Vinyl. Our way of life since 2004 (877) 929-8729

VPI Dealer Authorized & Certified
Site Search
Menu Free shipping on domestic orders over $49.99! - We ship worldwide!
LP20 - 20% Off Vinyl
Home > Products for: '

Hard Working Americans

'
Results per page:
  • Rest In Chaos Rest In Chaos Quick View

    $25.99
    Buy Now
    x

    Rest In Chaos

    Let me explain what it's like to summarize Rest in Chaos. What you have here is, in the first place, the book of Genesis as deftly reconceived by Todd Snider who has been inhabited by a spirit resembling Philip K. Dick. The rest of the Hard Working Americans are under the direction (or perhaps in the thrall) of an older wiser Jimi Hendrix and a Frank Zappa no less exacting than he was when he departed. It is rock'n'roll music, past, present and future, and that's no dream, it's just a fact. There are moments here when the walls of Babel might be falling, there are moments when they are reinvented and every time you try to pin it down, it shows you something else. "Half Ass Moses," the third song, ends by declaring "The song wasn't all that complicated."


    Like hell it isn't. When, in the very next song, "Dope is Dope," Todd Snider is a voice more inflammatory and gritty than I have ever heard from him before, "His mother didn't understand him / Whose mother ever does?" am I supposed to laugh, cry, applaud or beg for mercy. All that's really sure is, you're not leaving 'til the show's over. Even if you want to. There's nowhere else to go, and even if there were, the music's too good.


    So much for metaphysics. The actual physics of the thing is seven billion people out for what they only think is a stroll, armed with nothing more than some quite treacherous Roman candles Rest in Chaos might, if these Hard Working Americans were scientists of something other than sound, be the story of the entropy of the universe, and if you think I'm kidding that's only because you haven't taken the deep dive into its complexity, which if not quantum is at least a quandary. Albums aren't this good anymore; they're not this ambitious; their parts are not so finely conceived, the risks they take are not so reckless, the ways they resolve contradictions are not so elegant. Most of all they don't kick you in the preconceptions anywhere near so often. (How did they manage to create harmonies in "Something Else" that recall both the Hollies and the Mothers of Invention?)


    Todd's songs sound like he swiped part of them from Billy Joe Shaver and part from Tim Buckley and welded them together with spare parts from Iggy and Paul McCartney. There's a nightmare embedded here, and what cares the weight of it, the aspect of doom and the hint of doom is Dave Schools' bass. Neal Casal, who might be the most under-rated guitarist in rock, is constantly making the chaos more beautiful than you'd think possible. The roots of the sound are in the jam bands and Americana groups and singer-songwriter sessions the band members have played in but when they get to "Throwing Goats" (OK, maybe I should have said Thomas Pynchon or John Barth rather than Dick) and "Something Else" (both parts), they've joined the ranks of the rockers who no longer look for interstellar overdrive, because they've already found it.


    All this is, of course, metaphor. Well, most of it. Some of it. The part about how strong it is, how smart, how completely the product of the past ("stand up for your brother, stick it to the man") and how anticipatory of one of the best futures anyone has shown us is straight up. It's one of the most well-sustained albums I've heard in years, and what it sustains is not only my faith in rock'n'roll or even how hard the Hard Working Americans really do work to make their magic, but how much it means to them, which is the only way it can mean very much to the rest of us.


    Let me put it this way: I've heard Rest in Chaos any number of times and there's no way I'm done with it. I can tell you about its surface but I haven't gotten to the bottom of it. I'm not really sure there is one. It is humbling to confront it, and reassuring to know that there is all the rest of our lives for that. "The High Price of Inspiration"? A bargain.

    1. Opening Statement
    2. It Runs Together
    3. Half Ass Moses
    4. Dope Is Dope
    5. Burn Out Shoes
    6. Roman Candles
    7. Ascending Into Madness
    8. Throwing The Goats
    9. Something Else
    10. Massacre
    11. The High Price of Inspiration
    12. Acid
    13. Purple Mountain Jamboree
    Hard Working Americans
    $25.99
    Vinyl LP - Sealed Buy Now
  • Shangri-La Dee Da Shangri-La Dee Da Quick View

    $34.99
    Buy Now
    x

    Shangri-La Dee Da

    Shangri-La Dee Da is the fifth studio album by American Hard Rock band Stone Temple Pilots. It was produced by Brendan O'Brien and released in 2001. The album was certified Gold.


    While recording the album, the band also worked on a documentary and coffee table book. Neither was released, however, and limited footage was made available through the band's official website in the form of live performance-based music videos.


    The album's most successful song Days of the Week was only being performed at a handful of dates on the supporting tour for the album. However, the album's second single Hollywood Bitch has become a staple of the band's live set ever since their 2008 reunion. In 2011, the song Black Again was added to STP's setlist, and was performed for the majority of the tour. Bi-Polar Bear was also performed occasionally, after the band reunited in 2008.

    1. Dumb Love
    2. Days Of The Week
    3. Coma
    4. Hollywood Bitch
    5. Wonderful
    6. Black Again
    7. Hello It's Late
    8. Too Cool Queenie
    9. Regeneration
    10. Bi-polar Bear
    11. Transmissions From A Lonely Room
    12. A Song For Sleeping
    13. Long Way Home
    Stone Temple Pilots
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Welcome Back To Milk Welcome Back To Milk Quick View

    $20.99
    Buy Now
    x

    Welcome Back To Milk

    It's time for a revolution. Beth Jeans Houghton is dead. Du Blonde is born.
    Welcome Back To Milk is the Newcastle-born singer-songwriter's second
    album, but her debut as Du Blonde, and it's a complete reinvention: new name,
    new look, new band, new attitude - and attitude is a key word.


    Du Blonde is not a persona or a character, it's Beth Jeans Houghton ripping
    it up and starting again. Gone is the baroque chamber pop of 2012's Yours
    Truly, Cellophane Nose. Gone is the band she recorded that album with,
    The Hooves Of Destiny. In place of all that are heavy riffs, loud drums, vocal
    aggression and the sound of somebody finding their voice, whether screaming
    the chorus of Chips To Go, singing soul-bearing ballad Four In The Morning
    or cooing through wistful torch song After The Show.


    Aside from a track made with Youth, Welcome Back To Milk is produced by
    Jim Sclavunos, who knows plenty about capturing dark sounds as a member
    of Nick Cave's Bad Seeds. An unmistakable presence on the album is that of
    Future Islands frontman Samuel T Herring, whose soaring vocals appear on
    Mind Is On My Mind.


