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  • After Bathing At Baxter's After Bathing At Baxter's Quick View

    $21.99
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    After Bathing At Baxter's

    How do you follow up a smash hit? If you're Jefferson Airplane, you record the most experimental, non-commercial album of your career! After Bathing at Baxter's is the Airplane let loose in the studio in 1967, creating without restraint. Taken from the original RCA Victor mono masters, this is the true sound of San Francisco.
    1. The Ballad of You and Me and Pooneil
    2. A Small Package of Value Will Come to You, Shortly
    3. Young Girl Sunday Blues
    4. Martha
    5. Wild Tyme
    6. The Last Wall of the Castle
    7. Rejoyce
    8. Watch Her Ride
    9. Spare Chaynge
    10. Two Heads
    11. Won't You Try Saturday Afternoon
    Jefferson Airplane
    $21.99
    Vinyl LP Mono - Sealed Buy Now
  • Takes Off Takes Off Quick View

    $21.99
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    Takes Off

    Jefferson Airplanes Jet Age Sound reverberated throughout the ballrooms of San Francisco in 1966. Here, for the first time in nearly four decades, is their stratosphere-shaking debut album in its original uncensored form, taken from the original RCA Victor mono masters.


    1. Blues From an Airplane

    2. Let Me In
    3. Bringing Me Down
    4. It's No Secret
    5. Tobacco Road
    6. Runnin' 'Round This World
    7. Come up the Years

    8. Run Around
    9. Let's Get Together
    10. Don't Slip Away
    11. Chauffeur Blues
    12. And I Like It
    Jefferson Airplane
    $21.99
    Vinyl LP Mono - Sealed Buy Now
  • Surrealistic Pillow MONO Surrealistic Pillow MONO Quick View

    $49.99
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    Surrealistic Pillow MONO

    Ranked 146/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time


    Jefferson Airplane's 1967 Psychedelic Breakthrough First Record to Put Countercultural San Francisco Scene on Mainstream Music Map: Includes Top 10 Hits Someone to Love and White Rabbit


    Acid-Rock Experimentalism and Folk-Based Arrangements Yield Mysteriousness, Darkness, and Beauty: Grace Slick's Clarion-Call Singing Matches Virtuosic Playing of Band Members and Guest Jerry Garcia


    They were the best of times for Jefferson Airplane, and the good vibes are heard throughout the band's iconic Surrealistic Pillow. The group's first album with vocalist Grace Slick and drummer Spencer Dryden, the 1967 effort bowed as the first psychedelic-rock breakout from the potent San Francisco scene, climbing to #3 and boasting two Top 10 singles. By bringing the then-unpolluted counterculture to the attention of the mainstream, the effort ranked by Rolling Stone #146 on its 500 Greatest Albums of All Time eradicated boundaries and opened up creative vistas for a parade of likeminded artists that followed. Mobile Fidelity's analog reissue honors this legacy with an edition that presents the groundbreaking music with incredible realism.


    Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 45RPM mono 2LP set grants Surrealistic Pillow audiophile-grade sound remarkable for its sense of balance, clarity, and tonality. While fans have always preferred the original mono version of the LP, it went out of print soon after its release, causing prices to soar.


    Offering wider, deeper grooves for better information retrieval and superior pacing, this deluxe set gives listeners the chance to enjoy Jefferson Airplane's blockbuster set in faithful-to-the-original mono without having to pay a premium. Along with immersive detail and dynamics, the level of instrumental and vocal separation allows the sensory-altering songs' complexities to emerge with full-bloom color and renewed perspective. Mobile Fidelity puts the surrealism back into Surrealistic Pillow.


    This title is not eligible for discount.

    1. She Has Funny Cars
    2. Somebody to Love
    3. My Best Friend
    4. Today
    5. Comin' Back to Me
    6. 3/5 of a Mile In 10 Seconds
    7. D.C.B.A.-25
    8. How Do You Feel
    9. Embryonic Journey
    10. White Rabbit
    11. Plastic Fantastic Lover
    Jefferson Airplane
    $49.99
    180 Gram Audiophile Virgin Vinyl LP Mono 45 RPM - 2 LPs Sealed Buy Now
  • Surrealistic Pillow (Colored Vinyl) Surrealistic Pillow (Colored Vinyl) Quick View

    $31.99
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    Surrealistic Pillow (Colored Vinyl)

    Ranked 146/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Limited Edition 180 Gram White Colored Vinyl


    Surrealistic Pillow, as the name implies, is one soft ridden, slightly mad piece of psychedelic San Francisco folk rock. From its percussive intro of She Has Funny Cars to the thumping mystique of Plastic Fantastic Lover, this album's one heaven of a trip!


    Jefferson Airplane truly hit the mark with this seminal album from 1967. Highlights that should not be overlooked are Somebody To Love, White Rabbit and Today.

    1. She Has Funny Cars
    2. Somebody To Love
    3. My Best Friend
    4. Today
    5. Comin' Back To Me
    6. 3/5 Of A Mile In 10 Seconds
    7. D.C.B.A.-25
    8. How Do You Feel
    9. Embryonic Journey
    10. White Rabbit
    11. Plastic Fantastic Lover
    Jefferson Airplane
    $31.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Surrealistic Pillow (Awaiting Repress) Surrealistic Pillow (Awaiting Repress) Quick View

    $21.99
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    Surrealistic Pillow (Awaiting Repress)

    Ranked 146/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Feed your head with the rare mono edition of this spellbinding time-capsule from the epicenter of the Summer of Love, San Francisco's Haight-Ashbury, circa 1967. On their groundbreaking first album with Grace Slick, the Jefferson Airplane brought their freshly-blooming psychedelia to the world at large with 'White Rabbit' and 'Somebody to Love.' On 180 gram vinyl, from the original analog masters.

