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A Love SupremeRanked 47/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Right from the very first hearing, absolutely every single jazzcritic shared the same opinion - whether trained musicians or not, true or would-be jazz expert: "A Love Supreme" is John Coltrane's most important recording. And the rave reviews which appeared in the magazines Downbeat, Jazz Hot, Jazz Podium and Swingjournal reflected this: critics all over the world, in America, Europe and Japan recognized that Coltrane's deep religious belief had influenced both his approach to life and his music-making. It not only enabled him to express himself with great intensity but also lent him the necessary inner peace to conceive a work of almost 40 minutes in length and to lead his quartet along the same path as himself.
The first section, entitled "Acknowledgement", has a forceful bass line which runs throughout the whole work. The powerful sound increases in intensity, whereby the bass motif undergoes constant modulation, with John Coltrane's meditative singing creating immense tension.
In "Resolution" Coltrane's powerful, quasi hymnlike expression comes to the fore, with McCoy Tyner achieving equal intensity in his solo. "Pursuance", with its density, quick-as-lightning runs and block chords, gives us a taste of John Coltrane's later 'free' phase. "Psalm" is filled with the famous, almost static melodies rather like a fervent prayer which are so typical for John Coltrane. "A Love Supreme" has been a faithful companion and teacher of generations of saxophonists and its message goes way beyond Music and is still valid today.
John Coltrane (tenor saxophone)
McCoy Tyner (piano)
Jimmy Garrison (bass)
Elvin Jones (drums)
Recording: December 1964 in New York City by Rudy Van Gelder
Production: Bob ThielePart 1 - Acknowledgement
Part 2 - Resolution
Part 3 - Pursuance
Part 4 - Psalm$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Remastered And Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign
Recorded at Van Gelder Studio in Hackensack, New Jersey, John Coltrane's Blue Train is a hard bob jazz album released on Blue Note in 1957. Certified
Gold, Blue Train is Coltrane's second solo album and the only one he recorded for Blue Note as a leader although he was never formally signed to the
label. Featured on the album are Coltrane on tenor sax with Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on
bass and Philly Joe Jones on drums. Blue Train will be reissued on vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign
spearheaded by current Blue Note Records President, Don Was.1. Blue Train
2. Moment's Notice
4. I'm Old Fashioned
5. Lazy Bird$19.99Vinyl LP Reissue - Sealed Buy Now
Trane: The Atlantic CollectionRemastered
This album comprises pre-existing content, compiled into 1 LP with unique artwork, remastered for the release, and designed as an introduction to the work of John Coltrane's revered Atlantic recordings. Trane: The Atlantic Collection includes the hit single 'My Favorite Things,' the iconic 'Giant Steps, Naimi' and more, from one of the legends of the jazz world.1. My Favorite Things, Pt 1 (Single Version) [Remastered]
2. Like Sonny (Remastered)
3. Cousin Mary (Remastered)
4. Giant Steps (Remastered)
5. Central Park West (Remastered)
6. Equinox (Remastered)
7. Naima (Remastered)
8. My Shining Hour (Remastered)
9. Mr. Syms (Remastered)$19.99Vinyl LP - Sealed Buy Now
Blue Train (180 Gram)Blue Train is a hard bop jazz album by John Coltrane, released in 1957 on Blue Note Records, catalogue BLP 1577. Recorded at the Van Gelder Studio in Hackensack, New Jersey, it is Coltrane's second solo album, the only one he recorded for Blue Note as a leader, and the only one he conceived personally for the label. It has been certified a gold record by the RIAA. Arguably one of the most influential titles from Coltrane and one of the greatest Blue Note releases ever.
John Coltrane - tenor saxophone, bandleader
Lee Morgan - trumpet
Curtis Fuller - trombone
Kenny Drew - piano
Paul Chambers - double bass
Philly Joe Jones - drums1. Blue Train
2. Moments Notice
4. Im Old Fashioned
5. Lazy Bird$32.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Ole Coltrane (Mono Remaster)Mono Remaster
The complicated rhythm patterns and diverse sonic textures on OlÉ Coltrane are evidence that John Coltrane was once again charting his own course. His sheer ability as a maverick -- beyond his appreciable musical skills -- guides works such as this to new levels, ultimately advancing the entire art form.
