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Joe's GarageOne of the most iconic and infamous titles in FZ's entire catalog, Joe's Garage, has gone down in history as one of Frank Zappa's greatest works. This 1979 epic in three acts, on three discs, predicted the future of censorship, self described by FZ as: A stupid little story about how the government is going to do away with music.
1. The Central Scrutinizer
2. Joe's Garage
3. Catholic Girls
4. Crew Slut
5. Wet T-Shirt Nite
7. Why Does It Hurt When I Pee?
8. Lucille Has Messed My Mind Up
1. A Token Of My Extreme 5
2. Stick It Out
3. Sy Borg
4. Dong Work For Yuda
5. Keep It Greasey
6. Outside Now
1. He Used To Cut The Grass
2. Packard Goose
3. Watermelon In Easter Hay
4. A Little Green Rosetta$38.99180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
Horses (Speakers Corner)Ranked 44/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Patti Smith, the first published poet to move her poetry completely into rock 'n' roll and to entice experimental rock fans into the forbidden cinema of her hallucinatory fantasy (New York Times), began her musical career unconventionally. It took off at a poetry reading where she was backed by Lenny Kaye on guitar; later star photographer Robert Mapplethorpe financed her punk-rock cult single Hey Joe. In 1975, encouraged by her success, Patti Smith released Horses, an album in which she fused rock riffs and spoken rhythms to create a punk-trash sound. The rock scene was electrified, raging about the best garage sound of the 70s (Creem Magazine) and conjectured that Smith had drawn up material from Rimbaud, Burroughs, Dylan and Velvet Underground into a hot needle and injected it under the skin (Sounds Magazine). Later productions were dismissed as sentimental and self-loving outpourings, since the rock-poet didn't continue in the same vein as Horses, with its metallic harshness and raw language. That's why this recording remains an impressive unique production by a visionary rock 'n' roll singer.
- Patti Smith (guitar, vocals)
- Richard Sohl (piano)
- Lenny Kaye (bass, guitar, vocal)
- Tom Verlaine, Allen Lanier (guitar)
- Ivan Kral (bass, guitar, keyboards, vocals)
- Jay Dee Daugherty (drums)
Recording: January 1975 at Electric Ladyland Studios, New York City, by Bernie Kirsh
Production: John Cale
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.1. Gloria
2. Redondo Beach
4. Free Money
6. Break it Up
8. Elegie$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The FallMastered by Kevin Gray at Cohearant Audio from the original source recordings!
200-gram audiophile vinyl pressing by Quality Record Pressings. Gatefold, tip-on jackets on heavy cardboard stock, deluxe high quality!
Part of Analogue Productions' reissue of the Norah Jones' solo catalog, featuring the individual albums Come Away With Me, Feels Like Home, Not Too Late, The Fall and Little Broken Hearts. Each album will also be featured in an exclusive LP box set to come that will include Norah's Covers album!
Norah has taken a new direction on The Fall, experimenting with different sounds and a new set of collaborators, including Jacquire King, a noted producer and engineer who has worked with Kings of Leon, Tom Waits and Modest Mouse. Richly detailed and vocally lush on 200-gram, super-silent vinyl from Analogue Productions, The Fall, Jones' fourth album, may surprise some of Jones' die-hard fans, Billboard magazine notes. During the 13-song set, Jones ditches the gentle piano playing of her previous work and tears into fresh, beat-savvy arrangements, playing plenty of electric guitar and exploring the piercing quality of Wurlitzer electric piano. Jones' smoky voice and soulful veneer highlight the opening track and first single, Chasing Pirates.
Jones displays a slinky kind of ambience on Light As a Feather (co-written with Ryan Adams). The social commentary It's Gonna Be offers a garage-rock attitude, and You've Ruined Me has a rich Americana flavor. But Jones is still a little bit country (Tell Yer Mama) and a little bit rock'n'roll (Stuck). Overall, writes reviewer Gary Graff, Jones straddles those lines in an entirely different manner than she ever has before.
For The Fall, Jones enlisted several songwriting collaborators, including Ryan Adams and Okkervil River's Will Sheff, as well as her frequent partners Jesse Harris and Richard Julian. Musicians include drummers Joey Waronker (Beck, R.E.M.) and James Gadson (Bill Withers), keyboardist James Poyser (Erykah Badu, Al Green) and guitarists Marc Ribot (Tom Waits, Elvis Costello) and Smokey Hormel (Johnny Cash, Joe Strummer).1. Chasing Pirates
2. Even Though
3. Light as a Feather
4. Young Blood
5. I Wouldn't Need You
7. It's Gonna Be
8. You've Ruined Me
9. Back to Manhattan
12. Tell Your Mama
13. Man of the Hour$34.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Fifth Dimension (MONO)By 1966, the Byrds had powered up like a mammoth Atlas rocket boosting Astronauts into orbit around the Earth, with their third album, Fifth Dimension. This amped-up new soundimmediately dubbed raga-rock due to the Byrds newfound fascination with the music of Ravi Shankar and John Coltraneis best exemplified by Eight Miles High, yet another national pop smash, and 5D (Fifth Dimension), both swirling, multi-hued masses of sonic energy on an interplanetary scale. 5D is tethered to a generation newly interested in LSD mind-trips, while Eight Miles High details the Byrds' first transcontinental flight to the United Kingdom. Folk-rock, always a Byrds staple, appears in the luscious form of Wild Mountain Tyme and John Riley. Hey Joe, soon to become a standard of shaggy-haired garage rock nation, is a standout, while Mr. Spaceman, a brilliant, humorous blend of deep space and country-rock also scaled the national charts.
