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  • Black Beauty Black Beauty Quick View

    $39.99
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    Black Beauty

    180 Gram Audiophile Vinyl


    Gatefold Sleeve


    Includes 4-Page Booklet


    Black Beauty, Miles Davis At Fillmore West, was recorded on April 10, 1970 at Fillmore West, San Francisco, when Davis performed as the opening act for the Grateful Dead. The recording took place shortly after the release of Miles' classic album Bitches Brew. The album was released in 1973, originally in Japan only.


    Black Beauty, a true jazz-rock album, captured one of Davis' first performances at a rock venue during the early stages of his electric period. At the concert, he led his band (saxophonist Steve Grossman, bassist Dave Holland, keyboardist Chick Corea, drummer Jack DeJohnette, and percussionist Airto Moreira) through one continuously performed set list.


    The songs in the band's setlist were as followed: Directions, Miles Runs the Voodoo Down, Willie Nelson, I Fall In Love Too Easily, Sanctuary, It's About That Time, Bitches Brew, Masqualero, Spanish Key, and The Theme. They were performed as one continuous and uninterrupted piece of music, a practice Davis had begun in 1967. He later explained in his autobiography that performing these kinds of long musical suites without breaks allowed more space for improvisations in concert.


    The original Japanese booklet is included in this vinyl package.

    LP 1
    1. Black Beauty Part I

    2. Black Beauty Part II


    LP 2
    1. Black Beauty Part III
    2. Black Beauty Part IV

    Miles Davis
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Miles Smiles (Speakers Corner) Miles Smiles (Speakers Corner) Quick View

    $34.99
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    Miles Smiles (Speakers Corner)

    Except for the taping of a live performance at the Portland Festival, Miles Davis's discography for 1966 only lists the recordings made for the LP Miles Smiles! How strange when one considers the usual large output of Miles and his ensembles for Columbia Records in the Sixties.



    The bass player Ron Carter was best suited for the complicated rhythm part and remained Miles's 'number one' in a quintet which gave a new interpretation to compositions by Wayne Shorter and jazz hits such as Freedom Jazz Dance by Eddie Harris and Jimmy Heath's Gingerbread Boy.



    Every second of the nine-minute-long Footprints by Shorter is an absolute highlight, while the drumming of the young Tony Williams in Freedom Jazz Dance is full of vitality, with a quick pulse, and even described as threatening in the liner notes. This music is neither 'new stream' nor 'old guard' but good modern jazz according to Anthony Tuttle. That's exactly what Miles Smiles was upon its release 40 years ago - and that's what it is to this day! And that Miles Davis smiled for once thanks to the great musical relationship between the five individualists is certainly no mere rumour.



    Musicians:



    • Miles Davis

    • Wayne Shorter (tenor saxophone)

    • Herbie Hancock (piano)

    • Ron Carter (bass)

    • Tony Williams (drums)




    Recording: October 1966 at Columbia RecordsStudios, New York, by Frank Laico

    Production: Teo Macero




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Orbits
    2. Circle
    3. Footprints
    4. Dolores
    5. Freedom Jazz Dance
    6. Ginger Bread Boy
    Miles Davis
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Ascenseur Pour L'Echafaud (2LP) Ascenseur Pour L'Echafaud (2LP) Quick View

    $39.99
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    Ascenseur Pour L'Echafaud (2LP)

    Ascenseur Pour L'Échafaud is a 1958 French film directed by Louis Malle. It was released as Lift to the Scaffold in the UK. The film was nothing special, but it did accomplish one thing: it proposed a new ideal of cinematic realism, a new way to look at a woman. Jean-Paul Rappeneau, a jazz fan and Malle's assistant at the time, suggested asking Miles Davis to create the film's Soundtrack. He showed Davis a screening of the movie, and afterwards Miles knew exactly how to portray the smoky hazed or frantic scenes through sonic imagery. On December 4 1957, he brought four French Jazzmen (Barney Wilen / tenor saxophone, RenÉ Urtreger / piano, Pierre Michelot bass and Kenny Clarke drums) to the recording studio Le Poste Parisien Studio without having them prepare anything. Davis only gave the musicians a few rudimentary harmonic sequences he had assembled in his hotel room. Eventually Ascenseur Pour L'Échafaud has become a great achievement of artistic excellence.


    For the first time since its original release in 1958, Music On Vinyl combined the original soundtrack and the additional recordings and created an essential 2LP set with the original artwork.

    Side 1 (ORIGINAL 1958 A-SIDE)
    1. GÉnÉrique
    2. L'Assassinat De Carala
    3. Sur L'Autoroute
    4. Julien Dans L'Ascenseur
    5. Florence Sur Les Champs-Élysees


    Side 2 (ORIGINAL 1958 B-SIDE)
    1. Dîner Au Motel
    2. Évasion De Julien
    3. Visite Du Vigile
    4. Au Bar Du Petit Bac
    5. Chez Le Photographe Du Mot


    Side 3
    1. Nuit Sur Les Champs-ÉlysÉes (TAKE 1)
    2. Nuit Sur Les Champs-ÉlysÉes (TAKE 2)
    3. Nuit Sur Les Champs-ÉlysÉes (TAKE 3)
    4. Nuit Sur Les Champs Elysees (TAKE 4)
    5. Assassinat Visite Du Vigil
    6. Assassinat Julien Dans L'ascenseur
    7. Assassinat L'Assassinat De Carala
    8. Motel


