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  • Wizard Of The Vibes Wizard Of The Vibes Quick View

    $19.99
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    Wizard Of The Vibes

    Wizard of the Vibes was originally released in 1952 by premiere jazz vibraphonist, Milt "Bags" Jackson. The
    Thelonious Monk Quintet and The Modern Jazz Quartet plus Lou Donaldson are featured on this recording. Wizard of the Vibes will be reissued in its original 10" form as part of an overall Blue Note vinyl initiative spearheaded by current Blue Note Records President, Don Was.
    1. Tahiti
    2. Lillie
    3. Criss Cross
    4. Willow Weep For Me
    5. What's New
    6. Bags' Groove
    7. On The Scene
    8. Eronel
    Milt Jackson
    $19.99
    10 Vinyl LP - Sealed Buy Now
  • The Quartet The Quartet Quick View

    $30.99
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    The Quartet

    Milt Jackson Quartet features Milt Jackson leading a group that includes two of his cohorts in the Modern Jazz Quartet (Heath and Kay), with the great Horace Silver sitting in place of John Lewis on the piano (at this time Silver was a member of Art Blakey's Jazz Messengers). Jackson was clearly skilled in this brass-less setting, and the group decided to lay down some cool jazz tracks that epitomize the sound of that movement in the mid-1950s. The tunes are mellow and fluid, with everyone falling into an easy groove that will move even the most uptight jazz fan.
    1. Softly As In A Morning Sunrise
    2. Love ME Pretty Baby
    3. Autumn Breeze
    4. Milt Meets Sid
    5. Moving Nicely
    6. D & E
    7. Heart And Soul
    8. True Blues
    9. Bluesology
    10. Yesterdays
    11. Round About Midnight
    12. Between The Devil And The Deep Blue Sea
    Milt Jackson
    $30.99
    Vinyl LP - Sealed Buy Now
  • Bags Meets Wes Bags Meets Wes Quick View

    $21.99
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    Bags Meets Wes

    When Wes Montgomery made his first amazing impact on the New York jazz scene at the end of the 1950s, a great many established stars actively sought out to record with him. Milt Jackson was one of the few for whom the guitarist felt an equal affinity. For one thing, they shared a strong love for the blues and Wes had learned, through years of playing with his brother Buddy, to value the vibes/guitar sound. To support this memorable meeting of thoroughly compatible jazz masters, Riverside assembled one of the most cohesive recording rhythm sections of its day in Wynton Kelly, Sam Jones and Philly Joe Jones.
    1. S.K.J.
    2. Stablemates
    3. Stairway to the Stars (take 6)
    4. Blue Roz
    5. Sam Sack
    6. Jingles (take 9)
    7. Delilah (take 4)
    Milt Jackson & Wes Montgomery
    $21.99
    Vinyl LP Reissue - Sealed Buy Now
  • Sunflower (Pure Pleasure) (Awaiting Repress) Sunflower (Pure Pleasure) (Awaiting Repress) Quick View

    $34.99
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    Sunflower (Pure Pleasure) (Awaiting Repress)

    his superior reissue combines together two sessions led by vibraphonist Milt Jackson. The first side of Plenty, Plenty Soul, which features a nine-piece group, is highlighted by the contributions of the exuberant altoist Cannonball Adderley, while the flip side has a sextet that is not hurt by the solos of tenor-saxophonist Lucky Thompson. With pianist Horace Silver helping out on both sessions, these all-star dates still sound fresh and enthusiastic decades later.Mastered from original analog tapes and pressed on 180 gram vinyl, this is THE essential pressing of this classic LP.
    1. For Someone I Love (What's Your Story)
    2. What Are You Doing the Rest of Your Life?
    3. People Make the World Go Round
    4. Sunflower
    Milt Jackson
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Quintet/ Sextet Quintet/ Sextet Quick View