Unavailable for over 40 years, we're proud to present the first ever reissue of this monumental recording in its original, highly-sought-after mono incarnation, cut directly from the original Columbia Recordings analog mono masters, with perfect artwork restoration and meticulously faithful mastering.1. 5 D (Fifth Dimension)
2. Wild Mountain Thyme
3. Mr. Spaceman
4. I See You
5. What's Happening?!?!
6. I Come And Stand At Every Door
7. Eight Miles High
8. Hey Joe (Where You Gonna Go)
9. Captain Soul
10. John Riley
11. 2-4-2 Fox Trot (The Lear Jet Song)$28.99Vinyl Mono LP - Sealed Buy Now
REDD-FRI-6205xPaul Revere & The Raiders
Greatest HitsMastered from the original tapes by Joe Reagoso and Kevin Gray and pressed at RTI!
Friday Music proudly presents for the first time ever on 180 Gram Audiophile Vinyl, the 45th Anniversary Edition of Paul Revere & The Raiders Greatest Hits. Originally released on Columbia Records in 1967, The 11 song platinum album consisted of their biggest hit singles like the garage band classics Steppin' Out and Just Like Me, plus more smashes like Hungry, Good Thing and The Legend Of Paul Revere. This rockin' collection also offered some of their finest psychedelic tracks like Kicks and Ups and Downs.1. Louie, Louie
2. Louie, Go Home
3. Steppin' Out
4. Just Like Me
5. Melody For An Unknown Girl
8. The Great Airplane Strike
9. Good Thing
10. Ups And Downs
11. The Legend Of Paul Revere$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Uniquely YoursA decade before he was topping the country charts, Joe Stampley fronted one of the deep souths most legendary and rockin 60s combos, the Uniques. Once signed to Shreveport, Louisiana-based Paula Records, the Uniques made waves nationally on their very first release, Not Too Long Ago. That pop classic (faithfully/recently covered by Nick Lowe) is just one of many highlights of their 66 debut LP, Uniquely Yours. According to the master tape, this record was originally going to be tagged The Uniques in Action; a shelved album title that could not have been more apt.
Finally reissued (and in fabulous mono, to boot), this is southern rock n soul at its finest; a real mÉlange of styles that swings wildly from deep-fried garage rock, frenzied frat-beat, infectious Stampley-penned pop, and gorgeously soulful ballads. From Presley and Gene Vincent to any Justice label 60s garage band worth mentioning, southerners have always littered their LPs with this latter fare. But when it comes to delivering a soulful ballad, Joe Stampley is up there with the very best of em. Uniquely Yours includes the groups all-time biggest regional hit, a cover of Art Nevilles All These Things (in its original mix, unadorned by string overdubs) and a Georgia (On My Mind) that simply blows away all other white boy soul renditions. But make no mistake, this is a largely uptempo set marked by the ferocious punk pace of You Aint Tuff, updated rockabilly funkiness of Fast Way of Living, blistering guitar workouts like Strange, plus some of the best damned covers ever waxed. For a positively unique album experience, Sundazed includes the classy period sleeve design from the original Paula release.1. You Ain't Tuff
2. From Heaven To a Heartbreak
3. Midnight Hour
4. All These Things
5. Not Too Long Ago
6. Fast Way of Living
7. Treat Her Right
8. Georgia On My Mind
10. Never Been In Love Before
11. Don't Be a Fool
12. House of the Rising Sun$24.99Vinyl LP - Sealed Buy Now
REDD-FRI-5109xPaul Revere & The Raiders
Just Like Us
The Groundbreaking Garage Band Top #5 LP Classic On White Vinyl!!
Impeccably Remastered By Joe Reagoso - Pressed At R.T.I.
First Time Gatefold Cover With Super Rare 1966 Images From The Sony Music Archives
Paul Revere & The Raiders featuring Mark Lindsay were truly one of the greatest exponents of the sixties pop and rock music scene. When they debuted with their very first Columbia Records hit single Louie, Louie in 1963 (FRM-10414), there would be no turning back for this amazing band. For the next decade and a half, The Raiders released a plethora of albums and well over three dozen 45's making their catalog as prolific and rocking as you could get.
Often considered one of the best albums of the garage band rock era, Just Like Us features some of The Raiders' biggest hit singles, with their equally important Lp tracks. The hard rockin' classic includes top smash hits Just Like Me, Steppin' Out, plus stellar champions like their terrific interpretations of The Animals' I'm Crying, The Rolling Stones' Satisfaction, and Mark Lindsay's wailing sax work on the James Brown hit Night Train.
Friday Music is no stranger to the music of the legendary Paul Revere & The Raiders featuring Mark Lindsay. That is why we are so very proud to announce another fine installment in their Friday Music Series with the first time audiophile stereophonic vinyl release of Just Like Us.
Now impeccably mastered by Raiders' fan and friend Joe Reagoso (The Raiders/Brian Wilson), this super limited edition album will be pressed for a short time at R.T.I. on 180 Gram Audiophile White vinyl and presented in a first time colorful gatefold cover, which includes rare photos from the Sony Music archives as well as the original art elements you'll remember from this amazing 1966 smash album.
Paul Revere & The Raiders featuring Mark Lindsay .Just Like Us on stunning audiophile White vinyl with a colorful gatefold cover From your friends at Friday Music
Just Like Me!!!1. Steppin' Out
3. Out Of Sight
4. Baby, Please Don't Go
5. I Know
6. Night Train
7. Just Like Me
8. Catch The Wind
9. I Can't Get No Satisfaction
10. I'm Cryin'
11. New Orleans
12. Action$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Near & Undear
Limited Edition Clear Vinyl (500 Pieces)
Formed in 2009, The Bixby Knolls are something of an anomaly in the LA music scene. While other bands were trying to reinvent electro pop or mining twee romance, the four boys in the Knolls were cooking up their own hybrid version of California rock music something equal parts britpop, fuzzy garage rock, and anthemic power pop. It proved to be a combination that not only set them apart from most of their contemporaries, but it also put them squarely in their own lane.