    1. She Has Funny Cars
    2. Somebody To Love
    3. My Best Friend
    4. Today
    5. Comin' Back To Me
    6. 3/5 Of A Mile In 10 Seconds
    7. D.C.B.A.-25
    8. How Do You Feel
    9. Embryonic Journey
    10. White Rabbit
    11. Plastic Fantastic Lover
    Jefferson Airplane
    $21.99
    Vinyl LP Mono - Sealed AWAITING REPRESS Buy Now
  • Takes Off (Colored Vinyl) Takes Off (Colored Vinyl) Quick View

    $31.99
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    Takes Off (Colored Vinyl)

    Translucent Blue Vinyl


    Jefferson Airplane Takes Off is the debut album of San Francisco Rock band Jefferson Airplane, released in August 1966. The personnel differs from the later classic lineup and the music is more Folk-Rock than the harder psychedelic sound for which the band later became famous.


    Signe Toly Anderson was the female vocalist and Skip Spence played drums. Both left the group shortly after the album's release and were replaced by Grace Slick and Spencer Dryden, respectively.

    1. Blues From an Airplane

    2. Let Me In
    3. Bringing Me Down
    4. It's No Secret
    5. Tobacco Road
    6. Runnin' 'Round This World
    7. Come up the Years

    8. Run Around
    9. Let's Get Together
    10. Don't Slip Away
    11. Chauffeur Blues
    12. And I Like It
    Jefferson Airplane
    $31.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Electric Music For The Mind And Body (Pure Pleasure) (Awaiting Repress) Electric Music For The Mind And Body (Pure Pleasure) (Awaiting Repress) Quick View

    $34.99
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    Electric Music For The Mind And Body (Pure Pleasure) (Awaiting Repress)

    Country Joe & The Fish full-length debut is their most joyous and cohesive statement and one of the most important and enduring documents of the psychedelic era, the band's swirl of distorted guitar and organ at its most inventive. In contrast to Jefferson Airplane, who were at their best working within conventional song structures, and the Grateful Dead, who hadn't quite yet figured out how to transpose their music to the recording studio, Country Joe & the Fish delivered a fully formed, uncompromising, and yet utterly accessible - in fact, often delightfully witty - body of psychedelic music the first time out. Ranging in mood from good-timey to downright apocalyptic, it embraced all of the facets of the band's music, which were startling in their diversity: soaring guitar and keyboard excursions (Flying High, Section 43, Bass Strings, The Masked Marauder), the group's folk roots (Sad and Lonely Times), McDonald's personal ode to Grace Slick (Grace), and their in-your-face politics (Superbird). Hardly any band since the Beatles had ever come up with such a perfect and perfectly bold introduction to who and what they were, and the results - given the prodigious talents and wide-ranging orientation of this group - might've scared off most major record labels. Additionally, this is one of the best-performed records of its period, most of it so bracing and exciting that one gets some of the intensity of a live performance. One of Vanguard Records' classic albums, with startlingly vivid stereo separation and a close, intimate sound.




    Musicians:



    • Country Joe McDonald (guitar, harmonica, tambourine, vocal)

    • David Cohen (guitar, organ, vocal)

    • Barry Melton (guitar, vocal)

    • Bruce Barthol (bass, harmonium)

    • Chicken Hirsh (drums)




    Recording at Sierra Sound Laboratories, Berkeley, CA, USA, by Robert di Souza

    Production: Samuel Charters




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    Country Joe & The Fish
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Volunteers Volunteers Quick View

    $49.99
    Buy Now
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    Volunteers

    Jefferson Airplane Volunteers on Numbered Limited Edition 180g 45RPM 2LP from Mobile Fidelity


    Seminal 1969 Album Steeped in Revolution, Vitality, Protest: The Aural Equivalent of a Demonstration March, Jefferson Airplane's Uncompromising Volunteers Rooted in Belief Music Can Change World


    Mastered from the Original Master Tapes: Wider, Deeper Grooves on 180g 45RPM 2LP Set Yield Superior Transparency, Rich Nuances, and Engaging Dynamics on Set Ranked #370 on Rolling Stone's 500 Greatest Albums of All Time


    Defiant, Assured, Cohesive Songs Filled With Driving Psychedelia, Rustic Country, and Crunchy Acid-Rock: Guest Musicians Include Jerry Garcia, Stephen Stills, and David Crosby


    Awash in controversy and loaded with revolutionary protest, Jefferson Airplane's Volunteers stands as the last album made by the group's classic lineup and brings insurgent closure to the peace-and-love era. The potent 1969 record confronts war, politics, greed, and environmental ruin in head-on fashion matched by few peers. Steeped in the belief people and music could transform the world, it steers the band in community-minded and county-rock directions, and features charged playing by guest luminaries such as Jerry Garcia, Stephen Stills, David Crosby, and Nicky Hopkins. Volunteers also benefits from being one of the first 16-track recordings. And now, the historic set can be heard in the fidelity the artists and producers intended.


    Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP set of Volunteers teems with soul-affirming energy, dynamics, immediacy, and standout textures. The wider and deeper grooves translate into finer pacing, enhanced information retrieval, and superior transparency. Soundstages stretch far and extend back, with instrumental separation giving all of the musicians their own place in the mix. As a result, subtle albeit important details - Hopkins' rollicking piano, guitarist Norma Kaukonen's biting tones, Garcia's deft pedal-steel work - emerge in three-dimensional fashion amidst a musical canvas that manages to be both edgy and produced, raw and revealing. Jefferson Airplane has never sounded more vital.


    Much had changed in America - and within Jefferson Airplane - in just the two short years since the release of the San Francisco collective's breakthrough smash Surrealistic Pillow. The countercultural movement had darkened, government involvement in Vietnam escalated, and regard for human rights fallen. Retreating from the excessive experimentalism that graced its prior two LPs, the Airplane responded to the social circumstances with defiant, assured, and cohesive songs shot through with driving psychedelia, crunchy acid-rock, and rustic country. From start to finish, it's the aural equivalent of a demonstration march.


