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I See You

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  • I See You I See You Quick View

    $24.99
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    I See You

    I See You is marked by a tonal shift to something close to pure, crisp pop structure, adorned by unusual crescendos that echo a dexterous DJ inching their dancer toward climax without ever quite lifting the house lights. Its lyric sheet moves from the danger and hopelessness of love to its deliciousness and rapture; a move into a more outward looking proposition.


    I See You is recognizably still The xx but is now powered by the voluble ambition of its three perfect counterweights to one another starting to not just realize but harness their full potential. You might even want to think of the decisive move from Joy Division to New Order here, too.


    When they take their plum festival slots in 2017, armed with the ten most robust songs of their career, The xx should prick the skin and touch gently the shoulder of an audience reaching to the back of the field.

    1. Dangerous
    2. Say Something Loving
    3. Lips
    4. A Violent Noise
    5. Performance
    6. Replica
    7. Brave For You
    8. On Hold
    9. I Dare You
    10. Test Me
    The XX
    $24.99
    Vinyl LP- Sealed Buy Now
  • I See You (Deluxe Box Set) I See You (Deluxe Box Set) Quick View

    $37.99
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    I See You (Deluxe Box Set)

    Limited Edition Deluxe Box Set


    Includes 180-Gram LP, 180-Gram 12, Full Album On CD, & An Enhanced CD With Video Content


    Also Includes Three Art Prints


    I See You is marked by a tonal shift to something close to pure, crisp pop structure, adorned by unusual crescendos that echo a dexterous DJ inching their dancer toward climax without ever quite lifting the house lights. Its lyric sheet moves from the danger and hopelessness of love to its deliciousness and rapture; a move into a more outward looking proposition.


    I See You is recognizably still The xx but is now powered by the voluble ambition of its three perfect counterweights to one another starting to not just realize but harness their full potential. You might even want to think of the decisive move from Joy Division to New Order here, too.


    The limited edition deluxe version includes the full album on a 180-gram LP, the full album on CD, a 180-gram 12in. with three bonus tracks, an enhanced CD with video content, and three art prints.

    LP
    1. Dangerous
    2. Say Something Loving
    3. Lips
    4. A Violent Noise
    5. Performance
    6. Replica
    7. Brave For You
    8. On Hold
    9. I Dare You
    10. Test Me


    Bonus 12
    1. Naive
    2. Seasons Run
    3. Brave For You (Marfa Demo)


    CD 1
    1. Dangerous
    2. Say Something Loving
    3. Lips
    4. A Violent Noise
    5. Performance
    6. Replica
    7. Brave For You
    8. On Hold
    9. I Dare You
    10. Test Me


    CD 2
    1. Naive
    2. Season Run
    3. Brave For You (Marfa Demo)
    4. Brave For You (Marfa Demo) (Video)

    The XX
    $37.99
    180 Gram Audiophile Virgin Vinyl LP Box Set + 12 + 2 CDs - Sealed Buy Now
  • I Can See You I Can See You Quick View

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    I Can See You

    A four song EP released three years after Black Flag had broken up. This four-song EP was released three years after the breakup of Black Flag. The line-up heard here is Henry Rollins (vocals), Greg Ginn (guitar), Kira (bass) and Bill Stevenson (drums).
    1. I Can See You
    2. Kickin' & Stickin'
    3. Out of This World
    4. You Let Me Down
    Black Flag
    $7.99
    Vinyl LP - Sealed Buy Now
  • I Long To See You I Long To See You Quick View

    $25.99
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    I Long To See You

    Charles Lloyd & The Marvels I Long To See You presents the NEA Jazz Master saxophonist with a new band featuring guitarist Bill Frisell plus special guest vocals from Willie Nelson & Norah Jones. The album's 10 tracks cover traditional hymns, anti-war folk protests & re-envisioned Lloyd originals. Lloyd will tour the US & Europe with The Marvels this year hitting major markets. Confirmed media coverage includes NPR, NY Times, Wall Street Journal, Associated Press, DownBeat, JazzTimes & more.
    LP 1
    1. Masters Of War (Bob Dylan)
    2. Of Course, Of Course (Charles Lloyd)
    3. La Llorona (Traditional)
    4. Shenandoah (Traditional)
    5. Sombrero Sam (Lloyd)


    LP 2
    1. All My Trials (Traditional)
    2. Last Night I Had the Strangest Dream feat. Willie Nelson (Ed McCurdy)
    3. Abide With Me (Traditional)
    4. You Are So Beautiful feat. Norah Jones (Billy Preston & Bruce Fisher)
    5. Barche Lamsel (Lloyd)

    Charles Lloyd & The Marvels
    $25.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • I Don't See You Laughing Now I Don't See You Laughing Now Quick View

    $11.99
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    I Don't See You Laughing Now


    Exclusive 10 Inch, 45 RPM Vinyl


    Born near Detroit, Michigan, Marshall Crenshaw began playing guitar at age ten and he received his first break playing John Lennon in the off-Broadway company of Beatlemania. In 1987, he played Buddy Holly in the Richie Valens biopic "La Bamba." While living in NYC, he recorded the single "Something's Gonna Happen" for Alan Betrock's Shake Records, which led to a deal with Warner Bros. His debut album, Marshall Crenshaw was acclaimed as a pop masterpiece upon its release in 1982 and established him as a first-rate songwriter, singer and guitarist. The record spawned the Top 40 single "Someday, Someway," which rockabilly singer Robert Gordon covered and scored a hit with a year earlier, and other classics such as "(You're My) Favorite Waste of Time," "Whenever You're On My Mind" and "Cynical Girl." The great songs continued with the Life's Too Short album on MCA ("Fantastic Planet of Love"), three albums for Razor & Tie and the 2009 release Jaggedland ("Someone Told Me," "Passing Through," "Never Coming Down


    "His intelligence, integrity, and passion for the great song always show up in his music," wrote Robert Christgau in his Consumer Guide of Marshall Crenshaw. Over a span of 30 years, Crenshaw has released 13 albums, all of which have received the highest marks from critics and have earned him a fiercely loyal fan base.


