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  • The Cape Verdean Blues The Cape Verdean Blues Quick View

    $19.99
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    The Cape Verdean Blues

    Part Of The Blue Note 75 Anniversary Vinyl Reissue Campaign


    The Cape Verdean Blues is an album by the Horace Silver Quintet, led by jazz pianist Horace Silver. The quintet is joined on half of these tracks by trombonist J.J. Johnson, with whom Silver had been eager to work for some time. The album was inspired by Silver's father, John Tavares Silva, who was born in Cape Verde.

    1. The Cape Verdean Blues
    2. The African Queen
    3. Pretty Eyes
    4. Nutville
    5. Bonita
    6. Mo' Joe
    Horace Silver
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • The Tokyo Blues The Tokyo Blues Quick View

    $49.99
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    The Tokyo Blues

    Blue Note Reissue


    As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their handsBack home a month later, I unpack some test pressings Chad Kassem has sent meI hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud. Jason Victor Serinus, Stereophile, April 2008


    Tokyo Blues, a quintessential mid-'60s Blue Note session, is Horace Silver's tribute to the Japanese people who have long supported his funky, Latin-flavored modern jazz. American jazz has always been wildly popular in Japan, and this album is Silver's homage to the many fans that he has encountered on various triumphant tours of the island nation. While Silver's trademark funky Latin/swing is at the forefront, the inspiration of eastern delights is clearly evident in all aspects of this grooving date.


    Too Much Shake
    Sayonara Blues
    The Tokyo Blues
    Cherry Blossom
    Ah! So
    Horace Silver
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Song For My Father Song For My Father Quick View

    $19.99
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    Song For My Father


    Remastered And Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    Released in 1965, Song For My Father by jazz pianist, Horace Silver, features Carmell Jones on trumpet, Joe Henderson on tenor sax, Teddy Smith on
    bass and Roger Humphries on drums on the tracks "Song For My Father," "The Natives Are Restless Tonight," "Que Pasa" and "The Kicker." "Calcutta
    Cutie" and "Lonely Woman" feature Blue Mitchell on trumpet, Junior Cook on tenor sax, Gene Taylor on bass and Roy Brooks on drums. A hard-bop
    masterpiece, Song For My Father will be reissued on vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by
    current Blue Note Records President, Don Was.

    1. Song For My Father
    2. The Natives Are Restless Tonight
    3. Calcutta Cutie
    4. Que Pasa
    5. The Kicker
    6. Lonely Woman
    Horace Silver Quintet
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Hard Bop Hard Bop Quick View

    $32.99
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    Hard Bop

    Cut from the Original Analog Mono Master Tapes by Kevin Gray and Robert Pincus & Pressed at RTI


    Numbered Limited Edition of Only 2500 Copies


    Some of the greatest jazz musicians of all time have passed through Art Blakey's Jazz Messengers: Horace Silver, Hank Mobley, Kenny Dorham, Wayne Shorter and Donald Byrd, among many others. However brief their stay, working with the demanding and full-throttle drummer not only increased their visibility, but also their chops and interpretive capacity. Blakey's ability to drum up the best players in the game may have even eclipsed his superhuman ability to play drums.


    Altoist Jackie McLean, trumpeter Bill Hardman, bassist Spanky deBrest, and pianist Sam Dockery join the fold here to along with Blakey deliver whole-bop goodness on five propulsive, fiery tracks. True to its title, this LP bops hard, with a ferocious swing, boundless energy and telepathic communication between players - especially Blakey and Hardman. Considering the rhythmic demands of Blakey's locomotive playing style, this was an incredible achievement.


    Impex Records has cut this gorgeous, limited edition (2,500 pressings) 180-gram LP with the original analog mono master tapes and without computer processing of any kind. You hear all the vivacious interplay that occurred on that weekend in 1957 when Blakey and crew forged a bold new vision of muscular, funky jazz. This is music that still resonates over 50 years later. Not to be missed!

