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  • Stravinsky: The Firebird (Pre-Order) Stravinsky: The Firebird (Pre-Order) Quick View

    $54.99
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    x

    Stravinsky: The Firebird (Pre-Order)


    Mastered by Bernie Grundman from the Original Analog Master Tapes & Pressed at RTI!


    Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide!


    Antal Dorati conducts the London Symphony Orchestra for this 1960 recording of Stravinsky's Firebird Suite.


    Features:

    • Numbered Deluxe Laminated Double Gatefold Jackets

    • Only 2500 Numbered Limited Edition Copies Worldwide!

    • Audiophile 180g, 45rpm Vinyl

    • Double LP

    • Pressed at RTI

    • Mastered by Bernie Grundman from the Original Analog Master Tapes!


    Musicians:

    London Symphony Orchestra

    Antal Dorati, conductor


    Recorded 1960


    This title is not eligible for discount.

    1. Igor Stravinsky - The Firebird Suite
    Antal Dorati & The London Symphony Orchestra
    $54.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Stravinsky - Firebird (Speakers Corner) Stravinsky - Firebird (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Stravinsky - Firebird (Speakers Corner)

    Ernest Ansermet's long friendship with Igor Stravinsky enabled him to witness the birth of some of the composer's most important creations. This proved to be of incalculable worth in his interpretation of the works he premiered for Stravinsksy.



    Here Ansermet directs the OSR in a performance of Stravinsky's The Firebird. It is the composer's first major ballet, brought him world fame and continues to gain in popularity to this day. The story - which combines the motifs of several Russian fairy tales with a magic Firebird, a vanishing castle, an evil magician, and a hero who saves the maiden - inspired Stravinsky to write some of his most fascinating and mysterious music.



    The OSR is fully equal to its fine reputation. Ernest Ansermet's competence as an interpreter is evident throughout.



    Acoustically, this pressing offers advantages over the original. Here the orchestra resonates with a full, natural and mellow sound that blossoms into a veritable garden of tonality extending around and behind the loudspeakers.
    This new edition of Stravinsky's The Firebird is a true stereophonic delight.





    Musicians:



    • Orchestre de la Suisse Romande

    • Ernest Ansermet (conductor)




    Recording date and venue: May 1955 at Victoria Hall, Geneva by Roy Wallace
    Production: James Walker




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    Ernest Ansermet
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Firebird Suite / The Song of the Nightingale The Firebird Suite / The Song of the Nightingale Quick View

    $34.99
    Buy Now
    x

    The Firebird Suite / The Song of the Nightingale

    First time ever on LP! Performed by the Minnesota Orchestra, conducted by Eiji Oue. The compact disc was a 1997 Grammy nominee for Best Engineered, Classical.


    The world-renowned Minnesota Orchesta in its first recordings with its dynamic music director! Eiji Oue, a protege of Seiji Ozawa and Leonard Bernstein, has set the entire Twin Cities area on fire with his exciting and masterful interpretations.


    Eiji Oue became the ninth music director of the Minnesota Orchestra in 1995. This disc along with Exotic Dances from the Opera marks the recording debut of this gifted conductor, who is quickly developing a prominent identity in the international musical world.

    1. The Firebird Suite 1919
    2. The Song of the Nightingale
    Stravinsky
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Stravinsky - Firebird (Speakers Corner) Stravinsky - Firebird (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Stravinsky - Firebird (Speakers Corner)

    The Firebird can almost be described as a work of fate, since it is not only the first of several ballets that Stravinsky wrote for Sergei Diaghilev and his Ballets Russes but also marks his international breakthrough as a composer. In comparison with his other earlier stage works, the ecstatic, sharply contoured Rite of Spring for example, The Firebird, with its melodic character, is a far gentler work altogether.


    There are unmistakable reminiscences of the musical language of Rimsky-Korsakov and Tchaikovsky as well as snatches of late-Romantic harmonies; all this lends the music the charm of Russian tradition.
    In his performance, Dorati chooses the golden mean in that he has his ensemble produce a highly colourful but by no means glaring sound. Thus the listener is given the opportunity to follow the development of the finely chiselled motifs which are so characteristic of this early composition. Happily, the chamber-music-like transparency is preserved even in the loud, more exposed passages - the sound leaves the loudspeakers with a sprightly, athletic tread, as it were.


