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  • Mighty Long Time Mighty Long Time Quick View

    $31.99
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    Mighty Long Time

    New West Records is proud to present the reissue of four classic Antone's Records blues titles. Long out of print on compact disc, these four titles have been re-mastered for vinyl. Unlike their previous release, each of these LP's will include the entire original master as well as bonus tracks when available. Each LP is displayed in a beautiful, one of a kind package (leather texture, die-cut, embossed logo) and pressed onto 180-gram vinyl that is manufactured in the USA
    1. Straighten Up Baby
    2. Everything Gonna Be Alright
    3. Black Nights
    4. Blow Wind Blow
    5. Sugar Sweet
    6. Moanin' at Midnight

    7. Baby Please

    8. Hold Me in Your Arms

    9. Call It Stormy Monday
    10. Three Hundred Pounds of Joy
    11. Northside Cadillac

    12. Mighty Long Time
    James Cotton
    $31.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Chicago/The Blues/Today! (Pure Pleasure) Chicago/The Blues/Today! (Pure Pleasure) Quick View

    $99.99
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    Chicago/The Blues/Today! (Pure Pleasure)

    In early 1966, blues history was made with the issuance of a three-volume set of new recordings produced by blues historian Samuel Charters. This series was known as Chicago/The Blues/Today! and the release sent shock waves through the world of rock & roll. Every artist on the three volumes had recorded before (some, like Otis Rush and Junior Wells, had actually seen small hits on the R&B charts), but these recordings were largely their introduction to a newer -- and predominately white -- album-oriented audience. These recordings have stayed in print and have been reasonably good sellers over the years since their original release, all coming out on compact disc. This new packaging puts all three volumes together, but with no bonus tracks, as no extras were recorded for these sessions.



    A plus in the new packaging, is that it features a nice booklet with detailed, updated notes from Charters, a nice appreciation from Ed Ward, and absolutely eye-boggling session photos taken by Charters' wife, Ann. Even if you still have the original vinyl or CDs, this is one of the times when it would be best to spend the dough and add this one to your collection, because blues records seldom come as important, innovative, or just plain pleasurable to listen to as this set. File under 'essential'.




    Musicians:



    • J.B. Hutto

    • Junior Wells

    • Otis Spann

    • Otis Rush

    • Jimmy Cotton

    • Johnny Shines Blues Band

    • Johnny Young's South Side Blues Band

    • Homesick James

    • and Big Walter Horton's Blues Harp Band with Memphis Charlie Musselwhite




    Recording: 1965 at RCA Studios, Chicago

    Production: Samuel Chartersdeutsch



    Format: 3LPs 33rpm / Box, booklet



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    LP1
    1. Help Me (A Tribute to Sonny Boy Williamson)
    2. It Hurts Me Too
    3. Messin' with the Kid
    4. Vietcong Blues
    5. All Night Long
    6. Going Ahead
    7. Please Help
    8. Too Much Alcohol
    9. Married Woman Blues
    10. That's the Truth
    11. Marie
    12. Burning Fire
    13. S P Blues
    14. Sometimes I Wonder
    15. Spann's Stomp


    LP2
    1. Cotton Crop Blues
    2. The Blues Keep Falling
    3. Love Me or Leave
    4. Rocket 88
    5. West Helena Blues
    6. Everything's Gonna Turn Out Allright
    7. It's a Mean Old World
    8. I Can't Quit You Baby
    9. Rock
    10. It's My Own Fault
    11. Dust my Broom
    12. Somebody Been Talkin'
    13. Set a Date
    14. So Mean to Me


    LP3
    1. One More Time
    2. Kid Man Blues
    3. My Black Mare
    4. Stealin' Back
    5. I Got Mine In Time
    6. Tighten Up On It
    7. Dynaflow Blues
    8. Black Spider Blues
    9. Layin' Down My Shoes and Clothes
    10. If I Get Lucky
    11. Rockin' My Boogie
    12. Mr. Boweevil
    13. Hey Hey

    Various Artists
    $99.99
    180 Gram Audiophile Virgin Vinyl - 3 LPs Sealed Buy Now
  • Live At Antone's Nightclub Live At Antone's Nightclub Quick View