    $21.99
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    Quintet/ Sextet

    Dr. Jackle
    Minor March
    Bitty Ditty
    Changes
    Miles Davis & Milt Jackson
    $21.99
    Vinyl LP Reissue - Sealed Buy Now
  • Bags And Trane Bags And Trane Quick View

    $49.99
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    Bags And Trane

    Mastered from the Original Master Tapes


    The Only Full-Album Collaboration Between Iconic Vibraphonist and Definitive Saxophonist


    Featuring Pianist Hank Jones, Bassist Paul Chambers, and Drummer Connie Kay


    It's a shame more classic hard-boppers weren't unified for multiple collaborations. Vibraphonist Milt Jackson and saxophone virtuoso John Coltrane recorded just once together, and this 1959 date makes one wish they reunited for several return engagements. Lighthearted, upbeat, and joyously fluid, Bags & Trane plays like a private after-hours session of friends hanging back and toying with the music.


    In collaborating with pianist Hank Jones, bassist Paul Chambers, and drummer Connie Kay, the headliners go for broke, expanding the parameters of two Jackson originals as well as three standards, including Dizzy Gillespie's Be-Bop and the staple The Night We Called It a Day. Upbeat tempos and spirited interplay pulses throughout.


    Mastered from the original master tapes, ORG Music's reissue presents this heralded release in exacting sound, with the instruments given full range and true-to-life imaging that takes you right into New York City's Atlantic Recording Studios when the pieces were recorded in January 1959. What a delight!

    1. Bags & Trane
    2. Three Little Words
    3. The Night We Called It a Day
    4. Be-Bop
    5. The Late Blues
    Milt Jackson & John Coltrane
    $49.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • Plenty, Plenty Soul Plenty, Plenty Soul Quick View

    $29.99
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    Plenty, Plenty Soul

    his superior reissue combines together two sessions led by vibraphonist Milt Jackson. The first side of Plenty, Plenty Soul, which features a nine-piece group, is highlighted by the contributions of the exuberant altoist Cannonball Adderley, while the flip side has a sextet that is not hurt by the solos of tenor-saxophonist Lucky Thompson. With pianist Horace Silver helping out on both sessions, these all-star dates still sound fresh and enthusiastic decades later.Mastered from original analog tapes and pressed on 180 gram vinyl, this is THE essential pressing of this classic LP.
    1. Plenty, Plenty Soul
    2. Boogity Boogity
    3. Heartstrings
    4. Sermonette
    5. The Spirit-Feel
    6. Ignunt Oil
    7. Blues at Twilight
    Milt Jackson
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Hank Mobley And His All Stars Hank Mobley And His All Stars Quick View

    $27.99
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    Hank Mobley And His All Stars

    Recorded at the Van Gelder Studio on 13 January 1957 for Blue Note, for this session tenor saxophonist Hank Mobley played five of his own compositions in an all star quintet line-up featuring Milt Jackson, Horace Silver, Doug Watkins and Art Blakey. These musicians were all big men on the NY jazz scene at the time and at the very top of their game, and it certainly shows on this outstanding example of late fifties hard bop.
    Reunion
    Ultramarine
    Don't Walk
    Lower Stratosphere
    Mobley's Musings
    Hank Mobley
    $27.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Movin' and Groovin' (45RPM) Movin' and Groovin' (45RPM) Quick View

    $49.99
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    Movin' and Groovin' (45RPM)

    This 1960 trio date was pianist Parlan's first of many great releases for Blue Note. The Pittsburgh native, who overcame polio as a child that left his right hand crippled, had gained some serious props with his contributions on two of Charles Mingus' best albums the year prior (Mingus Ah Um, Blues And Roots), and was now ready to step out on his own. Choosing to tackle mostly standards, Parlan channels his idol Bud Powell's classic trio dates with the able assistance of Blue Note regulars Sam Jones, bass and drummer Al Harewood. The result is an eclectic mix, interpreting the works of Tadd Dameron, Duke Ellington, Milt Jackson and Burke-Van Heussen plus a Parlan original, Up In Cynthia's Room, which became one of his signature pieces.


