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  • Flood (Speakers Corner) Flood (Speakers Corner) Quick View

    $64.99
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    Flood (Speakers Corner)

    In the summer of 1975, the Herbie Hancock Sextet made a hugely successful tour of Japan, which made people aware of a 'new' Hancock. The last LP that the keyboard virtuoso had recorded, Thrust, was already one year old, and the film music for the Charles Bronson classic Death Wish was received negatively by his fans. At his concerts in Tokyo, Herbie Hancock reached back to his hits: Maiden Voyage, Chameleon, and the famous, soulful Watermelon Man made the fans at his concert hall and open-air appearances go wild with enthusiasm. Forty years later I have the courage to confess that I couldn't have cared less about this music at the time; in Europe there was enough that was new and exciting to see and listen to. However, this re-release in its original format has given me the opportunity to check out whether this music has withstood the test of time. And I must say: it has passed the test! Just listen to Herbie at his best!
    Dr. Michael Frohne



    Musicians:



    • Herbie Hancock (keyboard)

    • Bennie Maupin (saxophone, clarinet, flute, percussion)

    • Blackbird McKnight (guitar)

    • Paul Jackson (bass)

    • Mike Clark (drums)

    • Bill Summers (conga, percussion)




    Recording: June and July 1975 at Shibuja Kohkaido and Nakano Sun Plaza, Tokyo, by Tomoo Suzuki
    Production: David Rubinson




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    Herbie Hancock
    $64.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Crossings (Speakers Corner) Crossings (Speakers Corner) Quick View

    $34.99
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    Crossings (Speakers Corner)

    In the 1970s, Herbie Hancock's Crossings was to be found on every IKEA record shelf in the student pads of jazz-fusion fans. The cover, with its psychedelic touch, also contributed significantly to its popularity - although it was unclear where the crossing was going to take us


    Nevertheless, the excellent trumpeter Eddie Henderson - often underestimated as an improviser and composer, and Benny Maupin - who like Hancock had grown up under Miles Davis's wing, present a wide range of sound-generating instruments - as was all the rage in those days. Synthesizer and Mellotron (a polyphonic tape replay keyboard and as such practically the prototype of the sampler) were permanent members of the group - and even produce here melodic arches of sound! Whether Bennie Maupin's Quasar launches the group and us into extraterrestrial territory (as stated in one review) is a moot point.


    This LP is a contemporary historical document, though it certainly doesn't sound antiquated. That's why younger listeners too will find pleasure in this experiment from the previous millennium.


    Musicians:



    • Herbie Hancock (electric-piano, piano, mellotron, percussion)

    • Bennie Maupin (soprano saxophone, flute, bass clarinet, piccolo flute, percussion)

    • Eddie Henderson (trumpet, flugelhorn, percussion)

    • Julian Priester (trombonbe, percussion)

    • Patrick Gleeson (synthesizer)

    • Buster Williams (bass, percussion)

    • Billy Hart (drums, percussion)



    Recording: February 1972 at Pacific Recording Studios, San Mateo, CA., by Patrick Gleason

    Production: David Rubinson



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Sleeping Giant
    2. Quasar
    3. Water Torture
    Herbie Hancock
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Head Hunters Head Hunters Quick View

    $34.99
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    Head Hunters


    Mastered at Sterling Sound by Ryan Smith


    Stoughton Printing Old-Style Deluxe Film-Lamination Tip-On Jacket


    Plated and Pressed at Quality Record Pressings!


    There are few artists in the music industry who have had more influence on acoustic and electronic jazz and R&B than Herbie Hancock.


    In 1963, Miles Davis invited Hancock to join the Miles Davis Quintet. During his five years with Davis, Herbie recorded many classics with the jazz legend including ESP, Nefertiti and Sorcerer, and later on he made appearances on Davis' groundbreaking In a Silent Way and Bitches Brew.


