Vinyl. Our way of life since 2004 (877) 929-8729

VPI Dealer Authorized & Certified
Site Search
Menu Free shipping on domestic orders over $49.99! - We ship worldwide!
LP12 - 12% Off Vinyl
Home > Products for: '

Harry Styles

'
Results per page:
  • Harry Styles Harry Styles Quick View

    $27.99
    Buy Now
    x

    Harry Styles

    Debut Album By Harry Styles, Formerly Of One Direction


    Pressed On 180-Gram Vinyl


    Includes 12 x 12 Booklet


    Harry Styles, is the highly anticipated self-titled debut album from the global superstar. The ten track album features the lead single "Sign of the Times," which topped the charts in over 80 countries upon its release day.

    1. Meet Me in the Hallway
    2. Sign of the Times

    3. Carolina

    4. Two Ghosts

    5. Sweet Creature

    6. Only Angel

    7. Kiwi

    8. Ever Since New York
    9. Woman
    10. From the Dining Table
    Harry Styles
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Introducing The 3 Sounds Introducing The 3 Sounds Quick View

    $49.99
    Buy Now
    x

    Introducing The 3 Sounds

    What's remarkable about Introducing The 3 Sounds is how the trio's lightly swinging sound arrived fully intact. From the basis of this album, it sounds as if pianist Gene Harris, bassist Andrew Simpkins and drummer William Dowdy have been playing together for years. There's empathetic, nearly intuitive interplay between the three musicians and Harris' deft style already sounds mature and entirely distinctive.


    Bill Dowdy, drums
    Gene Harris, piano, celeste
    Andrew Simpkins, bass

    1. Tenderly
    2. Willow Weep for Me
    3. Both Sides
    4. It's Nice
    5. O Sole Mio
    6. Blue Bells
    7. Goin' Home
    8. Woody 'N You
    The 3 Sounds
    $49.99
    180 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Buy Now
  • Belafonte Sings The Blues Belafonte Sings The Blues Quick View

    $54.99
    Buy Now
    x

    Belafonte Sings The Blues

    Impex's line of classic RCA Living Stereo releases includes the inimitable vocal stylings of Harry Belafonte singing the timeless words and music of American blues in truly breath-taking sound.


    Impex Records offers Harry Belafonte's ground-breaking blues set available for the first time on 45rpm 180g Vinyl, featuring exclusive historical essay insert on an elegant 84 lb pearlized paper stock and gorgeous high resolution mastering by Kevin Gray at AcousTech Mastering.


    Belafonte Sings the Blues was recorded over four sessions during the first half of 1958, and released by RCA later that year. The album features performances of numerous Billie Holiday, Johnny Mercer, and Ray Charles songs performed in a way that only Belafonte can.


    The blues are close to Belafonte's heart and it shows in the way he delivers such tunes as "One For My Baby", "Cotton Fields" and "God Bless the Child" among others.


    Recorded in New York, January 29, 1958, March 29, and in Hollywood June 5 and 7, 1958.



    Features:



    • Individually Numbered

    • Strictly Limited to 2500 Copies!

    • 45rpm 180 Gram Vinyl

    • Double LP

    • Mastered by Kevin Gray at AcousTech Mastering

    • Historical essay on 84# Pearlized paper stock




    1. A Fool For You
    2. Losing Hand
    3. One For My Baby
    4. In the Evenin' Mama
    5. Hallelujah I Love Her So
    6. The Way That I Feel
    7. Cotton Fields
    8. God Bless the Child
    9. Mary Ann
    10. Sinner's Prayer
    11. Fare Thee Well
    Harry Belafonte
    $54.99
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
  • Belafonte At Carnegie Hall Belafonte At Carnegie Hall Quick View

    $37.99
    Buy Now
    x

    Belafonte At Carnegie Hall

    Harry Belafonte has always been a musical
    chameleon. Using a thick base of folk music, he
    added blues, soul, jazz, pop and a plethora of
    various Caribbean styles to create albums that
    were unique, socially relevant and just plain
    entertaining. This live recording was produced
    by Bob Bollard at New York's famed Carnegie
    Hall features material culled from two identical
    performances on April 19 and April 20, 1959.


    "Belafonte At Carnegie Hall" was documented
    at the height of the singer's success when it
    wasn't fashionable to record outside of the studio
    environment. The revered 19-track affair is divided
    into the three acts Moods of the American Negro,
    In the Caribbean, and Round the World, and
    finds Belafonte's world class voice wonderfully
    supported by a small combo of two guitars, bass,
    and percussion, and a perfectly timed 47-piece
    orchestra conducted by Robert Corman.


    Recorded live at Carnegie Hall, New York City,
    April 19 & 20, 1959

    LP 1
    1. Introduction; Darlin' Cora
    2. Sylvie
    3. Cotton Fields
    4. John Henry
    5. Take My Mother Home
    6. The Marching Saints
    7. Day O
    8. Jamaica Farewell
    9. Man Piaba
    10. All My Trials


    LP 2
    1. Mama Look A Boo Boo
    2. Come Back Liza
    3. Man Smart (Woman Smarter)
    4. Hava Nageela
    5. Danny Boy
    6. Merci Bon Dieu
    7. Cu Cu Ru Cu Cu Paloma
    8. Shenandoah
    9. Matilda

    Harry Belafonte
    $37.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Belafonte At Carnegie Hall (Speakers Corner) Belafonte At Carnegie Hall (Speakers Corner) Quick View