    $24.99
    Buy Now
    x

    Live At Antone's Nightclub

    New West Records is proud to present the reissue of four classic Antone's Records blues titles. Long out of print on compact disc, these four titles have been re-mastered for vinyl. Unlike their previous release, each of these LP's will include the entire original master as well as bonus tracks when available. Each LP is displayed in a beautiful, one of a kind package (leather texture, die-cut, embossed logo) and pressed onto 180-gram vinyl that is manufactured in the USA
    1. Blow Wind

    2. Juke

    3. It Ain't Right
    4. Gone To Main Street

    5. Oh Baby

    6. Hoochie Coochie Man

    7. Eyesight To The Blind

    8. Midnight Creeper
    James Cotton
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Tomorrow Is My Turn Tomorrow Is My Turn Quick View

    $22.99
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    Tomorrow Is My Turn

    Rhiannon Giddens, singer, songwriter, multi-instrumentalist, and founding member of Grammy Award-winning Carolina Chocolate Drops, makes her solo recording debut with Tomorrow Is My Turn, due out on Nonesuch Records. (The vinyl will follow on March 3.) The album was produced by T Bone Burnett.


    Burnett first worked with Giddens when she performed last fall at a concert he curated at New York City's Town Hall that was later broadcast on Showtime: Another Day, Another Time: Celebrating the Music of "Inside Llewyn Davis." Backstage, Burnett was immediately moved to ask if he could produce a record with her. "It was clear the first time I heard her at rehearsal that Rhiannon is next in a long line of singers that include Marian Anderson, Odetta, Mahalia Jackson, Rosetta Tharpe," Burnett says. "We need that person in our culture."


    For her first solo disc, Giddens chose a broad range of songs from genres as diverse as gospel, jazz, blues, and country. In addition to the traditional "Black Is the Color," tracks include Hank Cochran's "She's Got You," made famous by Patsy Cline; Dolly Parton's "Don't Let It Trouble Your Mind"; "O Love Is Teasin'," popularized by the Kentucky-reared "mother of folk" Jean Ritchie; and Elizabeth Cotton's "Shake Sugaree."


    "I had already started putting together a list of songs that didn't really fit into the Chocolate Drops world," Giddens explains. "At the top was 'Tomorrow Is My Turn' [immortalized by Nina Simone]. Seeing Nina do it on YouTube was revelatory. I knew she'd gone through a lot of hard times, as so many people did in that time period. Watching her sing this song, with the words 'tomorrow is my turn,' I began to think about the struggle of her and women like her." The significance of this song led Giddens to make it the title of the album as well. "Other songs started getting on my list and they were all by women or interpreted by women," she says.


    Tomorrow Is My Turn was recorded in Los Angeles and Nashville, with a multi-generational group of players whom Burnett assembled. Among them are fiddle player Gabe Witcher and double bassist Paul Kowert of label-mates Punch Brothers; percussionist Jack Ashford of Motown's renowned Funk Brothers; drummer Jay Bellerose; guitarist Colin Linden; legendary backup singer Tata Vega; veteran Nashville session bassist Dennis Crouch; and Giddens' Drops touring band-mates, multi-instrumentalist Hubby Jenkins and beat-boxer Adam Matta.


    Tomorrow Is My Turn follows Giddens' work with Elvis Costello, Taylor Goldsmith, Jim James, and Marcus Mumford on Lost On The River: The New Basement Tapes, an album also produced by Burnett that was released in November 2014. Her contribution was hailed by Rolling Stone magazine as the "showstopper evoking antebellum blues with a magnificent voice that interrogates the myths stirred up at Big Pink." The New York Times agreed, saying "On lead vocals she's the album's revelation, singing melodies that hark back to Celtic modes with a decisive presence and a haunting grace."

