continuous work features one basic rhythm pattern. Throughout four segued movements it is multiplied, played in canon on various percussion instruments. Part I is for four pairs of tuned bongo drums; Part II for three marimbas (played by nine players) and two singers mimicking the sound of marimbas; Part III for three glockenspiels, piccolo, and whistling (played by Reich himself); Part IV for all previous instruments, including voices. Transitions between movements are gradual, the whole piece being built on accumulation and reduction. When it is time to go to the next movement, players are slowly removed, quarter-notes replaced by rests, in order to make room for the new instruments. The piece almost comes to a complete halt at the end of Part III, keeping only the most basic pulse before the whole process starts over, building up to the finale. There is a sense of happiness and lightness irradiating from Drumming. It is a perfect example of the paradox of the simple and the complex, the easy and the challenging underlying minimalist music. Both cerebral and vitally tribal or ritualistic, this album is a must-have.

    Musicians:

    • Bob Becker, Ben Harms, Gary Kvistad, Steve Reich, Gary Schall, Glen Velez, Thad Wheeler (tuned drums, marimbas, glockenspiele)
    • Pamela Wood Ambush, Jay Clayton (voc)
    • Steve Reich (whistling)
    • Mort Silver (flute)

    About Pure Pleasure

    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.

    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.

    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. Part I
    2. Part II
    3. Part III
    4. Part IV
    Steve Reich
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Mozart: Piano Concertos Nos. 11 & 20 (Speakers Corner) (Pre-Order) Mozart: Piano Concertos Nos. 11 & 20 (Speakers Corner) (Pre-Order) Quick View

    $34.99
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    Mozart: Piano Concertos Nos. 11 & 20 (Speakers Corner) (Pre-Order)

    If you want to get to the bottom of the cheerfulness and gallantry in Mozart's oeuvre, you can do no better than taking as a contrast one of his compositions that has always been described as gloomy and demonic.

    Putting aside the often-cited vocal heavyweights such as Don Giovanni and Requiem, Mozart's Piano Concerto No. 20, K. 466 occupies a distinguished position as a resonant counterpart to the charming music he wrote for social occasions in that it takes on a new dimension in his instrumental music. The choice of a minor key, unusual for a concerto, lends a dramatic tone to the composition, whereby the soloist and orchestra engage with one another in sharp contrast. Rudolf Serkin, one of the greatest interpreters of Mozart's piano works, allows the immense energy of this concerto to slip through his fingers with due care. He battles his way through the weighty first movement with enthusiasm and verve, lets his fingertips dance daintily through the cantilena of the Romance, and then rousingly celebrates the passionate and fiery Finale with a bell-like touch.

    On the reverse side the Festival Orchestra rounds off this inspiring performance with the filigree and charmingly effervescent Concerto in F major, K. 413 from Mozart's Viennese period - as cheerful as it is gallant.

    Musicians:

    • Rudolf Serkin (piano)
    • The Marlboro Festival Orchestra conducted by Alexander Schneider

    Recording: August 1957 in Marlboro, VT

    About Speakers Corner

    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.

    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky), but even in this particular case we used the analogue tapes for cutting.

    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    Piano Concerto No. 20 In D Minor

    I- Allegro
    II- Romance
    III- Rondo; Allegro Assai
    Piano Concerto No. 11 In F Major
    I- Allegro
    II- Larghetto
    III- Tempo Di Menuetto
    Wolfgang Amadeus Mozart
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
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