    Side 4
    1. Final (TAKE 1)
    2. Final (TAKE 2)
    3. Final (TAKE 3)
    4. Ascenseur
    5. Le Petit Bal (TAKE 1)
    6. Le Petit Bal (TAKE 2)
    7. SÉquence Voiture (TAKE 1)
    8. Sequence Voiture Sur L'Aut (TAKE 2)

    Miles Davis
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Kind Of Blue (Box Set) Kind Of Blue (Box Set) Quick View

    $59.99
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    Kind Of Blue (Box Set)

    Ranked 12/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time


    Best-Selling Album in Jazz History Receives the Prestigious Mobile Fidelity Treatment: Mastered from the Original Master Tapes


    Mobile Fidelity 180 gram 45RPM 2LP Box Set is Definitive Analog Version and Intended to Be Passed on to Generations


    If Theres a Stairway to Heaven, This is the Soundtrack: Epochal 1959 Record the Mt. Rushmore of Jazz Sessions


    Dream Team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb Make History


    How does one properly introduce an epochal record? Perhaps by unequivocally stating that it is the best-selling jazz album in history. Or by affirming that, every year, it sells tens of thousands of copies more than five decades after its original release. Theres also the matter of its status as the most-referenced, and arguably, most important, jazz recording of all-time. And the Dream Team lineup of Miles Davis, Cannonball Adderley, John Coltrane, Bill Evans, Wynton Kelly, Paul Chambers, and Jimmy Cobb. Yes, Kind of Blue is utterly inimitable.


    Part of Mobile Fidelity's Miles Davis catalog restoration series, the landmark has been given the ultimate white-gloves treatment. Half-speed mastered from the original master tapes, and pressed on 45RPM LPs at RTI, this sumptuous box set of the often-reissued album is a must for even fans that already possess multiple versions. Such is the illuminating transparency, reference dynamics, organic warmth, and instrumental detail exposed by the thoroughly scrupulous mastering process. If theres a stairway to heaven, this is the soundtrack.


    In its three-decade-plus history, Mobile Fidelity has never been prouder to have the honor of handling efforts as important as Davis key recordings. Its why the labels engineers took every available measure to transport listeners to the March and April 1959 sessions that parlayed modal jazz into mainstream language. The blueprint for melodic improvisation and vamping, Kind of Blue simplifies tonal organization and chordal progression into an eminently beautiful, introspective tapestry stitched with swinging poetry, mellifluous soloing, compositional lyricism, transcendental harmonies, and group interplay of the highest caliber.


    While no one has ever completely identified the magic behind the records allurethe otherworldly nature is part of its inherent charmmuch of the success lies with the band members. Davis intentionally handpicked these musicians to comprise this particular cast, with everyone from former foil Evans to blues maestro Kelly to percussive genius Cobb interacting and reacting with peerless skill.


    An audiophile favorite from the day it was issued, Kind of Blue takes on nirvanic sonic proportions via Mobile Fidelitys reissue. The expressive warmth, imaging clarity, frequency extension, and window-on-the-world breadth afforded by this new edition places music lovers right in the studio with the sextet. Close your eyes and, no matter how many times you may have heard it before, your experience will parallel that of the players that recorded these gems. Everyone shares in the excitement of not knowing what will happen and, as the music begins to lie out in front of you, youll feel as if youve been whisked away to a jazz holy land. Quintessential.



    This title is not eligible for discount.

    1. So What
    2. Freddie Freeloader
    3. Blue in Green
    4. All Blues
    5. Flamenco Sketches
    Miles Davis
    $59.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM Box Set - 2 LPs Sealed Buy Now
  • Miles Davis At Carnegie Hall Miles Davis At Carnegie Hall Quick View

    $24.99
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    Miles Davis At Carnegie Hall

    180 gram vinyl of the 1961 album includes the bonus track 'I Thought About You', which was recorded at the same concert but not released on the original release.
    So What
    Spring Is Here
    No Blues
    Oleo
    Someday My Prince Will Come
    The Meaning of the Blues/Lament
    New Rhumba
    I Thought About You*


    *Bonus Track

    Miles Davis
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Jazz At The Plaza Jazz At The Plaza Quick View

    $29.99
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    Jazz At The Plaza

    Jazz At The Plaza is another fine live recording from 1958 by the Miles Davis Sextet (this time with the classic first Miles Davis Quintet drummer Philly Joe Jones, instead of Jimmy Cobb). Recorded at the Edwardian Room of the Plaza Hotel for a bunch of record biz execs celebrating the success of Columbia Records jazz division, the crowd may have been stiff but the group was anything but, storming through "If I Were A Bell" (yes, the Guys & Dolls tune) and "Straight, No Chaser" before settling into a beautiful rendition of "My Funny Valentine", and closing out the set with Sonny Rollins' hard-bop classic, "Oleo". Reissued on LP by Doxy.
    1. If I Were a Bell
    2. Straight, No Chaser
    3. My Funny Valentine
    4. Oleo
    Miles Davis
    $29.99
    Vinyl LP - Sealed Buy Now
  • The Essential Miles Davis The Essential Miles Davis Quick View