    $49.99
    Buy Now
    x

    Belafonte At Carnegie Hall (Speakers Corner)

    To perform in Carnegie Hall must surely be the greatest ambition of every artist, regardless of his or her style of music. But it also presents an enormous challenge, because on such an evening 'good' isn't good enough. The artist is not merely expected to perform to his or her usual high standard - the evening must be exceptional. Harry Belafonte, the charismatic and highly experienced performer, certainly managed to fulfil such expectations, as is testified to by the present double album, which has retained its place as a best-seller at the top of the charts over many years.
    This performance contains three acts, as it were: Afro-American moods, Caribbean songs and excursions into music of the world. Belafonte is in top form and celebrates an exciting, sparkling festival of song, including spontaneous comic interludes, which arise from direct interaction with his enthralled and enthusiastic audience. He is brilliantly supported by Bob Corman and his 47-man orchestra, an ensemble which is reduced to a small combo when the maestro raises his husky voice. It goes without saying that all the favourites are there such as Jamaica Farewell, Day-O and Mama Look A Boo Boo, making this Carnegie Hall event one of the most mesmerizing live performances of all time, which captures the essence of the performer in his prime (All Music Guide). With this double album you too can sit in the audience and enjoy this great event.



    Musicians:



    • Harry Belafonte (vocal)

    • Millard Thomas, Raphael Boguslav (guitar)

    • Norman Keenan (bass)

    • Danny Barrajanos (percussion)

    • & orchestra conducted by Robert Corman




    Recording: April 1959 live at Carnegie Hall, New York, by Bob Simpson

    Production: Bob Bollard





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. Introduction/Darlin'
    2. Sylvie
    3. Cotton Fields
    4. John Henry
    5. The Marching Saints
    6. The Banana Boat Song (Day-O)
    7. Jamaica Farewell
    8. Mama Look a Boo Boo
    9. Come Back Liza
    10. Man Smart (Woman Smarter)
    11. Hava Nagila (Traditional)
    12. Danny Boy
    13. Cucurrucucu Paloma
    14. Shenandoah
    15. Matilda
    Harry Belafonte
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Belafonte Sings The Blues Belafonte Sings The Blues Quick View

    $34.99
    Buy Now
    x

    Belafonte Sings The Blues

    200 Gram LP Plated And Pressed At Quality Record Pressings


    Mastered By Kevin Gray At Cohearent Audio


    Old-Style Tip-On Heavyweight Jacket By Stoughton Printing


    A favorite off the recommended list by The Absolute Sound magazine, and, as expressed in the liner notes, Harry Belafonte's favorite recording. Belafonte has never before sung on records as he does in this album. He is freer, more earthy, more exultantly identified with his material than ever before. He has always communicated an often ferocious power as well as lyrical sensitivity, but in this collection he achieves a unity of emotional strength in and understanding of his material that marks an important stage in his evolution as an artist.


    Includes classic songs Cotton Fields, God Bless' The Child, Hallelujah I Love Her So. Recorded in New York City in January and March 1958, and in Hollywood, California, in June 1958.


    As the liner notes by Nat Hentoff state, there is not much to say about the individual performances that is not entirely clear on hearing them. Truly a classic for discerning audiophiles, Belafonte Sings The Blues was the first Belafonte album recorded in stereo. The sound is incredible, and the dead-silent backgrounds of QRP 200-gram vinyl preserve every exquisite detail! This is one of Belafonte's most satisfying set of performances.

    1. A Fool For You
    2. Losing Hand
    3. One For My Baby
    4. In The Evenin' Mama
    5. Hallelujah I Love Her So
    6. The Way That I Feel
    7. Cotton Fields
    8. God Bless' The Child
    9. Mary Ann
    10. Sinner's Prayer
    11. Fare Thee Well
    Harry Belafonte
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Fate Is Only Once (And Other Blues, Ragtime, And Fingerpicking Tunes) (Awaiting Repress) Fate Is Only Once (And Other Blues, Ragtime, And Fingerpicking Tunes) (Awaiting Repress) Quick View

    $32.99
    Buy Now
    x

    Fate Is Only Once (And Other Blues, Ragtime, And Fingerpicking Tunes) (Awaiting Repress)

    Import


    An extremely rare album of instrumental guitar, originally released as a private pressing in 1965, (while Taussig was living in Berkley, right on the cusp of the sixties revolution) and then forgotten until the album was finally saved from the black hole of music with a re-release on CD in 2006. While this album is a faithful slice of American roots, folk, traditional rags and blues, Taussig is not a mere student of these styles, rather he brings a contemporary approach and a darkly sarcastic humour to the music that is all his own. In the vein of guitarists like John Fahey, Taussig is extremely proficient on his instrument (he even wrote a book called Instrumental Techniques of American Folk Guitar), but never bound by mere technique. An important piece in the puzzle of the American folk revival. This is its first ever vinyl reissue.

