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  • Crosley CR42C-PA Lancaster Musician Entertainment Center Turntable (On Sale) Crosley CR42C-PA Lancaster Musician Entertainment Center Turntable (On Sale) On Sale Quick View

    $169.99 $129.99 Save $40.00 (24%)

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    Crosley CR42C-PA Lancaster Musician Entertainment Center Turntable (On Sale)


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Tune in the nostalgic Crosley Lancaster to hear music as it should be heard. An antique-styled cabinet with handsome grillwork details and aviator dial houses a CD player, an AM/FM radio, and a three-speed record player for all of those classic vinyl records.



    Crosley
    $169.99 $129.99 Save $40.00 (24%)
    CR42C-PA Lancaster Musician Entertainment Center Turntable Buy Now
  • Crosley CR42D-PA Lancaster Musician Entertainment Center With Bluetooth Turntable Crosley CR42D-PA Lancaster Musician Entertainment Center With Bluetooth Turntable Quick View

    $169.99
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    Crosley CR42D-PA Lancaster Musician Entertainment Center With Bluetooth Turntable


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Tune in with the nostalgic Crosley Lancaster, an antique-styled entertainment center with an aviator dial and handsome grillwork. Lift the hinged lid to reveal a 3-speed turntable that plays your 33 1/3, 45 and 78 RPM records. Adjustable Pitch control lets you customize your listening experience. After listening to your old vinyls, sit back and relax to the AM/FM radio, cassette player, or CD player.


    The Lancaster is also portable audio ready - simply plug in your portable audio device or MP3 Player. There's also built-in Bluetooth, allowing you to stream your favorite music from your Bluetooth-enabled device wirelessly to the full-range stereo speakers.



    Crosley
    $169.99
    CR42D-PA Lancaster Musician Entertainment Center With Bluetooth Turntable Buy Now
  • The Districts The Districts Quick View

    $13.99
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    The Districts

    Lancaster County, PA foursome The Districts signed to Mississippi based label Fat Possum and are excited to announce the release of their self-titled EP. The young band has a busy 2014 planned out already, with a tour with White Denim planned for February and March, as well as their first SXSW in Austin.


    The self-titled EP will feature three newly remastered tracks off their 2012 self-released album Telephone, as well as two brand new tracks.

    1. Rocking Chair

    2. Lyla

    3. Funeral Beds

    4. Long Distance

    5. Stay Open
    The Districts
    $13.99
    10 Vinyl EP - Sealed Buy Now
  • A Flourish And A Spoil (Awaiting Repress) A Flourish And A Spoil (Awaiting Repress) Quick View

    $18.99
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    A Flourish And A Spoil (Awaiting Repress)

    The Districts deliver raw, rollicking power on 'A Flourish And A Spoil' out February 10 on Fat Possum Records. John Congleton (St. Vincent, Angel Olsen, Swans) produced/engineered/mixed the album at Seedy Underbelly Studio (formerly Pachyderm Studio) in Cannon Falls, MN. The resulting 10 tracks capture the boisterous live performances from the quartet, who are all between 19 and 20 years old. The Guardian UK says, The Districts will be your new favourite band.


    The four-piece band formed in 2009 while the members were still in high school in Lancaster County, PA. 'A Flourish And A Spoil' features singer/guitarist Rob Grote's vocals front and center, combining equal parts ferocity and yearning as when he reflects on leaving behind suburban childhood on Suburban Smell. The album credits original members Grote, Connor Jacobus on bass and Braden Lawrence on percussion with Pat Cassidy joining on guitar.


    The Districts have toured with bands including Deer Tick, White Denim, Dr. Dog and Temples and won over fans on both sides of the pond with 2014 sets at Lollapalooza, ACL and Reading Festival, among others. Consequence of Sound says, As performers, they're naturals, having the confidence and stage presence of bands twice as old and twice as popular and Interview Magazine dares, just try not to bob your head.

    1. 4th And Roebling
    2. Peaches
    3. Chlorine
    4. Hounds
    5. Sing the Song
    6. Suburban Smell
    7. Bold
    8. Heavy Begs
    9. Young Blood
    10. 6 AM
    The Districts
    $18.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Beale Street Saturday Night Beale Street Saturday Night Quick View

    $19.99
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    Beale Street Saturday Night

    Clear Vinyl


    Memphis' Beale Street had been a hub of music and activity since the
    1860s. As it was being plowed under for "urban renewal" in 1976, James
    Luther Dickinson-who had played with The Stones, Ry Cooder and the
    Flamin' Groovies (later with Bob Dylan and the Cramps among others), as
    well as produced Big Star, Screamin' Jay Hawkins and Alex Chilton (also,
    The Replacements, Green On Red, and Mudhoney )-decided to not only
    celebrate the legacy of great Memphis music, but make it back into the
    place where both the blues and rock 'n' roll originated.