    Having drawn attention for the inclusion of profanities in multiple tunes, the Top 20 LP also ran up against the nonprofit Volunteers of America after the sextet wanted to title the record Volunteers of Amerika in order to express further dissatisfaction with the country. While Grace Slick and Co. gave into the charity's desires to switch the name, there's nothing compromising about Volunteers. Kaukonen's leads cut searing swaths through urgent fare like Eskimo Blue Day and anthemic We Can Be Together, which boldly speaks out against convention and in favor of chaos and anarchy.


    Indeed, in organizing a pseudo summit of many of the counterculture's leading musical figures to participate on Volunteers, the Airplane treats the album as an orchestrated stance against the establishment. Stills and Crosby assist in rocking the boat on a turbulent cover of Wooden Ships lined with Slick and Marty Balin's overlapping lead vocals. Hopkins gooses the call-to-arms title track with frisky boogie-woogie lines. Garcia lends The Farm a suitable rustic vibe, and on his final appearance with the Airplane, drummer Spencer Dryden helms the pastoral sing-a-long A Song for All Seasons.


    Ranked #370 on Rolling Stone's 500 Greatest Albums of All Time, Volunteers remains a cultural and musical touchstone.


    This title is not eligible for discount.

    1. We Can Be Together
    2. Good Shepherd
    3. The Farm
    4. Hey Fredrick
    5. Turn My Life Down
    6. Wooden Ships
    7. Eskimo Blue Day
    8. A Song for All Seasons
    9. Meadowlands
    10. Volunteers
    Jefferson Airplane
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Jake Xerxes Fussell Jake Xerxes Fussell Quick View

    $21.99
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    Jake Xerxes Fussell

    The Southern half of the Georgia-Alabama border follows the Chattahoochee River, which cleaves Columbus, Georgia from its decidedly less reputable neighbor, Phenix City, Alabama. Georgia's second city is the hometown of "Mother of the Blues" Ma Rainey and novelist Carson McCullers, but it was local hillbilly duo Darby and Tarlton's 1927 hit "Columbus Stockade Blues" that first immortalized Columbus in popular culture. Back in their day, if you ended up in lockup in Columbus, chances are you did your dirtiest deeds across the river. Historically rife with vice of every conceivable variety-gambling, prostitution, moonshining, and endemic corruption and violence perpetrated by both gangs and police-the notoriously anarchic Phenix City was once known as "The Wickedest City in America."


    A similar frontier liminality and skewed sense of place characterize the music of Durham, North Carolina singer and guitarist Jake Xerxes Fussell, whose self-titled debut record, produced by and featuring William Tyler, transmutes ten arcane folk and blues tunes into vibey cosmic laments and crooked riverine rambles. Jake Xerxes (yes, that's his real middle name, after Georgia potter D.X. Gordy) grew up in Columbus, son of Fred C. Fussell, a folklorist, curator, and photographer who hails from America's Wickedest City. Fred's fieldwork took him, often with young Jake in tow, across the Southeast documenting traditional vernacular culture, which included recording blues and old-time musicians with fellow folklorists and recordists George Mitchell and Art Rosenbaum (which led Jake to music, and to some of the songs herein) and collaborating with American Indian artists (which led Jake eventually to his graduate research on Choctaw fiddlers.)


    As a teenager Jake began playing and studying with elder musicians in the Chattahoochee Valley, apprenticing with Piedmont blues legend Precious Bryant ("Georgia Buck"), with whom he toured and recorded, and riding wild with Alabama bluesman, black rodeo rider, rye whiskey distiller, and master dowser George Daniel ("Rabbit on a Log"). He joined a Phenix City country band who were students of Jimmie Tarlton of Darby and Tarlton; he accompanied Etta Baker in North Carolina; he moved to Berkeley, where he hung with genius documentary filmmaker Les Blank and learned from Haight folkies like Will Scarlett (Jefferson Airplane, Hot Tuna, Brownie McGhee) and cult fingerstyle guitarist Steve Mann ("Push Boat"); he appeared on A Prairie Home Companion. He did a whole lot of listening, gradually honing his prodigious guitar skills, singing, and repertoire. In 2005 he moved to Oxford, Mississippi, where he enrolled in the Southern Studies department at Ole Miss, recorded and toured with Rev. John Wilkins, and, last year, met up with acclaimed artist William Tyler to begin recording his first solo album.


    Collaborating with Tyler and engineer Mark Nevers in Nashville was a conscious decision to depart cloistered trad scenes and sonics for broader, more oblique horizons. Tyler, a guitar virtuoso known for his own compositions that untether and reframe traditional six-string forms and techniques, helmed the push boat in inimitable fashion, enlisting crack(ed) Nashville session vets Chris Scruggs (steel guitar, bass, fiddle: Bonnie "Prince" Billy, Marty Stuart), Brian Kotzur (drums: Silver Jews), and Hoot Hester (fiddle: Bill Monroe, Ray Charles) to crew.


    So it's no accident that Jake approaches the songs and styles represented here with both interpretive respect and unfussy irreverence, imbuing them with equal parts vaporish, percolating atmosphere and academic rigor, honoring the folksong headwaters by emphasizing their liquid mutability, alien strangeness, and sly humor above preconceived notions of static authenticity. Fussell recognizes that folk revivalist preciousness about spurious genre boundaries often feels absurdly at odds with the unruliness and restlessly inventive practices of tradition bearers-no revival or reenactment gear is necessary when the music lives and breathes and throws around hips and knees like these. Likewise, when you examine their lyrical content, ostensibly linear tales about rivers and work (labor of the hands, as in "Boat's up the River" and "Man at the Mill" and labor of the heart, as in "Star Girl" and "Pork and Beans") reveal themselves as fractured, riddled with narrative lacunae that open up the texts as squirrelly riddles or gentle metaphysical jokes.