    "I wanted to think of a different way of working that would inspire me and keep me motivated," Marshall Crenshaw says of his newest endeavor: a subscription-only service that addresses the recent seismic changes in the music-industry landscape by cutting out the record-company middle man to distribute his new recordings directly to fans.


    The subscription service, which the veteran singer/guitarist/songwriter/producer recently launched via a successful Kickstarter funding campaign, will provide fans with a steady stream of new Marshall Crenshaw music via a series of exclusive three-song 10-inch, 45-rpm vinyl EPs , six of which the artist plans to release over a two-year period.


    Each EP will consist entirely of newly recorded, never-before-released material, encompassing a new original Crenshaw composition, a classic cover tune, and a new reworking of a time-honored favorite.


    "I really do think that vinyl sounds best, and that playing a vinyl record is still the optimum listening experience," Crenshaw asserts. "And with the sound quality that you get at 45 rpm, I think that these things are going to deliver the goods, sonically."

    1. I Don't See You Laughing Now
    2. No Time (The Move cover)
    3. There She Goes Again (recorded live in 2012 with the Bottle Rockets)
    Marshall Crenshaw
    $11.99
    10 45 RPM Vinyl LP - Sealed Buy Now
  • You Are All I See You Are All I See Quick View

    $17.99
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    You Are All I See

    For Pat Grossi of Active Child, the last two years have been nothing short of enriching. Musically, Pat has worked within and appropriated a number of styles into his sound, from his early days singing with that heavenly voice as a choir boy to his more recent forays into laptop-assisted indie-pop made in his bedroom, best exemplified on 2010s acclaimed Curtis Lane EP. His sound is so wide-ranging that he has found himself touring with many notable acts of differing genres, including dubstep producer James Blake, dreamy synth-pop of School of Seven Bells, and the indie rock bands White Lies and White Rabbits.


    The grand, cinematic scope of Pats artistic vision is apparent on You Are All I See, which owes as much to his wide array of influences as it does to Pats own knack for employing these influences in fresh, forward thinking ways. With triumphant synths and shimmering, contrapuntal harp lines, songs like the title track and Hanging On are reminiscent of Radioheads Motion Picture Soundtrack, but improve upon that template with layered vocals not far removed from Bon Iver or even James Blake, who Active Child recently opened for on tour.


    The album is indebted to the sounds of the 1980s, from New Orders drums-and-synths to danceable hip-hop beats, and its all topped off with soaring R&B melodies. The albums first single, Playing House, features guest vocals from Tom Krell, the crooner of lo-fi R&B project How To Dress Well.

    1. You Are All I See

    2. Hanging On
    3. Playing House (ft. How To Dress Well)
    4. See Thru Eyes
    5. High Priestess
    6. Call Me Tonight
    7. Way Too Fast
    8. Ancient Eye
    9. Shield & Sword
    10. Johnny Belinda

    Active Child
    $17.99
    Vinyl LP - Sealed Buy Now
  • All I Ever See In You Is Me All I Ever See In You Is Me Quick View

    $21.99
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    All I Ever See In You Is Me

    Jillette Johnson is the rare artist who needs little sonic accompaniment to make an indelible impact. Produced by Dave Cobb (the Grammy Award-winner known for his work with Jason Isbell and Sturgill Simpson), Johnson's sophomore album All I Ever See in You Is Me offers up sparsely orchestrated songs centering on her spirited piano work and ever-changing vocal texture, an instrument that's irresistibly powerful whether she's belting out a refrain or whispering a hushed melody.

    Like only the most timeless songwriters, Johnson finds infinite depth within that simplicity. Recorded at RCA Studio A - the historic Nashville space where Dolly Parton laid down 'Jolene' and 'I Will Always Love You' in the same three-hour span - All I Ever See in You Is Me bears an unhurried pace and warm intimacy that echoes the purposeful looseness of its production. Drifting between hazy romanticism and resolute self-awareness, Johnson examines heartbreak and resilience with a willful and magnetic vulnerability.

    1. Bunny
    2. Love Is Blind
    3. Throw Out Your Mirror
    4. Holiday
    5. Flip A Coin
    6. In Repair
    7. Not Tonight
    8. Like You Raised Me
    9. I'm Sorry
    10. All I Ever See In You Is Me
    11. Thumbelina
    Jillette Johnson
    $21.99
    Vinyl LP - Sealed Buy Now
  • So Tonight That I Might See (Pre-Order) So Tonight That I Might See (Pre-Order) Quick View

    $19.99
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    So Tonight That I Might See (Pre-Order)

    Mazzy Stars second album, originally released in 1993 and featuring the classic hit Fade Into You, is the bands near-universally accepted high water mark. A beautiful, gently psychedelic, folk-rock album and one of the greatest alternative records of the 1990s, featuring Hope Sandovals ethereal vocals and the fine guitar work of David Roback.
    1. Fade Into You
    2. Bells Ring
    3. Mary Of Silence
    4. Five String Serenade
    5. Blue Light
    6. She's My Baby
    7. Unreflected
    8. Wasted
    9. Into Dust
    10. So Tonight That I Must See
    Mazzy Star
    $19.99
    Vinyl LP - Sealed PRE-ORDER Buy Now
  • So Tonight That I Might See So Tonight That I Might See Quick View

    $24.99
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    So Tonight That I Might See

    Mazzy Stars second album, originally released in 1993 and featuring the classic hit Fade Into You, is the bands near-universally accepted high water mark. A beautiful, gently psychedelic, folk-rock album and one of the greatest alternative records of the 1990s, featuring Hope Sandovals ethereal vocals and the fine guitar work of David Roback. Reissued on 180 gram vinyl with deluxe tip-on jacket and printed innersleeve.
    1. Fade Into You
    2. Bells Ring
    3. Mary Of Silence
    4. Five String Serenade
    5. Blue Light
    6. She's My Baby
    7. Unreflected
    8. Wasted
    9. Into Dust
    10. So Tonight That I Must See
    Mazzy Star
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Now We Can See Now We Can See Quick View

    $14.99
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    Now We Can See

    Though not a concept record and not a sequel, Now We Can See picks up right where The Thermals left off, at the end of their last LP, 2006's The Body, The Blood, The Machine, where they were either obliterated by nuclear war, or walked the earth as the last living souls, until they dropped dead of quite unnatural causes. Either way, the story continues. The Thermals imagine death by drowning, in attempts to de-evolve (When I Died, At The Bottom of the Sea), death by psychosis (We Were Sick, I Called Out Your Name), and death by French exit (You Dissolve). But as much death as there is on this record, it won't get you down! These songs are really about life. After all, The Thermals are only fictionally deceased.