Historically, it's worth noting that recording had already commenced two days prior to this session on Africa/Brass, Coltrane's debut for the burgeoning Impulse! label. The two sets complement each other, suggesting a shift in the larger scheme of Coltrane's musical motifs. The assembled musicians worked within a basic quartet setting, featuring Coltrane on soprano and tenor sax, McCoy Tyner on piano, and Elvin Jones on drums, with double-bass chores held down by Art Davis and Reggie Workman. Added to that are significant contributions and interactions with trumpeter Freddie Hubbard and Eric Dolphy on flute and alto sax (although Dolphy's contract with another record label prevented him from being properly credited on initial pressings of the album).
The title track is striking in its resemblance to the Spanish influence heard on Miles Davis' Sketches of Spain. This is taken a bit further as Coltrane's combo stretches out with inspired improvisations from Dolphy, Hubbard, Tyner, and Coltrane, respectively. OlÉ likewise sports some amazing double-bass interaction. The combination of a bowed upright bass played in tandem with the same instrument that is being plucked has a sinister permeation that undoubtedly excited Coltrane, who was perpetually searching for sounds outside the norm. The haunting beauty of Aisha stands as one of the finest collaborative efforts between Tyner, the song's author, and Coltrane. The solos from Hubbard, Dolphy, and an uncredited Tyner gleam from within the context of a single facet in a multi-dimensional jewel.
- Lindsay Planer (AllMusic.com)>1. Ole (Mono Version)
2. Dahomey Dance (Mono Version)
3. Aisha (Mono Version)$21.99Vinyl LP Mono - Sealed Buy Now
Blue Train (Mono & Stereo)LP1 - Mono
LP2 - Stereo
This special 2LP Gatefold Edition of the jazz masterpiece features both mono and stereo versions.
Blue Train is a hard bop jazz album by John Coltrane, released in 1957 on Blue Note Records, catalogue BLP 1577. Recorded at the Van Gelder Studio in Hackensack, New Jersey, it is Coltrane's second solo album, the only one he recorded for Blue Note as a leader, and the only one he conceived personally for the label. It has been certified a gold record by the RIAA. Arguably one of the most influential titles from Coltrane and one of the greatest Blue Note releases ever.
John Coltrane - tenor saxophone, bandleader
Lee Morgan - trumpet
Curtis Fuller - trombone
Kenny Drew - piano
Paul Chambers - double bass
Philly Joe Jones - drumsLP 1 - MONO VERSION
1. Blue Train
2. Moment's Notice
4. I'm Old Fashioned
5. Lazy Bird
LP 2 - STEREO VERSION
1. Blue Train
2. Moment's Notice
4. I'm Old Fashioned
5. Lazy Bird$37.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
The Complete 1957 Riverside Recordings (Box Set)For just a few months in 1957, two of the greatest musicians in history - Thelonious Monk (a seasoned master) and John Coltrane (a rising star) - recorded together in a studio. This deluxe 3-LP, 180-gram vinyl box set captures all of those sessions in chronological order. Originally released on CD, this edition features newly remastered audio from the original analog sources. An accompanying booklet offers an insightful essay by the late Orrin Keepnews, who produced the original sessions.LP 1
1. Monk's Mood [False Start]
2. Monk's Mood
3. Crepuscule With Nellie [Take 1]
4. Crepuscule With Nellie [Take 2]
5. Crepuscule With Nellie [Breakdown]
6. Blues For Tomorrow [Stereo]
7. Crepuscule With Nellie [Edit / Retakes 4 & 5]
1. Crepuscule With Nellie [Retake 6]
2. Off Minor [Take 4]
3. Off Minor [Take 5]
4. Abide With Me [Take 1]
5. Abide With Me
6. Epistrophy [Short Version]
8. Well, You Needn't [Opening]
1. Well, You Needn't
2. Ruby, My Dear
3. Ruby, My Dear
5. Trinkle, Tinkle$89.99180 Gram Audiophile Virgin Vinyl LP Box Set - 3 LPs Sealed Buy Now
Live At The Village Vanguard Again!Live At The Village Vanguard Again! is a jazz album by saxophonist John Coltrane. Recorded in May 1966, the album shows Coltrane playing in the free jazz style that characterized his final recordings.