The Bixby Knolls' full-length debut Near & Undear was recorded at the iconic sound factory studios in Hollywood, and was produced by Joe Cardamone (moonlighting from his role as front man in the icarus line) and engineered by Greg Gordon. The resulting record was nothing if not a learning experience for the band. Culled from nearly fifty different demos, the eleven tracks that make up Near & Undear represent the band at their most fantastically loose.1. Supervised War
2. Through The Cracks
3. All A Lie
4. Runnin And Runnin
5. Seeing Ghosts
6. Reina Del Mezcal
7. Waking Up The World
8. Autumn Will Fall
9. Inside The Walls
10. 100 Deaf Ears
11. Want It All$15.99Colored Vinyl LP - Sealed Buy Now
Ranked 8/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Recorded in 1979 in London, which was then wrenched by surging unemployment and drug addiction, and released in America in January 1980, the dawn of an uncertain decade, London Calling is 19 songs of apocalypse, fueled by an unbending faith in rock & roll to beat back the darkness. Produced with no-surrender energy by legendary Seventies studio madman Guy Stevens, the Clash's third album skids from bleak punk (London Calling) to rampaging ska (Wrong 'Em Boyo) and disco resignation (Lost in the Supermarket).
The album was made in dire straits too. The band was heavily in debt and openly at war with its record company. Singer-guitarists Joe Strummer and Mick Jones wrote together in Jones' grandmother's flat. Joe, once he learned how to type, would bang the lyrics out, Jones said. Then I'd be able to bang out some music while he was hitting the typewriter. Strummer, Jones, bassist Paul Simonon and drummer Topper Headon spent nearly three months rehearsing and demoing songs in a garage in the Pimlico section of London - with one light and filthy carpet on the walls for soundproofing, recalled Strummer in 1989. We felt that we were struggling, he said, about to slide down a slope or something, grasping with our fingernails. But Stevens was on hand for inspiration. He threw chairs around the room if he thought a track needed zapping up, according to Strummer. The album ends with Train in Vain, a rousing song of fidelity (unlisted on the back cover because it was added at the last minute) that became the sound of triumph: the Clash's first Top 30 single in the U.S. - Rolling StoneLP 1
1. London Calling
2. Brand New Cadillac
3. Jimmy Jazz
5. Rudie Can't Fail
6. Spanish Bombs
7. Thr Right Profile
8. Lost In The Supermarket
10. The Guns Of Brixton
1. Wrong 'Em Boyo
2. Beath Or Glory
3. Koka Kola
4. The Card Cheat
5. Lover's Rock
6. Four Horsemen
7. I'm Not Down
8. Revolution Rock$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
REDD-FRI-9504xPaul Revere & The Raiders
Spirit of '67Red Colored Vinyl
Impeccably Remastered By Joe Reagoso
Pressed At R.T.I.
Paul Revere & The Raiders featuring Mark Lindsay were truly one of the greatest exponents of the sixties pop and rock music scene. When they debuted with their very first Columbia Records hit single
Louie, Louie in 1963, there would be no turning back for this amazing band. For the next decade and a half, The Raiders released a plethora of albums and well over three dozen 45s making their catalog as prolific and rocking as you could get.
Often considered one of the best albums of the Summer Of Love era, The Spirit of '67 features some of The Raiders' biggest hit singles, with their equally important Lp tracks. The psych classic includes top
smash hits Hungry, Good Thing, plus stellar champions like Mark Lindsay's symphonic Undecided Man, Phil Volk's rocker In My Community and the garage band shouter Louise.
Friday Music is no stranger to the music of the legendary Paul Revere & The Raiders featuring Mark Lindsay. That is why we are so very proud to announce another fine installment in their Friday Music Series with the first time audiophile vinyl release of The Spirit Of '67. Now impeccably mastered by Raiders' fan and friend Joe Reagoso (The Raiders/Brian Wilson), this super limited edition album will be pressed for a short time on 180 Gram Audiophile Translucent RED vinyl and presented in a first time colorful gatefold cover, which includes
rare photos from the Sony Music archives as well as the original art elements you'll remember from this amazing 1967 smash album.
Paul Revere & The Raiders featuring Mark Lindsay .The Spirit Of '67 on stunning audiophile RED vinyl with a colorful gatefold cover From your friends at Friday Music.
Good Thing!!!1. Good Thing
2. All About Her
3. In My Community
5. Why? Why? Why? (Is It So Hard)
6. Oh! To Be A Man
8. Undecided Man
9. Our Candidate
10. 1001 Arabian Nights
11. The Great Airplane Strike$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Best Of LoveFirst Time Audiophile Vinyl Release Of Their Historic Elektra Records Era
Mastered By Joe Reagoso From The Original Elektra Records Stereo Tapes
The legendary underground rock superstars Love fronted by the brilliant Arthur Lee and his fellow
rockers Bryan MacLean, Alban Pfisterer, Johnny Echols, Ken Forsi, John Fleckenstein and Michael Stuart set the music world on fire back in the mid to late sixties with their hypnotic brand of rock 'n roll. With major exposure on L.A.'s Sunset Strip, along with fellow mega bands The Byrds and The Doors, Love's eclectic songs, master showmanship and stellar music abilities made them one of the few premiere bands who helped architect the fusion of acid and garage rock, which is still heard in alternative rock of today. Love to this day are still revered and loved by their continual growing legion of fans worldwide.
In 1980, Rhino and Elektra Records honored these hugely popular rockers with their stellar anthology
album simply titled Best Of Love. Filled with a treasure trove of 16 charting singles, deep Elektra Records album tracks, as well as rare b-sides, this incredible LP brought newfound acclaim to the band who were now influencing a whole new legion of fans.
No stone is left unturned, as this 16-track masterpiece is loaded with hit singles like My Little Red Book,She Comes In Colors, 7 And 7 Is, Hey Joe plus selections from their most loved album Forever Changes with the masterpieces Along Again Or and Andmoreagain.
As one of the more rare albums in their catalog, Best Of Love has been out of print for years, making
it an instant collector's item, which hasn't seen the light of day for over four decades that is until now!
