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  • Undercurrent (Kenny Drew) Undercurrent (Kenny Drew) Quick View

    $39.99
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    Undercurrent (Kenny Drew)

    Cut at 33 1/3 RPM by Kevin Gray at Cohearent Audio from the Original Rudy Van Gelder Blue Note Master Tapes


    Pressed 180 Gram Virgin Vinyl LPs by RTI


    Top Quality Gatefold Packaging with Laminated Covers & High Quality Session Photos


    Kenny Drew was an unsung master of bebop. A brilliant pianist who started with the example of Bud Powell and then developed his own sound within the style, in the '50s Drew worked with some of the most important innovators of all time including Coleman Hawkins, Lester Young, Charlie Parker, Buddy DeFranco, Dinah Washington and Art Blakey. By 1960 when he recorded Undercurrent, Drew had already led ten albums of his own, mostly with duos and trios. Oddly enough he only had the opportunity to lead two albums in his life for Blue Note, an early effort from 1953 and the classic Undercurrent. Joined in a quintet by the young firebrand trumpeter Freddie Hubbard, the always-stimulating tenor-saxophonist Hank Mobley, bassist Sam Jones and drummer Louis Hayes, the 32-year old pianist shows that he was ready to truly make his mark on the jazz world. All six compositions are his, and in his accompaniment of the passionate horn men and also in his soulful solos, Drew shows that he was one of the major hard bop stylists. This high energy album, which finds Hubbard, Mobley and Drew consistently inspiring each other to come up with heated statements, has many of the pianist's finest compositions including the roaring "Undercurrent," the bluesy "Funk-Cosity," the gospellish "The Pot's On," the well titled "Groovin' The Blues" and the beautiful "Ballade." Kenny Drew, who would move permanently to Europe in 1964 and would not lead another album until 1973, is heard throughout at the peak of his powers, creating his finest recording.


    Features:

    Limited Edition of Only 3500 Copies!

    Remastered from the Original Rudy Van Gelder Blue Note Master Tapes!

    Remastered by Kevin Gray at Cohearent Audio

    Pressed 180 gram Virgin Vinyl LPs by RTI

    Ultra-Durable, Extra Thick Album Jackets

    Gatefold Album with Session Photos in stunning High Resolution

    Stereo


    Musicians:

    Kenny Drew, piano

    Freddie Hubbard, trumpet

    Hank Mobley, tenor saxophone

    Sam Jones, bass

    Louis Hayes, drums


    This title is not eligible for discount.

    1. Undercurrent
    2. Funk-cosity
    3. Lion's Den
    4. The Pot's On
    5. Groovin' The Blues
    6. Ballade
    Kenny Drew
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Man I Love The Man I Love Quick View

    $29.99
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    The Man I Love

    Johnny Griffin had a reputation as the world's fastest tenor. At this intense live date captured at Club Montmarte in Copenhagen in 1967, the saxophonist lives up to such a billing and more, attacking five compositions with dynamite energy and blinding speed. In addition, Griffin displays the warm and sensitive side he developed later in his career on a touching rendition of Duke Ellington's Sophisticated Lady. Throughout, he's aided by a resolutely controlled and superbly dynamic rhythm section comprised of bassist Niels Pederson and drummer Albert Tootie Heath, who, with pianist Kenny Drew, match Griffin's red-hot bravado. This is a hard-bop set no one will want to miss.


    Originally released by the UK label Black Lion, an imprint that specialized in resurrecting rare gems from US jazz and blues legends, The Man I Love is on par with Griffin's finest studio outings for Blue Note and a can't-miss opportunity for collectors and enthusiasts to get closer to the man and his music. Orchestrated by ORG Music, this historical reissue is afforded the ultimate in audiophile production standards, resulting in sonics and presentation befitting the museum-like worth of this record's existence.


    Mastered from the original master tapes at Bernie Grundman Studios by Chris Bellman and pressed at Pallas, the 180 gram LP was curated by legendary engineer Steve Hoffman and eq'd by Grundman himself. A better team you cannot find; every step involved serious quality-control measures to guarantee gorgeous sound. The superb vinyl jacket features exclusive artwork. This is what being a collector is all about.


    The title isn't as widely known as some of Griffin's other work, but this reissue preserves historically significant music that will be enjoyed by generations to come.




    1. The Man I Love
    2. Hush-A-Bye
    3. Blues for Harvey
    4. The Masquerade Is Over
    5. Sophisticated Lady
    6. Wee
    Johnny Griffin
    $29.99
    180 Gram Audiophile Virgin Vinyl - Sealed Buy Now
  • Soy Califa Soy Califa Quick View

    $25.99
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    Soy Califa


    Curated, Analogue Mastered And Cut At Gearbox Studio


    This record is a Danish TV performance recorded on August 5 1967 that has never released on vinyl until now. Dexter Gordon is heard at his best and most powerful on these three tracks of the hardest bop, the swingingest Afro-inspired music and the most tender of ballads recorded on a hot Summer's day at Magleaas High School in front of an audience of young musicians.


    Personnel:

    Dexter Gordon - tenor saxophone, Kenny Drew - piano,

    Niels-Henning Ørsted Petersen - double bass, Albert 'Tootie' Heath - drums.