    1. Cranky Spanky
    2. Stella By Starlight
    3. My Heart Stood Still
    4. Little Melonae
    5. Stanley's Stiff Chickens
    Art Blakey and the Jazz Messengers
    $32.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Vol. 2 (Mono) Vol. 2 (Mono) Quick View

    $49.99
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    Vol. 2 (Mono)

    Blue Note Reissue


    As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their handsBack home a month later, I unpack some test pressings Chad Kassem has sent meI hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud. Jason Victor Serinus, Stereophile, April 2008


    J.J. Johnson shared the front line with his tenor master for an exceptional session that features a unique reworking of Poor Butterfly and a great original Why Don't I. Horace Silver is the pianist, but Thelonious Monk replaces him on Reflections and both pianists alternate throughout a stunning version of Misterioso.


    Why Don't I
    Wail March
    Misterioso
    Reflections
    You Stepped Out of a Dream
    Poor Butterfly
    Sonny Rollins
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Horace Silver And The Jazz Messengers Horace Silver And The Jazz Messengers Quick View

    $19.99
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    Horace Silver And The Jazz Messengers


    Part Of The Blue Note 75 Anniversary Vinyl Reissue Campaign


    Originally released in 1955, Horace Silver And The Jazz Messengers was a seminal album in the launch of hard bop jazz. Pianist, Horace Silver joined
    forces with drummer, Art Blakey, and the Jazz Messengers to create this new sound. This was the first album by the Jazz Messengers and it features two
    jazz classics: "The Preacher" and "Doodlin'." Horace Silver And The Jazz Messengers will be released as part of an overall Blue Note 75th anniversary
    vinyl initiative spearheaded by current Blue Note Records President, Don Was.

    1. Room 608
    2. Creepin' In
    3. Stop Time
    4. To Whom It May Concern
    5. Hippy
    6. The Preacher
    7. Hankerin'
    8. Doodlin'
    Horace Silver And The Jazz Messengers
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • A Night At Birdland, Vol. 1 A Night At Birdland, Vol. 1 Quick View

    $19.99
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    A Night At Birdland, Vol. 1

    Part Of The Blue Note 75 Anniversary LP Reissue Campaign


    A Night at Birdland Vol. 1 is a 1954 release by jazz artist Art Blakey, and a quintet which featured Clifford Brown, Lou Donaldson, Horace Silver and Curly Russell.

    1. Split Kick (with Announcement by Pee Wee Marquette)
    2. Once In A While
    3. Quicksilver
    4. A Night In Tunisia
    5. Mayreh
    Art Blakey
    $19.99
    Vinyl LP - Sealed Buy Now
  • Total Response Total Response Quick View

    $11.99
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    Total Response

    Total Response is an album by jazz pianist Horace Silver released on the Blue Note label in 1971 featuring performances by Silver with Cecil Bridgewater, Harold Vick, Richie Resnicoff, Bob Cranshaw and Mickey Roker, with vocals by Salome Bey and Andy Bey.
    I'm Aware Of The Animals Within Me
    Won't You Open Up Your Senses
    What Kind Of Animal Am I?
    Old Mother Nature Calls
    I Had A Little Talk
    Acid, Pot, Or Pills
    Total Response
    Soul Searchin'
    Big Business
    Horace Silver Quintet
    $11.99
    Vinyl LP Reissue - Sealed Buy Now
  • Further Explorations Further Explorations Quick View

    $15.99
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    Further Explorations

    The lyrical Farmer and the up-and-coming Jordan have plenty of fine solos, as does the influential Silver, whose funky, witty style stood apart from the prevailing Bud Powell influence of the era. Although none of the newer songs caught on as standards, this set (which has plenty of mood and groove variation) holds together very well and still sounds fresh 40 years later.
    1. The Outlaw
    2. Melancholy Mood
    3. Pyramid
    4. Moon Rays
    5. Safari
    6. Ill Wind
    Horace Silver
    $15.99
    Vinyl LP Reissue - Sealed Buy Now
  • Blowin' The Blues Away (45RPM) Blowin' The Blues Away (45RPM) Quick View

    $49.99
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    Blowin' The Blues Away (45RPM)

    Everyone's favorite Horace Silver record featured the classic quintet with Blue Mitchell and Junior Cook. The title tune, the beautiful ballad Peace and the soulful Sister Sadie are now standards in the jazz canon. Even given Silver's astonishing track record, this one stands out.