Out of all the recordings made during the session, only three pieces remain: Naima, originally from the album Giant Steps, My Favorite Things, from the album of the same name, and a bass solo by Jimmy Garrison entitled, Introduction to My Favorite Things. The line up consists of the augmented quartet of the time, featuring Alice Coltrane on piano, Jimmy Garrison on bass and Rashied Ali on drums. Additionally, Pharoah Sanders contributes on flute and tenor saxophone, while Emanuel Rahim plays percussion.1. Naima
2. Introduction to My Favorite Things
3. My Favorite Things$24.99180 Gram Audiophile Virgin Vinyl LP -Sealed Buy Now
Relaxin' With The Miles Davis QuintetFeaturing John Coltrane, Red Garland, Paul Chambers and Philly Joe Jones. The greatest small group in the history of jazz recorded at their peak in 1956. Featuring joyous, straight-ahead swinging and melodic improvisation, this is a near-perfect album. Contains 'If I Were A Bell,' 'It Could Happen To You,' 'I Could Write A Book' and several others.1. If I Were A Bell
2. You're My Everything
3. I Could Write A Book
5. It Could Happen To You
6. Woody'n You$21.99Vinyl LP Reissue - Sealed Buy Now
Round About Midnight (Speakers Corner)
At long last these early recordings, which Miles Davis set down for the Columbia label in 1955 and 1956, are available on LP again. And what is more, they were made without any alternate takes or second attempts, as is the custom these days.
You can sit back and enjoy the six numbers in the order which the producer, probably in conjunction with Davis, decided upon. To be sure, all of the titles are well known and have been played a thousand times over in many different versions. But what this Quintet (and here each and every individual musician is meant!) produces as regards inventiveness, thrilling improvisations and artistry is absolutely top notch. Davis's vibrato-less sound is taken over seamlessly by John Coltrane - wonderfully demonstrated in the middle of Bye, Bye Blackbird, while Paul Chambers' showpiece is Ack VÄrmeland du sköna (aka Dear Old Stockholm). In the years 1955/56, bebop was the talk of the day, born witness to by the classics Tadd's Delight by Tadd Dameron and Ah-Leu-Cha by Charlie Parker. Here, however, the improvised melodic strands are more moderate, pointing the way to the style that later became known as modal jazz.
Although 'Round About Midnight as an album does not enjoy the reputation of Kind Of Blue, this Columbia recording contains many gems which are well worth hearing.
- Miles Davis
- John Coltrane (tenor saxophone)
- Red Garland (piano)
- Paul Chambers (bass)
- Philly Joe Jones (drums)
Recording: October 1955, June and September 1956 at Columbia's 30th Street Studio, New York
Production: George Avakian
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.1. Round Midnight
3. All Of You
4. Bye Bye Blackbird
5. Tadds Delight
6. Dear Old Stockholm$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
CaravanIncludes 1 Bonus Track
By the time that jazz icon/bandleader/percussionist Art Blakey and his Jazz Messengers began recording for Riverside in the fall of 1962, Blakey had already been the spiritual center of the group for nearly 15 years. The unprecedented caliber of performers who had already passed through the revolving-door personnel reads like a who's who of 20th century jazz. On Caravan -- his first of several notable sides for the venerable label -- he is joined by a quintet of concurrent and future all-stars. Likewise, it could be argued that each has never again been presented in such a fresh or inspired setting as on these recordings. In order to establish with any authority just how heavy (even for purveyors of hard bop) the players in this band are, they need only to be named: Curtis Fuller (trombone), Freddie Hubbard (trumpet), Wayne Shorter (tenor sax), Cedar Walton (piano), and Reggie Workman (bass). With Blakey (drums) firmly at the helm, these Jazz Messengers deliver a scintillating synergy that doesn't sacrifice intensity for the sake of cadence. The trademark give-and-take that graces the laid-back and sophisticated pop and jazz standards Skylark and In the Wee Small Hours of the Morning likewise is responsible for the palpable energy brought to the sizeable contributions from Shorter and Hubbard -- which make up half of the album's material. The title and leadoff track liquefies Duke Ellington's original arrangement and ignites it, fueling this extended fiery interpretation. Hubbard's first solo harks back to his own recording of Caravan, which can be heard on the Impulse release Artistry of Freddie Hubbard and was recorded earlier the same year. Coincidentally, that disc also features Curtis Fuller as well as a rare non-Sun Ra-related appearance from John Gilmore (tenor sax). Blow for blow, however, this reading has more than just an edge -- it possesses the entire blade. The melody snakes in and out of Blakey's strident flurry of syncopation. Another highlight is Shorter's interjectory solo, recalling his ability to succeed John Coltrane in Miles Davis' coterie. Among the original compositions, Shorter's upbeat Sweet 'n' Sour stands out as the most cohesive and ensemble-driven, although the singular group dynamic is well applied to the lively This Is for Albert as well. By contrast, Hubbard's Thermo is more angular -- taking full advantage of the musicians' aggressive chops. The 2001 20-bit remaster from Fantasy contains two bonus tracks: take four of Sweet 'n' Sour and take two of Thermo. This release can be considered definitive Blakey, bop, and Jazz Messengers.