    The Thermals have returned to what they do best, writing undeniably catchy punk tunes. - Spin

    1. When I Died
    2. We Were Sick
    3. I Let It Go
    4. Now We Can Wee
    5. At The Bottom of the Sea
    6. When We Were Alive
    7. I Called Out Your Name
    8. When I Was Afraid
    9. Liquid In, Liquid Out
    10. How We Fade
    11. You Dissolve
    Thermals
    $14.99
    Vinyl LP -Sealed Buy Now
  • Suck It And See Suck It And See Quick View

    $21.99
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    Suck It And See

    Suck It and See, Arctic Monkeys fourth album, features 12 new songs produced by James Ford at the legendary Sound City Studios in Los Angeles. With Suck It and See the band perfectly mesh their hard and soft sides. The album is lyrically their most verbose since their record-breaking debut Whatever People Say I Am, That's What I'm Not. From shimmering opener She's Thunderstorms to the brilliantly buoyant Black Treacle through to perfect closer That's Where You're Wrong, Alex Turner brings an articulate melodic swagger to the proceedings.
    1. Shes Thunderstorms

    2. Black Treacle

    3. Brick by Brick
    4. The Hellcat Spangled Shalalala

    5. Dont Sit Down Cause Ive Moved Your Chair

    6. Library Pictures
    7. All My Own Stunts
    8. Reckless Serenade
    9. Piledriver Waltz

    10. Love is a Laserquest

    11. Suck It and See

    12. Thats Where Youre Wrong
    Arctic Monkeys
    $21.99
    Vinyl LP - Sealed Buy Now
  • See Mystery Lights See Mystery Lights Quick View

    $17.99
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    See Mystery Lights

    Limited Edition of 1000 Copies on White Vinyl


    Features Detailed Spot-Glass Artwork Exclusive to the Vinyl Version


    Brainy and block-rocking rarely coexist like this.
    -Entertainment Weekly


    Recorded in Marfa, Texas, YACHT's See Mystery Lights is an intimate party record that was captured in widescreen Technicolor. Singles include Summer Song and the sublimely catchy Psychic City, mixing electro and post punk rhythms seamlessly.


    Jona Bechtolt - founding member of YACHT, former member of the Blow - is a huge talent, something that may not have been readily apparent on any of his three previous LPs. Those albums, created largely as solo endeavors, will not have prepared listeners for See Mystery Lights. Now an official partnership between Bechtolt and Claire L. Evans, who performed on several songs on 2007's I Believe In You, Your Magic Is Real, YACHT finally feel like a full-fledged band with direction and vision, particularly given the added weight (or rather, levity) of Evans' influence.


    The songs on See Mystery Lights - from the bouncy, burbling you-can't-take-it-with-you screed The Afterlife (which plays like a less spastic companion piece to the Mae Shi's Run to Your Grave) to the roller rink-ready vocoder vocals of I'm In Love With a Ripper - represent YACHT at their most poppy. It's a collection of stone jams that finds the band finally as hellbent on experimenting and expanding the boundaries of its sonic scope as it is on having fun. Built on electronic foundations - laser effects, skittering computerized beats, and spacey synth lines (or guitar riffs that have been tuned or distorted to sound like synths) - these new songs are giddy with creative freedom while remaining tethered in service of their melodies. The vocal melodies are bright and buoyant, but delivered (by either band member, or in unison) in a chanted, oftentimes detached monotone that plays up the repetitive lyrics' mantra-like feel and adds a welcome undercurrent of slacker cool to their otherwise sugary optimism.

    1. Ring The Bell
    2. The Afterlife
    3. I'm In Love With A Ripper
    4. It's Boring / You Can Live Anywhere You Want
    5. Psychic City
    6. Summer Song
    7. We Have All We've Ever Wanted
    8. Don't Fight The Darkness
    9. I'm In Love With A Ripper (Party Mix)
    10. Psychic City (Version)
    YACHT
    $17.99
    Colored Vinyl LP - Sealed Buy Now
  • I Am I Am Quick View

    $39.99
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    I Am

    Nas' I AM was his third studio album release and proved his reputation of one hip-hop's leading rappers. His strong lyrics are heard on tracks like Small World and Favor for a Favor featuring Scarface of the Ghetto Boys. The original material of the album was leaked onto the internet and this forced him to record completely new material.


    The album debuted at #1 on the Billboard 200 and on the US Top R&B/Hip-Hop Albums, and was certified Double Platinum in the USA. In the US Nas' had chart success with tracks Nas Is Like, Hate Me Now and You Won't See Me Tonight featuring Aaliyah. The production on this album is solid and stands up, even to this day.

    LP 1
    1. N.Y. State Of Mind, Pt. II
    2. Hate Me Now
    3. Small World
    4. Favor For A Favor (Feat. Scarface)
    5. We Will Survive
    6. Ghetto Prisoners
    7. You Won't See Me Tonight (Feat. Aaliyah)
    8. I Want To Talk To You


    LP 2
    1 Natures Shine
    2. Dr. Knockboot
    3. Life Is What You Make It (Feat. Dmx)

    4. Big Things
    5. Nas Is Like
    6. K-i-ss-i-n-g
    7. Money Is My Bitch
    8. Undying Love

    Nas
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Keep You Keep You Quick View