    Horace Silver, piano
    Junior Cook, tenor saxophone
    Louis Hayes, drums
    Billy Mitchell tenor saxophone
    Blue Mitchell, trumpet
    Gene Taylor, bass

    1. Blowin' The Blues Away
    2. The St. Vitus Dance
    3. Break City
    4. Peace
    5. Sister Sadie
    6. The Baghdad Blues
    7. Melancholy Mood
    Horace Silver
    $49.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • The Jazz Messengers (Pure Pleasure) The Jazz Messengers (Pure Pleasure) Quick View

    $49.99
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    The Jazz Messengers (Pure Pleasure)

    The very first edition of Art Blakey's Jazz Messengers was unfortunately short-lived, and as excellent as they were collectively, it was the beginning of a trend for the members of this group to come and go. Unbeknown to Blakey at the time, he would become a champion for bringing talent from the high minor leagues to full-blown jazz-star status, starting with this band featuring Detroit trumpeter Donald Byrd, East coast tenor saxophonist Hank Mobley, and pianist Horace Silver, a jazz legend ever after. It's evident that although there is much cohesion in the group, Byrd's star was on the rise the fastest, and he would leave in a short period, replaced briefly by Clifford Brown, then Kenny Dorham. What is most remarkable in this first recording for the band is how several of these selections have become classic hard bop vehicles, revered and replayed by thousands of bands over time worldwide. Nica's Dream is the best known of them all, typical of the calypso beats Blakey favored at the time, with a singsong, hummable melody led by Byrd that is pure soul personified, and drenched in unrequited blues.


    Musicians:



    • Donald Byrd (trumpet)

    • Hank Mobley (tenor saxophone)

    • Horace Silver (piano)

    • Doug Watkins (bass)

    • Art Blakey (drums)




    Recording: April and May 1956 by Tony Janick at Columbia 30th Street Studio, New York City

    Production: George Avakiandeutsch




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    Side A
    1. Infra-Rae

    2. Nica's Dream

    3. It's You or No One


    Side B
    4. Ecaroh

    5. Carol's Interlude

    6. The End of a Love Affair

    7. Hank's Symphony



    Side C
    8. Weird-O*
    9. Ill Wind*
    10. Late Show*


    Side D
    11. Deciphering The Message*
    12. Carol's Interlude


    *Bonus tracks not on original LP.

    Art Blakey
    $49.99
    180 Gram Audiophile Virgin Vinyl LP -2 LPs Sealed Buy Now
  • Hank Mobley And His All Stars Hank Mobley And His All Stars Quick View

    $27.99
    Buy Now
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    Hank Mobley And His All Stars

    Recorded at the Van Gelder Studio on 13 January 1957 for Blue Note, for this session tenor saxophonist Hank Mobley played five of his own compositions in an all star quintet line-up featuring Milt Jackson, Horace Silver, Doug Watkins and Art Blakey. These musicians were all big men on the NY jazz scene at the time and at the very top of their game, and it certainly shows on this outstanding example of late fifties hard bop.
    Reunion
    Ultramarine
    Don't Walk
    Lower Stratosphere
    Mobley's Musings
    Hank Mobley
    $27.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Little Girl Blue (Pure Pleasure) Little Girl Blue (Pure Pleasure) Quick View

    $34.99
    Buy Now
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    Little Girl Blue (Pure Pleasure)