    Where Yours Truly, Cellophane Nose threw everything at a song, Du Blonde
    strips everything down to the bare essentials. Black Flag, which opens the
    album, is bass, guitar, drums and a dose of rage. "I got really into hard rock
    and American hardcore while I was living in LA after we finished touring," she
    says. "I couldn't work out why I was having such trouble expressing myself with
    the music I was writing, but after a while I realised the instrumentation didn't
    lend itself to the anger I was feeling. I needed to release all of this pent up
    aggression and I was trying to do it over layers of vocal harmonies and nicely
    played instruments. It was never going to work."


    "I was hiding behind my guitar for so long, it was easy to feel safe there. I
    wanted to put myself in a position I wasn't comfortable with in order to grow
    as a performer. I want no choice but to look people dead in the eyes and give
    them all I have."

    1. Black Flag
    2. Chips to Go
    3. Raw Honey
    4. After the Show
    5. If You're Legal
    6. Hunter
    7. Hard to Please
    8. What Is It Like
    9. Mr. Hyde
    10. Four in the Morning
    11. Mind is on My Mind
    12. Isn't It Wild?
    Du Blonde
    $20.99
    Vinyl LP - Sealed Buy Now
  • American Band American Band Quick View

    $21.99
    Buy Now
    x

    American Band

    LP Includes Bonus 7-Inch Single


    Drive-By Truckers have always been outspoken, telling a distinctly American story via craft, character, and concept, all backed by sonic ambition and social conscience. Founded in 1996 by singer/songwriter/guitarists Mike Cooley and Patterson Hood, the band have long held a progressive fire in their belly but with AMERICAN BAND, they have made the most explicitly political album in their extraordinary canon. A powerful and legitimately provocative work, hard edged and finely honed, the album is the sound of a truly American Band - a Southern American band - speaking on matters that matter. DBT made the choice to direct the Way We Live Now head on, employing realism rather than subtext or symbolism to purge its makers' own anger, discontent, and frustration with societal disintegration and the urban/rural divide that has partitioned the country for close to a half-century.


    AMERICAN BAND's considerable force can in part be credited to the sheer musical strength of the current Drive-By Truckers line-up, with Hood and Cooley joined by bassist Matt Patton, keyboardist/multi-instrumentalist Jay Gonzalez, and drummer Brad Morgan - together, the longest-lasting iteration in the band's two-decade history. AMERICAN BAND follows ENGLISH OCEANS and 2015's IT'S GREAT TO BE ALIVE!, marking the first time DBT have made three consecutive LPs with the same hard-traveling crew.

    1. Ramon Casiano
    2. Darkened Flags On The Cusp Of Dawn
    3. Surrender Under Protest
    4. Guns Of Umpqua
    5. Filthy And Fried
    6. Sun Don't Shine
    7. Ever South
    8. What It Means
    9. Once They Banned Imagine
    10. Baggage


    7-Inch Single
    1. Kinky Hypocrite

    Drive-By Truckers
    $21.99
    Vinyl LP + 7 Single - Sealed Buy Now
  • John Wesley Harding (On Sale) John Wesley Harding (On Sale) On Sale Quick View

    $49.99 $44.99 Save $5.00 (10%)

    Buy Now
    x

    John Wesley Harding (On Sale)

    Ranked 301/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    John Wesley Harding on Numbered Limited Edition 180 Gram 45RPM 2LP from Mobile Fidelity


    Stripped-Back, Unobtrusive 1967 Album a Mellow Return to Dylan's Roots and Harbinger of Country Rock


    Hear the Musical Cousin to Dylan and The Band's The Basement Tapes in Extraordinary Fidelity: Transparent 45RPM Edition Mastered on Mobile Fidelity's World-Renowned Mastering System


    Includes Original Version of All Along the Watchtower


    Leave it to Bob Dylan to follow three of the most pioneering electric-based albums in history by again deviating from the norm and straying from expectation. Hinting at a return to his folk roots and firmly pointing toward the field that became country rock, John Wesley Harding breathes with relief and freshness, the sound of an artist re-engaging with the past, forging a future, and stepping into new realms after recovering from an accident and unimaginable pressure.


    Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this restored 45RPM analog version presents the 1967 album with the finite details and impressionistic tones. Immediately notable for the slimmed-down instrumentation, brisk flow, and simple approach, the record continues to endure via a rustic, era-defying naturalism tied to the organic sounds and warm production swathing Dylan's acoustic guitar, mellow voice, breezy harmonica, and minor accompaniments. All of these traits translate with incredible realism and lifelike air on this reissue, which also brings out the low end of Charlie McCoy's bass with a previously unheard supple character. Wider grooves mean more information reaches your ears.


    Recorded around the same time as the sessions that yielded The Basement Tapes, John Wesley Harding came together after just three studio sessions and approximately 12 hours of time. While many specifics are shrouded in mystery, a majority of songs are tied to Biblical figures, ominous matters, and morality themes. Making not just a clear sonic break from his most recent efforts, but a songwriting transformation as well, Dylan embraces a strict economy of scale, dropping beat-poetry techniques in favor of stanzas that waste no words and progress narratives at every turn. It's as if the Bard is saying that truth is spoken here. Few, if any artists, have captured the American myth and its population of immigrants, drifters, and outlaws with such convincing scope and parabolic sagacity.


    Combined with the lyrical evolution and unabashed move towards country conventions, Dylan manages to turn popular music on its side, forging a subdued hybrid style no other peers had yet attempted. Arriving during a period of intense experimentalism and psychedelia, John Wesley Harding functions as a sigh of relief, a piano- and pedal steel-flavored set steeped in requisite simplicity in an environment that was increasingly marked by chaos and madness.


    Climbing to number two on the Billboard charts and quickly tallying one million in sales, the pared-down work resonated with a public ensnared by its myriad charms. Then, of course, there's the utter brilliance of every one of the songs here, each seemingly occupying a timeless space that suggests they could've been made in 1967, 1937, or 2007. With "All Along the Watchtower," Dylan landed upon a tune that would soon become one of the most-covered and revered tracks in history. And yet it isn't even a standout on an album on which every note just belongs.


    This title is not eligible for further discount.

