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  • After The Party After The Party Quick View

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    After The Party

    For their fifth full-length After the Party, The Menzingers set
    out to make the quintessential jukebox record: an unstoppably melodic
    album primed for bar-room sing-alongs. Delivering anthemic
    harmonies, furious power chords, and larger-than-life melodies, the
    Philadelphia-based garage-punk four-piece amply fulfills that mission
    while achieving something much more deeply nuanced. With its
    delicately crafted storytelling and everyman romanticism, After the
    Party ultimately proves to be a wistful but life-affirming reflection
    on getting older but not quite growing up.


    "We spent our 20s living in a rowdy kind of way, and now we're at a
    point where it seems like everyone in our lives is moving in different
    directions," says Tom May, who joined fellow singer/guitarist
    Greg Barnett, bassist Eric Keen, and drummer Joe Godino in forming
    The Menzingers as teenagers in their hometown of Scranton. With
    each song unfolding as its own fully realized story, After the Party
    came to life thanks largely to an introspective yet outward-looking
    lyrical sensibility on the part of Barnett and May.


    Produced by Will Yip (Title Fight, Balance & Composure, Pianos
    Become the Teeth) and recorded in Yip's Conshohocken, Pennsylvania-based
    Studio 4, After the Party finds the band breaking into new
    sonic terrain. The Menzingers' most refined album to date, After
    the Party was also shaped from an intensive writing and pre-production
    process that involved holing up for five weeks in Yip's
    studio. Along with sculpting more expansive arrangements, the band
    focused on experimenting with new effects and production techniques
    to forge the album's dynamic but intricately textured sound.

    1. Tellin' Lies
    2. Thick as Thieves
    3. Lookers
    4. Midwestern States
    5. Charlie's Army
    6. House on Fire
    7. Black Mass
    8. Boy Blue
    9. Bad Catholics
    10.Your Wild Years
    11. The Bars
    12. After the Party
    13. Livin' Ain't Easy
    The Menzingers
    $19.99
    Vinyl LP - Sealed Buy Now
  • On The Impossible Past On The Impossible Past Quick View

    $19.99
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    On The Impossible Past

    Scranton-raised, Philadelphia-based punk rock outfit The Menzingers drop their Epitaph debut On the Impossible Past, after two acclaimed albums on small indies. The bands fiery early releases and dynamic live performances supporting Anti-Flag and Against Me! have created a serious buzz and landed the group on several best of lists.


    The band caught the attention of Epitaph founder and President Brett Gurewitz, who says, These guys play the kind of pure punk rock that I grew up with. They are seriously talented songwriters and Im happy to welcome them to the Epitaph family. I think the band is a great fit here.


    Their high energy sound features crashing power chords, rock steady drumming and anthemic sing-along choruses alongside poetic salt of the earth lyrics in the vein of Against Me! and Gaslight Anthem. Recorded and produced at Atlas Studios with longtime collaborators Matt Allison (Alkaline Trio, The Lawrence Arms) and Justin Yates.

    1. Good Things
    2. Burn After Writing
    3. The Obituaries
    4. Gates
    5. Ava House
    6. Sun Hotel
    7. Sculptors and Vandals
    8. Mexican Guitars
    9. On The Impossible Past
    10. Nice Things
    11. Casey
    12. I Can't Seem To Tell
    13. Freedom Bridge
    The Menzingers
    $19.99
    Vinyl LP - Sealed Buy Now
  • Rented World Rented World Quick View

    $19.99
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    Rented World

    Philadelphia-based band The Menzingers will release their new album Rented World via Epitaph Records. Rented World is the fourth studio release for the band and the follow-up to their critically-applauded album On The Impossible Past (2012).


    In Remission is the first track from the new album, and one where the band observes, Maybe the future's just a little bit weird; a statement that sets the tone of Rented World.


    The Rust Belt punks are in a crucial period of growth. Now in their mid-20s, members Greg Barnett (guitar/vocals), Tom May (guitar/vocals), Eric Keen (bass), and Joe Godino (drums), seek a greater wisdom in life, even if they are old enough to know better. A theme that strongly permeates throughout the album.


    Things start to feel a little more serious, said May. When we were younger we wrote fiery songs because at that age it's your world view. Now I look at the world and think 'well, maybe I'm not right all the time.'


    Another change for the former Scranton, Pennsylvania housemates is their studio location. They entered Miner Street Studio for the first time in Fishtown, Philly in the fall of 2013. Jonathan Low, whose rich Americana influences can be heard on his work with The National, Sharon Van Etten, and Kurt Vile was enlisted to engineer the album. When writing the new material, the band recognized their shifts in their craft, shifts they knew would best be handled by Low. "We wanted to go to somebody who wasn't used to recording punk records, though it wasn't in a pretentious way, like we wanted to become an indie rock band, stated May.


    The end result is an album that fearlessly collides the snarl of emo with grungy, 90s grit and exploring the celestial expanse of post-rock. It's slightly new territory for a band coping with their mid-20s. And lyrically touches on matters that any red blooded human of that age can relate to.

    1. I Don't Wanna Be An Asshole Anymore
    2. Bad Things
    3. Rodent
    4. Where Your Heartache Exists
    5. My Friend Kyle
    6. Transient Love
    7. The Talk
    8. Nothing Feels Good Anymore
    9. Hearts Unknown
    10. In Remission
    11. Sentimental Physics
    12. When You Died
    The Menzingers
    $19.99
    Vinyl LP + CD - Sealed Buy Now
  • Leavetaking Leavetaking Quick View

    $15.99
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    Leavetaking

    Much has happened since Elway's first record: That dork John Elway tried suing them over his dumb last name; the even bigger dorks at MRR deemed them not punk enough; and they got to play shows with cool bands like Against Me!, NOFX, Dead To Me, BTMI, etc. Not bad for a buncha cruelty-free, dumpster-divin', god-hating dirtballs from the hippie haven that is Colorado.