    Hancock's own solo career blossomed on Blue Note, with classic albums including Maiden Voyage, Empyrean Isles and Speak Like a Child. After leaving Davis' fold, Herbie put together a new band called The Headhunters and, in 1973, recorded Head Hunters. Head Hunters was a pivotal point in Hancock's career, bringing him into the vanguard of jazz fusion. Hancock had pushed avant-garde boundaries on his own albums and with Miles Davis, but he had never devoted himself to the groove as he did on Head Hunters. Drawing heavily from Sly Stone, Curtis Mayfield and James Brown, Hancock developed deeply funky, even gritty, rhythms over which he soloed on electric synthesizers, bringing the instrument to the forefront in jazz. It had all of the sensibilities of jazz, particularly in the way it wound off into long improvisations, but its rhythms were firmly planted in funk, soul and R&B, giving it a mass appeal that made it the biggest-selling jazz album of all time (a record which was later broken).


    Jazz purists, of course, decried the experiments at the time, but Head Hunters still sounds fresh and vital four decades after its initial release, and its genre-bending proved vastly influential on not only jazz, but funk, soul and hip-hop.

    1. Chameleon
    2. Watermelon Man
    3. Sly
    4. Vein Melter
    Herbie Hancock
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Prisoner The Prisoner Quick View

    $19.99
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    The Prisoner


    Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    As one of the first albums Herbie Hancock recorded after departing Miles Davis' quintet in 1968, as well as his final album for Blue Note, The Prisoner is one of Hancock's most ambitious efforts. Assembling a nonet that features Joe Henderson (tenor sax, alto flute), Johnny Coles (flugelhorn), Garnett Brown (trombone), Buster Williams (bass), and Albert Tootie Heath (drums), he has created his grandest work since My Point of View. Unlike that effort, The Prisoner has a specific concept -- it's a tribute to Dr. Martin Luther King, evoking his spirit and dreams through spacious, exploratory post-bop. Often, the music doesn't follow conventional patterns, but that doesn't mean that it's alienating or inaccessible. It is certainly challenging, but Hancock's compositions (and his arrangement of Charles Williams' Firewater) have enough melody and space to allow listeners into the album. Throughout the record, Hancock, Coles, and Henderson exchange provocative, unpredictable solos that build upon the stark melodies and sober mood of the music. The tone is not of sorrow or celebration, but of reflection and contemplation, and on that level, The Prisoner succeeds handsomely...

    - Stephen Thomas Erlewine (All Music)

    1. I Have a Dream
    2. The Prisoner
    3. Firewater
    4. He Who Lives in Fear
    5. Promise of the Sun
    6. The Prisoner
    7. Firewater
    Herbie Hancock
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • In A Silent Way In A Silent Way Quick View

    $19.99
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    In A Silent Way

    In A Silent Way is regarded as the first of Miles' fusion albums which was only the highway to deliver one of the Jazz History masterpieces, Bitches Brew. In A Silent Way featured a full-blown electric approach: An album which ís kicking categories of music to the curb and owes much of its essence to rock improvisers like John McLaughlin a newcomer at the time- and to pianists Chick Corea and Herbie Hancock.


    'Space Music' some said, but Miles only was just going his way as always. Free jams with hardly any no structure but still so sustained that they speak volumes about the sensitivity of the musicians involved.

    Shhh / Peaceful
    In A Silent Way / It's About That Time
    Miles Davis
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Maiden Voyage Maiden Voyage Quick View

    $49.99
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    Maiden Voyage

    Maiden Voyage is arguably the best in Herbie Hancock's series of fine Blue Note albums from the 60s. Every single cut on this album from the haunting Maiden Voyage to the gentle, swinging Dolphin Dance has found its way into the standard jazz repertoire. Herbie Hancock fashioned a modern jazz milestone here with extraordinary compositions, interplay and solos.


    Every single tune on this album from the haunting Maiden Voyage to the gentle, swinging Dolphin Dance has found its way into the standard jazz repertoire. Herbie Hancock fashioned a modern jazz milestone with extraordinary compositions, interplay and solos.



    Originally released in 1965.