    For Fussell, these odd disjunctures demonstrate the way that verses and choruses, the stories we tell, disintegrate and erode over time, worn smooth as river stones and transmogrified by their repeated telling, more lovely for their fissures and absences than for any imaginary original integrity. (Aptly, "Chattahoochee" may mean something like "writing on rocks" in Muscogee or Yuchi.) Each song rendered here contains its own twinned inversion-its own Columbus, its own Phenix City-and Jake navigates their shoals with intuitive grace and authority.

    1. All in Down and Out
    2. Let Me Lose
    3. Star Girl
    4. Raggy Levy"
    5. Rabbit on a Log
    6. Boat's up the River
    7. Man at the Mill
    8. Push Boat
    9. Georgia Buck
    10. Pork and Beans
    Jake Xerxes Fussell
    $21.99
    Vinyl LP - Sealed Buy Now
  • After Bathing At Baxter's After Bathing At Baxter's Quick View

    $31.99
    Buy Now
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    After Bathing At Baxter's


    First Time 180 Gram Sterophonic Clear Vinyl


    Mastered By Joe Reagoso


    Pressed At R.T.I.


    1967 was an amazing year for rock music, and San Francisco was the place to be for legendary classic rock bands like Jefferson Airplane. After their groundbreaking Takes Off and Surrealistic Pillow LPs (both on Friday Music), Jefferson Airplane continued their gold and platinum magic and delivered the monumental classic After Bathing At Baxter's.


    Featuring the brilliant musicianship of Paul Kantner, Grace Slick, Marty Balin, Jorma Kaukonen, Jack Casady and Spencer Dryden, this new LP would become one of their most important albums, as well as further developing the Airplane into the superstar act they are to this day. With a groundswell of support from the hip record buying public to major airplay at both underground FM and pop radio stations, the LP was received incredibly well. Featuring stellar radio and fan favorites like The Ballad Of You & Me & Pooneil, Won't You Try/ Saturday Afternoon, and several other tunes which would go on to become rock music anthems for the turbulent 60's. Even more stellar album tracks like Martha and Watch Her Ride soon became standard Airplane classics in the years to follow. "Jam bands" began with groups like Jefferson Airplane. Therefore it's no surprise to hear the wonderful workouts by dual guitarists Jorma Kaukonen and Paul Kantner along with Grace Slick and Marty Balin's power vocals plus the bass of Jack Casady and Spencer Drydens' drum work on this masterwork.


    Friday Music is honored to present another exciting installment in our Jefferson Airplane 180 Gram Audiophile Vinyl Series with their masterpiece After Bathing At Baxter's LP. Their third RCA album showcases a very hip band that has stood the test of time now for over five decades. Mastered impeccably by Joe Reagoso (Jefferson Airplane/Hot Tuna/ Grateful Dead), this first time audiophile stereophonic vinyl release will become one of the more important albums in your classic rock collection.


    To enhance your Airplane listening pleasure, the LP will be pressed for a short time on CLEAR vinyl at RTI, featuring new liner notes from Jorma Kaukonen and Jack Casady in a first time gatefold cover, including a 12 by 24 graphic insert art, which truly help make this an even more rewarding event for 2016.

    1. The Ballad of You and Me and Pooneil
    2. A Small Package of Value Will Come to You, Shortly
    3. Young Girl Sunday Blues
    4. Martha
    5. Wild Tyme
    6. The Last Wall of the Castle
    7. Rejoyce
    8. Watch Her Ride
    9. Spare Chaynge
    10. Two Heads
    11. Won't You Try
    12. Saturday Afternoon
    Jefferson Airplane
    $31.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Volunteers (Speaker Corner) Volunteers (Speaker Corner) Quick View

    $34.99
    Buy Now
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    Volunteers (Speaker Corner)

    Ranked 370/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.

    Jefferson Airplane, wrote the magazine Rolling Stone, is a ship which transports its passengers to the revolutionary fantasies of their own minds. If only the group had included such well-formulated psychological analyses in their lyrics, then they would probably not have shot so meteorically into the orbit of the psychedelic 'acid rock' scene. And what is more: as self-appointed executors of chaos and anarchy, they 'turned on' their fans with musical sexual allegories, drug-extolling lyrics and revolutionary songs. In 1966, armed with a lucrative recording contract from RCA-Victor, they won through against much opposition from recording company bosses and released their album Volunteers, thereby bringing what is probably the very best recording from their early years to the public.



    The music of these rock rebels is, in fact, a good deal less drastic than their texts. The leaders of the combo, Marty Balin and Paul Kantner, both of whom grew up in the Californian folk scene, have put their stake on melodic and rhythmically close-knit rock and multi-part vocals. And even today, one is still astounded by the wide range of styles favoured by the hippie generation, which stretches from the down-to-earth country music of The Farm to the electronically distorted collage Meadowlands.



    Musicians:



    • Grace Slick (vocal, organ)

    • Marty Balin (vocal)

    • Paul Kantner (vocal)

    • Jerry Garcia (guitar)

    • Jorma Kaukonen (guitar)

    • Steven Stills (organ)

    • Nicky Hopkins (piano)

    • Jack Casady (bass)

    • Spencer Dryden (drums)

    • Joey Covington (conga)




    Recording: 1969 by Richie Schmitt and Joe Lopes

    Production: Wally Heider and Al Schmitt



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    1. We Can Be Together
    2. Good Shepherd
    3. The Farm
    4. Hey Frederick
    5. Turn My Life Down
    6. Wooden Ships
    7. Eskimo Blue Day
    8. A Song For all Seasons
    9. Meadowlands
    10. Volunteers
    Jefferson Airplane
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • After Bathing At Baxter's After Bathing At Baxter's Quick View

    $34.99
    Buy Now
    x

    After Bathing At Baxter's

    After Bathing at Baxter's is the third album by the San Francisco rock band Jefferson Airplane. The Jefferson Airplane began 1967 with Surrealistic Pillow and closed it with After Bathing at Baxter's, and what a difference ten months made.