    1. Last Kind Words
    2. Don't Let It Trouble Your Mind
    3. Waterboy
    4. She's Got You
    5. Up Above My Head
    6. Tomorrow is My Turn
    7. Black Is the Color
    8. Round About the Mountain
    9. Shake Sugaree
    10. O Love Is Teasin'
    11. Angel City
    Rhiannon Giddens
    $22.99
    Vinyl + CD - Sealed Buy Now
  • Live at the Old Mill Tavern 3/29/70 Live at the Old Mill Tavern 3/29/70 Quick View

    $36.99
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    Live at the Old Mill Tavern 3/29/70

    A vintage live album from a newly reunited 6-piece
    lineup of San Francisco's premier psychedelic jam
    band, Quicksilver Messenger Service!


    With Dino Valenti back at the helm as lead vocalist
    and keyboard wizard Nicky Hopkins (Rolling Stones)
    on board alongside the classic Cipollina-DuncanFreiberg-Elmore quartet, QMS rips through several new songs and old favorites with a outrageous energy and spirit!


    Also includes the legendary blues harpist James
    Cotton trading licks with the band on 2 extended jam sessions!

    1. Subway
    2. The Truth
    3. Mona
    4. Baby Baby
    5. Rain
    6. Mojo
    7. Blues Jam #1 feat. James Cotton
    8. Blues Jam #2 feat. James Cotton
    Quicksilver Messenger Service
    $36.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Live At The Old Mill Tavern Live At The Old Mill Tavern Quick View

    $32.99
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    Live At The Old Mill Tavern

    One of the most highly regarded live recordings of the band's career, this early 1970 date features the Just For Love/What About Me line-up with the addition of blues harp legend James Cotton. Culling together material from What About Me and 1971's Quicksilver as well as some great blues based jams, this title is an all-time live Quicksilver classic and this deluxe packaged edition with clear vinyl and a bonus CD featuring extra tracks from the same date is the only way to own it!
    1. Subway
    2. The Truth
    3. Rain
    4. Mona
    5. Baby Baby
    6. Mojo
    Quicksilver Messenger Service
    $32.99
    Clear Vinyl LP + CD - Sealed Buy Now
  • At Newport 1960 At Newport 1960 Quick View

    $27.99
    Buy Now
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    At Newport 1960

    Ranked 348/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Import


    At Newport 1960 is a live album by Muddy Waters performed at Newport Jazz Festival in Newport, Rhode Island with his backing band, consisting of Otis Spann (piano, vocals), Pat Hare (guitar), James Cotton (harmonica), Andrew Stevens (bass) and Francis Clay (drums), in July 3. Water's performances across Europe in the 50s and at Newport helped popularize blues to broader audience, especially to whites. The album is often said to be one of the first blues live albums.


    The album was released in the US on November 15 that year, featuring eight songs, from I Got My Brand On You to Goodbye Newport Blues. Although At Newport 1960 never charted, it received critical acclaim and was influential for future bands.

    I Got My Brand On You
    I'm Your Hoochie Coochie Man
    Baby, Please Don't Go
    Soon Forgotten
    Tiger In Your Tank
    I Feel So Good
    I've Got My Mojo Working, Part 1
    I've Got My Mojo Working, Part 2
    Goodbye Newport Blues
    Muddy Waters
    $27.99
    Vinyl LP - Sealed Buy Now
  • At Newport 1960 At Newport 1960 Quick View

    $27.99
    Buy Now
    x

    At Newport 1960

    Ranked 348/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Import


    At Newport 1960 is a live album by Muddy Waters performed at Newport Jazz Festival in Newport, Rhode Island with his backing band, consisting of Otis Spann (piano, vocals), Pat Hare (guitar), James Cotton (harmonica), Andrew Stevens (bass) and Francis Clay (drums), in July 3. Water's performances across Europe in the 50s and at Newport helped popularize blues to broader audience, especially to whites. The album is often said to be one of the first blues live albums.


    The album was released in the US on November 15 that year, featuring eight songs, from I Got My Brand On You to Goodbye Newport Blues. Although At Newport 1960 never charted, it received critical acclaim and was influential for future bands.