    $19.99
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    Keep You

    Pianos Become The Teeth are from Baltimore, Maryland; the band made waves on the
    scene with their 2009 debut Old Pride and gained national attention with 2011's The
    Lack Long After. Their third album and Epitaph debut, Keep You, sees the band taking a
    brave step forward to craft a musical statement that truly transcends genres. "There's
    still the same amount of passion and energy inherent in this record, it's just presented
    in a different way," frontman Kyle Durfey explains. The immediately noticeable difference is Durfey's vocal approach that sees him traded the throat-gutting screams of
    the band's early releases with cleaner, more intelligible vocals. However anyone who
    has followed the band's trajectory-specifically the song "Hiding" from their 2013 split
    with TouchÉ AmorÉ-can trace the way the band's sound has evolved from a melodic
    screamo act to a group that create heaviness and weight via raw emotion instead of
    distortion and dissonance. Capturing the band's creative vision this time around, producer Will Yip (Circa Survive, Braid) enhances the band's new vision, bringing out harmonies and swelling strings that compliment these songs in exciting ways that even the
    band couldn't initially predict . "I think it's a musical growth not a departure," Durfey
    summarizes. "I wouldn't say we would never make another overtly aggressive record
    again but this is the record we wanted to make."
    1. Ripple Water Shine
    2. April
    3. Lesions
    4. Old Jaw
    5. Repine
    6. Late Lives
    7. Enamor Me
    8. Traces
    9. The Queen
    10. Say Nothing
    Pianos Become The Teeth
    $19.99
    Vinyl LP + CD - Sealed Buy Now
  • I Love You But I Must Drive Off This Cliff Now I Love You But I Must Drive Off This Cliff Now Quick View

    $16.99
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    I Love You But I Must Drive Off This Cliff Now

    Got at Girl starring Mary Elizabeth Winstead and Dan "The Automator" Nakamura - are thrilled to announce the release of I Love You But I Must Drive Off This Cliff Now, on Bulk Recordings. The pair's enthralling debut album, sees Nakamura - whose innumerable, inimitable credits include influential production (Kool Keith/Dr. Octagon, Gorillaz) and membership in such visionary collaborations as Deltron 3030, Lovage, and Handsome Boy Modeling School - and Winstead - known for her work in the films Scott Pilgrim Vs. The World, The Spectacular Now, and next seen in Kill the Messenger - sweetly detached vocal delivery and nuanced lyricism.


    Winstead and Nakamura first crossed paths while both worked on 2010s Scott Pilgrim vs. The World, the actor acting and the musician contributing to the score. Winstead - who counts Lovage's Music To Make Love To Your Old Lady By as "one of my favorite albums of all time" - approached Nakamura after a cast and crew dinner to let him know she was a big fan, assuming that would be that. "About a year later, Dan came up to me at the premiere and said, 'We should do something sometime,'" Winstead says. "I was like, okay! I would love to! I didn't think it was real."


    Right from the jump, the two seemingly disparate artists found they were both surfing similar waves of inspiration. Each were especially enthused by the daft, dewy and even slightly degenerate sounds of 1960s French pop, that uniquely Gallic soufflÉ of girl group soul, cafÉ jazz, lush arrangements and groovy eroticism.


    "It was a meeting of the minds," says Nakamura. "A kindred spirit kind of thing." He sent a skeletal track to Winstead, suggesting she begin thinking of songwriting in terms of character and story. For the nascent lyricist, the task came with no little pressure. Winstead and Nakamura soon commenced writing together, collaborating on lyrics as they learned more about each other's creative strengths and interests.


    "I've had the fortune of working with a lot of very talented people," Nakamura says. "When it's right, it's right. That makes it work really easily. Working with Mary is like working with Del (The Funkee Homosapien) or working with Damon (Albarn) - it's really natural. It just works."


    I Love You But I Must Drive Off This Cliff Now is surprisingly seamless, a perfectly realized union of atmospheric ambience and ambitious songcraft. The Automator is of course a master of genre subversion and experimental futurism, effortlessly transmogrifying hip-hop, psychedelia, found sounds, and all manners of pop and world music with his singular taste for prolix wordplay, multiple personas and conceptual adventure. For Got A Girl, he has assembled a rich, enveloping sound world all its own, with hints of Laurel Canyon folk, yacht rock, and sunshine pop stylized and synthesized through sumptuous arrangements, intricate electronics, and unfettered melodic invention. The sonic landscape calls up far flung locales both real and imagined, knit together by restless grooves, elastic dubby beats, and Winstead's complex characterizations.


    - Glide Magazine

    1. Did We Live Too Fast
    2. I'll Never Hold You Back
    3. Close To You
    4. Everywhere I Go
    5. Last Stop
    6. There's A Revolution
    7. Things Will Never Be The Same
    8. Put Your Head Down
    9. Friday Night
    10. La La La
    11. Da Da Da
    12. Heavenly
    Got A Girl
    $16.99
    Vinyl LP - Sealed Buy Now
  • Tell Me I Belong Tell Me I Belong Quick View

    $18.99
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    Tell Me I Belong

    Jim-E Stack has come a long way. Born and raised in San Francisco, the now
    Brooklyn-based artist born James Harmon Stack cut his musical teeth as a jazz
    drummer, but it wasn't until he entered the world of solo production at the age of 16
    that he found the freedom necessary to write and record how he wanted. After seeing a set from Fade to Mind boss Kingdom in 2009, freeform DJ sets and hybridized
    club music planted the seeds of inspiration in the burgeoning producer. He made
    his first splash with a bass-loaded remix of Nuguzunguzu's "Mirage", and went on
    to release the bright and drum-focused Come Between EP, garnering acclaim from
    international DJs and tastemakers alike.


    Following time spent in New Orleans, James moved to New York in summer of 2012,
    and started the slow process of sketching, refining, and developing the diverse tracks
    that would make up his captivating Tell Me I Belong LP. The album was equally
    fleshed out by looking forwards and backwards, which gives it the kind of purpose
    and cohesiveness many debut outings lack. In every corner of Tell Me I Belong, you
    can hear an artist who reveres classic jazz musicians like John Coltrane and McCoy
    Tyner, experimental pioneers like Steve Reich, and Detroit techno greats Omar-S
    and Robert Hood, but contemporary boundary pushers Arca, Oneohtrix Point Never,
    and Actress are no less inspiring for Stack. "More so than anything, it's really on
    some personal shit," he says of the themes woven into his debut LP. "The time period
    between leaving San Francisco and moving to New York was a tough time for me,
    and the music is kind of a reflection of that, the feeling like you don't belong." The
    music may speak about a kind of alienation, but it also abundantly offers the chance
    of collective experiences in the form of hard-hitting, club-specific dancefloor jams.
    That fearless juxtaposition is the lifeforce of Tell Me I Belong.