    Side A:

    1. Baby Let Me Lay It On You / That'll Never Happen No More

    2. Blues For Zone VII

    3. Dark Town Strutters Ball

    4. R.R.Bill & Co

    5. Rev's Rag

    6. Sugar Babe, Your Papa Cares For You


    Side B:

    1. National Ragtime Stomp

    2. Rondo To Death

    3. Monte's Blues

    4. Dorian Sonata

    5. St Louis Tickle

    6. Fate Is Only Once

    Harry Taussig
    $32.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Sweetenings (Pure Pleasure) Sweetenings (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Sweetenings (Pure Pleasure)

    Harry 'Sweets' Edison, a smooth and suave trumpeter, was a cohort of orchestra leader Count Basie, a favourite of bandleader Nelson Riddle, and a noted backup artist for the most prominent vocalists of his time. Edison, with his energetic yet reticent blowing style, bridged a genre gap between the early classic jazz sound of Louis Armstrong and modern bebop modes. Edison, who played equally well in both styles, had a special talent for sustaining his trumpet notes and injecting each single tone with expression and soul never heard before or after.


    The special quality of his trumpet playing earned him the nickname 'Sweets' because of the sweetness of the tones. Likewise his ability to control the tone of his trumpet brought him to the forefront as a session musician, playing accompaniments for the most respected vocalists of his time.


    Edison was a true pioneer of jazz. An old-time homespun boy, born in Columbus, Ohio, he never knew with certainty even the year of his birth. According to his best knowledge, he was born in 1919, although some sources list the date as early as 1915. Edison knew even less about his own father, a Native American of the Hopi (Apache) tribe and a drifter who stayed only a few weeks with Edison's mother before taking to the road and was rarely heard from afterward. Edison spent his early years with an uncle, who was a coal miner and a farmer, in Louisville, Kentucky. It was Edison's uncle who taught the boy to play the pump organ and to play scales on an old cornet. Edison, who also listened to his uncle's records, was especially inspired by the music of Louis Armstrong and Bessie Smith.


    Harry Sweets Edison added something special to any date in which he took part, but these 1958 sessions he led for Roulette are especially enjoyable. Joined by either Jimmy Jones or Kenny Drew on piano and Joe Benjamin or John Simmons on bass, along with tenor saxophonist Jimmy Forrest and drummer Charlie Persip, Edison's trumpet swings effortlessly through a batch of standards and originals.


    The loping blues Centerpiece became a classic jazz composition, recorded by numerous jazz artists, but this was its debut appearance on LP. Jive at Five dates from his years with Count Basie and finds the band sticking to an accompanying role in this swinging but brief arrangement. Edison utilizes a mute in the gently swinging Louisiana, while he showboats just a bit in a brief take of It Happened in Monterey. While this record might have offered a little more variety by giving solo space to some of the talented sidemen present, this long out of print LP is well worth acquiring.



    Musicians:



    • Harry Edison (trumpet)

    • Jimmy Forrest (tenor saxophone)

    • Jimmy Jones (piano)

    • Joe Benjamint (bass)

    • John Simmons (bass)

    • Charlie Persip (drums)



    Recording: November 1958 in New York
    Production: Teddy Reig




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Centerpiece
    2. Candy
    3. Jive At Five
    4. Imagination
    5. Louisana
    6. Harriet
    7. It Happened In Monterey
    8. If I Had You
    9. Paradise
    10. Indiana
    11. Pussy Willow
    12. Sweetenings
    Harry Sweets Edison
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Many Moods of Belafonte The Many Moods of Belafonte Quick View

    $54.99
    Buy Now
    x

    The Many Moods of Belafonte


    Presented For The First Time Ever On 45-RPM LP By Impex Records And Audio International In Germany


    All-Analog Mastering From Original Master Tapes By Kevin Gray & Robert Pincus


    New Deluxe Gatefold Jacket With Original Lyrics


    Individually Numbered And Strictly Limited To 2,500 Copies


    Harry Belafonte has always been a musical chameleon. Using a thick base of folk music, he added blues, soul, jazz, pop and a plethora of various Caribbean styles to create albums that were unique, socially relevant and just plain fun.


    Nowhere is his broad, encompassing vision more in effect than on his 1962 release The Many Moods of Belafonte. From the Appalachian miner ballad Dark as a Dungeon through Hebrew lullaby Lyla, Lyla and even a Broadway ballad (Try To Remember from The Fantastiks), there's a little something for everyone. Belafonte himself seems inspired by these tunes, singing with gusto on the fun tracks and with reverential tact on the darker, more emotional material.


    Impex Records now presents in association with Audio International in Germany The Many Moods of Belafonte in an exclusive all-analog 45-rpm 2-LP set. Cut by Kevin Gray from original analog tapes and pressed at RTI, every nuance of RCA's Bob Simpson big stage recording shines through your system.

    1. Tongue Tie Baby
    2. Who's Gonna Be Your Man
    3. Long About Now
    4. Bamotsweri
    5. I'm On My Way To Saturday
    6. Betty An' Dupree
    7. Summertime Love
    8. Lyla, Lyla
    9. Zombie Jamboree
    10. Try To Remember
    11. Dark As A Dungeon
    Harry Belafonte
    $54.99
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
  • Colours Colours Quick View

    $18.99
    Buy Now
    x

    Colours

    Ashley Eriksson (darling to many for her work with LAKE) has achieved a status few artists ever know: her song Island Song can be hummed by almost any teenager in the United States (a surprising discovery she made while teaching Portland's
    Rock Camp for Girls last summer). Used as the closing theme for Cartoon Network's cult sensation Adventure Time, Island Song has over a million views on Youtube and has generated dozens of cover videos, making Ashley Eriksson the equivalent of a household name to the youth of America.


