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  • Head Hunters Head Hunters Quick View

    $34.99
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    Head Hunters


    Mastered at Sterling Sound by Ryan Smith


    Stoughton Printing Old-Style Deluxe Film-Lamination Tip-On Jacket


    Plated and Pressed at Quality Record Pressings!


    There are few artists in the music industry who have had more influence on acoustic and electronic jazz and R&B than Herbie Hancock.


    In 1963, Miles Davis invited Hancock to join the Miles Davis Quintet. During his five years with Davis, Herbie recorded many classics with the jazz legend including ESP, Nefertiti and Sorcerer, and later on he made appearances on Davis' groundbreaking In a Silent Way and Bitches Brew.


    Hancock's own solo career blossomed on Blue Note, with classic albums including Maiden Voyage, Empyrean Isles and Speak Like a Child. After leaving Davis' fold, Herbie put together a new band called The Headhunters and, in 1973, recorded Head Hunters. Head Hunters was a pivotal point in Hancock's career, bringing him into the vanguard of jazz fusion. Hancock had pushed avant-garde boundaries on his own albums and with Miles Davis, but he had never devoted himself to the groove as he did on Head Hunters. Drawing heavily from Sly Stone, Curtis Mayfield and James Brown, Hancock developed deeply funky, even gritty, rhythms over which he soloed on electric synthesizers, bringing the instrument to the forefront in jazz. It had all of the sensibilities of jazz, particularly in the way it wound off into long improvisations, but its rhythms were firmly planted in funk, soul and R&B, giving it a mass appeal that made it the biggest-selling jazz album of all time (a record which was later broken).


    Jazz purists, of course, decried the experiments at the time, but Head Hunters still sounds fresh and vital four decades after its initial release, and its genre-bending proved vastly influential on not only jazz, but funk, soul and hip-hop.

    1. Chameleon
    2. Watermelon Man
    3. Sly
    4. Vein Melter
    Herbie Hancock
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Head Hunters (45 RPM) Head Hunters (45 RPM) Quick View

    $54.99
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    Head Hunters (45 RPM)

    Herbie Hancock's Masterpiece, Now Cut At 45 RPM!


    The Second Highest-Selling Jazz Album Of All Time!


    Mastered at Sterling Sound by Ryan Smith


    Stoughton Printing Old-Style Deluxe Film-Lamination Tip-On Jacket


    Double LP 200-Gram Discs Plated and Pressed at Quality Record Pressings!


    There are few artists in the music industry who have had more influence on acoustic and electronic jazz and R&B than Herbie Hancock.


    In 1963, Miles Davis invited Hancock to join the Miles Davis Quintet. During his five years with Davis, Herbie recorded many classics with the jazz legend including ESP, Nefertiti, and Sorcerer, and later on, he made appearances on Davis' groundbreaking In a Silent Way and Bitches Brew.


    Hancock's own solo career blossomed on Blue Note, with classic albums including Maiden Voyage, Empyrean Isles and Speak Like a Child. After leaving Davis' fold, Herbie put together a new band called The Headhunters and, in 1973 in San Francisco, recorded Head Hunters.


    Head Hunters became not only Hancock's best-selling album but also the second highest selling jazz album of all time (at last RIAA count). It was in 1973 that he gathered a new band to combine electric music with funk, perhaps best exemplified in the pop music of Sly Stone.


    Hancock took over all synthesizer duties, along with Fender Rhodes and clavinet and was backed by bass and drums. The opening bars of Watermelon Man with Bill Summers blowing into a beer bottle, along with the band's funky grooves and new electric sounds, captured the crossover fans who had otherwise avoided buying jazz records.


    Head Hunters was a pivotal point in Hancock's career, bringing him into the vanguard of jazz fusion. Hancock had pushed avant-garde boundaries on his own albums and with Miles Davis, but he had never devoted himself to the groove as he did on Head Hunters. Drawing heavily from Sly Stone, Curtis Mayfield, and James Brown, Hancock developed deeply funky, even gritty, rhythms over which he soloed on electric synthesizers, bringing the instrument to the forefront of jazz. It had all of the sensibilities of jazz, particularly in the way it wound off into long improvisations, but its rhythms were firmly planted in funk, soul, and R&B, giving it a mass appeal that made it the biggest-selling jazz album of all time (a record which was later broken).


    Jazz purists, of course, decried the experiments at the time, but Head Hunters still sounds fresh and vital four decades after its initial release, and its genre-bending proved vastly influential on not only jazz, but funk, soul, and hip-hop.