    1. I Got My Brand On You
    2. (I'm Your) Hoochie Coochie Man
    3. Baby, Please Don't Go
    4. Soon Forgotten
    5. Tiger In Your Tank
    6. I Feel So Good
    7. I've Got My Mojo Working (Part 1)
    8. I've Got My Mojo Working (Part 2)
    9. Goodbye Newport Blues
    Muddy Waters
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Muddy Waters 100 Muddy Waters 100 Quick View

    $37.99
    Buy Now
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    Muddy Waters 100

    Includes 12 Page Insert


    Muddy Waters 100 is the centennial celebration of his birthday (April 4, 1915) and also a commemoration of this immense legacy. This compilation covers the broad spectrum of the Waters catalog from Country Blues to the pioneering Chess studio sessions in Chicago.


    The album With an all-star lineup of Blues specialists and veterans under the direction of vocalist/guitarist, longtime Waters alumnus, and close friend John Primer, the mood is set with the trademark Got My Mojo Working, featuring vocalist Shemekia Copeland trading verses with Primer.


    Also featuring Bob Margolin, who also spent many years in the Waters band. Johnny Winter (who produced four Muddy Waters albums in the 1970's) was brought in as guest slide guitarist on I'm Ready, and harmonica wizard James Cotton livens up Good News, and I Feel So Good, adding an authentic touch, as he played on the original recordings in the late 1950's. Representing the younger generation of bluesmen are Billy Branch, who sits in on harmonica on several tracks, and guitarists Gary Clark Jr., Keb Mo,' and Derek Trucks, who were requested to add a contemporary flavor to the celebrated repertoire.

    1. Got My Mojo Working
    2. Still A Fool
    3. I Be's Troubled
    4. I'm Ready
    5. Mannish Boy
    6. Rosalie
    7. Why Don't You Live So God Can Use You
    8. Good News
    9. Trouble No More
    10. She Moves Me
    11. Can 't Get No Grindin'
    12. 40 Days And 40 Nights
    13. Last Time I Fool Around With You
    14. I Feel So Good
    15. Fee L Like Going Home
    Various Artists
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • A Day In Nashville A Day In Nashville Quick View

    $18.99
    Buy Now
    x

    A Day In Nashville

    For his new album A Day In Nashville, guitarist Robben Ford and his band spent a day in the Music City studio Sound Kitchen, invited some friends and recorded seven new songs penned by Ford, along with his version of "Poor Kelly Blues" from Maceo Merriweather and "Cut You Loose", first recorded by James Cotton. The album is due out in 2014 via Mascot Label Group/Provogue.


    The follow up to 2013's acclaimed Bringing It Back Home, A Day in Nashville was originally planned as a live album to be recorded during his 2013 European tour. Inspired to write some new music, Robben instead decided to challenge himself and his band by doing something he's never done before in his 40-plus year career: recording an album live in the studio, in one session."We had a great experience," says Robben, who was joined by guitarist Audley Freed, keyboardist Ricky Peterson, bassist Brian Allen, drummer Wes Little and trombonist Barry Green. "We decided to make the record in a controlled environment, but treat it like a live show."


    - Jam Bands

    1. Green Grass, Rainwater
    2. Midnight Comes Too Soon
    3. Ain't Drinkin' Beer No More
    4. Top Down Blues
    5. Different People
    6. Cut You Loose
    7. Poor Kelly Blues
    8. Thump And Bump
    9. Just Another Country Road
    Robben Ford
    $18.99
    Vinyl LP - Sealed Buy Now
  • Muddy Waters Sings Big Bill (Speakers Corner) Muddy Waters Sings Big Bill (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Muddy Waters Sings Big Bill (Speakers Corner)

    In 1960, when Muddy Waters recorded this album as a tribute to Big Bill Broonzy two years after his death, he could be sure of Broonzy's approval. »Oh yeah, Muddy is a real singer of the Blues«, Big Bill, that Mississippi foundation stone, was heard to say early on in Muddy Waters' career, although the sound of the man 15 years his junior could be likened to new shoots coming out of the gnarled root named the Blues.



    Full of confidence after a "Best Of" compilation released on the Chess label in 1959 and his legendary appearance at the Newport Folk Festival, Muddy set down his own Broonzy songs. It goes almost without saying that such successful numbers as "I Feel So Good" and "Tell Me Baby" are overflowing with a 'Chicago feeling' which gets right under your skin. Pulsating with the metallic heartbeat of the electric guitar and the gyrating licks which James Cotton conjures out of his harmonica, the cover title amalgamates the individual styles of two top-notch Blues musicians to produce a highly emotional mixture. And let's not forget the band formed around keyboarder Otis Spann, their fellow musician of many years' standing. Just listen carefully to this small but excellent ensemble and you will certainly forget the banal term 'rhythm group'!





