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  • High Fidelity (Awaiting Repress) High Fidelity (Awaiting Repress) Quick View

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    High Fidelity (Awaiting Repress)

    Original soundtrack to the film High Fidelity (15th Anniversary).



    Gen X rock buffs can revel in nostalgia with the High Fidelity soundtrack. The film centers on the romantic escapades of record-store owner and ex-club DJ Rob Gordon (John Cusack) and his full-time obsession with music. Since High Fidelity has as much to do with vinyl addiction as it does with the difficulties of love, great care has been taken with its selection of tracks, a solidly eccentric collection of heartache-heavy pop gems ranging from obscure '60s bands and groundbreaking artists like the Velvet Underground and Bob Dylan, to Stevie Wonder and Stereolab. As in the film, there's a method to the compilers' elitist rock-geek madness. Even co-star Jack Black's schlocky blue-eyed cover of Marvin Gaye's Let's Get It On doesn't seem out of place.



    The inspired screeches of acid-fried '60s singer-songwriter Roky Erickson's You're Gonna Miss Me set the pace for the musing, hangdog tone of the album. Besides the joyous licks of the Kinks' Everybody's Gonna Be Happy and Royal Trux's hybrid of hip-hip, techno, and aggressive rock on Inside Game, the bulk of the set is composed of moody folk-rock tunes like Dylan's exquisite Most of the Time and the Velvets' Oh! Sweet Nuthin. Other noteworthy tracks include Love's Always See Your Face, the Beta Band's Dry the Rain, Elvis Costello's wistful Shipbuilding, the stinging irony of Smog's Cold Blooded Old Times, and Stevie Wonder's soulful optimism on I Believe (When I Fall in Love It Will Be Forever). It's a fine, complementary batch of tunes that not only enhances the film's mood but is integral to its theme, and, as High Fidelity's Rob Gordon would agree, it'll go down as one of the top five soundtracks [originally] released in 2000. - Derrick Mathis (AllMusic)

    LP 1
    1. You're Gonna Miss Me - The 13th Floor Elevators
    2. Everybody's Gonna Be Happy - The Kinks
    3. I'm Wrong about Everything - John Wesley Harding
    4. Oh! Sweet Nuthin' - The Velvet Underground
    5. Always See Your Face - Love
    6. Most Of The Time - Bob Dylan

    7. Fallen For You - Sheila Nicholls
    8. Dry The Rain - The Beta Band


    LP 2
    1. Shipbuilding - Elvis Costello & The Attractions
    2. Cold Blooded Old Times - Smog
    3. Let's Get It On - Jack Black
    4. Lo Boob Oscillator - Stereolab
    5. Inside Game - Royal Trux
    6. Who Loves The Sun - The Velvet Underground
    7. I Believe (When I Fall In Love It Will Be Forever) - Stevie Wonder

    Various Artists
    $29.99
    Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Miles Davis - A Tribute To Jack Johnson (Awaiting Repress) (On Sale) Miles Davis - A Tribute To Jack Johnson (Awaiting Repress) (On Sale) On Sale Quick View

    $34.99 $31.49 Save $3.50 (10%)

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    Miles Davis - A Tribute To Jack Johnson (Awaiting Repress) (On Sale)

    Audiophile Reference Sonics: Mobile Fidelity LP Presents Lean, Stripped-Back, and Open Sound With Startling Immediacy and Realism


    Soundtrack Merges Electric Fusion, Slashing Rock, and Aggressive Funk Via Astounding Lineup: Guitarist John McLaughlin and Trumpeter Davis Turn In Blistering Performances


    Powerhouse 1971 Album the Greatest Jazz-Rock Record Ever Made


    The album cover to Trust speaks volumes: Elvis Costello, bathed in shadows, his eyes nervously peering out from behind his sunglasses, his face conveying a combination of edgy noir purpose and guilt-ridden anxiety. Indeed, the tension-rich songs within largely convey the opposite meanings of the record's title, with the British icon musing on what lies beyond arrogant youth and immediate success with a jaundiced, scarred perspective informed by his country's political climate and his own experiences.


    Miles Davis' A Tribune to Jack Johnson is the best jazz-record ever made. Equally inspired by the leader's desire to assemble the "greatest rock and roll band you have ever heard" as well as his adoration of Johnson, Davis created a hard-hitting set that spills over with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio. Mobile Fidelity's sterling reissue brings it all to fore with unsurpassed realism.