    Now Ashley Eriksson has recorded Colours [KLP245], her inspired solo debut on K, and a collection of piano pieces, ballads and songs for her fans around the world. Tucker Martine (producer of LAKE, Decemberists) planted the idea that Ashley should make a solo record after they worked together in 2011, but it wasn't until returning from a trip to Sweden that Ashley was motivated to create Colours, and her vision for a solo piano album quickly evolved to include songs with her beloved '70s style of instrumentation and pop sensibility (most strikingly her cover of Ett Stilla Regn a song by the tragic Swedish pop team Ted and Kenneth GÄrdestad, adapted in the style Me and My Arrow by Harry Nilsson). Because Ashley engineered and recorded the album herself (using the same 8-track she's been recording with since she was a teenager), she was able to capture her collection of songs in a variety of old haunts, including favorite grange halls and churches, her tiny shed in northern Sweden, friends' houses, and in the Whidbey Island studio-trailer where she lived with husband (and LAKE collaborator) Eli Moore.


    It's the emotional space Ashley reserved for herself while recording Colours that makes it such a personal and vivid statement. Of writing the beautiful, lead ballad Why Are You So Helpless?" Ashley says "I dreamt this song while I was sleeping in the little shed behind my dad's house in northern Sweden. I was in a record store and a John Lennon song came on I'd never heard before. It was a 70's 'super group' album, like the Band or CSNY or something like that. When I woke up I was anxious
    to capture the song. I recorded the demo on my phone and sang with an acoustic guitar I had with me." In a similar way, all the songs on Colours are collected from her dreams, expanded by graceful piano notes and the peaceful echoes of fire-lit
    evenings.

    01. March of the Conch
    02. Why Are You So Helpless?
    03. West of the Mountain
    04. Arguably
    05. Ett Stilla Regn
    06. Good Storm
    07. Colours
    08. Bury the House
    09. Mother Nature's Promise
    10. Sunset
    11. Humming in the Dark
    12. Organ Music
    13. In The Stubborn Eyes of a Demon
    Ashley Eriksson
    $18.99
    Vinyl LP - Sealed Buy Now
  • Aerial Ballet (Speakers Corner) Aerial Ballet (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Aerial Ballet (Speakers Corner)

    To define in a nutshell the music of Harry Nilsson in accordance with his personality can easily become a fiasco. The American singer-songwriter might well share his reputation as a multi-talented eccentric with a number of other musicians. However, his highly unusual style and his »satirical catchy pop songs [composed] with the sparkling eye of a cynic and the tearful eye of a nostalgic« (rororo Rock Lexicon) cannot be pigeonholed. Nilsson packaged derisive lines, spiced with a pinch of self-irony, in suspiciously pleasing yet carefully selected tunes. His cultivated and astonishingly supple voice basked to the full in bittersweet phrases, aided by elaborate, melting, slushy arrangements with strings and winds. Several of the wonderfully fresh numbers from Aerial Ballet reached top places in the charts. Everybody's Talkin' became world-famous through its use in the film Asphalt Cowboy and brought Nilsson his first Grammy award. The song One soared to the top ten of the charts. The other light and airy songs now invite you to create your very own hit list. Every single number makes great listening!


    This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.


    Musicians:



    • Harry Nilsson (vocal)

    • Plas Johnson (woodwinds)

    • Dennis Budimir (guitar)

    • Al Casey (guitar)

    • Michael Melvoin (harpsichord, organ, piano)

    • Larry Knechtel (bass, piano)

    • Jim Gordon (drums)

    • Milt Holland (percussion)




    Recording: 1967 and 1968 in RCA Victor's Music Center Of The World, Hollywood

    Production: Rick Jarrad





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. Daddy's Song
    2. Good Old Desk
    3. Don't Leave Me
    4. Mr. Richland's Favorite Song
    5. Little Cowboy
    6. Together
    7. Everybody's Talkin'
    8. I Said Goodbye To Me
    9. Little Cowboy
    10. Mr. Tinker
    11. One
    12. The Wailing Of The Willow
    13. Bath
    Harry Nilsson
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Blue Hour (Awaiting Repress) Blue Hour (Awaiting Repress) Quick View

    $39.99
    Buy Now
    x

    Blue Hour (Awaiting Repress)

    Cut At 33 1/3 RPM By Kevin Gray At Cohearent Audio From The Original Rudy Van Gelder Blue Note Master Tapes


    Pressed On 180 Gram Virgin Vinyl LP By RTI


    Top Quality Gatefold Packaging With Laminated Covers & High Quality Session Photos


    Blue Hour has such a logical match up that it is very surprising that it did not happen again. Stanley Turrentine, the most soulful of all tenor-saxophonists, teams up with Gene Harris and the Three Sounds, one of the most swinging soul jazz trios, a group that was at the height of its popularity. The results are magical and timeless. At the time of this Dec. 16, 1960 recording, Stanley Turrentine was 26 and on the verge of stardom in the jazz world and beyond. In the 1950s he had worked with Lowell Fulson, Earl Bostic and other r&b bands. Most significant were his 1959-60 stint with Max Roach and his recordings with Jimmy Smith which helped lead to his signing with Blue Note. From the start, Turrentine's fat tone, soulful style and ability to put a maximum amount of emotion into every single note made him instantly recognizable. Gene Harris was Turrentine's equivalent on piano. His gutsy and bluesy style mixed together Oscar Peterson with Junior Mance. He formed the Three Sounds with bassist Andy Simpkins and drummer Bill Dowdy in 1956 and the group was such a hit that they recorded 12 albums for Blue Note during 1958-62 including four in 1960 alone. Blue Hour features the original "Blue Riff" plus four of the most beloved songs in blues and jazz history. No matter how many times one has heard such songs as "Gee Baby, Ain't I Good To You," "Willow Weep For Me" and "Since I Fell For You," these versions are still very special. Turrentine and Harris have similar approaches, being jazz masters who loved to play the blues. They constantly echo each other's ideas and put such feeling into these vintage songs that they make every moment count. Stanley Turrentine and Gene Harris may have only teamed up this one time but Blue Hour is a classic that will be loved by anyone who is lucky enough to hear it.