    $29.99
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    The Essential Miles Davis

    Spanning over 40 years (1945-86) and seven labels, this 2-LP set captures Miles at every stage of his career, from his early recordings with Bird (Now's the Time) through Miles' own triumphs (Round About Midnight; Miles Runs the Voodoo Down) to his late recordings.
    LP 1
    1. Now's the Time
    2. Jeru
    3. 'Round Midnight
    4. Bye Bye Blackbird
    5. Generique
    6. Summertime
    7. So What
    8. The Pan Piper


    LP 2
    1. Someday My Prince Will Come
    2. E.S.P.
    3. Nefertiti
    4. Miles Runs the Voodoo Down
    5. Black Satin
    6. Time After Time

    Miles Davis
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Kind Of Blue + 2 Bonus Tracks Kind Of Blue + 2 Bonus Tracks Quick View

    $44.99
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    Kind Of Blue + 2 Bonus Tracks

    Ranked 12/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Import

    Remastered


    So much has been said and written about Miles Davis Kind Of Blue, its virtually impossible to summarize all the necessary info to the length of this note. We could simply list some facts (best sold Jazz album ever worldwide). We could try to explain why its the best jazz album ever made, but the music itself will do that to you. As Bill Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Miles Davis laid out the themes before the tape rolled and the band improvised.


    The end results were fragile and wondrous. Recorded during 2 sessions in 1959, Kind of Blue worked on many different levels and will do so for many years to come. We´re proud to announce a very special version of the most influential (jazz)album ever. We present the orginal album in remastered form plus an extra LP containing 2 tracks that werent available on vinyl before (an alternate take of Flamenco Sketches and a version of On Green Dolphin Street recorded prior to the Kind of Blue sessions, with the legendary line-up of Bill Evans, John Coltrane, Paul Chambers and Jimmy Cobb).


    Also, we´ve graced this first-time ever 2LP edition of this musical masterpiece with a gatefold sleeve with additional liner notes.


    180 grams audiophile vinyl

    Remastered Audio

    First-time ever 2LP edition incl. 2 bonustracks

    Gatefold Sleeve incl. additional liner notes

    LP1

    Side A


    1. So What (9:03)
    2. Freddie Freeloader (9:46)
    3. Blue In Green (5:37)


    Side B


    1. All Blues (11:32)
    2. Flamenco Sketches (9:24)


    LP2

    Side A


    1. Flamenco Sketches (ALTERNATE TAKE) (9:24)


    Side B


    1. On Green Dolphin Street (9:48)

    Miles Davis
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Milestones Milestones Quick View

    $24.99
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    Milestones

    Only Record to Feature Davis Original Sextet, Including Rhythm Section of Paul Chambers and Philly Joe Jones


    Title Track Stands as First-Ever Modal Composition Even as Blues and Hard-Bop Flavors Make LP One of Davis Most Explosive Affairs


    Miles Davis created just one studio album with his original sextet. He made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, the trumpeter not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Due to its sandwiched position between the more famous Round About Midnight and epochal Kind of Blue, Milestones remains, for too many music lovers, an overlooked classic.

    1. Dr. Jekyll
    2. Sid's Ahead
    3. Two Bass Hit
    4. Milestones
    5. Billy Boy
    6. Straight, No Chaser
    Miles Davis
    $24.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • E.S.P. E.S.P. Quick View

    $32.99
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    E.S.P.


    Available For The First Time On 180 Gram Vinyl


    All-Tube/All-Analog Mastering By Chris Bellman At Bernie Grundman Mastering


    Faithfully Reproduced Jacket And Labels


    Individually Numbered And Strictly Limited To 3,000


    ESP marks the beginning of a revitalization for Miles Davis, as his second classic quintet -- saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams -- gels, establishing what would become their signature adventurous hard bop. Miles had been moving toward this direction in the two years preceding the release of ESP and he had recorded with everyone outside of Shorter prior to this record, but his addition galvanizes the group, pushing them toward music that was recognizably bop but as adventurous as jazz's avant-garde. Outwardly, this music doesn't take as many risks as Coltrane or Ornette Coleman's recordings of the mid-'60s, but by borrowing some of the same theories -- a de-emphasis of composition in favor of sheer improvisation, elastic definitions of tonality -- they created a unique sound that came to define the very sound of modern jazz. Certainly, many musicians have returned to this group for inspiration, but their recordings remain fresh, because they exist at this fine dividing line between standard bop and avant. On ESP, they tilt a bit toward conventional hard bop (something that's apparent toward the end of the record), largely because this is their first effort, but the fact is, this difference between this album and hard bop from the early '60s is remarkable. This is exploratory music, whether it's rushing by in a flurry of notes or elegantly reclining in Hancock's calm yet complex chords. The compositions are brilliantly structured as well, encouraging such free-form exploration with their elliptical yet memorable themes. This quintet may have cut more adventurous records, but ESP remains one of their very best albums.


    - Stephen Thomas Erlewine (All Music Guide)

    1. E.S.P.
    2. Eighty-One
    3. Little One
    4. R.J.
    5. Agitation
    6. Iris
    7. Mood
    Miles Davis
    $32.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Freedom Jazz Dance: The Bootleg Series, Vol. 5 Freedom Jazz Dance: The Bootleg Series, Vol. 5 Quick View

    $49.99
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    Freedom Jazz Dance: The Bootleg Series, Vol. 5

    2 hours of previously unreleased studio recordings from 1966-1968 newly mixed and remastered in high resolution audio.