    1. Chameleon
    2. Watermelon Man
    3. Sly
    4. Vein Melter
    Herbie Hancock
    $54.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • The Adventures Of Panama Red The Adventures Of Panama Red Quick View

    $25.99
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    The Adventures Of Panama Red

    Purple Colored Vinyl


    1000 Only Limited Edition


    f there was ever any doubt that the New Riders of the Purple Sage were the ultimate hippie country rock band-and having had Jerry Garcia, Phil Lesh and Mickey Hart of the Grateful Dead as early members meant that there wasn't much-The Adventures of Panama Red put them to rest. This 1973 album's loosely connected tall tales of drug culture, complete with the album's underground comic book graphics, ensured that this gatefold record was a long-time dorm room favorite for separating out those stems and seeds. But Panama Red (their only gold record) had a lot more going for it than just countercultural kicks-the band, by now consisting of John Dawson, David Nelson, Dave Torbert, pedal steel ace Buddy Cage and Jefferson Airplane drummer Spencer Dryden-was much tighter than any outfit this stoned had a right to be, and with songwriting contributions from Peter Rowan (the hit "Panama Red" and "Lonesome L.A. Cowboy") and Robert Hunter ("Kick in the Head") as well as from the band's own fine tunesmiths in Dawson and Torbert, the songs were of a uniformly high quality. Production by multi-instrumentalist Norbert Putnam, charts by the Memphis Horns and vocal contributions by Buffy Sainte-Marie and Donna Godchaux helped enshrine this record as one of the finest country-rock outings of the '70s. Now, Real Gone Music is reissuing this classic album for the first time on vinyl, remastered by Vic Anesini at Battery Studios in NYC and lacquer cut by Kevin Gray, with a limited edition pressing of 1000 in-what else?-purple vinyl, with the original gatefold album and inner sleeve graphics (with lyrics) intact. Time to add to your stash of essential '70s vinyl!

    1. Panama Red (Album Version)
    2. It's Alright with Me
    3. Lonesome L.A. Cowboy (Album Version)
    4. Important Exportin Man (Album Version)
    5. One Too Many Stories (Album Version)
    6. Kick In the Head
    7. You Should Have Seen Me Runnin (Album Version)
    8. Teardrops In My Eyes (Album Version)
    9. L.A. Lady (Album Version)
    10. Thank the Day
    11. Cement, Clay and Glass
    New Riders of the Purple Sage
    $25.99
    Colored Vinyl LP - Sealed Buy Now
  • Sextant Sextant Quick View

    $32.99
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    Sextant

    Reissued for the First Time Since 1973!


    Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played with the greats such as Donald Byrd and Miles Davis. He was one of the first to embrace and master the electric piano, but he always stayed true to the acoustic sound. In fact, he always bounced back and forth between his electronic and acoustic sound, touching upon almost every development in R&B, Funk and Jazz while retaining an original and distinctive voice.


    Sextant from 1973 was recorded just before Head Hunters, and can be seen in the same vein, but it's more than just an introduction to a masterpiece. It features a kind of post-modal, free impressionism while gracing the edges of funk. Three long instrumental tracks explore how far minimalism in jazz can go.

    1. Rain Dance
    2. Hidden Shadows
    3. Hornets
    Herbie Hancock
    $32.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Wilderness (On Sale) The Wilderness (On Sale) On Sale Quick View

    $17.99 $14.21 Save $3.78 (21%)

    Buy Now
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    The Wilderness (On Sale)

    Ponykiller is an up and coming band formed in New Orleans circa 2008. Their sound embodies an aural amalgam composed of progressive psychedelic rock and hardcore elements coated with a glossy pop sheen. The musical product is the synthesis of individual players in the group, who hail from California and Louisiana.


    Lead singer/rhythm guitarist Collin Yeo amplifies his haunting melodic lyrics with a spacey surf atmosphere. Lead guitarist Ben Deffendall juxtaposes Yeo's sound with etherial vibe and pointed metal edge. Tim Nolan combines classic jazz drumming with bombastic movment and grooves in an eclectic rhythm experience. Trevor Darling straddles the boundaries created by the cast around him as he steadily reinforces cadence while venturing out on speculative bass tangents.


    Produced by Philip H. Anselmo (Pantera), the album weaves warm organic tones with a live aesthetic, creating a polished sound with spontaneous interludes. From the pop sensibility of Some Sunny Girl to the hyptonic psychedelia that is Head Hunters, The Wilderness presents a wide array of refreshing sounds and styles.