    Horace Parlan, piano
    Al Harewood, drums
    Sam Jones, bass

    1. C Jam Blues
    2. On Green Dolphin Street
    3. Up in Cynthia's Room
    4. Lady Bird
    5. Bags' Groove
    6. Stella By Starlight
    7. There is No Greater Love
    8. It Could Happen to You
    Horace Parlan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Bean Bags Bean Bags Quick View

    $24.99
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    Bean Bags

    1959's Bean Bags features a meeting of greats with vibraphonist Milt Jackson and tenor saxophonist Coleman Hawkins. Assisted by a top-notch quartet (pianist Tommy Flanagan, guitarist Kenny Burrell, bassist Eddie Jones, and drummer Connie Kay), Bean Bags features a pair of excellent Jackson originals to go along with a couple of fine ballads.
    1. Close Your Eyes
    2. Stuffy
    3. Don't Take Your Love From Me
    4. Get Happy
    5. Sandra's Blues
    6. Indian Blues
    Milt Jackson and Coleman Hawkins
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Chet Baker & Wolfgang Lackerschmid Chet Baker & Wolfgang Lackerschmid Quick View

    $32.99
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    Chet Baker & Wolfgang Lackerschmid

    This was a record not so much of rhythm as of tonal coloring, pitch and reverberation. This was also an avant-garde Chet Baker, without gimmicks, just meeting an interest to expand and further develop: to invent, expand, create. This was also very beautiful creativity; art for art's sake. Wolfgang Lackerschmid played vibes in a manner owing itself more to Red Norvo and Gary Burton than Milt Jackson, and proved himself to be a creator and artist in his ebb and flow with the trumpeter. Bravos for both artists.

    -All Music
    1. Mr. Biko
    2. Balzwaltz
    3. The Latin One
    4. Rue Gregoire Du Tour
    5. Here's That Rainy Day
    6. Toku Do
    Chet Baker & Wolfgang Lackerschmid
    $32.99
    Vinyl LP - Sealed Buy Now
  • My Favorite Things My Favorite Things Quick View

    $37.99
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    My Favorite Things

    Includes the albums, My Favorite Things and
    Bags & Trane.


    My Favorite Things is the seventh album by jazz musician John Coltrane, released in 1961 on Atlantic Records, catalogue SD-1361. It was the first album to feature Coltrane's playing on soprano saxophone, and yielded a commercial breakthrough in the form of a hit single that gained popularity in 1961 on radio, an edited version of the title song, My Favorite Things. In 1998, the album was a recipient of the Grammy Hall of Fame award.


    Bags & Trane is an album credited to jazz musicians Milt Jackson and John Coltrane, released in 1961 on Atlantic Records, catalogue SD 1368. Taking its title from Jackson and Coltrane's nicknames, it is the only collaborative record by the pair, atlhough only Jackson contributed original compositions. In actuality, the album belongs in Jackson's discography, as he was the session leader and still signed to Atlantic under the auspices of the Modern Jazz Quartet, and not in Coltrane's, who had left the label for Impulse Records at the time of this album's issue.

    LP 1 - My Favorite Things

    Side 1


    1. My Favorite Things (13:44)

    2. Everytime We Say Goodbye (5:43)


    Side 2


    1. Summertime (11:31)

    2. But Not For Me (9:38)


    LP 2 - Bags & Trane

    Side 1


    1. Bags & Trane

    2. Three Little Words (7:29)

    3. The Night We Called It A Day (4:21)


    Side 2


    1. Be-Bop (7:59)

    2. The Late Late Blues (9:32)

    John Coltrane
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Plenty, Plenty Soul Plenty, Plenty Soul Quick View

    $24.99
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    Plenty, Plenty Soul