    The album was among the purest of Rock's psychedelic albums, it was also a lot more daring. The album showed a band in a state of ferment as singer/guitarist Mary Balin largely surrendered much of his creative input in the band he'd founded, and let Paul Kantner and Grace Slick dominate the songwriting and singing on all but one cut (Young Girl Sunday Blues).


    The album peaked at number 17 in The Billboard 200 in 1968. In 1967, the single Ballad Of You & Me & Pooneil was placed 42 in The Billboard Hot 100.

    1. Streetmasse
    A. The Ballad Of You & Me & Pooneil
    B. A Small Package Of Value Will Come To You, Shortly
    C. Young Girl Sunday Blues
    2. The War Is Over
    A. Martha
    B. Wild Tyme
    3. Hymn To An Older Generation
    4. The Last Wall Of The Castle
    5. How Suite It Is
    A. Watch Her Ride
    B. Spare Chaynge
    6. Schizoforest Love Suite
    A. Two Heads
    B. Won't You Try
    C. Saturday Afternoon
    Jefferson Airplane
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Last Stand At Winterland Last Stand At Winterland Quick View

    $29.99
    Buy Now
    x

    Last Stand At Winterland

    Rare Jefferson Airplane Radio Broadcast From 1970 Capturing Marty Balins Last Appearance For Almost 20 Years. This KSAN radio broadcast marks a pivotal moment in the convoluted history of one of the West Coast's foremost bands, Jefferson Airplane. On this particular evening, Sunday 4th October 1970, San Francisco's Winterland Ballroom played host to the very cream of the city's psychedelic pioneers - playing alongside the Airplane were The Grateful Dead, Quicksilver Messenger Service, Hot Tuna and the New Riders of the Purple Sage. The Airplane's set this evening draws most heavily of their fourth and fifth albums, 'Crown Of Creation' (1968) and 'Volunteers' (1969).
    LP1
    1. Have You Seen The Saucers
    2. Crown Of Creation
    3. Somebody To Love
    4. Mexico
    5. Up Or Down
    6. Whatever The Old Man Wants
    7. Emergency


    LP2
    1. Wooden Ships
    2. Bludgeon Of A Bluecoat
    3. Greasy Heart
    4. You Wear Your Dresses Too Short
    5. We Can Be Together
    6. Volunteers

    Jefferson Airplane
    $29.99
    Vinyl LP - Sealed Buy Now
  • Volunteers Volunteers Quick View

    $24.99
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    Volunteers

    Ranked 370/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    In their late-60s heyday, Jefferson Airplane embodied the eras revolutionary attitude and experimental spirit like no other rock act. Their unique combination of adventurous musicianship, visionary lyrics and personal charisma defined San Francisco psychedelia and established the band as quintessential Aquarian-age messengers.


    1969s Volunteers coincided with Jefferson Airplanes performance at the Woodstock festival and is one of the groups most popular albums. Its also one of their most explicitly political efforts, calling for revolutionary action and counter-cultural unity on such memorable anthems as We Can Be Together, Wooden Ships, Eskimo Blue Day and the albums iconic title track, with the band members formidable musicianship augmented by guest players Jerry Garcia and Nicky Hopkins. Volunteers uncompromising stance originally made the album a source of controversy, but today its rightfully recognized as a rock landmark.


    As part of Sundazed's ongoing mission to present classic LPs in all their original sonic and visual glory, the first generation stereo masters were sourced and the cover art was meticulously reproduced.

    1. We Can Be Together
    2. Good Shepherd
    3. The Farm
    4. Hey Fredrick
    5. Turn My Life Down
    6. Wooden Ships
    7. Eskimo Blue Day
    8. A Song for All Seasons
    9. Meadowlands
    10. Volunteers
    Jefferson Airplane
    $24.99
    Vinyl LP - Sealed Buy Now
  • Live At The Carousel Ballroom Live At The Carousel Ballroom Quick View

    $39.99
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    Live At The Carousel Ballroom

    Big Brother & The Holding Company might best be known for being the first band Janis Joplin sung in, a live recording like this one shows their prowess as a fivepiece band.


    Their June 23, 1968 show at the Carousel Ballroom would prove to be legendary on a number of levels. The venue was owned by members of Jefferson Airplane and The Grateful Dead and would later become the Fillmore West. Janis would leave the band only two months after the show to pursue her solo career, making this one of the last times the ensemble worked together. The show was recorded by Augustus Owsley Stanley III , a.k.a. 'Bear', soundman of The Grateful Dead and a masterful LSDcooker, who also supervised the remastering of the recordings shortly before his death in March 2011.


    This is to be the first in a series of releases from his archive titled 'Bear's Sonic Archive', and it promises to be one hell of a ride. Though some of these songs have appeared on a 1972 Janis Joplin collection before in a very raw form, this is the first time these recordings are being released on vinyl.


    Dedicated to Bear, this live performance is a more than welcome addition to the Big Brother catalogue!

    LP1
    1. Combination Of The Two
    2. I Need A Man To Love
    3. Flower In The Sun
    4. Light Is Faster Than Sound
    5. Summertime
    6. Catch Me Daddy
    7. It's A Deal
    8. Call On Me


    LP2
    1. Jam - I'm Mad (Mad Man Blues)
    2. Piece Of My Heart
    3. Coo Coo
    4. Ball & Chain
    5. Down On Me


    Bonus Track:
    6. Call On Me (Saturday Show)

    Janis Joplin
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Takes Off Takes Off Quick View

    $34.99
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    Takes Off

    Jefferson Airplane Takes Off is the debut album of San Francisco Rock band Jefferson Airplane, released in August 1966. The personnel differs from the later classic lineup and the music is more Folk-Rock than the harder psychedelic sound for which the band later became famous.