    Mastered from the original master tapes and pressed at RTI, this collectable audiophile vinyl version of A Tribute to Jack Johnson joins the ranks of eleven other essential Davis sets given supreme sonic and packaging treatment by Mobile Fidelity. The most prominent difference longtime fans will notice is how much more aggressive and immediate the music sounds, aspects central to the composer's desires. Amazing degrees of instrumental separation and imaging allow you to focus on singular musicians and the roles they play.


    Indeed, utilizing wah-wah and distortion, guitarist John McLaughlin comes on here with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson finally cross the divide between rock and jazz. Davis puts both feet in the former camp and permanently erasing any gap. In addition to highlighting McLaughlin's ripping performances, Mobile Fidelity's 180g LP showcases the headliner's white-hot trumpet solos like never before. Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and three-dimension bass lines emerge amidst an ink-black background.


    This title is not eligible for further discount.

    1. Right Off
    2. Yesternow
    Miles Davis
    $34.99 $31.49 Save $3.50 (10%)
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Painted from Memory (Awaiting Repress) (On Sale) Painted from Memory (Awaiting Repress) (On Sale) On Sale Quick View

    $34.99 $31.49 Save $3.50 (10%)

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    Painted from Memory (Awaiting Repress) (On Sale)


    An Unforgettable Exhibition of Stellar Melodies, Gorgeous Arrangements, and Fully Bared Emotion: Elvis Costello and Burt Bacharach's Brilliant Painted from Memory a Collaboration for the Ages


    Mastered from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity 180g LP of Painted from Memory Features Incredible Detail, Lushness, Textures, and Scope


    Elvis Costello and Burt Bacharach's Painted from Memory endures as an extraordinary exhibition of prime music making, gorgeous arranging, and naked emotion. Having transpired after the pair teamed up on God Give Me Strength for a film soundtrack (and the closing track here), the album has since gone on to become one of the most respected - and admired - projects of each artist's considerable careers. Its expert employment of melody and harmony imparts a timelessness that stretches back to pop's golden age and icons such as Roy Orbison, Ray Charles, and Frank Sinatra. Further boosted by meticulous production, it has long called out for audiophile treatment. Mobile Fidelity's analog reissue brings it all full circle.


    Mastered from the original master tapes, pressed on dead-quiet 180g vinyl at RTI, and strictly limited to 3,000 numbered copies, Mobile Fidelity's vinyl LP of Painted from Memory transforms the 1998 set into an essential component of any library. Always an effort that rewarded solitary listening, it now breathes with ravishing openness, reveals crystalline detail, unfolds against jet-back backgrounds, mesmerizes with a rainbow of textures, and constantly engages with its impossible smoothness. For the first time, the scope of the intricacies, nuances, and phrasings embedded in Bacharach's meticulous compositions can be experienced in full. The orbit of the bridges, refrains, and codas beguiles the senses. Ditto the poetic reach of Costello's singing and lyrics.


    Indeed, the level of care and concern invested into every passage of Painted from Memory is immediately gleaned by the ravishing sonics afforded on this collectable edition - amazingly, the first time this title has been available on LP. Reference-grade presence, tonality, and balance help capture the sweep of the strings, colorful blush of the horn accents, and weight of the piano. Steve Nieve's keyboards, Greg Cohen's bass, Dean Parks' guitar, and Jim Keltner's drums seemingly appear right in the room. Rather than smear together or jockey for position, each instrument enjoys its own place and simultaneously sounds part of the rich, lush, complex albeit completely interwoven tapestry. Graceful, elegant, and classicist-minded, Painted from Memory is a genuine masterpiece - and a true collaboration.


    No wonder Costello dedicated a large portion of a chapter from his Unfaithful Music & Disappearing Ink memoir to his time with Bacharach. Among his insights, Costello explains how crafting the album forced him to be a better writer and singer - and a better listener, stating: Writing those first songs with Burt Bacharach required me to listen to what the music was really saying to me. Sometimes it was speaking so quietly that I needed to listen very intently. I needed time for the meaning and feeling that I sensed in the music to be confirmed by my own words. The strange thing was that the title of a song often came to me in an instant, but then would begin the more excruciating task of negotiating Burt's spacious melodies and rhythmic subtleties.