    A 3LP collection chronicling Miles' musical evolution in the studio from 1966-1968 working with his second great quintet, the latest edition in Columbia/Legacy's acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist's creative process, drawing on full session reels including all rehearsals, partial and alternate takes, studio conversation and more.


    Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet--Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)--this definitive new collection includes the master takes of performances which would eventually appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of Fall, produced by Howard A. Roberts).

    LP 1
    1. Freedom Jazz Dance (Session Reel)
    2. Circle (Session Reel)
    3. Circle (Take 5 - Section Not Used in Master)
    4. Circle (Take 6 - Section Not Used in Master)
    5. Dolores (Session Reel)


    LP 2
    1. Orbits (Session Reel)
    2. Footprints (Session Reel)
    3. Gingerbread Boy (Session Reel)
    4. Fall (Session Reel)


    LP 3
    1. Nefertiti (Session Reel)
    2. Water Babies (Session Reel)
    3. Masqualero (Alternate Take / Take 3)
    4. Country Son (Rhythm Section Rehearsal)
    5. Blues in F (My Ding)
    6. Play Your Eight (Miles Speaks)

    Miles Davis Quintet
    $49.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • Filles De Kilimanjaro Filles De Kilimanjaro Quick View

    $49.99
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    Filles De Kilimanjaro

    Numbered, Limited Edition


    Davis' Self-Proclaimed "Directions in Music" March Begins Here


    Mastered from the Original Master Tapes: Abundant Jazz, Funk, and Rock Textures Rotate Around a Luscious Tonal Center


    Landmark 1968 Effort Recognized as Davis' Prelude Into Full-On Fusion: Exotic Suite-Like Album Beautiful, Intense, Adventurous


    Miles Davis' move into full-on fusion starts here. Abandoning his bebop roots and chasing electric dreams, rock-based rhythms, and ostinato pulses, the icon gives life to new music forms on Filles de Kilimanjaro, a titanic release prized for its historical significance and lasting beauty. Grounded and focused, the five compositions unfold like a unified suite. Such peak lyricism, flourishes, and phrases are experienced in the highest-possible fidelity on Mobile Fidelity's 45RPM 2LP set.


    Mastered from the original master tapes and pressed on 180g vinyl at RTI, this collectable audiophile version of Filles de Kilimanjaro joins the ranks of eleven other essential Davis sets given supreme sonic and packaging treatment by Mobile Fidelity. Loaded with revealing signatures, the record takes on even greater import when heard the way Davis and his mates discerned it in the studio. Backgrounds are squid-ink black, pianissimo lines shimmer, and the electric piano emerges with tube-amp warmth.


    Indeed, the exotic sound, touch, and feel of the songs on Filles de Kilimanjaro are as crucial as the melodies. To that extent, listeners can now enjoy the expressive tonalities and lush colors from each instrument in full-range glory. Voicings, harmonics, and pitches are rendered with exquisite detail. The manners in which the textures and phrases rotate what seems like a unified tonal center places you at the original recording sessions, executed in July and September 1968.


    The final appearance of Davis' classic second quintet bears fruit on three of the record's cuts, including the title track and R&B-tinted "Frelon Brun." Sparked with restrained funk, driving grooves, and bluesy accents, Filles de Kilimanjaro maintains an instinctive flow and controlled fredom that permit Davis to oversee an innovative blending of alterations, improvisation, and cycles. Comprised of multiple sections, "Petits Machins" is a lesson in perfectly played melodic complexity, with chromatic riffs, dominant chords, syncopated progressions, and switching meters forming a singular mosaic.


    Filles de Kilimanjaro also represents a jumping-off point for Davis' lineup. For the September sessions, Chick Corea replaced Herbie Hancock while Dave Holland relieved Ron Carter. The new additions speak a different albeit common language, fitting in with Davis' desire to draw from rock and weave funk into open-minded excursions filled with exoticism, soulfulness, and wonder.


    More than 40 years ago, this record epitomized the future of jazz. Davis even announced such aspirations with the tagline "Directions in Music." With the jazz world still trying to wrap its collective mind around its genius, it still does.


    This title is not eligible for discount.

    1. Frelon Brun
    2. Tout de Suite
    3. Petits Machins
    4. Filles de Kilimanjaro
    5. Mademoiselle Mary
    Miles Davis
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
  • Kind Of Blue: 50th Anniversary Collector's Edition Kind Of Blue: 50th Anniversary Collector's Edition Quick View

    $109.99
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    Kind Of Blue: 50th Anniversary Collector's Edition

    Ranked 12/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    The Best Selling Jazz Album of All-Time Gets the Super Deluxe Treatment for its 50th Anniversary!


    Includes the Original Remastered CD, a CD of Bonus Material, a DVD of the Making of Kind of Blue, an Incredible Full-Color Book, Photos from the Sessions, Miles' Notes and the LP of the Original Album Pressed on Blue Vinyl!