    Herbie Hancock, piano

    Ron Carter, bass

    George Coleman, tenor saxophone

    Freddie Hubbard, trumpet

    Anthony Williams, drums

    1. Maiden Voyage
    2. The Eye Of The Hurricane
    3. Little One
    4. Survival Of The Fittest
    5. Dolphin Dance
    Herbie Hancock
    $49.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • Maiden Voyage Maiden Voyage Quick View

    $24.99
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    Maiden Voyage

    Green Vinyl


    Arguably one of Hancock's greatest album from the '60s, MAIDEN VOYAGE is his 5th album, recorded by Rudy Van Gelder in '65. Featuring five original Hancock compositions, MAIDEN VOYAGE features Freddie Hubbard on
    trumpet, George Coleman on tenor sax, Hancock on piano, Ron Carter on bass and Anthony Williams on drums. In 1999 MAIDEN VOYAGE was inducted into the Grammy Hall of Fame. Now available on 180g green vinyl.

    1. Maiden Voyage
    2. The Eye Of The Hurricane
    3. Little One
    4. Survival Of The Fittest
    5. Dolphin Dance
    Herbie Hancock
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Man-Child (Speakers Corner) Man-Child (Speakers Corner) Quick View

    $34.99
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    Man-Child (Speakers Corner)

    After his early avant-garde years with Blue Note Records, Herbie Hancock achieved much success with pop music fans by gradually turning towards a mixture of Afro-American styles in which he combined soul, jazz and funk. Having composed the soundtrack to Bill Cosby's animated children's show Fat Albert and the Cosby Kids and released a popular family-orientated album entitled Fat Albert Rotunda, Hancock stated that instead of looking for jazz musicians who could play funky music, he had searched for funk musicians with a feeling for jazz. That this concept functions only too well is demonstrated in the funky album Man-Child, which features such brilliant jazz musicians as Wayne Shorter, Bennie Maupin and Ernie Watts. But wait! There's no narcissistic showing off here as in a jam session. The whole band performs as one, playing concentrated grooves around Hancock's carefully intertwined electronic sounds. The result is a fast-paced funky style, due to the collective efforts of the band, although each member is given ample opportunity to show off his prowess in short solo interludes and thus delight the listener with his unique style.



    Musicians:



    • Bud Brisbois (trumpet)

    • Garnett Brown (trombone)

    • Dick Hyde (tuba, bass trombone)

    • Wayne Shorter (soprano saxophone)

    • Bennie Maupin (soprano saxophone, tenor saxophone, saxello, bass clarinet, flute)

    • Jim Horn (saxes, flute)

    • Stevie Wonder (harmonica)

    • Herbie Hancock (keyboard)

    • David T. Walker (guitar)

    • Wah Wah Watson (guitar, voice bag, synthesizer)

    • Henry Davis (electric bass)

    • James Gadson (drums)

    • Bill Summers (percussion)



    Recording: July 1975 at Wally Heider Recording Studios, San Francisco / Village Recorders, Los Angeles / Funky Features, San Francisco / Crystal Studios, Los Angeles

    Production: David Rubinson & Friends Inc. and Herbie Hancock



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Hang Up Your Hang Ups
    2. Sun Touch
    3. The Traito
    4. Bubbles
    5. Steppin' In It
    6. Heartbeat
    Herbie Hancock
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Sextant Sextant Quick View

    $32.99
    Buy Now
    x

    Sextant

    Reissued for the First Time Since 1973!


    Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played with the greats such as Donald Byrd and Miles Davis. He was one of the first to embrace and master the electric piano, but he always stayed true to the acoustic sound. In fact, he always bounced back and forth between his electronic and acoustic sound, touching upon almost every development in R&B, Funk and Jazz while retaining an original and distinctive voice.


    Sextant from 1973 was recorded just before Head Hunters, and can be seen in the same vein, but it's more than just an introduction to a masterpiece. It features a kind of post-modal, free impressionism while gracing the edges of funk. Three long instrumental tracks explore how far minimalism in jazz can go.