    1. Soy Califa
    2. The Shadow Of Your Smile
    3. The Blues Up And Down
    Dexter Gordon
    $25.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Blue Train (Picture Disc) Blue Train (Picture Disc) Quick View

    $32.99
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    Blue Train (Picture Disc)

    Doxy present a picture disc reissue of John Coltrane's Blue Train, originally released in 1957. Blue Train is Coltrane's third session as a leader and one of the most iconic jazz albums of all-time. Featuring Curtis Fuller, Lee Morgan, Paul Chambers, Kenny Drew, and Philly Joe Jones, this is an absolutely essential jazz album and the title track is one of the most celebrated in jazz history, maybe matched only in recognition by Miles Davis's So What or Dave Brubeck's Take Five.
    1. Blue Train
    2. Moment's Notice
    3. Locomotion
    4. I'm Old Fashioned
    5. Lazy Bird
    John Coltrane
    $32.99
    Vinyl LP Picture Disc - Sealed Buy Now
  • Jazz U.S.A Jazz U.S.A Quick View

    $13.99
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    Jazz U.S.A

    One of Sonny Criss' classic albums for Imperial, 1956's Jazz U.S.A. is a brilliant collection of impeccably recorded L.A. bop from the '50s. Criss had a tone like nobody else on the alto and he's at the height of his powers here, settling into an amazing groove with a sense of power, confidence and sophistication. Features Criss on alto sax, Kenny Drew on piano, Barney Kessel on guitar, Bill Woodson on bass and Chuck Thompson on drums. Tracks include West Coast Blues, Criss Cross, Ham's Blues and Blue Friday among others.
    1. Willow Weep for Me
    2. These Foolish Things
    3. Blue Firday
    4. Sunday
    5. More than You Know
    6. Easy Living
    7. Alabamy Bound
    8. Something's Gotta Give
    9. West Coast Blues
    10. Criss-Cross
    11. Ham's Blues
    12. Sweet Georgia Brown
    Sonny Criss
    $13.99
    Vinyl LP - Sealed Buy Now
  • Take The 'A' Train (Awaiting Repress) Take The 'A' Train (Awaiting Repress) Quick View

    $27.99
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    Take The 'A' Train (Awaiting Repress)

    Never Before Released On Vinyl


    Recorded Live In 1967 At The Legendary Jazzhus Montmartre In Copenhagen


    Remastered And Pressed On Audiophile-Grade 180-Gram Vinyl At Pallas In Germany


    Recorded live in July of 1967 at the legendary Jazzhus Montmartre in Copenhagen, this selection finds tenor-saxophonist Dexter Gordon and his quartet (pianist Kenny Drew, bassist Niels Pederson and drummer Albert Tootie Heath) in top form. Two of the standards on this hard-swinging set (But Not for Me & Take the 'A' Train) are over ten minutes long, allowing Gordon to stretch out creatively. The historic recording finally gets its vinyl debut with this 180-gram audiophile-grade Pallas pressing.

    1. But Not For Me
    2. Take The 'A' Train
    3. For All We Know
    Dexter Gordon
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Blue Train (Extra Track) Blue Train (Extra Track) Quick View

    $27.99
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    Blue Train (Extra Track)

    Blue Train is a hard bop jazz album by John Coltrane, released in 1957 on Blue Note Records, catalogue BLP 1577. Recorded at the Van Gelder Studio in Hackensack, New Jersey, it is Coltrane's second solo album, the only one he recorded for Blue Note as a leader, and the only one he conceived personally for the label. It has been certified a gold record by the RIAA. Arguably one of the most influential titles from Coltrane and one of the greatest Blue Note releases ever.


    John Coltrane - tenor saxophone, bandleader

    Lee Morgan - trumpet

    Curtis Fuller - trombone

    Kenny Drew - piano

    Paul Chambers - double bass

    Philly Joe Jones - drums

    1. Blue Train
    2. Moment's Notice
    3. East Bound (Extra Track)
    4. Locomotion
    5. I'm Old Fashioned
    6. Lazy Bird
    John Coltrane
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Blue Train (180 Gram) Blue Train (180 Gram) Quick View

    $32.99
    Buy Now
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    Blue Train (180 Gram)

    Blue Train is a hard bop jazz album by John Coltrane, released in 1957 on Blue Note Records, catalogue BLP 1577. Recorded at the Van Gelder Studio in Hackensack, New Jersey, it is Coltrane's second solo album, the only one he recorded for Blue Note as a leader, and the only one he conceived personally for the label. It has been certified a gold record by the RIAA. Arguably one of the most influential titles from Coltrane and one of the greatest Blue Note releases ever.


    Musicians:

    John Coltrane - tenor saxophone, bandleader

    Lee Morgan - trumpet

    Curtis Fuller - trombone

    Kenny Drew - piano

    Paul Chambers - double bass

    Philly Joe Jones - drums

    1. Blue Train
    2. Moments Notice
    3. Locomotion
    4. Im Old Fashioned
    5. Lazy Bird
    John Coltrane
    $32.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Blue Train (Mono & Stereo) Blue Train (Mono & Stereo) Quick View

    $37.99
    Buy Now
    x

    Blue Train (Mono & Stereo)

    LP1 - Mono

    LP2 - Stereo


    This special 2LP Gatefold Edition of the jazz masterpiece features both mono and stereo versions.


    Blue Train is a hard bop jazz album by John Coltrane, released in 1957 on Blue Note Records, catalogue BLP 1577. Recorded at the Van Gelder Studio in Hackensack, New Jersey, it is Coltrane's second solo album, the only one he recorded for Blue Note as a leader, and the only one he conceived personally for the label. It has been certified a gold record by the RIAA. Arguably one of the most influential titles from Coltrane and one of the greatest Blue Note releases ever.