    Recorded at Atlas in Chicago (Menzingers, Alkaline Trio, Smoke or Fire), Leavetaking is the
    product of (no shit) 22 cases of Busch Light and some long, long nights. With a great debut and
    even greater EP in their wake, the table is set for Elway to step up and be the next shit-hot band
    on Red Scare, and we're sure this is the album to do it.

    The Great Divorce
    Salton Sea
    Prophetstown
    One Flew East
    One Flew West
    Someday, Sea Wolf
    Christopher
    Banned From Gun World
    Montreal
    Ariel
    There Is A Line
    Patria Mia (Room 20)
    Elway
    $15.99
    Vinyl LP - Sealed Buy Now
  • Neon Fiction Neon Fiction Quick View

    $15.99
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    Neon Fiction

    Dusk. Mist. Cemeteries. City skylines. Autumn. FEELINGS. Fleeting moments. These are some of the things that come to mind when we think of Chris McCaughan's band, Sundowner. In addition to his work as the guitarist and singer in The Lawrence Arms, over the last seven years Chris has amassed an impressive body of work and played all over the world as Sundowner.


    Fat will release his third studio album, Neon Fiction. This time around, Chris is once again joined by multi-instrumentalist and fellow Lawrence Arm, Neil Hennessy. The two have boldly expanded their horizons to experiment with full band instrumentations, dynamic arrangements, and stylistic departures from previous records. Together, Chris and Neil entered Atlas Studios (Alkaline Trio, The Menzingers, Masked Intruder) and crafted ten songs that feature indelible new melodies and Chris' most personal and confident lyrics.

    1. Cemetery West

    2. My Beautiful Ruins

    3. Concrete Shoes

    4. We Drift Eternal

    5. Grey on Grey

    6. Life in the Embers

    7. Origins

    8. Paper Rose City

    9. Poet of Trash

    10. Wildfires
    Sundowner
    $15.99
    Vinyl LP - Sealed Buy Now
  • Poets Were My Heroes Poets Were My Heroes Quick View

    $19.99
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    Poets Were My Heroes

    Morning Glory is made up of the stuff that the gritty, punk-crust motherland of New York's infamous Lower East Side has been known to spawn. This group of punkers and squatters had very humble beginnings indeed. Already in various other New York punk bands, Morning Glory first became the spark of an idea when Ezra Kire (Leftöver Crack, Choking Victim, INDK) took time off from touring and started to write some tunes in his NYC apartment.



    In 2001, with nothing but a drum machine and an 8-track reel-to-reel, Ezra wrote and recorded the songs that would become Morning Glory's first LP, This Is No Time ta Sleep. Though it was self-recorded, home-released and had no touring support, it still managed to create a small but ubiquitous underground buzz. With a virtuosic range of musical elements such as ska, punk, metal, and even some rhyming, its catchy, anthemic sing-alongs showcased Ezra's flourishing writing talents. And while his lyrics stayed true to the caustic political edge of his other bands, the overall message remained more optimistic and leaned towards the humanistic, personal side of life.



    In 2002, Ezra finally assembled a live band, handpicking musicians from the local NYC punk scene, including members of Nausea, World/Inferno Friendship Society and Stockyard Stoics. This lineup recorded the EP, The Whole World is Watching, released on Blacknoise Records in 2003. While the years that followed were spent recording and touring with Leftöver Crack, Morning Glory took a back seat.



    But after these long years of touring, Ezra finally decided to give Morning Glory the attention it deserved in 2010 and began writing songs for what was to become the epic new album, Poets Were My Heroes. In the summer of 2011, Ezra and the band (with longtime members Early Gates, "Metal" Chris and Lucky Strano alongside new guitarist Adam Schrager) hit the studio with a barrage of new material. Picture the sonic kaleidoscope of punk noise meeting strings, horns, choirs, pianos and organs over a web of distorted guitars and marching, single kick pedal drums.



    These are the sounds that make up Poets Were My Heroes, Morning Glory's Fat Wreck Chords debut and first full-length album recorded with a live band. Re-enlisting producer Jesse Cannon (The Menzingers, Saves the Day), a wealth of material was recorded, with only the very strongest songs being chosen to make up the album. It is both grand and elaborate, with each song evoking a different mood and style, challenging the musicianship of even the most dexterous players, while still maintaining its punk-inspired simplicity.



    While the band itself has described themselves as "somewhere between Oasis and The Clash," they continue to break rules and write music that is true only to themselves, adhering to no genres, creeds or political factions. The sing-along choruses give the band a broader appeal than the standard politi-kill punk acts, but the key message is more subversive: "Think for yourself, decide for yourself, make up your own mind and love your friends. Only you know what is right for you. Together we are what we can't be alone." It's this unity in diversity that makes the band special and not just another punk outfit. Double vinyl includes digital download of full album.

    1. Everything's A Song (To Me)

    2. Shelter From The Spoon

    3. Poets Were My Heroes

    4. March Of The Asylum

    5. Quemar Las Fronteras

    6. Divide By

    7. Orphan's Holiday

    8. Touch

    9. Patiently

    10. Life's A Long Revenge

    11. Another Way (Outside The Walls Of Eden)

    12. Born To December
    Morning Glory
    $19.99
    Vinyl LP - 2 LPs Sealed Buy Now
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