    Signe Toly Anderson was the female vocalist and Skip Spence played drums. Both left the group shortly after the album's release and were replaced by Grace Slick and Spencer Dryden, respectively.

    1. Blues From An Airplane
    2. Let Me In
    3. Bringing Me Down
    4. It's No Secret
    5. Tobacco Road

    6. Come Up The Years
    7. Run Around
    8. Let's Get Together
    9. Don't Slip Away
    10. Chauffeur Blues
    11. And I Like It
    Jefferson Airplane
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Crown Of Creation Crown Of Creation Quick View

    $32.99
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    Crown Of Creation

    180 Gram Translucent Orange Marble Vinyl


    Mastered Impeccably By Joe Reagoso At Friday Music & Capitol Mastering


    Featured In First Time Gatefold Cover With 12 x 24 Rare Poster Of Brumus


    New Liner Notes From Jorma Kaukonen & Jack Casady


    When you listen to this album, you just don't get 'peace and love man'... Jack Casady


    1968 was an amazing year for rock music, and San Francisco was the place to be for legendary classic rock bands like Jefferson Airplane.


    After stunning success with three gold and platinum Lps under their belts, the classic quintet of Paul Kantner, Marty Balin, Jorma Kaukonen, Jack Casady, Grace Slick and Spencer Dryden delivered their masterwork Crown Of Creation. The Lp would become one of the most important albums of their long career featuring one of the most artistic and sobering covers of our time.


    With a groundswell of support from the hip record buying public to major airplay at both underground FM and pop radio stations, the Lp was received incredibly well. Featuring two hit singles with Crown Of Creation and Greasy Heart, both tunes would go on to become rock music and social anthems for the turbulent 60's. Even more stellar album tracks like If You Feel, Lather and Triad (written with David Crosby) would all become standard Airplane classics in the years to follow.


    "Jam bands" began with groups like Jefferson Airplane. Therefore it's no surprise to hear the wonderful workouts by dual guitarists Jorma Kaukonen and Paul Kantner along with Grace Slick and Marty Balin's power vocals plus the bass of Jack Casady and Spencer Drydens' drum work on this watershed release.


    Friday Music is honored to present another exciting installment in our Jefferson Airplane 180 Gram Audiophile Vinyl Series with their masterpiece Crown Of Creation Lp. Their fourth RCA album showcases a very hip band that has stood the test of time now for over five decades.


    Mastered impeccably by Joe Reagoso (Jefferson Airplane/Hot Tuna/Grateful Dead), this first time audiophile vinyl release will become one of the more important albums in your classic rock collection. To enhance your Airplane listening pleasure, the Lp will be pressed for a short time on TRANSLUCENT ORANGE MARBLE vinyl at RTI, featuring new liner notes from Jorma Kaukonen and Jack Casady in a first time gatefold cover, as well as including the rare 12 x 24 poster of Brumus and photo insert, which truly make this an even more rewarding event for the fans.

    1. Lather
    2. In Time
    3. Triad
    4. Star Track
    5. Share a Little Joke
    6. Chushingura (Instrumental)
    7. If You Feel
    8. Crown of Creation
    9. Ice Cream Phoenix
    10. Greasy Heart
    11. The House at Pooneil Corners
    Jefferson Airplane
    $32.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Surrealistic Pillow Surrealistic Pillow Quick View

    $34.99
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    Surrealistic Pillow

    Ranked 146/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Surrealistic Pillow, as the name implies, is one soft ridden, slightly mad piece of psychedelic San Francisco folk rock. From its percussive intro of "She Has Funny Cars" to the thumping mystique of "Plastic Fantastic Lover", this album's one heaven of a trip! 


    Jefferson Airplane truly hit the mark with this seminal album from 1967. Highlights that should not be overlooked are  "Somebody To Love", "White Rabbit" and "Today".

    1. She Has Funny Cars
    2. Somebody To Love
    3. My Best Friend
    4. Today
    5. Comin' Back To Me
    6. 3/5 Of A Mile In 10 Seconds
    7. D.C.B.A.-25
    8. How Do You Feel
    9. Embryonic Journey
    10. White Rabbit
    11. Plastic Fantastic Lover
    Jefferson Airplane
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Burgers (Speakers Corner) Burgers (Speakers Corner) Quick View

    $34.99
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    Burgers (Speakers Corner)

    The exploration of psychedelic depths did not appear to suffice the founders of Jefferson Airplane - Jorma Kaukonen and Jack Casady - when searching for their musical salvation. So why not amalgamate their hippy-like simple lifestyle and folksy music with the formation of a second band called Hot Tuna, emotional yet not so synthetically hotted-up? Even in the very first number, True Religion, whose airy, bubbling folksy finger-picking soars up into powerful waves of rock, the message of this first studio album comes over loud and clear. Growling bass melodies and the representation of a life on the road (Keep On Truckin') conjure up a down-to-earth country feeling, with an off-key fiddle tune (Let Us Get Together Right Down Here) accentuating the rough yet cordial get-together. The purely instrumental Water Song is a stroke of genius - this humming, buzzing guitar mix doesn't only demonstrate the players' instrumental dexterity but also their keen sense of melody and ear for sound colouring. No matter whether gruff Hillbilly, cool blues rocker, or square and nostalgic former hippy - they'll all love this album. Just think: for whom else does Hot Tuna still go on tour ...?