    The very aspects Costello discusses come to the forefront on remarkable torch pieces such as the intensely dramatic This House Is Empty Now, melancholic Thief, and Grammy-winning I Still Have That Other Girl. In addition to Bacharach's suave, sophisticated, strikingly exquisite orchestrations, Costello's vocals carry the day. Straddling two octaves and sighing with pain, bittersweet romance, and wistful reflection, his baritone stretching to convey highs and lows with crooner-like poise, breadth, and fastidiousness. Thrilling, distinctive, and memorable, the performances are just like the entirety of Painted from Memory itself - unforgettably great.


    This title is not eligible for further discount.

    1. In the Darkest Place
    2. Toledo
    3. I Still Have That Other Girl
    4. This House Is Empty Now
    5. Tears at the Birthday Party
    6. Such Unlikely Lovers
    7. Thief
    8. The Long Division
    9. Painted from Memory
    10. The Sweetest Punch
    11. What's Her Name Today?
    12. God Give Me Strength
    Elvis Costello and Burt Bacharach
    $34.99 $31.49 Save $3.50 (10%)
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Blue Hawaii (Colored Vinyl) Blue Hawaii (Colored Vinyl) Quick View

    $32.99
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    Blue Hawaii (Colored Vinyl)

    Celebrating 5 Decades Of His Biggest Soundtrack Ever!


    Elvis Presley's Historic #1 Chart Topping Masterpiece Blue Hawaii


    180 Gram Audiophile Translucent Blue Vinyl And Gatefold Album Cover Presentation


    Mastered Impeccably By Joe Reagoso. Pressed at R.T.I


    Elvis Aaron Presley was born during the Great Depression into a poor family in Mississippi. As a struggling young truck driver, he cut some demos at Sun Studios as a gift for his beloved mother Gladys. These initial songs, of which he had only paid a few dollars to record, would become the catalyst that would kick-start the beginnings of a soon to be worldwide superstar unlike the world has ever known.


    Over the next three decades, Elvis Presley would release dozens of hit albums and tons of smash singles, spend time in the Army, star in over 35 top charting films, as well as sell out concert tours around the states and Canada making him the most successful solo artist of all time.


    In 1961, his career ignited even further thanks to his highly successful Blue Hawaii movie and companion multi-million selling soundtrack album. Already gaining popularity in thanks to two chart single smashes Can't Help Falling in Love and Rock-A-Hula Baby , this masterwork soundtrack album also included a treasure trove of Elvis Presley tracks that captured a very great time in the musical history of this iconic legend. As the movie would become a major box office smash, The King kept his audience wanting more as the LP would go on to become the biggest soundtrack album of his career and one of the biggest soundtracks of the sixties. Even more hits abound with the sensational classic Hawaiian Wedding Song , the blues rocker Beach Boy Blues , and the powerful title track Blue Hawaii.


    All in all, thirteen huge Presley smash recordings, all on one sensational album. In honor of the Man, the Music, the Legend, the King of Rock and Roll, Friday Music is very proud and honored to announce the first time limited edition 180 Gram Translucent Audiophile Vinyl release of the RCA Records classic Blue Hawaii by Elvis Presley.


    We are pleased to present this masterwork in all its high fidelity glory. Mastered impeccably by Joe Reagoso at Friday Music Studios and pressed at R.T.I., this new blue vinyl limited edition of Blue Hawaii will be a much anticipated audiophile dream release for Elvis fans everywhere!


    For this exclusive release, we are also including a stellar gatefold album artwork presentation. We are also enclosing a poly inner sleeve to help keep your limited edition Elvis vinyl album in mint shape.


    Elvis Presley's Blue Hawaii A history making album from a historic legend, an audiophile dream release first time 180 Gram Audiophile Translucent BLUE vinyl is now an audiophile vinyl dream come true From your friends at Friday Music.

    1. Blue Hawaii
    2. Almost Always True
    3. Aloha Oe
    4. No More
    5. Can't Help Falling in Love
    6. Rock-A-Hula Baby
    7. Moonlight Swim
    8. Ku-u-i-po
    9. Ito Eats
    10. Slicin' Sand
    11. Hawaiian Sunset
    12. Beach Boy Blues
    13. Island of Love
    14. Hawaiian Wedding Song
    Elvis Presley
    $32.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • King Creole (Awaiting Repress) King Creole (Awaiting Repress) Quick View

    $29.99
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    King Creole (Awaiting Repress)


    The Elvis Presley/Friday Music 180 Gram Audiophile Vinyl Series Continues!