    In 1958, after a string of critically acclaimed and successful albums, Miles Davis was searching for a new direction to take the music, and signs were pointing him off the chordal highway into a new jazz style: modal. His innovations would open up the world for improvisers. He recruited key players with the potential to solidify his new approach, forming his famed sextet with rising jazz giants John Coltrane, Cannonball Adderley, Bill Evans & Wynton Kelly, Paul Chambers and Jimmy Cobb. Miles hired the little-known Evans because he needed a pianist who was into the modal thing. Davis and Evans both had developed personal voices characterized by a melodic flow that suggested, rather than defined, musical structure. It was his relationship with Evans that created the spark that resulted in the album Kind of Blue.


    In only two impromptu sessions in March and April of 1959, Miles Daviss sextet created a tour de force 5 original tunes built on simple scales. Davis is committed to getting something spontaneous out of his musicians. The entire album was composed as a series of modal sketches and was conceived only hours before the recording dates. The outcome? Pure inspiration, and the stuff of legend an album made up of the first full take of each tune, captured at the historic Columbia 30th Street Studio. The album was originally released on Columbia Records in 1959, stunning the jazz world by practically creating a new language of music. Its influence goes far beyond jazz. Kind of Blue is universally considered to be one of the best albums of all time, of any genre. Fifty years later, Kind of Blue the epitome of spontaneous inventionis still the best selling jazz album ever.


    This Collectors Edition marks the 50th Anniversary with an unprecedented presentation of music, images, insight and history to celebrate the album that is essential to any music collection, the ideal gift item for any jazz lover, especially fans of Miles Davis a true collectors set.


    Do Not Miss this Limited-Edition Collector's Edition!

    Blue Colored Vinyl LP:

    1. So What

    2. Freddie The Freeloader

    3. Blue In Green

    4. All Blues

    5. Flamenco Sketches


    Disc 1 - CD:

    1. So What (9:22)

    2. Freddie Freeloader (9:46)

    3. Blue In Green (5:36)

    4. All Blues (11:32)

    5. Flamenco Sketches (9:25)

    6. Flamenco Sketches (alternate take) (9:31)

    7. Freddie Freeloader - studio sequence 1 (0:51)

    8. Freddie Freeloader - false start (1:26)

    9. Freddie Freeloader - studio sequence 2 (1:34) (*)

    10. So What - studio sequence 1 (1:55) (*)

    11. So What - studio sequence 2 (0:12) (*)

    12. Blue In Green - studio sequence (1:57) (*)

    13. Flamenco Sketches - studio sequence 1 (0:43)

    14. Flamenco Sketches - studio sequence 2 (1:10) (*)

    15. All Blues - studio sequence (0:19) (*)

    (*) previously unreleased


    Disc 2 - CD:

    1. On Green Dolphin Street (9:48)

    2. Fran-Dance (5:48)

    3. Stella By Starlight (4:43)

    4. Love For Sale (11:46)

    5. Fran-Dance (alternate take) (5:51)

    6. So What (17:28) (**)

    (**) previously released in unauthorized form

    • Rare musical material including the first session by the Miles Davis sextet, May 26, 1958

    • Over 30 minutes of studio material

    • First authorized release of two extended live performances from April 9, 1960 Den Haag Concert and The Zurich Concert.


    DVD:

    • Documentary - Story Behind Kind of Blue

    • April 2, 1959 TV program, Robert Herridge Theater: The Sound of Miles Davis

    Miles Davis
    $109.99
    Colored Vinyl LP + 2 CDs + DVD - Sealed Buy Now
  • The Charlie Parker Memorial Vol. 1 The Charlie Parker Memorial Vol. 1 Quick View

    $19.99
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    The Charlie Parker Memorial Vol. 1

    Savoy LP Reissue of Historic Charlie Parker All Stars sessions - Charlie Parker with Jazz giants Miles Davis, Max Roach, John Lewis, Bud Powell, Curly Russell, Tommy Potter
    1. Another Hair Do - Short Takes 1 & 2 - Orig.Take 3
    2. Bluebird - New Take 1

    3. Bird Gets The Worm - New Take 1

    4. Barbados - New Take 1

    5. Constellation - Short Take 2 & New Take 1

    6. Parker's Mood - New Take 1

    7. Ah-Leu-Cha - Short Take 1 & Orig. Take 2

    8. Perhaps - Short Take 4 & New Take 5

    9. Perhaps - Orig. Take 6

    10. Marmaduke - Short Take 1 & New Take 2

    11. Steeplechase - Orig Take 1

    12. Merry Go Round - New Take 1
    13. Buzzy - Short Take 4 & Orig Take 5
    Charlie Parker Allstars
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Seven Steps To Heaven (200 Gram) (Pre-Order) Seven Steps To Heaven (200 Gram) (Pre-Order) Quick View

    $34.99
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    Seven Steps To Heaven (200 Gram) (Pre-Order)

    200-Gram Vinyl Pressed At Quality Record Pressings


    Mastered From The Original Analog Master Tapes By Ryan K. Smith At Sterling Sound


    Deluxe Tip-On Gatefold Jacket From Stoughton Printing


    In 1963, Miles Davis was at a transitional point in his career, without a regular group and wondering what his future musical direction would be. At the time he recorded the music heard on this disc, he was in the process of forming a new band, as can be seen from the personnel: tenor saxophonist George Coleman, Victor Feldman (who turned down the job) and Herbie Hancock on pianos, bassist Ron Carter, and Frank Butler and Tony Williams on drums. Recorded at two separate sessions, this set is highlighted by the classic Seven Steps To Heaven, Joshua and slow passionate versions of Basin Street Blues and Baby Won't You Please Come Home.