    Although his name will forever be associated with the celebrated Modern Jazz Quartet, vibraphonist Milt Jackson's discography includes multiple sessions as a leader, many of which are now regarded as jazz classics. Among the crown jewels of his discography was the album Plenty, Plenty Soul, which was given a rating of five stars in Down Beat magazine in 1957, a collection of original compositions and the arrangements of the one and only Quincy Jones. A stone cold classic featuring Cannonball Adderly, Horace Silver, Art Blakey and more. Pressed on 180 gram audiophile vinyl.
    1. Plenty, Plenty Soul (Milt Jackson - Quincy Jones)
    2. Boogity Boogity (Quincy Jones)
    3. Heartstrings (Mils Jackson)
    4. sermonette (Julian Cannonball Adderley)
    5. The Spirit-Feel (Milt Jackson)
    6. Ignunt Oil (Milt Jackson)
    7. Blues At Twilight (Quincy Jones)
    Milt Jackson
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Things Are Getting Better Things Are Getting Better Quick View

    $21.99
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    Things Are Getting Better

    If you ever needed proof that altoist Cannonball Adderley deserves to be considered one of the absolute masters of the jazz idiom, look no further than
    Things Are Getting Better, which provides ample evidence for his canonical stature. On this date, Adderley teams up with Modern Jazz Quartet cofounder
    and vibraphonist extraordinaire Milt Jackson to create a lively, varied set of sonic atmospheres. They are backed by the all-star ensemble of
    Wynton Kelly on piano, Percy Heath on bass, and the legendary Art Blakey on drums. The standout track, Sounds for Sid, finds Adderley grooving hard
    with an R&B flavor, flashing his virtuosic instrumental chops, and demonstrating in the process why this cut stands as one of the very best representations
    of Adderley's early work. Essential listening for all manner of jazz enthusiasts, Things Are Getting Better has something for everyone and deserves a
    place in every self-respecting jazz fan's vinyl collection.
    1. Blues Oriental
    2. Things Are Getting Better
    3. Serves Me Right
    4. Groovin' High
    5. The Sidewalks of New York
    6. Sounds for Sid
    7. Just One of Those Things
    Cannonball Adderley & Milt Jackson
    $21.99
    Vinyl LP Reissue - Sealed Buy Now
  • In A New Setting (Speakers Corner) In A New Setting (Speakers Corner) Quick View

    $34.99
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    In A New Setting (Speakers Corner)

    The vibraphonist presents himself in a new setting in this recording from 1964. Clearly Milt Jackson wanted to free himself occasionally from the straightjacket of the Modern Jazz Quartet. Sonny's Blues is proof of this: it is percussive and swinging, and without the eagle eyes of John Lewis in the background. This time the young McCoy Tyner, who had worked with John Coltrane (A Love Supreme was recorded in the same month), was at the piano. Jimmy Heath, responsible for the drive not only as a composer but also as instrumentalist, and Bob Cranshaw on the bass, contribute important impetus to the short blues, ballad-like and bop themes. None of the twelve numbers became a real jazz hit, but each has kept its own individual charm to this day.
    If you set value on an excellent product being excellently packaged then you are well advised to purchase this LP. Unlike the CD version in its jewel case, this album is now being re-released with its original gatefold cover from the truly beautiful Limelight series, for which the designer alone should have received a Grammy.



    Musicians:



    • Jimmy Heath (tenor saxophone)

    • Milt Jackson (vibraphone (vibes))

    • McCoy Tyner (piano)

    • Bob Cranshaw (bass)

    • Connie Kay (drums)



    Recording: December 1964

    Production: Luchi De Jesus



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. Sonny's Blues
    2. I'm Gonna Laugh You Out Of My Life
    3. Spanish Fly
    4. No Moon At All
    5. Slow Death
    6. Clay's Blues
    7. Lazy Melody
    8. Project-S
    9. Ev-ry Time We Say Goodbye
    10. That's In
    11. Ineffable
    Milt Jackson
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Soul Brothers Soul Brothers Quick View