    Celebrate The 55th Anniversary Of Elvis Presley's Smash Soundtrack Album King Creole!


    Mastered Impeccably By Joe Reagoso And Manufactured At R.t.i.


    Elvis Aaron Presley was born during The Great Depression into a poor family in Mississippi. They moved to Memphis during
    the early fifties, and as a struggling young truck driver, he cut some demos at Sun Studios as a gift for his beloved mother Gladys.


    These initial songs, of which he had only paid a few dollars to record, would become the catalyst that would kick-start the beginnings of a soon to be worldwide superstar unlike the world has ever known.


    The folks at RCA Victor knew that this young fellow named Elvis was destined for superstardom. They quickly bought out his
    contract and signed the legend to a long term deal, and his first RCA single Heartbreak Hotel forever etched "The King Of Rock And
    Roll" trademark to his name.


    In 1958 after several chart topping albums and a bevy of number one singles, more incredible fame followed as the King
    Creole movie starring Elvis Presley became a box office smash. The soundtrack album also was a blockbuster as it topped the
    charts, making this his sixth smash album in a row! Both the King Creole movie and soundtrack LP truly proved once again that his
    career was unlike any other in music history.


    Filled with more hits than a New Orleans jukebox, the King Creole album takes off with several smashes in a row, including
    the classic title track rocker King Creole featuring Scotty Moore's trail blazing guitar work and the chart topping single Hard Headed
    Woman. More soundtrack treasures follow with the beautiful ballad Young Dreams and the rockin' blues of his huge classic Trouble,
    which truly made the album a treasure trove of hits. The album also features the stellar bayou rock blues of Crawfish which amazingly sounds like some of the classic southern rock sounds to grace the radio throughout the sixties and seventies. In total, the
    album showcases 11 important Elvis Presley recordings which have truly gone on to become international classics.


    In honor of the Man, the Music, the Legend, the King Of Rock And Roll, Friday Music is very proud and honored to announce
    the first time 180 Gram Audiophile Vinyl release of the RCA Victor classic King Creole by Elvis Presley.


    As another classic installment in our exciting Elvis Presley 180 Gram Audiophile Vinyl Series, we are very pleased to present
    this masterwork in all its high fidelity glory. Mastered impeccably by Joe Reagoso at Friday Music Studios and manufactured at
    R.T.I., King Creole will be a much anticipated audiophile dream release for Elvis fans everywhere!


    For this exclusive presentation, we are also including the first time ever gatefold artwork which includes the groundbreaking
    original LP cover elements as well as more rare visuals from this historic Elvis Presley era. We are also enclosing a poly bag to
    protect your album cover and poly lined inner sleeve to help keep your Elvis vinyl in mint shape.


    Elvis Presley's King Creole A history making rock soundtrack album from a historic legend, an original mono audiophile
    dream release first time gatefold cover is now an audiophile 55th Anniversary vinyl dream come true From your friends at
    Friday Music Stay tuned for more Elvis Presley original RCA Record audiophile recordings from Friday Music.

    1. King Creole
    2. As Long As I Have You
    3. Hard Headed Woman
    4. Trouble
    5. Dixieland Rock
    6. Don't Ask Me Why
    7. Lover Doll
    8. Crawfish
    9. Young Dreams
    10. Steadfast, Loyal and True
    11. New Orleans
    Elvis Presley
    $29.99
    180 Gram Audiophile Virgin Vinyl LP AWAITING REPRESS Buy Now
  • The Pink Panther (Speakers Corner) The Pink Panther (Speakers Corner) Quick View

    $34.99
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    The Pink Panther (Speakers Corner)

    The film director Blake Edwards brought into existence what is probably the best opening sequence to his comic crime film when he commissioned a young enterprising company to produce an animated Pink Panther cartoon film. The creative team came up with the idea of giving the cold, glittering diamond the guise of a cool, pink panther, which leads a bungling detective on a merry dance to the slinky sound of the Panther theme.