- Lindsay Planer (All Music)1. Caravan
2. Sweet 'n' Sour
3. In The Wee Small Hours Of The Morning
4. Sweet 'n' Sour [Alternate Take] *
5. This Is For Albert
*Bonus Track (From The Same Sessions. Not On The Original LP)$27.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The Atlantic Years In Mono (Box Set)
Fully Remastered In Glorious Mono
Packaged In An Elegant Cloth-Bound Box
12" X 12", 32-Page, Perfect-Bound Booklet
While John Coltrane first gained attention for his revolutionary 'sheets of sound' technique, it was the deep spirituality of his music that really made his recordings as a bandleader such classics. The albums this giant of music recorded for Atlantic in 1959 and 1960 really represent the heart of his legacy.
John Coltrane's life will be the subject of a new documentary (tentative title: Chasin' Trane), out later this year, and now, for the first time since their original release, this box set gathers his mono recordings from the Atlantic vaults.
LP 1: GIANT STEPS
- Packaged in an elegant cloth-bound box.
- Fully remastered in glorious mono.
- Original studio albums in glossy tip-on LP sleeves, replicating the original artwork and labels. Giant Steps (1960), Bags & Trane (1961) with Milt Jackson, Ole Coltrane (1962), Coltrane Plays The Blues (1962), The Avant Garde (1966) with Don Cherry.
- One LP of outtakes and a replica of the original 'My Favorite Things Part I & II' 7" single, a hit for John Coltrane in 1961.
- A 12" x 12", 32-page, perfect-bound booklet, with period photos by Lee Friedlander and liner notes.
- Liner notes by Grammy-winning jazz writer Ashley Kahn.
1. Giant Steps
2. Cousin Mary
5. Syeeda's Song Flute
7. Mr P.C.
LP 2: BAGS & TRANE (with Milt Jackson)
1. Bags & Trane
2. Three Little Words
3. The Night We Called It A Day
5. The Late Late Blues
LP 3: OLE COLTRANE
2. Dahomey Dance
LP 4: COLTRANE PLAYS THE BLUES
1. Blues To Elvin
2. Blues To Bechet
3. Blues To You
4. Mr. Day
5. Mr. Syms
6. Mr. Knight
LP 5: THE AVANT-GARDE (with Don Cherry)
2. Focus On Sanity
3. The Blessing
4. The Invisible
5. Bemsha Swing
LP 6: THE COLTRANE LEGACY
2. Original Untitled Ballad
3. Untitled Ballad
5. Stairway To The Stars
6. Blues Legacy
7 Single: MY FAVORITE THINGS
1. My Favorite Things Part I
2. My Favorite Things Part II$149.99Vinyl LP + 7 Single Box Set Mono - 6 LPs Sealed Buy Now
- Packaged in an elegant cloth-bound box.