    Musicians:



    • Jorma Kaukonen (guitar, vocal)

    • Jack Casady (bass, vocal)

    • Papa John Creach (violin, vocal)

    • Sammy Piazza (drums, percussion, vocal)

    • Nikki Buck (organ, piano)

    • Richmond Talbott (vocal, guitar)

    • David Crosby (vocal)




    Recording: 1972 by 'The Unknown Engineer' at Wally Heider Studios, San Francisco

    Production: Fisohobay Production



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. True Religion
    2. Highway Song
    3. 99 Year blues
    4. Sea Child
    5. Keep on Truckin'
    6. Water Song
    7. Ode for Billy Dean
    8. Let Us Get Together Right Down Here
    9. Sunny Day Strut
    Hot Tuna
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Volunteers Volunteers Quick View

    $39.99
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    Volunteers

    Ranked 370/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Jefferson Airplane's sixth album Volunteers was released in 1969, a mere two years since their monumental psychedelic hippie rock album Surrealistic Pillow. A politically charged album, Volunteers mainly dealt with the injustice of the Vietnam war.


    Besides its lyrical content causing controversy, the album was ahead of its time on a technological level as well. At the time, Volunteers was one of the first albums to be recorded on a state-of-the-art sixteen track tape recorder, a picture of which can be seen on the backside of the album sleeve.


    Musical collaborators include Stephen Stills and David Crosby. Volunteers is a crucial Jefferson record that ranks among the top albums of this seminal San Francisco psychedelic rock group.

    1. We Can Be Together
    2. Good Shepherd
    3. The Farm
    4. Hey Fredrick
    5. Turn My Life Down
    6. Wooden Ships
    7. Eskimo Blue Day
    8. A Song For All Seasons
    9. Meadowlands
    10. Volunteers
    Jefferson Airplane
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Quicksilver Anthology Quicksilver Anthology Quick View

    $39.99
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    Quicksilver Anthology

    Mastered by Joe Reagoso from the Original Capitol Records Tapes w/ Ron McMaster


    Along with fellow superstars Jefferson Airplane, Steve Miller Band and The Grateful Dead, Quicksilver Messenger Service were one of the first Bay Area rock acts that helped usher in the progressive rock/acid rock movement during the height of the Summer Of Love in San Francisco. With its core line-up of David Freiberg, Dino Valenti, Greg Elmore, Gary Duncan, Nicky Hopkins and John Cipollina, this amazing band truly delivered many fine recordings during their successful reign at Capitol Records.


    Anthems of the era still resonate today with society issues and world problems as Quicksilver foretold with their classic signature tunes like Fresh Air, What About Me, Hope and Pride Of Man. With the superstar talents that made up this band over the years, it was not uncommon to hear radio stations play entire sides of their revolutionary albums during the dawn of FM and underground radio.


    Capitol Records awarded Quicksilver and their huge fan base with a very extensive and amazing Greatest Hits package called Anthology back in 1973. Right from the start you get a healthy three track serving from their first monster release Quicksilver Messenger Service, along with more solid tunes from other fine albums like Happy Trails, Shady Grove, Just For Love, What About Me and others classics.


    Out of print for many years, Friday Music has announced the first time 180 Gram Audiophile Vinyl release of their classic Capitol Records release Quicksilvers Anthology on Friday Music. This amazing album features 16 of their most important songs from their legendary albums from 1967 through 1973. From the early acid rock sounds of Dinos Song and the 12 minute epic The Fool, to later day hits like the aforementioned Fresh Air, What About Me and Just For Love, this album truly shows the relevance and importance of this sorely missed iconic band.


    Mastered impeccably from the original Capitol Records tapes by Joe Reagoso and Ron McMaster, this super limited edition album also boasts the original gatefold cover album art, including the silver on black embossed Quicksilver logo. The two HQ vinyl LPs are also protected by poly lined sleeves, as well as a poly bag to help keep the album cover and albums in great condition.

    LP 1

    1. Pride of Man (1967) [from Quicksilver Messenger Service]
    2. Dino's Song (1967) [from Quicksilver Messenger Service]
    3. The Fool (1967) [from Quicksilver Messenger Service]
    4. Bears (1968) [45 RPM only single release]
    5. Mona (1969) [from Happy Trails]
    6. Edward, the Mad Shirt Grinder (1969) [from Shady Grove]


    LP 2
    1. Three or Four Feet from Home (1969) [from Shady Grove]
    2. Fresh Air (1970) [from Just For Love]
    3. Just for Love (1970) [from Just For Love]
    4. Spindrifter (1970) [from What About Me]
    5. Local Color (1970) [from What About Me]
    6. What About Me (1970) [from What About Me]
    7. Don't Cry My Lady Love (1971) [from Quicksilver]
    8. Hope (1971) [from Quicksilver]
    9. Fire Brothers (1971) [from Quicksilver]
    10. I Found Love (1971) [from Quicksilver]

    Quicksilver Messenger Service
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
  • American Hustle Soundtrack American Hustle Soundtrack Quick View

    $29.99
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    American Hustle Soundtrack

    Like Goodfellas and Boogie Nights before it, American Hustle's music celebrates the epic feel of '70s pop, rock, and disco and uses it to give its story extra heft. David O. Russell's tale of con men, Feds, and the mob has a lighter touch than either of those two movies, however, and this is reflected in the soundtrack's song choices. More than a few of these tracks are by Electric Light Orchestra as well as Jeff Lynne on his own, and the whimsical yet driving sound of 10538 Orchestra, Long Black Road, and Stream of Stars lends a tongue-in-cheek tone supported by Tom Jones' Delilah and Chris Stills' Live to Live. The album touches on some of the decade's definitive songs (Elton John's Goodbye Yellow Brick Road, Wings' Live and Let Die, Donna Summer's I Feel Love) but never sounds like a prepackaged hits-of-the-'70s collection, due in large part to unique choices like Harold Melvin & the Blue Notes' gritty version of Don't Leave Me This Way and Mayssa Karaa's otherworldly Arabic interpretation of Jefferson Airplane's White Rabbit, which is so striking that it's one of the finest songs on an album packed with big names. A nuanced and playful soundtrack, American Hustle works well as a companion piece to the movie that spawned it and on its own.