    Little Girl Blue, released in 1957, was Nina Simone's first recording, originally issued on the Bethlehem label. Backed by bassist Jimmy Bond and Albert 'Tootie' Heath, it showcases her ballad voice as one of mystery and sensuality and showcases her up-tempo jazz style with authority and an enigmatic down-home feel that is nonetheless elegant. The album also introduced a fine jazz pianist. Simone was a solid improviser who never strayed far from the blues. Check the opener, her reading of Duke Ellington's Mood Indigo, which finger-pops and swings while keeping the phrasing deep-blue. It is contrasted immediately with one of the -- if not the -- definitive reads of Willard Robison's steamy leave-your-lover ballad Don't Smoke in Bed. The title track, written by Rodgers & Hart, features Good King Wenceslas as a classical prelude to one of the most beautiful pop ballads ever written. It is followed immediately by the funky swing in Love Me or Leave Me with a smoking little piano solo in the bridge where Bach meets Horace Silver and Bobby Timmons.


    It's also interesting to note that while this was her first recording, the record's grooves evidence an artist who arrives fully formed; many of the traits Simone displayed throughout her career as not only a vocalist and pianist but as an arranger are put on first notice here. My Baby Just Cares for Me has a stride shuffle that is extrapolated on in the piano break. Her instrumental and improvising skills are put to good use on Tadd Dameron's Good Bait, which is transformed into something classical from its original bebop intent. You'll Never Walk Alone feels more like some regal gospel song than the Rodgers & Hammerstein show tune it was. Of course, one of Simone's signature tunes was her version of I Loves You, Porgy, which appears here for the first time and was released as a single. Her own Central Park Blues is one of the finest jazz tunes here.



    Musicians:



    • Nina Simone (piano, vocal)

    • Jimmy Bond (bass)

    • Albert "Tootie" Heath (drums)



    Recording: 1957



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Mood Indigo
    2. Don't Smoke In Bed
    3. He Needs Me
    4. Little Girl Blue
    5. Love Me Or Leave Me
    6. My baby Just Cares For Me
    7. Good Bait
    8. Plain Gold Ring
    9. You'll Never Walk Alone
    10. I Loves You Porgy
    11. Central Park Blues
    Nina Simone
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • J.R. Monterose J.R. Monterose Quick View

    $11.99
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    J.R. Monterose

    J.R. Monterose's first session as a leader was a thoroughly enjoyable set of swinging, straight-ahead bop that revealed him as a saxophonist with a knack for powerful, robust leads in the vein of Sonny Rollins and Coleman Hawkins. With a stellar supporting group of pianist Horace Silver, trumpeter Ira Sullivan, bassist Wilbur Ware, and drummer Philly Joe Jones, Monterose has recorded a set of bop that swings at a measured pace and offers many delightful moments. Throughout the session, Monterose sounds vigorous, whether he's delivering hard-swinging solos or waxing lyrical. With his bluesy vamps and soulful solos, Silver is equally impressive, while Sullivan's spotlights are alternately punchy and skilled; similarly, the rhythm section is tight, letting the music breathe while keeping the groove. In fact, the quality of the music is so strong, J.R. Monterose qualifies as one of the underappreciated gems in Blue Note's mid-'50s catalog.
    1. Wee-Jay
    2. The Third
    3. Bobbie Pin
    4. Marc V
    5. Ka-Link
    6. Beauteous
    J.R. Monterose
    $11.99
    Vinyl LP Reissue - Sealed Buy Now
  • Blowin' The Blues Away Blowin' The Blues Away Quick View

    $19.99
    Buy Now
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    Blowin' The Blues Away

    A Blue Note essential, Blown' The Blue Away by the Horace Silver Quintet & Trio, is part of the Blue Note 75 anniversary vinyl.


    Everyone's favorite Horace Silver record featured the classic quintet with Blue Mitchell and Junior Cook. The title tune, the beautiful ballad Peace and the soulful Sister Sadie are now standards in the jazz canon. Even given Silver's astonishing track record, this one stands out.