    1. Somewheres
    2. Run
    3. Below
    4. Reassuring
    5. Everything To Say
    6. Is It Me
    7. Out Of Mind
    8. Ease Up
    9. Without
    10. Wake
    Jim-E Stack
    $18.99
    Vinyl LP - Sealed Buy Now
  • I Go Back Home I Go Back Home Quick View

    $39.99
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    I Go Back Home

    When Jimmy Scott died in 2014, dozens of musicians, hundreds of journalists and thousands of fans mourned the passing of a jazz legend. Not only had a link back to the era of Billie Holiday, Charlie Parker and Lionel Hampton been lost, but so had the chance to bring the fame and respect denied to him throughout his long and rich life.


    Now, as if sent from some righteous deity, comes I Go Back Home, an album full of life recorded by Jimmy Scott years before his death. Created by German producer Ralf Kemper, Jimmy Scott and with mixes produced by Phil Ramone, no expense was spared in giving Scott the lushest musical backdrops possible, creating an album that, like Scott's inimitable vocal style, comes late but but right on time.


    I Go Back Home manages to replicate that using the finest arrangers writing for the most experienced players, mixed by the most intuitive engineers in the the best studios available. Scott revisited his favourite songs, into which he invested his lived experience, letting the listener feel the story known by far too few.


    The creation of I Go Back Home was the subject of an acclaimed documentary of the same name. It depicts producer Ralf Kemper's drive to work with Jimmy and provide him with the best album he can. The film captures the challenges and sacrifices that lead up to the recording sessions, a document that makes I Go Back Home an even richer record.


    Hounding Jimmy Scott through the most of his recording career was an oppressive recording contract that prevented him from releasing albums. It wasn't until 1992 that Jimmy, aged 63, recorded the first album over which he had creative control, All The Way. Nominated for a Grammy and finally bringing him to the attention of an audience that wasn't entirely comprised of jazz fans and a few lucky passers-by, Scott began touring and regularly releasing albums. It's not until I Go Back Home that Scott was given the budget that allowed him unfettered control over song selection, personnel and orchestration.


    As the album progresses, each song sees another musician or singer join Scott for a fresh interpretation of a beloved song. Long-time collaborators such as Kenny Barron and Joe Pesci, or new, such as actress and singer Reneè Olstead, trumpeter Till Brönner and harmonica player Gregoire Maret. All give Scott the room he needs to slide between phrases, telling his story and living out the world of each song.


    As Jimmy explained: "The lyric is so important to me. I feel if you're singing a song or telling the story in a song it should mean something. That's why I protect what I have in it, because that's where I believe it should go. It should mean something. It should make sense."


    Dave Nathan wrote on AllMusic that Scott's phrasing moves "beyond mere poignancy and close to reverence". This is truer than ever on I Go Back Home. Scott shifts from speak-singing in album-opener (Sometimes I Feel Like a) Motherless Child to lively bossa nova take on I Remember You to full-throated commitment on If I Ever Lost You.


    Expertly interplaying with top tier collaborators I Go Back Home is ultimately a record of collaboration and companionship, and the sound of a singer going out on top. Scott commemorates his highest points, and spars with fresh new talent in a way that suggests that he would have had great albums in him yet. And while we can mourn the decades he didn't record, the tragedies and injustices that never defeated him, I Go Back Home succeeds in capturing the essence of a life that was ultimately triumphant.

    LP 1
    1. Motherless Child FEATURING JOEY DE FRANCESCO
    2. The Nearness of You DUET WITH JOE PESCI
    3. Love Letters
    4. Easy Living DUET WITH OSCAR CASTRO NEVES
    5. Someone To Watch Over Me FEATURING RENEE OLSTEAD
    6. How Deep Is The Ocean FEATURING KENNY BARRON


    LP 2
    1. If I Ever Lost You FEATURING TILL BRÖNNER
    2. For Once In My Life DUET WITH DEE DEE BRIDEWATER
    3. I Remember You FEATURING MONICA MANCINI & ARTURO SANDOVAL
    4. Everybody Is Somebody's Fool FEATURING JAMES MOODY
    5. Folks Who Live On The Hill FEATURING JOE PESCI
    6. Poor Butterfly FEATURING GREGOIRE MARET

    Jimmy Scott
    $39.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • I Become A Shade I Become A Shade Quick View

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    I Become A Shade

    Seoul have never been in a rush. Despite the overwhelming praise that met the Montreal trio's first two online releases - "Stay With Us" and "White Morning" - and despite the industry chatter that surrounded their first live performance at Pop Montreal 2013, kindergarten classmates Nigel Ward and Julian Flavin, and art school transplant Dexter Garcia remained resolute in fine tuning the dozen songs that would become their official debut: I Become A Shade.


    "We're just very intent on trying to get our musical ideas to exist as the definitive versions of themselves," says Ward. "Granted, each idea has limits, but its a question of discovering the borders of an idea and then putting its essence on display - so much of that has to do with the slow sculptural nature of studio work. Playing around in a studio invites elements of chance, collage, and trial-and-error into the process, which feels essential to having a song really reveal itself to you. Its a process of organizing our intuitions into cohesive moments and seeing where it takes us."


    Where their intuitions took them is a very special place indeed. From the lush ache and bouyance of "Stay With Us" to the sculpted synths and angular sincerity of "The Line," I Become A Shade is the sort of record whose every detail, whether panoramic or microscopic, is on glorious, deliberate display. A work separated into three distinct suites, the record is equal parts gauzy dream-pop, reverberant R&B, and speculative ambient - a world where sentences are often left unfinished and meaning rears its head in the intervals. The propulsive "Real June" and "Silencer" both hurtle through space like rain-drenched athletes, while "I Negate" and "White Morning" shimmer with a hushed honesty, growing and pirouetting with dreamy eventuality into a thick focus.


    Set for release on Grand Jury in the US and Last Gang in Canada, every element of Shade is a testament to Seoul's painstaking attention to detail, whether in the stark black & white art that accompanies the album, or the serene videos the band set to its music.