    1. John Wesley Harding
    2. As I Went Out One Morning
    3. I Dreamed I Saw St. Augustine
    4. All Along the Watchtower
    5. The Ballad of Frankie Lee and Judas Priest
    6. Drifter's Escape
    7. Dear Landlord
    8. I Am a Lonesome Hobo
    9. I Pity the Poor Immigrant
    10. The Wicked Messenger
    11. Down Along the Cove
    12. I'll Be Your Baby Tonight
    Bob Dylan
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • John Wesley Harding (Mono) (On Sale) John Wesley Harding (Mono) (On Sale) On Sale Quick View

    $49.99 $44.99 Save $5.00 (10%)

    Buy Now
    x

    John Wesley Harding (Mono) (On Sale)

    Ranked 301/500 On Rolling Stone Magazine's 500 Greatest Albums Of All Time


    John Wesley Harding On Numbered Limited Edition Mono 180 Gram 45 RPM 2LP From Mobile Fidelity


    Stripped-Back, Unobtrusive 1967 Album A Mellow Return To Dylan's Roots And Harbinger of Country Rock


    Includes Original Version Of All Along The Watchtower


    Leave it to Bob Dylan to follow three of the most pioneering electric-based albums in history by deviating from the norm and straying from expectation - but continuing to work in the mono format. Hinting at a return to his folk roots and firmly pointing toward the field that became country rock, John Wesley Harding breathes with reassurance and freshness, the unobtrusive sound of an artist re-engaging with the past, forging a future, and stepping into new realms after recovering from an accident and unimaginable pressure.


    Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, this restored mono version presents the 1967 album with finite details and in the original sound Dylan intended. Immediately notable for the slimmed-down instrumentation, brisk flow, and simple approach, the record continues to endure via a rustic, era-defying naturalism tied to the organic sounds and warm production swathing Dylan's acoustic guitar, mellow voice, breezy harmonica, and minor accompaniments. All these traits translate with incredible realism and lifelike air on this reissue, which also brings out the low end of Charlie McCoy's bass with previously unheard character. With the advantage of wider and deeper grooves, the 45RPM pressing also affords the opportunity to detect more information and lavish in the extra richness.


    The preferred mix at the time of the recording, the mono version presents Dylan with unparalleled directness. Since the separation of the stereo versions isn't as sharp, this mono edition places Dylan's vocals in the heart of the musical action and as one with the all-star accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. As much as any Dylan record, the music here fits the mono spectrum to a proverbial 't.'


    Recorded around the same time as the sessions that yielded The Basement Tapes, John Wesley Harding came together after just three studio sessions and approximately 12 hours of time. While many specifics are shrouded in mystery, a majority of songs are tied to Biblical figures, ominous matters, and morality themes. Making not just a clear sonic break from his most recent efforts, but a songwriting transformation as well, Dylan embraces a strict economy of scale, dropping beat-poetry techniques in favor of stanzas that waste no words and progress narratives at every turn. It's as if the Bard is saying that truth is spoken here. Few, if any artists, have captured the American myth and its population of immigrants, drifters, and outlaws with such convincing scope and parabolic sagacity.


    Combined with the lyrical evolution and unabashed move towards country conventions, Dylan manages to turn popular music on its side, forging a subdued hybrid style no other peers had yet attempted. Arriving during a period of intense experimentalism and psychedelia, John Wesley Harding functions as a sigh of relief, a piano- and pedal steel-flavored set steeped in requisite simplicity in an environment that was increasingly marked by chaos and madness.


    Climbing to number two on the Billboard charts and quickly tallying one million in sales, the pared-down work resonated with a public ensnared by its myriad charms. Then, of course, there's the utter brilliance of every one of the songs here, each seemingly occupying a timeless space that suggests they could've been made in 1967, 1937, or 2007. With All Along the Watchtower, Dylan landed upon a tune that would soon become one of the most-covered and revered tracks in history. And yet it isn't even a standout on an album on which every note just belongs.


    This title is not eligible for further discount.

    1. John Wesley Harding
    2. As I Went Out One Morning
    3. I Dreamed I Saw St. Augustine
    4. All Along the Watchtower
    5. The Ballad of Frankie Lee and Judas Priest
    6. Drifter's Escape
    7. Dear Landlord
    8. I Am a Lonesome Hobo
    9. I Pity the Poor Immigrant
    10. The Wicked Messenger
    11. Down Along the Cove
    12. I'll Be Your Baby Tonight
    Bob Dylan
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP Mono 45 RPM - 2 LPs Sealed Buy Now
  • No Control No Control Quick View

    $18.99
    Buy Now
    x

    No Control


    "Turbo Fruits are one of my favorite bands from Nashville and they are also some
    of my favorite people from Nashville. I'm excited about their new album and glad
    they let me help out in making some of it." - Patrick Carney, The Black Keys


    "By a mile my favorite rock band right now." - Todd Snider, Hard Working Americans


    "The band's casual charm and rough edges make [them] a joy to listen to" - Paste Magazine


    "They're everything you could ever want in a Nashville garage rock band. -Vice


    Turbo Fruits have made their name with notoriously wild live shows and
    frenetic rock songs about girls, drugs and frying their brains. On No
    Control, their fourth and most self-aware album, the band emerges from
    their teenage haze of pot smoke with a fresh perspective and by far,
    their best album yet.

    1. Show Me Something Real
    2. The Way I Want You
    3. Don't Let Me Break Your Heart Again
    4. Favorite Girl
    5. Need To Know
    6. Don't Change
    7. No Reason To Stay
    8. Friends
    9. Blow These Clouds Away
    10. Worry About You
    11. Big Brother
    Turbo Fruits
    $18.99
    Vinyl LP - Sealed Buy Now
  • Deconstructed Deconstructed Quick View

    $39.99
    Buy Now
    x

    Deconstructed

    Red Vinyl


    Etched D-Side


    Deconstructed is a remix album by British post-grunge band Bush, released in 1997, as a collaborative effort between the band and various producers like Tricky, Goldie, Mekon and others working in the electronic genre of music to remix some of the band's previously released songs. Mouth (The Stingray Mix) was released as a single in 1997 and became a minor hit, due largely in part to it being featured prominently in both the trailer and the 1997 film An American Werewolf In Paris.


    While not a studio album, Deconstructed often stands among the band's studio catalog and has been frequently cited regarding Bush's transformation from simple post-grunge to more experimental Rock. It was followed two years later by their third studio album, The Science of Things, which continued this incorporation of electronic elements into hard rock.


    The Music On Vinyl reissue features a beautifully etched D-side!