    1. Basin Street Blues
    2. Seven Steps To Heaven
    3. I Fall in Love Too Easily
    4. So Near So Far
    5. Baby Won't You Please Come Home
    6. Joshua
    Miles Davis
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Vol.1 Vol.1 Quick View

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    Vol.1

    Miles Davis Volume 1 is the first in a pair of compilation albums of recordings made by Miles Davis over 1952-1954, released by the Blue Note Record label.


    The twelve inch LP (BLP 1501) was originally released in 1956 (followed by Volume 2 (BLP 1502)) after Davis won the Down Beat readers poll as best trumpeter.The two volumes of rereleased Miles Davis material were the first releases in Blue Note's new 1500 series of 12LPs. The music compiled on the two volumes was from three separate recording sessions made over 1952-1954, some of which had been previously issued as singles, and as three now discontinued 10 inch LPs. Volume 1 contained takes of the May 9, 1952 and April 20, 1953 sessions for the label, including alternate takes of some songs.

    1.Tempus Fugit
    2.Kelo
    3.Enigma

    4.Ray's Idea
    5.How Deep Is The Ocean
    6.C.T.A.

    7.Dear Old Stockholm
    8.Chance It
    9.Yesterdays [Remastered]
    10.Donna
    11.C.T.A

    12.Woody'n You
    Miles Davis
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Birth Of The Cool Birth Of The Cool Quick View

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    Birth Of The Cool

    Capitol Records 75th Anniversary Vinyl


    Birth of the Cool is a compilation album by American jazz musician Miles Davis, originally released in 1957 on Capitol Records. It compiles twelve tracks recorded by Davis's nonet for the label over the course of three sessions during 1949 and 1950.


    Featuring unusual instrumentation and several notable musicians, the music consisted of innovative arrangements influenced by classical music techniques such as polyphony, and marked a major development in post-bebop jazz. As the title implies, these recordings are considered seminal in the history of cool jazz. Most of them were originally released in the 10-inch 78-rpm format and are all approximately three minutes long.

    1. Jeru
    2. Move
    3. Godchild
    4. Budo
    5. Venus de Milo
    6. Rouge
    7. Boplicity
    8. Israel
    8. Deception
    10. Rocker
    11. Moon Dreams
    12. Darn That Dream
    Miles Davis
    $19.99
    Vinyl LP - Sealed Buy Now
  • We Want Miles We Want Miles Quick View

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    We Want Miles

    We Want Miles is now available on vinyl after almost thirty years!


    On the heels of releasing Miles' Bitches Brew Live album, Music On Vinyl is also releasing another Miles Davis album that has been on their wish list for quite some time.
    'We Want Miles' is a collection of live recordings from Boston, New York (where he had played his last gig in 1975) and Tokyo from 1981, and they're among the first live recordings made after an extended hiatus.


    But unlike his 1981 comeback album The Man With The Horn, on We Want Miles Davis has rediscovered his famed embouchure and this album was released to great critical acclaim in 1982, winning a Grammy for Best Jazz Instrumental Performance on the way.


    This is the first vinyl reissue since its original release in 1982, on double 180 grams audiophile vinyl in a Gatefold sleeve with its original artwork.


    Playing with him are a level headed Marcus Miller on bass, Al Foster on drums, Mike Stern on guitar (not afraid to let it rip every once in a while), Mino Cinelu on percussion and Bill Evans holding his own on saxophone.

    Side 1
    1. Jean Pierre

    2. Back Seat Betty


    Side 2
    1. Fast Track

    2. Jean Pierre


    Side 3
    1. My Man's Gone Now


    Side 4
    1. Kix

    Miles Davis
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Blue Moods Blue Moods Quick View

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    Blue Moods

    A short, but intensely cool set from a formidable quintet led by Miles Davis and featuring Teddy Charles on vibes, Elvin Jones on drums, Charles Mingus
    on double bass, and Britt Woodman on trombone. Recorded in 1955 by legendary engineer Rudy Van Gelder at his studio in Hackensack, NJ, Blue
    Moods is the epitome of '50s cool jazz. A laid-back, introspective set, the tracks ebb and flow as Davis' trademark mellow-tone weaves deftly through
    Charles' vibe chording, which drifts across the sonic pallet like harmonic clouds. An absolute must-have for fans of the cool jazz genre, Blue Moods is ice
    cold - an absolute treasure on vinyl.
    1. Nature Boy
    2. Alone Together
    3. There's No You
    4. Easy Living
    Miles Davis
    $17.99
    Vinyl LP - Sealed Buy Now
  • Round About Midnight Round About Midnight Quick View

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    Round About Midnight

    Hipness Personified: Davis Columbia Records Debut Highlights His Diverse Palette and Famed Quintet


    Lifelike Sonics: Mobile Fidelity Presents This Standard with a Dynamic Sound That Allows You to Picture Davis Mouth as He Blows Harmon-Muted Trumpet


    Blowing Cool and Hot Jazz: Quintet Plays Reflective Ballads, Pop Standards, and Fervent Bop on One of Eras Only Complete Start-to-Finish Full-Length LPs


    Sketches of Spain, Milestones, Kind of Blue, Four & More, and In a Silent Way Also Available from Mobile Fidelity


    Miles Davis first album for Columbia, Round About Midnight, represents both the beginning of a three-plus-decade relationship with the famed label as well as the start of an extended collaboration with then-unknown saxophonist John Coltrane. As one of the eras only complete start-to-finish full-length LPs, the 1957 set stands as a hard-bop benchmarka summation of the styles that came before its creation, an immersion into the periods cutting-edge strains, and a hint of the rivoluse modalism that would follow.