    1. Rain Dance
    2. Hidden Shadows
    3. Hornets
    Herbie Hancock
    $32.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Thrust Thrust Quick View

    $34.99
    Buy Now
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    Thrust

    It's no surprise that Thrust is right on par with Herbie Hancock's legendary Headhunters release as it happens to feature almost the exact same line up of musicians. Its jumping, multi-rhythmic, deep groove music remains some of Hancock's finest and it sounds as invigorating and fresh as it did over 30 years ago.
    1. Palm Grease
    2. Actual Proof

    3. Butterfly
    4. Spank-A-Lee
    Herbie Hancock
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Secrets Secrets Quick View

    $34.99
    Buy Now
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    Secrets

    Secrets (1976) is a Jazz-Funk fusion album by acclaimed keyboard player Herbie Hancock. Following up on his previous album Man-Child, the album again features Paul Jackson on bass, and reedist Bennie Maupin continued to provide most of the solos alongside Hancock. Man-Child had seen the addition of electric guitar to Hancock's sound, and Secrets saw the guitar's place in the arrangements rise to crucial importance throughout. The flamboyant rhythm guitar contributions of top Motown session musician Wah Wah Watson are a particularly notable feature of the album.


    Where Man-Child was evenly divided between up-tempo and laid-back tracks, Secrets emphasised the more mellow, softly rounded mood. Even the more up-tempo tracks, Doin' It and Cantaloupe Island, are suffused with a relaxed Caribbean influence, and overall the album tends towards restrained, rolling grooves rather than overtly high-energy Funk. Appropriately, Hancock spent much of his time using the mellow tones of the Rhodes piano, and took advantage of the new polyphonic synthesizers to contribute thick pads, foreshadowing ambient music.

    1. Doin' It
    2. People Music
    3. Cantelope Island

    4. Spider
    5. Gentle Thoughts
    6. Swamp Rat
    7. Sansho Shima
    Herbie Hancock
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Filles De Kilimanjaro Filles De Kilimanjaro Quick View

    $49.99
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    Filles De Kilimanjaro

    Numbered, Limited Edition


    Davis' Self-Proclaimed "Directions in Music" March Begins Here


    Mastered from the Original Master Tapes: Abundant Jazz, Funk, and Rock Textures Rotate Around a Luscious Tonal Center


    Landmark 1968 Effort Recognized as Davis' Prelude Into Full-On Fusion: Exotic Suite-Like Album Beautiful, Intense, Adventurous


    Miles Davis' move into full-on fusion starts here. Abandoning his bebop roots and chasing electric dreams, rock-based rhythms, and ostinato pulses, the icon gives life to new music forms on Filles de Kilimanjaro, a titanic release prized for its historical significance and lasting beauty. Grounded and focused, the five compositions unfold like a unified suite. Such peak lyricism, flourishes, and phrases are experienced in the highest-possible fidelity on Mobile Fidelity's 45RPM 2LP set.


    Mastered from the original master tapes and pressed on 180g vinyl at RTI, this collectable audiophile version of Filles de Kilimanjaro joins the ranks of eleven other essential Davis sets given supreme sonic and packaging treatment by Mobile Fidelity. Loaded with revealing signatures, the record takes on even greater import when heard the way Davis and his mates discerned it in the studio. Backgrounds are squid-ink black, pianissimo lines shimmer, and the electric piano emerges with tube-amp warmth.


    Indeed, the exotic sound, touch, and feel of the songs on Filles de Kilimanjaro are as crucial as the melodies. To that extent, listeners can now enjoy the expressive tonalities and lush colors from each instrument in full-range glory. Voicings, harmonics, and pitches are rendered with exquisite detail. The manners in which the textures and phrases rotate what seems like a unified tonal center places you at the original recording sessions, executed in July and September 1968.


    The final appearance of Davis' classic second quintet bears fruit on three of the record's cuts, including the title track and R&B-tinted "Frelon Brun." Sparked with restrained funk, driving grooves, and bluesy accents, Filles de Kilimanjaro maintains an instinctive flow and controlled fredom that permit Davis to oversee an innovative blending of alterations, improvisation, and cycles. Comprised of multiple sections, "Petits Machins" is a lesson in perfectly played melodic complexity, with chromatic riffs, dominant chords, syncopated progressions, and switching meters forming a singular mosaic.