    $29.99
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    Soul Brothers


    Features Alto Sax Performances By Ray Charles, And Milt Jackson's Only Recording On Guitar


    Mastered From The Original Master Tapes By Bernie Grundman


    Press On 180gram Audiophile-grade Vinyl At Pallas In Germany


    The rare opportunity to hear Milt Jackson step out
    from behind his familiar vibraphones to play piano,
    and partner Ray Charles, in addition to manning the
    88s, blow on the alto saxophone for two numbers,
    shouldn't be missed. Particularly on this LP, which
    portrays the 1957 collaboration within a huge, naturally
    vibrant soundstage. Mastered from the original master
    tapes and press on 180 gram vinyl, this edition lays
    bare the relaxed, bluesy, often-boppish jazz on display
    from these two giants. With stellar support, the two
    headliners treat this affair as a backroom woodshedding
    session.

    1. How Long Blues
    2. Cosmic Ray
    3. The Genius After Hours
    4. Charlesville
    5. Bags of Blues
    6. 'Deed I Do
    7. Blue Funk
    Milt Jackson & Ray Charles
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Wild Women Don't Have The Blues (Pure Pleasure) Wild Women Don't Have The Blues (Pure Pleasure) Quick View

    $34.99
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    Wild Women Don't Have The Blues (Pure Pleasure)

    Although singer Nancy Harrow made a strong impression with this debut recording, she did not lead another record date until 1978 other than a lesser-known effort for Atlantic in 1966. Obviously the years of obscurity were not deserved, for this set is a near-classic. Harrow is heard in her early prime singing such veteran songs as All Too Soon, On the Sunny Side of the Street, the seven-minute Blues for Yesterday, and the title cut (originally done by Ida Cox in the 1920s). A more modern stylist (although influenced by Billie Holiday a little) than the material she performed at the time, Harrow is joined by such top mainstream players as trumpeter Buck Clayton (who provided the arrangements), tenorman Buddy Tate, trombonist Dickie Wells, and pianist Dick Wellstood. Highly recommended, Harrow's debut date has plenty of spirit and enthusiasm.




    Musicians:



    • Nancy Harrow (vocal)

    • Buck Clayton (trumpet, conductor, arranger)

    • Buddy Tate (tenor saxophone)

    • Dickie Wells (trombone)

    • Tom Gwaltney (clarinet, alto saxophone)

    • Danny Bank (baritone saxophone)

    • Dick Wellstood (piano)

    • Kenny Burrell (guitar)

    • Milt Hinton (bass)

    • Oliver Jackson (drums)




    Recording: November 1960 at Nola Penthouse Studios, New York City, by Bob d'Orleans

    Production: Nat Hentoff




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Take Me Back Baby
    2. All Too Soon
    3. Cant We Be Friends
    4. On The Sunny Side Of The Street
    5. Wild Women Dont Have The Blues
    6. Ive Got The World On A String
    7. I Dont Know What Kind Of Blues Ive Got
    8. Blues For Yesterday
    Nancy Harrow
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Bags & Trane (Mono Remaster) Bags & Trane (Mono Remaster) Quick View

    $21.99
    Buy Now
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    Bags & Trane (Mono Remaster)

    Mono Remaster


    Vibraphonist Milt Jackson and tenor saxophonist John Coltrane make for a surprisingly complementary team on this 1959 studio session, their only joint recording. With fine backup by pianist Hank Jones, bassist Paul Chambers, and drummer Connie Kay, Bags and Trane stretch out on two of Jackson's originals (including The Late Late Blues) and three standards: a romping Three Little Words, The Night We Called It a Day, and the rapid Be-Bop.