    "We do all our own art stuff and collaborate as closely as possible with video people," says Flavin. "We engineer and mix our recordings too, so it's very hands on."


    And in Seoul all hands are created equal. "It's rare that a song doesn't change hands quite a few times prior to us finishing it," says Garcia. "And most of this elaboration on an idea is done rotating through a computer and reacting to each other's contributions in relation to the direction things are going in." Take lead single "The Line" as an example. "Nigel added a soft vocal that pillowed up above the angularity of the synths," Garcia continues, "And you get a really nice contrast between the two, where the core feeling of the song is revealed by its being expressed in two hauntingly different ways."


    And that's what I Become A Shade is meant to be - an examination of poles - a debut that rains with the melancholy of sidelong glances and rented rooms, while frequently transcending its own desperateness in moments of breathless self-discovery. While one might think something labored over for so long would come with a prescribed understanding, Seoul would rather fans meet and interpret the record at their own personal junctures. "We're interested in presenting different versions of the self, the endless shift from self-loathing and loneliness to vibrancy and connectedness and back," says Flavin. "All states are valid, and we've tried to collect and display the beauty and necessity of both spectrums of experience - how it can feel both awful and cathartic to liquify into your surrounding and disappear."


    All the while, the rain continues to fall.

    1. I Become a Shade
    2. The Line
    3. Haunt / A Light
    4. Real June
    5. Fields
    6. White Morning
    7. Stay With Us
    8. Thought You Were
    9. I Negate
    10. Carrying Home Food In Winter
    11. Silencer
    12. Galway
    Seoul
    $17.99
    Vinyl LP - Sealed Buy Now
  • High On You High On You Quick View

    $34.99
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    High On You

    Sly Stone is a songwriter and record producer, mostly famous for his role as frontman for Sly and the Family Stone. The band played a critical role in the development of soul, funk, rock, and psychedelics in the 1960s and '70s.


    Sly Stone was identified as a musical prodigy at a young age. By the time he was seven, Sylvester had already become proficient on the keyboards and by the age of eleven he had mastered the guitar, bass, and drums as well. While still in high school, Sylvester had settled primarily on the guitar and joined a number of high school bands.


    The most talented musician I know is Sly Stone, Bootsy Collins told Mojo magazine (March 2002 issue). He's more talented than anybody I ever have seen - he's amazing. I worked with him in Detroit from 1981 to '83, and to see him just fooling around, playing, jamming, is a whole other trip. He's the most amazing musician.


    In 1993 he was inducted into the Rock and Roll Hall of Fame as a member of the group.


    High On You (1975) is the first solo album by songwriter and multi-instrumentalist Sly Stone. For the most part, Stone performed a large part of the instrumentation for each song on his own by using multi-tracking. The album prominently features vocalist Rudy Love and includes the singles I Get High on You, Le Lo Li and Crossword Puzzle.

    1. I Get High On You
    2. Crossword Puzzle
    3. That's Lovin' You

    4. Who Do You Love?

    5. Green Eyed Monster Girl

    6. Organize

    7. Le Lo Li

    8. My World

    9. So Good To Me

    10. Greed
    Sly Stone
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • I Know What Love Isn't I Know What Love Isn't Quick View

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    I Know What Love Isn't

    Tracey Thorn wrote a song that reached Jens Lekman in the early stages of his new album, I Know What Love Isn't. In her song she sang Oh Jens, oh Jens/your songs seem to look through a different lens/you're still so young, love ends just as easy as it's begun. A touching moment for the Swedish songwriter, having been a fan since his teens. But it came to him in a time when he found himself very confused and in doubt. He was changing and, subsequently, so were his songs. They weren't looking through that lens anymore.



    I Know What Love Isn't came out of a break up, something Jens didn't see as worth writing about at first. The songs began more fleeting than the last go around, on his 2007 album Night Falls Over Kortedala. The songs began building from images and memories and soon began to take their own route, one that Lekman wasn't privy to their destination.



    In The World Moves On he paints a picture of a sweltering summer in the city of Melbourne where he lived while writing and recording the album. The hot days that led up to the Black Saturday bushfires, but also more mundane images of feeding possums in a park or getting in trouble with some guy on a scooter. It seems to lead nowhere at first but the aimlessness in itself reaches heartbreaking conclusions later on, summed up by the soaring chorus and you don't get over a broken heart, you just learn to carry it gracefully. Like Joan Didion once said that she writes entirely to find out what she's thinking, Jens wrote until he caught up with his thoughts. And of course they led him right back to the break up.



    Musically, I Know What Love Isn't chooses an economic route. From the vast palette he created for Kortedala, he's only chosen a few somber colors this time around. There are strings but not a string section, an upright piano and not a grand, a single saxophone and gracenotes from a flute. The songs are lighter, almost aerodynamic, Jens explains, I wanted the songs to take off almost unnoticeably, where the chorus is separated from the verse only through a small detail like a tambourine or a harmony. Like when you're in an airplane taking off and you look out the window and realize you're already in the air.



    A dry country piano makes Become Someone Else's lift high. Vocals from Melbourne singer Sophie Brous makes the chorus in Erica America soar. Strings pick up the title track and send it up to the sky without much effort or force. In the latter, Lekman once again points the way to distill essential truths from every day life vignettes while singing about a sham marriage. I thought of the Friday nights when I'd be cruising up and down the street with my best friend in her old crappy Holden, talking about getting married to get me into the country.



    The idea was so appealing, that we would build this constructed relationship around a purpose rather than some vague feeling that could change at anytime. But in the end, the sham marriage is much too great a story to be kept secret. At least when you make a living from telling stories. And that's what I Know What Love Isn't is. A collection of songs that grew to a story that had to be told. A story that is not new, but essentially human. The story of the grey areas of love that you have to excavate and explore, using the method of exclusion, to find out what love is.