Friday Music is pleased to announce for the very first time on audiophile vinyl Best Of Love. Mastered impeccably from the original Elektra Records tapes by Joe Reagoso (Love/The Monkees/The Byrds) at Friday Music Studios and Capitol Records with Ron McMaster, this amazing rock classic truly shines in the audiophile vinyl domain. Long time unearthed vinyl mixes of their classic hit singles and solid album tracks like Stephanie Knows Who, Can't Explain, and Signed D.C. truly resonate as you remember them from years ago.
To enhance your limited edition album, we have also included the historic album cover artwork elements as well as superior rare liner notes including those from the sorely missed Arthur Lee himself!
Welcome back your friends and my friends .Love and their amazing Best Of Love First Time on Audiophile Vinyl exclusively from your friends at Friday Music.
I think that people are the greatest fun1. My Little Red Book
2. Can't Explain
3. Hey Joe
4. Signed D.C.
5. Stephanie Knows Who
6. She Comes in Colors
7. Your Mind and We Belong Together
8. Your Friend and Mine - Neil's Song
9. Seven & Seven Is
10. Alone Again Or
12. íQue Vida!
13. Robert Montgomery
14. Orange Skies
15. Laughing Stock
16. Number 14$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
REDD-SUN-5417xJan & Dean
Save For A Rainy DayMastered from the Original Mono Reels!
It was a Hollywood music publicist's fondest dream and worst nightmare, all at the same time. Jan Berry, the lead vocalist, composer and producer of famed surf/hot rod duo Jan & Dean had crashed his Corvette on the Sunset Strip late at night on April 19, 1966, almost killing himself. Jan remained in a coma for some time afterwards, and his rehab would take years rather than months. The hitmaking partnership of Jan & Dean, an act that had launched 14 winners into the national Top 40 over the previous six years, had come to a screeching halt. Or had it?
Dean Torrence, singer of the duo's ozone-scraping high parts, its specialist in vocal-stacking and its idea man when it came to personal presentation, decided to carry on single-handed while his partner was incapacitated. With the assistance of a few celebrated friends and session men who were regulars in Phil Spector's Wrecking Crew, bassist Joe Osborn, pianist Larry Knechtel, guitarist James Burton and drummer Mickey Jones, Dean began recording tracks whenever he could in Osborn's North Hollywood garage for what would become the new Jan & Dean album, Save for a Rainy Day.
The album was a spectacular concept, with its rain-related songs, both new and old, all linked together with the sound of a summer thunderstorm. Dean issued the LP in very limited quantities on his own J&D label and the album became the ultimate rarity in the Jan & Dean catalog. Enter Sundazed Music, who, in 1996, purchased the masters and rights to the album from Dean and gave it a proper, expanded release. Now Save for a Rainy Day appears on Sundazed on limited edition 180g vinyl, mastered from the pristine mono reels, in all its original glory!1. Yellow Balloon
2. Here Comes the Rain
3. Pocket Full of Rainbows
4. When Sunny Gets Blue
5. Like a Summer Rain
7. Rain on the Roof
8. Cryin' in the Rain
9. Taste of Rain
10. Save for a Rainy Day Theme$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
REDD-SUN-7316xThe Shadows of Knight
Live 1966Besides releasing two classic longplayers and many more singles (including the smash, "Gloria"), touring/behaving badly all across America and appearing on TV shows like 'Upbeat' and 'Where The Action Is', the Shadows of Knight also ruled at suburban Chicago's hands-down hippest teen club, The Cellar. Over the decades, their Cellar performances have become the stuff of legend.
Miraculously, two reels of tape of the Shadows of Knight live on stage at the Cellar (in 1966!) were eventually uncovered by Sundazed. As early as their 'Gloria' album debut in spring '66, the Shadows of Knight had separated themselves from the garage band pack with a heavily Chicago Blues-based, wildly rocking repertoire. Their trademark sound is on full display in this attitude-drenched, anarchic live recording from late in that exalted year.
For this expanded edition, the original sets and correct song sequence have been faithfully restored. And to top that, additional and until now completely unheard bonus material is rescued from those old reels. Specifically, added to an already scorching set are previously-unheard takes of "Peepin' and Hidin'" (sung by blues legend Joe Kelley), "Willie Jean" (with a vocal from drummer Tom Schiffour) and "Any Way That You Want Me". Equally important, the packaging now equals the musical contents thanks to an all-new, eye grabbing sleeve highlighted by John Hora's amazing original photography from '66.
Unlike their comparatively harnessed studio recordings, the Shadows of Knight are presented here raw 'n' alive, sloppy bordering on brilliant and with all the subtlety of a bulldozer. Would you want 'em any other way?1. Everybody Needs Somebody to Love
2. Don't Fight It
3. Got My Mojo Working
4. Any Way That You Want Me
5. Gospel Zone
6. Got To Get You Off My Mind
7. It Takes A Long Time Comin'
8. Hey Joe
9. Tomorrow's Gonna Be Another Day
10. Peepin' and Hidin'
11. Let It Rock
12. Willie Jean
14. Oh Yeah
15. Dark Side
16. Gloria$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
$29.99 $23.69 Save $6.30 (21%)
Party (On Sale)
The Iggy Pop / Friday Music 180 Gram Audiophile Vinyl Series Begins!
First Time 180 Gram Audiophile Vinyl + Gatefold LP Artwork
Produced By Tommy Boyce (The Monkees)
Mastered Impeccably By Joe Reagoso At Capitol Records & Manufactured At R.T.I.
A Definitive "Rock Of The 80's" Classic Album
Iggy Pop continues to be known as one of the original
pioneers of the punk rock and underground rock movement
of the late sixties and seventies. Thrilling audiences with The
Stooges or with his own innovative solo projects, Iggy's iconic
history shows a plethora of amazing albums over the last 4
decades, truly creating some of the coolest music ever waxed
for the classic rock era.