    - Scott Yanow (AllMusic.com)

    1. Bags & Trane (Mono Version)
    2. Three Little Words (Mono Version)
    3. The Night We Called It A Day (Mono Version)
    4. Be-Bop (Mono Version)
    5. The Late Late Blues (Mono Version)
    John Coltrane & Milt Jackson
    $21.99
    Vinyl LP Mono - Sealed Buy Now
  • Montreux '77 Montreux '77 Quick View

    $21.99
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    Montreux '77

    All star jam from Montreux featuring Milt Jackson - vibes, Clark Terry - trumpet & flugelhorn, Ronnie Scott - sax, Oscar Peterson - piano, Joe Pass - guitar, Niels Pedersen - bass and Bobby Durham on drums. Tracks include: Cote D'Azur, Pennies From Heaven, and two others.
    1. Cote D'Azur
    2. Pennies From Heaven
    3. Samba De Orfeu
    4. God Bless The Child
    The Pablo All-Stars Jam
    $21.99
    Vinyl LP - Sealed Buy Now
  • Django Django Quick View

    $21.99
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    Django

    Originally released on Prestige in 1955, but actually recorded during three disparate sessions that occurred sporadically from 1953-1955, Django features some of the earliest recorded output from the Modern Jazz Quartet which includes Milt Jackson (vibraphone), John Lewis (piano), Percy Heath (bass) and Kenny Clarke (drums).


    The warm, sophisticated nature of the material here is readily apparent from the get go courtesy of opener and album namesake, Django, a fine dedication to the memory of guitar virtuoso Django Reinhardt. The set is rounded out by graceful takes on Gillespie's One Bass, the Gershwin's But Not For Me, Vernon Duke's Autumn In New York and a handful of accomplished Lewis originals.

    1. Django
    2. One Bass Hit
    3. La Ronde Suite/Piano
    4. La Ronde Suite/Bass
    5. La Ronde Suite/Vibes
    6. La Ronde Suite/Drums
    7. The Queen's Fancy
    8. Delaunay's Dilemma
    9. Autumn In New York
    10. But Not For Me
    11. Milano
    The Modern Jazz Quartet
    $21.99
    Vinyl LP - Sealed Buy Now
  • Concorde Concorde Quick View

    $21.99
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    Concorde

    The very first long-playing record ever recorded by the Modern Jazz Quartet, Concorde (1955) provides a vehicle for stunningly refined playing by
    legendary vibraphonist Milt Jackson, pianist John Lewis, bassist Percy Heath, and drummer Connie Kay in his maiden voyage behind the kit with the
    MJQ. The centerpiece of the session is undoubtedly the Gershwin Medley, which features interpretations of Soon, For You, For Me Forevermore,
    Love Walked In and Our Love Is Here To Stay that are nothing short of definitive. This landmark album, recorded by the inimitable Rudy Van Gelder,
    captures the cool, thoughtful sound of the Modern Jazz Quartet at their best and is an absolute MUST-HAVE on vinyl for all manner of jazz listeners.
    1. Ralph's New Blues
    2. All Of You
    3. I'll Remember April
    4. Gershwin Medley: Soon / For You, For Me, Forevermore / Love Walked In / Our Love Is Here To Stay
    5. Softly, As In A Morning Sunrise
    6. Concorde
    The Modern Jazz Quartet
    $21.99
    Vinyl LP Reissue - Sealed Buy Now
  • Things Are Getting Better Things Are Getting Better Quick View

    $22.99
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    Things Are Getting Better

    This title provides ample evidence why Cannonball Adderley (alto sax) is considered one of the masters of his craft. Here he joins forces with Modern Jazz Quartet co-founder Milt Jackson (vibes) to create a variety of sonic atmospheres. They are backed by the all-star ensemble of Wynton Kelly (piano), Percy Heath (bass), and the one and only Art Blakey (drums).