    Horace Silver, piano
    Junior Cook, tenor saxophone
    Louis Hayes, drums
    Billy Mitchell tenor saxophone
    Blue Mitchell, trumpet
    Gene Taylor, bass

    1. Blowin' The Blues Away
    2. The St. Vitus Dance
    3. Break City
    4. Peace
    5. Sister Sadie
    6. The Baghdad Blues
    7. Melancholy Mood
    Horace Silver Quintet
    $19.99
    Vinyl LP - Sealed Buy Now
  • Indeed! Indeed! Quick View

    $15.99
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    Indeed!

    The debut album by jazz trumpeter Lee Morgan released on the Blue Note label in 1957. It was recorded on November 4, 1956 and features performances by Morgan, Clarence Sharpe, Horace Silver, Wilbur Ware and Philly Joe Jones.
    Roccus
    Reggie Of Chester
    The Lady
    Little T
    Gaza Strip
    Standy By
    Lee Morgan
    $15.99
    Vinyl LP Reissue - Sealed Buy Now
  • The Time Is Right The Time Is Right Quick View

    $49.99
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    The Time Is Right

    A soul survivor in every sense of the term, this alto saxophonist is one of the few remaining jazz artists who made a major impact on the jazz community via an extensive run with producer Alfred Lion and the Blue Note label (Horace Silver being another Blue Note legend that comes to mind). From his first recordings for the label with Art Blakey's Jazz Messengers, it was clear that Lou Donaldson put melody and sound at a premium, coming up with an amalgam that combined the creamy smoothness of Johnny Hodges with the quicksilver bop inflections of Charlie Parker. All About Jazz
    1. The Nearness Of You
    2. Mack the Knife
    3. Lou's Blues
    4. Be My Love
    5. Tangerine
    6. Crosstown Shuffle
    7. Idaho
    Lou Donaldson
    $49.99
    180 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Buy Now
  • Hand On The Torch Hand On The Torch Quick View

    $59.99
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    Hand On The Torch

    Pressed At Pallas In Germany


    Features Bonus Track And 6-Page Deluxe Packaging


    Hand on the Torch is the debut album for the jazz-rap group Us3. It received much attention because of its mix of jazz and rap, using live jazz musicians. All samples used on the album are from old Blue Note classics: the most famous being Herbie Hancock's Cantaloupe Island, used on the track Cantaloop (Flip Fantasia), which was recorded with two different music videos.


    This debut album for jazz-rap group Us3 was released in 1993 on the Blue Note label. Throughout the 14 selections, samples are found from music by Herbie Hancock, Art Blakey, The Jazz Messengers, Lou Donaldson, Thelonious Monk, Grant Green, Bobby Hutcherson, and Horace Silver.

    LP1
    1. Cantaloop (Flip Fantasia)
    2. I Got It Goin' On
    3. Different Rhythms Different People
    4. It's Like That
    5. Just Another Brother
    6. Cruisin'
    7. I Go To Work


    LP2
    1. Tukka Yoot's Riddim
    2. Knowledge of Self
    3. Lazy Day
    4. Eleven Long Years
    5. Make Tracks
    6. The Darkside
    7. Cantaloop (Flip Fantasia) (Instrumental version)

    Us3
    $59.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Language Of Life Language Of Life Quick View

    $34.99
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    Language Of Life

    The Language of Life is the fifth album by English electronic duo Everything but the Girl, released in 1990.


    Tommy LiPuma had previously worked with artists like Miles Davis, Horace Silver, Randy Newman, and George Benson and had contributed production to Aztec Camera's Love album in 1987. He had expressed an interest in producing Everything but the Girl and invited Tracey Thorn and Ben Watt to New York and LA.


    Song arrangements were written by Larry Williams and Jerry Hey. The band LiPuma put together included Omar Hakim on drums, John Patitucci on bass and Larry Williams on keyboards. Ben Watt played guitar and piano, as well as doing some singing. Tracey Thorn sang only. LiPuma produced, in Thorn's words, a fully realised, immaculately performed and produced modern American Soul-Pop record.