    Mancini would not be Mancini if he did not bathe the film location - the skiing resort Cortina d'Ampezzo -in highly varied musical colours and genres. His well-known love for dance music finds itself in the samba (It Had Better Be Tonight), the shuffle (Champagne And Quail), and the cha-cha (Something For Sellers). But also the ballad, sung by a muted trumpet and saxophone (Royal Blue), or the simple combination of keyboard and strings (Piano And Strings) are all woven into the story. One of the most memorable and delightful sounds is that of the accordion, whose melodies evoke an atmosphere that is filled with the Bohème, Paris and the sound of the musette. This music is never gaudy, but subtle, just like a panther padding quietly along. And if your appetite is now whetted for more, there is an extra portion of Mancini to be found in Breakfast At Tiffany's (RCA LSP 2362).



    Musicians:



    • Henry Mancini (arranger, conductor, p) & orchestra



    Recording: September 1963 at RCA Victor's Music Center of the World, Hollywood, by Jim Malloy

    Production: Joe Reisman



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. The Pink Panther Theme
    2. It Had Better Be Tonight (Instrumental)
    3. Royal Blue
    4. Champagne and Quail
    5. The Village Inn
    6. The Tiber Twist
    7. It Had Better Be Tonight
    8. Cortina
    9. The Lonely Princess
    10. Something for Sellers
    11. Piano and Strings
    12. Shades of Sennett
    Henry Mancini
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Loving You (Awaiting Repress) Loving You (Awaiting Repress) Quick View

    $29.99
    Buy Now
    x

    Loving You (Awaiting Repress)

    Elvis Aaron Presley was born during the great depression into a poor family in Mississippi. They moved to Memphis during the early '50s, and as a struggling young truck driver, he cut some demos at Sun Studios as a gift for his beloved mother Gladys. These initial songs, of which he had only paid a few dollars to record, would become the catalyst that would kick-start the beginnings of a soon to be worldwide superstar unlike the world has ever known.


    Elvis had the unmatchable skill of combining his vocals to resemble both R&B and country. This with the persona and choreography of a Hollywood movie star on stage, the young Elvis Presley was soon touring, and over the year achieved a number of regional hit singles, electrifying audiences into frenzies wherever he performed.


    The folks at RCA Victor knew that this young fellow named Elvis was destined for superstardom. They quickly bought out his contract and signed the legend to a long term deal, and his first RCA single Heartbreak Hotel forever etched "The King Of Rock And Roll" trademark to his name.


    In 1957 after two chart topping albums and a bevy of #1 singles, more incredible fame followed as the Loving You movie starring Elvis Presley became a box office smash. The soundtrack album also was a blockbuster as it topped the charts for over two months, making this his third smash #1 album. Loving You truly proved once again that his career was unlike any other in music history.


    Filled with more hits than a jukebox, the Loving You album takes off with two smashes in a row, the classic rocker Mean Woman Blues and the chart topping single (Let Me Be Your) Teddy Bear. More soundtrack treasures follow with the beautiful ballad Loving You and the rockin' Party, which truly made the album a treasure trove of hits that seem like a Greatest Hits collection. The album also features a nice helping of solid interpretations of Elvis' own favorites like the Fats Domino classic Blueberry Hill and the timeless Cole Porter hit True Love. In total, the album showcases twelve important Elvis Presley recordings which have truly gone on to become international classics.


    In honor of the man, the music, the legend, the King Of Rock And Roll, Friday Music is very proud and honored to announce the first time 180 Gram Audiophile Vinyl release of the RCA Victor classic Loving You by Elvis Presley. As a second installment in their exciting Elvis Presley 180 Gram Audiophile Vinyl Series, they are very pleased to present this masterwork in all its high fidelity glory. Mastered impeccably from the original monophonic RCA Victor Records tapes by Joe Reagoso at Friday Music Studios with Kevin Gray and manufactured at R.T.I., this edition of Loving You will be a much anticipated audiophile dream release for Elvis fans everywhere!


    For this exclusive presentation, Friday is also including the first time ever gatefold artwork which includes the groundbreaking original LP cover elements as well as more rare visuals from this historic Elvis Presley movie and platinum plus soundtrack. Also enclosed is a poly bag to protect your album cover and poly lined inner sleeve to help keep your Elvis vinyl in mint shape. An audiophile vinyl dream come true!