    Filles de Kilimanjaro also represents a jumping-off point for Davis' lineup. For the September sessions, Chick Corea replaced Herbie Hancock while Dave Holland relieved Ron Carter. The new additions speak a different albeit common language, fitting in with Davis' desire to draw from rock and weave funk into open-minded excursions filled with exoticism, soulfulness, and wonder.


    More than 40 years ago, this record epitomized the future of jazz. Davis even announced such aspirations with the tagline "Directions in Music." With the jazz world still trying to wrap its collective mind around its genius, it still does.


    This title is not eligible for discount.

    1. Frelon Brun
    2. Tout de Suite
    3. Petits Machins
    4. Filles de Kilimanjaro
    5. Mademoiselle Mary
    Miles Davis
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
  • Empyrean Isles Empyrean Isles Quick View

    $19.99
    Buy Now
    x

    Empyrean Isles

    Recorded in 1964, Herbie Hancock's "Empyrean Isles," will be reissued as part of an overall Blue Note 75th anniversary vinyl initiative spearheaded by current Blue Note Records President, Don Was. "Empyrean Isles" was Hancock's fourth album for Blue Note and features Freddie Hubbard on cornet. This release debuts two of Hancock's most treasured songs, "One Finger Snap" and "Cantaloupe Island."
    1. One Finger Snap
    2. Oliloqui Valley
    3. Cantaloupe Island
    4. The Egg
    Herbie Hancock
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Speak Like A Child Speak Like A Child Quick View

    $19.99
    Buy Now
    x

    Speak Like A Child


    Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    Originally released in 1968, Speak Like a Child is Herbie Hancock's sixth Blue Note album. Featuring Ron Carter on bass, Mickey Roker on drums, Peter Phillips on bass trombone, Jerry Dodgion on alto flute and Thad Jones on flugelhorn. Known for its provocative grace, Speak Like a Child will be reissued as part of the overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was.

    1. Riot
    2. Speak Like A Child
    3. First Trip
    4. Toys
    5. Goodbye To Childhood
    6. The Sorcerer
    Herbie Hancock
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Inventions & Dimensions (Awaiting Repress) Inventions & Dimensions (Awaiting Repress) Quick View

    $49.99
    Buy Now
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    Inventions & Dimensions (Awaiting Repress)

    Herbie Hancock was only 23 when he recorded the amazing Inventions And Dimensions, his third Blue Note album. While Hancock had already recorded Takin' Off and My Point Of View, he had quickly developed his own innovative style, and was about to become a member of the Miles Davis Quintet. Inventions and Dimensions is unlike anything he had previously created. Hancock manages the impossible feat of performing music that is both free form and very accessible. In teaming up with bassist Paul Chambers, drummer Willie Bobo and percussionist Osvaldo "Chihuahua" Martinez, Hancock might have been expected to play Latin jazz, but in reality this innovative album has Hancock freely improvising all of the pieces. He creates music that has melodies, drama, development, exciting moments and logical if unexpected conclusions. His performances may sound arranged and worked out in advance but Hancock made it all up on the spot, quite an accomplishment. Very few other pianists in the history of jazz could do this, but Herbie Hancock made it all seem effortless, creating a timeless gem as easily as most people breathe.



    Features:



    •  Remastered from the Original Rudy Van Gelder Blue Note Master Tapes!

    •  Remastered by Kevin Gray and Steve Hoffman at Acoustech

    •  Cut at 45rpm for Better Sound!

    •  Pressed on two 180 gram Virgin Vinyl LPs by RTI

    •  Limited Edition

    •  Numbered

    •  Ultra-Durable, Extra Thick Album Jackets

    •  Gatefold Album with Session Photos in stunning High Resolution


    Musicians:



    • Herbie Hancock, piano

    • Paul Chambers, bass

    • Willie Bobo, drums

    • Osvaldo "Chihuahua" Martinez, percussion  


    This title is not eligible for discount.