    Musicians:



    • Antal Dorati (conductor)

    • Igor Stravinsky (composer)

    • The London Symphony Orchestra



    Recording: June 1959 at Watford Town Hall, London, by C. R. Fine and Robert Eberenz
    Production: Wilma Cozart-Fine and Harold Lawrence




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    Stravinsky
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Stravinsky: The Firebird Stravinsky: The Firebird Quick View

    $21.99
    Buy Now
    x

    Stravinsky: The Firebird

    Antal Dorati was a veteran ballet conductor and a personal friend of Stravinsky. His recording of The Firebird was a legend in its own time... All of Stravinsky's complete ballets--as opposed to the suites-- have dead spots, moments when the music sort of stops and lurches about, illustrating something happening onstage. That's why the composer made the suites in the first place. However, many of his most fascinating orchestral ideas occur precisely in these dead spots, which is why many conductors and audiences prefer the works complete. Trust Dorati: he's the most reliable guide to this music, and his orchestra gives him a virtuoso response. --David Hurwitz
    1. Igor Stravinsky - The Firebird Suite
    Antal Dorati & The London Symphony Orchestra
    $21.99
    Vinyl LP - Sealed Buy Now
  • Firebirds Firebirds Quick View

    $14.99
    Buy Now
    x

    Firebirds

    Mayflower
    For The Child
    Tracking Train
    Prince Lawsha
    $14.99
    Vinyl LP Reissue - Sealed Buy Now
  • The Firebird & Jeu De Cartes The Firebird & Jeu De Cartes Quick View

    $44.99
    Buy Now
    x

    The Firebird & Jeu De Cartes

    Claudio Abbado is one of those rare conductors who seem to get more youthful and enquiring with age, while at the same time his music-making takes on an ever greater profundity. - Daily Telegraph, London


    Abbado has recorded for Deutsche Grammophon since 1967, amassing a discography that includes the entire symphonic works of Beethoven, Brahms, Mahler, Mendelssohn, Schubert and Ravel and more than 20 complete opera recordings.


    Claudio Abbado conducting the London Symphony Orchestra performing Stravinsky's Firebird and Jeu De Cartes.

    Side 1:


    1. Introduction

    2. L'oiseau de feu et sa danse / The Firebird's Dance / Der Feuervogel und sein Tanz/The Firebird and its Dance

    3. Variation de l'oiseau de feu / Variation: Der Feuervogel / Variation of the Firebird

    4. Ronde des princesses /Reigen der Prinzessinnen / The Princesses' Round

    5. Danse infernale du roi Kastchei / Hollentanz des Konigs Kaschtschei / Infernal Dance of King Kastchei's

    6. Berceuse / Wiegenlied / Lullaby

    7. Finale


    Side 2:


    Jeu De Cartes / Kartenspiel / Card Game (1936) Ballet en trois donnes / Ballett in drei Runden / Ballet in Three Deals


    1. Premiere donne / Erste Runde / First Deal (Alla breve - Moderato assai - Tranquillo)

    2. Deuxieme donne / Zweite Runde / Second Deal (Alla breve - Marcia - Variazioni I-V - Coda - Marcia

    3. Troisieme donne / Dritte Runde / Third Deal (Alla breve - Valse - Presto - Tempo del principio)


    Igor Stravinsky
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Double Diamond Double Diamond Quick View

    $32.99
    Buy Now
    x

    Double Diamond

    Includes Bonus 7 LP


    Founding member of Carcass and former Napalm Death guitarist Bill Steer is back with the latest offering from his main passion Firebird. Double Diamond, the bands sixth studio album, is by far the most hard-hitting yet.
    Moving on from the Humble Pie/Small Faces inspired blues and boogie rock of previous outings, Double Diamond takes in more classic metal elements bringing to mind the likes of Thin Lizzy, Budgie and Diamond Head. Certainly their heaviest outing to date; theres no stopping Mr. Steer when it comes to effortlessly delivering the goods in true organic style!

    1.Soul Saviour
    2.Ruined
    3.Bright Lights
    4.For Crying Out Loud

    5. Farewell
    6.A Wing & A Prayer

    7.Pound Of Flesh
    8. Arabesque
    9.Lose Your Delusions
    10. Pantomime
    Firebird
    $32.99
    Vinyl LP - Sealed Buy Now
  • Mussorgsky - Pictures From An Exhibition - Muti Mussorgsky - Pictures From An Exhibition - Muti Quick View

    $34.99
    Buy Now
    x

    Mussorgsky - Pictures From An Exhibition - Muti

    Riccardo Muti conducts the Philadelphia Orchestra through readings of Mussorgsky's Pictures From An Exhibition and Stravinsky's The Firebird Suite. Produced and engineered by Christopher Bishop and Michael Gray. Cut at Abbey Road Studios from the original stereo analogue master tapes and pressed on 180g vinyl.