In 1981, Iggy Pop delivered his high energy rock of the
80's classic Party for Arista Records. Featuring a smokin' new
hit club and pop single with Bang Bang, this stunning release
featured a good amount of staple Iggy Pop classics like Sincerity,
Pumpin' For Jill and the powerful Houston Is Hot Tonight.
Produced mostly by the late Tommy Boyce (The Monkees), Party
was a captivating offering from this godfather of punk and even
included two brilliant covers with the Phil Phillips' classic Sea Of
Love and The Outsiders' garage band anthem Time Won't Let
Me. Augmented with powerhouse musicians like Ivan Krall (Patti
Smith Group) and The Uptown Horns, this amazing 80's power
punk classic hasn't been available on vinyl for many decades...
that is until now!
Friday Music is very proud to announce for the first time ever
the stunning 180 Gram Audiophile Vinyl presentation of Party by
the legendary Iggy Pop. Mastered impeccably by Joe Reagoso
at Friday Music Studios and Capitol Mastering in Hollywood
and manufactured at R.T.I., this original Arista Records classic
truly reaches great sonic heights in the audiophile vinyl domain.
For a limited time, we have also included the colorful artwork
elements in a first time gatefold cover, featuring a rare inside
photo never before issued with the original LP release.
Rock And Roll Party1. Pleasure
2. Rock And Roll Party
3. Eggs On Plate
5. Houston Is Hot Tonight
6. Pumpin' For Jill
7. Happy Man
8. Bang Bang
9. Sea Of Love
10. Time Won't Let Me$29.99 $23.69 Save $6.30 (21%)180 Gram Audiophile Virgin Vinyl LP Buy Now
Birth Of The Grateful Dead Volume One - The Studio Sides
First Time Limited Edition 2 LP 180 Gram Vinyl Presentation
Exclusive Only To This LP Release: First Time Sitting Photos Of The Dead By The Legendary Herb Greene
Impeccably Mastered By Joe Reagoso At Friday Music Studios And Capitol Records, Hollywood, CA With Ron Mcmaster
The legendary Bay area rock superstars the Grateful Dead scored for over four decades a plethora of wonderful recordings
throughout their incredible career. Spearheaded originally by the late great Jerry Garcia, Bob Weir, Phil Lesh, Bill Kruetzmann and the late
Ron "Pigpen" McKernan, these five gentlemen set the world on fire with their magnificent artistry and musicianship which is unparaleled to this day.
With their very first San Francisco gigs and studio recordings when they were locally known as The Warlocks, the historical importance of these debut sessions would soon become a blueprint for the music world as the Grateful Dead would become one of the band's
and biggest concert attractions of all time.
Over a decade ago, the Grateful Dead unearthed 17 super rare studio recordings from 1965 through 1967. Aside from an ultra rare
45 on Scorpio Records and a collaborative effort with Jon Hendricks on Verve Records, none of these recordings were ever released.
Ranging from the very first sessions at Autumn Records (Beau Brummels, Sly Stone) and then the Scorpio Records sides, these tracks
simply became manna for the fans and were truly a find for any collector of fine rock and roll and early psych and garage rock fare.
Gordon Lightfoot's Early Morning Rain kicks off the collection, and then the fireworks light up as future Dead classics like I Know
You Rider, Don't Ease Me In and Cold Rain and Snow truly become a very important and interesting listen to any fan of the Dead or
classic rock in general.
Known for their jams in concert and in the studio setting, you will get to hear stellar takes on rare tracks like Tastebud, The Only
Time Is Now, and of course the super rare Jon Hendricks (Lambert, Hendricks & Ross) protest rocker Fire in the City.
These amazing Dead recordings have never been released on the vinyl format that is until now
Friday Music is very pleased to announce for the very first time on 180 Gram Audiophile Vinyl - The Grateful Dead's Birth Of The
Dead Volume One-The Studio Sessions. This deluxe 2 LP set not only has the original 17 studio sessions unearthed by the Dead themselves, but it also includes for the very first time anywhere, several unearthed photos from the lens of the legendary Herb Greene. These
first time issued photos show the very first sittings of the Grateful Dead and will make your listening hours that much more enjoyable as
you stare at the brilliant pictures of your favorite rockers in this very special era.
As a further installment in the exclusive and authorized Grateful Dead Friday Music 180 Gram Audiophile Vinyl Series, this fine
album is part of a historical two part audiophile vinyl series along with the Birth Of The Dead Volume Two-The Live Sides which will be
released in early 2014.
Mastered impeccably for vinyl by Joe Reagoso (Grateful Dead) at Friday Music Studios and at Capitol Records, Hollywood, CA, this
limited edition audiophile version of Birth Of The Dead Volume One-The Studio Sessions will truly be a welcome addition to your Dead
Grateful Dead Birth Of The Dead Volume One-The Studio Sessions a historic album first time release in the audiophile
domain only from your friends at Friday Music Don't Ease Me InLP 1
The Autumn Sessions
1. Early Morning Rain
2. I Know You Rider
3. Mindbender (Confusion's Prince)
4. The Only Time Is Now
5. Caution (Do Not Stop On Tracks)
6. Can't Come Down
The Scorpio Sessions
7. Stealin' (Instrumental)
8. Stealin' (With Vocals)
9. Don't Ease Me In (Instrumental)
10. Don't Ease Me In (With Vocals)
The Scorpio Sessions
1. You Don't Have to Ask
2. Tastebud (Instrumental)
3. Tastebud (With Vocals)
4. I Know You Rider
5. Cold Rain and Snow (Instrumental)
6. Cold Rain and Snow (With Vocals)
The Hendricks Session
7. Fire in the City$44.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
Birth Of The Dead Volume Two - The Live SidesExclusive Only To This LP Release: First Time Sitting Photos Of The Dead By The Legendary Herb Greene
Impeccably Mastered By Joe Reagoso At Friday Music Studios And Capitol Records, Hollywood, CA With Ron McMaster
The legendary Bay area rock superstars the Grateful Dead scored for over four decades a plethora of wonderful recordings throughout their incredible career. Spearheaded originally by the late great Jerry Garcia, Bob Weir, Phil Lesh, Bill Kruetzmann and the late Ron "Pigpen" McKernan, these five gentlemen set the world on fire with their magnificent artistry and musicianship unparalleled to this day.