    Part of Mobile Fidelitys Miles Davis catalog restoration series, Round About Midnight now resonates with a physical palpability and emotional heft never before experienced. Mastered from the original master tapes and pressed at RTI, this unsurpassed 180g LP edition traces the individual paths each musician takes in contributing to the whole, whether its pianist Red Garlands left hand spinning actinoid chords or Coltrane infusing a tune with harmony-defying fills that suggest arabesque patterns. Recorded at three separate sessions, the music has never sounded so cohesive, immediate, or involving.


    Historically, few jazz records claim the significance boasted by Round About Midnight. The albums creationand the assembly of Davis quintet, which also includes Paul Chambers and Philly Joe Jonesstems from the headliners rousing rendition of the title-inspired track, Round Midnight, a Thelonious Monk standard, at the 1955 Newport Jazz Festival. Stunning the audience with an interpretation that witnessed him personalize the composition with a brooding tone made possible via employment of his soon-to-be-trademark Harmon mute, Davis redefined perspective and possibility, taking ownership of the ballad as his own, and further improving upon its reach in the studio. It wasnt the composers only surprise.


    'Round About Midnight thrives due to diversity and consistency, a rare combination epitomized by the first-rate selection and astonishing performance of pensive ballads, bebop classics, pop standards, and folk pieces. Witness the counterpoint exchanges during Ah-Leu-Cha and its Dixieland shades. Soak up the progressive drama and swinging tempos on All of You and Bye Bye Blackbird. Delight in the mÉlange of latticed textures and schematic moods throughout the sequence, here presented in gorgeous fidelity, zeroing in on Davis warm, plush, rich, and close-up trumpet timbres and how, by playing his instrument right near the microphone, he infuses the arrangements with the sort of daring intimacy embraced by two lovers.


    Tension, suggestiveness, calm, mystery, nostalgia: All here. Gather now, Round About Midnight. Slip on a pair of shades, draw the curtains, slouch into a chair, and light a cigarette. This is Miles and Co. at their best. Hipness personified.


    This title is not eligible for discount.

    1. Round Midnight
    2. Ah-Leu-Cha
    3. All of You
    4. Bye Bye Blackbird
    5. Tadds Delight
    6. Dear Old Stockholm
    Miles Davis
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Nefertiti Nefertiti Quick View

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    Nefertiti


    Final All-Acoustic Outing from Davis' Classic Second Quintet


    Mastered from the Original Master Tapes: Record's Tonal Shadings, Gradations, and Textures Come Alive


    Confident 1967 Effort Steeped in Inquisitive Interplay and Subconscious Impressionism


    Nefertiti will always be known as the final all-acoustic record made by Miles Davis' classic second quintet. A thematic bookend to the preceding Sorcerer, the 1967 set shares much in common with its equally nuanced predecessor yet deviates by way of its focus on rhythm and exploratory soundscapes. The low-key music blooms with colorful bouquets of shadings, gradations, and overtones that on Mobile Fidelity's analog edition bring listeners to closer to the creative passions than ever before.


    Mastered from the original master tapes and pressed on 180g 45RPM vinyl at RTI, this collectable audiophile version of Nefertiti joins the ranks of eleven other essential Davis records given supreme sonic and packaging treatment by Mobile Fidelity. Afforded supreme dynamics and full-range extension, cyclical melodies resonate with a moody character and ambience normally only heard in small jazz clubs. Instrumental pitch, too, is spot-on accurate, a measuring stick for how all acoustic-based passages should be experienced.


    As he does on Sorcerer, Davis again cedes all compositional duties to his all-star band mates and focuses on his trumpet. Familiar albeit slightly dissonant, rooted in hard bop yet signaling the onset of fusion, the songs are grounded in inquisitive interplay and subconscious impressionism. Nefertiti reveals fresh devices and new directions every time you visit its cerebral worlds. And while each musician is given ample room to solo, the effort stands as an example of groupthink in that no individual stands out or shows off. The groundbreaking title track-during which the horn section recurrently repeats the melody as drummer Tony Williams and bassist Ron Carter improvise, thus inverting the conventional sense of a rhythm section-shines as a textbook example of such chemistry and unity.


    Throughout, the players' confidence, and Davis' trust in them, stamps every piece with rare self-assurance and authoritativeness. In particular, Williams and Carter bring rhythms to the forefront as the horns hypnotize and Herbie Hancock's piano points in several different directions like a compass gone crazy. Responsible for "Madness" and "Riot," Hancock contributes brief bursts of speed and slight aggression, but on a record on which complexity and introspection take precedent over blowing hot, the aural steam ultimately becomes opportunity for burrowing into unpredictable turns and deep grooves.