A Love Supreme: The Complete Masters
Ranked 47/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time
Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years.LP 1
1. A Love Supreme, Pt. I - Acknowledgement
2. A Love Supreme, Pt. II - Resolution
3. A Love Supreme, Pt. III - Pursuance
4. A Love Supreme, Pt. IV - Psalm
5. A Love Supreme, Pt. III - Pursuance
6. A Love Supreme, Pt. IV - Psalm
1. A Love Supreme, Pt. I - Acknowledgement
2. A Love Supreme, Pt. I - Acknowledgement
3. A Love Supreme, Pt. II - Resolution
4. A Love Supreme, Pt. II - Resolution
5. A Love Supreme, Pt. IV - Psalm
6. A Love Supreme, Pt. I - Acknowledgement
7. A Love Supreme, Pt. I - Acknowledgement
8. A Love Supreme, Pt. I - Acknowledgement
9. A Love Supreme, Pt. I - Acknowledgement
10. A Love Supreme, Pt. I - Acknowledgement
11. A Love Supreme, Pt. I - Acknowledgement
2. A Love Supreme Pt. I - Acknowledgement
3. A Love Supreme Pt. II - Resolution
4. A Love Supreme Pt. III - Pursuance
5. A Love Supreme Pt. IV - Psalm$45.99Vinyl LP - 3 LPs Sealed Buy Now
My Favorite ThingsNot only was the landmark 1960 release My Favorite Things the first to introduce John Coltrane's quartet with pianist McCoy Tyner and drummer Elvin Jones, it was also the first on which he played soprano saxophone. Features the signature title track hit.1. My Favorite Things
2. Everytime We Say Goodbye
4. But Not For Me$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
StardustPrestige Records is proud to re-issue the classic Coltrane album Stardust, originally released in 1963. The album actually consists of two separate
recording sessions that took place at the studio of the legendary Rudy Van Gelder in 1958. The incredible line up for these sessions included, in addition
to John Coltrane on tenor saxophone . Wilbur Harden on flugelhorn and trumpet; Freddie Hubbard also on trumpet; Red Garland on piano; Paul
Chambers on bass; Jimmy Cobb on drums; and Arthur Taylor also on drums. This re-issue is truly a jazz classic that is not to be missed in any collection!1. Stardust
2. Time After Time
3. Love Thy Neighbors
4. Then I'll Be Tired Of You$21.99Vinyl LP Reissue - Sealed Buy Now
Giant StepsRanked 102/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Giant Steps was recorded in 1959 by John Coltrane. This was the first album where all songs recorded were original compositions of Coltrane. The album showcases Coltrane's masterful improvisational style that is now known as sheets of sound. Giant Steps is often used as a practice piece because of its chord progression, and is seen by jazz musicians as the standard for modern jazz, also being used as a gauge of measuring a musician's improvisational skill. Soon after the release of Giant Steps, Coltrane ventured into modal jazz, so this album is often viewed as his farewell to bebop.1. Giant Steps
2. Cousin Mary
5. Syeeda's Song Flute
7. Mr. P.C.$24.99180 Gram Audiophile Virgin Vinyl LP -Sealed Buy Now
Someday My Prince Will Come (200 Gram)200-Gram Vinyl Pressed At Quality Record Pressings
Mastered From The Original Analog Master Tapes By Ryan K. Smith At Sterling Sound
Deluxe Tip-On Jacket From Stoughton Printing
A beautiful addition to the Davis canon. Recorded over the course of three days in April 1961, Someday My Prince Will Come showcases Miles' second great rhythm section, here at the absolute peak of their telepathic interplay. Wynton Kelly, Paul Chambers and Jimmy Cobb were as tight a unit as any ever formed, grooving so successfully that they went on to leave Miles and form the Wynton Kelly trio. Someday My Prince Will Come also includes some positively blistering solos from guest John Coltrane in his final recording with Miles. And Hank Mobley offers up some beautiful bluesy solos.1. Someday My Prince Will Come
2. Old Folks
4. Drad Dog
6. I Thought About You$34.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Kind Of BlueRanked 12/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
High quality 180 gram Audiophile Vinyl
Replication of Original Artwork
Released August 17, 1959, on Columbia Records in the United States. Recording sessions for the album took place at Columbia's 30th Street Studio in New York City on March 2 and April 22, 1959. The sessions featured Davis's ensemble sextet, which consisted of pianist Bill Evans (Wynton Kelly on one track), drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley.