With their very first San Francisco live gigs and when they were locally known as The Warlocks, the historical importance of these debut concert recordings would soon become a blueprint for the music world as the Grateful Dead would become one of the biggest concert attractions of all time.
Over a decade ago, the Grateful Dead unearthed 14 super rare live recordings from the mid-sixties. None of these recordings were ever previously released at the time. Recorded in San Francisco from a July 1966 performance, when they were signed to the Scorpio Records label, this ultra rare concert tape simply became manna for the fans and was truly a find for any collector of fine rock and roll and
early psych and garage rock fare.
Dead fan favorite Viola Lee Blues kicks off the rare collection, and then the fireworks light up as future Grateful Dead classics like Don't Ease Me In and the stellar Jimmy Reed classic Big Boss Man truly become a very important and interesting listen to any fan of the Dead or classic rock in general.
Known for their jams in concert, you will get to hear stellar takes on rare blues tracks like One Kind Favor, Next Time You See Me and
of course their super rare Bob Dylan interpretation of It's All Over Now Baby Blue, which would be an interesting choice not knowing there
would be future collaborations with Dylan in both of their important later careers.
Even superlative covers of Otis Redding's Pain In My Heart and the Slim Harpo blues champion I'm A King Bee are included in this amazingly important and historic rock release from this much loved band.
These Grateful Dead recordings have never been released on the vinyl format that is until now
Friday Music is very pleased to announce for the very first time on 180 Gram Audiophile Vinyl - The Grateful Dead's Birth Of The Dead Volume Two-The Live Sides. This deluxe 2 LP set not only has the original 14 live performances unearthed by the Dead themselves, but it also includes for the very first time anywhere several unearthed photos from the lens of the legendary Herb Greene. These first time issued photos show the very first sittings of the Grateful Dead and will make your listening hours that much more enjoyable as you stare at the
brilliant pictures of your favorite rockers in this very special era.
As a further installment in the exclusive and authorized Grateful Dead Friday Music 180 Gram Audiophile Vinyl Series, this fine album
is part of a historical two part audiophile vinyl series along with the Birth Of The Dead Volume One-The Studio Sessions which was released
in late 2013.
Mastered impeccably for vinyl by Joe Reagoso (Grateful Dead) at Friday Music Studios and at Capitol Records, Hollywood, CA, this
limited edition audiophile version of Birth Of The Dead Volume Two-The Live Sides will truly be a welcome addition to your Dead collection.
Grateful Dead Birth Of The Dead Volume Two-The Live Sides a historic album first time release in the audiophile domain only from your friends at Friday Music Don't Ease Me InLP1
1. Viola Lee Blues
2. Don't Ease Me In
3. Pain In My Heart
4. Sitting on Top of the World
5. It's All Over Now, Baby Blue
6. I'm a King Bee
1. Big Boss Man
2. Standing on the Corner
3. In the Pines
4. Nobody's Fault But Mine
5. Next Time You See Me
6. One Kind Favor
7. He Was a Friend of Mine
8. Keep Rolling By$44.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
Hug Of Thunder"I don't want to go out there being presumptuous," Kevin Drew says, "because, I've worn those presumptuous shoes before, and you don't want it to feel like, 'Oh, what a let-down.'" That's the fear when you bring back one of music's most beloved names seven years after their last album. But with Hug of Thunder, the fifth Broken Social Scene album, Drew and his bandmates have a right to feel presumptuous.
They have that right because they have created one of 2017's most sparkling, multi-faceted albums. On Hug of Thunder the 15 members of Broken Social Scene - well, the 15 who play on the record, including returnees Leslie Feist and Emily Haines - refract their varying emotions, methods, and techniques into something that doesn't just equal their other albums, but surpasses them. It is righteous but warm, angry but loving, melodic but uncompromising. The title track on its own might just be the best thing you will hear all year - a song that will become as beloved as "Anthems For a Seventeen-Year-Old Girl" from their breakthrough album, You Forgot It In People.
Its title, Drew says, captured what he wanted people to feel about the group's comeback, and how they sound playing together again: "It's just such a wonderful sentiment about us, coming in like a hug of thunder."
Broken Social Scene had reconvened, in varying forms, several times over the past four years - the odd festival show here and there, preferably ones that involved the least possible traveling. But the idea that they might turn their hand to something more than greatest-hits sets had been stirring since November 2014, when producer Joe Chiccarelli told Drew the group needed to make a new album.
"He started showing up at our label, asking if we were going to make an album," Drew recalls. "He just didn't give up; he just kept saying, 'You've got to strike, you've got to do this, the time is now,' and so finally we agreed."
As might be expected to be the case with a many-headed hydra of a group, getting all the principals to agree wasn't easy. Drew's co-founder Brendan Canning was keen, but Drew and fellow BSS lifer Charles Spearin took more persuading. A turning point for Drew came with the Paris terror attacks of November 2015, which made him feel the world needed an injection of positivity: "It just sort of made us want to go out there and play. Because I think we've always been a band that's been a celebration."
Canning picks up the story: "By autumn of 2015 we had started getting together and trying some ideas out, just getting back in that jam space, in Charles' garage. Then we set up shop in my living room and we were starting to come together in a very familiar kind of way, jamming in the living room, eating meals in the kitchen together, because that's what the band is about: 'Hey, let's all get on the same page and get the energies flowing in the same direction.'"
Recording finally began in April 2016 at The Bathouse studio on the shores of Lake Ontario, with later sessions in Toronto and Montreal, before the group went right back to basics. "It was very beautiful the way that it ended in Charlie's little rehearsal garage space," Drew says, "after going to all these studios. We just worked there, doing backup vocals and handclaps and all the shit we used to do when we were younger." And then it was to Los Angeles, where the album was mixed.