    1. I-5
    2. Howlee
    3. Buskateer
    4. Another Toxic Year
    5. Wendigo
    6. Night Time
    7. Magnet River
    8. It's All Over (But The Bleeding)
    9. Some Sunny Girl
    10. Deadheart
    11. Into The Drink
    12. Headhunters
    Ponykiller
    $17.99 $14.21 Save $3.78 (21%)
    Vinyl LP - Sealed Buy Now
  • The Magnificent Seven Soundtrack The Magnificent Seven Soundtrack Quick View

    $39.99
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    The Magnificent Seven Soundtrack

    180 Gram Audiophile Vinyl


    First Pressing Of 500 Numbered Copies On Red Vinyl, Black Vinyl Thereafter


    Gatefold Sleeve


    Includes 4-Page Insert


    PVC Protective Sleeve


    Music Composed By James Horner (His Last Score) And Simon Franglen


    Secret Inscriptions In Run Out Groove


    The Magnificent Seven is a remake of the 1960s western film, which in turn was a remake of the 1954 Japanese classic film, Seven Samurai.


    As the town Rose Krick is put under the siege of industrialist Bartholomew Bogue, the residents enlist the help of seven outlaws. Headed by bounty hunter Sam Chisolm they ought to protect them while they prepare for the anticipated violent confrontation. However, upon meeting the town's residents, the Seven find themselves fighting for much more than money.


    The film stars Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Lee Byung-hun, Manuel Garcia-Rulfo, Martin Sensmeier, Peter Sarsgaard and Haley Bennett.


    Multiple Award Winning composer James Horner was asked to write the film's score but died on June 22, 2015. Nearly a month after his death movie director Antoine Fuqua learned that James Horner had already started working on music for the film before filming commenced. Horner's friend and score producer Simon Franglen co-composed the score after Horner's death. This score will be the final James Horner score to be released posthumously.

    LP 1
    1. Rose Creek Oppression
    2. Seven Angels Of Vengeance
    3. Lighting The Fuse
    4. Volcano Springs
    5. Street Slaughter
    6. Devil In The Church
    7. Chisolm Enrolled
    8. Magic Trick
    9. Robicheaux Reunion
    10. A Bear In People's Clothes
    11. Red Harvest
    12. Takedown
    13. Town Exodus - Knife Training
    14. 7 Days, That's All You Got


    LP 2
    1. So Far So Good
    2. Sheriff Demoted
    3. Pacing The Town
    4. The Deserter
    5. Bell Hangers
    6. Army Invades Town

    7. Faraday's Ride
    8. Horne Sacrifice
    9. The Darkest Hour
    10. House Of Judgment
    11. Seven Riders

    James Horner
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Warm Leatherette Warm Leatherette Quick View

    $152.99
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    Warm Leatherette

    Import


    Digitally Remastered & Expanded Four 180gm Vinyl LP Pressing In Hard Case


    Warm Leatherette represents a watershed moment in the career of Grace Jones. The first of her much loved and critically-lauded 'Compass Point trilogy' it saw the star embrace contemporaneous new wave (The Normal's 'Warm Leatherette', The Pretenders' 'Private Life'), old soul (The Marvelettes' 'The Hunter Gets Captured By The Game' and leftfield rock (Tom Petty and the Heartbreakers' 'Breakdown', Roxy Music's 'Love Is The Drug'). All sounded like nothing you'd ever heard before once Grace had finished with them. This set is a perfect demonstration of players, writers and production team at the very top of their game, headed up by a singular performer reaching the apex of her career to that point.

    1. Warm Leatherette
    2. Private Life
    3. A Rolling Stone
    4. Love Is The Drug
    5. The Hunter Gets Captured By The Game
    6. Bullshit
    7. Breakdown
    8. Pars
    9. Warm Leatherette (Long Version)
    10. Private Life (Long Version)
    11. A Rolling Stone (Long Version)
    12. Love Is The Drug (Long Version)
    13. The Hunter Gets Captured By The Game (Long Version)
    14. Pars (Long Version)
    15. Private Life (Long Version 2)
    16. Private Life (Dub Version)
    17. She's Lost Control (Long Version)
    18. She's Lost Control (Dub Version)
    19. Love Is The Drug (Single Version)
    20. Private Life (Single Version)
    21. She's Lost Control (Single Version)
    22. The Hunter Gets Captured By The Game (Special Single Version)
    23. Breakdown (U.S. Single Edit)
    24. Pars (Single Version)
    25. Pars (Dub Version)
    26. Love Is The Drug (12" Single Remix)
    27. Private Life (12" Single Remix)
    Grace Jones
    $152.99
    180 Gram Audiophile Virgin Vinyl LP Box Set - 4 LPs Sealed Buy Now
  • Why Love Now Why Love Now Quick View