    This title is not eligible for discount.

    1. The Gnome/The Old Castle/In The Tuileries/Bydlo/Ballet of the Chicks in their Shells/Two Old Jews (Goldenberg and Schmuyle)/The Market Place at Limoges/The Catacombs
    2. Cum mortuis in lingua mortua
    3. The Hut on Fowls Legs (Baba Yaga) The Great Gate of Kiev
    4. Introduction/Dance of the Firebird/Round Dance of the Princesses/Infernal Dance of King Kastchei/Berceuse/Finale
    Riccardo Muti
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Step Back Step Back Quick View

    $17.99
    Buy Now
    x

    Step Back

    Blues legend Johnny Winter will release a new studio album, Step Back, via Megaforce Records. The album, the followup to 2011's Roots, will find Winter exploring a more aggressive vintage-blues style.


    The album also will feature a host of special guests, including Eric Clapton, Ben Harper, Billy Gibbons, Joe Perry, Dr. John, Leslie West, Brian Setzer and Joe Bonnamassa.


    "If there's good people, other good musicians, people enjoy it. I just love it, Winter says. [Step Back] is just to bring it to the people of today who haven't listened to the old music. It's better than anything they hear today.


    Produced by Winter's guitarist, Paul Nelson, Step Back opens with "Unchain My Heart," which features Winter and his band joined by the Blues Brothers horns. ZZ Top's Billy Gibbons is featured on "Where Can You Be."


    "I never had the opportunity to jam with him [in the Sixties and Seventies]," Gibbons says. "I was content to remain in awe and admiration."


    "If it weren't for Johnny Winter, I would have never picked up the guitar," adds Aerosmith's Joe Perry, who joins Winter on Lightnin' Hopkins' "Mojo Hand."


    Other highlights include Winter's guitar and vocal trade-offs with Harper on Willie Dixon's "Can't Hold Out (Talk to Me Baby)," Winter and Clapton's rendition of Bobby Bland's "Don't Want No Woman" and Winter and Dr. John honoring Fats Domino with "Blue Monday."


    "When you hear that sound come out of that Firebird guitar, you know it can be the one and only Johnny Winter," says Setzer, who is featured on Clarence "Gatemouth" Brown's "Okie Dokie Stomp."


    - Jackson Maxwell (Guitar World)

    1. Unchain My Heart - Johnny Winter
    2. Can't Hold Out (Talk To Me Baby) - Johnny Winter with Ben Harper
    3. Don't Want No Woman - Johnny Winter with Eric Clapton
    4. Killing Floor - Johnny Winter with Paul Nelson
    5. Who Do You Love - Johnny Winter
    6. Okie Dokie Stomp - Johnny Winter with Brian Setzer
    7. Where Can You Be - Johnny Winter with Billy Gibbons
    8. Sweet Sixteen - Johnny Winter with Joe Bonamassa
    9. Death Letter -Johnny Winter
    10. My Babe - Johnny Winter with Jason Ricci
    11. Long Tall Sally - Johnny Winter with Leslie West
    12. Mojo Hand - Johnny Winter with Joe Perry
    13. Blue Monday - Johnny Winter with Dr. John
    Johnny Winter
    $17.99
    Vinyl LP - Sealed Buy Now
  • Bound By The Blues Bound By The Blues Quick View

    $19.99
    Buy Now
    x

    Bound By The Blues

    Sonny Landreth's new album Bound By The Blues marks a return to the slide
    guitarist's musical roots. It presents a bold, big-sounding collection of
    recordings that climb to stratospheric heights of jazz informed improvisation,
    the best of classic rock, and inevitably remain deeply attached to the elemental
    emotional and compositional structures that are at the blues' historic core.
    Bound By The Blues is a powerful tribute to the durability and flexibility of the
    genre, and to his own creative vision. Sonny name-checks Jimi Hendrix, Muddy
    Waters and some of Landreth's other musical heroes along the way. He also
    pays homage to fellow slide guitarist Johnny Winter, with the instrumental
    "Firebird Blues." He recreates some amazing covers "Walkin' Blues" by Robert
    Johnson, and "Dust My Broom" by Elmore James.


