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  • Bach 6 Cello Suites: Pierre Fournier Bach 6 Cello Suites: Pierre Fournier Quick View

    $89.99
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    Bach 6 Cello Suites: Pierre Fournier

    Special Limited & Numbered Edition Of 1,500 Vinyl Linen Boxes


    Includes Booklet With Notes In English, German And French


    Pierre Fournier's recordings of Bach's Cello Suites have been landmark interpretations ever since their first release in 1961. In February 2017 we will make these legendary recordings available again for vinyl aficionados and present them in the original Archiv Edition style, in a special limited & numbered edition of 1,500 vinyl linen boxes, with booklet notes in English, German and French.

    1. Suite For Cello Solo No.1 In G Major, BWV 1007
    2. Suite For Cello Solo No.2 In D Minor, BWV 1008
    3. Suite For Cello Solo No.3 In C Major, BWV 1009
    4. Suite For Cello Solo No.4 In E Flat, BWV 1010
    5. Suite For Cello Solo No.5 In C Minor, BWV 1011
    6. Suite For Cello Solo No.6 In D Major, BWV 1012
    Pierre Fournier
    $89.99
    Vinyl LP Box Set - 3 LPs Sealed Buy Now
  • Dvorak: Concerto for Violoncello and Orchestra (Speakers Corner) Dvorak: Concerto for Violoncello and Orchestra (Speakers Corner) Quick View

    $34.99
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    Dvorak: Concerto for Violoncello and Orchestra (Speakers Corner)

    The Cello Concerto op. 104 is the last orchestral piece Dvorák wrote during his stay in America. Unlike his Ninth Symphony which borrowed folkloric themes from the New World, the charming Cello Concerto reveals Dvorák's yearning for his Bohemian homeland.



    This piece demands masterly playing and interpretation from the soloist which is enhanced by a sumptuous sound in the strings and explosive brass. Dvorák reaches back to various musical passages from the first and second movements in the finale and so illustrates his style of composition in his later works.
    Yearning for the Old World must have motivated George Szell to briefly leave his adopted home, the USA, in order to set down this late-Romantic musical gem together with the master cellist Pierre Fournier and the Berlin Philharmonic.



    The artists were obviously inspired by this favourable constellation during the recording which sets the standards for artistic quality and perfection of sound technology. Indeed, this LP is among the most successful classical productions of the Sixties. Thirty years on, this recording is just as popular as it ever was.



    Recording: June 1961 at the Jesus-Christus-Kirche, Berlinby GÜnter Hermanns / Hans Weber





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    Dvorák: Concerto for Violoncello and Orchestra
    Pierre Fournier and the Berlin Philharmonic Orchestra conducted by George Szell
    Georg Szell with the London Symphony Orchestra
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Beethoven: Triple Concerto in C Beethoven: Triple Concerto in C Quick View

    $44.99
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    Beethoven: Triple Concerto in C

    Ferenc Fricsay conducts the Berlin Radio Symphony Orchestra and pianist Geza Anda, violinist Wolfgang Schneiderhan and cellist Pierre Fournier on a performance of Beethoven's Triple Concerto in C major, Op 56. 180g vinyl pressing from Clearaudio.


    The widespread interest both in the technical capabilities of solo instruments and in the symphony, whose formal outlines became established toward the end of the 18th century, accounts for the popularity at that time of "concertante symphonies" in which several solo instruments (strings, wind) combined to oppose the orchestra. Despite the popularity, Beethoven was correct when he wrote about his Triple Concerto "that a concertante with these three solo parts is something new."


    The novelty lay in the usage of this connection with the piano. The difference between the piano's method of tone production and that of the other instruments alongside the piano's "mechanics" resulted in tonal problems. These problems arose both within the solo trio and in its relationship to the orchestra. Beethoven, who was interested throughout his whole career in experiments to extend the scope of instrumental music, here combined the styles of chamber music and of concertante symphonic writing to great effect.


    Musicians:

    Beethoven (composer)

    Ferenc Fricsay (conductor)

    Berlin Radio Symphony Orchestra Geza Anda (piano)

    Wolfgang Schneiderhan (violin)

    Pierre Fournier (cello)

    1. Allegro
    2. Largo (attacca)

    3. Rondo alla polacca
    Ferenc Fricsay
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Zubberdust! Zubberdust! Quick View

    $25.99
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    Zubberdust!


    180g LP Audiophile Pressing Includes Art Print Poster


    Avec le soleil sortant de sa bouche began in MontrÉal in 2011, with bassist,
    singer and composer Jean-Sebastien Truchy seeking a new live ensemble to
    fuel his desired return to the highly structured afro-kraut trance rock that was
    a stock-in-trade of his previous group, the pseudo-legendary Fly Pan Am (one
    of Constellation's earliest bands, active from 1998-2005).


    Avec le soleil initially formed with Truchy joined by guitarist/engineer
    Sebastien Fournier and drummer Nasir Hasan; a rotating cast of additional
    players contributed to the group for live shows throughout 2012-2013, and the
    band gained a local reputation for irresistible and levitational live sets
    combining a contemporary/avant-garde sensibility with infectiously angular,
    rubbery grooves. Guitarist Eric Gingras (Pas Chic Chic) emerged as a fourth
    core member during this period.


    Avec le soleil has by now careened towards mastery of a highly original,
    deeply satisfying, giddy and heady avant-funk. Anchored by the excellent bass
    and drum work of Truchy and Hasan, the group's music is woven with crisp
    stuttering guitar and keyboard lines and a dynamic palette of electronic
    interventions. The pair of exquisite and exhilarating 20-minute pieces
    featured on Zubberdust! are the culmination of the group's first two years of
    conceptual and somatic development.


    This is (mostly) instrumental rock that exuberantly succeeds in blending a
    primitivist, hypnotic energy with cerebral pleasures, seeding an addictive trail
    of sonic brain-candy throughout the mixes. The band wholly embodies and
    channels its inimitable square grooves, while teasing out the innumerable joys
    of repetition via micro-deployments of ever-shifting electronic overlays -
    along with the occasional full-stop and 180 degree turn. Truchy's wordless
    lead vocals (and his choral arrangement on "Face à l'instant") add compelling
    textural and melodic counterpoints while lending the music an especially
    timeless, deterritorialised and emotive dimension.


    Radwan Moumneh's recording and production skills are on fine display; the
    album's sonic bedrock conveys all the assertiveness of the rhythm section's
    punk/hardcore roots, upon which a miasma of detailed intertwining elements
    circulate with clarity and cohesion. Zubberdust! comes in waves and pushes
    some serious air, while maintaining a meticulously upfront soundstage as the
    music moves supplely back and forth between simplicity/minimalism and
    complexity/maximalism.


    We're thrilled to be releasing the debut album by Avec le soleil sortant de sa
    bouche, sure to be a treat for Fly Pan Am fans (we know you're out there!) and
    for any aficionados of revitalizing work being done in the no wave/krautrock/
    avant-funk axis.

    1. Face à l'instant Part 1
    2. Face à l'instant Part 2
    3. Face à l'instant Part 3
    4. Face à l'instant Part 4
    5. DÉja, hier....
    6. Super pastiche fantastique / New Sun Part 1
    7. Super pastiche fantastique / New Sun Part 2
    8. Super pastiche fantastique / New Sun Part 3
    9. Super pastiche fantastique / New Sun Part 4
    10. À partir de dorÉnavant
    Avec le soleil sortant de sa bouche
    $25.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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