    A camaraderie of Memphis musicians, photographers, artists, thespians
    and "appropriate weirdos" gathered under Dickinson's direction to record
    the heart of Beale Street-past and present. From Furry Lewis and Sleepy
    John Estes to Sid Selvidge and Dickinson's own Mud Boy & The Neutrons,
    Beale Street Saturday Night is an unparalleled audio trip through Memphis
    music history. Recorded in places varying from artists' homes, to Ardent
    Studios, to The Orpheum Theatre, Beale Street Saturday Night was originally
    created as a fundraiser for the Memphis Development Foundation.
    This reissue will serve a similar purpose as a portion of the proceeds will
    go to support the radio program Beale Street Caravan which focuses on
    Memphis music, new and old.


    Beale Street
    Saturday Night features new liners from Jim Lancaster (who worked on
    the original issue) and previously unseen photos. This first ever reissue
    of Beale Street Saturday Night was done under the supervision and with
    the blessing of the Dickinson family, and it finally makes widely available
    this important music and historical Memphis document for new audiences
    to discover.


    In 1977, Memphis was officially declared "Home of the Blues" by an act
    of Congress. So, welcome home.

    1. Walkin' Down Beale Street - Sid Selvidge
    2. Hernando Horn - Fred Ford
    3. Beale Street Blues - Grandma Dixie Davis
    4. Big Fat Mama/Liquor Store - Sleepy John Estes
    5. Ol' Beale Street Blues - Prince Gabe
    6. Furry's Blues - Furry Lewis
    7. Rock Me Baby- Teenie Hodges
    8. Rock Me Baby - Alex
    9. "Ben Griffin was killed in the Monarch..." - Thomas Pinkston
    10. Frisco Blow - Johnny Woods
    11. On The Road Again - Mud Boy & The Neutrons
    12. "Mr. Handy Told Me 50 Years Ago." - Thomas Pinkston
    13. Chicken Ain't Nothin' But A Bird - Furry Lewis
    14. Roll On, Mississippi - Grandma Dixie Davis
    Various Artists
    $19.99
    Clear Vinyl LP - Sealed Buy Now
  • I Do Not Play No Rock 'N' Roll (Pure Pleasure) I Do Not Play No Rock 'N' Roll (Pure Pleasure) Quick View

    $34.99
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    I Do Not Play No Rock 'N' Roll (Pure Pleasure)

    When Mississippi Fred McDowell proclaimed on one of his last albums, I do not play no rock & roll, it was less a boast by an aging musician swept aside by the big beat than a mere statement of fact. As a stylist and purveyor of the original Delta blues, he was superb, equal parts Charley Patton and Son House coming to the fore through his roughed-up vocals and slashing bottleneck style of guitar playing. McDowell knew he was the real deal, and while others were diluting and updating their sound to keep pace with the changing times and audiences, Mississippi Fred stood out from the rest of the pack simply by not changing his style one iota. Though he scorned the amplified rock sound with a passion matched by few country bluesmen, he certainly had no qualms about passing any of his musical secrets along to his young, white acolytes, prompting several of them - including a young Bonnie Raitt - to develop slide guitar techniques of their own. Although generally lumped in with other blues 'rediscoveries' from the '60s, the most amazing thing about him was that this rich repository of Delta blues had never recorded in the '20s or early '30s, didn't get 'discovered' until 1959, and didn't become a full-time professional musician until the mid-'60s.



    Musicians:



    • Fred McDowell (vocal, guitar)


    • Jerry Puckett (bass)


    • Darin Lancaster (drums)





    Recording: September 1969 in Jackson, Mississippi, USA




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Baby Please Don't Go
    2. Good Morning Little Schoolgirl
    3. Kokomo Me Baby
    4. That's All Right Baby
    5. Red Cross Store
    6. Everybody's Down on Me
    7. 61 Highway
    8. Glory Hallelujah
    9. Jesus Is on the Mainline
    Mississippi Fred McDowell
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Heaven On Earth Heaven On Earth Quick View

    $11.99
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    Heaven On Earth

    Organist Larry Young gets knee deep in the funk on this later Blue Note album.