    Indeed, the thrilling sense of interplay and inclination of the ensemble to keep searching, moving forward in a concerted manner to uncover then-unheard jazz discoveries, marks Nefertiti as one of Davis' quintessential efforts. For historians, it's the signpost to the pioneering fusion the leader would begin to pursue with greater commitment on the record's follow-up, Miles in the Sky. For the rest of us, the album is music and music-making at its intriguing best.


    This title is not eligible for discount.

    1. Nefertiti
    2. Fall
    3. Hand Jive
    4. Madness
    5. Riot
    6. Pinocchio
    Miles Davis
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Someday My Prince Will Come (200 Gram) (Pre-Order) Someday My Prince Will Come (200 Gram) (Pre-Order) Quick View

    $34.99
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    Someday My Prince Will Come (200 Gram) (Pre-Order)

    200-Gram Vinyl Pressed At Quality Record Pressings


    Mastered From The Original Analog Master Tapes By Ryan K. Smith At Sterling Sound


    Deluxe Tip-On Jacket From Stoughton Printing


    A beautiful addition to the Davis canon. Recorded over the course of three days in April 1961, Someday My Prince Will Come showcases Miles' second great rhythm section, here at the absolute peak of their telepathic interplay. Wynton Kelly, Paul Chambers and Jimmy Cobb were as tight a unit as any ever formed, grooving so successfully that they went on to leave Miles and form the Wynton Kelly trio. Someday My Prince Will Come also includes some positively blistering solos from guest John Coltrane in his final recording with Miles. And Hank Mobley offers up some beautiful bluesy solos.

    1. Someday My Prince Will Come
    2. Old Folks
    3. Pfrancing
    4. Drad Dog
    5. Teo
    6. I Thought About You
    Miles Davis
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Bitches Brew Bitches Brew Quick View

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    Bitches Brew

    Monumental 1970 Double Album is Signpost for Jazz Fusion: Psychedelic Record Still Sounds Ahead of Its Time More Than 40 Years Later


    Otherworldly Sonics: Mobile Fidelity Delivers the Consummate Pressing of the Uncompromising Work Ranked by Rolling Stone as Among the Greatest 100 Albums of All Time


    Grammy Award-Winning Set Ignores Convention, Pursues Funk and Rock Directions Via Innovative Rhythms and Groundbreaking Ensemble Configurations


    A Dozen Five-Star Miles Davis Albums Spanning 1958-1971 Available from Mobile Fidelity on Definitive-Sounding LP


    "Listen to This." As the original working title for Bitches Brew, the invitation resonates as the best way to approach a record that shattered conventions, altered music history, and still sounds far ahead of its time. The aural Mount Rushmore of jazz fusion, Bitches Brew is rightly ranked by virtually every significant press outlet among the 100 greatest albums ever made in any genre.


    Sewn together with vibrant colors, voodoo textures, and ethereal moods, the 1970 landmark emerges with supreme detail and nonpareil feeling on Mobile Fidelity's definitive 180g 2LP. Mastered from the original master tapes, these audiophile editions join the ranks of eleven other essential Davis sets given supreme sonic treatment by Mobile Fidelity.


    Davis conceived Bitches Brew by having the musicians stand in a semi-circle, where he pointed at them with vague directions for tempo, solos, and cues. The collective improvisation and interplay spawned a galaxy of melodies and grooves later spliced together by producer Ted Macero. Here, these distinct creations take shape with utmost realism.
    Mobile Fidelity's reissues envelop you in expansive warm tonal blankets.


    Gathering a Hall of Fame-worthy lineup of musicians, Davis follows through on his idea to "put together the greatest rock and roll band you ever heard" on Bitches Brew. The vast psychedelic expanses of warped echoes, liquid reverb, and tape loops speak to the leader's ambitious contrasts of light and dark, fear and hope. Yet the most absolute characteristic of this watershed effort lies in how it encourages free thought-the very principle with which Davis
    conceived the everlasting beauty that is Bitches Brew.


    This title is not eligible for discount.

    1. Pharaoh's Dance
    2. Bitches Brew
    3. Spanish Key
    4. John McLaughlin
    5. Miles Runs the Voodoo Down
    6. Sanctuary
    Miles Davis
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • In Person At The Blackhawk: Friday and Saturday In Person At The Blackhawk: Friday and Saturday Quick View

    $54.99
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    In Person At The Blackhawk: Friday and Saturday

    Miles Davis' two night stand at The Blackhawk in San Francisco marked a watershed in jazz history, a seminal event transforming the American musical landscape.


    Davis had never been recorded live in a club with his combo and the performances over the course of two sets a night on April 21 and 22, 1961 more than justify the legend.


    The New York Times, in its review of the Columbia Records release of the complete Blackhawk shows, called the music the gold standard for straight-ahead, postwar jazz rhythm.


    Impex Records is proud to present a performance unequaled, a recording unparalleled and the must-have audiophile release of this or any other year.

    1. Walkin'
    2. Bye Bye Blackbird
    3. All Of You
    4. No Blues
    5. Bye Bye (Theme)
    6. Love, I've Found You


    LP2
    1. Well You Needn't
    2. Fran-Dance
    3. So What
    4. Oleo
    5. If I Were A Bell
    6. Neo

    Miles Davis
    $54.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
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