    $19.99
    Buy Now
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    Why Love Now

    Pissed Jeans have been making gnarly noise for 13 years, and on their
    fifth album, Why Love Now, the male-fronted quartet is taking aim at
    the mundane discomforts of modern life-from fetish webcams to
    office-supply deliveries. Rock bands can retreat to the safety of what
    rock bands usually sing about. So 60 years from now, when no one
    has a telephone, bands will be writing songs like, 'I'm waiting for her
    to call me on my telephone.' Kids are going to be like, 'Grandpa, tell
    me, what was that?' I'd rather not shy away from talking about the
    internet or interactions in 2016, says frontman Matt Korvette.


    Pissed Jeans' gutter-scraped amalgamation of sludge, punk, noise,
    and bracing wit make the band-Korvette, Brad Fry (guitar), Randy
    Huth (bass) and Sean McGuinness (drums)-a release valve for a
    world where absurdity seems in a constant battle trying to outdo
    itself. Why Love Now picks at the bursting seams that are barely
    holding 21st-century life together. Take the grinding rave-up The Bar
    Is Low, which, according to Korvette, is about how every guy seems
    to be revealing themselves as a shithead. It seems like every guy is
    getting outed, across every board of entertainment and politics and
    music. There's no guy that isn't a total creep.


    The lyrics on Why Love Now are particularly pointed about gender
    relations and the minefield they present in 2016. 'It's Your Knees' is
    about the endless, unrequested, commenting on if you'd fuck a girl.
    'My great aunt won a cooking contest.' 'Oh, that's pretty hot. I'd hit
    that,' says Korvette. On Love Without Emotion Korvette channels
    Nick Cave's guttural side while bemoaning his detachment over
    cavernous guitars. Ignorecam twists the idea of fetish cam shows-
    where the woman just ignores you and watches TV or eats macaroni
    and cheese or talks on the phone-into a showcase for Korvette's
    rancid yelp and his bandmates' pummeling rock.


    As they did on their last album, 2013's Honeys, Pissed Jeans offer a
    couple of fuck that shit type songs about the working world. And the
    startling I'm A Man, which comes at the album's midpoint, finds
    author Lindsay Hunter (Ugly Girls) taking center stage, delivering a
    self-penned monologue of W.B. Mason-inspired erotica-office small
    talk about pens and coffee given just enough of a twist to expose its
    filthy underside, with Hunter adopting a grimacing menace that
    makes its depiction of curdled masculinity even more harrowing.


    No Wave legend Lydia Lunch shacked up in Philadelphia to produce
    Why Love Now alongside local metal legend Arthur Rizk (Eternal
    Champion, Goat Semen). I knew she wasn't a traditional producer,
    Korvette says of Lunch. I like how she's so cool and really intimidating.
    She ended up being so fucking awesome and crazy. She was
    super into it, constantly threatening to bend us over the bathtub. I'm
    not really sure what that entails, but I know she probably wasn't
    joking." The combination of Lunch's spiritual guidance and Rizk's
    technical prowess supercharged Pissed Jeans, and the bracing Why
    Love Now documents them at their grimy, grinning best. While its
    references may be very early-21st-century, its willingness to state its
    case cement it as an album in line with punk's tradition of turning
    norms on their heads and shaking them loose.

    1. Waiting On My Horrible Warning
    2. The Bar Is Low
    3. Ignorecam
    4. Cold Whip Cream
    5. Love Without Emotion
    6. I'm A Man
    7. (Won't Tell You) My Sign
    8. It's Your Knees
    9. Worldwide Marine Asset Financial Analyst
    10. Have You Ever Been Furniture
    11. Activia
    12. Not Even Married
    Pissed Jeans
    $19.99
    Vinyl LP - Sealed Buy Now
  • Mahler - Symphony #1 (Speakers Corner) Mahler - Symphony #1 (Speakers Corner) Quick View

    $34.99
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    Mahler - Symphony #1 (Speakers Corner)

    "What kind of a world is this which produces such sounds and forms to portray itself?" said Mahler of his First Symphony and gave the world his answer in the music.



    What at first sounds like "endless Spring" is transformed grotesquely to become an irreal collage. Just how deceptive is this idyllic landscape through which the wayfarer wanders? Distant fanfares, furtive melodies and strange cuckoo calls disturb the seemingly peaceful depiction of Nature before the cheerful theme melody pushes to the fore. But this peace is transient too. The wayfarer begins to increase his pace, he is not the hunter but the hunted in a hostile world. This symphony neither portrays nor describes - it presents the esthetic counterpart of reality.