    1. Every Little Hair Knows Your Name
    2. Erica America
    3. Become Someone Else's
    4. She Just Don't Want To Be With You Anymore
    5. Some Dandruff On Your Shoulder
    6. I Want A Pair Of Cowboy Boots
    7. The World Moves On
    8. The End Of The World Is Bigger Than Love
    9. I Know What Love Isn't
    10. Every Little Hair Knows Your Name
    Jens Lekman
    $17.99
    Vinyl LP - Sealed Buy Now
  • Anyway You Love, We Know How You Feel Anyway You Love, We Know How You Feel Quick View

    $21.99
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    Anyway You Love, We Know How You Feel

    The Chris Robinson Brotherhood have announced the release of their fourth studio album, Anyway You Love, We Know How You Feel, via Robinson's own Silver Arrow Records. The band relocated to northern California for the sessions, recording on the side of a mountain overlooking the foggy Pacific Ocean and channeling the natural majesty of their surroundings into the album's eight sprawling tracks. Having spent the prior two years touring relentlessly, the CRB were road-tested and in peak form to capture their kinetic chemistry and immersive sound, which Uncut Magazine called, " a celebration of how American musical traditions can be at once honored and psychedelically expanded."


    "It was an opportunity to see where our expression could take us. For us, when it comes to making records, the looser it gets the better," says Robinson. "It's all about taking our intuition and following it to where our ideas can really manifest themselves. This turned out to be the most spontaneous record I've ever been a part of."


    Indeed, when the Chris Robinson Brotherhood entered the studio to begin recording the album, no one knew just what to expect. These would be the band's first recordings with new drummer Tony Leone (Ollabelle, Levon Helm) and their first time producing themselves. Robinson purposely left as much open-ended as possible. Rather than coming into the studio with a collection of finished songs as he had in the past, he would present the group with sketches-a verse and melody here, a chorus and chord progression there-and let the band follow its collective muse to bring the music to life. They'd lean into the improvisational nature that makes their live shows such enthralling spectacles and thrive on the unexpected.


    "All it takes is one good, small idea, and then if everyone's focused and in the moment, a few hours later, you can have something that you realize you'll be playing for as long as you're making music," Robinson continues. "I think when everyone's aware that that's the sort of magic that we're looking for. More than any other session that I've ever been a part of, that's how all of these songs were done."


    The album kicks off with "Narcissus Soaking Wet," a psychedelic toe-tapper that marks Robinson's first co-write with keyboardist Adam MacDougall. It touches on everything from Dylan and Parliament Funkadelic to psych rock and Chicago rhythm and blues. "Ain't It Hard But Fair" calls to mind the soulful Americana of The Band, while "Oak Apple Day" is a mediation on life in the CRB, and "Forever As The Moon" came together in a stream of consciousness between The CRB's lead guitarist Neal Casal and Robinson. "Leave My Guitar Alone" was a song Robinson had been sitting on for nearly 15 years, but only once he presented it to the rest of the band did it roar to life in a way that had eluded him for more than a decade. Some of Robinson's finest writing to date arrives in the album's final minutes, with the country-soul, gospel-tinged closer "California Hymn," which finds him singing "Glory glory hallelujah / It's time to spread the news / Though my good words may sound profane to some."


    The Chris Robinson Brotherhood emerged in 2011 by playing close to 50 shows over nine weeks in California before ever leaving the Golden State or officially releasing music. Their introduction on the national stage came in 2012 when they'd release not one, but two acclaimed full-length albums within a few months of each other. Critics hailed their sprawling debut, Big Moon Ritual, as a revelation, with The Independent raving that Robinson had "finally found the ideal vehicle to indulge his taste for 'Cosmic California Music.'" The reviews were similarly ecstatic for its immediate follow-up, The Magic Door, which was praised by Relix as "classic rock in the finest sense." The band's epic tour schedule brought their shimmering acid-Americana around the world for a staggering 118-date tour, firmly establishing the CRB as the new standard-bearers of the psychedelic roots torch. In 2014, they returned to the studio for Phosphorescent Harvest, a masterful collection that showcased the blossoming songwriting partnership between Robinson and Neal Casal. Rolling Stone raved that the album was "electrifying boast[ing] a vintage rock vibe that's at once quirky, trippy, soulful and downright magnetic," and Guitar World called it "a treasure trove of soul that advances the band's bluesy, kaleidoscopic sound."

    1. Narcissus Soaking Wet
    2. Forever As the Moon
    3. Ain't It Hard But Fair
    4. Give Us Back Our Eleven Days
    5. Some Gardens Green
    6. Leave My Guitar Alone
    7. Oak Apple Day
    8. California Hymn
    Chris Robinson Brotherhood
    $21.99
    Vinyl LP - Sealed Buy Now
  • You and the Night Soundtrack You and the Night Soundtrack Quick View

    $20.99
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    You and the Night Soundtrack


    "This score is really for lovers and ghosts." -Anthony Gonzalez


    M83 is excited to announce their latest collaboration: the soundtrack to Yann Gonzalez's first feature film, You And The Night. Anthony warns that You And The Night is not a typical M83 release. "People who only like "Midnight City" are going to be disappointed. Mellow and romantic, this soundtrack pays tribute to French soundtracks from the 70s and is much more intimate than Hurry Up, We're Dreaming and the Oblivion Soundtrack. This score is really for lovers and ghosts."


    Growing up together in Antibes, France, Anthony and his brother Yann were both inspired from an early age by European filmmakers such as Luis Bunuel, Alejandro Jodorowsky and Pier Paolo Pasolini. Similar themes underline each of their individual artistic expressions, via both film and music: an appreciation for the majesty of hope and an overall embrace of humanity. Describing his career up until now, Yann explains "if all of my films are put together they form a kind of ensemble, a sort of community. And that is precisely what You And The Night is about: an emotional community, the utopia of a community." For the Gonzalez brothers community and family allowed them to grow into their roles as filmmakers and musicians, so when the time came to chose someone to create a soundtrack for his first feature film it was obvious that Yann would look to work with his brother. "Music is an organic part of the films I make." "M83's compositions bring together the most diverse kinds of music that can only communicate in the end through the logic of emotion and the faith you place in them."


    For Anthony You And The Night is a film about love, loss, new love and melancholia. He comments "The movie is very emotional and it's the movie of my brother, so it was a very important project for me. Yet as we share the same values, have the same artistic influences, it was also a very natural and uncomplicated process."