After the entry of Bill Evans into his sextet, Davis followed up on the modal experimentations of Milestones (1958) and 1958 Miles (1958) by basing the album entirely on modality, in contrast to his earlier work with the hard bop style of jazz. Though precise figures have been disputed, Kind of Blue has been described by many music writers not only as Davis's best-selling album, but as the best-selling jazz record of all time. On October 7, 2008, it was certified quadruple platinum in sales by the Recording Industry Association of America (RIAA). It has been regarded by many critics as the greatest jazz album of all time and Davis's masterpiece. The album's influence on music, including jazz, rock, and classical music, has led music writers to acknowledge it as one of the most influential albums ever made. In 2002, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2003, the album was ranked number 12 on Rolling Stone magazine's list of the 500 greatest albums of all time.1. So What
2. Freddie Freeloader
3. Blue In Green
4. All Blues
5. Flamenco Sketches$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
ACSO-ANA-7130xRed Garland Quintet
All Mornin' Long200-Gram Pressing by Quality Record Pressings has a Flat Edge Profile and Deep Groove Label, True to the Original LP, and a Deluxe High-Gloss Tip-on Album Jacket.
All-Star Musician Lineup of Red Garland, John Coltrane, Donald Byrd, George Joyner and Arthur Taylor. Originally Released in November 1957.
Some groups have existed only in the recording studio but have produced music of lasting value.
This quintet, under pianist Red Garland's leadership, actually did play some gigs around New York in the fall of 1957, but even if it hadn't, the rapport in the studio would still have been powerful. Beginning with the association of Garland and sax master John Coltrane in the Miles Davis Quintet and continuing with Arthur Taylor's trio connection with Garland, and trumpeter Donald Byrd's having worked with all of them in one form or another, there was enough of a common spirit in the musical attitudes of all the participants. The title blues spans an entire side; the overleaf is shared by Gershwin's They Can't Take That Away from Me and Dameron's Our Delight.1. All Mornin' Long
2. They Can't Take That Away From Me
3. Our Delight$34.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Kind Of Blue: 50th Anniversary Collector's EditionRanked 12/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
The Best Selling Jazz Album of All-Time Gets the Super Deluxe Treatment for its 50th Anniversary!
Includes the Original Remastered CD, a CD of Bonus Material, a DVD of the Making of Kind of Blue, an Incredible Full-Color Book, Photos from the Sessions, Miles' Notes and the LP of the Original Album Pressed on Blue Vinyl!
In 1958, after a string of critically acclaimed and successful albums, Miles Davis was searching for a new direction to take the music, and signs were pointing him off the chordal highway into a new jazz style: modal. His innovations would open up the world for improvisers. He recruited key players with the potential to solidify his new approach, forming his famed sextet with rising jazz giants John Coltrane, Cannonball Adderley, Bill Evans & Wynton Kelly, Paul Chambers and Jimmy Cobb. Miles hired the little-known Evans because he needed a pianist who was into the modal thing. Davis and Evans both had developed personal voices characterized by a melodic flow that suggested, rather than defined, musical structure. It was his relationship with Evans that created the spark that resulted in the album Kind of Blue.
In only two impromptu sessions in March and April of 1959, Miles Daviss sextet created a tour de force 5 original tunes built on simple scales. Davis is committed to getting something spontaneous out of his musicians. The entire album was composed as a series of modal sketches and was conceived only hours before the recording dates. The outcome? Pure inspiration, and the stuff of legend an album made up of the first full take of each tune, captured at the historic Columbia 30th Street Studio. The album was originally released on Columbia Records in 1959, stunning the jazz world by practically creating a new language of music. Its influence goes far beyond jazz. Kind of Blue is universally considered to be one of the best albums of all time, of any genre. Fifty years later, Kind of Blue the epitome of spontaneous inventionis still the best selling jazz album ever.
This Collectors Edition marks the 50th Anniversary with an unprecedented presentation of music, images, insight and history to celebrate the album that is essential to any music collection, the ideal gift item for any jazz lover, especially fans of Miles Davis a true collectors set.