    LP1
    Side A
    1. Everything Zen (The Lhasa Fever Mix)
    2. Mouth (The Stingray Mix)
    3. Swallowed (Goldie/toasted Both Sides Please Mix)
    4. Synapse (Philip Steir/My Ghost In The Bush Of Life Mix)
    Side B
    1. History (Dub Pistols Mix)
    2. Personal Holloway (Fabio Paras/Soundclash Republic Mix)
    3. Bonedriven (Mekon/beat Me Clever Mix)
    4. Insect Kin (Jack Dangers/Drum And Bees Mix)


    LP2
    Side C
    1. Comedown (Lunatic Calm Mix)
    2. Everything Zen (Derek Delarge Mix)
    3. In A Lonely Place (Tricky Mix)
    Side D
    Etch

    Bush
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Naked & Warm Naked & Warm Quick View

    $37.99
    Buy Now
    x

    Naked & Warm

    Bill Withers is an American singer-songwriter and musician who performed from 1970 until 1985. He recorded several major hits, including Lean on Me, Ain't No Sunshine, Use Me, Just the Two of Us, Lovely Day, and Grandma's Hands. Withers won three Grammy Awards and was nominated for four more. His life was the subject of the 2009 documentary film Still Bill. He was inducted into the Rock and Roll Hall of Fame in 2015.


    Naked & Warm is his fifth studio album and is even funkier than his debut. Here Withers returns to the simple ways of his past, working five or six musicians for the kind of hard groove that doesn't have many parallels in black music these days, says music journalist Robert Christgau.


    Musicians include Larry Fatback Tolbert on drums, Dorothy Ashby (harp), Melvin Dunlap (bass) Benorce Blackmon (guitar) and Jerry Knight (bass).


    Naked & Warm is laid back and smooth; a classic Withers album.

    1. Close To Me
    2. Naked & Warm
    3. (Heaven! Oh! Heaven!)
    4. Where You Are
    5. Dreams
    6. If I Didn't Mean You Well
    7. I'll Be With You
    8. City Of The Angels
    9. My Imagination
    Bill Withers
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Too Much Too Soon Too Much Too Soon Quick View

    $19.99
    Buy Now
    x

    Too Much Too Soon

    Too Much Too Soon is the second studio album by American hard rock band the New York Dolls. The group was
    dissatisfied with the recording of their 1973 self-titled debut album, leading the band's frontman David Johansen to
    enlist veteran producer Shadow Morton for Too Much Too Soon. Morton had become disenchanted by the music
    industry, but felt motivated by the band's energy and agreed to work with them as a challenge. They recorded the
    album in 1974 at A&R Studios in New York City.
    1. Babylon
    2. Stranded In The Jungle
    3. Who Are The Mystery Girls?
    4. (There's Gonna Be A) Showdown
    5. It's Too Late
    6. Puss 'N' Boots
    7. Chatterbox
    8. Bad Detective
    9. Don't Start Me Talkin'
    10. Human Being
    New York Dolls
    $19.99
    Vinyl LP -Sealed Buy Now
  • Hurricane Hurricane Quick View

    $19.99
    Buy Now
    x

    Hurricane

    It has been an exciting whirlwind for Nick Fradiani since dominating American Idol season 14. Following a move to Nashville after his coronation, the multi-talented musician recently released the super steamy music video for his current single "Get You Home." This infectious hit follows his debut single "Beautiful Life," which was named the official anthem for the 2015 FIFA Women's World Cup. Today the wide-ranged Pop vocalist announced the release of his debut album, HURRICANE, and he's giving fans sneak peeks along the way.


    "I worked so hard on this record and couldn't be happier to finally get it to the fans," expressed Nick. "From writing, to radio tours and recording sessions, the past year has flown by and am so excited for everyone to hear what I have been working on. I couldn't have done this without the fans and their support has been such a driving force."


    Nick co-wrote 11 of the 12 tracks - including Pop & Hot AC hit "Get You Home" - and has continued to captivate audiences nationwide with his vocal swagger and songwriting panache.

    1. Every Day
    2. Nothing To Lose
    3. In The Long Run
    4. Forget2ForgetU
    5. Get You Home
    6. Howl At The Moon
    7. Nobody
    8. Love Is Blind
    9. All On You
    10. Hurricane
    11. If I Didn't Know You
    12. Beautiful Life
    Nick Fradiani
    $19.99
    Vinyl LP - Sealed Buy Now
  • Copland - Appalachian Spring / Billy The Kid (Speakers Corner) Copland - Appalachian Spring / Billy The Kid (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Copland - Appalachian Spring / Billy The Kid (Speakers Corner)

    Aaron Copland is among those Americans whose compositions have found worldwide recognition. Measured against his long lifespan (1900-1990), his creative phase was relatively short, and indeed he hardly composed at all from the Sixties onwards. His most important works were his answer to the musical crisis of the Thirties, and he has gone down in history as having greatly influenced the development of New Music in the USA.



    The ballets Appalachian Spring (1944) and Billy the Kid (1938) are considered to be key works of their day. Both have folkloric traits, which brought Copland the reputation of having a penchant for borrowed melodies. In reality, the well-known tunes are very subtly treated and modified, and are incorporated into large-scale, defined forms. Now and again, melodic echoes of Mahler's music or highly rhythmic exposed passages reminiscent of Stravinsky flash through. The ballet Billy the Kid is thoroughly American. Arranged in orchestral 'wide-screen sound', as it were, cowboy melodies glow with the very best Wild West tradition, and are bedded in a dramaturgy which is almost ripe for a film soundtrack. The signal to Hollywood is virtually unmistakable. That is America.




    Recording: June 1961 by C.R. Fine and Robert Eberenz

    Production: Wilma Cozart-Fine and Harold Lawrence




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    Copland: Appalachian Spring, Billy the Kid - The London Symphony Orchestra conducted by Antal Dorati
    Antal Dorati with the London Symphony Orchestra
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Subordination Subordination Quick View

    $19.99
    Buy Now
    x

    Subordination

    Since their first demo in 2013, the Austin expats in Institute have edged their raw
    anarcho-punk blitz into something much more expansive and nuanced. 2014's
    Salt EP marked the beginning of the band's working relationship with Sacred
    Bones, and it explored longer, more experimental song forms. Catharsis, the
    band's debut full-length, was another huge push forward, with a slightly cleaner
    production and some krautrock influence creeping in around the edges. Subordination
    sees them push themselves further out of genre, incorporating hard rock
    and glam and writing some of the most diverse material of their career.


    Subordination was written in the days leading up to Institute's first European
    tour, where they then had a chance to sculpt the songs live before recording them
    in summer of 2016. The songwriting and recording process sought to close the
    gap between the band's records and shows, to make an album as representative of
    their live set as possible. It was the most collaborative Institute writing session to
    date, with all four band members contributing (gtr -Arak Avakian, drums - Barry
    Elkanick, bass- Adam Cahoon & vox - Moses Brown). They worked again with
    producer Ben Greenberg (Uniform) and fully captured the intensity that has
    made them one of the best live punk bands touring today.