    John Coltrane - tenor saxophone, bandleader

    Lee Morgan - trumpet

    Curtis Fuller - trombone

    Kenny Drew - piano

    Paul Chambers - double bass

    Philly Joe Jones - drums

    LP 1 - MONO VERSION
    1. Blue Train
    2. Moment's Notice
    3. Locomotion
    4. I'm Old Fashioned
    5. Lazy Bird


    LP 2 - STEREO VERSION
    1. Blue Train
    2. Moment's Notice
    3. Locomotion
    4. I'm Old Fashioned
    5. Lazy Bird

    John Coltrane
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Blue Train Blue Train Quick View

    $19.99
    Buy Now
    x

    Blue Train


    Remastered And Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    Recorded at Van Gelder Studio in Hackensack, New Jersey, John Coltrane's Blue Train is a hard bob jazz album released on Blue Note in 1957. Certified
    Gold, Blue Train is Coltrane's second solo album and the only one he recorded for Blue Note as a leader although he was never formally signed to the
    label. Featured on the album are Coltrane on tenor sax with Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on
    bass and Philly Joe Jones on drums. Blue Train will be reissued on vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign
    spearheaded by current Blue Note Records President, Don Was.

    1. Blue Train
    2. Moment's Notice
    3. Locomotion
    4. I'm Old Fashioned
    5. Lazy Bird
    John Coltrane
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • 4, 5, And 6 4, 5, And 6 Quick View

    $21.99
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    4, 5, And 6

    This album is one in a series of special 2014 releases commemorating the 65th anniversary of Prestige Records and the 90th birthday of legendary
    recording engineer Rudy Van Gelder.


    Before Jackie McLean made some of the great jazz albums of the 1960s for Blue Note, he recorded for the Prestige label. 4, 5 and 6 is the best of all his
    pre-Blue Note sessions. Recorded over two dates in July 1956, the album features future Blue Note colleague Donald Byrd joining in on trumpet for the
    album's two originals Abstraction and Contour (penned by Kenny Drew and Mal Waldron respectively). Another Blue Noter, tenor-saxophonist Hank
    Mobley, even makes it a sextet on Charlie Parker's Confirmation. The remaining three selections are quartet pieces (hence the album's title) with Mal
    Waldron on piano, Doug Watkins on bass and Art Taylor on drums. Newly reissued on vinyl, this is a 'MUST HAVE' addition to all great jazz collections.

    1. Sentimental Journey
    2. Why Was I Born
    3. Contour
    4. Confirmation
    5. When I Fall In Love
    6. Abstraction
    Jackie McLean
    $21.99
    Vinyl LP - Sealed Buy Now
  • Whistle Stop Whistle Stop Quick View

    $49.99
    Buy Now
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    Whistle Stop

    Blue Note Reissue


    As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands. Back home a month later, I unpack some test pressings Chad Kassem has sent me. I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud. Jason Victor Serinus, Stereophile, April 2008


    ...these first five Acoustic Sounds Blue Note re-issues are pure bop genius...The best news is that Kevin Gray and Steve Hoffman were keen enough to do nothing more than gently clean up the masters, bringing us even closer to the hard bop edge. The 45 rpm pressings that I received were all super quiet with every last drop of resolution from the master tapes. I had almost forgotten just how good Paul Chambers and Phil Joe were together as the backbone of these groups. I've always loved this music but I didn't remember it sounding this good! Hank Mobley offers us some brilliant sax bits on one of Kenny Dorham's finest recordings, Whistle Stop and Dexter Gordon's performance blew me away as well. The biggest surprise were the Lee Morgan records. I suggest turning these up loud, since they possess unlimited energy and some hooks that will knock you out. Amazing! Just a small warning: Once you start playing these Blue Note recordings you will be hooked. The good news is that Acoustic Sounds is working on at least 20 more of these jazz gems. So make sure your turntable has a setting for 45 rpm, clean your stylus occassionally, and get ready to be transported to nirvana. - Dan Babineau, Tone Audio, No. 14 2008, www.tonepublications.com


    Rightfully considered one of Kenny Dorham's best, this album features great originals and great trumpet playing. The superb cast consists of Hank Mobley, Kenny Drew, Paul Chambers and Philly Joe Jones. The title tune and Philly Twist are often heard, but the entire album represents a great composing achievement for KD.

    'Philly' Twist
    Buffalo
    Sunset
    Whistle Stop
    Sunrise In Mexico
    Windmill
    Dorham's Epitaph
    Kenny Dorham
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Both Sides Of Midnight Both Sides Of Midnight Quick View

    $29.99
    Buy Now
    x

    Both Sides Of Midnight

    Copenhagen Barnburner: Document of 1967 Club Date Stands as Gordon's Best-Ever Live Album


    Tantalizing Audiophile Restoration Series Resurrects UK Label Black Lion: Mastered at Bernie Grundman Studios by Chris Bellman and Pressed at Pallas


    EQ Notes and Curation Performed by Iconic Engineer Steve Hoffman; LPs EQ'd and Set Up by Bernie Grundman


    Conceived, Designed, and Manufactured for Collectors and Enthusiasts: Vinyl Jacket Features Exclusive Art


    Dexter Gordon recorded dozens of albums and played hundreds of live shows, but none better what's captured on this 1967 date from a club date in Copenhagen. The hard-bop saxophonist blows nothing less than a 28-chorus solo without referencing one standard tune on an epic 12-bar rendition of "Sonnymoon for Two" and, for good measure, sails through an extended, calypso-themed version of Ben Tucker's "Devilette." Want sentimentality? No problem. Get lost on "Misty," on which pianist Kenny Drew and drummer Al Heath add their own signature strokes. What a set!