The result is a panoramic, expansive album, 53 minutes that manages to be both epic and intimate. In troubled times it offers a serotonin rush of positivity: "Stay Happy" lives up to its title, with huge surges of brass that sound like sunshine bursting through clouds. "Gonna Get Better" makes a promise that the album is determined to deliver. That's not to say it's an escapist record: Broken Social Scene is completely engaged, wholly focussed, and not ignoring the darkness that lurks outside. But there is no hectoring, no lecturing, but a recognition of the confusion and ambiguity of the world. As the title track closes with Leslie Feist murmuring "There was a military base across the street," the listener is caught in the division between the national security provided by national defense, and the menace of the same thing.
The gestation of Hug of Thunder was no idyll. When You Forgot It in People made their name, Broken Social Scene were young men and women. Fifteen years on, they were adults in or on the cusp of middle age, and - as Drew puts it - "all the adult problems in the world were happening around us individually, whether it was divorce or cancer". Three members of the band lost their fathers while the album was being recorded, "and it seemed like the days of going in the studio, getting stoned, drinking five beers and saying, 'Who gives a fuck?' were over".
Then there's the fact of the size of the ensemble, and the number of competing voices. "You don't always get the final say with Broken Social Scene," Canning says, with a certain degree of understatement. He compares the process of getting everyone to agree on a song to party politics: "It's like you're trying to get a bill passed through the House - you have to be really committed to wanting to win."
But, still, if they were to return, it had to be with everybody, no matter if that meant things might get unwieldy. "I'd like to believe that Broken Social Scene can be whatever it can be," Canning says, "but I think the fact we'd gone away for so long meant we really, we really couldn't have done the same thing without everyone involved, you know?" The story of Broken Social Scene, he insists, was built on the involvement of everyone, and so if the story was to be continued, those same people had to return.
"The thing that has changed is that the relationships between us are established," Drew suggests. "And in a family, you ebb and flow and you come and you go and you're in love and then you're annoyed - but it's established now, the relationships aren't going anywhere, you know? And I think through time, because we've been through so much together, personally and professionally, when we're all on stage, everybody knows what they're doing, everybody has a melody to back up someone else, you feel supported, you're a crew, there's nothing but protection all around you."
Canning picks up the theme: "Before we were making this record, I said to everyone: 'We all basically want the same thing, we might just have slightly different roadmaps on how to get there. So how do we stray off on certain country roads but get back onto the main thoroughfare?'"
That Broken Social Scene was a family again, driving along the same main road, became apparent to UK fans in September 2016, when the group - with Ariel Engle the latest woman to assume the role of co-lead vocalist - came over for less than a handful of festival shows, to test the waters. Their Sunday teatime appearance at End Of The Road - an ecstatic hour of maximalist music, physically and emotionally overwhelming - ended up being one of the biggest hits of the festival. It achieved what Drew has always felt music needed to do: it created transcendence, a pocket of time where everyone present was living only in the moment.
"My 11-year-old nephew asked me, 'Uncle Kev, why do adults get drunk?' and I looked at him and thought, 'OK, brilliant question, I'm going to give a brilliant answer,'" Drew recalls. "And I looked at him for about 10 seconds and I said, 'Because they want to feel like you. Because they want to feel like a kid again, they want to forget everything, they want to be innocent.' We are built in a way now where you can't do that because you're walking around with the anti-transcendence box in your pocket, and in your hand, and in your home, and on your bedside table: it's the anti-transcendence. It's called your phone! And we're getting killed, we're getting killed!"
So what do Broken Social Scene want listeners to take from Hug of Thunder? Canning wants it to make them "pause for the cause and maybe just leave things in your life alone for 53 minutes". For Drew, it's about what it's always been about: making the connection. "I just hope they understand that there's others out there, that they're not alone," he says. "I know that's silly! But you'd be surprised how many times I've had to tell people, 'Hey, you're not alone on this, you're not alone thinking these things.' I mean, with the title Hug of Thunder, I want to hold people. I want to fucking hold them. And when we do shows, I'm not: 'Look at me, I'm elevated up on the stage,' It's: 'We're here with you, this is us together.' Broken Social Scene is about the people, and it's always been about the people."1. Sol Luna
2. Halfway Home
3. Protest Song
5. Stay Happy
6. Vanity Pail Kids
7. Hug of Thunder
8. Towers and Masons
9. Victim Lover
10. Please Take Me With You
11. Gonna Get Better
12. Mouth Guards of the Apocalypse$25.99Vinyl LP - Sealed Buy Now
Welcome To The WormsLos Angeles-based sister duo Jennifer and Jessie Clavin knew things were going to be different for their band Bleached sophomore LP Welcome The Worms. Not only had they managed to charm world renowned producer Joe Chiccarelli (Morrissey, The Strokes, Elton John) to join the sisters and their bassist Micayla Grace in the studio, but Jen and Jessie had been crawling out of their own personal dramas. While emotionally spinning, they dove head first into music.
The three girls spent time writing the 10 song LP at a remote house in Joshua Tree, away from the distractions of the city. Other times Jen and Jessie worked alone, just like when they were teenaged punk brats playing in their parents' garage, imitating their heroes The Slits, Black Flag and Minor Threat.