    Frontman Moses Brown's lyrics remain deeply personal, but rather than diving
    into introspection and plucking out intimate details about his life, he attempts to
    dismantle systems of patriarchal thought and power. Brown investigates national
    insecurities and American socialization failures through the lens of his personal
    experiences in both public school and art schools.


    The songs on Subordination address the lonely sham of playing by the rules, the
    search for money and power, the annihilation of a true personality, and the standards
    of normalcy that, from childhood, condition us to feel abject.

    1. Exhibitionism
    2. Only Child
    3. Prissy Things
    4. All This Pride
    5. Oil Money
    6. Human Law
    7. Too Dumb
    8. Good Ol' Boys
    9. Powerstation
    Institute
    $19.99
    Vinyl LP - Sealed Buy Now
  • Node Node Quick View

    $18.99
    Buy Now
    x

    Node

    Purple Colored Vinyl


    Despite going through major changes as a band, Northlane have proved that they
    are only becoming stronger. They are one of the few bands that have been able to
    constantly bring fresh ideas to the table and drive them home with full force.
    Touring with acts such as Bring Me The Horizon, Of Mice & Men and Parkway
    Drive, the band have successfully used their refreshing energy and positive messages
    to develop a steadily increasing fan base around the world.


    "Node" is a testament to Northlane's hard work and determination. These 11 songs
    are heavier, hit harder and deliver everything that fans have been anticipating and
    more. The band will be promoting the album on a North American headline run
    this summer.

    1. Soma
    2. Obelisk
    3. Node
    4. Ohm
    5. Nameless
    6. Rot
    7. Leech
    8. Impulse
    9. Weightless
    10. Ra
    11. Animate
    Northlane
    $18.99
    Colored Vinyl LP - Sealed Buy Now
  • Merritone Rock Steady 2: This Music Got Soul 1966-1967 Merritone Rock Steady 2: This Music Got Soul 1966-1967 Quick View

    $32.99
    Buy Now
    x

    Merritone Rock Steady 2: This Music Got Soul 1966-1967

    American rhythm & blues fervor, boosted by a multitude of sound systems playing 78rpm records on increasingly larger sets, gripped Jamaica from the late forties onwards but, towards the end of the decade, the American audience began to move towards a somewhat softer sound. The driving rhythm & blues discs became increasingly hard to find and the more progressive Jamaican sound system operators, realizing that they now needed to make their own music, turned to Kingston's jazz and big band musicians to record one-off custom cut discs. These were not initially intended for commercial release but designed solely for sound system play on acetate or 'dub plates' as they would later be termed. These 'specials' soon began to eclipse the popularity of American rhythm & blues and the demand for their locally produced music proved so great that the sound system operators began to release their music commercially on vinyl and became record producers. Clement 'Coxsone' Dodd, Duke Reid 'The Trojan' and Prince Buster, who operated his Voice Of The People Sound System, were among the first to establish themselves in this new role and the nascent Jamaican recording industry now went into overdrive.


    In 1954 Ken Khouri had numbered among the first far-sighted entrepreneurs to produce mento records with local musicians (mento is Jamaica's original indigenous music) before progressing to opening Jamaica's first record manufacturing plant. Three years later he moved his operation to Foreshore Road (later renamed Marcus Garvey Drive) where, with the assistance of the inestimable Graeme Goodall, he updated and upgraded his recording studio. The importance of this enterprising move was critical to the development of Jamaican music and its influence both profound and far-reaching.


    "It was Ken Khouri's Federal Recording Studio, the womb that gave birth to the talented writers, artists and musicians that gave Jamaica its musical identity." Prince Buster


    Federal Records was not only the place for the sound system men to record their music but it was also where they had their records manufactured and, consequently, the company enjoyed a near-total monopoly on recording and record pressing in Kingston. In 1963 Ken Khouri sold his one track board to Clement 'Coxsone' Dodd, who established Studio One, and Ken imported the first stereo equipment to Jamaica and Federal began making stereo records. The following year WIRL (West Indies Records Limited) opened but the competition served to drive the company on to higher heights. Ken Khouri continued to work on his own productions and, in 1966, the seven-inch release of Hopeton Lewis' 'Take It Easy', recorded under the guidance of Trinidadian guitarist Lynn Taitt, ushered in the rock steady era.


    These two essential albums showcase a stunning selection of well-known hits, and not so well-known rarities, from the vast Federal catalog. All tracks have been transferred direct from the master tapes and assembled with the invaluable assistance of Ken Khouri's son, Paul Khouri, who generously gave Dub Store unlimited access to the Federal tape vaults. The extensive liner notes feature extracts from extensive interviews with Paul Khouri whose knowledgeable recollections of working on Marcus Garvey Drive, not only as a producer but as an engineer and musician, are illuminating and educational. Both sets present an insight into the birth and growth of Federal Records and the Jamaican recording industry and are essential to an understanding of the real roots of reggae music.

    1. This Music Got Soul (Hopeton Lewis)
    2. Let Me Come On Home (Hopeton Lewis)
    3. Walk On By (The Zodiacs)
    4. We Gonna Make It (The Termites)
    5. Fountain Bliss (The Dynamites)
    6. Rock A Shacka (Hopeton Lewis)
    7. Don't Cry (Hopeton Lewis)
    8. House Upon The Hill (The Royals)
    9. Real Gone Sweet (The Tartans)
    10. Roling Rolling (The Tartans)
    11. I Don't Want Trouble (Hopeton Lewis)
    12. Lester Sterling Special (Lester Sterling)
    13. If You Don't Love Me (take 1) [The Dynamites]
    14. Don't Take That Train (The Tartans)
    15. Batman (Early Take) [Lynn Taitt & The Jets]
    16. Oh Tell Me Darling (Hopeton Lewis)
    17. I'm Ready (The Tartans)
    18. Take Me Back (Henry Buckley)
    19. Sounds Of Silence (Roland Alphonso)
    20. Batman (Early Take Rehearsal) [Lynn Taitt & The Jets]
    21. Merritone False Starts 2 (The Federal All Stars)
    Various Artists
    $32.99
    Vinyl LP - Sealed Buy Now
  • Go Go Harlem Baby Go Go Harlem Baby Quick View