    1. Succotash
    2. Triangle
    3. Jack Rabbit
    4. Mimosa
    5. A Jump Ahead

    Herbie Hancock
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Maiden Voyage Maiden Voyage Quick View

    $19.99
    Buy Now
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    Maiden Voyage


    Remastered And Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    Arguably one of Herbie Hancock's greatest album from the '60s, Maiden Voyage is his fifth album, recorded by Rudy Van Gelder in 1965. Featuring five
    original Hancock compositions, Maiden Voyage features Freddie Hubbard on trumpet, George Coleman on tenor sax, Hancock on piano, Ron Carter on
    bass and Anthony Williams on drums. In 1999 Maiden Voyage was inducted into the Grammy® Hall of Fame. Remastered by Alan Yoshida, Maiden
    Voyage will be reissued on vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records
    President, Don Was.

    1. Maiden Voyage
    2. The Eye Of The Hurricane
    3. Little One
    4. Survival Of The Fittest
    5. Dolphin Dance

    Herbie Hancock
    $19.99
    Vinyl LP - Sealed Buy Now
  • Miles Ahead (Soundtrack) Miles Ahead (Soundtrack) Quick View

    $29.99
    Buy Now
    x

    Miles Ahead (Soundtrack)

    The release of the movie MILES AHEAD, Don Cheadle's wildly entertaining and moving exploration of Miles Davis, will be accompanied by this new soundtrack featuring musical highlights from Miles' career and new recordings overseen by Grammy Award-winning jazz/hip-hop artist Robert Glasper.


    This is a perfect primer on Davis' career for the new fan and a brilliant audio keepsake of the film for those who've studied his works inside and out. The album features 11 tracks from across Miles' catalogue from 1956 to 1981, select dialogue from the film featuring Cheadle in character, and five original compositions written, co-written, produced or performed exclusively for MILES AHEAD by Robert Glasper. These cues include "What's Wrong with That?" a jam that closes the movie imagining Cheadle as Miles playing in the present day with guest performers Glasper, Herbie Hancock, Wayne Shorter, Gary Clark, Jr. and Esperanza Spalding; plus "Gone 2015," an end-credits song featuring guest verses from rapper Pharoahe Monch. Cheadle also pens new liner notes for the album discussing the selection and creation of the songs on the soundtrack.

    LP 1
    1. Miles Ahead
    2. Dialogue: It takes a long time...
    3. So What
    4. Taylor Made
    5. Dialogue: Listen, you talk too goddamn much...
    6. Seven Steps to Heaven
    7. Dialogue: If you gonna tell a story...
    8. Frelon Brun
    9. Dialogue: Sometimes you have these thoughts...
    10. Duran (Take 6)


    LP 2
    1. Dialogue: You own my music...
    2. Go Ahead John (part two C)
    3. Black Satin
    4. Dialogue: Be musical about this shit...
    5. Prelude, Pt. 2
    6. Dialogue: Y'all listening to them...
    7. Junior's Jam
    8. Francessence
    9. Back Seat Betty
    10. Dialogue: I don't like the word jazz...
    11. What's Wrong with That?
    12. Gone 2015

    Miles Davis
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • V.S.O.P. V.S.O.P. Quick View

    $16.99
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    V.S.O.P.

    One Of A Kind
    Third Plane
    Jessica
    Lawra
    Darts
    Dolores
    Little Waltz
    Byrdlike
    Herbie Hancock
    $16.99
    Vinyl LP Reissue - 2 LPs Sealed Buy Now
  • Maiden Voyage Maiden Voyage Quick View

    $11.99
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    Maiden Voyage

    Musicians:

    Herbie Hancock

    Freddie Hubbard

    George Coleman

    Ron Carter

    Tony Williams


    Maiden Voyage is the fifth album led by jazz musician Herbie Hancock, and was recorded by Rudy Van Gelder on May 17, 1965 for Blue Note Records. It was issued as BLP 4195 and BST 84195. It is a concept album aimed at creating an oceanic atmosphere. Many of the song titles refer to marine biology or the sea, and the musicians develop the concept through their use of space and almost tidal dynamics. The album was presented with the Grammy Hall of Fame Award in 1999