    The moody Blues Oriental opens the set with Jackson immediately diving in with his trademark fluid runs and shimmering intonation. Adderley counters with a light and lively line that weaves between the rhythm section. The optimistic Things Are Getting Better is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry Serves Me Right, which allows the combo members to demonstrate their collective musical malleability. The interaction between Adderley and Jackson sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of Dizzy Gillespie's Groovin' High contains another spirited performance with some thoroughly engaging improvisation, especially during Adderley's voracious solos. Sidewalks of New York bops freely as Jackson unleashes some sublime licks against a hearty and equally boisterous sax. Adderley's Sounds for Sid demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from Adderley's earliest canon. The album concludes with a jumping reading of Cole Porter's Just One of Those Things.

    -AllMusic.com

    1. Blues Oriental
    2. Things Are Getting Better
    3. Serves Me Right
    4. Groovin' High
    5. The Sidewalks of New York
    6. Sounds for Sid
    7. Just One of Those Things
    Cannonball Adderley
    $22.99
    Vinyl LP Reissue - Sealed Buy Now
  • Bags Meets Wes! Bags Meets Wes! Quick View

    $27.99
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    Bags Meets Wes!

    Milt Jackson was 38 when, in December 1961, he co-led this superb hard-bop date with the distinctive guitarist Wes Montgomery. A jazzman who was as opinionated as he was gifted, Jackson wouldn't hesitate to tell you exactly what he thought of a musician -- so when he praised Montgomery, you knew his praise was genuine. Not surprisingly, the boppers prove to be quite compatible on Bags Meets Wes, which finds them co-leading an all star-quintet that also includes pianist Wynton Kelly, bassist Sam Jones, and drummer Philly Joe Jones (who shouldn't be confused with swing drummer Jo Jones). Although Jackson and Montgomery prove what lyrical ballad players they could be on the standard Stairway to the Stars, ballads aren't a high priority on this album. Instead, the improvisers put more of their energy into the blues -- and the 12-bar format serves them well on Sam Sack, Blue Roz, and S.K.J. Equally strong are hard-swinging versions of Montgomery's Jingles and Benny Golson's Stablemates.

    -All Music Guide
    1. S.K.J.
    2. Stablemates
    3. Stairway to the Stars
    4. Blue Roz
    5. Sam Sack
    6. Jingles
    7. Delilah
    8. Love Walked In*


    *Bonus Track

    Wes Montgomery
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Afternoon In Paris (Speakers Corner) Afternoon In Paris (Speakers Corner) Quick View

    $39.99
    Buy Now
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    Afternoon In Paris (Speakers Corner)

    It was in Paris that John Lewis co-led this 1956 date with Sacha Distel, a French guitarist who never became well known in the U.S. but commanded a lot of respect in French jazz circles. The same can be said about the other French players employed on Afternoon In Paris -- neither tenor saxophonist Barney Wilen nor bassist Pierre Michelot were huge names in the U.S., although both were well known in European jazz circles. With Lewis on piano, Distel on guitar, Wilen on tenor, Michelot or Percy Heath on bass, and Kenny Clarke or Connie Kay on drums, the part-American, part-French group of improvisers provides an above-average bop album that ranges from Willow Weep For Me, All The Things You Are, and I Cover The Waterfront to Milt Jackson's Bags' Groove and Lewis' title song. The big-toned Wilen was only 19 when Afternoon In Paris was recorded, but as his lyrical yet hard-swinging solos demonstrate, he matured quickly as a sax man. A mythic LP and one of the best recorded in France!!!


    Musicians:



    • John Lewis (piano)

    • Sacha Distel (guitar)

    • Barney Wilen (tenor saxophone)

    • Pierre Michelot (bass)

    • Percy Heath (bass)

    • Connie Kay (drums)

    • Kenny Clarke (drums)



    Recording: December 1956 in Paris

    1. I Cover The Waterfront
    2. Dear Old Stockholm
    3. Afternoon In Paris
    4. All The Things You Are
    5. Bags' Groove
    6. Willow Deep For Me
    John Lewis & Sacha Distel
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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