    - Heather Phares (All Music Guide)

    LP1
    1. Jeep's Blues - Duke Ellington
    2. Goodbye Yellow Brick Road (Album Version) - Elton John
    3. White Rabbit (Arabic Version) - Mayssa Karaa
    4. 10538 Overture - Jeff Lynne
    5. Live and Let Die - Wings
    6. How Can You Mend a Broken Heart - Bee Gees
    7. I Feel Love - Donna Summer
    8. Don't Leave Me This Way - Harold Melvin & The Blue Notes
    9. Delilah - Tom Jones


    LP2
    1. I've Got Your Number - Jack Jones
    2. Long Black Road - Jeff Lynne
    3. A Horse with No Name (Album Version) - America
    4. Stream of Stars - Jeff Lynne
    5. Live to Live - Chris Stills
    6. Irving Montage - Danny Elfman

    Various Artists
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • St. Vincent Soundtrack + Score St. Vincent Soundtrack + Score Quick View

    $39.99
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    St. Vincent Soundtrack + Score


    180 Gram Audiophile Vinyl


    Including 2 Inserts


    2 LP Set Contains The Original Score By Theodore Shapiro + The Soundtrack Featuring Tweedy, Bob Dylan, The National And Jefferson Airplane


    First Pressing Of 1000 Numbered Copies On Blue Marbled Vinyl


    The Soundtrack to the comedy drama St. Vincent (starring Academy Award® nominees Bill Murray, Melissa McCarthy and Naomi Watts), is an irresistible compilation of evergreens and newer hits - including songs from Bob Dylan, The National, and Jefferson Airplane.


    This At The Movies release is a very interesting package: next to presenting the song soundtrack, we've also included the Original Score by Theodore Shapiro on a second disc. Each copy of the first pressing is individually numbered and pressed on blue marbled vinyl.


    The soundtrack album includes classics from the 1960s and 1970s, such as Bob Dylan's "Shelter From The Storm" from the 1975 album Blood On The Tracks. Tweedy provides two songs: the funky "Everybody Hides" and the laid-back "Why, Why, Why". In between comes a contrasting classic, the straight-hitting vocals of Jefferson Airplane's "Somebody To Love". This was the band's first and biggest hit, a single from the album Surrealistic Pillow in 1967.

    LP 1: Soundtrack
    1. Everyone Hides - Tweedy
    2. Try Loving Me - The Webs
    3. Somebody to Love - Jefferson Airplane
    4. Why Why Why - Tweedy
    5. You Da One - Ca$hizz Klay featuring Fingazz
    6. Stripper Pole - Nyzzy Nyce
    7. One Toke over the Line - Brewer & Shipley
    8. Further On Bronze Radio Return
    9. Hard to Find - JD & The Straight Shot
    10. Start a War - The National
    11. Molodaya Luna - Vechyaslav Samarin
    12. Shelter from the Storm -Bob Dylan


    LP 2: Score
    1. Long Walk Home
    2. Gym Class
    3. Life of Vin
    4. Be Good
    5. Vin and Zucko
    6. Standard Operating Procedure
    7. Small Means Nothing
    8. Nosebreaker
    9. Daka's Ultrasound
    10. At the Track
    11. Broken Glass
    12. Saints Among Us
    13. Stroke
    14. Break Through
    15. Fresh Crab
    16. Bad News

    Various Artists
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Worst Of Jefferson Airplane The Worst Of Jefferson Airplane Quick View

    $31.99
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    The Worst Of Jefferson Airplane

    The '60s were a turbulent time in America as its disenfranchised youth looked to their musical heroes for many of its compelling questions. The Jefferson Airplane with Grace Slick, Paul Kantner, Jack Casady, Jorma Kaukonen, Marty Balin, Skip Spence and Spencer Dryden provided their fans the answers with heavy guitars, powerful vocals and time honored classic '60s anthems like Somebody To Love, White Rabbit and Volunteers.


    In 1970 RCA Victor Records honored its acid rockers Jefferson Airplane with their first greatest hits collection, the chart topping The Worst Of The Jefferson Airplane. The 15 song collection represents the finest tracks from their amazing first six albums including tracks and chart hit singles from the likes of Surrealistic Pillow, Crown Of Creation and After Bathing At Baxters.


    Aside from the songs mentioned above, you also get the classic rockers Crown Of Creation, Me & You & Pooneil and We Can Be Together, as well as more introspective classics like Good Shepherd from the Volunteers album and Its No Secret from their very first album Jefferson Airplane Takes Off.


    For the first time ever on 180 Gram Vinyl, Friday Music presents the much anticipated The Worst Of Jefferson Airplane. This 1970 greatest hits limited edition release contains 15 amazing classics, all mastered impeccably from the original RCA Victor tapes by Joe Reagoso and Kevin Gray at RTI/ AcousTech.


    As a special bonus, and for the first time in four decades, Friday is including the original gatefold cover artwork with the stunning Nipper The Dog graphic which wasnt shown in later reissues. The vinyl is also placed in a poly sleeve, and the LP cover is housed in a poly cover to protect your musical investment for years to come.


    1. Its No Secret [1966]

    2. Blues From An Airplane [1966]
    3. Somebody To Love [1967]
    4. Today [1967]
    5. White Rabbit [1967]
    6. Embryonic Journey [1967]
    7. Martha [1967]
    8. The Ballad Of You & Me & Pooneil [1967]
    9. Crown Of Creation [1968]
    10. Chushingura [1968]
    11. Lather [1968]
    12. Plastic Fantastic Lover [1969]
    13. Good Shepherd [1969]
    14. We Can Be Together [1969]
    15. Volunteers [1969]

    Jefferson Airplane
    $31.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
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