Do Not Miss this Limited-Edition Collector's Edition!Blue Colored Vinyl LP:
1. So What
2. Freddie The Freeloader
3. Blue In Green
4. All Blues
5. Flamenco Sketches
Disc 1 - CD:
1. So What (9:22)
2. Freddie Freeloader (9:46)
3. Blue In Green (5:36)
4. All Blues (11:32)
5. Flamenco Sketches (9:25)
6. Flamenco Sketches (alternate take) (9:31)
7. Freddie Freeloader - studio sequence 1 (0:51)
8. Freddie Freeloader - false start (1:26)
9. Freddie Freeloader - studio sequence 2 (1:34) (*)
10. So What - studio sequence 1 (1:55) (*)
11. So What - studio sequence 2 (0:12) (*)
12. Blue In Green - studio sequence (1:57) (*)
13. Flamenco Sketches - studio sequence 1 (0:43)
14. Flamenco Sketches - studio sequence 2 (1:10) (*)
15. All Blues - studio sequence (0:19) (*)
(*) previously unreleased
Disc 2 - CD:
1. On Green Dolphin Street (9:48)
2. Fran-Dance (5:48)
3. Stella By Starlight (4:43)
4. Love For Sale (11:46)
5. Fran-Dance (alternate take) (5:51)
6. So What (17:28) (**)
(**) previously released in unauthorized form
• Rare musical material including the first session by the Miles Davis sextet, May 26, 1958
• Over 30 minutes of studio material
• First authorized release of two extended live performances from April 9, 1960 Den Haag Concert and The Zurich Concert.
• Documentary - Story Behind Kind of Blue
• April 2, 1959 TV program, Robert Herridge Theater: The Sound of Miles Davis$109.99Colored Vinyl LP + 2 CDs + DVD - Sealed Buy Now
Whims of Chambers (Mono)Blue Note Reissue
As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their handsBack home a month later, I unpack some test pressings Chad Kassem has sent meI hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud. Jason Victor Serinus, Stereophile, April 2008
Paul Chambers' first album features an amazing lineup of John Coltrane, Donald Byrd, Kenny Burrell, Horace Silver and Philly Joe Jones. A classic Blue Note session of what might be considered cerebral jazz.Omicron
Whims Of Chambers
Tale Of The Fingers
Just For The Love$49.99180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
Lush LifeJohn Coltrane's essential 1958 Prestige release Lush Life finds the jazz great fronting a pianoless trio on three of the album's five tracks as well as helming both a quartet and quintet for a track a piece. The standard ballad Like Someone In Love and the Coltrane mid-tempo original Trane's Slo Blues wonderfully supplement the album's 14-minute title track, an unrivaled masterpiece of both style and grace.1. Like Someone in Love
2. I Love You
3. Trane's Slo Blues
4. Lush Life
5. I Hear a Rhapsody$21.99Vinyl LP Reissue - Sealed Buy Now
ColtraneConsidered by many to be his finest single album, Coltrane finds John Coltrane displaying all of the exciting elements that sparked brilliance and allowed his fully formed instrumental voice to shine through in the most illuminating manner. On tenor saxophone, he's simply masterful, offering the burgeoning sheets of sound philosophy into endless weavings of melodic and tuneful displays of inventive, thoughtful, driven phrases. Coltrane also plays a bit of soprano saxophone as a primer for his more exploratory work to follow. Meanwhile, bassist Jimmy Garrison, drummer Elvin Jones, and especially the stellar McCoy Tyner have integrated their passionate dynamics into the inner whole of the quartet. The result is a most focused effort, a relatively popular session to both his fans or latecomers, with five selections that are brilliantly conceived and rendered. "Out of This World," at over 14 minutes in modal trim, is a powerful statement, stretched over Tyner's marvelous and deft chords, the churning rhythms conjured by Jones, and the vocal style Coltrane utilizes as he circles the wagons on this classic melody, including a nifty key change. "Tunji" is a mysterious, easily rendered piece in 4/4 which speaks to the spiritual path Coltrane tred, a bit riled up at times while Tyner remains serene. Hard bop is still in the back of their collective minds during "Miles' Mode," a sliver of a melody that jumps into jam mode in a free-for-all blowing session, while the converse is to be found in Mal Waldron's "Soul Eyes," the quintessential ballad and impressive here for the way Coltrane's holds notes, emotion, and expressive intellectuality. On soprano you can tell Coltrane is close to taking complete control of his newly found voicings, as a playful, jaunty "The Inch Worm" in 3/4 time is only slightly strained, but in which he finds complete communion with the others. Even more than any platitudes one can heap on this extraordinary recording, it historically falls between the albums OlÉ Coltrane and Impressions -- completing a triad of studio efforts that are as definitive as anything Coltrane ever produced, and highly representative of him in his prime.--Michael G. Nastos
This Impulse Reissue Series vinyl features Audiophile Remastering, 180 gram Virgin Vinyl, Original Liner notes and deluxe gatefold packaging.