    Musicians:

    George Benson-Guitar

    Eddie Gladden-Drums

    Byard Lancaster-Sax (Alto)

    Herbert Morgan-Sax (Tenor)

    Side One


    1.The Infant
    2. The Cradle
    3. The Hereafter


    Side Two


    1.Heaven On Earth
    2. Call Me
    3. My Funny Valentine

    Larry Young
    $11.99
    Vinyl LP Reissue - Sealed Buy Now
  • Best Medicine Best Medicine Quick View

    $19.99
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    Best Medicine

    The Stray Birds have been flying high since the 2012 release of their critically acclaimed self-titled album. Two years, hundreds of gigs, and thousands of highway miles later, the genre-melding acoustic trio prepares to make its Yep Roc Records debut. Known for their songwriting, instrumental virtuosity and gorgeous three-part harmony singing, their most cohesive and ambitious album to date, Best Medicine, is scheduled for release on October 21. The band-multi-instrumentalists and vocalists Maya de Vitry, Oliver Craven, and Charlie Muench-hails from Lancaster, Pennsylvania. All three are classically trained musicians who've been making music of all kinds since childhood (before they reconnected through the local music scene, de Vitry and Muench first met in middle school orchestra); however, they were also all raised with a steady diet of music ranging from pioneers like The Carter Family and Bill Monroe & His Blue Grass Boys to the joyous invention of The Beatles and The Band, to the groundbreaking artistry of Jimi Hendrix. Following the band's 2012 highly praised self-titled release, Best Medicine was recorded at Stonebridge Studios in Leesburg, VA and produced by the band and Stuart Martin.
    1. Best Medicine
    2. Adelaide
    3. Feathers & Bone
    4. San Antonio
    5. The Bells
    6. Never For Nothing
    7. Pallet
    8. Stolen Love
    9. Who's Gonna Shoe
    10. Black Hills
    11. Simple Man
    12. Might Rain
    The Stray Birds
    $19.99
    180 Gram Audiophile Virgin Vinyl LP + CD - Sealed Buy Now
  • Diddy Wah Diddy Diddy Wah Diddy Quick View

    $15.99
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    Diddy Wah Diddy

    Double 7 Set


    In the high desert of California, they were referred to simply as "Beefheart."


    Don Van Vliet acquired the habit of singing along to vintage blues records while hanging with high school chum Frank Zappa. Founder Alex Snouffer formed the Magic Band in late 1964. And, by early 1965, the powerful and charismatic local blues combo had made quite a name for itself locally as "the band" for local dances at the fairgrounds. By late '65 the inclusion of master guitarist Rich Hepner explosively changed the group's chemistry; dances morphed to concerts - with the dancers choosing to sit on the floor, captivated by this white blues band that seemed to transform Exposition Hall into a spellbinding Louisiana swamp.


    In early 1966, the band signed with A&M Records. Producer David Gates (of Bread fame) was assigned production duties, and the first result - a cover of Bo Diddley's "Diddy Wah Diddy" - stunned everyone. Famed Del Rio, Texas DJ "Wolfman Jack" introduced it by saying "OK everybody on the highway, you'd better pull over, cause here comes Captain Beefheart with 'Diddy Wah Diddy.'"


    Ill-fated times intervened with the coincidental cover of "Diddy" by an East Coast group - The Remains - which was releases almost simultaneously on the Epic Records label. Confusion and chaos reigned, and the songs dropped from the charts quickly. Founder Snouffer reflected: That's a record label's, personal manager's, and band's nightmare." Undaunted, Gates penned a follow-up to "Diddy," entitled "Moonchild." The band arranged it themselves - interpreting Dave's guitar/voice demo. Gates reaction: "Boy, it wasn't supposed to happen like this!"


    Van Vliet had also penned his first recorded compositions - "Who Do You Think You're Fooling" for the B-side of "Diddy" and "Frying Pan" for the B-side of "Moonchild." Van Vliet went on in later years through many incarnations of Magic Bands to create the most avante-garde rock music ever recorded, but the roots of these early pieces echo throughout all the later works.


    -John French, Lancaster, CA

    1. Diddy Wah Diddy
    2. Who Do You Think You're Fooling
    3. Moonchild
    4. Frying Pan
    Captain Beefheart
    $15.99
    7 Vinyl Single - 2 Singles Sealed Buy Now
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