    1. Mean Woman Blues
    2. (Let Me Be Your) Teddy Bear
    3. Loving You
    4. Got A Lot O' Livin' To Do!
    5. Lonesome Cowboy
    6. Hot Dog
    7. Party
    8. Blueberry Hill
    9. True Love
    10. Don't Leave Me Now
    11. Have I Told You Lately That
    12. I Love You
    13. I Need You So
    Elvis Presley
    $29.99
    180 Gram Audiophile Virgin Vinyl LP AWAITING REPRESS Buy Now
  • Elvis-NBC TV Special Elvis-NBC TV Special Quick View

    $31.99
    Buy Now
    x

    Elvis-NBC TV Special


    The Elvis Presley/Friday Music 180 Gram Audiophile Vinyl Series Continues!


    Celebrating The 45th Anniversary Of The NBC TV Special "1968 Comeback" Soundtrack Album!


    First Time 180 Gram Vinyl & Gatefold Cover Presentation


    Mastered Impeccably By Joe Reagoso At Friday Music Studios And Manufactured At R.T.I.


    Elvis Aaron Presley was born during the Great Depression into a poor family in Mississippi. They moved to Memphis during the early fifties, and as
    a struggling young truck driver, he cut some demos at Sun Studios as a gift for his beloved mother Gladys.
    The folks at RCA Victor knew that this young fellow named Elvis was destined for superstardom. They quickly bought out his contract and signed the
    legend to a long-term deal, and his first RCA single Heartbreak Hotel forever etched "The King of Rock and Roll" trademark to his name.


    Over the next three decades, Elvis Presley would release dozens of hit albums and tons of smash singles, spend time in the Army, star in over 35
    top charting films, as well as sell out concert tours around the states and Canada making him the most successful solo artist of all time. In 1968, after a
    series of very successful movies and top charting recordings, Elvis made a wise decision to work with the folks at NBC and develop a Christmas TV special,
    which would have The King perform in front of a live studio audience for the first time in years.
    This legendary career move spread like wildfire and soon was hailed as "The Comeback," further igniting his career to an all new high. The King
    took his shows to the theatres and casinos and super massive stadium tours over the next number of years, while releasing a plethora of even more gold
    and platinum recordings


    With the soundtrack album nearing release, it was already gaining popularity in advance thanks to the chart single smash If I Can Dream. This
    masterwork album included a treasure trove of rare television studio performances that captured a very great time in the musical history of this genius.
    In addition to the wonderful hit single aforementioned, The King reaches back to his early Memphis days with his first chart topper Heartbreak
    Hotel and more fifties classics like Lawdy Miss Clawdy, All Shook Up and even a pair of Jimmy Reed blues classics with Big Boss Man and Baby, What
    You Want Me to Do.


    Even more hit tracks and sensational medleys featuring Elvis classics abound including Guitar Man, Blue Christmas, Love Me Tender and Can't
    Help Falling in Love. Plus the beautiful ballad Memories is also included which has since become an Elvis fan favorite thanks to the wonderful production
    on this brilliant album.
    Elvis Presley's TV Special album would go on to become one of his biggest albums ever, as fans rushed to the stores to buy this stunning rock and
    roll soundtrack back in December of 1968. Initially pressed on vinyl, this amazing album has been out of print on vinyl for several decades that is until
    now!


    In honor of the Man, the Music, the Legend, the King of Rock and Roll, Friday Music is very proud and honored to announce the 45th Anniversary
    Limited Edition 180 Gram Audiophile Vinyl release of the RCA Records classic Elvis - TV Special by Elvis Presley.
    As we further continue our exciting Elvis Presley 180 Gram Audiophile Vinyl Series, we are pleased to present this masterwork in all its high fidelity
    glory. Mastered impeccably by Joe Reagoso at Friday Music Studios and manufactured at R.T.I., Elvis - TV Special will be a much anticipated audiophile
    vinyl dream release for Elvis fans everywhere this holiday season.


    For this exclusive 45th Anniversary Edition, we are including a first time beautifully pressed 180 Gram vinyl LP and limited gatefold album artwork
    which includes the original stunning LP cover graphics. We are also enclosing a poly lined inner sleeve to help keep your limited edition Elvis - TV Special
    vinyl album in mint shape.