    Features:

    Limited Edition of Only 3500 Copies

    Remastered from the Original Rudy Van Gelder Blue Note Master Tapes

    Remastered by Kevin Gray at Cohearent Audio

    Pressed on 180 gram Virgin Vinyl LP by RTI

    Ultra-Durable, Extra Thick Album Jackets

    Gatefold Album with Session Photos in stunning High Resolution

    Stereo


    This title is not eligible for discount.

    Stanley Turrentine
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Extraordinary Light Extraordinary Light Quick View

    $19.99
    Buy Now
    x

    Extraordinary Light

    Ben Fields is bringing a style of introspective songwriting pioneered by artists like Nick Drake and Van Morrison back into the mainstream. A stylistic homogeny of Harry Nilsson, The Beatles, Curtis Mayfield, and Lowell George gives his debut album, Extraordinary Light (out on June 17), a sound that defined an era.
    1. Extraordinary Light
    2. Matilda
    3. Swede
    4. Fragile Little Heart
    5. Worry
    6. Mostly, He Says
    7. Everything
    8. See You In the Morning Caroline
    9. Sleep Through December
    10. So Stolen By Your Ghost
    Ben Fields
    $19.99
    Vinyl LP - Sealed Buy Now
  • A Head Full Of Dreams (Colored Vinyl) A Head Full Of Dreams (Colored Vinyl) Quick View

    $32.99
    Buy Now
    x

    A Head Full Of Dreams (Colored Vinyl)

    180 Gram Double LP


    Pink & Blue Colored Vinyl


    This is the seventh studio album from multi-platinum, Grammy Award winning artist Coldplay. Front man Christ Martin stated it might be the band's final album and compared it to Harry Potter; It's our seventh thing, and the way we look at it, it's like the last Harry Potter book or something like that. He added that, unlike their promotion efforts for Ghost Stories, the band will tour for the seventh record. In an interview with Jo Whiley on BBC Radio 2, Martin hinted at the style of the album by saying that the band was trying to make something colourful and uplifting, yet not bombast. He also stated that it will be something to "shuffle your feet" to!

    1. A Head Full Of Dreams
    2. Birds
    3. Hymn For The Weekend
    4. Everglow
    5. Adventure Of A Lifetime
    6. Fun
    7. Kaleidoscope
    8. Army Of One
    9. Amazing Day
    10. Colour Spectrum
    11. Up&Up
    Coldplay
    $32.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Jazz Party In Stereo Jazz Party In Stereo Quick View

    $54.99
    Buy Now
    x

    Jazz Party In Stereo

    Mastered by Bernie Grundman from the Original Analog Master Tapes!


    Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide!


    Originally released on Columbia Records in 1959, Jazz Party In Stereo contains a formidable gallery of jazz stars including Dizzy Gillespie, Jimmy Rushing, Johnny Hodges, Clark Terry, Paul Gonsalves, and more!


    The sometimes tender, sometimes shouting blues style of Jimmy Rushing provides nice contrast in one of the most varied and satisfying Ellington recordings ever.


    Features:

    Numbered Deluxe Laminated Double Gatefold Jackets

    Only 2500 Numbered Limited Edition Copies Worldwide!

    Audiophile 180 gram, 45rpm Vinyl

    Double LP

    Pressed at RTI


    Musicians:

    Dizzy Gillespie, trumpet

    Ray Nance, trumpet

    Clark Terry, trumpet

    Cat Anderson, trumpet

    Shorty Baker, trumpet

    Andres Ford, trumpet

    Johnny Hodges, saxophone

    Paul Gonzalves, saxophone

    Harry Carney, saxophone

    Jimmy Hamilton, saxophone

    Russell Procope, saxophone

    Britt Woodman, trombone

    Quentin Jackson, trombone

    John Sanders, trombone

    Duke Ellington, piano

    Jimmy Jones, piano

    Jimmy Woode, bass

    Sam Woodyard, drums

    Jimmy Rushing, vocalist

    Morris Goldenberg, percussionist

    George Gaber, percussionist

    Elden C. Bailey, percussionist

    Chauncey Morehouse, percussionist

    Harry Breuer, percussionist

    Robert M. Rosengarden, percussionist

    Walter E. Rosenberger, percussionist

    Bradley Spinney, percussionist

    Milton Schlesinger, percussionist


    This title is not eligible for discount.

    1. Malletoba Spank
    2. Toot Suite:
    Red Garter - Red Shoes - Red Carpet (Part 1)
    Red Carpet (Part 2)
    Red Carpet (Part 3)
    3. Satin Doll
    4. U.M.M.G. (Upper Manhattan Medical Group)
    5. All Of Me
    6. Tymperturbably Blue
    7. Fillie Trillie
    8. Hello Little Girl
    Duke Ellington
    $54.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • I Created Disco I Created Disco Quick View

    $39.99
    Buy Now
    x

    I Created Disco


    180 Gram Audiophile Vinyl


    Insert


    Over the past years, Calvin Harris has had number 1 hit after number 1 hit with his EDM-style songs (most recently with Summer) and collaborations with the likes of Rihanna, Kelis, Dizzy Rascal, Florence Welch, Example, Ellie Goulding.