    Musicians:



    • Muddy Waters (vocal)

    • James Cotton (harmonica)

    • Pat Hare (guitar)

    • Otis Spann (piano)

    • Andrew Stephenson (bass)

    • Francey Clay, Willie Smith (drums)




    Recording: July and August 1959 in Chicago




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Tell Me Baby
    2. Southbound Train
    3. When I Get to Thinking
    4. Just a dream (On My Mind)
    5. Double Trouble
    6. I Feel So Good
    7. I Done Got Wise
    8. Mopper's Blues
    9. Lonesome Road Blues
    10. Hey, Hey
    Muddy Waters
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Muddy Mississippi Waters Live Muddy Mississippi Waters Live Quick View

    $29.99
    Buy Now
    x

    Muddy Mississippi Waters Live


    The Muddy Waters/Friday Music 180 Gram Audiophile Series Continues!


    Muddy Waters - 1979 Grammy Award Winner!


    First Time Official Audiophile Vinyl - Stunning First Time Gatefold Cover


    Manufactured At R.T.I.


    Featured Musicians: Johnny Winter, James Cotton, Pinetop Perkins, Willie Smith & Bob Margolin


    Muddy Waters (McKinley Morganfield) will always be known as one of the founding fathers of
    modern day blues. His legendary style of playing guitar, his unique vocal prowess and of course
    his stellar list of classic Chicago and Mississippi Delta blues tunes have all gone on to influence
    generations upon generations of rock and blues performers worldwide.


    With almost six decades in the music business, this Mississippi native began working in the late
    seventies with one of his biggest fans Johnny Winter, cutting his final four albums for Blue Sky
    Records, earning both the artist and producer both Grammy Awards for several of them including
    the live masterpiece Muddy "Mississippi" Waters Live. Recorded at the Newport Jazz Festival,
    Muddy drove the crowd into a frenzy with his famous guitar licks and his Delta growl, truly a
    thrilling presence on the stage.


    Featuring an all-star band with the likes of the legendary late great Johnny Winter on guitar,
    James Cotton on harp and the masterful Pinetop Perkins on piano, Muddy "Mississippi" Waters
    Live would go on to become one of the most revered live albums in modern day Chicago blues
    history.


    Kicking things off with one of his finest smash hits Mannish Boy, Muddy continues to rock the
    crowd through a treasure trove of 6 more blues champions which made this one of the most
    important live recordings of all time. The album features classic gems like his classics She's
    Nineteen Years Old, Baby Please Don't Go, and Nine Below Zero. Noted for introducing his
    Chicago laden blues style to a whole new generation of guitar players, Muddy "Mississippi"
    Waters Live is just another example of how important this late blues master's music was and still
    is to millions of fans across the globe.


    Friday Music is no stranger to the music of the legendary arsenal of fine recordings of Muddy
    Waters. That is why we are so very proud to announce another installment in The Muddy
    Waters/Friday Music 180 Gram Audiophile Vinyl Series with his legendary masterpiece Muddy
    "Mississippi" Waters Live.


    Mastered impeccably by Joe Reagoso (Muddy Waters, Johnny Winter, John Lee Hooker) for the
    first time on audiophile vinyl, Muddy "Mississippi" Waters Live will truly become one of the most
    important and historical 180 Gram Audiophile Vinyl titles to be released in quite some time.


    To further celebrate this first time audiophile vinyl LP, we enhance this limited edition masterwork
    with a stunning gatefold cover featuring the original artwork elements as well as rare inner
    sleeve live photos, which now are a permanent part of the inside gatefold art, which show the
    man who helped fuse blues and rock music for millions of music lovers across the globe.


    Muddy Waters .Muddy "Mississippi" Waters Live .Impeccable blues and rock from your
    friends at Friday Music!