    1. Maiden Voyage
    2. The Eye Of The Hurricane
    3. Little One
    4. Survival Of The Fittest
    5. Dolphin Dance
    Herbie Hancock
    $11.99
    Vinyl LP Reissue - Sealed Buy Now
  • Gershwin's World Gershwin's World Quick View

    $59.99
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    Gershwin's World

    Play 33 1/3 Series


    From The Original Master Of Universal Music


    Pressed At Pallas In Germany


    Recorded on 180g heavy-weight vinyl to ensure quality sound, packaged in gatefold cover, and covered by premium protective vinyl outer sleeve.


    The "Play 33 1/3 LP Series" features masterpiece albums released in the '90s converted for the first time world-wide to analog Long Playing record. The album cover and package created after months of graphic work and processes by hand enhanced its excellence and to ensure the record's superb sound quality, the German MMP, who undertook the record production of EMI Germany and Universal, utilized a heavy weight 180g vinyl LP to contain the sound. Khiov who was in charge of the planning and production of many LP miniature series took charge of the album cover production spending 6 months to create a masterpiece.


    This project was highly scrutinized passing rigid testing at the factory in Germany. Even the performers themselves had not been able to put their hands on the LP version of their own albums as their home country had not produced them. The LPs produced by this project certainly have become must-have items by LP lovers all around the world.


    In the age where faster and more convenient is thought to be better, the increase in demand for the retro vinyl LP worldwide is clearly attributed to the satisfaction from the sound offered by analog products impossible to be replicated by CD and digital products and the delight of touching, feeling, and possessing this masterpiece-like large artwork. Furthermore, LP records have both rarity and history that increase their value over time and serve as an attractive factor for collectors.

    LP1
    1. Overture (Fascinating Rhythm)
    2. Ain't Necessarily So
    3. The Man I Love
    4. Here Come De Honey Man
    5. St. Louis Blues
    6. Lullaby


    LP2
    1. Blueberry Rhyme
    2. It Ain't Necessarily So (Interlude)
    3. Cotton Tail
    4. Summertime
    5. My Man's Gone Now
    6. Prelude in C# Minor
    7. Concerto for Piano and Orchestra in G, 2nd Movement
    8. Embraceable You

    Herbie Hancock
    $59.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The New Standard (Awaiting Repress) The New Standard (Awaiting Repress) Quick View

    $59.99
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    The New Standard (Awaiting Repress)


    • Play 33 1/3 Series


    • 180 Gram Heavyweight Vinyl Pressed By MMP


    • Gatefold Jacket With Black Poly-Lined Inner Sleeves



    • Includes 6-Page Booklet


    • Project Designed & Sleeve Made By Khiov


    The 'Play 33 1/3 LP Series' is a Vinyl LP project including masterpiece albums which have never been released on LP. The albums are released by Universal Music Korea on LP for the first time and the heavyweight vinyl LP is pressed in Germany. Khiov designs the project, reforms the original artworks for the LP size and precisely made the sleeves.


    Herbie Hancock's 40th album was originally released in 1996 on CD only. Hancock reinvents tunes like Don Henley's New York Minute, Peter Gabriel's Mercy Street, Simon & Garfunkel's Scarbrorough Fair and more.


    On first glance this record would not seem to have much promise from a jazz standpoint. Herbie Hancock performs a set of tunes which include numbers from the likes of Peter Gabriel, Stevie Wonder, Sade, Paul Simon, Prince, the Beatles (Norwegian Wood) and Kurt Cobain. However by adding vamps, re-harmonizing the chord structures, sometimes quickly discarding the melodies and utilizing an all-star band, Hancock was able to transform the potentially unrewarding music into creative jazz. Hancock, who sticks to acoustic piano, shows that he is still in prime form, taking quite a few fiery solos. With Michael Brecker on tenor and surprisingly effective soprano, guitarist John Scofield, bassist Dave Holland, drummer Jack DeJohnette and percussionist Don Alias (along with an occasional horn or string section that was dubbed in later), the results are often quite hard-swinging and certainly never predictable...