    In creating this sultry and luminous soundtrack Anthony reunited with several of his previous collaborators. Joe Trapanese (Oblivion, Hurry Up, We're Dreaming) returned to assist with the orchestral arrangements, whilst long-term M83 collaborator Morgan Kibby (M83, White Sea) and Susanne Sundfør (Oblivion) performed vocals on several tracks on the album. Evolving from their time working together on Oblivion's title track, it seemed a natural step for Sundfør to become involved in the recording sessions for You And The Night. Susanne comments "It was very inspiring to see how Anthony works and how his perfectionism and high ambitions brought out the best in everyone around him. It's something I'm grateful to have been a part of, and I think the soundtrack ended up sounding beautiful and mystical, just like the movie."


    Once again You And The Night highlights the musical richness of M83 and adds an impressive chapter to the growing repertoire of work that Gonzalez has produced since his initial, self-titled release. M83, in 2001, right through to the 2011 Grammy Nominated release Nominated Hurry Up, We're Dreaming, which included the platinum selling hit-single "Midnight City".


    Though of course, as Anthony warns, don't expect to hear anything like that on this record!

    1. L'inconnu
    2. Nous
    3. Vision
    4. a la Lumiere des Diamants
    5. Mon Enfant
    6. First Light
    7. Ali & Matthias
    8. a la Lumiere des Diamants II
    9. Holograms
    10. Vision II
    11. Nous II
    12. Ali & Matthias II
    13. Too Sudden Silence
    14. Adieux
    15. Un Nouveau Soleil
    M83
    $20.99
    Vinyl LP - Sealed Buy Now
  • I Robot (Awaiting Repress) (On Sale) I Robot (Awaiting Repress) (On Sale) On Sale Quick View

    $49.99 $44.99 Save $5.00 (10%)

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    I Robot (Awaiting Repress) (On Sale)

    Alan Parsons Project I Robot on Numbered Limited Edition 180g 45RPM 2LP From Mobile Fidelity


    Perfectionism, Innovation, Complexities, and Reference-Grade Production Make Alan Parsons Project's Conceptual I Robot a Timeless Classic: Sci-Fi Arrangements Steeped In Drama and Moodiness


    More Music, More Information, More Detail, More Nuance, More Everything: Mobile Fidelity 180g 45RPM 2LP Set the Definitive-Sounding Analog Version of 1977 Audiophile Standard


    A Demonstration Disc for the Ages: Immaculate Highs and Lows, Supreme Spaciousness, See-Through Transparency, 3D Imaging, Wider Grooves on System-Testing Pressing


    Audiophiles needn't any introduction to the Alan Parsons Project's I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued myriad times. Can it be improved? Relish Mobile Fidelity's stupendous-sounding 180g 45RPM 2LP set and the question becomes irrelevant.


    Mastered from the original master tapes and pressed at RTI, and afforded the luxurious groove space of a 45RPM LP, I Robot comes to life like never before on this numbered limited-edition reissue. Boasting immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this super-clean edition has been lovingly restored by Mobile Fidelity engineers with the intention of demonstrating the full-range capabilities of the world's best stereo systems. Put simply, there's more music, more information, more detail, more nuance, more everything.


    Savor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, the analog masterwork is a demonstration record for the ages - the likes of which are no longer being made. Longtime fans can finally rest assured knowing they don't have to pony up hundreds of dollars for older pressings - including three prior Mobile Fidelity versions on LP and CD. This is the very reason you own and invest in high-end audio gear.


    Inspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record increasingly relevant in the 21st century. Indeed, Parsons' pinnacle creation dovetailed with the ascendency of Star Wars, which itself is experiencing a rebirth in an age of self-driving cars, smart devices, and mindless automation. Lyrically, songs such as The Voice call into question human behavior - and their relationship to increasing robotic supremacy - in everyday life. Sonically, Parsons reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.


    I Robot's absorbing tunes also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd's strategies, Parsons utilizes a looped sequence on the title track to create new downbeats. Some Other Time employs two different lead vocalists and yet gives the illusion only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace Don't Let It Show. The origins of Nucleus stem from a unique analog keyboard concoction dubbed the Projectron, devised by Parsons and electronic engineer Keith Johnson. Andrew Powell's orchestral and choral arrangements top it all off, with Total Eclipse arriving as an aptly frightening track that presages the climactic Genesis Ch. 1 V. 32.


    Does man or machine win in the end? Decide with Parsons as you get lost in Mobile Fidelity's definitive pressing.


    This title is not eligible for further discount.

    1. I Robot
    2. I Wouldn't Want To Be Like You
    3. Some Other Time
    4. Breakdown
    5. Don't Let It Show
    6. The Voice
    7. Nucleus
    8. Day After Day
    9. Total Eclipse
    10. Genesis Ch. 1 V.32
    Alan Parsons Project
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed AWAITING REPRESS Buy Now
  • You Got Me Turned Around (Discontinued) (On Sale) You Got Me Turned Around (Discontinued) (On Sale) On Sale Quick View

    $18.99 $15.00 Save $3.99 (21%)

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    You Got Me Turned Around (Discontinued) (On Sale)

    This record continues Timmions travels across the vast catalogue of Detroits premium soul producer, Dave Hamilton. The first in the series was Little Anns Deep Shadows LP, and even though O.C. Tolbert left the world a more extensive catalogue of releases, this is the first time most of these tracks are available in vinyl form. This Lp includes the amazing You Got me Turned Around, Im Shooting High, All I want is you + many others!


    The only two tracks here, which were previously released on vinyl, Goodness and Message To Mankind, came out on Hamiltons New Day label. The moody demo-quality recording, See What He Can Do is released here for the first time

    1. I'm Shooting High (I Reach For The Sky)
    2. You Got Me Turned Around
    3. The Grown Folks Thing
    4. Everybody Wants To Do Their Thing
    5. Message To Mankind
    6. All I Want Is You
    7. Let Me Be Your Only Man
    8. Goodness
    9. Fix It
    10. See What You He Can Do
    O.C. Tolbert
    $18.99 $15.00 Save $3.99 (21%)
    Vinyl LP - Sealed Buy Now
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