    I'm A MAN

    1. Mannish Boy
    2. She's Nineteen Years Old
    3. Nine Below Zero
    4. Streamline Woman
    5. Howlin' Wolf
    6. Baby Please Don't Go
    7. Deep Down In Florida
    Muddy Waters
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • King Bee King Bee Quick View

    $29.99
    Buy Now
    x

    King Bee


    The Muddy Waters/Friday Music 180 Gram Audiophile Series Continues!


    Muddy Waters & Johnny Winter - Their Final Studio Recording Together


    First Time Official Audiophile Vinyl - Stunning First Time Gatefold Cover


    Manufactured At R.T.I.


    Featured Musicians: Johnny Winter, James Cotton, Pinetop Perkins, Willie Smith, Charles Calmese & Bob Margolin


    Muddy Waters (McKinley Morganfield) will always be known as one of the
    founding fathers of modern day blues. His legendary style of playing guitar,
    his unique vocal prowess and of course his stellar list of classic Chicago
    and Mississippi Delta blues tunes have all gone on to influence generations
    upon generations of rock and blues performers worldwide.


    With almost six decades in the music business, this Mississippi native
    began working in the late seventies with one of his biggest fans Johnny
    Winter, cutting his final four albums for Blue Sky Records, earning both the
    artist and producer both Grammy Awards for several of them.


    Their final studio recording King Bee, shows the artist and producer in
    very rare and rockin' form. The 1981 blues smash features a plethora of
    Muddy Waters originals, as well as tip of the hat to Slim Harpo with Muddy's
    classic rendition of King Bee.


    Featuring an all-star band with the likes of the legendary late great
    Johnny Winter on guitar, James Cotton on harp and the masterful Pinetop
    Perkins on piano, King Bee would go on to become one of the more revered
    studio albums in Muddy Water's extensive recorded catalog.


    Kicking things off with one of his finest smash hits King Bee, Muddy
    continues to rock the house through a treasure trove of 9 more blues
    champions which made this Lp the classic that it is. The album features
    classic gems like his classics I Feel Like Going Home, Champagne And
    Reefer, and Deep Down In Florida. Noted for introducing his Chicago laden
    blues style to a whole new generation of guitar players, King Bee is just
    another example of how important this late blues master's music was and
    still is to millions of fans across the globe.


    Friday Music is no stranger to the music of the legendary arsenal of fine
    recordings of Muddy Waters. That is why we are so very proud to announce
    another installment in The Muddy Waters/Friday Music 180 Gram Audiophile
    Vinyl Series with his legendary final studio masterpiece King Bee.


    Mastered impeccably by Joe Reagoso (Muddy Waters, Johnny Winter,
    John Lee Hooker) for the first time on audiophile vinyl, King Bee will truly
    become one of the most important and historical 180 Gram Audiophile Vinyl
    titles to be released in quite some time.


    To further celebrate this first time audiophile vinyl LP, we enhance this
    limited edition masterwork with a stunning gatefold cover featuring the
    original artwork elements as well as rare inner photos, which now are a
    permanent part of the inside gatefold art, which show the man who helped
    fuse blues and rock music for millions of music lovers across the globe.
    Muddy Waters .King Bee .Impeccable blues and rock from your
    friends at Friday Music!


    Deep Down In Florida...

    1. I'm A King Bee
    2. Too Young To Know
    3. Mean Old Frisco Blues
    4. Forever Lonely
    5. I Feel Like Going Home
    6. Champagne & Reefer
    7. Sad Sad Day
    8. (My Eyes) Keep Me In Trouble
    9. Deep Down In Florida #2
    10. No Escape From The Blues
    Muddy Waters
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Muddy Waters At Newport 1960 Muddy Waters At Newport 1960 Quick View

    $29.99
    Buy Now
    x

    Muddy Waters At Newport 1960


    The Muddy Waters/Friday Music 180 Gram Audiophile Series Continues!


    Muddy Waters Masterwork Live Album! In Stereo!


    First Time Official Audiophile Vinyl - Stunning First Time Gatefold Cover


    Mastered From The Authorized Chess Records Stereo Tapes By Joe Reagoso


    Muddy Waters (McKinley Morganfield) will always be known as one of the founding fathers of modern day blues. His legendary style of playing guitar, his unique vocal prowess and of course his stellar list of classic Chicago and Mississippi Delta blues tunes
    have all gone on to influence generations upon generations of rock and blues performers worldwide.