    Elvis Presley's Elvis - TV Special A history making album from an historic legend, a soundtrack essential first time 180 Gram Audiophile
    vinyl is now an audiophile vinyl dream come true From your friends at Friday Music Stay tuned for more Elvis Presley original RCA Records audiophile
    recordings from Friday Music. Memories

    1. Trouble/Guitar Man
    2. Lawdy, Miss Clawdy/Baby, What You Want Me to Do
    3. Medley: Heartbreak Hotel/Hound Dog/All Shook Up/Can't Help Falling in Love/Jailhouse Rock/Love Me Tender
    4. Where Could I Go But to the Lord/Up Above My Head/Saved
    5. Blue Christmas/One Night
    6. Memories
    7. Medley: Nothingville/Dialogue/Big Boss Man/Guitar Man/Little Egypt/Trouble/Guitar Man
    8. If I Can Dream
    Elvis Presley
    $31.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Marantz NR1508 Receiver Marantz NR1508 Receiver Quick View

    $549.00
    Buy Now
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    Marantz NR1508 Receiver


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Marantz NR1508 Ultra-Slim 5.2 Channel Full 4K Ultra HD Network AV Receiver with HEOS


    Designed to deliver a thrilling sonic experience, the NR1508 AV Receiver features expanded connectivity including built-in HEOS wireless multi-room audio technology, to enable you to enjoy your favorite music anywhere and everywhere around your home. You can explore and play music from your own music library, from online streaming music services, and from thousands of Internet radio stations using the free HEOS app for smartphones and tablets, with high resolution audio fully supported for incredible fidelity. The NR1508 also features Bluetooth and AirPlay compatibility to stream music directly from any compatible device. For high resolution surround from your favorite movie soundtracks the NR1508 is equipped with advanced 32-bit DSP processing supporting all the major sound formats, including Dolby TrueHD and DTS-HD Master Audio. Its power amplifier section features high current discrete power transistors and identical circuit topology for all 5 channels, and is compatible with low impedance 4 ohm speakers.


    The video section features 6 HDMI inputs (including 1 on the front panel), with full compatibility with the latest 4K Ultra HD video specification, including 60 Hz full rate content, 4:4:4 Pure Color sub-sampling, BT.2020, HDR and Dolby Vision compatibility. It's also HDCP 2.2 compliant, for 4K Ultra HD copy-protected content. HLG (Hybrid Log Gamma) pass-through for future HDR broadcast content will be supported via a firmware update.


    The Marantz 2016 AVR Remote app is also available free from the Apple app store, GooglePlay and the Amazon app store.


    Marantz
    $549.00
    Ultra Slim AV Receiver Buy Now
  • The Music From Peter Gunn (Speakers Corner) (Awaiting Repress) The Music From Peter Gunn (Speakers Corner) (Awaiting Repress) Quick View

    $34.99
    Buy Now
    x

    The Music From Peter Gunn (Speakers Corner) (Awaiting Repress)

    This is not only a great LP but a key piece of jazz and pop music history. Back in 1958, Peter Gunn was one of the unexpected hits of the new television season, capturing the imagination of millions of viewers by mixing private eye action with a jazz setting. Composer Henry Mancini was more than fluent in jazz, and his music nailed down the popularity of the series. With the main title theme, a driving, ominous, exciting piece of music to lead off the album, The Music from Peter Gunn became a huge hit, charting extraordinarily high for a television soundtrack and doing so well that RCA Victor came back the next year asking for a second helping (More Music From Peter Gunn) from Mancini.



    The music holds up: Session At Pete's Pad is a superb workout for the trumpets of Pete Candoli, Uan Rasey, Conrad Gozzo, and Frank Beach, while Barney Kessel's electric guitar gets the spotlight during Dreamsville; and Sorta Blue and Fallout are full-ensemble pieces that constitute quintessential 'cool' West Coast jazz of the period. In other words, it's all virtuoso orchestral jazz, presented in its optimum form.





    Musicians:



    • Henry Mancini (arranger, conductor)

    • Ted Nash, Ronnie Lang (alto saxophone)

    • Dick Nash, Milt Bernhart (trombone)

    • Pete Candoli (trumpet)

    • Johnny T. Williams (piano)

    • Larry Bunker (vibraphone)

    • Rolly Bundock (bass)

    • Jack Sperling (drums)




    Recording: August and September 1958 in Hollywood, CA.

    Production: Simon Rady




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Peter Gunn
    2. Sorta Blue
    3. The Brothers Go to Mother's
    4. Dreamsville
    5. Session at Pete's Pad
    6. Soft Sounds
    7. Fallout!
    8. The Floater
    9. SLow and Easy
    10. A Profound Gass
    11. Brief and Breezy
    12. Not from Dixie

    Henry Mancini
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Nina Simone At Carnegie Hall (Pure Pleasure) Nina Simone At Carnegie Hall (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Nina Simone At Carnegie Hall (Pure Pleasure)

    Pianist and singer Nina Simone defied categorization by blending classical, jazz and popular music into an unconventional and highly personal idiom: over four decades, she galvanized audiences with albums and performances replete with deep passion and keen attention to emotion.