    Landreth continues to develop his vision and his musical voice, growing
    increasingly original and distinctively diverse sounds expanding from blues,
    zydeco, folk, country and jazz, making bound by the blues one of his most
    ambitious albums to date

    1. Walkin' Blues
    2. Bound By The Blues
    3. The High Side
    4. It Hurts Me Too
    5. Where They Will
    6. Cherry Ball Blues
    7. Firebird Blues (In Memory Of Johnny Winter)
    8. Dust My Broom
    9. Key To The Highway
    10. Simcoe Street
    Sonny Landreth
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Stravinsky - Petruchka (Speakers Corner) Stravinsky - Petruchka (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Stravinsky - Petruchka (Speakers Corner)

    Petrushka was born of Stravinsky's vision of a long-haired musician hammering indiscriminately at the piano keys and engaging in a furious contest with the orchestra which »answers with vehement protests and acoustic fisticuffs«. As was the case with The Rite of Spring and The Firebird, Sergei Diaghilev and his Russian ballet had their share in ensuring that the 'burlesque' in four scenes would be suitable for the stage.
    The clown-doll Petrushka revels in his spiteful teasing and pranks at the Shrovetide fair.


    The orchestra contributes swirling dance figures, blaring brass and scurrying strings to his high-spirited clownery - but then the Moor enters and dances with the Ballerina, arousing jealousy in Petrushka. Although the clown-doll does not survive this bitter-sweet story, he triumphs at the end, his ghost mocking the crowd at the fair.
    This highly inventive music combines folksong, popular music and the waltz, all bound together by exhilating rhythms which are often taken to thunderous extremes. With its outstanding sound, this recording is a must-have in any Stravinsky collection.


    Recording: May 1959 at the Northrop Memorial Auditorium, Minnesota, USA, by C.R. Fine
    Production: Wilma Cozart-Fine and Clair Van Ausdall


    Musicians:



    • Antal Dorati (conductor)

    • Igor Stravinsky (composer)

    • The Minneapolis Symphony Orchestra



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Petrouchka - Burlesque Scenes In Four Tableaux - The Shrovetide Fair; Russian Dance
    2. Petrouchka - Burlesque Scenes In Four Tableaux - In Petrouchka's Room
    3. Petrouchka - Burlesque Scenes In Four Tableaux - In The Moor's Room; Dance Of The Ballerina And The Moor
    4. Petrouchka - Burlesque Scenes In Four Tableaux - Grand Carnival - Dance Of Gypsies, Coachmen And Grooms; The Maskers; Death Of Petrouchka
    Stravinsky
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Stravinsky - The Rite Of Spring Stravinsky - The Rite Of Spring Quick View

    $34.99
    Buy Now
    x

    Stravinsky - The Rite Of Spring

    While he was finishing the score of The Firebird, the idea came to Stravinsky for a pagan, ritual scenario. The background history of Le Sacre du printemps is well known: while the modernists praised the work, the conservative public thought they were being hoaxed. The reason for their irritation and the scandalous fiasco of the premiere is still audible to this day. Stravinsky carries the aggressive, hammering rhythms to the extreme, casting them in atonal harmonies which feed on the alternation between a »red-hot and a mild mixture«, as Stravinsky put it.


    Dorati urges on his ensemble with robust tempi, and the orchestra is quick to respond to all the refinements of the tightly knit movement. It appears to cope effortlessly with the extremes of contrast and manages to amalgamate the rhythmic excesses with the tenderness of the numerous tiny motifs and figures which seem to sprout like flowers out of hard rock. The excellent recording technique captures both the extreme loudness and the finely pulsating tones, resulting in a sound in which no detail goes unheard. The listener can be sure that this Stravinsky deserves the rating 'excellent' - both for the interpretation and for the sound.

    Musicians:



    • Antal Dorati (conductor)

    • Igor Stravinsky (composer)

    • The Minneapolis Symphony Orchestra




    Recording: November 1959 at the NorthropMemorial Auditorium, Minnesota, USA, by C.R. Fine
    Production: Wilma Cozart-Fine and Harold Lawrence




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    1. The Rite Of Spring Part I
    2. The Rite Of Spring Part II
    Stravinsky
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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