    $14.99
    Buy Now
    x

    Go Go Harlem Baby

    Third Man Records presents the reissue of the Flat Duo Jets hard to find classic 1991 release Go Go Harlem Baby. The piece de resistance of Dex Romwebers voluminous back catalog, ably backed by the trusty Chris Crow Smith on drums, the album is as solid an LP as you will ever find. Some of you may remember Jack White dropping the needle on the Jets version of Froggy Went a Courtin in the It Might Get Loud doc as an indicator of his early influences. Maybe you remember the White Stripes covering You Belong to Me or Apple Blossom Time in their live performances. Those songs, as well as all the rest featured on Go Go Harlem Baby are genuinely important in the pantheon of American music. Out-of-print on vinyl since its original issue 20-years ago, Third Man Records worked solidly for a year-and-a-half to make this record available once again!
    1. Flat Duo Jets Anthem
    2. The Dainty Song
    3. Go Go Harlem Baby
    4. You Belong To Me
    5. Frog Went A Courtin'
    6. No Greater Love
    7. I Don't Know
    8. Harlem Nocturne
    9. Wild Trip
    10. Rock House
    11. Stalkin'
    12. Don't Blame Me
    13. Love Has Its Joke Sometimes
    14. TV Mama
    15. Apple Blossom Time
    16. Ask Me How I Live
    Flat Duo Jets
    $14.99
    Vinyl LP - Sealed Buy Now
  • Manic Compression (Pre-Order) Manic Compression (Pre-Order) Quick View

    $25.99
    Buy Now
    x

    Manic Compression (Pre-Order)

    Pressed On 180 Gram White With Black Haze Vinyl

    Manic Compression is the second and most recent studio album by American post-hard core band Quicksand, released on February 28, 1995 on the major label Island Records. The album is considered to be influential to many Post Hardcore and Alternative Metal bands and it is often viewed as the bands best work it is also the band's most successful release, peaking at number 135 on the Billboard 200.

    Manic Compression would be Quicksand's last studio album before their first split in October 1995. They did work on a follow-up album during their 1997-1999 reunion, but it never materialized.

    1. Backward
    2. Delusional
    3. Divorce
    4. Simpleton
    5. Skinny (It's Overflowing)
    6. Thorn In My Side
    7. Landmine Spring
    8. Blister
    9. Brown Gargantuan
    10. East 3rd St.
    11. Supergenius
    12. It Would Be Cooler If You Did
    Quicksand
    $25.99
    180 Gram Audiophile Virgin Vinyl LP PRE-ORDER Buy Now
  • Goetia Goetia Quick View

    $35.99
    Buy Now
    x

    Goetia

    MYSTIFIER is an extreme Metal pioneer from Brazil, formed in July of 1989 by the bassist Beelzeebubth. When Beelzeebubth met Meugninousouan (vocalist), Behemoth (guitarist), and Lucifuge Rofocale (drummer), they decided to form one of the most extreme Metal bands from South American lands. After five months of development, they recorded their first Demo-tape entitled "TORMENTING THE HOLY TRINITY", with nine original songs and a cover song "Massacre" from Bathory's third album. The response was so positive that Maniac Records (a small vinyl record store from their hometown) invited the band to record two original songs for a single. Mystifier eagerly agreed. In July of 1990, the single, "THE EVIL ASCENSION RETURNS" was released. They were the first Metal band from their town (Salvador, Bahia) to release material onto a label. Following this release, some Brazilian labels were very interested in working with Mystifier. Then, in July of 1991, they recorded a promo-tape entitled "ALEISTER CROWLEY" with six fresh songs to present to other labels.


    In February/1992, the hard work had paid-off and their debut album "WICCA" was released on the label Hellion Records. It is considered one of the most extreme albums to date for many true fans of Extreme Metal Music. After the releasing of their debut album, Beelzeebubth fired Meugninousouan because of his lack of interest. Asmodeus (ex-Hatred) was recruited to be the new vocalist and keyboardist. In that same time, Astaroth (ex-Calvary) joined them on the second lead guitar.


    During those years, the band gained enormous worldwide underground notoriety. It drew the attention of the French label Osmose Productions which signed the band for two albums. The first was released in the November of 1993, with worldwide distribution through SPV, entitled "GÖETIA" [several months later, their debut album was also released in Europe on Osmose Productions.] The response was a European tour request from the tour promoter Insolit - and many reviews, articles, interviews, and so forth - in international magazines and radio stations. After that release, Mystifier played in many Brazilian areas to promote the new release.


    Behemoth and Astaroth had to quit the band because of personal reasons and weren't interested in maintaining a band. Paulo Lisboa (who had played in Death Metal bands for years) replaced them on the lead-guitar.


    Beelzeebubth was very disappointed with the Underground scene, corroded with hypocritical 'satanic christians' who were talking a lot of shit about Satanism, fascism, racism and nazi thoughts. For that reason, he canceled the release of Mystifier's third album. He composed new and powerful music. Later, in August of 1996, their masterpiece third album entitled, "THE WORLD IS SO GOOD THAT WHO MADE IT DOESN'T LIVE HERE" was released with six new tracks. It's their greatest produced and recorded material; it is totally original and different from their previous releases.


    With a new lineup, Mystifier released an EP with seven fresh songs and a re-done version of "Beelzeebubth" (from the second album), on a Brazilian label, to celebrate their 10 years. The single was entitled "DEMYSTIFYING THE MYSTIFIED ONES (FOR A DECADE IN THE EARTHLY PARADISE)."


    The band released their fourth full-length album entitled "Profanus" in September/2001 with 13 fresh compositions on a Brazilian label called Encore Records.


    Now, Mystifier has signed with Greyhaze Records in a deal that initially involves the reissues of Wicca and Goetia.

    1. Aleister Crowley and Ordo Templi Orientis
    2. An Elizabethan Devil Worshipper's Prayer Book
    3. The Sight of the Unholy Cross
    4. Caerimonia Sanguilentu (Goetia)
    5. Beelzebuth
    6. The Realm of Antichristus
    7. The True Story About Doctor Faust's Pact With Mephistopheles
    8. Cursed Excruciation / The Sinuous Serpent of Genesis (Levathan)
    9. The Baphometic Goat of Knights Templar in the 12th Century
    10. The Cult & The Ancient Prediction
    11. The Sign Of The Unholy Cross + The Cult Continues
    Mystifier
    $35.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Barabajagal Barabajagal Quick View

    $28.99
    Buy Now
    x

    Barabajagal

    Donovan was in a tremendously creative phase during the latter part of 1968, owing to both a tour of the United States (which yielded a live album) and the chemical and social stimulation of his surroundings. Amid all of that activity and his subsequent recordings, his European performances, and the slightly late catch-up of his British career to his American success, Donovan's work blossomed in several different directions on the resulting album, Barabajagal. He still sounded like a folkie, but on the title track as well as Superlungs My Supergirl, he was backed by the Jeff Beck Group and an outfit that included Big Jim Sullivan and John Paul Jones, respectively. With Barabajagal, Donovan intermingled soft, lyrical, spaced-out folk, hard psychedelia, children's songs, anthems to free love (along with a lusty appreciation of the fairer sex that runs throughout the album), and even antiwar sentiments (To Susan on the West Coast Waiting). The result was the most challenging album then issued by Donovan, but also one of his most successful, with album sales driven by the presence of the U.S. hit Atlantis.