In the studio, Chiccarelli and co-producer Carlos de la Garza (Paramore, YACHT) helped the band perfect their fervent songs into fearlessly big pop melodies. They drew inspiration from the iconic hits of everyone from Fleetwood Mac to Heart to Roy Ayers. The result is an ambitious rock record with a new found pop refinement that somehow still feels like the Shangri-Las on speed, driven forward in a wind of pot and petals, a wall of guitars in the back seat.1. Keep On Keepin' On
2. Trying To Lose Myself Again
4. Wednesday Night Melody
5. Wasted On You
6. Chemical Air
7. Sour Candy
8. Desolate Town
9. I'm All Over The Place (Mystic Mama)
10. Hollywood, We Did It All Wrong$18.99Vinyl LP - Sealed Buy Now
After The PartyFor their fifth full-length After the Party, The Menzingers set
out to make the quintessential jukebox record: an unstoppably melodic
album primed for bar-room sing-alongs. Delivering anthemic
harmonies, furious power chords, and larger-than-life melodies, the
Philadelphia-based garage-punk four-piece amply fulfills that mission
while achieving something much more deeply nuanced. With its
delicately crafted storytelling and everyman romanticism, After the
Party ultimately proves to be a wistful but life-affirming reflection
on getting older but not quite growing up.
"We spent our 20s living in a rowdy kind of way, and now we're at a
point where it seems like everyone in our lives is moving in different
directions," says Tom May, who joined fellow singer/guitarist
Greg Barnett, bassist Eric Keen, and drummer Joe Godino in forming
The Menzingers as teenagers in their hometown of Scranton. With
each song unfolding as its own fully realized story, After the Party
came to life thanks largely to an introspective yet outward-looking
lyrical sensibility on the part of Barnett and May.
Produced by Will Yip (Title Fight, Balance & Composure, Pianos
Become the Teeth) and recorded in Yip's Conshohocken, Pennsylvania-based
Studio 4, After the Party finds the band breaking into new
sonic terrain. The Menzingers' most refined album to date, After
the Party was also shaped from an intensive writing and pre-production
process that involved holing up for five weeks in Yip's
studio. Along with sculpting more expansive arrangements, the band
focused on experimenting with new effects and production techniques
to forge the album's dynamic but intricately textured sound.1. Tellin' Lies
2. Thick as Thieves
4. Midwestern States
5. Charlie's Army
6. House on Fire
7. Black Mass
8. Boy Blue
9. Bad Catholics
10.Your Wild Years
11. The Bars
12. After the Party
13. Livin' Ain't Easy$19.99Vinyl LP - Sealed Buy Now
Grime 2.0Not "nu grime", "post-grime", "grimestep", "funky grime" or "retro grime." Just grime. Somehow, where other sounds died or dissolved, this grassroots electronic music movement has grown organically for over ten years now. In an era when information acceleration was supposed to grind any new idea up in the hype machine before it had time to find its feet, grime resisted all appropriation, retaining the qualities that made it exciting, fresh and subversive in the first place.
It wasn't easy by any means, and it's survived a lot in that time. It has seen its own MCs become superstars, frequently eclipsing the genre that raised them, then watched as its suburban first cousin dubstep snuck out from the shadows to world domination. It's been through beefs, bans and brawls; been held back by internal and external politics; struggled for recognition while flimsier, flightier sounds have been hyped to oblivion.
Through all that, though, throbbed the warped beats, hollow-sounding bass and preset synth sounds of the scene's uniquely inventive producers, in many ways the keepers of the true flame, while its vocalists searched for as many ways to sell out as they could find. Sometimes as sparse, freaky and out-there as anything else in the electronic continuum, sometimes so far up in your face that you feel like you're going to be spitting teeth. Sucking up influences from garage, techno, jungle, dirty south hip hop, funky house, trance, and anything else that stumbles into its path, but bending it all into its own contorted shapes, grime production remains a brilliantly uncompromising and bloody-minded strand in British underground music - and further abroad too. Journalist and talent scout Joe Muggs, who compiled the CD with Big Dada's Will Ashon, has been working with a number of grime producers on their own digital labels, and began to realize there was a vast untapped reservoir of talent.
So here we are with grime still alive and very much kicking. And here is the most comprehensive survey of grime production the scene has ever had - thirty five exclusive tracks from across the world and across the spectrum of grime, demonstrating it to be some of the most powerful and brilliant electronic music in the world today. We've got new tracks from the originators (the godfather Wiley, Manchester's dubstep/grime originator MRK1, the elusive Youngstar whose 'Pulse X' was the first ever released grime record). We've got the new stars of the scene (Royal T, Preditah, Faze Miyake), and the up-and-comers snapping at their heels (Midlanders Swifta Beater and TC4, Brighton's Moony, Southeast Londoner Mr. Mitch). We've got tracks from Japan (Prettybwoy), Australia (Juzlo), the Netherlands (Gumnaam), Ireland (Major Grave), the US (Starkey and Matt Shadetek) and Canada (Tre Mission). We've got bangers and bubblers, haunting melodies and psychotic grooves, dead-eyed threat and cantankerous joy - and all the way through we've got evidence that this is a scene whose creativity can't be held back and shows no signs of stopping.1. Oh My Gosh - Footsie
2. Dollar Bill - Tre Mission
3. Rum and Coke - Teeza
4. Dem Times - Visionist
5. 5000 - Faze Miyake
6. Cartwheel - TRC
7. Logan's Mind - Chaos & Order
8. Vinyls VIP - Preditah
9. Loop 29 - Youngstar
10. Codeine and Dragon Stout - Chimpo
11. Bend - DECiBEL
12. 927 - Shy One
13. L-O-K - Inkke
14. Shotta Krew - J Beatz
15. Battery Charge - Matt Shadetek
16. Nail Thrower - Juzlo
17. Like A G - Major Grave
18. Trojan - Darq E Freaker
19. Winner - Moony
20. Frosty Lake - Mr SnoWman
21. Viking - Mr Mitch
22. Logic Pro - Wiley
23. Smash It Up Hard - MRK1
24. Kissin U - Prettybwoy
25. Numb VIP - Swifta Beater
26. Mongrel - SNK
27. Space Cowboy VIP - Royal-T
28. Machine Molester - Stenchman
29. Arcane - Sinden
30. Spray - Slackk
31. Moonlight - Spooky
32. Tunnel - Starkey
33. Lazer Riddem - TC4
34. Desi Bullet - Gumnaam
35. Emergency - Threnody$28.99Vinyl LP - 4 LPs Sealed Buy Now