    Fiercely honest, Simone was admired for her eccentricity and individualism. She was known for her spirited personality on and off the stage, which included flirting with audience members and voicing her opinions about social topics of the time.



    The legacy of Simone's music and message can be heard not only in jazz but amongst the many pop artists who cite her influence. Several of Simone's songs have become jazz standards, and her voice is even familiar to audiences who don't know her name through their frequent use in movie soundtracks and commercials.



    Musicians:



    • Nina Simone (piano, vocal)

    • Alvin Schackman, Phil Orlando (guitar)

    • Lisle Ackinson (b)

    • Montego Joe (dr)




    Recording: May 1963 live at Carnegie Hall, New York

    Production: Jack Lewis




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Black Swan
    2. Theme From Samson and Delilah
    3. If You Knew
    4. Theme From Sayonara
    5. The Twelth Of Never
    6. Will I Find My Love Today
    7. The Other Woman/Cotton Eyed Joe
    Nina Simone
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Copland - Appalachian Spring / Billy The Kid (Speakers Corner) Copland - Appalachian Spring / Billy The Kid (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Copland - Appalachian Spring / Billy The Kid (Speakers Corner)

    Aaron Copland is among those Americans whose compositions have found worldwide recognition. Measured against his long lifespan (1900-1990), his creative phase was relatively short, and indeed he hardly composed at all from the Sixties onwards. His most important works were his answer to the musical crisis of the Thirties, and he has gone down in history as having greatly influenced the development of New Music in the USA.



    The ballets Appalachian Spring (1944) and Billy the Kid (1938) are considered to be key works of their day. Both have folkloric traits, which brought Copland the reputation of having a penchant for borrowed melodies. In reality, the well-known tunes are very subtly treated and modified, and are incorporated into large-scale, defined forms. Now and again, melodic echoes of Mahler's music or highly rhythmic exposed passages reminiscent of Stravinsky flash through. The ballet Billy the Kid is thoroughly American. Arranged in orchestral 'wide-screen sound', as it were, cowboy melodies glow with the very best Wild West tradition, and are bedded in a dramaturgy which is almost ripe for a film soundtrack. The signal to Hollywood is virtually unmistakable. That is America.




    Recording: June 1961 by C.R. Fine and Robert Eberenz

    Production: Wilma Cozart-Fine and Harold Lawrence




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    Copland: Appalachian Spring, Billy the Kid - The London Symphony Orchestra conducted by Antal Dorati
    Antal Dorati with the London Symphony Orchestra
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • For LP Fans Only (Speakers Corner) For LP Fans Only (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    For LP Fans Only (Speakers Corner)

    Along with the album A Date With Elvis (RCA LPM-2011), For LP Fans Only is one of the most important special productions of the young King of Rock'n'Roll. Because Elvis had been conscripted into the US army, no new recordings could take place, and so record producers delved deep into the sound archives and dug out a few singles from his Sun Records days, mixed them with a couple of early RCA songs and a number from the Love Me Tender soundtrack, and, hey presto! a new Elvis LP was born. The overwhelming success of this album is not solely confined to the stylistic homogeneity of this collection of fresh, youthful songs. Far more, it's because for many fans the record offered the only substitution for the highly coveted but rare original singles That's All Right, Mystery Train and My Baby Left Me.



    Not without reason has today's 'bits-and-bytes' generation ignored the words on the cover and produced several re-releases. Which just goes to emphasise the widespread opinion that this is one of Elvis's very best albums and at the same time one of the most important in the whole of rock'n'roll - especially in the present vinyl pressing.





    Musicians:



    • Elvis Presley (guitar, vocal)

    • Various Bands







    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. That's All Right

    2. Lawdy, Miss Clawdy

    3. Mystery Train

    4. Playing For Keeps

    5. Poor Boy

    6. My Baby Left Me

    7. I Was The One

    8. Shake, Rattle And Roll

    9. I'm Left, You're Right, She's Gone

    10. You're A Heartbreaker
    Elvis Presley
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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