    His debut album I Created Disco (2007) is much more funky and not so much EDM, but contained a handful of chartbusters as well. Acceptable In The 80s, Colours, Vegas, The Girls and Merrymaking At My Place were very successful in the European charts. Harris combined all the right ingredients on I Created Disco; 80's Wave, Soul, Disco, House, Electro and Pop.

    LP 1
    1. Merrymaking At My Place
    2. Colours
    3. This Is The Industry

    4. The Girls
    5. Acceptable In The 80s
    6. Neon Rocks


    LP 2
    1. Vegas
    2. I Created Disco
    3. Disco Heat
    4. Certified
    5. Love Souvenir
    6. Electro Man

    Calvin Harris
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Girl From Bossa Nova The Girl From Bossa Nova Quick View

    $34.99
    Buy Now
    x

    The Girl From Bossa Nova

    Jacintha picks up the tempo in her first bossa nova session. Featuring a program of some of the most well known classics of the genre including several Jobim favorites like So Nice, Desafinado, Dindi, Corcovado, as well as less familiar tunes like O Ganso and So Danco Samba, The Girl From Bossa Nova is a striking change of pace for Jacintha that will enthrall all of her fans. With superb solos from tenor Harry Allen and acoustic guitar from John Pisano (ex-Diane Krall), the album is given the supreme finishing touch by the magical playing of Brazilian master percussionist P. D Costa who's recorded and performed with all the legends - Jobim, J Gilberto, Gilberto Gil, Astrid etc. His contribution truly gives the entire album it's authentic bossa nova vibe. And yes, there are a couple of classic Jacintha ballads done bossa style -- This Masquerade and Dindi. A must buy for Jacintha fans and all bossa nova lovers.
    1. O Ganso
    2. So Danco Samba

    3. Dindi

    4. Once I Loved

    5. Desafinado

    6. So Nice

    7. Wave

    8. How Insensitive

    9. Corcovado

    10.Waters Of March
    Jacintha
    $34.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • Seriously Seriously Quick View

    $15.99
    Buy Now
    x

    Seriously

    Ralph Carney was a founding member of the pre-Waitresses band, Tin Huey, but is best known for his long association with singer Tom Waits, and collaboration with his nephew, Patrick Carney, on the Black Keys album, Attack & Release, and occasionally joins them on stage. He was a member of the Oranj Symphonette with fellow Waits alumni Joe Gore and Matt Brubeck. Ralph has guested with Yo La Tengo and Medeski, Martin and Wood for live shows and recorded on a T-Bone Burnett-produced project the, Ghost Brothers of Darkland County, with Marc Ribot and Elvis Costello (release date TBA). In 2009 he toured with They Might be Giants and in 2008 he recorded and performed with Black Francis in a score for the Silent film Der Golem. He performed on many Hal Willner-produced shows at UCLA's Royce Hall including a Tribute to Harry Smith in 2001, with a huge number of performers including Todd Rundgren, David Thomas, Phillip Glass, and David Johanson. The album, Seriously, was recorded at Getreel Studios by Robert Preston and Rugbeaters Studio by Ralph Carney in January and February, 2011. Carney has four full lengths out, including 2009's Ralph Carney's Serious Jass Project (Akroncracker Records). Carney explains I decided to do another record of tunes I loved, sticking close to the same styles as my first album. Basically a mix of honkers and screamers type saxophonists, mostly from the late 1940's through the early to mid 1950's, along side kinda obscure Ellington small band songs...I also did a couple of Coleman Hawkins tunes from his time in Europe in the 30's.
    1. Blue Creek Hop
    2. Meet Dr. Foo
    3. Echoes of Harlem
    4. Carnival in Caroline
    5. Moondog Boogie
    6. Gypsy Without a Song
    7. Linger Awhile
    8. Pompton Turnpike
    9. I Wish I Were Twins
    10. You Took Advantage Of Me
    11. Happy Feet
    Ralph Carney's Serious Jass Project
    $15.99
    Vinyl LP - Sealed Buy Now
  • Louisiana Blues (Awaiting Repress) Louisiana Blues (Awaiting Repress) Quick View

    $21.99
    Buy Now
    x

    Louisiana Blues (Awaiting Repress)

    Over 50 years since his discovery by ethnomusicologists Dr. Harry Oster and Richard Allen in the prison farm of Angola, Louisiana, what is it that makes the blues as sung and picked out by Robert Pete Williams such a singular listening experience, unequaled elsewhere in that musical form?


    As Peter Guralnick, in his Feel Like Going Home book writes: Itâs difficult to approve the banalities of most blues singers after listening to Robert Pete Williams. More than anyone else he shatters the conventions of the form and refuses to rely upon any of the cliches, either of music or of lyric, which bluesman after bluesman will invoke. Instead he sings blues which reflect a unique and personal vision; he makes each song unmistakably his own.


    Unfamiliar keys, cliche-free lyricism, spontaneity, an individualistic style in invoking his particular blues, all make Robert Pete Williams an idiosyncratic entry into the canon. It's impossible to listen to blues artists before him and hear strains of his particular style. None have matched it since. Louisiana Blues contains 10 songs recorded in 1966 in Berkeley, California for John Fahey's Takoma imprint.