    Originally released by the UK label Black Lion, an imprint that specialized in resurrecting rare gems from US jazz and blues legends, Both Sides of Midnight marks Gordon's peak live recorded document and a can't-miss opportunity for collectors and enthusiasts to get closer to the man and his music. Helmed by ORG, this historical reissue is afforded the ultimate in audiophile production standards, resulting in sonics and presentation befitting the museum-like worth of this record's existence.


    Mastered from the original master tapes at Bernie Grundman Studios by Chris Bellman and pressed at Pallas, the 180g LP was curated by legendary engineer Steve Hoffman and eq'd by Grundman himself. A better team you cannot find; every step involved serious quality-control measures to guarantee gorgeous sound. The superb vinyl jacket features exclusive artwork. Indeed, this is what being a collector is all about. The title may not be as widely known as some of Gordon's other works, but this reissue preserves vital music that will be enjoyed by generations to come. Consider it a buried treasure that, miraculously, has resurfaced in better condition than that when it was originally made.


    Jazz fans, Gordon devotees, audiophiles, and music fanatics, don't sleep on this collectable gem!

    1. Devillette
    2. For All We Know
    3. Doxy
    4. Sonnymoon for Two
    Dexter Gordon
    $29.99
    180 Gram Audiophile Virgin Vinyl - Sealed Buy Now
  • Dexter Calling Dexter Calling Quick View

    $49.99
    Buy Now
    x

    Dexter Calling

    Blue Note Reissue




    As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their handsBack home a month later, I unpack some test pressings Chad Kassem has sent meI hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud. Jason Victor Serinus, Stereophile, April 2008



    I have my two new Blue Note LPs here and as I sit writing this I am listening to the Dexter Gordon, WOW!sitting here listening to this wonderful music, just clean, no background noise, a black background, like the studio that they recorded this in, it is wonderful. The instruments coming out of the sound stage positioned as they were recorded, this is a real treat. Miller Steel, Acoustic Sounds customer


    ...these first five Acoustic Sounds Blue Note re-issues are pure bop genius...The best news is that Kevin Gray and Steve Hoffman were keen enough to do nothing more than gently clean up the masters, bringing us even closer to the hard bop edge. The 45 rpm pressings that I received were all super quiet with every last drop of resolution from the master tapes. I had almost forgotten just how good Paul Chambers and Phil Joe were together as the backbone of these groups. I've always loved this music but I didn't remember it sounding this good! Hank Mobley offers us some brilliant sax bits on one of Kenny Dorham's finest recordings, Whistle Stop and Dexter Gordon's performance blew me away as well. The biggest surprise were the Lee Morgan records. I suggest turning these up loud, since they possess unlimited energy and some hooks that will knock you out. Amazing! Just a small warning: Once you start playing these Blue Note recordings you will be hooked. The good news is that Acoustic Sounds is working on at least 20 more of these jazz gems. So make sure your turntable has a setting for 45 rpm, clean your stylus occassionally, and get ready to be transported to nirvana. - Dan Babineau, Tone Audio, No. 14 2008, www.tonepublications.com


    I have just listened, in succession, to my mono and early stereo versions of each LP. I have purchased other similar reissues over the years, but find the engineering and pressing of this 45rpm/180 series to be superior to all to others. This is particularly since I find many new releases to be of inferior quality or handling during manufacture, despite being re-engineered and of heavier vinyl. Barry Paulson, Acoustic Sounds customer


    Dexter Gordon connects immediately with the sublime rhythm section of Kenny Drew, Paul Chambers and Philly Joe Jones on this, his second Blue Note album. The material ranges from Drew originals to pieces from Gordon's score for the Los Angeles production of The Connection to stunning performances of the standards The End Of A Love Affair and Smile.

    Soul Sister
    Modal Mood
    I Want More
    The End of a Love Affair
    Clear the Dex
    Ernie's Tune
    Smile
    Landslide
    Dexter Gordon
    $49.99
    180 Gram Audiophile Virgin Vinyl 45rpm LP - 2 LPs Sealed Buy Now
  • Atmosphere For Lovers and Thieves (Pure Pleasure) Atmosphere For Lovers and Thieves (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Atmosphere For Lovers and Thieves (Pure Pleasure)

    Ben Webster is still a whale of a tenor player, his approach for the ballads being as poignant and lyrical as ever. On such romantic tunes as My Romance and What's New that breathy tone and broad-beamed phrasing are well in evidence, whilst the underlying humour and swing are more to the fore in the more muscular Easy To Love. Autumn Leaves is great Webster. The tempo is exactly right and Ben is in the groove from the start. The pianist is a long way away from Ben's beloved stride men, but he swings gently and forms nice background patterns for the tenor player's improvisations. The bass has been somewhat heavily recorded, but his drive is admirable nevertheless.



    Stardust, a lovely tune but sometime a drag for jazz improvisation, shows that Ben is a real master of flowing, keenly phrased ballad construction. Yesterdays is played so close to the microphone that momentarily I suspected a gas leak. But Ben always has that aerated vibrato well under control, and never overdoes what has throughout the years become something of a mannerism in his playing.