John Coltrane, trumpet
Elvin Jones, drums
Jimmy Garrison, bass
McCoy Tyner, piano1. Out Of This World
2. Soul Eyes
3. The Inch Worm
5. Miles' Mode
6. Big Nick
7. Up' Gainst The Wall$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Offering: Live At Temple University
Deluxe 2-LP, Limited-Edition, 180-Gram Vinyl Pressed On 12 LP's At 33-1/3 RPM By Record Technology Incorporated (R.T.I.)
Hand-Numbered Gatefold By Stoughton Press
Vibrant Four Panel Insert With Liner Notes By Ashley Kahn
Special Collector Postcards With Photos By Frank Kofsky
Mastered By Bernie Grundman
Offering: Live At Temple University documents a legendary concert by John Coltrane at Temple University in his hometown, Philadelphia, Pennsylvania,
on November 11, 1966, six weeks after his fortieth birthday and nine months before his untimely death. Offering incorporates a look that is contiguous with the graphic identity of Impulse! Records, Coltrane's exclusive label from 1961
until the end of his life. This is the first officially sanctioned release of an undiscovered, complete Coltrane performance since 2005. It captures Coltrane in
exemplary form, navigating the language he had developed during the last phase of his musical path with passion and pellucid logic. Operating at
equivalent levels of invention and energy are three members of his working quintet of one year's standing his wife, Alice Coltrane, on piano; Pharoah
Sanders on reeds and flute; and Rashied Ali on drums.
Offering is emblematic of the efflorescent energies and radical ideas that Coltrane himself had much to do with bringing forth during the seven years after
1960, when he left the employ of Miles Davis to pursue his vision as a leader. There are versions of Coltrane's 1960 hits "Naima" and "My Favorite
Things," a transformational reworking of the 1964 ballad "Crescent," a spirit-raising rendering of "Leo," which he had recorded on several previous
occasions during 1966, and the hymnal "Offering," which he would record on a February 15, 1967 studio session that Impulse! would release during the
'90s as Spiritual Offering.
On Offering, Resonance Records achieves the highest possible audio quality, using direct transfers of original master reels from a location recording by
Temple's WRTI-FM, remastered at 96kHz/24 bit, that were tracked down by Coltrane scholar Yasuhiro Fujioka.
The immense life-force that animates the proceedings on this November 1966 evening in Philadelphia belies the declining state of Coltrane's health. It is
still difficult to grasp and to accept that he was firmly in the grip of the liver cancer that would still his voice on July 17, 1967. As co-producer Ashley Kahn
states in his liner notes, "Coltrane was pointing the way forward for generations of players to come, pushing the music to exhilarating, spiritual heights that
caught most by surprise. In 1966, that wasn't what jazz performances were about not yet."
Recorded November 11, 1966
Mitten Hall, Temple University
John Coltrane - soprano & tenor saxophones, flute & vocals
Pharoah Sanders - tenor saxophone & piccolo
Alice Coltrane - piano
Sonny Johnson - bass
Rashied Ali - drums
Additional musicians include:
Steve Knoblauch, Arnold Joyner alto saxophone
Umar Ali, Algie DeWitt, Robert Kenyatta percussion1. Naima
5. My Favorite Things$59.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now