    1. Somebody Help Poor Me
    2. Freight-Train Blues
    3. It's Hard To Tell
    4. I'm Going Down Slow
    5. Motherless Children Have A Hard Time
    6. Ugly
    7. So Long Boogie
    8. This Is A Mean Old World To Me
    9. High As I Want To Be
    10. It's A Long Old Road
    Robert Pete Williams
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Louisiana Blues (Colored Vinyl) Louisiana Blues (Colored Vinyl) Quick View

    $21.99
    Buy Now
    x

    Louisiana Blues (Colored Vinyl)


    Limited Edition Of 600 On Bottleneck Brown Vinyl


    Comes With A 8 Page Booklet


    Over 50 years since his discovery by ethnomusicologists Dr. Harry Oster and Richard Allen in the prison farm of Angola, Louisiana, what is it that makes the blues as sung and picked by Robert Pete Williams such a singular listening experience, unequaled elsewhere in that musical form? As Peter Guralnick, in his Feel Like Going Home book writes: "It's difficult to approve the banalities of most blues singers after listening to Robert Pete Williams. More than anyone else he shatters the conventions of the form and refuses to rely upon any of the clichÉs, either of music or of lyric, which bluesman after bluesman will invoke. Instead he sings blues which reflect a unique and personal vision; he makes each song unmistakably his own."


    Unfamiliar keys, clichÉ-free lyricism, spontaneity, an individualistic style in invoking his particular blues, all make Robert Pete Williams an idiosyncratic entry into the canon. It's impossible to listen to blues artists before him and hear strains of his particular style. None have matched it since. Louisiana Blues contains 10 songs recorded in the month of July 1966 out in Berkeley, California for John Fahey's Takoma imprint.

    1. Somebody Help Poor Me
    2. Freight-Train Blues
    3. It's Hard To Tell
    4. I'm Going Down Slow
    5. Motherless Children Have A Hard Time
    6. Ugly
    7. So Long Boogie
    8. This Is A Mean Old World To Me
    9. High As I Want To Be
    10. It's A Long Old Road
    Robert Pete Williams
    $21.99
    Colored Vinyl LP - Sealed Buy Now
  • Chet Baker Sings Chet Baker Sings Quick View

    $27.99
    Buy Now
    x

    Chet Baker Sings

    Chet Baker made his musical debut in 1952 as an integral member of Gerry Mulligan's modernist piano-less quartet, by all accounts marking the beginning of the post-bop West Coast style. So it came as quite a surprise when Baker made his singing debut on this seminal 1954 release at the age of 24. Baker's sideline singing here reveals his songful roots in the swing of Harry James and other formative influences while the innocence of his All-American vocals make for an eerily cool listening experience as well as an authentically satisfying one. Throughout, pianist Russ Freeman's warm, solid touch serves as the perfect foil for Baker's affectless romanticism as heard to stunning affect on the definitive version of My Funny Valentine found herein.
    1. That Old Feeling
    2. It's Always You
    3. Like Someone In Love
    4. My Ideal
    5. I've Never Been In Love Before
    6. My Buddy
    7. But Not For Me
    8. Time After Time
    9. I Get Along Without You Very Well
    10. My Funny Valentine
    11. There Will Never Be Another You
    12. Thrill Is Gone
    13. I Fall In Love To Easily
    14. Look For The Silver Lining
    Chet Baker
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Pandemonium Shadow Show (Awaiting Repress) Pandemonium Shadow Show (Awaiting Repress) Quick View

    $28.99
    Buy Now
    x

    Pandemonium Shadow Show (Awaiting Repress)

    180 Gram Pressed At RTI


    Mono


    Nilsson's first true album, 1967's Pandemonium Shadow Show, is an astonishing collection that announces the artist's unique vaudevillian take on 1960s pop music-a style that brought him to the attention of the Beatles by way of their press agent Derek Taylor. Produced by Rick Jarrard (Jefferson Airplane, JosÉ Feliciano) and primarily arranged by George Tipton, the set strikes a balance between Harry's breathtaking originals (the autobiographical "1941," the melancholy "Without Her" and the playful "Ten Little Indians") and a tasteful array of covers (the Beatles' "You Can't Do That" and "She's Leaving Home," as well as Phil Spector's gargantuan "River DeepMountain High"), all the while showcasing the vocal prowess of the True One. Plus, the usual benefits of a vintage mono mix are here-a louder rhythm section, more present bass, and an overall sense of ensemble that stereo of the era could rarely capture. A stunning work, pressed at R.T.I., now available from Sundazed in a 180 gram edition with restored artwork.

    1. Ten Little Indians
    2. 1941
    3. Cuddly Toy
    4. She Sang Hymns Out Of Tune
    5. You Can't Do That
    6. Sleep Late, My Lady Friend
    7. She's Leaving Home
    8. There Will Never Be
    9. Without Her
    10. Freckles
    11. It's Been So Long
    12. River Deep Mountain High
    Nilsson
    $28.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed AWAITING REPRESS Buy Now
  • Phase Four Stereo Concert Series (Box Set) Phase Four Stereo Concert Series (Box Set) Quick View

    $139.99
    Buy Now
    x

    Phase Four Stereo Concert Series (Box Set)


    Limited-Edition, Numbered LP Set With A Detailed Booklet


    Original LP Front And Back Covers


    Cover Art In Style Of The 40 CD Box Set


    Lift-off Rigid LP Box


    Full-Colour Booklet


    The Pressings From Record Industries Will Be On 180 Gram Vinyl Stock


    Lacquers Cut By Sean Magee At Abbey Road Studios


    In the 1960s Decca pioneered the use of a multi 10-channel console mixer which created recordings with an unprecedented sense of spatial realism and
    movement - Phase 4 Stereo. Following in the footsteps of Decca's highly-successful label heritage sets (The Decca Sound, Mercury Living Presence),
    this generous selection of the very best of Phase 4 promises to amaze a new generation of fans.