    Musicians:



    • Ben Webster (tenor saxophone)

    • Ole Kongsted (tenor saxophone)

    • Arnved Meyer (trumpet)

    • John Darville (trombone)

    • Kenny Drew (piano)

    • Niels Jorgen Stein (piano)

    • Niels-Henning Ørsted Pederson (bass)

    • Hugo Rasmussen (bass))

    • Alex Riel (drums)

    • Hans Nymand (drums)



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Blue Light
    2. Stardust
    3. Whats New
    4. Autumn Leaves
    5. Easy To Love
    6. My Romance
    7. Yesterdays
    8. Days of Wine and Roses
    Ben Webster
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Daddy Plays The Horn (Pure Pleasure) Daddy Plays The Horn (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Daddy Plays The Horn (Pure Pleasure)

    During a period of Dexter Gordon's (tenor sax) life -- when he was deep in the throws of chronic drug addiction -- the artist was miraculously able to reignite his career during the latter part of 1955. After several years of being out of the spotlight, Gordon resurfaced on the Big Apple-based indie Bethlehem imprint with the half-dozen sides that comprise Daddy Plays The Horn (1956).


    While the support team provides Gordon top-notch contributions throughout, it is unquestionably Drew who offers the most in terms of active interaction and his prominence can not be overstated. Nowhere is that as noticeable as the good-natured interaction heard on the disc's opener, the Gordon-penned title composition Daddy Plays The Horn. In fact it could be argued that Drew enhances the tenor to the point of practically being a co-leader. The update of Charlie 'Bird' Parker's bop standard Confirmation is taken at a steady mid-tempo pace, allowing plenty of room for the participants to have their say and not get in the way of the melody. Gordon seems considerably more relaxed and comfortable as he spreads line upon line of inspired improvisation. Drew is once again a real treat to hear briefly taking charge of the rhythm section. The pair of ballads on Daddy Plays The Horn are nothing short of stellar and stand as simple, emotive expressions unto themselves. Darn That Dream embraces the warmth of Gordon's tenor as his sensual phrasing leaves just enough space for Drew to sonically bridge the gap with his own unhurried and stylish chords. The generically monikered Number Four is anything but ordinary. The Gordon original jumps right from the opening and the ensemble lets loose with equally solid licks beneath his cool tone. Drew gets in the driver's seat missing nary a measure to reveal what could easily be his most tasteful contributions to date. The same can be said of bassist Vinnegar, who is briefly spotlighted on an efficient (if not somewhat sparse) solo. Autumn in New York -- the album's other essential ballad -- is proof that despite Gordon's addiction, he had retained his singular and precious sense of lyricism. Indeed, the Great American Songbook entry has rarely been permeated in such a meaningful way. The seamless transitions between Gordon and Drew are further evidence of their undeniable bond. Saving what may be the best example of the gathered instrumentalists flexing their respective be-bop muscle, You Can Depend On Me rounds out the platter with a bang.

    Musicians:



    • Dexter Gordon (tenor saxophone)

    • Kenny Drew (piano)

    • Leroy Vinnegar (bass)

    • Larry Marable (drums)



    Recording: September 1955 in Hollywood, CA.



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.


    1. Number Four
    2. Autumn In New York
    3. You Can Depend On Me
    4. Daddy Plays The Horn
    5. Confirmation
    6. Darn That Dream
    Dexter Gordon
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Sweetenings (Pure Pleasure) Sweetenings (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Sweetenings (Pure Pleasure)

    Harry 'Sweets' Edison, a smooth and suave trumpeter, was a cohort of orchestra leader Count Basie, a favourite of bandleader Nelson Riddle, and a noted backup artist for the most prominent vocalists of his time. Edison, with his energetic yet reticent blowing style, bridged a genre gap between the early classic jazz sound of Louis Armstrong and modern bebop modes. Edison, who played equally well in both styles, had a special talent for sustaining his trumpet notes and injecting each single tone with expression and soul never heard before or after.


    The special quality of his trumpet playing earned him the nickname 'Sweets' because of the sweetness of the tones. Likewise his ability to control the tone of his trumpet brought him to the forefront as a session musician, playing accompaniments for the most respected vocalists of his time.


    Edison was a true pioneer of jazz. An old-time homespun boy, born in Columbus, Ohio, he never knew with certainty even the year of his birth. According to his best knowledge, he was born in 1919, although some sources list the date as early as 1915. Edison knew even less about his own father, a Native American of the Hopi (Apache) tribe and a drifter who stayed only a few weeks with Edison's mother before taking to the road and was rarely heard from afterward. Edison spent his early years with an uncle, who was a coal miner and a farmer, in Louisville, Kentucky. It was Edison's uncle who taught the boy to play the pump organ and to play scales on an old cornet. Edison, who also listened to his uncle's records, was especially inspired by the music of Louis Armstrong and Bessie Smith.


    Harry Sweets Edison added something special to any date in which he took part, but these 1958 sessions he led for Roulette are especially enjoyable. Joined by either Jimmy Jones or Kenny Drew on piano and Joe Benjamin or John Simmons on bass, along with tenor saxophonist Jimmy Forrest and drummer Charlie Persip, Edison's trumpet swings effortlessly through a batch of standards and originals.


    The loping blues Centerpiece became a classic jazz composition, recorded by numerous jazz artists, but this was its debut appearance on LP. Jive at Five dates from his years with Count Basie and finds the band sticking to an accompanying role in this swinging but brief arrangement. Edison utilizes a mute in the gently swinging Louisiana, while he showboats just a bit in a brief take of It Happened in Monterey. While this record might have offered a little more variety by giving solo space to some of the talented sidemen present, this long out of print LP is well worth acquiring.