    In view of the recent revival of Mahler and the resultant new recordings of his works, this early DECCA recording cannot be too highly praised. The disc guarantees not only a masterly performance but sumptuous sound and transparency. The owner of this particular recording of the Titan Symphony certainly needs no other and has every right to ask, "What kind of a record is this which produces such sounds...?"



    Musicians:



    • London Symphony Orchestra

    • Sir Georg Solti (conductor)




    Recording: January and February 1964 at Kingsway Hall, London by Gordon Parry / John Culshaw





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Langsam, Schleppend, Wie Ein Naturlaut
    2. KrÄftig Bewegt, Doch Nicht Zu Schnell
    3. Feierlich Und Gemessen, Ohne Zu Schleppen
    4. StÜrmisch Bewegt
    Gustav Mahler
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Turnpike Troubadours Turnpike Troubadours Quick View

    $19.99
    Buy Now
    x

    Turnpike Troubadours

    The Turnpike Troubadours, the eponymous fourth album from the red dirt country journeymen, careens into view slowly with The Bird Hunters, a melancholic waltz that recalls some of the sadder moments from its predecessor, 2012's Goodbye Normal Street. Much of that record underscored the dusty literary aspirations of lead singer/songwriter Evan Felker but, appropriately enough for an album named after the band as a whole, this record puts equal emphasis on head, heart, and muscle, easing between simple heartbroken laments and full-throated roars.


    Felker's voice and writing are plainspoken but not pedestrian; there's a soulful undercurrent to his simplicity, his modesty never seeming affected, his working-class anthems never showy. As subtle and lived-in as these songs are, what really makes The Turnpike Troubadours kick is the band itself. While they've never been restrained on record, this 2015 LP feels brawny and also sensitive, the band capable of leaning into the song so the rampaging minor-key stomp Doreen possesses a sad, menacing edge, The Mercury drowns out all sorrow, and Fall Out of Love plays like a balm straight out of Muscle Shoals. As always, the key to the success of the Turnpike Troubadours -- both as a band and in this album in particular -- is that they never draw attention to their depth and how they occupy a wide, woeful territory where laments heal and parties can feel reassuringly lonely.

    1. The Bird Hunters
    2. The Mercury
    3. Down Here
    4. Time of Day
    5. Ringing in the Year
    6. A Little Song
    7. Long Drive Home
    8. Easton & Main
    9. 7 Oaks
    10. Doreen
    11. Fall Out of Love
    12. Bossier City
    The Turnpike Troubadours
    $19.99
    Vinyl LP - Sealed Buy Now
  • Down Home (Pure Pleasure) Down Home (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Down Home (Pure Pleasure)

    Bethlehem Records was a major jazz label in the 1950's formed by Gus Wildi with an impressive roster of artists including singers Nina Simone, Carmen MacRae, Chris Conner & Mel Torme, to name a few; arrangers: Marty Paich, Russ Garcia, Frank Hunter; and musicians including: Dexter Gordon, Roland Kirk, Charles Mingus, Frank Rosolino, Herbie Mann, Stan Levey, Art Blakey, Milt Hinton, Errol Garner, Zoot Sims, Duke Ellington, J.J. Johnson and many, many others. The label distinguished itself by giving artists creative control of their projects and presented albums of rather cutting edge graphic design. Its legacy is a lengthy discography that freshly and ambitiously captured and preserved an era of truly amazing music including West Coast Cool Jazz, East Coast Bop, and Vocalists. For many of the artists, their first or greatest recorded work happened at Bethlehem. By trusting its staff and artists to make their own creative decisions, to experiment, and thus to flourish, Bethlehem actively helped create and not just document a whole and diverse era of Jazz music.
    1960, when this album was recorded, was one of Zoot Sims' most productive years. The performances here are recognised as being the masterpieces of Sims' middle period.



    Musicians:



    • Zoot Sims (tenor saxophone)

    • Dave McKenna (piano)

    • George Tucker (bass)

    • Dannie Richmond (drums)



    Recording: June 1960 in New York City by Peter Ind

    Production: Teddy Charles



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Jive At Five
    2. Doggin' Around
    3. Avalon
    4. I Cried For You
    5. Bill Bailey
    6. Goodnight Sweetheart
    7. There'll Be Some Changes Made
    8. I've Heard That Blues Before
    Zoot Sims
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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