    With almost six decades in the music business, this Mississippi native began his career cutting early sides for defunct labels
    before landing in Chicago in the early forties, where he began a long climb to the top of the blues world, later cutting a series of
    hit sessions for Aristocrat which became Chess Records. Phil and Leonard Chess knew they had a kingpin on their hands when
    Muddy started his endless stream of blues smashes. The label honored the man with his first live album simply titled Muddy Waters
    At Newport 1960. Recorded at the Newport Jazz Festival, Muddy drove the crowd into a frenzy with his famous guitar licks and his
    Delta growl, truly a thrilling presence on the stage.


    Featuring an all-star band with the likes of the legendary James Cotton on harp and the masterful Otis Spann on piano, Muddy
    Waters At Newport 1960 would go on to become one of the most revered albums in modern day Chicago blues history.


    Kicking things off with one of his finest smash hits I Got My Brand On You, Muddy continues to rock the crowd through a
    treasure trove of 8 more blues champions which made this one of the most important live recordings of all time. The album features
    classic gems like his classics Got My Mojo Working, Baby Please Don't Go, and I'm Your Hoochie Coochie Man. Noted for his stellar
    guitar work, pretty much introducing his Chicago laden blues style to a whole new generation of guitar players, Muddy Waters At
    Newport 1960 became truly a primer for a ton of rock and blues guitarists for years like Eric Clapton, Johnny Winter, Canned Heat
    and The Rolling Stones. Muddy broke down barriers for millions of music fans worldwide to enjoy rock and blues, making him along
    with John Lee Hooker, Elmore James and Robert Johnson one of the first pioneers of the blues and rock genre.


    Friday Music is no stranger to the music of the legendary Chess Records arsenal of fine recordings. That is why we are so
    very proud to announce another installment in The Muddy Waters/Friday Music 180 Gram Audiophile Vinyl Series with his legendary
    masterpiece Muddy Waters At Newport 1960.


    Mastered impeccably by Joe Reagoso (Muddy Waters, John Lee Hooker, Chuck Berry) for the first time on audiophile vinyl from
    the Chess stereophonic tapes, Muddy Waters At Newport 1960 will truly become one of the most important and historical 180 Gram
    Audiophile Vinyl titles to be released in quite some time.


    To further celebrate this first time authorized stereophonic audiophile vinyl LP, we enhance this limited edition masterwork
    with a stunning gatefold cover featuring the original artwork elements as well as a rare inside gatefold photo of the man who helped
    fuse blues and rock music for millions of music lovers across the globe.


    Muddy Waters Muddy Waters At Newport 1960 Impeccable stereophonic sound from the AUTHORIZED Chess Records
    tapes! Baby, Please Don't Go

    1. I Got My Brand On You
    2. I'm Your Hoochie Coochie Man
    3. Baby, Please Don't Go
    4. Soon Forgotten
    5. Tiger In Your Tank
    6. I Feel So Good
    7. Got My Mojo Working
    8. Got My Mojo Working, Part 2
    9. Goodbye Newport Blues
    Muddy Waters
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Take Me Back (Out Of Stock) Take Me Back (Out Of Stock) Quick View

    $21.99
    x

    Take Me Back (Out Of Stock)

    In 1952, at the age of 17, blues harpist James Cotton caught the attention of Sam Phillips, founder of Sun Records, and soon began recording with the legendary Howlin' Wolf. Through his subsequent work with Muddy Waters and his own bands, James has remained one of the brightest stars in the blues firmament ever since. These classic sides from the '80s that James produced himself won a Grammy nomination when they were originally issued. They have been carefully remastered and are presented here in glorious analog audiophile fidelity.
    1. My Babe
    2. Well, I Done Got Over It
    3. Clouds In My Heart
    4. Take Me Back
    5. Honest I Do
    6. Take Out Some Insurance
    7. Killing Floor
    8. Dust My Broom
    9. Hungry Country Girl
    James Cotton
    $21.99
    Vinyl LP - Sealed Temporarily out of stock
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