    Musicians:



    • Harry Edison (trumpet)

    • Jimmy Forrest (tenor saxophone)

    • Jimmy Jones (piano)

    • Joe Benjamint (bass)

    • John Simmons (bass)

    • Charlie Persip (drums)



    Recording: November 1958 in New York
    Production: Teddy Reig




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Centerpiece
    2. Candy
    3. Jive At Five
    4. Imagination
    5. Louisana
    6. Harriet
    7. It Happened In Monterey
    8. If I Had You
    9. Paradise
    10. Indiana
    11. Pussy Willow
    12. Sweetenings
    Harry Sweets Edison
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Two Matchsticks Two Matchsticks Quick View

    $15.99
    Buy Now
    x

    Two Matchsticks

    The Wooden Birds' Two Matchsticks follows-up their critically acclaimed 2009 debut Magnolia. The Wooden Birds are fronted by American Analog Set founder and Broken Social Scene collaborator/touring member Andrew Kenny.


    The album was recorded in a converted bedroom studio in Kenny's Austin home and mixed at Resonate Studio with producer Louie Lino (Nada Surf). It features a special guest appearance by Death Cab For Cutie's Ben Gibbard along with members of Ola Podrida.


    While Two Matchsticks keeps the percussive affects of The Wooden Birds' debut, the band drew on the strengths of their live show in writing the album, making it a stronger record sonically, more driven, upbeat and fuller than their previous efforts.


    The most noticeable difference is the increased presence of members Leslie Sisson and Matt Pond who, in addition to singing backing vocals on the album, sing lead and duet with Kenny on some of the album's most memorable songs.

    1. Folly Cub

    2. Two Matchsticks

    3. Cross My Heart
    4. Criminals Win
    5. Company Time
    6. Warm To the Blade
    7. Baby Jeans
    8. Too Pretty To Say Please
    9. Struck By Lightning
    10. Secrets
    11. Be No Lie
    12. Long Time To Lose

    The Wooden Birds
    $15.99
    Vinyl LP - Sealed Buy Now
  • Texas Hurricane Texas Hurricane Quick View

    $279.99
    Buy Now
    x

    Texas Hurricane

    Mastered from the Original Analog Tapes by Sterling Sound


    What if. What if everything that you have come to know and worship about the sonic superiority of Quality Record Pressings LPs could be brought to bear on one of the rockingest powerhouses of blues guitar who ever lived?


    Then your wish is granted. We're about to rock your world with the greatest Stevie Ray Vaughan tribute ever reissued: Six of Vaughan's most classic album titles combined in the ultimate box set for ultimate blues and guitar fanatics!


    With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock & roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre. Vaughan bridged the gap between blues and rock like no other artist had since the late '60s. For about seven years, Stevie Ray Vaughan was the leading light in American blues, consistently selling out concerts while his albums regularly went gold. His tragic death in 1990 only emphasized his influence in blues and American rock & roll.


    This is classic Stevie Ray Vaughan, meticulously remastered from the analog tapes by New York's Sterling Sound. In each set you'll receive Texas Flood, Couldn't Stand the Weather, Soul to Soul, In Step, plus the posthumous classics Family Style and The Sky Is Crying.


    Those of you familiar with our previous LP box sets - Miles Davis and Thelonious Monk, Creedence Clearwater Revival - and soon to come, The Doors - know how deluxe these sets are. From the detailed liner notes to the rarest photographs, these sets will truly be gems.


    For those with an audiophile passion and a pocketbook on a budget, the 331/3 LP set satisfies like no other. The box set will be pressed on 200 gram vinyl at QRP, lauded for its vinyl manufacturing excellence.


    Each LP set will come housed in deluxe gatefold jackets that include rarely published, intimate photos - a look inside the career of a legend whose death at age 35 shocked the music world. A few statistics showcase Vaughan's success and musical influence: His debut album Texas Flood, reached No. 38 on the charts, crossing over to rock radio stations. The album's succesor, Couldn't Stand the Weather, released in May 1984, reached No. 31 on the charts; by the end of 1985 it went gold. Vaughan and his band, Double Trouble, recorded their third album, Soul to Soul, released in August 1985, and it reached No. 34 on the charts.

    Texas Flood:


    1. Love Struck Baby
    2. Pride And Joy
    3. Texas Flood
    4. Tell Me
    5. Testify
    6. Rude Mood
    7. Mary Had A Little Lamb
    8. Dirty Pool
    9. I'm Cryin'
    10. Lenny


    Couldn't Stand The Weather:


    1. Scuttle Buttin'
    2. Couldn't Stand the Weather
    3. The Things (That) I Used to Do
    4. Voodoo Chile (Slight Return)
    5. Cold Shot
    6. Tin Pan Alley
    7. Honey Bee
    8. Stang's Swang


    Soul To Soul:


    1. Say What!
    2. Lookin' Out The Window
    3. Look At Little Sister
    4. Ain't Gone 'n' Give Up On Love
    5. Gone Home
    6. Change It
    7. You'll Be Mine
    8. Empty Arms
    9. Come On (Part III)
    10. Life Without You


    In Step:


    1. The House Is Rockin'
    2. Crossfire
    3. Tightrope
    4. Let Me Love You Baby
    5. Leave My Girl Alone
    6. Travis Walk
    7. Wall of Denial
    8. Scratch-N-Sniff
    9. Love Me Darlin'
    10. Riviera Paradise


    The Sky Is Crying:


    1. Boot Hill
    2. The Sky Is Crying
    3. Empty Arms
    4. Little Wing
    5. Wham
    6. May I Have a Talk With You
    7. Close to You
    8. Chitlins con Carne
    9. So Excited
    10. Life By the Drop


    Family Style:


    1. Hard To Be
    2. White Boots
    3. DFW
    4. Good Texan
    5. Hillbillies From Outerspace
    6. Long Way From Home
    7. Tick Tock
    8. Telephone Song
    9. Baboom/Mama Said
    10. Brothers

    Stevie Ray Vaughan
    $279.99
    200 Gram Audiophile Virgin Vinyl LP - 6 LPs Sealed Buy Now
  • In The Beginning (200 Gram Vinyl) In The Beginning (200 Gram Vinyl) Quick View

    $34.99
    Buy Now
    x

    In The Beginning (200 Gram Vinyl)


    Mastered From The Original Tapes By Ryan Smith At Sterling Sound


    200-Gram Pressing By Quality Record Pressings


    With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.


    Before the Montreaux Jazz Festival, before Bowie's Let's Dance album, before Texas Flood, before the Grammys, before the cocaine and alcohol abuse, before the redemption of sobriety, before the joyful In Step and Family Style ..... before August 27, 1990..... before the all-star tributes, before The Legendary Stevie Ray Vaughan......


    There was an unknown, hardworking 24-year-old gunslinger named Little Stevie Vaughan, learning his craft the hard way in the trenches of the Austin Texas clubs, trying his darndest to get out of the shadow of his famous older brother Jimmie.


    It wouldn't be long.


    Anyone lucky enough to have been in the audience at this early live show, on April Fools Day in 1980, could have told you that. Young Stevie Vaughan (he had yet to become Stevie Ray) blasted the hometown crowd with a style that was already very well-formed. With Chris Layton on drums and bassist Jackie Newhouse (Tommy Shannon would join up a year later), his basic sound was already in place, albeit still in need of some polishing.


    Taken from the surviving two-track master, Vaughan's guitar is raw and in your face every note of the way. His takes on Freddie King's In the Open and the lengthy Tin Pan Alley are the real highlights here.


    As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 200-gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings.


    There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades.

    1. In The Open
    2. Slide Thing
    3. They Call Me Guitar Hurricane
    4. All Your Love (I Miss Loving)
    5. Tin Pan Alley (aka Roughest Place in Town)
    6. Love Struck Baby
    7. Tell Me
    8. Shake for Me
    9. Live Another Day
    Stevie Ray Vaughan
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Couldn't Stand The Weather (Pure Pleasure) Couldn't Stand The Weather (Pure Pleasure) Quick View

    $49.99
    Buy Now
    x

    Couldn't Stand The Weather (Pure Pleasure)

    With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80's. Vaughan drew equally from bluesmen like Albert King, Otis Rush, and Muddy Waters and rock & roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre. Vaughan bridged the gap between blues and rock like no other artist had since the late '60s. For the next seven years, Stevie Ray was the leading light in American blues, consistently selling out concerts while his albums regularly went gold. His tragic death in 1990 only emphasized his influence in blues and American rock & roll.

    Musicians:



    • Stevie Ray Vaughan (vocal, guitar)

    • Jimmie Vaughan (guitar)

    • Stan Harrison (tenor saxophone)

    • Tommy Shannon (bass)

    • Chris "Whipper" Layton, Fran Christina (drums)



    Format: 2LPs 33rpm / standard sleeve



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.


    Side 1
    1. Scuttlebuttin'
    2. Couldn't Stand The Weather
    3. Things That I Used To Do


    Side 2
    4. Voodoo Chile (Slight Return)
    5. Cold Shot


    Side 3
    6. Tin Pan Alley
    7. Honey Bee
    8. Stang's Swang


    Side 4
    9. SRV Speaks
    10. Hide Away
    11. Look at Little Sister
    12. Give Me Back My Wig
    13. Come On (Pt.3)

    Stevie Ray Vaughan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Jackie's Bag (Out Of Stock) Jackie's Bag (Out Of Stock) Quick View

    $24.99
    x

    Jackie's Bag (Out Of Stock)

    This 1959 12 is made up of two distinct sessions, including Jackie McLeans first as a leader for the label. These sides helped establish him as one of the finest young alto voices on the jazz scene. Although a strong album through-and-through, the strongest material lay in the interplay between the altoist and the still under-appreciated tenor Tina Brooks. A great and unique alto/tenor tandem was born and sadly short-lived, due to Brooks demise at a young age. But the handful of selections they were able to create on this and a few other Blue Note releases are superb. Donald Byrd, Blue Mitchell, Art Blakey, Philly Joe Jones, Paul Chambers, Sonny Clark, Kenny Drew and Billy Mitchell collectively make McLeans album debut, memorable. As part of the Classic Blue Note Signature LP Reissue Series this reissue was mastered and cut from the original analog master tapes on Classics ALL TUBE MONO cutting system and featuring authentic tip on jackets with film laminate front covers. This release like all in the Classic Blue Note Signature LP Series is pressed in our proprietary non-groove guard flat profile featuring the deep groove in the center label!
    1. Quadrangle
    2. Blues Inn
    3. Fidel
    4. Appointment in Ghana
    5. A Ballad for Doll
    6. Isle of Java
    7. Street Singer
    8. Melonae's Dance
    9 Medina
    Jackie McLean
    $24.99
    200 Gram Audiophile Virgin Vinyl 45rpm LP - Sealed Temporarily out of stock
  • Blue Train (Out Of Stock) Blue Train (Out Of Stock) Quick View

    $49.99
    x

    Blue Train (Out Of Stock)

    ...Blue Train remains a superb achievement both musically and sonically, and Acoustic Sounds' pressing knocks off all other reissues...The sound is immediate, with superb instrumental balance, and a big, airy, coherent soundstage. The bass and drums are well captured, serving as deep anchors that allow the horn players to blow away with a sense of controlled yet astonishing freedom. - Wayne Garcia, The Absolute Sound, June/July 2009


    As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands Back home a month later, I unpack some test pressings Chad Kassem has sent me I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud. - Jason Victor Serinus, Stereophile, April 2008


    John Coltrane's most important and best selling album after A Love Supreme. This was the first fully realized masterpiece by Coltrane. The superbly executed and blended ensembles have a haunting quality and each solo is a memorable treasure.