    1. Driving
    2. Get Back Together

    3. Meet Me In The Morning
    4. Me And Bobby D

    5. The Language Of Life

    6. Take Me

    7. Imagining America

    8. Letting Love Go
    9. My Baby Don't Love Me
    10. The Road
    Everything But The Girl
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Whims of Chambers (Mono) Whims of Chambers (Mono) Quick View

    $49.99
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    Whims of Chambers (Mono)

    Blue Note Reissue


    As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their handsBack home a month later, I unpack some test pressings Chad Kassem has sent meI hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud. Jason Victor Serinus, Stereophile, April 2008


    Paul Chambers' first album features an amazing lineup of John Coltrane, Donald Byrd, Kenny Burrell, Horace Silver and Philly Joe Jones. A classic Blue Note session of what might be considered cerebral jazz.


    Omicron
    Whims Of Chambers
    Nita
    We Six
    Dear Ann
    Tale Of The Fingers
    Just For The Love
    Paul Chambers
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • The Quartet The Quartet Quick View

    $30.99
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    The Quartet

    Milt Jackson Quartet features Milt Jackson leading a group that includes two of his cohorts in the Modern Jazz Quartet (Heath and Kay), with the great Horace Silver sitting in place of John Lewis on the piano (at this time Silver was a member of Art Blakey's Jazz Messengers). Jackson was clearly skilled in this brass-less setting, and the group decided to lay down some cool jazz tracks that epitomize the sound of that movement in the mid-1950s. The tunes are mellow and fluid, with everyone falling into an easy groove that will move even the most uptight jazz fan.
    1. Softly As In A Morning Sunrise
    2. Love ME Pretty Baby
    3. Autumn Breeze
    4. Milt Meets Sid
    5. Moving Nicely
    6. D & E
    7. Heart And Soul
    8. True Blues
    9. Bluesology
    10. Yesterdays
    11. Round About Midnight
    12. Between The Devil And The Deep Blue Sea
    Milt Jackson
    $30.99
    Vinyl LP - Sealed Buy Now
  • Horace Silver And The Jazz Messengers: Volume 1 Horace Silver And The Jazz Messengers: Volume 1 Quick View

    $19.99
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    Horace Silver And The Jazz Messengers: Volume 1

    Now available as a 10" vinyl reissue, the Horace Silver Quintet (10") was originally recorded in 1954 for Blue Note.
    1. Room 608
    2. Creepin' In
    3. Doodlin'
    4. Stop Time
    Horace Silver
    $19.99
    10 Vinyl LP - Sealed Buy Now
  • A Night At Birdland, Vol. 2 A Night At Birdland, Vol. 2 Quick View

    $19.99
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    A Night At Birdland, Vol. 2

    Part Of The Blue Note 75 Anniversary LP Reissue Campaign


    Originally released in 1954 this LP features Clifford Brown, Lou Donaldson & Horace Silver

    1. Wee Dot [Live At Birdland, New York/1954]

    2. If I Had You [Live At Birdland, New York/1954]
    3. Quicksilver [Live At Birdland, New York/1954]

    4. Now's The Time [Live At Birdland, New York/1954]

    5. Confirmation [Live At Birdland, New York/1954]
    Art Blakey
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Games Guitars Play Games Guitars Play Quick View

    $25.99
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    Games Guitars Play

    Deluxe 180 gram vinyl reissue of the 1970 masterpiece by guitar legend Harvey Mandel featuring vocalist Russell DaShiel! Includes the standout instrumental "Ridin' High" plus am excellent cover of Horace Silver's "Senor Blues!
    1. Leavin' Trunk
    2. Honky Tonk
    3. I Don't Need No Doctor
    4. Dry Your Eyes
    5. Ridin' High
    6. Capurange
    7. Senor Blues
    8. Games People Play
    Harvey Mandel
    $25.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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