    - Bruce Eder (All Music Guide)

    1. Barabajagal
    2. Superlungs My Supergirl
    3. Where Is She
    4. Happiness Runs
    5. I Love My Shirt
    6. The Love Song
    7. To Susan On The West Coast Waiting
    8. Atlantis
    9. Trudi
    10. Pamela Jo
    Donovan
    $28.99
    Vinyl LP - Sealed Buy Now
  • Pain In My Heart Pain In My Heart Quick View

    $34.99
    Buy Now
    x

    Pain In My Heart

    This album works on so many different levels, that it's essential listening for at least three categories of buyer -- fans of Otis Redding and Stax Records (natch), and more general soul listeners, and also anyone serious about their devotion to the work of the Rolling Stones and any other British invasion bands that covered American soul. Pain In My Heart was practically a road map to Mick Jagger and any number of other would-be white soul shouters in the UK, not just on the title track but also numbers like the hard rocking Hey Hey Baby. For someone only 22 years old at the time of these sessions, and just two years past his first 45 rpm record, Redding exudes astonishing power, energy and boldness, though it's all packaged with greater restraint than his subsequent records did. This was the only LP that Redding recorded during the lifetime of his idol, Sam Cooke, and his version of You Send Me is the least stylized of any of his renditions of Cooke's songs -- later on, after Cooke's death, he would throw more of himself into it. The very fact that he was covering Cooke's soul classic shows an essential difference between Redding's and Cooke's early LPs; as Redding was on a soul label, no one tried to make him into a pop singer as that'd done at RCA with Cooke -- thus, he was running on all cylinders right out of the starting gate, though he wouldn't get really interesting or show his full depth until two albums later. But even covering Rufus Thomas's The Dog, Richard Berry's Louie Louie, Little Richard's Lucille, or Ben E. King's Stand By Me, he's already doing 70% of what we came to expect from Otis Redding in the years ahead -- his writing, apart from Security, These Arms Of Mine and That's What My Heart Needs, was still somewhat less than memorable, but this is still a first-rate debut.

    -All Music Guide
    1. Pain In My Heart
    2. The Dog
    3. Stand By Me
    4. Heh Heh Baby
    5. You Send Me
    6. I Need Your Lovin'
    7. These Arms Of Mine
    8. Louie Louie
    9. Something Is Worrying Me
    10. Security
    11. That's What My Heart Needs
    12. Lucille
    Otis Redding
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Final Countdown The Final Countdown Quick View

    $34.99
    Buy Now
    x

    The Final Countdown

    The Final Countdown is the third studio album by the Swedish hard rock band Europe, and one of the most glorious launches in history. Released in 1986, the album was a huge commercial success selling over 3 million units in the United States alone, peaking at number 8 on the U.S. Billboard 200 chart and reaching high positions in charts worldwide.


    Recorded at Powerplay Studios in ZÜrich, Switzerland, the band worked with American producer Kevin Elson, who had worked with bands like Journey and Lynyrd Skynyrd. Rock The Night and Ninja premiered on the band's Wings of Tomorrow tour in 1984. Five singles were released from the album: The Final Countdown, Love Chaser, Rock the Night, Carrie, and Cherokee.


    The song The Final Countdown was based on an old keyboard riff that Tempest had composed as early as 1981-82, on a Korg Polysix keyboard he had borrowed from Michaeli. In 1985 bassist John LevÉn suggested that Tempest should write a song based on that riff. The rest is Pop history.

    1. The Final Countdown
    2. Rock The Night
    3. Carrie
    4. Danger On The Track
    5. Ninja
    6. Cherokee
    7. Time Has Come
    8. Heart Of Stone
    9. On The Loose
    10. Love Chaser
    Europe
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Magnolia Electric Co Magnolia Electric Co Quick View

    $24.99
    Buy Now
    x

    Magnolia Electric Co


    10th Anniversay Deluxe Edition


    Expanded Reissue Of Songs: Ohia's Classic Record Gathering Together One Unreleased Song, Demos And Full-band Song Only
    Previously Available In Japan.


    Includes Rare Photos From The Era In Which It Was Recorded


    The hallmark of Jason Molina's career, Magnolia Electric Co., is both a confluence of all he would create and a line in the
    sand to mark a shift in his songwriting approach. It was the last statement under his iconic Songs: Ohia moniker, and the
    moment before he began making new legends as Magnolia Electric Co. for the next 10 years. Now- here at the end of that
    decade - with Molina gone, his work gathers more weight and meaning. This expanded 10-year anniversary edition of
    Magnolia Electric Co. features one never-before-released track plus many rarities. The full-band studio outtake of fan
    favorite Whip Poor Will is a sweet and spare version that ended up being played far differently on Magnolia Electric Co.'s
    final album Josephine (2009). Also included is the studio version of The Big Game Is Every Night. Previously only available
    on the Japanese version of the album, this opus serves as Molina's thesis statement, its poetry weaving through the 20th
    Century, through art and sporting culture - ultimately questioning what it means to be an American in the autumn of the
    American Era. The edition also gathers Molina's gutting demos for the record, including those two outtakes. Nearly each
    begins with audible sound of the RECORD button being pressed down on the tape player. They are so close and intimate,
    it's hard to look them right in the eyes. But you should.


    With the wailing lap steel of the album opener Farewell Transmission, Jason Molina & Company usher in a new day,
    playing the sort of rock that your cool uncle rolled to back in the '70s. Landing somewhere on the radar sonically between
    Bob Dylan's Desire and Bob Seger's Beautiful Loser, though thematically in-line with Lynyrd Skynyrd's Simple Man, The
    Magnolia Electric Co lies at the crossroads of working class rock, white soul, swamp rock and outlaw country


    While Songs: Ohia's last record Didn't It Rain was a meditation on roots and stability, Magnolia Electric Co. finds itself
    toiling with the wages of change, which is well illustrated in I've Been Riding with the Ghost, a real rig rocker that could
    have easily fit on Time Fades Away, on which Molina sings: See I ain't getting better, I am only getting behind. Standing on
    the crossroad trying to make up my mind. Trying to remember how it got so late. Why every night pain comes from a
    different place. Now something's got to change.