    Paul Chambers, bass

    John Coltrane, sax (tenor)

    Kenny Drew, piano

    Curtis Fuller, trombone

    Philly Joe Jones, drums

    Lee Morgan, trumpet

    1. Blue Train
    2. Moment's Notice
    3. Locomation
    4. I'm Old Fashioned
    5. Lazy Bird
    John Coltrane
    $49.99
    200 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Temporarily out of stock
  • Texas Hurricane (45RPM) (Out Of Stock) Texas Hurricane (45RPM) (Out Of Stock) Quick View

    $399.99
    x

    Texas Hurricane (45RPM) (Out Of Stock)

    Mastered from the Original Analog Tapes by Sterling Sound


    What if. What if everything that you have come to know and worship about the sonic superiority of Quality Record Pressings LPs could be brought to bear on one of the rockingest powerhouses of blues guitar who ever lived?


    Then your wish is granted. We're about to rock your world with the greatest Stevie Ray Vaughan tribute ever reissued: Six of Vaughan's most classic album titles combined in the ultimate box set for ultimate blues and guitar fanatics!


    With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock & roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre. Vaughan bridged the gap between blues and rock like no other artist had since the late '60s. For about seven years, Stevie Ray Vaughan was the leading light in American blues, consistently selling out concerts while his albums regularly went gold. His tragic death in 1990 only emphasized his influence in blues and American rock & roll.


    This is classic Stevie Ray Vaughan, meticulously remastered from the analog tapes by New York's Sterling Sound. In each set you'll receive Texas Flood, Couldn't Stand the Weather, Soul to Soul, In Step, plus the posthumous classics Family Style and The Sky Is Crying.


    Those of you familiar with our previous LP box sets - Miles Davis and Thelonious Monk, Creedence Clearwater Revival - and soon to come, The Doors - know how deluxe these sets are. From the detailed liner notes to the rarest photographs, these sets will truly be gems.


    The truly luxurious - and ultimate - listening experience can be had on 45 RPM LP. With so few songs on each side and at 45 RPM, your cartridge will capture every last winsome note. The box set will be pressed on 200 gram vinyl at QRP, lauded for its vinyl manufacturing excellence.


    Each LP set will come housed in deluxe gatefold jackets that include rarely published, intimate photos - a look inside the career of a legend whose death at age 35 shocked the music world. A few statistics showcase Vaughan's success and musical influence: His debut album Texas Flood, reached No. 38 on the charts, crossing over to rock radio stations. The album's succesor, Couldn't Stand the Weather, released in May 1984, reached No. 31 on the charts; by the end of 1985 it went gold. Vaughan and his band, Double Trouble, recorded their third album, Soul to Soul, released in August 1985, and it reached No. 34 on the charts.

    Texas Flood:


    1. Love Struck Baby
    2. Pride And Joy
    3. Texas Flood
    4. Tell Me
    5. Testify
    6. Rude Mood
    7. Mary Had A Little Lamb
    8. Dirty Pool
    9. I'm Cryin'
    10. Lenny


    Couldn't Stand The Weather:


    1. Scuttle Buttin'
    2. Couldn't Stand the Weather
    3. The Things (That) I Used to Do
    4. Voodoo Chile (Slight Return)
    5. Cold Shot
    6. Tin Pan Alley
    7. Honey Bee
    8. Stang's Swang


    Soul To Soul:


    1. Say What!
    2. Lookin' Out The Window
    3. Look At Little Sister
    4. Ain't Gone 'n' Give Up On Love
    5. Gone Home
    6. Change It
    7. You'll Be Mine
    8. Empty Arms
    9. Come On (Part III)
    10. Life Without You


    In Step:


    1. The House Is Rockin'
    2. Crossfire
    3. Tightrope
    4. Let Me Love You Baby
    5. Leave My Girl Alone
    6. Travis Walk
    7. Wall of Denial
    8. Scratch-N-Sniff
    9. Love Me Darlin'
    10. Riviera Paradise


    The Sky Is Crying:


    1. Boot Hill
    2. The Sky Is Crying
    3. Empty Arms
    4. Little Wing
    5. Wham
    6. May I Have a Talk With You
    7. Close to You
    8. Chitlins con Carne
    9. So Excited
    10. Life By the Drop


    Family Style:


    1. Hard To Be
    2. White Boots
    3. DFW
    4. Good Texan
    5. Hillbillies From Outerspace
    6. Long Way From Home
    7. Tick Tock
    8. Telephone Song
    9. Baboom/Mama Said
    10. Brothers

    Stevie Ray Vaughan
    $399.99
    200 Gram Audiophile Virgin Vinyl 45 RPM LP - 12 LPs Sealed Temporarily out of stock
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