    Two of the titles included in the set are on the TAS List - the Holy Grail of vinyl fidelity. This is a list of recordings recommended by The Absolute Sound
    magazine under the direction of Harry Pearson.


    Box Set Includes:

    Hermann: Fantasy Film World (PFS 4309)

    Rozsa: Music From Ben Hur (PFS 4394)

    Mozart: Yellow River Concerto (PFS 4299)

    Rimsky-Korsakov: Scheherazade (PFS 4062)

    Bizet: Carmen & L'Arlesienne Suites (PFS 4127)

    Dvorak: New World Symphony (PFS 4128)

    LP 1 - Dvorák: Symphony No.9 in E minor "From the New World"
    1. Adagio - Allegro molto
    2. Largo
    3. Scherzo (molto vivace)
    4. Allegro con Fuoco


    LP 2 - The Fantasy Film World of Bernard Hermann
    1. Journey to the Centre of the Earth
    2. The Seventh Voyage of Sinbad
    3. The Day the Earth Stood Still
    4. Fahrenheit 451


    LP 3 - Bizet: Carmen & L'ArlÉsienne Suites
    1. Les toreadors
    2. Aragonaise
    3. Intermezzo
    4. Les dragons d'Alcala
    5. Habanera
    6. La garde montante
    7. Danse bohème
    8. PrÉlude
    9. Minuetto
    10. Adagietto
    11. Carillon
    12. Farandole


    LP 4 - Rósza: Music from Ben Hur
    1. Fanfare To Prelude
    2. Star Of Bethlehem And Adoration Of The Magic
    3. Friendship
    4. The Burning Desert
    5. Arrius's Party
    6. Rowing Of The Galley Slaves
    7. Parade Of The Charioteers
    8. The Mother's Love
    9. Return To Judea
    10. Ring For Freedom
    11. Lepers' Search For The Christ
    12. Procession To Calvary
    13. Miracle And Finale


    LP 5 - Rimsky-Korsakov: Scheherazade
    1. The Sea and Sinbad's Ship
    2. The Story of the Calender Prince
    3. The Young Prince and the Young Princess
    4. Festival at Bagdad - The Sea - The Shipwreck against a rock surmounted by a bronze warrior (The Shipwreck)


    LP 6 - Yellow River Concerto; Mozart: Piano Concerto No. 21
    1. Prelude: The Song Of The Yellow River Boatmen
    2. Ode To The Yellow River
    3. The Yellow River In Wrath
    4. Defend The Yellow River
    5. Allegro
    6. Andante
    7. Allegro vivace assai

    Various Artists
    $139.99
    180 Gram Audiophile Virgin Vinyl LP Box Set - 6 LPs Sealed Buy Now
  • Fiddler On The Roof (Original Broadway Cast) Fiddler On The Roof (Original Broadway Cast) Quick View

    $34.99
    Buy Now
    x

    Fiddler On The Roof (Original Broadway Cast)


    Cut From The Original Stereo Tapes By Ryan Smith At Sterling Sound


    Legendary 1964 Stereo Recording On 180-Gram Vinyl For The First Time


    Housed In A Stoughton Old Style Tip-on Jacket


    180-Gram Vinyl Pressed And Plated At RTI


    Revival Of Musical Is Currently Playing On Broadway At The Broadway Theatre


    Based on Sholom Aleichem's stories about a poor milkman in late 19th century Russia, and the five daughters for whom he seeks significant weddings, this great musical, which opened at the Imperial Theatre on September 22, 1964, benefited from the portrayal of Zero Mostel as Tevye, and Jerome Robbins' splendid choreography in Boris Aronson's sets inspired by the paintings of Marc Chagall. In the profuse score created by Jerry Bock and Sheldon Harnick, If I Were A Rich Man stands out as the anthem of everyone looking for a better life. Before she became Mame's bosom buddy and a television Golden Girl, Bea Arthur played Yente, the matchmaker; and Maria Karnilova traded her stripper's outfit in Gypsy for the torn dress worn by Golde, Tevye's long-suffering and silent wife. Others who shone in the cast included Julia Migenes as Hodel; Bert Convy as Perchik, the student; Austin Pendleton, as Motel, the tailor; and Leonard Frey, as Mendel, the rabbi's son. Even though several actors (Herschel Bernardi, Luther Adler, Harry Goz, among others) played the milkman during the show's long run of 3,242 performances, Mostel's portrayal remains its supreme incarnation.

    1. Prologue: Tradition
    2. Matchmaker
    3. If I Were a Rich Man
    4. Sabbath Prayer
    5. To Life
    6. Miracle of Miracles
    7. The Dream
    8. Sunrise, Sunset
    9. Wedding Dance
    10. Now I Have Everything
    11. Do You Love Me?
    12. The Rumor
    13. Anatevka
    Various Artists
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Go to top