    This thematic preoccupation with change also manifests itself in the rotating cast of lead vocalists. While the entire album
    boasts a doo wop-like line-up with five vocalists on the floor, six of the eight songs have Molina in the tall stool with the
    ever-enchanting Jennie Benford (of Jim & Jennie & the Pinetops, who was also a key player on Didn't It Rain) as primary
    back-up vocalist. But on two songs, new Songs: Ohia players step up to take on lead vocal duties, singing Molina-penned
    songs. Lawrence Peters takes the lead on The Old Black Hen with his fantastic Merle Haggard-esque country croon, while
    Miss Scout Niblett appears from the nether world of the Ohia wardrobe with feathers in her hair and casts her spell on the
    Ohia rig barreling through Peoria Lunch Box Blues.


    Recorded live, in its entirety, at the hands of Steve Albini at his Electrical Audio Studio in Chicago, Illinois, with the same
    core back-up band that played on the Mi Sei Apparaso Come Un Fantasma Italian live album, this is the record where the
    Songs: Ohia fan demographics make a radical shift from the dominant bedroom universe of the world's lonely, sensitive,
    overqualified young white dudes, and finds refuge in the masses by being embraced by the world's truck drivers, sorority
    chicks, and hockey players, alike. Indeed, this is the first Songs: Ohia record with more than one song that could be played
    at a strip joint or monster truck show. Amid the mid-tempo slow jams, there lie some of the most upbeat material that
    Songs: Ohia has recorded to date.

    LP 1
    1. Farewell Transmission
    2. I've Been Riding With The Ghost
    3. Just Be Simple
    4. Almost Was Good Enough
    5. The Old Black Hen
    6. Peoria Lunch Box Blues
    7. John Henry Split My Heart
    8. Hold On Magnolia
    9. The Big Game Is Every Night (Bonus Track)
    10. Whip Poor Will (Bonus Track)


    LP 2
    1. Farewell Transmission (Demo)
    2. I've Been Riding With The Ghost (Demo)
    3. Just Be Simple (Demo)
    4. The Old Black Hen (Demo)
    5. Peoria Lunch Box Blues (Demo)
    6. John Henry Split My Heart (Demo)
    7. Hold On Magnolia (Demo)
    8. The Big Game Is Every Night (Demo)
    9. Whip Poor Will (Demo)

    Songs: Ohia
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • The Idiot The Idiot Quick View

    $19.99
    Buy Now
    x

    The Idiot

    The Idiot is the debut solo album by American rock singer Iggy Pop. It was the first of two LPs released in 1977 which Pop wrote and recorded in collaboration with David Bowie. Sessions for the album were begun prior to the recording of the first installment in Bowie's Berlin Trilogy, Low (1977), and The Idiot has thus been called the unofficial beginning of Bowie's Berlin period. Drawing on the electronic sounds of German groups such as Kraftwerk, The Idiot is a departure from the hard rock of Pop's former band the Stooges and has been compared to Bowie's contemporaneous albums in its treated instrument sounds and introspective atmosphere.


    The album is regarded by critics as one of Pop's best works but is not generally considered representative of his output. Its title was inspired by Dostoyevsky's novel The Idiot, three of the participants in the recording-Bowie, Pop and Tony Visconti-being familiar with the book. The album has been characterized as a major influence on subsequent post-punk, industrial, and gothic artists.

    1. Sister Midnight
    2. Nightclubbing
    3. Funtime
    4. Baby
    5. China Girl
    6. Dum Dum Boys
    7. Tiny Girls
    8. Mass Production
    Iggy Pop
    $19.99
    Vinyl LP - Sealed Buy Now
  • Borboletta (Awaiting Repress) Borboletta (Awaiting Repress) Quick View

    $29.99
    Buy Now
    x

    Borboletta (Awaiting Repress)


    40th Anniversary Limited Edition


    First Time 180 Gram Audiophile Vinyl & Gatefold Presentation!


    Mastered Impeccably By Joe Reagoso At Friday Music Studios And Pressed At R.T.I.


    1974 shows Carlos Santana and The Santana Band evolving into one of the world's most loved and arena
    packing bands of all time. After several studio albums and the two live albums with Lotus and
    Carlos Santana & Buddy Miles Live!, the world was now buzzing around the energy that these
    superstars would lay down on vinyl with the classic Borboletta.


    Featuring a cross section of Santana hits like Mirage, Practice What You Preach, and Give and Take, plus
    the exotic rhythms and jams on workouts like One With the Sun, and the stellar orchestrated Aspirations, Carlos
    Santana's guitar was explosive as ever.


    The original vinyl version of this masterpiece has been out of circulation for decades - that is until now


    Friday Music continues our exclusive Santana 180 Gram Audiophile Vinyl Series with the groundbreaking first
    time North American release of the 1974 smash Borboletta. Mastered impeccably by Joe Reagoso at Friday
    Music Studios and pressed at R.T.I., this super limited first time North American 180 Gram masterwork is truly
    one of the best Santana albums to ever be released, and we are very excited to offer you this authorized 180
    Gram LP today.


    Along with the legendary Carlos Santana on guitar and vocal, he is joined with original Santana band
    mates Michel Shrieve on his dynamic drums, both Doug Rauch and David Brown on his prolific bass, Jose
    Areas on hard hitting percussion, plus the brilliant r&b and funk superstar Leon Patillo on vocals, the celebrated
    Latin percussionist Armando Peraza, the legendary team of Airto on percussion and Flora Purim on vocals,
    Stanley Clarke on bass, and the stellar keyboard work of long time Santana associate Tom Coster.


    As an added 40th Anniversary Borboletta bonus, we are including a first time gatefold cover, restoring the
    original album cover elements to their full glory which will further enhance your listening experience.


    Let's all celebrate the 40th Anniversary of the classic mega rocker Borboletta by Santana. Authentic,
    Authorized and Absolutely Santana as only you would expect from your friends at Friday Music!

    1. Spring Manifestations
    2. Canto de los Flores
    3. Life Is Anew
    4. Give and Take
    5. One With the Sun
    6. Aspirations
    7. Practice What You Preach
    8. Mirage
    9. Here and Now
    10. Flor de Canela
    11. Promise of a Fisherman
    12. Borboletta
    Santana
    $29.99
    180 Gram Audiophile Virgin Vinyl LP AWAITING REPRESS Buy Now
Go to top