    - Scott Yanow (All Music Guide)


    Musicians

    Herbie Hancock: piano

    Michael Brecker: tenor & soprano saxophone

    John Scofield: acoustic & electric guitars

    Dave Holland: electric bass

    Jack DeJohnette: drums, electric percussion

    Don Alias: percussion

    LP 1
    1. New York Minute
    2. Mercy Street
    3. Norwegian Wood (This Bird Has Flown)
    4. When Can I See You
    5. You've Got It Bag Girl


    LP 2
    1. Love Is Stronger Than Pride
    2. Scarborough Fair
    3. Thieves In the Temple
    4. All Apologies
    5. Manhattan (Island of Lights and Love)
    6. Your Gold Teeth II

    Herbie Hancock
    $59.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Conversations (Awaiting Repress) Conversations (Awaiting Repress) Quick View

    $16.99
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    Conversations (Awaiting Repress)

    Stanton Moore calls his latest album Conversations both a return to my roots and a reinvention. The New Orleans drummer, who is by all counts regarded as one of the great funk musicians of all time, has delivered his first jazz trio recording. It's a return to Moore's roots because he finally gets the opportunity to record with pianist David Torkanowsky and bassist James Singleton whom he came up playing alongside on the New Orleans' club circuit. It's a reinvention because after years of delivering huge grooves and unrelenting funk at some of the worlds more revered rock clubs and festivals, Moore is stepping back to focus on the subtlety of swing and improvisation, while presenting the music via intimate settings like that of his trio's home-base Snug Harbor.


    As for the album's title, one listen and it's clear. There's a vigorous musical dialogue happening among the three musicians, as they tell stories, explore ideas and trade thoughts on tracks like Lauren Z, Big Greaze and the Herbie Hancock classic Driftin'. The big easy is always close at hand with the majority of the material coming from the New Orleans composers, including James Black (Magnolia Triangle and In The Keyhole), Steve Masakowski (The Chase) and Paul Barbarin (Paul Barbarin's Second Line).


    With Conversations, Stanton Moore shines a light on a side of his musical personality that will be new to fans, but every bit as compelling as the substantial body of work he's already established over the course of his 20-year career.

    1. Lauren Z
    2. Carnival
    3. Driftin'
    4. Magnolia Triangle
    5. Waltz For Old Souls
    6. Tchefunkta
    7. The Chase
    8. Big Greaze
    9. In The Keyhole
    10. Paul Barbarin's Second Line
    11. Prayer
    Stanton Moore
    $16.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Happenings Happenings Quick View

    $19.99
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    Happenings

    Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    A Blue Note essential, Happenings is part of the Blue Note 75 anniversary vinyl reissue campaign - featuring 100 titles. Key to the initiative is high quality audio at affordable prices. Album was originally released in 1967 on Blue Note. Features six compositions by Hutcherson and one by Herbie Hancock.

    1. Aquarian Moon
    2. Bouquet
    3. Rojo
    4. Maiden Voyage
    5. Head Start
    6. When You Are Near
    7. Omen
    Bobby Hutcherson
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Step Lightly Step Lightly Quick View

    $15.99
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    Step Lightly

    Trumpeter Blue Mitchell's Blue Note debut went unissued for 17 years, only coming out on this 1980 LP (not yet reissued on CD). The set must have been lost in the shuffle, for the music is consistently excellent. Mitchell, tenor saxophonist Joe Henderson, altoist Leo Wright, pianist Herbie Hancock, bassist Gene Taylor, and drummer Roy Brooks perform four originals and obscurities, plus lyrical versions of Sweet and Lovely and Cry Me a River. Worth searching for.
    Side 1.
    1. Mamacita
    2. Sweet And Lovely
    3. Andrea
    Side 2.
    1. Step Lightly
    2. Cry Me A River
    3. Bluesville
    Blue Mitchell
    $15.99
    Vinyl LP Reissue - Sealed Buy Now
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